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We left the morning of this ninety- six liens and today we have a

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visit from a clown and don'
t think he was some political leader.

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We' ve got a good friend
from the show over here. Or I

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saw it on TV about fifteen years
ago, right, fifteen not, when

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I started watching and Eduardo and I
were your fans, your followers and when

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I had the hashtag that I watch
local TV, of course your show.

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If you don' t make a
mistake on Saturdays on the 25th Channel in

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Santiago, the house in Paami'
s house sees me welcome arrit in the

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morning or there we follow the rich, but in the morning you know what

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is most incredible than us and that
I say it with all the onestity.

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We relaxed the television. It was
with that hashtag and we started with the

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children' s programs that they gave
in the morning we started with those of

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Santiago. There were twenty- nine
of you on Union TV There were still

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two of you. It was hard. Sometimes that one from the Union,

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the clown was waving the little garages. Of course. You did love the

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child' s father. Please,
all please come. I' ll go

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there. I wrote to b may
what I tell you is incredible that with

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the passage of time, which is
one, he thinks that there are people

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who come by if he stays because
it makes you fifteen years ago yes,

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and twelve years already on television sometimes
felt with the program the little house of

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paamin yes and then good. You' ve kept yourself high and low here.

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People may not know, but they
also organize events and work with brands

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in the Cibado region and how many
days when you take off Payaso' s

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suit. He' s one of
the best animators in Tarima I' ve

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ever seen in my life. Oh
thank you, thank you when one to

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Clown, when Clown satiate over there. But the luck of me that I

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' m getting out of there if
I get paid, is another one that

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avoids us and they do it for
free and he told me but if you

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have to pay him you know what
piga looks at heart. It' s

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the opportunity you give me thanks to
you and I have a photo that needs

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to be recreated. About six years
ago I had my first nomination to the

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sovereigns and we took a really cool
picture that when I came to the show,

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you weren' t there, but
you' re going to put on

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an equiita, even if it'
s like a doll, so you'

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re three things look. Now we
have a new project called Paamin and its

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magical courtyard, a show for the
whole family that we think also brings here

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Santo Domingo. That' s why
we' re doing the publicity here too,

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because we' re going to be
in Chivaba theater on July 11th and

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12th. It' s a show
that leads to working on many values.

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You know what the North is missing
a lot. We, as parents and

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also as animators, as clowns and
in my case, as a teacher,

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have lost the North why. Because
the situation is very difficult for parents,

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the war right now of a dad
being a real dad and working on values

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and having a child as he wants
and as he wants the war. It

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' s very difficult to face.
You' re a teacher. Yeah,

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of course I think it' s
yearning in the salula. Now I'

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m seven years retired because I understood
that I should either decide or because I

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' m going or because of the
professor and Joan. I taught at the

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most expensive schools in Santiago. I
mean, by the way da Vinci Dominicano

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Oliberia the sacred because one is many
people obliographies q professor of geography, that

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is, when I didn' t
learn that if you know that I the

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most recess to help me what matter
I didn' t know that yes of

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course you do know what happens to
me that people when I see a clown,

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you just realize that you are derogatory. That' s a clown He

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' s gonna suck. This is
a clown because you have to ask where

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the disdain for clowns is born,
that is, the degenerative mex r is

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disdain. Yeah, I understand,' cause you' re born, you

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start thinking about court jesters, for
example, what you know that everything to

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do. Thank you and it'
s nano in that case that maybe they

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had a disability was that they used
it for that, because now that you

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can' t tell people anything,
you know that all people or it'

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s offended that the word right now
therapy is the one that' s going

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to end humanity. But let'
s go back then. Professor Joan Joan

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' s theme Tell me what the
class brings to you, that is,

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your teacher classes, but that came
first to your life, came to the

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theater first in' 90s. I
was thirteen years old the theater of the

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Church, because I had to introduce
myself to the Church. What' s

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going on? I am from a
field is called cinnamon in Santiago, when

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the word of God was presented and
they read what they played that day of

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the Liturgy. People might understand it, but I saw there was a deficit.

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Then I spoke to the father,
who was a father of his parents,

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totally difficult, Father Anselmo, that
he rest in peace and told him

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aensemos. You allow me what you' re going to say, the word

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I can do to you acting that
you gave me to try. These people

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whatever they want, they' re
not gonna understand anything, or I'

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m Alberto' s a father He' s dating a bad father, so

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a father of but good people.
In the end, then they eat the

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word of God. For example,
let' s talk about the gifts some

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antones that fell, One fell on
a stone, others on feltis lands.

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So that' s what we were
doing to people. After the father read,

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I saw that people liked him and
we all continued all week rehearsing and

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on Sunday we did. Then I
arrived in Santiago, in the city.

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There' s a field out there
that I told you to put them in

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Santiago. I came to the city
what I' m going to do theater,

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which is what I like. Then
I' ll talk to you about

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studying in Fine Arts. It happened
that he was in Fine Arts. I

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talked a lot. It was very
gecio, perhaps the desire to progress already

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forward, but my mom economically did
not have enough resources perhaps to pay me

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that daily passage of the cinnamon Santiago
that was twenty- five pesos and three

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pesos a pussy of the one for
Fine Arts. When you come to see

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more, they would tell me Joan
t or you decide for one thing,

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but again I can not put Bellas
Ate also the University and the University was

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the wass hear Mommy could not then
there I remember that when I entered Bellas

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Sate, that I needed a character
for a play at that time was Lorenzo

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Toma Martínez and Lincoln Opera the director. That was in ninety- five and

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he was seventeen. In the ninety- six, I couldn' t follow

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Fine Arts anymore because I didn'
t have and I' m the one

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who called the Brunette, who talks
a lot that I love for a character

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I don' t teach I can' t go on anymore because I don

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' t have to be here and
you know people how to explain to him,

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and Lincoln Lopez told me they don' t come to the theater.

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I have to get a job for
you to work in protocol and so you

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can then start the process of being
teaching, that is, taking classes in

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fine arts and also having a livelihood
to come every day to class, but

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you no longer responded to the stuff
you gave. But either stay out there,

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I mean, there' s eighteen, because I have to take it

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back. We' re on foot
we' re pulling that off now your

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tallinco garangate. I think it'
s all clear, you' re getting

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a little quote. Yes, yes
gas so and heart and now I have

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the red pipette that I say to
your bare back. So that' s

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where your day at the was you
gave me your bookkeeping day and then gave

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you the magisterium. I entered the
class in the year two thousand and three

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in the daVinci Literature and Arts.
And that' s already why you realize

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when I write, I write a
little bit with good nods and wawk that

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men almost don' t. No. No. No. The man who

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writes correctly always gets him wearing a
wig, I wear it, but Payaso

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' s going to the event.
Great forgiveness, sorry what the tail got

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hold of. Hey, he'
s got to get hold of her Go

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talk to me. Here' s
an event coming up in the city of

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Santiago already listens to us enough people
per channel one hundred and five and here

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in the capital will also bring this
event. You were talking about something.

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It caught my attention that you focused
on that, because I thought most of

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society. He was not paying attention
to the enemies they are facing at the

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time of raising their children as they
understand. And you' re very aware

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of that. And the question that
arises to me what led you to become

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aware of that, what made you
wake up to call it somehow. I

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' m Dad. It is also, by deciemplo, of all parents and

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one knows that I was telling you
right now that we as well have the

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difference now when you were a child
that I was a child, my dad,

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my mom, your dad, your
mom, they worked and tried to

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make you happy within their capacity,
because their dad might have treated it differently.

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So we, when we were kids
that made us play or be happy,

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because it' s the child'
s job. People wanted that the

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child has the obligations of not what
not my heart, a child is a

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child and has to be happy.
Here is the only country in the world

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Latin America that is a child up
to twelve years. In all countries a

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mother' s child up to eight
years and then at nine years are preteens

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and after ten years or a teenager. And you see parents who want a

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13- year- old boy to
act just like an eight- year-

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old. Because my child, my
herma, is thirteen years old. He

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' s not going to understand you, he' s not going to understand

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the process that he' s going
through from getting to know himself, knowing

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who' s where I' m
going to go what I want, Mommy,

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I still don' t understand why
he looks at me badly, because

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he looks at me well. Then
we, as a father, have an

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obligation to strive here at least thirty
minutes of twenty- four hours that you

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have a day to play with the
child, to return the task. I,

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as a teacher, I would put
him on lipstick Daddy please, check

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the notebook on the child, help
him do such a task whatever it is.

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And I assure you, at the
end of the school year, that

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was just like me. I tell
you, and dad didn' t check

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it because he wanted to, maybe
he already wanted to, because he had

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the time, maybe he didn'
t have it or he didn' t

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have it and he couldn' t
use it for that moment. Or we

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always say. Now give me a
chance to wait,' cause day to

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day is hard. Alberto you know
not everyone has the ease of having a

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nanny in their house. We haven' t all had the facilities. When

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he talks about the fridge, I
mean, I have a supermarket in vinaevera.

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There are many who have a desert
and no water even difficult ex.

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That' s why we have the
ability to ride. This show. It

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is given to the 11th and 12th
of July, where one plot was written

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eleven years ago. The plot is
about a neighbourhood where there are five children

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playing and everything like children. As
I was saying, the child has to

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be happy and today that happiness we
are going to deal with that issue children.

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Everything you imagine, everything you dream
of, makes it reality. What

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' s the matter? We have
a neighbor in every neighborhood, in every

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sector, in every residential place,
not you alive. There' s a

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neighbor that that neighbor on the mark
is the grinch. That neighbor is or

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that neighbor in your case, which
one is your neighbor. You have when

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I was the kid, it was
my uncle, man that we lived a

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street that my life would take the
whole family and my uncle was the grins

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of everything or I was bas we
give me crazy. That bully ended up

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sleeping. You think you get gringa, you don' t make bullies.

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No. I see a very,
very, very isolated life. Or me

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what my quiet still is. No. I don' t think so,

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and I think that' s what
you say. I think kids need this

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time to play. So, at
that stage there' s a book called

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The Slingshot. The Vice President sent
it to me as a gift at that

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time, Margarita Sedeño. In that
book he talks about us adults, when

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we are children, beginning to kill
the imagination and through the death of the

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imagination, the creativity and the ability
to use us and that book what he

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is looking for, what he seeks
to awaken in ten of that child that

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they isolated, that they caged,
etcetera. And I think, when I

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see children playing me and they spend
a lot of time playing, I'

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m sure that when they' re
teenagers or when they' re adults,

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they' re going to have a
much more, much greater ability to be

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more creative, but also to be
able to adapt to changes, that'

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s what intelligence really is. So, with the death of creativity, they

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limit the intelligence and ability of the
individual to adapt. And that really I

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defend the space so that the children
play I do not bother, on the

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contrary, to me What bothers me
are the silly little faces, that those

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annoying and disrespectful, rude. Parents
who support this and may be afraid to

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correct them. You realize that parents
today fear because they do, because they

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immediately say the psychologist. You can' t correct the child. So remember

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that then the child can get into
depression. And if the child goes into

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depression, you don' t know
what he can do, he can threaten

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his life, he gets into his
room, and he can' t do

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anything. Don' t let your
child have confidence in other children don'

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t have confidence in you, so
don' t talk bad about my love.

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But we' re gonna fix a
guy. Here we have a psychiatrist

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who collaborates with us regularly and he
is very critical of him. He says

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that the great problem of younger generations
has been the psychologicalization of parenting. And

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so says a psychiatrist who has studied
more than not all of us and is

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very critical of this and this attitude
that everything is a therapy, that everything

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is a conversation with a third person
who doesn' t know you. And,

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well, I' m not an
expert on that subject, but I

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think we' re in the generation
where people decide not to build bridges with

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their children. Let' s do
it Look. To finish the concept of

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the father. I really try to
be on top of saying things to people,

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because people don' t understand that
we, as teachers, as clowns,

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as educators, as people who work
with children, always have the desire

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for better things. As a father, you have to face it. There

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are times when you say I want
my child to be a reflection of my

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lie. Your kids aren' t
going to be a reflection of the kind

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you want or the kind you try
or the parents who want to live what

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their dreams didn' t get through
their life to hear the best baller.

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It' s going to be my
son, which seems to me very selfish

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too exactly then you have two children
and you say the little one, that

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boy is terrible, the bigger,
the quieter. For that little ones my

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love cannot be Equals you have the
desire of your different concept, different ideas

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that was maybe you can have your
own blood and yourself, your own genes,

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but the concepts, the ideas,
the ideals are very different. And

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sometimes we say things to children who
are very young. You were saying something

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right now, which is that we
have no respect to bring it up to

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people before boys. No, and
not just that. I think, I

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don' t know to what extent
that is problematic, but I can tell

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you that there are times there are
adults that they don' t get to

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the height of the child. They
believe that the child gets to the level

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of creatures and down and things stories
that have marked many people' s losses.

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For example, I know a case
of someone who lost a brother,

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but he was a nine- year- old boy and like any child,

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he has to continue his life.
You don' t understand, you don

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' t know all about loss.
He' s sad, he lost his

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brother with whom he was born and
the brother was there and suddenly, the

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brother is gone and the family,
as he saw him play and move on

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with his life. I was saying
if your brother had been the one to

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die. I was sad in some
corner and I say, but what'

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s the use you have to tell
a little boy a sheath as cruel and

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hard as that and that trauma accompanies
that person to this day. Then there

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00:14:46,480 --> 00:14:52,320
are people who really have to give
them arsenic. Then, going back to

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00:14:52,360 --> 00:14:56,679
the story of the grumpy neighbor,
I told you that he was a guy

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I loved very much but he,
who was the people of another time was

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00:15:00,039 --> 00:15:03,240
very grumpy, grumpy. That'
s what you call the Grujon family,

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Grullón' s family. He'
s fading Grumpy, he' s the

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one who breaks your ball, he' s the one who doesn' t

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00:15:07,960 --> 00:15:13,639
want your scandal with you to be
asleep, he' s Mrs Carlota,

247
00:15:13,000 --> 00:15:15,000
that' s the icado sylla,
so he' s next door. Grullon

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00:15:15,039 --> 00:15:18,480
becomes the polluter. For example,
in one of the scenes in the boys

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00:15:18,799 --> 00:15:24,919
they try to save a planet from
what pollution is. We work hard on

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00:15:24,919 --> 00:15:28,200
the values, the contaminant, the
alien and everything else, and that becomes

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00:15:28,360 --> 00:15:35,440
the contaminant with grumpy taminol. Another
story makes the clown smile because there'

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00:15:35,480 --> 00:15:37,120
s a moment you say, but
that cock suchu sangron, doesn' t

253
00:15:37,200 --> 00:15:39,120
laugh or that one. Sir I' m always bored sir? But why

254
00:15:39,240 --> 00:15:43,200
is that gentleman always bored? What
marked that lord to make his life sad

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00:15:43,480 --> 00:15:48,600
and his goodness disappear from his soul. So, that' s what we

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00:15:48,600 --> 00:15:52,399
' re trying to look for.
And there' s also the grumpy neighbor

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who always in the end is that
he never had a birthday. Never his

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00:15:56,919 --> 00:15:58,919
dad and his mom may have had
the time to dedicate their love and affection

259
00:16:00,240 --> 00:16:03,200
to him and just go out on
a birthday. Then we work. That

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00:16:03,399 --> 00:16:07,279
works out a lot of values.
There are one hundred and thirteen people on

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00:16:07,879 --> 00:16:10,840
the scene We have forty children.
Boy talks to the gentleman and back that

262
00:16:10,840 --> 00:16:15,000
I' m seeing the room because
it' s not me with us gey

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00:16:15,120 --> 00:16:19,759
I don' t even get palmoto
acon and how you can handle a two

264
00:16:19,759 --> 00:16:22,200
so many big girls. This you
know kids are easier to work with.

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If I' m gonna tell you, look at the kid. The first

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thing is, you have to stay
out of work. Sorry I cursed the

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word. Children don' t work. The children collaborate, help in the

268
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trade, Papi and Mames. Even
12 June marks the International Day against Child

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Labour. If the children collaborate and
help Daddy Mommy in the trade because they

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00:16:41,720 --> 00:16:47,320
could not work by law, then
we have a group of one hundred and

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thirteen children. These kids participate when
you explain their role, they' re

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00:16:51,600 --> 00:16:56,039
going to do extremely well and like
you said, they were doing a scene

273
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and they put a song and there
were three drinking water when they and eron

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00:17:00,320 --> 00:17:03,320
the song, they know that it
was up to him to run and they

275
00:17:03,360 --> 00:17:06,039
left the boob in the same theater. Because kids are like that. Now

276
00:17:06,680 --> 00:17:11,920
you have to be patient in the
person who understands that he has no patience

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for children. He can' t
be a father if you' re not

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00:17:15,440 --> 00:17:19,640
clothed with patience, tolerance. Well, don' t be Dad, don

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00:17:19,759 --> 00:17:22,680
' t do it for hobby,
don' t do it and because Fula

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00:17:22,680 --> 00:17:25,519
has it he brings it. I
can have one. I' m back

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to pay for it. You don' t know that when Piter had his

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00:17:27,559 --> 00:17:30,359
first children Pite I knew him many
years ago that Peter was going to be

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00:17:30,480 --> 00:17:34,839
a complicated father and, on the
contrary, the best father, that worker,

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00:17:36,119 --> 00:17:37,200
that employee, that companion, that
he works here. No, well,

285
00:17:37,400 --> 00:17:41,119
I thought he was me I said
rober Vale. Then I had that

286
00:17:41,200 --> 00:17:44,720
perception that Peter was a guy who
didn' t like the best, because

287
00:17:44,720 --> 00:17:47,759
if I was detruded, sheath.
But what you say is true, the

288
00:17:47,799 --> 00:17:48,720
one who has no patience for the
child who has no child. It can,

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00:17:48,920 --> 00:17:51,640
it can' t, because it' s that you know that he,

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00:17:51,759 --> 00:17:53,039
instead of a day, would do
an exact damage he was a year,

291
00:17:53,160 --> 00:17:57,759
because it' s that you'
re going to end up hitting a

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00:17:57,839 --> 00:17:59,799
wall so, speaking of patience,
parayamin let me ask you a question.

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00:18:00,599 --> 00:18:03,960
It comes to you they hire you
for birthdays and stuff. I understand that

294
00:18:03,079 --> 00:18:11,400
I live from that okay or birthday
then it' s not just an Iberian

295
00:18:11,400 --> 00:18:15,240
clown. So what did you do
that time you were hired for a birthday

296
00:18:15,359 --> 00:18:18,200
and the kid was afraid of clowns. That happens a lot and not the

297
00:18:18,240 --> 00:18:22,039
fear of the clown fear of color. It' s called co so choir

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00:18:22,079 --> 00:18:25,200
phobia the fear it is. That' s what you did as such,

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00:18:25,480 --> 00:18:27,519
but it' s not the clown' s fear of the clown, but

300
00:18:27,519 --> 00:18:29,359
the clown' s associated with the
colors. You can google it, or

301
00:18:29,440 --> 00:18:32,200
you can google it, what you' re listening to upstairs by morning here

302
00:18:32,440 --> 00:18:34,880
at the OK where the disdain comes
from. Yeah, but he talks in

303
00:18:36,799 --> 00:18:38,720
one part of the curo phobia,
yeah, that' s it. That

304
00:18:38,720 --> 00:18:41,440
' s basically what it' s
like to be afraid of color, not

305
00:18:41,519 --> 00:18:44,960
the clown, and what you got. It happened to me the first time

306
00:18:45,079 --> 00:18:48,160
hard. I was in the people
of Santiago, who are a little bit

307
00:18:48,240 --> 00:18:52,680
low with oil and that car and
I came with a balloon full to break

308
00:18:53,200 --> 00:18:57,599
on my birthday. I' m
talking about that like seventeen year I'

309
00:18:57,599 --> 00:19:02,519
m going with like, but well
go very ran I' m going well

310
00:19:02,680 --> 00:19:07,039
when I get to some serious pool, because you pris go see his balloon

311
00:19:07,079 --> 00:19:08,400
and the kid saw me you can' t pay you anymore. I'

312
00:19:08,440 --> 00:19:12,839
ve heard it ever since that clown
went crazy, or my God, I

313
00:19:14,079 --> 00:19:15,200
' m on my way over here. I see myself coming with a deca

314
00:19:15,240 --> 00:19:18,599
boot from that yellow pile of that
have the tip. So I' ve

315
00:19:18,680 --> 00:19:22,000
stopped my heart on the wall so
I can have my turn to make a

316
00:19:22,079 --> 00:19:26,519
globito. The balloon flexes that ante, makes balloon sculpture and when I go

317
00:19:26,519 --> 00:19:29,440
there comes this little girl with that
tip of that foot there on her knees.

318
00:19:29,799 --> 00:19:34,400
So that up that skin completes the
bloodthirsty. That' s how the

319
00:19:34,400 --> 00:19:40,400
boy looks. Then I patiently see
her and work out the way she makes

320
00:19:40,599 --> 00:19:45,319
that child my ally in the yow
eventually ends up throwing me in the pool

321
00:19:45,319 --> 00:19:51,160
with them. But in order to
make it happen, you have to have

322
00:19:51,160 --> 00:19:53,079
to look for the tools, find
a way for that kid that you realize

323
00:19:53,160 --> 00:20:00,839
is the terror he has. Therefore
the leadership of the group you be friends

324
00:20:00,920 --> 00:20:03,720
with him so that things will be
sent. If you don' t watch

325
00:20:03,720 --> 00:20:06,319
birthday year, well for dinner,
then you already have a little one.

326
00:20:06,559 --> 00:20:10,519
Before we go, Eduardo has a
quick question. You' re part of

327
00:20:10,519 --> 00:20:11,880
the assoping. I' m not
from an apadón in this case. Right

328
00:20:11,920 --> 00:20:18,359
now I' m Vice President National
Nation of National Union of Dominican Clowns and

329
00:20:18,400 --> 00:20:22,319
why do it was look at me, what happens those groups. The question

330
00:20:22,400 --> 00:20:23,480
before you tell me about the two
groups. The question is every time one

331
00:20:23,519 --> 00:20:27,599
of the Clowns. I have to
ask this question. Laughter is the famous

332
00:20:27,720 --> 00:20:33,160
march that you are going to walk
from Santiago pay Way. The creation m

333
00:20:33,720 --> 00:20:37,839
was his song, the creation I
did what happened through your mind walking through

334
00:20:37,079 --> 00:20:41,039
the children of Santiago and Huey as
far as you got. Mira is a

335
00:20:41,079 --> 00:20:44,160
group of me, from Payaso,
a group was called bass, it was

336
00:20:44,720 --> 00:20:47,720
called the Popular Health Brigade. It' s a group you' re in

337
00:20:47,720 --> 00:20:49,039
a hundredfire. You know that the
person when one comes I don' t

338
00:20:49,119 --> 00:20:52,480
know if it happens to you when
we see him three on TV, on

339
00:20:52,519 --> 00:20:55,880
the radio, say those people have
money. Yeah, people associate with TV,

340
00:20:56,519 --> 00:21:00,079
radio, sponsorship money. You can, you can give me what I

341
00:21:00,119 --> 00:21:04,160
asked. The lady of that month
comes to me. Look. We have

342
00:21:04,279 --> 00:21:08,319
an inactivity and we need a fridge, a stove and I as much for

343
00:21:08,400 --> 00:21:11,279
the seventy bgada kids and I said
in high school as well as I do

344
00:21:11,279 --> 00:21:15,559
that. What I came up with
at the time was to start walking.

345
00:21:15,200 --> 00:21:21,119
Then I thought that with one person
and there came the slogan that was against

346
00:21:21,240 --> 00:21:26,279
child abuse, because there we met
with the people of wow I lost the

347
00:21:26,359 --> 00:21:30,599
name of but it is blue,
not the blue people of Uniset. We

348
00:21:30,640 --> 00:21:33,880
got together, they started giving the
data, the details, and they told

349
00:21:34,039 --> 00:21:40,519
me my wife would do it against
child abuse. Then we left Santiago for

350
00:21:40,599 --> 00:21:45,240
forty- something clown' s beak
in the end we walked two hundred and

351
00:21:45,279 --> 00:21:48,839
eighty- one between those who entered
they walked from the fertilized vega and so

352
00:21:48,920 --> 00:21:52,960
they went out, but heartily,
when you imagine it is cool, it

353
00:21:52,960 --> 00:21:56,079
is not cool. You figured it
out Listen, I' m just I

354
00:21:56,160 --> 00:21:56,880
' m I' m I'
m I' m I' m I

355
00:21:56,880 --> 00:21:56,880
' m I' m I'
m I' m I' m I

356
00:21:56,880 --> 00:21:56,880
' m I' m I'
m I' m I' m I

357
00:21:56,880 --> 00:22:00,559
' m. But when you'
re in that slump, with that sun

358
00:22:00,640 --> 00:22:04,359
at one, look at my brother, with that not a hotel and Hulen

359
00:22:04,519 --> 00:22:08,799
and that carrot, that' s
what you ask them to ride their nails

360
00:22:08,799 --> 00:22:12,039
and look. It was something they
put the typical wait you already had out

361
00:22:12,079 --> 00:22:15,359
there I let me see who you
are that will arrive. On On the

362
00:22:15,440 --> 00:22:19,400
handsome or there was one who rode
on the vega and still on the day

363
00:22:19,480 --> 00:22:25,680
pineapple was riding and it was for
the bona we were going, but it

364
00:22:25,799 --> 00:22:29,400
was six days. It was very
difficult, which is the walk, but

365
00:22:29,480 --> 00:22:32,599
you did achieve the myths chinta and
one. I don' t think it

366
00:22:32,599 --> 00:22:33,039
' s done again. If it
comes back to being, we' re

367
00:22:33,079 --> 00:22:36,839
going to invite you to be a
piyazo. Please, he' s got

368
00:22:36,880 --> 00:22:40,440
Bete, he can' t be
invited, no, but I sing at

369
00:22:40,440 --> 00:22:44,880
least. Have you guys set up
a duet, one with a lot and

370
00:22:44,920 --> 00:22:49,319
one with a little. Payamin thank
you for the visit. I really didn

371
00:22:49,640 --> 00:22:52,960
' t know you were teachers.
That really makes you even more interesting as

372
00:22:53,039 --> 00:23:00,559
amen character and then reiterate to the
people that date July 11th, the great

373
00:23:00,559 --> 00:23:04,519
theater of Chivado. The most important
thing is to resume they are supporting you

374
00:23:04,519 --> 00:23:08,759
in Santiago. They' re supporting
me, they' re supporting production not

375
00:23:08,799 --> 00:23:11,519
when I say support me if I
know, I don' t support that

376
00:23:11,680 --> 00:23:15,640
when I mean if there' s
an intention of people who know you enough

377
00:23:15,720 --> 00:23:18,519
in Santiago, of your people.
If I had seen you yesterday' s

378
00:23:18,559 --> 00:23:22,000
press plan, you would have understood
that yes, that people are eager for

379
00:23:22,039 --> 00:23:25,359
children' s activities to take place. But remember excellent, remember that to

380
00:23:25,400 --> 00:23:27,680
make a spectacle of this magnitude,
where you are being thirteen people on stage,

381
00:23:29,440 --> 00:23:32,640
you need a lot of resources,
as much human as economical, as

382
00:23:32,640 --> 00:23:36,480
many things. What happens that to
bring an expense and at a cost of

383
00:23:36,559 --> 00:23:38,680
ballots that go from 1, 500
pesos, four thousand pesos, where the

384
00:23:38,720 --> 00:23:41,640
person sometimes says I can give my
five hundred pesos for me, but my

385
00:23:41,680 --> 00:23:44,880
child is three years old and you
have to turn off for him too.

386
00:23:44,880 --> 00:23:48,400
So, that' s a process
of educating people to go see shows that

387
00:23:48,440 --> 00:23:53,960
have a cost to get past everything
else. So I want to focus you

388
00:23:55,119 --> 00:23:56,799
know there' s a dress code
at the Big Chivado Theatre just like the

389
00:23:56,880 --> 00:24:02,039
national deal. And they' re
not very understanding when they' re kids.

390
00:24:02,720 --> 00:24:06,079
You have to be careful how Papi
and Mames, if they tell him,

391
00:24:06,279 --> 00:24:08,359
doesn' t have, even if
the child wants, you have to

392
00:24:08,400 --> 00:24:11,359
not put it on that day because
they won' t let him in.

393
00:24:11,359 --> 00:24:15,559
Then I know it would be very
difficult, very uphill for us and for

394
00:24:15,759 --> 00:24:18,960
the child as frustration of life not
to let him in because he is there.

395
00:24:19,519 --> 00:24:22,920
That' s real. If it' s your mark, you must

396
00:24:23,400 --> 00:24:26,680
park thanks to Payamin. 11th and
12th of July at the Great Theatre of

397
00:24:26,759 --> 00:24:30,599
Cibado. Then he will come here
to Santo Domingo, there and after Puerto

398
00:24:30,640 --> 00:24:33,960
Rico as for water and Ponce.
If you want us fools in Puerto Rico,

399
00:24:33,960 --> 00:24:36,480
you can already there. There are
no problems rich port. There'

400
00:24:36,559 --> 00:24:40,079
s a theater for every town,
but my heart' s already hired him

401
00:24:40,200 --> 00:24:41,279
for Ponce and that' s July. In July, at the end of

402
00:24:41,279 --> 00:24:44,640
June, I finished very to Ponce
and Caguas. You know, I'

403
00:24:44,680 --> 00:24:48,799
m a raw sucker here in the
capital, just as it is more produced

404
00:24:48,799 --> 00:24:52,599
enemy which is, but eight or
seven you have I have you one out

405
00:24:52,640 --> 00:24:55,400
of three and a sale, not
because you no longer hire my compadre de

406
00:24:55,480 --> 00:24:56,920
tor lyg for the cho, I
your faith all here bring your hand to

407
00:24:56,920 --> 00:25:00,400
him. If my compadre I'
m my father, I' m his

408
00:25:00,400 --> 00:25:03,119
daughter. Me. Thank you for
the opportunity a possible me to be here.

409
00:25:03,279 --> 00:25:04,599
Really. Really, you really are
the best clown of this paita here

410
00:25:04,599 --> 00:25:07,359
in Santiago. That' s right, you' ll get the end of

411
00:25:07,359 --> 00:25:11,759
it. There is that exact cell
another type of service and the brake is

412
00:25:12,160 --> 00:25:15,319
that you charge more from Sandiago?
Why do you charge more Santiago in the

413
00:25:15,359 --> 00:25:18,079
capital than in the Urve? You
don' t charge so much because you

414
00:25:18,160 --> 00:25:21,920
don' t know, because there
are more clowns here, because here I

415
00:25:21,960 --> 00:25:22,759
came back to my people carry the
audience. No, but I do know,

416
00:25:23,119 --> 00:25:26,640
the capital' s got a job
getting your best reason there. There

417
00:25:26,680 --> 00:25:30,839
' s too much I can tell
you. You put clowns as the clown

418
00:25:30,839 --> 00:25:33,640
comes out as a point your plan, but you lazy all good. I

419
00:25:33,759 --> 00:25:37,079
don' t know. I was
once asked to jump payajome a birthday from

420
00:25:37,079 --> 00:25:40,960
them. Forget if you can'
t bring him back from Santiago. Forget

421
00:25:41,039 --> 00:25:42,680
about that, maybe the costs.
That' s right, you have to

422
00:25:42,680 --> 00:25:45,279
work them a lot worse here.
If a person asked me for guidance with

423
00:25:45,279 --> 00:25:48,119
that and you think the same is
what you were saying, they think that

424
00:25:48,160 --> 00:25:49,559
since I don' t have the
right means to everyone. If I ask

425
00:25:49,680 --> 00:25:55,359
you, no, he asks for
sponsorship. Sometimes I take advantage that I

426
00:25:55,400 --> 00:25:56,799
have a Santiago show, the onciel
does not accept that you help me there.

427
00:25:56,799 --> 00:26:02,440
Me more, thank you brother.
We wish you success. Really,

428
00:26:02,680 --> 00:26:07,640
Payamin, your stay at work.
Talk about your quality and your commitment to

429
00:26:07,759 --> 00:26:12,680
what you' re doing and really, and I' m really happy that

430
00:26:12,720 --> 00:26:15,319
I made fun of your show,
because that' s what got me to

431
00:26:15,440 --> 00:26:18,599
know yeah and that' s a
we met in the vega. In the

432
00:26:18,720 --> 00:26:22,200
vega, he met me without makeup. I met the character and went and

433
00:26:22,680 --> 00:26:26,839
claimed for the sheath ten years ago. Yes and no. I didn'

434
00:26:26,839 --> 00:26:30,039
t like to meet you and I
felt very happy because you can' t

435
00:26:30,079 --> 00:26:33,720
imagine, you hear the voice.
Yeah, and then you relate the voice

436
00:26:33,759 --> 00:26:36,680
to the character you saw and then
I got out of your ah, but

437
00:26:36,720 --> 00:26:38,400
you was just gonna look at me, you know, you know, you

438
00:26:38,799 --> 00:26:41,839
' re gonna use the sacrifices that
I could use in a twist check that

439
00:26:41,839 --> 00:26:44,799
' s what you do. Here
we go, Mom, let' s

440
00:26:44,839 --> 00:26:47,200
shit this pod. They' re
the one that all the dickheads wanted,

441
00:26:47,440 --> 00:26:52,519
a wea that I really go out
to, like ariel the clowns, wanted

442
00:26:52,680 --> 00:26:53,720
him to have a mad vine.
Listen to me that boy was what he

443
00:26:53,759 --> 00:26:56,599
was, because he said that the
example I said you know that one you,

444
00:26:56,839 --> 00:26:59,920
that a boy comes to your house, and in your hand he tells

445
00:27:00,000 --> 00:27:03,720
you and that you work. I
work as a clown I have to kill

446
00:27:03,519 --> 00:27:07,599
him I mean, look how much
you guys had a heel daughter that made

447
00:27:07,599 --> 00:27:11,480
that case with a clown. Thanks
to Tom for the break. Father Jin

448
00:27:12,119 --> 00:27:17,279
is your friend and friend, my
brother, my friend, my friend,

449
00:27:17,359 --> 00:27:21,880
my brother. Thanks to payamin Payamino' s house is still there on Instagram,

450
00:27:22,119 --> 00:27:25,440
11th and 12th at the Great Theatre
of Cibao
