WEBVTT 1 00:00:01.760 --> 00:00:05.480 How welcome you are to involuntary permanence. It is a special of voluntary permanence 2 00:00:05.519 --> 00:00:08.359 or not a special without a surprising chapter. No one knew he was coming, 3 00:00:08.720 --> 00:00:11.119 not even we knew he was coming. But we' re here. 4 00:00:12.000 --> 00:00:14.199 Thanks for being here. The people who download it, they' re gonna 5 00:00:14.240 --> 00:00:16.920 download it. Well, all right, then. Now they already know it. 6 00:00:17.359 --> 00:00:19.920 The day we' re going to talk about Paco Stan' s new 7 00:00:19.960 --> 00:00:26.000 series We' re going to talk about Bridgerton and the imaginary friend movie. 8 00:00:26.039 --> 00:00:33.280 And well, either we start or you' re hearing involuntary permanence with Fausto 9 00:00:33.280 --> 00:00:48.759 Ponce. How are you? Good Friday, thank you for being here. 10 00:00:49.439 --> 00:00:53.520 I' m with Carlos Before Mendiola, How are you Carlos Andrés, Manuela 11 00:00:53.600 --> 00:00:57.880 Hello Paus very well and I, because here also surprised on Friday to be 12 00:00:57.960 --> 00:01:00.960 here with you and everything we' ve been seeing and discovering. Yeah, 13 00:01:02.280 --> 00:01:04.120 and I called Carlos Andés Mendola because I don' t know what I think. 14 00:01:04.120 --> 00:01:07.719 It was an intuition. I said he' s gonna be able to 15 00:01:07.719 --> 00:01:11.920 do that for now. Not that much you' re seeing a lot. 16 00:01:11.439 --> 00:01:18.760 That' s seeing a lot can work and it turns out that we both 17 00:01:18.799 --> 00:01:19.640 saw the new Paco series is in the idea of Amazon Prime. I didn 18 00:01:19.719 --> 00:01:23.760 ' t put it in the titles because then the platforms are already too strawberry 19 00:01:23.799 --> 00:01:27.879 and that certain words are no longer used and that if I don' t 20 00:01:27.959 --> 00:01:30.439 know what the algorithm punishes you and that you don' t monetize. And 21 00:01:30.640 --> 00:01:34.200 then she' s the new one to put him to bed with Amazon Prime. 22 00:01:34.280 --> 00:01:38.719 By now and I saw her I saw her. Carlos Andrés Mendiola, 23 00:01:38.879 --> 00:01:42.599 surely saw her even to Daniel and more people staying. But, well, 24 00:01:42.040 --> 00:01:46.719 I told Carlos Andres I' m sorry. Guys, I' m sorry 25 00:01:46.719 --> 00:01:48.959 because of the people who are with us, which is a typical day for 26 00:01:48.959 --> 00:01:51.959 permanence. But well there now yes, that we put it there on streaming 27 00:01:52.120 --> 00:01:57.599 by whoever wants to look after it will be available on other platforms in audio 28 00:01:57.680 --> 00:02:00.480 version also how it always happens. Okay. But, but, but, 29 00:02:00.680 --> 00:02:06.480 I was very intrigued because Carlos Andres was a Bridgerton fan and then I' 30 00:02:06.519 --> 00:02:12.479 ve been watching memes, Facebook pages dedicated to bridger Ton and how Carlos Andés 31 00:02:12.479 --> 00:02:15.120 Medio was very happy and told him we' re going to talk about it. 32 00:02:15.199 --> 00:02:19.479 Nor have we talked about then what happens to bris to Carlos Andrés Medella, 33 00:02:20.039 --> 00:02:23.639 why this Whatsoul the Fast abaut is that it is like our soap opera. 34 00:02:24.360 --> 00:02:30.800 You see we had our ex- men novel, well exact richard or 35 00:02:30.800 --> 00:02:39.039 novel. Third season in Netflix, Third season, Third season that has obviously 36 00:02:39.360 --> 00:02:44.560 already three seasons. It has a spin off series that also had a season 37 00:02:44.599 --> 00:02:47.080 that focuses on the queen. It' s based on these novels. Her 38 00:02:47.759 --> 00:02:53.800 name is Julia, Julia Queen, and it' s the story of a 39 00:02:53.919 --> 00:03:00.879 family with eight children. And well, every time he tells us the love 40 00:03:01.000 --> 00:03:07.840 story of one of these creatures, of one of these Little Ones are a 41 00:03:07.919 --> 00:03:15.120 wealthy family and Bridgeton of all life, bridger Ton of all life. If 42 00:03:15.199 --> 00:03:23.759 they are very well- off, very much if we say coveted there socially 43 00:03:23.479 --> 00:03:29.960 they move very well in all this And, moreover, the seasons occur during 44 00:03:29.960 --> 00:03:37.080 the season of debutantes, which was like this moment of the year, where 45 00:03:37.919 --> 00:03:43.400 the young married women were presented so that, because it was just known that 46 00:03:43.400 --> 00:03:47.360 they were already at this moment and then, they would find the right man 47 00:03:47.360 --> 00:03:53.800 to marry. And so on, and besides, it' s like the 48 00:03:53.919 --> 00:03:58.120 queen' s venia that can choose one of these young girls and say it 49 00:03:58.240 --> 00:04:02.560 ' s like a diamond and then it' s like a woman, because 50 00:04:02.719 --> 00:04:12.360 it' s very special, that all men should have there as well as 51 00:04:12.560 --> 00:04:17.360 look at the look, okay hear, and then to see this third season, 52 00:04:17.639 --> 00:04:19.879 not that it' s really hot, this third season, how you 53 00:04:19.879 --> 00:04:21.800 ' re feeling it' s really good. The truth is you have right 54 00:04:21.839 --> 00:04:27.879 now here on screen, right to the leading couple on this occasion, which 55 00:04:27.879 --> 00:04:32.079 is Collin, the third of the children Bridgerton and Penelope Feathrrington, who is 56 00:04:32.079 --> 00:04:38.079 their neighbor. These two characters had already introduced them. Of course, we 57 00:04:39.079 --> 00:04:42.319 knew before that they were, then, as very good friends, that there 58 00:04:42.480 --> 00:04:48.079 was chemistry among them. But they didn' t dare, let' s 59 00:04:48.199 --> 00:04:51.360 say they did more than friends. They were just friends, and nothing else 60 00:04:51.480 --> 00:04:59.040 until this season. And I think it' ll work very well. And 61 00:04:59.160 --> 00:05:03.079 something that the series is doing, that I think they are correcting their old 62 00:05:03.160 --> 00:05:09.600 mistakes, because although, as I said, every book is about a son, 63 00:05:09.759 --> 00:05:13.399 because it is the history of the family. But then one challenge you 64 00:05:13.519 --> 00:05:18.920 have is to change the protagonists each season, because it is clear, yes, 65 00:05:19.000 --> 00:05:23.959 yes, yes, and that is a challenge because it goes down a 66 00:05:24.040 --> 00:05:27.519 bit, because the interest is no longer like the same protagonists. No, 67 00:05:27.839 --> 00:05:30.839 so here what they did was jump in a book, because they hadn' 68 00:05:30.879 --> 00:05:38.680 t adapted the books in order. Here we skip to the third book to 69 00:05:38.759 --> 00:05:42.480 get to the room. And what they started doing in the previous season was 70 00:05:42.680 --> 00:05:48.399 to go prefiling this couple. This couple, also, Penélope, who is 71 00:05:48.399 --> 00:05:55.120 the actress who appears there, is not like the typical protagonist. Not because 72 00:05:55.160 --> 00:06:00.319 the chaparrite has a figure, because a little more filly, let' s 73 00:06:00.319 --> 00:06:08.959 say. But she is also one of the most attractive characters in the series, 74 00:06:09.240 --> 00:06:13.360 because she is this girl who, well, obviously is already super single, 75 00:06:13.920 --> 00:06:15.480 because she is already twenty- seven, twenty- eight years old. 76 00:06:15.600 --> 00:06:21.279 So that' s like tragedy and what' s going to happen now. 77 00:06:23.399 --> 00:06:28.600 Besides, the poor girl is kind of in a mix this season, because 78 00:06:28.680 --> 00:06:30.279 the mother already says, because mexica don' t worry. If I don 79 00:06:30.560 --> 00:06:33.600 ' t know you, thank you for taking care of me and she' 80 00:06:33.600 --> 00:06:40.480 s not God. No. The other two sisters are already married, but 81 00:06:41.240 --> 00:06:46.879 they don' t have children yet, and that' s putting them a 82 00:06:46.040 --> 00:06:53.759 little at risk because they need a new heir, because you know these mechanisms 83 00:06:54.040 --> 00:07:00.240 of those times where I needed to see heirs, where men are who were 84 00:07:00.319 --> 00:07:06.680 the property and so on. Then it' s also like that pressure there 85 00:07:06.680 --> 00:07:14.000 running good. And besides, this character is Lady Wiseld Hum. Who' 86 00:07:14.519 --> 00:07:18.199 s Lady Wisel Down. She' s the narrator, let' s say 87 00:07:19.199 --> 00:07:27.839 from the series and the voice is from Julians and this character has a kind 88 00:07:28.120 --> 00:07:34.959 of social newspaper that gossips throughout the debutante season and puts a lot of flavor 89 00:07:35.040 --> 00:07:41.639 in the broth. Of course, not then is this character. Besides, 90 00:07:41.720 --> 00:07:47.279 no, then. These first four episodes solve a part of the story. 91 00:07:47.319 --> 00:07:55.720 They won' t tell us if these characters, because they' re finally 92 00:07:55.800 --> 00:08:00.920 going to take a step beyond being friends, just friends and nothing else. 93 00:08:01.519 --> 00:08:09.079 That is settled there and they leave us for the second part. What' 94 00:08:09.120 --> 00:08:13.399 s going to happen when he finds out she' s from Wise to Down, 95 00:08:13.920 --> 00:08:18.959 who' s said she hates and wants to destroy, why she makes 96 00:08:18.120 --> 00:08:22.720 these terrible comments from all over the world and includes her family. So, 97 00:08:22.800 --> 00:08:28.920 you' ll see that it' s like quite tasty enough I understand how 98 00:08:30.000 --> 00:08:35.320 where it' s going And besides, it' s the nobility that a 99 00:08:35.320 --> 00:08:37.279 pink story becomes attractive. Yeah, I can' t ping you in such 100 00:08:37.679 --> 00:08:39.919 a way that I feed you the excitement you' ve made them. Mendio, 101 00:08:41.159 --> 00:08:45.440 I' m sorry, but good. Yeah, but we had to 102 00:08:45.519 --> 00:08:48.799 talk about Bridgecton, because it' s one of Netflix' s most important 103 00:08:48.799 --> 00:08:52.600 series. The truth and this season. Besides, obviously we have them, 104 00:08:52.000 --> 00:09:01.360 but they' re starting very cleverly to parade the brothers who follow not enough 105 00:09:01.440 --> 00:09:09.840 for the next season. Obviously, because we' re so close and so 106 00:09:09.879 --> 00:09:13.200 smart because we' re gonna want to, I could see that story. 107 00:09:13.279 --> 00:09:18.320 Not then, of course, many more of the season premiered. We took 108 00:09:18.360 --> 00:09:22.759 the four episodes he' s giving for a lot of conversation on these strategies, 109 00:09:22.960 --> 00:09:26.519 as new ones from Bridgers, from Bridgerton of Netflix. Yeah, yeah, 110 00:09:26.600 --> 00:09:30.039 well, you see it doesn' t give us the full season, 111 00:09:30.600 --> 00:09:35.159 they give it to us in two parts so that, because I think it 112 00:09:35.240 --> 00:09:39.200 ' s a strategy that would give a little more life to the content of 113 00:09:39.200 --> 00:09:43.279 leaving it a little more there on the agenda. This is weird for me. 114 00:09:43.600 --> 00:09:46.879 The two- part theme of the season in two parts. But, 115 00:09:46.159 --> 00:09:50.840 well, they' re just other strategies there for visualization. I guess you 116 00:09:50.879 --> 00:09:54.320 get hooked the same way, but people at least finish watching the series completely, 117 00:09:54.159 --> 00:09:58.080 i e, if on a weekend I put you through the whole season, 118 00:09:58.000 --> 00:10:01.159 the best thing you get in half and you don' t finish the 119 00:10:01.200 --> 00:10:05.679 rest anymore. Or you' re missing a couple of chapters. And in 120 00:10:05.799 --> 00:10:07.080 this way, they already make sure that at least one weekend you throw the 121 00:10:07.080 --> 00:10:09.919 whole marathon, it' s the whole first part and then you match up 122 00:10:09.960 --> 00:10:16.759 with the rest. I don' t suppose that dosed like that, they 123 00:10:16.840 --> 00:10:18.080 have more scope, they can have better metrics. I guess, I think 124 00:10:18.200 --> 00:10:22.679 they have more reach, because I think what happens when they release something complete 125 00:10:24.080 --> 00:10:28.600 is that a lot of people who are a little addictive, let' s 126 00:10:28.600 --> 00:10:33.840 say fallict to the content, we throw it over that weekend. And I 127 00:10:33.840 --> 00:10:37.799 think the phenomenon is like thinking that you turn on a cer and I and 128 00:10:37.600 --> 00:10:41.200 it goes off, logo, switch off, then, then. And what 129 00:10:41.240 --> 00:10:45.399 they want is for the game to last a little longer than you' re 130 00:10:45.440 --> 00:10:48.799 talking about it, because even cobra hush they said they' re going to 131 00:10:50.480 --> 00:10:54.879 release it in three parts. What he wants to give. This strategy works. 132 00:10:56.000 --> 00:11:01.200 Yeah, well, yeah. Netflix continues with that yet other platforms like 133 00:11:01.240 --> 00:11:05.080 Apples, every week, at least in several in several series. Sometimes I 134 00:11:05.159 --> 00:11:09.759 prefer it, sometimes going back to the weekly format is comfortable. The truth 135 00:11:09.679 --> 00:11:13.799 see other times you want to give it all to you, not cho, 136 00:11:15.000 --> 00:11:16.720 I wish I' d prefer it all at once and then forget it when 137 00:11:16.720 --> 00:11:20.960 it' s weekly. You know, then ah yes, maybe I' 138 00:11:20.000 --> 00:11:24.480 ll expect two of them to come together and I' m gonna be funny, 139 00:11:24.679 --> 00:11:28.039 because if I don' t know if I' m going down, 140 00:11:28.320 --> 00:11:31.320 that' s to say, if he had a certain relief when it' 141 00:11:31.320 --> 00:11:31.799 s weekly and I' m seeing her there every week. Sometimes if I 142 00:11:31.879 --> 00:11:33.840 wake up and I want to know what' s going on, not that 143 00:11:35.240 --> 00:11:35.399 it' s going to end all like getting ahead of me. But well, 144 00:11:37.240 --> 00:11:41.279 there' s bridgeton then to try out this third season, touring this 145 00:11:41.399 --> 00:11:46.799 super approved third season and if you already see the previous ones and like them, 146 00:11:48.240 --> 00:11:52.799 because the love stories that have, because you already know a lot of 147 00:11:52.879 --> 00:11:58.080 sexual attention, flirting sex scenes also a lot of eye plug, that is, 148 00:11:58.879 --> 00:12:05.559 it is very well done in that sense, not of moon to the 149 00:12:05.840 --> 00:12:07.799 protagonists and frame them in such a way that, then, they become very 150 00:12:07.799 --> 00:12:13.080 very attractive. Yes, of course, it' s a telenovela that you 151 00:12:13.080 --> 00:12:18.799 enjoy a lot. Of course that' s interesting, not the subject of 152 00:12:18.000 --> 00:12:24.080 eye taco does pull and it makes the series or the movies have certain something 153 00:12:24.200 --> 00:12:28.919 morbid there and hook you up. It' s not obviously a resource, 154 00:12:30.159 --> 00:12:31.559 you say," Oh, what gachos" But if you end up watching 155 00:12:31.639 --> 00:12:35.200 Turkish soap operas, for example, they' re all eggs, that is, 156 00:12:35.279 --> 00:12:37.279 you are, they' re all handsome, beautiful and handsome. Everything 157 00:12:39.120 --> 00:12:41.480 is like in the golden age of Hollywood and they keep doing it, not 158 00:12:43.559 --> 00:12:48.440 anymore, obviously, with seeing a lot of content and working on this you 159 00:12:48.480 --> 00:12:52.600 realize this is the moment of the eye cue. I remember very much about 160 00:12:54.480 --> 00:12:58.360 the cat on the hot roof with Elizabeth Taylor and Polneuman, and it was 161 00:12:58.360 --> 00:13:01.720 like the way they take her out and we' re going to see her 162 00:13:01.799 --> 00:13:09.159 pianos. No And then that' s just what it' s like to 163 00:13:09.240 --> 00:13:11.799 be selling the actor to the actress and then ending Poul Newman without a call. 164 00:13:11.919 --> 00:13:18.559 And then they made these fantastic frames to see the face of her face. 165 00:13:20.679 --> 00:13:26.080 That' s it, and this series does it, too, very 166 00:13:26.080 --> 00:13:31.120 well. You don' t have the protagonist, who' s a pretty 167 00:13:31.200 --> 00:13:35.120 cool guy who also looks like Jim was sent and then they take him out, 168 00:13:35.279 --> 00:13:41.080 because he starts showing this hair on his chest. And it begins is, 169 00:13:41.000 --> 00:13:46.639 then, to be selling the rooster. Sure, sure, you understand. 170 00:13:48.320 --> 00:13:50.759 All right? All right? There' s good, yes, quality 171 00:13:50.840 --> 00:13:56.120 Carlos Andrés Pindula is in Bridtherton. If you like, then there' s 172 00:13:56.279 --> 00:13:58.159 nothing to do with it. Hey, I want us to change the subject, 173 00:13:58.159 --> 00:14:01.080 too. Let' s go to the movie that we couldn' t 174 00:14:01.159 --> 00:14:03.919 talk about, because it' s last week. But, well, it 175 00:14:03.960 --> 00:14:09.240 ' s one of the kids' movies of the season and it' s 176 00:14:09.240 --> 00:14:13.919 called imaginary friends. I don' t know about monse. We had mixed 177 00:14:13.720 --> 00:14:18.360 opinions about the people we went to see her with. Yeah, let' 178 00:14:18.399 --> 00:14:20.720 s go see her with Gabriel and some friends. These were the parents of 179 00:14:20.720 --> 00:14:24.519 Gabriel' s little friends and Mons and I didn' t love it. 180 00:14:26.200 --> 00:14:28.759 But they do, but the parents do, the children, I' m 181 00:14:28.879 --> 00:14:33.320 not so sure. They got bored and in half a movie they already loved 182 00:14:33.120 --> 00:14:37.480 each other, but there the point is that there Lucia is angry and, 183 00:14:37.559 --> 00:14:39.240 I mean, you hear it all the way home. A lot that none 184 00:14:39.279 --> 00:14:45.279 of Gabriel Lucy participated in the show. He' s angry or crying the 185 00:14:45.279 --> 00:14:48.679 movie. Yeah, so they wanted to get out like half. In the 186 00:14:48.759 --> 00:14:52.039 end they asked them how they heard how you see and yes, we all 187 00:14:52.039 --> 00:14:54.960 liked it, but I think they didn' t really enjoy it that much. 188 00:14:54.399 --> 00:14:58.120 Anyway, it doesn' t matter, well, folks, imagining is 189 00:14:58.440 --> 00:15:03.639 a stellar movie by Ryan Raynold with cras Maybe I forgot the first name Crasinsky. 190 00:15:03.720 --> 00:15:09.159 What' s His Name Thank you John Crassins, who also does not 191 00:15:09.240 --> 00:15:16.200 direct and he is the screenwriter and in fact, the story arises from him. 192 00:15:18.080 --> 00:15:20.919 The story arises at the beginning of the film. You' ll remember 193 00:15:22.000 --> 00:15:26.759 that we see him and they' re like playing tea and he just says 194 00:15:30.039 --> 00:15:33.120 that, like, it really caught his eye watching his kids play and that 195 00:15:33.200 --> 00:15:37.799 they were playing tea or whatever and that the kids have these moments in which 196 00:15:37.879 --> 00:15:43.279 they kind of disconnect from reality and dive into these games where they' re 197 00:15:45.080 --> 00:15:48.639 living together with beings that we can' t see, but that they, 198 00:15:48.039 --> 00:15:52.600 then, for them they' re there and that they' re like these 199 00:15:52.639 --> 00:15:58.759 friends, imaginary. And then the intention of the film comes from there. 200 00:16:00.120 --> 00:16:03.639 I mean, I find the premise of the film pretty, the idea of 201 00:16:03.720 --> 00:16:08.200 the film very pretty to me. I agree. With you To me, 202 00:16:08.399 --> 00:16:14.799 I really didn' t like it either. It' s just that if 203 00:16:14.919 --> 00:16:15.639 that' s the thing too, that' s the premise. I found 204 00:16:15.720 --> 00:16:21.240 it almost at the end, I mean, then well, what' s 205 00:16:21.240 --> 00:16:23.519 going on? Where' s the movie going? No, because he' 206 00:16:23.799 --> 00:16:26.080 s got a lot of detours. Suddenly he' s on the side. 207 00:16:26.120 --> 00:16:29.559 Suddenly they' re telling you something else. Suddenly something else is happening. 208 00:16:30.120 --> 00:16:33.159 And it' s like that to see what the movie is about, so 209 00:16:33.200 --> 00:16:38.200 what is the character conflict or what is the block or what does it have 210 00:16:38.279 --> 00:16:41.039 to overcome where it' s going? Well, in the end, yes, 211 00:16:41.360 --> 00:16:42.440 you understand, and there' s an exact one. In the end, 212 00:16:42.559 --> 00:16:47.159 the premise is pretty and you have your thing and you say ah look 213 00:16:47.159 --> 00:16:51.360 how cute. Still we could even discuss it, because I don' t 214 00:16:51.440 --> 00:16:56.919 know if the issue of having imaginary megoes in that comfort, of being alone 215 00:16:56.919 --> 00:17:02.159 and having imaginary friends, I say I don' t know how much I 216 00:17:02.200 --> 00:17:04.680 love it, right, but the way they present it in the end, 217 00:17:06.000 --> 00:17:10.039 because it' s beautiful, not that we give that chance to imagine adults, 218 00:17:10.799 --> 00:17:11.400 although you' re no longer a child, because you need that fantasy 219 00:17:11.400 --> 00:17:15.920 exercise. But I also insist I don' t know how much I love 220 00:17:15.000 --> 00:17:21.920 it, but well, there' s Linda, she doesn' t have 221 00:17:22.599 --> 00:17:23.200 her thing and she moves, but that Carlos Andrés I like how they took 222 00:17:23.200 --> 00:17:30.559 me. It didn' t seem like a sad movie to me either. 223 00:17:30.799 --> 00:17:34.160 I mean, to see the first act. It' s very sad It 224 00:17:34.799 --> 00:17:38.720 ' s very crude It' s depressing. I didn' t get to 225 00:17:38.759 --> 00:17:45.160 connect Look, I was going with the best will to watch this movie because 226 00:17:45.240 --> 00:17:49.640 I had heard interviews by John Crassinsk talking about not that I did my research 227 00:17:49.720 --> 00:17:56.640 and imaginary friends have this function and so on and here we' ve turned 228 00:17:56.720 --> 00:18:00.559 them into this vehicle, like in this capsule that keeps the projection of what 229 00:18:00.559 --> 00:18:03.000 the kids that I said then, well, everyone, sounds like really weird. 230 00:18:03.400 --> 00:18:06.680 I was really going with my clnxs I said this is going to be 231 00:18:06.680 --> 00:18:11.000 super emotional. I in all the best way and I never connected to the 232 00:18:11.039 --> 00:18:17.359 movie. I agree, with you, I think it' s in his 233 00:18:17.400 --> 00:18:23.559 hands what he really means between the fact that the girl is struggling with the 234 00:18:23.680 --> 00:18:29.079 possibility of her dad dying, between which he is now charged with the mission 235 00:18:29.119 --> 00:18:33.319 that he has to help these imaginary friends who have been orphaned, because obviously, 236 00:18:33.519 --> 00:18:41.240 when the children grow up, because they forget imaginary friends and all this 237 00:18:41.240 --> 00:18:48.039 then yes, I think that he had a lot of ideas and that in 238 00:18:48.240 --> 00:18:53.160 causing them, not because in the end, as he has beautiful moments and 239 00:18:53.160 --> 00:18:56.200 he has a cast. In addition, it is spectacular, i e the 240 00:18:56.200 --> 00:19:02.759 vocal cast. It' s but well, I mean name it and here 241 00:19:02.839 --> 00:19:04.799 it' s not and name it in the sense that they' re superstars. 242 00:19:04.880 --> 00:19:11.920 No, I mean George Plune and Radley Cooper, Emily Blond exactly that 243 00:19:11.960 --> 00:19:15.200 was making me super cute, because I said what a father to have the 244 00:19:15.279 --> 00:19:23.640 chance that John crassins Key, Emily Blond, Rian Reynolds and Blake Liveley would 245 00:19:23.759 --> 00:19:27.160 make this movie that they' re devoting to their children. Not because all 246 00:19:27.319 --> 00:19:32.920 four of them are here. All four have children of similar age and have 247 00:19:33.039 --> 00:19:37.119 not had and perhaps their children cannot watch their films. Not then, the 248 00:19:37.240 --> 00:19:40.839 whole line seemed so lame to me. But the movie seemed to me like 249 00:19:42.559 --> 00:19:48.000 you didn' t see it, like I saw it and I felt it 250 00:19:48.000 --> 00:19:52.000 even as old. I don' t know if that happened to you like 251 00:19:52.039 --> 00:19:55.640 this seemed like the' 90s to me like something we' d seen. 252 00:19:56.920 --> 00:19:59.839 Yeah, you haven' t noticed that, but it might be if it 253 00:20:00.039 --> 00:20:03.960 ' s a good point. I think the point is this is several ideas. 254 00:20:03.240 --> 00:20:06.200 They start with an idea, then it changes, it changes. What 255 00:20:06.240 --> 00:20:11.039 Mons said is that probably someone from the studio, some producer or some studio 256 00:20:11.200 --> 00:20:14.799 execution, started to see the development of the film and said no better to 257 00:20:14.960 --> 00:20:18.079 change the best. Let' s move him and start moving him. And 258 00:20:18.200 --> 00:20:19.759 that shows in the script is very scattered, as you say, that' 259 00:20:19.839 --> 00:20:23.480 s the movie for those who don' t know, starts with a little 260 00:20:23.559 --> 00:20:25.680 girl who' s twelve years old who' s fighting between now. I 261 00:20:25.759 --> 00:20:32.440 ' m not a child, but if I' m a child, it 262 00:20:33.400 --> 00:20:34.039 ' s not fair, it' s an exact decision. It must be 263 00:20:34.160 --> 00:20:40.440 as an adult exactly and as Jo says, I remembered José at the market, 264 00:20:41.000 --> 00:20:42.480 as he says when he sold them, as Carlos Andrés Mendiola says, 265 00:20:42.599 --> 00:20:47.319 that is, he has to deal with the fact that his dad is in 266 00:20:47.359 --> 00:20:48.960 the hospital and that he can probably die. We don' t know what 267 00:20:48.960 --> 00:20:51.480 he' s got. They say he' s heartbroken, but dad' 268 00:20:51.599 --> 00:20:52.519 s like doing it. You spell him all the time. So very much 269 00:20:52.599 --> 00:20:56.519 to life is beautiful, very to the straw there and trying to protect it, 270 00:20:57.200 --> 00:21:03.319 let' s say not as accurate. Not exactly the grown- up, 271 00:21:03.640 --> 00:21:07.559 and she' s staying with Grandma. I tell you this that what 272 00:21:07.599 --> 00:21:10.920 I' m going to say to montse says that he doesn' t have 273 00:21:10.960 --> 00:21:12.839 it, that he has it carelessly that, but to me it' s 274 00:21:12.880 --> 00:21:15.440 not to say the girl stays with the grandmother, but there she comes to 275 00:21:15.519 --> 00:21:18.960 the hospital as if she were an adult, because where the hospital is in 276 00:21:18.000 --> 00:21:22.640 New York it' s not a dangerous city and the girl moves as she 277 00:21:22.640 --> 00:21:23.640 wants in the city that she says, she' s getting there very quickly 278 00:21:23.640 --> 00:21:27.559 everywhere. She' s alone. There' s a moment I thought she 279 00:21:27.640 --> 00:21:33.839 was even crazy or had a mental illness, because it didn' t make 280 00:21:33.839 --> 00:21:34.319 any sense, I mean, she didn' t know. Suddenly who' 281 00:21:34.400 --> 00:21:37.039 s real and who I didn' t say tall is imagining it. But 282 00:21:37.079 --> 00:21:41.599 anyway, at her grandmother' s house, she suddenly starts finding treasure, 283 00:21:41.839 --> 00:21:45.000 as well as giving me the granny keychain and showing me your clothes, but 284 00:21:45.000 --> 00:21:48.119 she doesn' t find that she' s starting to find treasures there that 285 00:21:48.240 --> 00:21:51.880 you haven' t just seen yet. When you start to see that there 286 00:21:52.240 --> 00:21:56.319 are some things that move a few shadows or some characters that are there around 287 00:21:56.400 --> 00:22:03.480 you, pa swinging around and hiding and running. So, she goes out 288 00:22:03.480 --> 00:22:07.799 of the apartment, looking for them to know what' s up with them, 289 00:22:08.359 --> 00:22:11.400 goes up some floors and on the top, because she finds that they 290 00:22:11.720 --> 00:22:18.440 get into an apartment, she looks out and because the moment is interrupted because 291 00:22:18.519 --> 00:22:21.480 there is a neighbor who has an old lady who says that it is already 292 00:22:21.519 --> 00:22:23.279 too night to be there playing. Then it' s over there that tells 293 00:22:23.720 --> 00:22:27.480 me I got out. The camera doesn' t come back, pau comes 294 00:22:27.480 --> 00:22:30.119 back. Yeah, I don' t know what happened anymore. But, 295 00:22:30.400 --> 00:22:33.079 well, right now there' s the one. What did you do, 296 00:22:33.680 --> 00:22:36.160 I don' t know what I did. Ah I think you closed your 297 00:22:36.240 --> 00:22:45.160 camera can be how weird yaye, and then she, well she' s 298 00:22:45.240 --> 00:22:49.079 already going home her grandmother and the next day? Yeah, it comes out 299 00:22:49.160 --> 00:22:53.680 the next day, the kisses. Again he follows these weird entities that we 300 00:22:53.720 --> 00:22:56.319 don' t know what they are. I mean, because we don' 301 00:22:56.400 --> 00:22:59.400 t know if they' re human and they' re monster and they' 302 00:22:59.400 --> 00:23:00.319 re moppets and they' re ghosts. They are but when we see them, 303 00:23:00.559 --> 00:23:04.000 because they are there people, they are the imaginary friends who are there 304 00:23:04.359 --> 00:23:08.880 leaving the apartment and there goes a lord with them who bring total Reynos go 305 00:23:08.960 --> 00:23:14.359 to the house of someone of a child because one to look for other imaginary 306 00:23:14.400 --> 00:23:18.319 friends who got there, because, since they are no longer imaginary friends who 307 00:23:18.440 --> 00:23:21.559 no longer have their child, because they are looking for some child with whom 308 00:23:21.559 --> 00:23:26.440 to stay. Then they go and rescue the imaginary friend who ends up being 309 00:23:26.480 --> 00:23:30.359 this purple character who is called Blue, who is purple, because his name 310 00:23:30.359 --> 00:23:36.400 is Blue, they rescue him and suddenly, because they inevitably meet our per 311 00:23:36.680 --> 00:23:41.880 the girl, with our main character and because they begin to reveal to him 312 00:23:42.119 --> 00:23:45.160 who they are and after that, tell me they will say an inconsistency. 313 00:23:45.240 --> 00:23:51.000 Forgive me for interrupting you. But to see these, these, these imaginary 314 00:23:51.480 --> 00:23:56.480 friends are not supposed to be the projection of the wishes of the child they 315 00:23:56.519 --> 00:24:03.440 were exactly accompanying to accompany another child how we are going to do it, 316 00:24:03.880 --> 00:24:07.680 because they would have to find a child who has the same projection No yes, 317 00:24:07.880 --> 00:24:11.240 I believe it too. It' s like, then, because what 318 00:24:11.319 --> 00:24:12.079 ' s the rule of this universe. They can move everywhere, they' 319 00:24:12.160 --> 00:24:15.279 re imagining everything. She does or does not really exist in her friends when 320 00:24:15.359 --> 00:24:18.880 it is, she actually becomes when one imagines them. It' s all 321 00:24:18.920 --> 00:24:22.160 in her mind what' s going on. That' s not clear until 322 00:24:22.200 --> 00:24:25.559 the end and I' m sorry spoiler to read, because in the end 323 00:24:25.640 --> 00:24:27.640 you' re going to wink there already. Indeed, if these are the 324 00:24:27.759 --> 00:24:33.480 imaginary ones have, they are anchored in reality somehow, is that there is 325 00:24:33.559 --> 00:24:37.839 a mistake in the film. Of course, imaginary people wouldn' t have 326 00:24:37.880 --> 00:24:41.079 to be looking to connect with another child. They' d have to be 327 00:24:41.200 --> 00:24:45.240 connecting with their original owner. Well, I think, although that' s 328 00:24:45.279 --> 00:24:49.000 accurate, that' s not clear, not good, and then suddenly, 329 00:24:49.400 --> 00:24:52.079 she doesn' t know what they' re doing there. He doesn' 330 00:24:52.079 --> 00:24:53.599 t know what he' s doing. Mr Ryan Reynalds there, no one 331 00:24:53.599 --> 00:24:56.519 knows either. I thought I was even the ghost of some grandfather of hers. 332 00:24:56.880 --> 00:25:00.960 No or something, because you don' t know what' s going 333 00:25:00.960 --> 00:25:04.359 on there. He' s already all the time with a Mr Major, 334 00:25:04.519 --> 00:25:11.079 super- suspicious at this time. And so after that meeting it turns out 335 00:25:11.400 --> 00:25:15.200 that they tell her that, please, there is a kind of retirement home 336 00:25:15.359 --> 00:25:18.559 of imaginary friends and that everyone is looking for another child and that she can 337 00:25:18.640 --> 00:25:23.640 help how to manage those needs and connect to these years you imagine with other 338 00:25:23.720 --> 00:25:26.400 children. Why she can do it, because nothing else, because she lives 339 00:25:26.400 --> 00:25:30.680 there, because it kind of seems that when Chiquita was there, imaginary friends 340 00:25:30.759 --> 00:25:33.319 knew her, but she doesn' t remember. And after he goes to 341 00:25:33.400 --> 00:25:37.440 the house he' s retired, because I already have those other characters and 342 00:25:37.480 --> 00:25:38.400 it seems like it' s another story. I mean, it seems rather 343 00:25:38.480 --> 00:25:45.319 structured as a television series. No And after this, there' s another 344 00:25:45.480 --> 00:25:47.720 story, and then there' s the story of the dad who doesn' 345 00:25:47.720 --> 00:25:49.200 t know what' s going to close. Then the history of the hostel, 346 00:25:49.359 --> 00:25:55.079 that of the child hospitas the grandmother also that has another story and then 347 00:25:55.200 --> 00:25:56.839 the mission that she has, because it changes several times as direction. So 348 00:25:57.519 --> 00:26:00.519 it' s all confusing and it' s weird. And until the end 349 00:26:00.599 --> 00:26:07.160 says ah Look at this it' s about that he doesn' t have 350 00:26:07.279 --> 00:26:14.599 a spine, he doesn' t have a central idea for which he contributes 351 00:26:14.599 --> 00:26:17.559 the main story, of course, but also the secondary stories. So, 352 00:26:17.640 --> 00:26:21.640 that' s why it becomes confusing, it' s scattered. Yeah, 353 00:26:21.720 --> 00:26:26.359 that' s too bad, yeah, yeah, totally, well, there 354 00:26:26.400 --> 00:26:30.400 it is. I give him a session Carlos Andrés, I agree with you, 355 00:26:30.640 --> 00:26:34.319 I would actually tell them, because look at the experience that some platform 356 00:26:34.480 --> 00:26:38.480 arrives when they have a little bit of sight if they want to and if 357 00:26:38.559 --> 00:26:41.319 not, because they can save it. I mean, it' s not 358 00:26:41.359 --> 00:26:45.839 like they' re missing anything either. Very special, not good. Now 359 00:26:45.920 --> 00:26:52.119 yes, then let' s go to the next. Let' s go 360 00:26:52.119 --> 00:26:57.000 with the Amazon Prime Pacostanle series that has just premiered today, where they tell 361 00:26:57.759 --> 00:27:02.960 how it was the last day in Paco Stanley' s life through the views 362 00:27:03.000 --> 00:27:06.319 of the characters around Pacostanley, as Mario Besar is, Jorge Gil Paula during 363 00:27:06.440 --> 00:27:14.319 and surely Paco himself will also have his chapter. I guess you don' 364 00:27:14.319 --> 00:27:15.880 t have, yeah, but it' s a little bit. We saw. 365 00:27:15.119 --> 00:27:22.200 Jorge Gill and Mario Maria are the first two hello. The next week 366 00:27:22.359 --> 00:27:29.799 we' re going to see Benito which of Chiquito already leave us every end 367 00:27:29.880 --> 00:27:33.839 of episode shaping you the next. Not sure, the next one is going 368 00:27:33.880 --> 00:27:37.440 to be Benito, then there will be Brenda bren the wife of Mario, 369 00:27:37.880 --> 00:27:41.920 the wife of Mario then it will be Paola, during and after the wife 370 00:27:42.000 --> 00:27:48.160 of Jorge gill No and the attorney ah Samuel of the Villa O good to 371 00:27:48.160 --> 00:27:52.599 see. Besides, we' re talking about this and I' m talking 372 00:27:52.680 --> 00:27:56.640 about the names of the real- life characters. In other words, it 373 00:27:56.720 --> 00:27:59.799 should be noted that in the series they were all changed so that there were 374 00:27:59.799 --> 00:28:03.400 no problems of lawsuits. All that s orbs go to san change and change 375 00:28:03.480 --> 00:28:06.240 things like that, to get them. In fact, in order to talk 376 00:28:06.319 --> 00:28:07.880 about all this that happened without anyone offending, without anyone getting angry, without 377 00:28:07.880 --> 00:28:10.960 anyone saying, They have no right to spend my life and I will sue 378 00:28:11.000 --> 00:28:15.359 them. Mario Besares is suing them. Probably Well, he' s already 379 00:28:15.440 --> 00:28:17.519 threatened that if they' re finished, they won' t be sued. 380 00:28:17.519 --> 00:28:19.720 He' s probably gonna sue them because they don' t have a right 381 00:28:19.720 --> 00:28:22.319 to his image. Because even though they say it' s fiction, even 382 00:28:22.400 --> 00:28:23.799 though they changed everything so that they didn' t know that zeal, so 383 00:28:25.559 --> 00:28:29.279 that yes, so that people don' t directly relate it and change its 384 00:28:29.359 --> 00:28:32.920 name and they don' t look like the characters. For it is inevitable 385 00:28:33.000 --> 00:28:37.960 to see the character of Luis Gerard Méndez playing Mario Besares and think Mira has 386 00:28:37.039 --> 00:28:41.079 his gestures that if he does May you know in real life, one two 387 00:28:41.200 --> 00:28:41.960 looks at the best. Mario be know did this maybe if he' s 388 00:28:42.039 --> 00:28:44.839 a bad person, maybe he' s such, such, such? Tal? 389 00:28:44.920 --> 00:28:48.000 Tal? It is inevitable to think about it, because the series yes, 390 00:28:48.319 --> 00:28:53.839 it is very well done, yes, the truth is that I think 391 00:28:53.920 --> 00:29:02.400 it is a surprise because it has been a very very controversial series, very 392 00:29:02.400 --> 00:29:06.160 commented that was announced in the beginning, because obviously, the Mario and Paola 393 00:29:06.240 --> 00:29:08.960 themselves wanted to be their own series, they wanted to tell now yes, 394 00:29:10.400 --> 00:29:14.279 that it is their belity and not this truth that they are with us good, 395 00:29:14.680 --> 00:29:17.920 it is true in quotation marks, because they are not telling us the 396 00:29:17.920 --> 00:29:18.880 truth and they are very clear in that. No. Then, obviously, 397 00:29:19.920 --> 00:29:26.000 when we begin to see the first images, that the photographs and all these 398 00:29:26.079 --> 00:29:29.759 criticisms are similar, if not, if the hair and so on, and 399 00:29:29.920 --> 00:29:34.640 since we see it, we realize that it is intentional that they want to 400 00:29:34.640 --> 00:29:42.920 recreate the time, that they want, because they also show us a period 401 00:29:44.000 --> 00:29:47.640 and a dynamic of doing things that was very different from what we see today. 402 00:29:48.599 --> 00:29:52.359 Something that hit me a little bit at first is the dynamics I had 403 00:29:52.440 --> 00:30:00.640 for Costanley, to cause laughter, was based on humiliation, bullying. Yeah, 404 00:30:00.920 --> 00:30:06.680 I' ll say a quote first, before I follow the style. 405 00:30:07.000 --> 00:30:08.960 Monse also told me it was just that they' re recreating the time. 406 00:30:10.559 --> 00:30:12.359 But I say yes, but you see wigs, that is, with everything 407 00:30:12.400 --> 00:30:15.880 they' re creating the time. It feels a little exaggerated, if it 408 00:30:15.920 --> 00:30:18.920 has a tone of farce and is on purpose, that is to say in 409 00:30:18.920 --> 00:30:22.000 the desire to recreate the time. There is a tone of farce where the 410 00:30:22.079 --> 00:30:26.279 characters have these exaggerated features, where they see the peucotas, where Diego de 411 00:30:26.359 --> 00:30:29.759 Diego Neta' s character plays Jorge Gill, because it looks almost like he 412 00:30:29.839 --> 00:30:32.319 has protesis I don' t know if he gained weight for the role, 413 00:30:33.079 --> 00:30:36.559 but it seems like the chistoncillos. It' s very made- up and 414 00:30:36.640 --> 00:30:40.839 suddenly the hair is like in a certain way looks fake everything, but I 415 00:30:40.960 --> 00:30:44.079 think it is on purpose good. I insist, it' s a tone 416 00:30:44.160 --> 00:30:48.599 that means it' s a mix of farce, crime and melodrama. Even 417 00:30:48.799 --> 00:30:52.559 the cuts forgiveness, not the cuts, the auctions, in the dialogues, 418 00:30:52.759 --> 00:30:56.359 because they are very telenoveleques, are half cutres and also the aesthetic is a 419 00:30:56.400 --> 00:30:59.680 little bit or cuut if it is from the nineties, but it is seen 420 00:31:00.119 --> 00:31:04.039 in the middle with the broken grain, it looks like chafón. The music, 421 00:31:04.599 --> 00:31:07.240 not the music of the singles that pass, but the score, that 422 00:31:07.279 --> 00:31:12.200 is, the incidental music, since also estere novelesca. It' s all 423 00:31:12.319 --> 00:31:17.400 made to generate morbidness and they do it very well and if you feel like 424 00:31:17.400 --> 00:31:19.000 following it. Seeing. And the thing that it' s like in a 425 00:31:19.039 --> 00:31:23.519 pharsic tone is that the characters become monstrous. Don' t women notice that 426 00:31:23.920 --> 00:31:29.880 Jorge gin' s wife doesn' t or clothes them don' t, 427 00:31:30.279 --> 00:31:32.359 but they do suck, you say what monsters this one is laughing at. 428 00:31:32.400 --> 00:31:34.960 You mean either, he' s a horrible being. The mayobs ances character. 429 00:31:36.240 --> 00:31:38.920 This is also a traitor. It' s almost like if a dead 430 00:31:38.920 --> 00:31:42.039 fly, Jorge Hill' s character ends up hating him. It' s 431 00:31:42.039 --> 00:31:48.319 so miserable, what a mean guy the series has. And I understand why 432 00:31:48.400 --> 00:31:51.599 Mario you know when watching the trailer, because he said if I' m 433 00:31:51.640 --> 00:31:55.960 going to sue, I don' t know if he saw anything else or 434 00:31:56.039 --> 00:31:56.359 just the trailer in the trailer doesn' t look that much. But now 435 00:31:56.440 --> 00:31:59.119 that you' re watching the show. If so, of children, if 436 00:31:59.279 --> 00:32:01.599 I think that they are horrible beings and that it is a very horrible world 437 00:32:01.640 --> 00:32:07.599 in which they were, because each of the episodes let us see. This 438 00:32:07.680 --> 00:32:12.799 is going like in layers. We don' t start with Jorge Gill' 439 00:32:12.880 --> 00:32:19.279 s version and we' re joined by Mario Besares, and each episode also 440 00:32:20.200 --> 00:32:22.200 raises a little bit about who this character is, where it comes from, 441 00:32:22.519 --> 00:32:24.839 what they' ve done. They tell us, for example, that Jorge 442 00:32:24.880 --> 00:32:30.039 Gill had a bachelor' s degree, that he was looking more like an 443 00:32:30.039 --> 00:32:34.599 investigative journalist, that Mario Besares wanted to be a theater actor and so on. 444 00:32:34.880 --> 00:32:42.279 So they have that, they then have this part of the relationship with 445 00:32:42.720 --> 00:32:47.440 Pacostanley, what that was like, and then the part as such of Pacostanle 446 00:32:47.480 --> 00:32:52.400 ' s death and everything that happens and everything that goes around the chapters have 447 00:32:52.519 --> 00:32:57.799 a certain structure in that sense, more or less similar, because in addition, 448 00:32:58.240 --> 00:33:05.119 we are seeing each of these characters telling us their version of how the 449 00:33:05.240 --> 00:33:08.079 facts happened. But nothing else is limited to that day, not but it 450 00:33:08.119 --> 00:33:14.319 gives us background. He tells us what' s going on next and tells 451 00:33:14.599 --> 00:33:19.960 us just how Jorge Gill' s attention is moving to Mario Besares, and 452 00:33:20.039 --> 00:33:24.720 I imagine we' re going to go with the rest of the characters and 453 00:33:24.799 --> 00:33:31.039 how all these characters have things to hide. Yeah, everybody' s hiding 454 00:33:31.079 --> 00:33:35.519 something. If that' s interesting, I think there might be a twist 455 00:33:35.680 --> 00:33:39.119 there if you can focus that the bad guy is another and not like the 456 00:33:39.200 --> 00:33:44.200 story many times you think he can be Mario It' s not like the 457 00:33:44.319 --> 00:33:46.640 ideal villain of this story for people in general, even though I know that 458 00:33:46.720 --> 00:33:52.400 everyone is court and didn' t do anything, He' s already pleaded 459 00:33:52.519 --> 00:33:54.759 innocent, but people still take him as the villain. And in the series, 460 00:33:55.279 --> 00:34:00.000 because there is also another villain right now, Jorge Gill, almost that 461 00:34:00.039 --> 00:34:02.880 if we put back and because Jorge is hiding nothing at best is pure resentment 462 00:34:02.920 --> 00:34:06.279 but he is hiding Mario, because we don' t know, as you 463 00:34:06.319 --> 00:34:08.519 say maybe someone else' s ball happens in the next episode. I think 464 00:34:08.519 --> 00:34:12.800 they' re going to go a lot, because obviously they won' t 465 00:34:12.800 --> 00:34:15.840 give us the answer. No one has it, not exactly, but it 466 00:34:16.159 --> 00:34:22.400 ' s this working out who it might be, why it might be, 467 00:34:22.880 --> 00:34:27.880 and then we' re seeing how, because Jorge Gil incriminates Mario. Let 468 00:34:28.000 --> 00:34:30.880 ' s say no or pay attention to him or the chauffeur and we' 469 00:34:30.880 --> 00:34:35.800 re also seeing even how, for example, when they' re doing the 470 00:34:35.800 --> 00:34:37.719 recreation. He makes some comments about the driver and the solicitor. No, 471 00:34:38.199 --> 00:34:44.039 no, no, no, no, no, no, no, no, 472 00:34:44.320 --> 00:34:49.239 no, no, no, no, no, no, no, 473 00:34:49.519 --> 00:34:49.920 no, no, no, no, no, no, no, no, 474 00:34:49.920 --> 00:34:49.920 no, no, no, no, no, no, no, 475 00:34:49.920 --> 00:34:49.920 no, no, no, no, no, no, no, no, 476 00:34:49.920 --> 00:34:49.920 no, no, no, no, no, no, no, 477 00:34:49.920 --> 00:34:49.920 no, no, no, no, no, no, no, no, 478 00:34:49.920 --> 00:34:49.920 no, no, no, no, no, no, no, 479 00:34:49.920 --> 00:34:49.920 no, no, no, no, no, no, no, no, 480 00:34:49.920 --> 00:34:49.920 no, no, no, no, no, no, no, 481 00:34:49.920 --> 00:34:49.920 no, no, no, no, no, no, no, no, 482 00:34:49.920 --> 00:34:49.920 no, no, no, no, no, no, no, 483 00:34:49.920 --> 00:34:49.920 no, no, no, no, no, no, no, no, 484 00:34:49.920 --> 00:34:49.920 no, no, no, no, no, no, no, 485 00:34:49.920 --> 00:34:49.920 no, no, no, no, no, no, no, no, 486 00:34:49.920 --> 00:34:49.920 no, no, no, no, no, no, no, 487 00:34:49.920 --> 00:34:49.920 no, no, no, no, no, no, no, no, 488 00:34:49.920 --> 00:34:49.920 no, no, no, no, no, no, no, 489 00:34:49.920 --> 00:34:49.920 no, no, no, no, no, no, no, no, 490 00:34:49.920 --> 00:34:49.920 no, no, no, no, no, no, no, 491 00:34:49.920 --> 00:34:49.920 no, no, no, no, no, no, no, no, 492 00:34:49.920 --> 00:34:49.920 no, no, no, no, no, no, no, 493 00:34:49.920 --> 00:34:49.920 no, no, no, no, no, no, no, no, 494 00:34:49.920 --> 00:34:49.920 no, no, no, no, no, no, no, 495 00:34:49.920 --> 00:34:49.920 no, no, no, no, no, no, no, no, 496 00:34:49.920 --> 00:34:49.920 no, no, no, no, no, no, no, 497 00:34:49.920 --> 00:34:49.920 no, no, no, no, no, no, no, no, 498 00:34:49.920 --> 00:34:49.920 no, no, no, no, no, no, no, 499 00:34:49.920 --> 00:34:49.920 no, no, no, no, no, no, no, no, 500 00:34:49.920 --> 00:34:49.920 no, no, no, no, no, no, no, 501 00:34:49.920 --> 00:34:49.920 no, no, no, no, no, no, no, no, 502 00:34:49.920 --> 00:34:49.920 no, no, no, no, no, no, no, 503 00:34:49.920 --> 00:34:49.920 no, no, no, no, no, no, no, no, 504 00:34:49.920 --> 00:34:51.079 no, no, no, no, no, no, I mean, 505 00:34:51.199 --> 00:34:53.239 they didn' t happen that way. Things really have elements that happened 506 00:34:53.360 --> 00:34:57.920 in reality, but they don' t. The interaction of the characters did 507 00:34:58.039 --> 00:35:01.320 not happen this way because of the motivations either, probably not what they felt 508 00:35:01.320 --> 00:35:05.239 either. But it' s inevitable. It' s very well done. 509 00:35:06.199 --> 00:35:09.639 One two. It is inevitable that they will soon be linked to the characters 510 00:35:09.800 --> 00:35:13.239 of real life and that is devastating. I say poor of the people who 511 00:35:13.280 --> 00:35:15.519 are seeing again poor Mario' s release of his wife, poor family, 512 00:35:15.679 --> 00:35:19.599 Jorge Gill, who more he disappeared, the one who disappeared from the middle, 513 00:35:20.280 --> 00:35:24.719 that is to say how terrible Paula during also is vote. I' 514 00:35:24.760 --> 00:35:28.320 ll relive this again that I have to be at an event that maybe I 515 00:35:28.400 --> 00:35:30.719 want to go back to public life and there' s gonna be some slugs 516 00:35:30.800 --> 00:35:35.519 with a tape recorder, like that with iPhone, now with a little microphone. 517 00:35:36.039 --> 00:35:38.039 And they started asking the same thing as always what I think about the 518 00:35:38.039 --> 00:35:45.320 series, what happened, what horror it' s going to be interesting to 519 00:35:45.440 --> 00:35:47.639 see what' s going on with the demands and so on, because the 520 00:35:47.719 --> 00:35:53.480 series, obviously, the first thing they do is put a disclaimer, not 521 00:35:53.519 --> 00:36:00.800 where they just tell us is inspired by real events, places and characters have 522 00:36:00.800 --> 00:36:01.760 been taken to fiction, so, they put it there. This is fiction. 523 00:36:02.719 --> 00:36:07.480 Then they tell you that, for the purpose of representing one of the 524 00:36:07.760 --> 00:36:13.760 most controversial cases, but it says to represent, that is, words are 525 00:36:13.840 --> 00:36:19.559 very key, very careful. Yes, very careful. They just say also 526 00:36:19.719 --> 00:36:22.800 that to present a dramatized version. And the part that catches my attention the 527 00:36:22.840 --> 00:36:28.599 most is that they put you in the end. The legal truth of this 528 00:36:28.719 --> 00:36:35.840 story is recorded in the official records and the respective judicial decisions, not in 529 00:36:35.920 --> 00:36:39.360 the series. Of course they do, they protect themselves, but anyway, 530 00:36:39.679 --> 00:36:44.760 well, Mario' s lawyers said that because it' s So I finally 531 00:36:44.880 --> 00:36:45.760 know, So it' s being referenced, So, even though they say 532 00:36:45.840 --> 00:36:49.280 it' s fiction, etcéte, et cetera, et cetera, et cetera? 533 00:36:49.960 --> 00:36:52.599 Well, yes, it' s clear they' re talking about Mario 534 00:36:52.599 --> 00:36:55.920 Betanz and yes, it' s inevitable to think about it, it' 535 00:36:55.920 --> 00:36:57.159 s inevitable to tie him up, even to say he hears what. If 536 00:36:57.280 --> 00:37:00.880 yes, because one gets carried away by the tab, then it should not 537 00:37:00.960 --> 00:37:02.880 be easy and to see what judges resolve, to see how the series is 538 00:37:02.960 --> 00:37:09.639 doing. I feel that it can generate a lot, a lot of conversation 539 00:37:10.039 --> 00:37:15.360 in networks and it is okay that it does so as long as we have 540 00:37:15.519 --> 00:37:17.599 a good premise, that is, closing a premise, be good the truth 541 00:37:17.679 --> 00:37:21.960 of this premise, be good at the end, I think what we were 542 00:37:22.039 --> 00:37:25.639 saying is that it is just a pretext to pack it to tell us a 543 00:37:25.719 --> 00:37:31.360 sordid world of television, of how desires move, desires of power, passions, 544 00:37:31.360 --> 00:37:34.199 etcetera. The low passions, et cetera, et cetera, et cetera? 545 00:37:34.400 --> 00:37:37.280 No, I think you can go that way Let' s see how 546 00:37:37.280 --> 00:37:42.519 they work out. Yeah, because this is entertainment, it' s morbid 547 00:37:42.639 --> 00:37:49.199 going around right now I think Mario' s possibility and now there' s 548 00:37:49.239 --> 00:37:52.920 no lawyer here. It' ll be nice to ask some lawyer, because 549 00:37:52.119 --> 00:37:55.320 I don' t think they can leave about whether they' re telling the 550 00:37:55.320 --> 00:38:00.719 truth or not. But I think they could go about that realitymis and yes, 551 00:38:00.000 --> 00:38:06.880 today I was listening to Brenda b Sares and it' s just what 552 00:38:06.880 --> 00:38:10.239 you' re mentioning and she was saying is that again. And now it 553 00:38:10.280 --> 00:38:14.639 must be fiant. It was horrible, now it must be worse, because 554 00:38:14.679 --> 00:38:21.280 now we have social networks. No and then we have people writing and accusing 555 00:38:21.440 --> 00:38:27.920 us and telling us a series of things I think that there is the core 556 00:38:27.920 --> 00:38:30.760 of the complicated, because, as you well say, although here is Mario 557 00:38:30.840 --> 00:38:37.119 Rodríguez, for example, if I remember correctly, it is like Lec Mario 558 00:38:37.119 --> 00:38:42.519 Rodríguez, because we all know who they refer to, because it is not 559 00:38:42.639 --> 00:38:46.519 even there, if we think of the Gloria Trevi series that Way had many 560 00:38:46.519 --> 00:38:51.039 elements of many characters that were very clear. There were so many others that, 561 00:38:51.519 --> 00:38:52.719 as you said, it may be this one for this, but it 562 00:38:52.719 --> 00:38:57.000 may be this one. That' s why they were mixed up with the 563 00:38:57.199 --> 00:39:01.280 solicitor only here, because the solicitor, if the solicitor comes, is also 564 00:39:01.400 --> 00:39:06.719 a little bit. The Head of Government is also a little bit more responsible 565 00:39:06.760 --> 00:39:10.239 for the investigation. In other words, they cover their backs even more, 566 00:39:10.800 --> 00:39:16.320 so that they do not touch calluses in certain areas that would be more delicate. 567 00:39:16.440 --> 00:39:21.039 No, but yes, I mean that part, of course I understand 568 00:39:21.079 --> 00:39:24.280 them. It must be awful that you want to leave this episode of your 569 00:39:24.400 --> 00:39:30.960 life behind and go on and on because it' s been twenty- five 570 00:39:30.000 --> 00:39:32.280 years, this was the ninety- nine. Yeah, yeah, yeah, 571 00:39:32.800 --> 00:39:36.880 twenty- five years and you can' t get it off his back. 572 00:39:37.880 --> 00:39:42.320 He' s strong and yes, the media won' t let him and 573 00:39:42.320 --> 00:39:44.599 I say I work there. I could say we didn' t let him 574 00:39:44.639 --> 00:39:45.599 either that I grabbed the subject and took it out whenever I could. But 575 00:39:45.960 --> 00:39:50.199 yes, he is spoken of. It' s media and we' re 576 00:39:50.199 --> 00:39:53.280 all involved there. Yeah, it' s not easy, it' s 577 00:39:53.760 --> 00:39:55.400 not easy for them anymore they didn' t want to talk about this. 578 00:39:55.559 --> 00:40:01.039 But well, so life or chie life, because it returns it over and 579 00:40:01.119 --> 00:40:07.440 over again is that same scenario. Maybe they shouldn' t talk about it 580 00:40:07.599 --> 00:40:09.599 if they didn' t think so, because they' re taking some of 581 00:40:09.599 --> 00:40:13.199 the game away from us. Sure. The other question is Mario kissing It 582 00:40:13.239 --> 00:40:16.119 ' s going to enter the house of the celebrities, so son him there 583 00:40:16.119 --> 00:40:20.679 also helps him a little to negotiate. That' s right, that' 584 00:40:20.679 --> 00:40:22.519 s right. I' ve been saying that too, mons That' s 585 00:40:22.519 --> 00:40:25.960 how it can be. Maybe it helps him negotiate one two I don' 586 00:40:27.639 --> 00:40:30.360 t know carlos before. I don' t know if he' s gonna 587 00:40:30.440 --> 00:40:35.280 be able to congratulate people. I mean, I don' t know, 588 00:40:35.679 --> 00:40:38.440 I mean, I liked him on the show with Pacco and that Joker and 589 00:40:38.559 --> 00:40:42.639 everything and he just never saw him on a show, just when he had 590 00:40:42.760 --> 00:40:45.519 him on his show, because I didn' t see him anymore and he 591 00:40:45.639 --> 00:40:47.199 didn' t really track him. I mean, everything you remember when I 592 00:40:47.199 --> 00:40:52.360 was with Paco and I liked him, he was funny, but I don 593 00:40:52.559 --> 00:40:54.960 ' t know the real- life mario that' s out there exposing at 594 00:40:55.079 --> 00:41:02.880 the celebrity house anymore. I don' t know if being labeled unfairly as 595 00:41:02.960 --> 00:41:07.519 you want on social networks like the villain, well, yeah, let' 596 00:41:07.519 --> 00:41:09.840 s just not say. The truth is that the house of celebrities is a 597 00:41:09.920 --> 00:41:15.760 double- edged weapon yes, we do not know what will come out of 598 00:41:15.880 --> 00:41:21.800 the person, whether a demon or an angel, whether it will benefit them 599 00:41:21.880 --> 00:41:27.480 or harm them, regardless of whether they charge right or wrong, or good 600 00:41:27.599 --> 00:41:30.360 and better, because, then, they pay them well and they have that 601 00:41:30.440 --> 00:41:34.840 exposure. But woe therefore, yes, yes, yes, as it is, 602 00:41:35.039 --> 00:41:37.639 we have seen many entering into the house of the famous; for this 603 00:41:37.480 --> 00:41:42.079 is that the fame already knows what they speak of you, even if it 604 00:41:42.119 --> 00:41:45.599 is evil, for today. I think it' s a little relative. 605 00:41:45.760 --> 00:41:46.760 Well, you' d better talk about IT than not talk about IT. 606 00:41:47.679 --> 00:41:52.679 But I don' t know if you want them to talk about you that 607 00:41:52.679 --> 00:41:54.360 way later. No, I don' t. No. Anyway, how 608 00:41:54.440 --> 00:42:00.000 complicated, very complicated, let' s see what wave we' ll see 609 00:42:00.599 --> 00:42:04.960 in the series and we' ll be talking about the series of the next 610 00:42:04.960 --> 00:42:07.840 two episodes. Well, all right, then. Hey, thanks for being 611 00:42:07.840 --> 00:42:10.360 here. Carlos, thank you so much for participating in this show. Thank 612 00:42:10.400 --> 00:42:15.199 you very much, no thanks. And well follow Carlos Andrésmendulen, Carlos Andrés 613 00:42:15.239 --> 00:42:21.400 Mendiola on Facebook and Carlos A Mendiola on Twitter and Instagram, Sorry on Instagram, 614 00:42:21.920 --> 00:42:24.920 not on Instagram, but it wasn' t Twitter, t Twitter, 615 00:42:25.400 --> 00:42:30.840 not on Instagram and Tiktok, sorry Carlos Ameno on Instagram and Tiktok and Carlos 616 00:42:30.960 --> 00:42:35.760 Andrés Mendiola on Facebook and also on YouTube. He' s like Carlos to 617 00:42:35.760 --> 00:42:39.239 Mendiola. They can follow it everywhere and thanks to the people who were here 618 00:42:39.239 --> 00:42:43.679 with us, José Fausto pon can follow me Fausto Arroba, Fausto ponce on 619 00:42:43.679 --> 00:42:47.559 Twitter, on Instagram, Arova, Fausto pons official on Facebook. Thank you 620 00:42:47.599 --> 00:42:58.360 very, very much and we sent you a super hug. Audio editing is 621 00:42:58.440 --> 00:43:02.400 done by Outlow Outs. Create Ives Sounds. If you want to make a 622 00:43:02.480 --> 00:43:07.639 podcast or musicalize multimedia content, sound a movie or a play or make a 623 00:43:07.719 --> 00:43:10.960 jingle, go to outlos comm