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Welcome to the Great Detectives of Old
Time Radio from Boise, Idaho. This

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is your host, Adam Graham.
If you have a comment, send it

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00:00:38,159 --> 00:00:43,799
to me Box thirteen at Great Detectives
dot net, follow us on Twitter at

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Radio Detectives, and become one of
our friends on Facebook, Facebook dot com

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Slash Radio Detectives. Well, before
we do get started, I don't want

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to encourage you if you've not already
pick up your copy of All I Needed

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00:00:59,159 --> 00:01:02,640
to Know I Learn from Dragnet.
It's the sequel to All I Needed to

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Know I Learned from Colombo, in
which we examine the histories and careers of

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seven more great detectives and police officers
from literature, radio and television, including

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Poiro, Johnny Dowler, and Joe
Friday. The book is available in the

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Kendall Store, the Eyebook and nookstores, and also at store dot Great Detectives

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dot net. Well, now it's
time for today's episode of The Saint.

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The original air date July the fifteenth, nineteen fifty one and the title is

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No My Darling Daughter The Adventures of
the Saint, starring Tom Conway. The

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Saint based on characters created by Leslie
trotteris and known to millions from books,

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magazines, and motion pictures. The
robin Hood of Modern Crime now comes transcribe

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to radio, starring Hollywood's brilliant and
talented actor Tom Conway as the Saint.

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Yes, I'm Simon Templer. I
have an appointment with joyous mister Templer.

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We've been waiting for you. Come
in. Please thank you this way.

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You had no trouble finding the place, sir. No, the Amison house

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is too large to overlook. I
should apologize for not sending the car for

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you you received. Would you tell
mother? Oh? Well, hello,

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hello, you are Frankly, I've
never given it much thought. See mother

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hired you to drive a car.
No, that wouldn't be at all.

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She hired you to escort to Bermuda. You're not the escort type, Miss

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Allison. This is the saint.
Oh, then that's why mother hired you.

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Good luck feels? Did mister duncr
tell him I've already left for the

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track. Goodbye, Rambles, goodbye. She goes with a house. I

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take it Missus Allison's daughter Cora via
late marriage, A very spirited young lady.

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Oh, here's Missus Allison's bedroom missus
Allison, mister Templer is here.

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We'll send it in, send it
in. Come over here, mister Templer,

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let's have a look at you.
Very nice, Just exactly what is

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being hired, miss Allison? A
detective or a profile? Ohn? Sit

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down. I'm not here, mister
Templer, just wearing out. And please

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don't allow the oppertinences of an aged
woman to distress you old the wages of

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an extremely indulgent but not an interesting
life. You don't seem as weak a

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woman as you've let on, missus
Ellison. A gentlemanly thing to say,

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mister Templer, but the strength you
see left in me is only the extra

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strong light of the candle before it
burned out. Here, mister Templer,

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is a check for one thousand dollars. It's yours, just like that.

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I never thought money was for anything
but spending. And now shall we talk

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of my need for you for a
thousand dollars to my favorite charity? You

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can talk of anything. You have
seen her who my daughter? I ran

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into a light breeze on the stairs. A Field said she was your daughter,

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mister Templer. Cora is an exciting, spirited girl. She's had everything

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that's fine in life now. Her
only reading matter is the racing form.

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Her only art self beautification. Her
only uses the rocket comes of a nightclub.

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Look, I found this gun in
her room. She thinks it's cute

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to carry a gun. But that
isn't all. The real problem goes deeper.

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A man. How did you know
it? Usually is? His name

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is Frank Dunn. Yes, he
runs the Paradise Club. You know him,

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yes, then you know that he's
a ruthless man. Cora is in

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love with him, or thinks she
is. He's no good for her.

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I want you to take her away
from him. I know Cora, I

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know our view. I know you're
the kind of man who can do it.

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And that's all. Yes, No, I think you've left out something,

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the real reason for being of thousand
dollars. We will start with Cora.

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You made her what she is,
missus Allison, and you like it.

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You like her flamboyance and her successes. They can't you like yourself when

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you were young. You're not angry
at her, You're worried about her.

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You think Frank Dunna is going to
get into trouble, criminal trouble. You

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are a discerning man. Mister Templer
and a frank one. Then we understand

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each oman. Yes, good fabrication
between a man and his client is usually

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unhealthy, especially when there's someone in
the middle with a loaded gun. Now,

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just how is done using Cora?
I don't know, and I will

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find out. They're at the trap. They're always theres a track Field tells

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me they have a box. I'll
phone you as soon as I get something.

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Remember, mister Templer, whatever it
is, the important thing is that

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Cora be kept out of it completely. Do you understand I understand and missus

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Allison, that I'm about to play
nursemaid to a very beautiful young lady.

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Tell me, now, Frankie,
which horse did you have? The winner's

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always say that, but this was
afortile finish darling? Which one did he

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have? Whose you? Tell me? Oh? No, Cora, Hey,

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Frankie, Look who's coming? Hello? Hello, Cora? Oh hello,

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cute. So I hope you're following
me. No, I dropped a

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few hundred dollars as track last season. I wondered if any of you would

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founder Hello. We found more than
that. Frankie dying. This is Simon

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Temper, This Temper, This is
hello, Frankie. Hello's saying, oh

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you know each other? Yeah,
yeah, we know the same. And

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you're a gorilla named whose aren't you? Or are you a moose named gorilla?

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Now listen, I'm moose. So
you know this guy Coral? No,

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not as well. I'd like to
mead him at the house. Mother

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hired him. It's kind of lushies, don't you say? Come on in

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and join it? All right,
been delighted, Cora. The box is

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fully see. I'm saving that for
fran Dson never comes besides the last races,

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though we will only be here a
few minutes long. I've had the

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state is taken going. I guess
you're right now that I see him in

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the sunlight, I don't like him. It looks too moral than me.

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You've heard the lady saying, well, I don't think you're teaching the very

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kind of Frankie, and I have
such nice things to tell Corda about you.

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That jewel spend three years in Jolia, a few more in State pens

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for various inflections of the lawn.
Oh, I know all that, saying,

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that's Frankie's charm. That's why I'm
going to marry him. I see,

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does your mother know we're going to
Elope and anat lazy going to be

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a surprise. Mother's done a lot
on her day, but never anything as

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exciting is marrying a man like and
you're going to congratulate him saying I'm going

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right out and buying her some black
crepe. Let me press him, Franky,

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Let me press you. Race a
Winner number three, Infernal Place number

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eighth, Happy Bride Show number one
eighth, Para neutrals are on the corboard.

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Op is the ones I get to
our cocas. You did have infernal

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one hundred dollars eleven to one,
not bad for when it's to day five

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yesterday. Keep this up and don't
have as much money as your hell.

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I'll be right back picking a lot
of winners. Thank you enough. What

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do you suppose it is making you
so luckier? Suns, spots or maybe

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a system? I'd like to hear
all about it. Kind of soft in

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the middle, Templar. I'm over
long before your mouth catching the more trouble.

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I'm going, oh right away.
Whatever happened to Patricia Frank you seems

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to me you two were good and
marry luck your late Patricia less Templer just

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thought i'd ask she was a nice
kid. Seem to love you. Nice

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00:10:05,279 --> 00:10:07,720
wise guy. Keep pressing me like
this, you're gonna end up on a

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slab. Oh beat it, crosswatch. I'll be glad to That's the only

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way to stay ahead, Frank,
You take leave when you get a winner.

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Lave a track so so much.
The templer. Yes, and it

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was a little too crowded. Oh
what too over to jersey ed? Yeah,

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waiting, hold up, well,
what's about it? I was standing

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down. But one of the dark
glasses in bail. Oh yeah, she's

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a Melano is the one I'd go
on the way to Jersey for. Hello,

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Patricia Rank, you know you're at
the track. I don't know.

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Wait a minute, don't go,
not until we've had a chance to talk.

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I'm hey, I'm gonna call it
out. I don't think you will.

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You don't want to join you attention
to yourself. That's why the dark

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classes. Who are you hiding from? Patricia? Thank you? What do

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you want to say? I told
you a few moments of pleasant conversation.

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You won't get it from me.
I might you know? Thank you?

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And I were just talking about you. I'm in town, No, I'm

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here. I've got a cab waiting. Come on, I'll take you home.

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I don't want to go home.
Where do you want to go?

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Here? Staying at a hotel on
Madison? All right, I'll take you

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there and we will drive slowly.
We've got a few things to talk about.

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Thank you, Thanks for being so
talkative. I don't remember saying anything.

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You didn't what's bothering you? Why
did you go to the track and

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hide in the corner behind dark glasses
in a val It's my business? Who

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is Bronson? Frank? He mentioned
him at the track? Who is he?

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I never heard of him? Frank
is making a lot of money off

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the races. How's it done?
You can fix one race sometimes, but

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you can't fix four one day,
five the day before, and I don't

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know how many before then. That
takes a lot of organization. How do

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you feel about Cora Allison? Why
all Brunette feel about Blan? That's a

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nice wedding me you're wearing. I
like it. You and Frank has don't

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marry? Why shouldn't it be no
reason? Except it seems to me that

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if Frank is going to marry Corea
in a few days, as he says

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it, it a bit better for
him not to be married to you.

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That's his problem. Sure, you
don't want to tell me about Bronson.

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I don't want to tell you anything, all right, I see you again?

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Got h thank yeah, just thank
you on the towel. But it's

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come over from Jersey. I don't
know. Do me a fable when don't

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tell him? On him? Tell
no matter what, don't tell him?

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Why not? Won't be good to
means for all right, Patricia, I

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don't tell him. I gots it, yes, thank you him? Shot?

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How I was to talking about stock
a key? Nobody can get one

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00:13:41,480 --> 00:13:43,639
at the desk? No, give
me a hand, right, come on,

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come on, get a little more. Yeah, here she is,

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mister wow. Look at that rug. Who ever did it? Made sure

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in the windows open? I escape? Anyone fights down all the police right

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00:14:00,759 --> 00:14:05,320
away, boy, mister Cunning,
I'm sure Eddie, Eddie, come over

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00:14:05,399 --> 00:14:11,440
here up at this window. Oh
yeah, you were part at the end

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00:14:11,440 --> 00:14:13,720
of the ally. Did you see
anyone come out of it? Oh?

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00:14:13,799 --> 00:14:37,000
I was tired shape maybe maybe lobby
corn Alison, Hello for you, oh,

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00:14:37,120 --> 00:14:39,399
mister templar. I tried to follow
you at your apartment, missus.

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00:14:39,399 --> 00:14:43,720
Allison has asked me to inform you
that your services are no longer needed.

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00:14:43,960 --> 00:14:46,200
Just a moment, Field, please
take your foot out of the door where

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I should be forced to call the
police. Hardly liked the Field. You

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00:14:50,600 --> 00:14:54,600
haven't forgotten. The murder was committed
not long ago. I was standing outside

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Patricia Dunn's department when it happened.
I don't know what you're talking about,

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00:14:58,320 --> 00:15:00,720
sir. I don't want to call
you a line, Field, but you're

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00:15:00,759 --> 00:15:05,279
tempting me. I've got a strong
feeling Cora did it. I also think

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00:15:05,320 --> 00:15:07,440
you drove her then back in the
limousine. You're wrong, mister Templer.

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00:15:07,759 --> 00:15:11,240
I haven't left the house all afternoon, nor has the car left the garage.

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00:15:11,639 --> 00:15:16,039
There you go again. I felt
the hood on the limousine not two

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00:15:16,080 --> 00:15:18,919
minutes ago. It's too warm,
and I'd also like to find something else

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00:15:18,960 --> 00:15:24,960
but swarm. That's a gun fired, probably by the dainty hand of a

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00:15:24,039 --> 00:15:28,960
girl who has everything except the rights
upward. Now believe me feels it.

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00:15:30,360 --> 00:15:31,759
It'd be a lot less trouble if
you let me in to talk the Corra

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00:15:31,840 --> 00:15:37,080
than if I find a telephone and
talk to the police. Well, Corra's

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in her bedroom. Please come in, mister templer, Cora. If you're

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00:15:54,519 --> 00:15:58,600
going to keep on crying, we're
not gonna get any world. I'd tell

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00:15:58,639 --> 00:16:02,639
you I didn't kill Yes, I
heard you, and you don't believe it.

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00:16:03,279 --> 00:16:06,200
I'd like to, but you've got
a lot of things to explain.

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00:16:07,159 --> 00:16:10,799
One is the automated. You used
to carry it once a pistol, for

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00:16:10,960 --> 00:16:12,519
it's not for shooting. Oh,
I never shot a pistol in my life.

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00:16:12,759 --> 00:16:17,799
Oh, I see you used it
as a paperweight. No, I

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carried it because well, because it
looks good, huh, like a mink

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00:16:22,240 --> 00:16:26,879
gate. Oh, I tell you
I didn't do her. Would anyone know

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00:16:26,000 --> 00:16:30,600
if you ever told to? You
know to some people also looks good to

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00:16:30,639 --> 00:16:34,159
tell. A lot of tever lives
you who also said you went to Patricia's

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00:16:34,159 --> 00:16:37,480
apartment, i't. I came home
hard after the races. We had dinner

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00:16:37,519 --> 00:16:41,799
here. Yes, I came right
home. All of which reminds me of

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00:16:41,840 --> 00:16:45,600
to Nokio, whose nose got longer
every time you lied I was home all

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00:16:45,639 --> 00:16:49,000
afternoon. He saw me. We've
already been through it. His nose is

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00:16:49,039 --> 00:16:53,159
getting longer too, Quara, listen
to me. A cam driver saw you

191
00:16:53,279 --> 00:16:57,960
running up the alley away from Patricia's
place after the shots were five somebody.

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00:16:59,240 --> 00:17:03,399
It doesn't matter who you're making it
up. Strangely enough, I'm not like

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00:17:03,559 --> 00:17:07,119
you, Cora. I don't think
it looks good to make things up,

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00:17:07,799 --> 00:17:11,440
especially when murders concerned the campus.
All you and the magazine and Field,

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00:17:12,200 --> 00:17:15,799
And I'll tell you one thing more, the police will be able to prove

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00:17:15,920 --> 00:17:19,680
you were there. Oh you're lush
as I know. I know you told

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00:17:19,720 --> 00:17:26,319
me all right, Oh I was
there, my children, I couldn't know.

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00:17:26,519 --> 00:17:33,599
Its na believe No, don't believe
her. It's the templar. She's

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00:17:33,759 --> 00:17:41,079
lying. Oh bother, she didn't
kill Patricia. Donne I know because I

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00:17:41,240 --> 00:17:57,960
did. I just owned the police
and confessed. Shall I have a partner

201
00:17:59,119 --> 00:18:02,400
set us up against say? No? Not for man. You go ahead,

202
00:18:02,519 --> 00:18:04,160
Eddie. I I know you've got
to get fortyfied to face the New

203
00:18:04,279 --> 00:18:07,599
York traffic. No, no,
I'll skip it. Hey, what are

204
00:18:07,640 --> 00:18:14,240
we doing here? Waiting? What
Frank you done? This is his place?

205
00:18:15,079 --> 00:18:17,319
If and when he shows up,
I want to see if he's in

206
00:18:17,319 --> 00:18:19,200
the morning. You mean, after
all it's happened, you're still in a

207
00:18:19,319 --> 00:18:23,680
case. No, No, not
exactly. What good the client if she's

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00:18:23,720 --> 00:18:26,960
on the way to the diap house, the meaning missus Alison meaning the same.

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00:18:27,519 --> 00:18:30,279
Then you really think she does,
she says, So, then why

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00:18:30,279 --> 00:18:34,200
don't you go home and go to
slate. Let's just say I'm rifless,

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00:18:36,640 --> 00:18:40,359
Eddie. I've been latching That man
at the end of the bar, the

212
00:18:40,480 --> 00:18:45,319
one in the brown pins drive to
work is Ronson. At least that's what

213
00:18:45,440 --> 00:18:49,680
the bark he called him. So
so he's the one who's in with Frank

214
00:18:49,799 --> 00:18:53,960
Done on the horse lay scheme.
He gave the bartender a package. The

215
00:18:55,079 --> 00:18:59,480
bartender knocked the package in the safe, then gave Bronson an envelope. Ronson

216
00:18:59,559 --> 00:19:03,359
opened unploke and put the contents into
his wallet. Eddie, what would you

217
00:19:03,519 --> 00:19:08,440
put in your wallet that was green
and negotiable cabbage? If I had an

218
00:19:08,599 --> 00:19:15,839
it was cabbage your life, cabbage
and lettuce, smooler fish plans or whatever?

219
00:19:15,000 --> 00:19:18,680
Up Misson? You want to use
his share a track winnings, Maybe

220
00:19:19,799 --> 00:19:30,640
let's see if I can find out
good evening. Mister Bronson. We have

221
00:19:30,920 --> 00:19:36,960
met, not formerly, but we
have mutual friend. Frank Done Cora Allison.

222
00:19:37,880 --> 00:19:40,480
They tell me you have a great
way to beat the horses. A

223
00:19:40,599 --> 00:19:47,119
short thing and until your court.
That is why your young man a superman,

224
00:19:47,720 --> 00:19:51,319
and my X ray eyes penetrate your
coat and see the money in your

225
00:19:51,359 --> 00:19:55,640
inside pocket. Your share have done
track winning. You're the most absurd young

226
00:19:55,720 --> 00:19:59,880
manners ever met. That money was
for a package. I left mister Done

227
00:20:00,200 --> 00:20:03,920
wondering what was in the package.
I failed to see how that's any of

228
00:20:03,000 --> 00:20:08,079
your affair. Let's just say it
isn't to relieve my curiosity books, young

229
00:20:08,160 --> 00:20:11,799
man, I'm a book dealer.
I have a shop on Third Avenue.

230
00:20:11,839 --> 00:20:15,319
You must come and see it.
Sometimes. The money mister Dunne gave me

231
00:20:15,440 --> 00:20:19,759
was simply payment for the books.
They must be pretty expensive, because there

232
00:20:19,839 --> 00:20:25,359
was a lot of money in the
rombelow rare books. Tell me, young

233
00:20:25,400 --> 00:20:27,240
man, where did you ever get
that delightful notion that I know how to

234
00:20:27,319 --> 00:20:33,200
beat the horses and I'm involved in
something with mister Dunne And what was the

235
00:20:33,279 --> 00:20:37,119
girl's name, Cora Anderson? Oh
yeah, it's the charming idea. I'll

236
00:20:37,119 --> 00:20:40,079
tell you what you do, young
man. You investigate me, and if

237
00:20:40,079 --> 00:20:45,440
you determine that I am engaged in
something criminal pleasing for me, I should

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00:20:45,440 --> 00:20:51,200
be delighted to know how. Goodbye, mister templer, and don't try to

239
00:20:51,319 --> 00:20:53,680
follow me, of course not.
It's bad manners, mister Bronson, to

240
00:20:53,720 --> 00:21:17,160
follow anyone who isn't female. I've
been waiting for you the hallway for almost

241
00:21:17,160 --> 00:21:19,519
two hours, was wondering if you'd
ever get home. I was out getting

242
00:21:19,599 --> 00:21:23,039
my mind off a no good case. Mister Temper. I'd like to talk

243
00:21:23,079 --> 00:21:27,079
to you, may I commune.
I don't think you have anything to say

244
00:21:27,119 --> 00:21:32,000
to me, Carr. You could
have said anything you wanted to before the

245
00:21:32,079 --> 00:21:34,839
police took your mother. That's no
reason I can't say it now. Please

246
00:21:36,839 --> 00:21:42,359
all right, but I hope it's
worthwhile. I'm very sleepy. Well,

247
00:21:44,680 --> 00:21:49,000
I saw mother in jail a few
hours ago. It was an unpleasant sight.

248
00:21:49,440 --> 00:21:53,559
Well it should have been. Jails
aren't designed to give kicks. Mother

249
00:21:53,599 --> 00:21:57,160
doesn't belong me, mister Temper.
I know it. She didn't kill Patricia

250
00:21:57,240 --> 00:22:03,240
Dan. She just said she you
protect me. She's convinced I killed Patricia.

251
00:22:03,359 --> 00:22:07,359
Then she feels responsible because of the
way she brought me up. I

252
00:22:07,400 --> 00:22:11,119
admit there's wisdom there. So were
you going to let her give herself up?

253
00:22:12,680 --> 00:22:17,240
I suppose so it was an awful
thing to do it. Well,

254
00:22:17,279 --> 00:22:22,319
I know I can't why I told
you I saw a jail. No,

255
00:22:22,519 --> 00:22:26,160
you don't have to worry about that, Cora. The police will soon find

256
00:22:26,200 --> 00:22:29,400
out they haven't got a case against
her, and she'll be released. Of

257
00:22:29,559 --> 00:22:36,079
course, they'll look for someone else
to take her place. Have you got

258
00:22:36,160 --> 00:22:40,839
a better suggestion? That's just it, mister Tindler. No matter what you

259
00:22:40,960 --> 00:22:45,839
and mother think, I didn't kill
Patricia Dunn. And that's the truth.

260
00:22:45,960 --> 00:22:48,359
Thank you, Cora. I don't
know whether to believe you or not you

261
00:22:49,119 --> 00:22:55,359
You've told so many lines already.
You wear. At Patricia's apartment, I

262
00:22:55,519 --> 00:22:59,839
know you were. Yes, I
was there. I heard that. Thank

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00:22:59,880 --> 00:23:03,599
you. Still married to he.
I knew he couldn't marry me, and

264
00:23:03,720 --> 00:23:06,839
I knew something was wrong. No, I want to see her. I

265
00:23:06,960 --> 00:23:10,039
was inside her a problem when you
left her there, Manager let me and

266
00:23:10,039 --> 00:23:11,920
I told him I was your sister. Then you saw her killed her.

267
00:23:14,359 --> 00:23:18,359
The shots came into the window.
I got frightened. I may put on

268
00:23:18,400 --> 00:23:22,480
a lot, but I do get
frightened. I ran down the fire straighten

269
00:23:22,599 --> 00:23:26,359
up the alley. That's when the
cab driver saw me. Feels took me

270
00:23:26,440 --> 00:23:29,720
home and I told mother what happened, and she didn't believe it. She

271
00:23:29,920 --> 00:23:33,599
thought you were the one who killed
Patricia and made up the story about someone

272
00:23:33,720 --> 00:23:37,720
firing through the window. She made
few of me, promised to say neither

273
00:23:37,799 --> 00:23:41,559
of us left the house. When
you came and proved me. She called

274
00:23:41,640 --> 00:23:47,079
up the police and tested to save
you. Said years old and didn't matter

275
00:23:47,119 --> 00:23:49,640
if she went to jail. Was
her way of giving me a new start,

276
00:23:51,759 --> 00:23:56,079
hoping I changed my ways. Everyone. I just told you the truth.

277
00:23:56,799 --> 00:24:03,440
I wonder you know you remind me
of the boy who cried wolf h

278
00:24:03,880 --> 00:24:07,240
Tell me about Frank. You's skeeen
to beat the horses. How does it

279
00:24:07,319 --> 00:24:11,960
work? I don't know. All
I know is he's always has the winning

280
00:24:11,000 --> 00:24:15,720
ticket. She's a cash dozens of
em. Doesn't hear a cash any of

281
00:24:15,799 --> 00:24:21,680
them. That's always me why,
I don't know why I want to?

282
00:24:21,759 --> 00:24:26,440
I bear it was fun. I
know what about Bronson? He's in on

283
00:24:26,519 --> 00:24:33,400
it was he he's an artist,
an artist. He said he was a

284
00:24:33,440 --> 00:24:37,319
book dealer. Oh he has a
bookshop, all right, He's really an

285
00:24:37,440 --> 00:24:41,960
artist. He does find a tail
work. I've seen some him lether grahnk

286
00:24:41,559 --> 00:24:49,240
yes in grieving a counterfeiting may be, of course, that's it. That's

287
00:24:49,279 --> 00:24:53,759
why done always has the winning ticket. Bronson makes up a winm ticket ahead

288
00:24:53,759 --> 00:24:57,960
of time for every horse in the
race, no matter which horse whims done

289
00:24:59,000 --> 00:25:03,440
winds, you face the idea.
Now tell me one thing more, Corra,

290
00:25:04,480 --> 00:25:07,640
How did you know Patricia was in
town? How did you know which

291
00:25:07,680 --> 00:25:12,359
she was staying? I overheard Lucy, thank you talk about it? Thank

292
00:25:12,400 --> 00:25:18,279
you? Frank you done? Yes, she was afraid he'd find out she

293
00:25:18,400 --> 00:25:22,480
was in town? Where's thank you
staying? You've got a sweet a sudden

294
00:25:22,039 --> 00:25:30,079
six thirteen? All right, oh, Corra, Yeah, for yours and

295
00:25:30,200 --> 00:25:41,960
your mother's sake. I hope you're
finally are telling the truth. It's open

296
00:25:45,519 --> 00:25:51,680
waiting say oh, thank you over
coloton. Where are you going somewhere?

297
00:25:51,920 --> 00:25:55,559
Yeah? I got spers, yes, but not where you think you're going

298
00:25:55,599 --> 00:25:59,200
to change places with missus Allie,
that's very funny. I know all about

299
00:25:59,240 --> 00:26:02,920
the counterfeit, Frank you, and
I know Kara was used to friend for

300
00:26:03,000 --> 00:26:04,839
you. You, with your reputation, could to keep catching so many win

301
00:26:04,960 --> 00:26:11,599
tickets? Somebody would begin to wonder, but Coarra was relatively safe. However,

302
00:26:12,240 --> 00:26:17,440
rant isn't an important thing, is
it? No? Patricia's murder is

303
00:26:18,160 --> 00:26:21,160
That's right? Says, that's the
important thing. I get out of my

304
00:26:21,279 --> 00:26:23,240
way. I got a gun in
his overcoat pocket. I want to have

305
00:26:23,359 --> 00:26:26,559
to kill you because I'm saving these
bullets for someone else. Oh, I

306
00:26:26,680 --> 00:26:30,720
want to really kill my Patricia.
I don't name missus Alison. What do

307
00:26:30,759 --> 00:26:33,519
you mean? A kid with too
much money, in no sense and less

308
00:26:33,640 --> 00:26:37,200
feeling? Cora Alison, which she
said she didn't do it. She says

309
00:26:37,200 --> 00:26:40,720
a lot of things, but I
believe her this time. She's a changed

310
00:26:40,759 --> 00:26:45,200
girl. Ruffle. But why girl? And I don't think she killed Patricia.

311
00:26:45,920 --> 00:26:51,079
You got an alibriant frank here.
Yeah, real good? I love

312
00:26:51,160 --> 00:26:53,559
that? Is that why she was
so scare? She knew I wanted her

313
00:26:53,599 --> 00:26:56,559
out of town till the jaberth Bronson
was finished. She knew if I know

314
00:26:56,680 --> 00:27:00,359
she was in town, out of
slapped around and sent her home. I

315
00:27:00,480 --> 00:27:03,480
must say, you have a unique
way of showing affection. It's my way.

316
00:27:03,880 --> 00:27:06,440
Oh it's very jection, thank you. But I don't think that al

317
00:27:06,440 --> 00:27:10,240
if I would stand up in clot
list one. Will Moose and I were

318
00:27:10,279 --> 00:27:12,640
in the bar this hotel when Patricia
was killed, and the house steak and

319
00:27:12,680 --> 00:27:17,079
six other people saw us, So
I guess you made a mistake. I

320
00:27:17,279 --> 00:27:18,920
get out of my way, saying
I got a date with Color. You're

321
00:27:18,920 --> 00:27:22,359
not going to kill Colora. Make
your hands make you're not going to kill

322
00:27:22,440 --> 00:27:25,599
us, saying I didn't ask for
trouble with you, but you're gonna get

323
00:27:25,640 --> 00:27:27,720
it. There's your phone downe answering, answer yourself, all right, I

324
00:27:27,920 --> 00:27:41,279
will hello, Frank motion, I
get a bullet in me? What is

325
00:27:41,279 --> 00:27:49,440
it? Nan ronsome brons, hang
up the telephone, man, I'll tell

326
00:27:49,480 --> 00:27:53,559
you all about myself first hand.
I don't think you have to, Bronson.

327
00:27:53,680 --> 00:27:57,319
I already know. It's been a
merry go round and I got a

328
00:27:57,359 --> 00:28:02,119
lot of lead rings. But you're
a good woman. Yes, you killed

329
00:28:02,160 --> 00:28:04,559
Patricia because she knew the deal you
and Frank you were on. She never

330
00:28:04,640 --> 00:28:07,480
wanted Frank you to be in on
it, and you thought she dropped the

331
00:28:07,519 --> 00:28:11,920
wrong information to the police, so
everyone who knows about it had to go

332
00:28:12,480 --> 00:28:18,960
the pressure moose. Yes, young
man, it seems that it is now

333
00:28:18,119 --> 00:28:27,160
your turn. Now, pronsense,
your turn, Franka, Frank all right,

334
00:28:27,240 --> 00:28:33,359
Frankae, you even things up,
Give me the gun. It's no

335
00:28:33,480 --> 00:28:51,279
good plan where now except ballistics.
You have been listening to another transcribed adventure

336
00:28:51,519 --> 00:28:56,240
of the Saint, the robin Hood
of Modern Crime, and now Here is

337
00:28:56,279 --> 00:29:03,440
our Star Tom Conway. Ladies and
gentlemen in Our trast you heard Gail Paige

338
00:29:03,920 --> 00:29:08,839
as Quara and Tiger Webber as the
Pusher. Eter Reese Marin played Missus Allison.

339
00:29:10,599 --> 00:29:15,759
Ronnie Phillips was Moose. Tony Barrett. Frankie the Butler was played by

340
00:29:15,799 --> 00:29:21,880
Fred Field Bronson. Bill Conrad then
Vernon was the elevator Boy. Eddie was

341
00:29:21,960 --> 00:29:26,599
played by high Appabak. This is
Tom Conway inviting you to join us again

342
00:29:26,759 --> 00:29:32,079
next week at the same time for
another exciting adventure of the same night.

343
00:30:00,559 --> 00:30:03,960
The Night. Script of the Saint
was written by Larry Roman. The Saint

344
00:30:04,359 --> 00:30:10,240
based on characters created by Leslie Chatteris
is it James L. Sathier production,

345
00:30:10,799 --> 00:30:15,119
and is directed by Helen Matt.
Tom Conway is soon to be seen in

346
00:30:15,319 --> 00:30:19,799
Warner Brothers production Painting the Clouds with
Sunshine. All you Saint fans will be

347
00:30:19,880 --> 00:30:25,039
glad to know that the Saint comic
books are on sale at all newsstand.

348
00:30:26,039 --> 00:30:42,599
You're an answer, Don Stanley.
It's the Silver Jubilee on NBC. Be

349
00:30:42,759 --> 00:30:47,559
sure to hear three more top mystery
shows coming your Way Today on NBC.

350
00:30:48,240 --> 00:30:52,160
Continuing now, they're screen actor Lloyd
Nolan as hard hitting Martin kin clap Eye.

351
00:30:52,720 --> 00:30:57,400
Then actor Carfin Young comes to the
NBC microform as the Whisperer and listen

352
00:30:57,480 --> 00:31:03,079
to Night for Adventure and kind of
Combs a Bloom with mister Loveall good right

353
00:31:03,240 --> 00:31:18,079
here the American form of the air
on NDC. This is Andrew J.

354
00:31:18,240 --> 00:31:22,839
Graham, author of the web surface
series oh Anna Mana's Wife. You're listening

355
00:31:22,880 --> 00:31:33,160
to the great Detectives of All Time
Radio. Welcome back. Well, a

356
00:31:33,759 --> 00:31:38,640
solid episode for The Saint. I
think that the show with Tom Conway really

357
00:31:38,799 --> 00:31:48,279
did find his pace here. Particularly
this episode really strong and a characterization I

358
00:31:48,319 --> 00:31:52,680
would like to hear more of.
It's a shame that this is the final

359
00:31:52,799 --> 00:31:57,440
episode that is available. It's by
no means the final episode Tom Conway did

360
00:31:57,519 --> 00:32:02,799
on The Saint. In fact,
there are fourteen more weeks of programs running

361
00:32:02,839 --> 00:32:08,279
to October twenty first of nineteen fifty
one. But unfortunately they are among the

362
00:32:08,480 --> 00:32:15,000
many lost radio programs, and it's
always difficult as to whether any of these

363
00:32:15,079 --> 00:32:21,279
will come, will ever turn up. I give this I'm slightly more optimistic

364
00:32:21,319 --> 00:32:29,680
about these just because NBC was transcribing
so many of these series in sending them

365
00:32:29,720 --> 00:32:36,319
out at such a distribution, there's
a greater odds that the programs survive,

366
00:32:36,480 --> 00:32:39,160
but we'll have to see if any
emerge over the years. Certainly, if

367
00:32:39,200 --> 00:32:45,720
they do, will return to this
series. Hi Averback, who appears in

368
00:32:45,839 --> 00:32:52,599
this episode, is probably best known
for being the voice from the Loudspeaker in

369
00:32:52,839 --> 00:33:00,799
mash They had a varied career in
radio and in television. With that,

370
00:33:00,000 --> 00:33:07,279
we turned to listener comments and feedback
and Debbie rides in with a comment regarding

371
00:33:07,359 --> 00:33:14,880
our listener support special, the very
last one, Captain Kerry USA. Debbie

372
00:33:14,960 --> 00:33:19,480
said, I enjoyed this episode.
Charlton Heston was great. Indeed he was,

373
00:33:19,559 --> 00:33:22,319
and as I said, in my
opinion, he really elevated the piece

374
00:33:22,880 --> 00:33:28,400
over the original that was seen in
motion pictures. All right, while as

375
00:33:28,480 --> 00:33:32,240
I said, that does it for
the Saint. Next week on Monday,

376
00:33:32,319 --> 00:33:37,960
we'll be bringing you Michael Shane and
next Tuesday our Stone of the Desk Squad.

377
00:33:38,559 --> 00:33:43,880
In the meantime, send your comments
to Box thirteen at Great Detectives dot

378
00:33:43,960 --> 00:33:47,279
net, follow us on Twitter at
Radio Detectives, and become one of our

379
00:33:47,359 --> 00:33:52,960
friends on Facebook Facebook dot com slash
radio detectives from Boise, Idaho. This

380
00:33:53,119 --> 00:33:55,160
is your host, Adam Grahamson and
off
