1 00:00:00,080 --> 00:00:04,080 We've got a great band in studio with us, making their second appearance on 2 00:00:04,120 --> 00:00:06,879 the show. We have pretty late. I don't think we had all the 3 00:00:06,919 --> 00:00:10,359 members here with us last time though, So this is this is great. 4 00:00:10,400 --> 00:00:14,320 And what we're gonna do is they're gonna play live for us. They've got 5 00:00:14,359 --> 00:00:17,679 a few songs and then we'll play, uh, we'll play a studio track 6 00:00:17,719 --> 00:00:20,640 and then we'll come back and we'll talk a little bit uh to everybody. 7 00:00:20,719 --> 00:00:24,120 So really looking forward to that. But uh, not not much to say 8 00:00:24,160 --> 00:00:27,839 at the moment because we've got everybody set up for for a live set here. 9 00:00:28,160 --> 00:00:32,840 Just trying to make sure everything is turned on because we've got we've got 10 00:00:32,880 --> 00:00:36,200 the full band uh here with us. But uh, let me pull these 11 00:00:36,240 --> 00:00:39,119 mics up here. We can kind of hear you talking a little bit. 12 00:00:39,159 --> 00:00:44,159 But welcome everybody. Hey, I don't I don't think it was how many 13 00:00:44,240 --> 00:00:48,520 of you were here last time? It was okay, so most of the 14 00:00:48,520 --> 00:00:56,159 band was here. What's up? Let's uh now, how many songs are 15 00:00:56,159 --> 00:00:59,679 you gonna play for us? Three? Three of them? All right? 16 00:00:59,759 --> 00:01:03,120 So what we'll do is no way to do a proper sound check because we're 17 00:01:03,159 --> 00:01:07,239 live, So I will kind of ride the faders as we go. I'll 18 00:01:07,239 --> 00:01:10,560 do my best to Yeah, but uh, you're gonna sound great. I 19 00:01:10,560 --> 00:01:12,840 have no uh, I have no worries. Uh so uh, Ladies and 20 00:01:12,879 --> 00:01:17,640 gentlemen pretty late, live in studio whenever you're ready to just go for it. 21 00:01:17,719 --> 00:01:38,599 Okay, this song is called ninety five. He's talk back and gross 22 00:01:38,760 --> 00:01:47,840 story, she's talk stalking shows lady tables is not for me. Let's uh 23 00:01:48,439 --> 00:02:05,599 break kimtoos because the dream No, no, we'll like histories, so Yon 24 00:02:05,719 --> 00:02:15,439 the guid nine to five God sleep instead, find myself the sunny beach where 25 00:02:15,240 --> 00:02:24,479 I can rest mynys and wasting my tail, just wasting my time, just 26 00:02:24,680 --> 00:02:55,719 wasting my time, just wasting my ti. Gangs at the space till sting 27 00:02:57,599 --> 00:03:02,719 was very trying. So bot way back and his face working for time, 28 00:03:04,039 --> 00:03:09,719 spending all of your guys waiting around time to get me. If I chose 29 00:03:09,840 --> 00:03:15,159 smooth, it's not for me to listen to me the words I say? 30 00:03:15,919 --> 00:03:22,520 Did I say? Gone way? Nine to five? Rap, sleeping stead, 31 00:03:23,199 --> 00:03:30,960 find myself so deep chase I can rest my luck. There's the wasting 32 00:03:30,039 --> 00:03:40,879 my time, just wasting my time, just listening myself. Just wait the 33 00:03:42,080 --> 00:04:14,240 time, very nice, pretty late, live in a studio with us. 34 00:04:15,639 --> 00:04:18,360 All right, whenever you all are ready, you know, let's keep going. 35 00:04:18,600 --> 00:04:24,240 Sound great promises, right yeah? Sure, yeah, this next one 36 00:04:24,360 --> 00:04:46,480 is called promises. Oh no we us send leaf. Oh it's okure of 37 00:04:46,759 --> 00:05:02,480 everything I was afraid about it would say there's anything, does anyth lord it's 38 00:05:02,639 --> 00:05:11,120 never perfectly s check. I only need you to way you I say your 39 00:05:11,279 --> 00:05:23,519 birthday. Please don't have to check because of say you have said. So, 40 00:05:23,800 --> 00:05:29,680 baby don't try. And I'm prett I made a lot of promises. 41 00:05:29,800 --> 00:05:35,360 I couldn't keep promise me you'll not leave. Oh, I'm always gonna need 42 00:05:35,480 --> 00:05:42,959 you beside to me, Baby, you don't try every I made a lot 43 00:05:43,040 --> 00:05:49,480 of promises. I couldn't keys promise me you literally, I'm always gonna need 44 00:05:49,600 --> 00:06:23,560 you. Excited me, be sited me came back it all things even to 45 00:06:24,360 --> 00:06:28,600 you. You try and tell me that I'm a fool. You've seen it 46 00:06:28,720 --> 00:06:33,120 broke into the swim fleet. So like sigh and I say, I'm there, 47 00:06:33,199 --> 00:06:40,959 you've it's impossible the fix WILLI remain. It's not delieve you would be 48 00:06:41,120 --> 00:06:51,800 the same. So baby can't try. I pree sen I've made a lot 49 00:06:51,879 --> 00:06:59,839 of persons a feeling key, so promise me and read. Oh it's gonna 50 00:07:00,079 --> 00:07:04,839 you know, beside of it. Baby, you don't try, and you 51 00:07:05,040 --> 00:07:11,759 made a lot of promises. Are putting geese prompts me. You never lease. 52 00:07:12,639 --> 00:07:38,000 I'm know he's gonna need you side beside. Baby, swear I'll survive. 53 00:07:38,319 --> 00:07:49,959 Sid do ever be doeverlease tell me who so long? I swear I'll 54 00:07:50,279 --> 00:08:13,959 sivibe side dolly, you have everything heavy, little sight of stret Oh, 55 00:08:15,120 --> 00:08:26,079 it's a gove hi bade of cow. It would change. There's anything heavy, 56 00:08:31,159 --> 00:08:37,200 very nice, pretty late live in studio with us, and they're gonna 57 00:08:37,240 --> 00:08:39,679 do one more song and then we're gonna listen to a studio track. I 58 00:08:39,759 --> 00:08:43,879 mean, yeah, we were planning to do with you from here acoustic. 59 00:08:43,159 --> 00:08:46,159 Oh cool, kind of broken down for you. If you guys want to 60 00:08:46,200 --> 00:08:48,360 hear that. Oh I'd love it. Yeah, absolutely, I love that 61 00:08:48,519 --> 00:08:50,200 song. Great, great song. So that's yeah. It's the first time 62 00:08:50,240 --> 00:08:54,200 we did a stripped down Oh beautiful. Yeah. Live. This is the 63 00:08:54,399 --> 00:09:18,919 international debut. Nice, there we go. These are two step back. 64 00:09:20,399 --> 00:09:30,600 Call it feel this if you even feel this, sad of if five lost, 65 00:09:31,480 --> 00:09:35,639 I'd see you. It's the ocean all around me. You'll be the 66 00:09:35,759 --> 00:09:48,080 reason I see and I'll guess well, I'm fed up with face staring up 67 00:09:48,240 --> 00:10:05,039 me here fives founder be five here five zone a prefat keeps down that defat 68 00:10:07,639 --> 00:10:13,679 stiff back from Nino who that was? Stop from joking on my own well 69 00:10:13,960 --> 00:10:22,960 and small strates to guess will be fine my broadcasts from pining on my own 70 00:10:24,080 --> 00:10:39,759 self, So sick sitting not attached the review from me by so n were 71 00:10:39,960 --> 00:11:11,799 to work so weren't so nice nice, So learn some m h m, 72 00:11:13,919 --> 00:11:22,080 I don't believe got damn single thing said. Stride and lie through what te 73 00:11:26,840 --> 00:11:39,960 who your fox you'll be singing on my body found side and rapped up to 74 00:11:39,559 --> 00:11:46,759 caboo you tray that when you're singing in the deep. And we have some 75 00:11:48,279 --> 00:12:03,759 suits, do we have some su stola? We had some stood so little 76 00:12:03,960 --> 00:12:13,440 too stiff back from plain over lappers, So from choking along its small steps, 77 00:12:13,559 --> 00:12:20,799 I guess will be first hide my broadcasts from picking up my own self 78 00:12:22,360 --> 00:12:28,960 So sick sit not a top shop the debut from me, but soon Hi 79 00:12:31,120 --> 00:13:03,639 sone one soon went so w so so from w so no word so nice 80 00:13:09,360 --> 00:13:22,000 to see if back from running over the backs. Stroke from trogging on my 81 00:13:22,159 --> 00:13:31,240 own ways, saw steps. I guess we'll be fir my brocats from picking 82 00:13:31,360 --> 00:13:37,039 of my own self, so sick, sitting on the top shel you from 83 00:13:37,120 --> 00:13:54,919 me one soon, hine work soon, nice, so work so nice. 84 00:13:58,360 --> 00:14:24,679 From that was so good? I love it. I love it. Great 85 00:14:24,799 --> 00:14:28,799 job, great job. If you're just joining us, Pretty Late is here 86 00:14:28,840 --> 00:14:33,399 with us live in studio. We're going to play a studio track called Guardrail 87 00:14:33,840 --> 00:14:35,200 from Pretty Late, and then we're going to come back and we're going to 88 00:14:35,279 --> 00:15:07,960 talk a bit. But check this out. Your elody, A simple noble 89 00:15:09,080 --> 00:15:13,840 written in between. The lands are play upon the streets. I tend to 90 00:15:13,960 --> 00:15:22,320 swear win a grab you because Ephie, I'll steal. So it's the closest 91 00:15:22,320 --> 00:15:31,879 suppose that's me Murphy. I still God's been into a god room. Goddamn. 92 00:15:31,639 --> 00:15:41,039 I get it out alone. The black grow, Whizzo. It makes 93 00:15:41,080 --> 00:15:50,320 a lot, but they're not God. Something. I'm getting lonely back out 94 00:15:50,799 --> 00:16:23,200 Wizom, the metacode, the banks a lot. But there you are, 95 00:16:23,840 --> 00:16:30,840 Symphony. You graduated with a good degree. Now you're waiting at home for 96 00:16:32,080 --> 00:16:40,879 me. I'm hong your nurse, certainly because at first. So the CLSA 97 00:16:40,919 --> 00:16:49,519 suppose starts here in my feet, I'm still got stay to got got damn, 98 00:16:51,279 --> 00:17:07,519 I think plays the meds waiting the bags of doors conn way back home, 99 00:17:07,720 --> 00:17:55,400 no ways up the sun in the backs of my doors. But she's 100 00:17:55,480 --> 00:18:04,480 on the s so it's the closest. It's that here, fad still got 101 00:18:04,640 --> 00:18:10,960 don into, we got around, got down. I think I figured it 102 00:18:11,240 --> 00:18:17,400 out along the way back home out wes up. I made to say we 103 00:18:17,640 --> 00:18:23,119 in the bakest bart let's go got down. I think I'm look get it 104 00:18:23,480 --> 00:18:30,920 Donlon the way I'm back horn out wins up the mind saw were in the 105 00:18:30,079 --> 00:19:03,440 bakest back the last leskin great track that is Guardrail. The band is pretty 106 00:19:03,519 --> 00:19:07,319 late. They are here with us a live in studio. We are here 107 00:19:07,440 --> 00:19:11,680 with the band pretty late. They've put down their instruments and we're gonna we're 108 00:19:11,720 --> 00:19:15,160 gonna talk a little bit. And let's Christine, if we can start with 109 00:19:15,240 --> 00:19:18,839 you at the desk and just go around and everybody tell me who you are 110 00:19:18,920 --> 00:19:22,319 and what you do in the band and anything else you any other pertinence you 111 00:19:22,359 --> 00:19:26,640 want us to know. Sure, thanks, so thanks for having us met. 112 00:19:26,279 --> 00:19:32,200 My name is Christine. I am and one of the lead vocalists. 113 00:19:32,759 --> 00:19:38,119 I also dabble with keys, but been with the band for oh gosh, 114 00:19:38,359 --> 00:19:45,279 I want to say seven almost years now. Okay, we have a fun 115 00:19:45,400 --> 00:19:49,319 time. Excellent, excellent, and you sir. Yeah, my name is 116 00:19:49,359 --> 00:19:52,559 Mike. Mike im the drummer of Pretty Late, one of the founder members 117 00:19:53,079 --> 00:19:57,079 back when it was just three of us. Yeah, we've come a long 118 00:19:57,160 --> 00:20:00,680 way. We've grown a lot. This group has become a family, you 119 00:20:00,759 --> 00:20:04,240 know. Yeah, yeah, very cool, very cool, all right, 120 00:20:04,319 --> 00:20:10,519 And to you, oh the money is Mike. I'm sorry, I was 121 00:20:10,599 --> 00:20:15,079 distracted. Yeah, I zone out a little bit. Yeah, No, 122 00:20:15,200 --> 00:20:18,920 my name is Mike. I'm one of the guitar players. I do a 123 00:20:18,960 --> 00:20:22,400 little bit thing, and I do a little bit right, And you know, 124 00:20:22,359 --> 00:20:27,240 started this about ten years ago, and our real our real true lineup 125 00:20:27,319 --> 00:20:30,960 kind of came back in twenty nineteen, like right before COVID. Yeah, 126 00:20:30,160 --> 00:20:34,359 so it was a challenge to getting too so like and then that kind of 127 00:20:34,359 --> 00:20:37,039 the next stage of things. And it's kind of cool, you know what 128 00:20:37,119 --> 00:20:40,920 we're doing now, because it's a little bit different from what we did we 129 00:20:41,079 --> 00:20:44,319 were your twenties. Yeah, yeah, yeah, yeah, of course, 130 00:20:44,400 --> 00:20:47,720 of course I carried quite a lot, yes, yes, and you and 131 00:20:48,000 --> 00:20:52,160 I'm Rob. I play guitar, a little, vocals, songwriting. It's 132 00:20:52,200 --> 00:20:55,160 been definitely get go Okay. There's just three of us, so yeah, 133 00:20:55,240 --> 00:20:56,880 yeah, so you're one of the originals. Yeah, yeah, there's five 134 00:20:56,920 --> 00:21:00,759 of us. Yeah, excellent. And the bass player, Yeah, my 135 00:21:00,880 --> 00:21:03,519 name's Tom. I play the bass, guitar and do a little bit of 136 00:21:03,559 --> 00:21:04,920 this, a little bit of that, you know. But I've been in 137 00:21:04,960 --> 00:21:07,680 the band since twenty nineteen. I like the band. It's a great band. 138 00:21:08,160 --> 00:21:11,759 It's been a lot of fun. You do some too, you know. 139 00:21:11,799 --> 00:21:14,559 I'm a bass player and I was watching you and uh yeah, you 140 00:21:14,680 --> 00:21:17,720 do some some solos in there too. It's pretty cool how that. I 141 00:21:17,799 --> 00:21:21,920 definitely like to get adventurous with my bass playing, and I'm inspired by bass 142 00:21:21,960 --> 00:21:26,039 players who take the bass in more non traditional roles a lot of the time. 143 00:21:26,160 --> 00:21:29,640 Man, yeah, yeah, do you because I was curious too, 144 00:21:29,720 --> 00:21:32,880 obviously, you know you're you're playing acoustic in here today. Do you approach 145 00:21:32,920 --> 00:21:34,839 it the same way when you're plugged in on stage or yeah? I do 146 00:21:36,000 --> 00:21:38,640 relatively of my low end. For me, it's like really important to anchor 147 00:21:38,720 --> 00:21:41,720 the band like a bass player supposed to but well, in between those two, 148 00:21:41,799 --> 00:21:45,920 I like to weave some you know, fun little things in there. 149 00:21:45,160 --> 00:21:48,720 Yeah. Yeah, i'd add something to the song or something that I like 150 00:21:48,920 --> 00:21:51,799 particularly, you know, you know, you know how it is, you 151 00:21:51,920 --> 00:21:55,319 kind of try to be tasteful, right right of course, of course, 152 00:21:56,400 --> 00:22:00,640 Now how much so is it one full album that's out or and then you're 153 00:22:00,640 --> 00:22:03,240 working on the next one or what's what's the status of that? Ye? 154 00:22:03,480 --> 00:22:08,160 So yeah, whoever wants to go, Yeah, just three songs right now 155 00:22:08,640 --> 00:22:12,759 on in on our second album, and we're in the process of actually starting 156 00:22:12,799 --> 00:22:17,480 to do some more creative writing. Okay, this new album is actually going 157 00:22:17,559 --> 00:22:21,160 to be a twist. It's really going to be a big twist for all 158 00:22:21,240 --> 00:22:25,559 our fans. It's out there. It might be something that they wasn't expected 159 00:22:25,680 --> 00:22:30,119 really, but we got something in the future set up for the Icy is 160 00:22:30,160 --> 00:22:33,279 going to be some amazing things. Any clue or is the twist of surprise? 161 00:22:34,160 --> 00:22:40,559 It's a wonderful surprise. Things in concept stages, Yeah, a lot 162 00:22:40,599 --> 00:22:44,759 of lots of station a lot of poka. Well that's that's definitely a twist. 163 00:22:48,680 --> 00:22:51,759 Yeah, yeah, you guys will figure it out. But no, 164 00:22:52,039 --> 00:22:56,680 it's a lot of clay to carve away everything that Now the studio tracks that 165 00:22:56,720 --> 00:23:00,480 we've heard, where where were these recorded because every sounds really good. It 166 00:23:00,559 --> 00:23:04,400 was Ugly Duck Studios out of Brighton. I think they were you know, 167 00:23:04,519 --> 00:23:10,240 they were in the Sound Museum that got closed down like that, and now 168 00:23:10,319 --> 00:23:14,160 they're somewhere. I think they're Mercy Boulevard now. Okay, so everything's done 169 00:23:14,160 --> 00:23:18,279 in city, but you know, we're the next record is still kind of 170 00:23:18,519 --> 00:23:22,400 in the process or we're doing you know, different engineers and doing the quotes 171 00:23:22,480 --> 00:23:26,599 and you know, kind of running around communicating with people. So I'm not 172 00:23:26,720 --> 00:23:29,599 sure who's going to record the next record, but oh okay, definitely a 173 00:23:29,640 --> 00:23:33,440 talented person we will find. Well that goes out for anybody else. If 174 00:23:33,440 --> 00:23:37,559 you don't want to jump on, here's your opportunity. Yeah. Well, 175 00:23:37,599 --> 00:23:40,200 we live in a time where there's so many different options in terms of how 176 00:23:40,279 --> 00:23:41,920 you record. You know, you can do it yourself. You can. 177 00:23:42,039 --> 00:23:45,440 I mean some of some of the bands we have on it's like, uh, 178 00:23:45,559 --> 00:23:48,119 you know, they're they're recording in their living room or their garage or 179 00:23:48,119 --> 00:23:49,799 wherever, and and it ends up sounding great. It's like you know, 180 00:23:49,880 --> 00:23:52,400 if if you if you really know what you're doing. But but also too, 181 00:23:52,480 --> 00:23:56,039 I mean, if you can find a find an engineer or a producer 182 00:23:56,079 --> 00:23:57,319 who's really good and who wants to work with you, you can get some 183 00:23:57,440 --> 00:24:03,359 great some great stuff. How did you the the studio in Brighton? You 184 00:24:03,440 --> 00:24:06,839 said, yeah, how did you come to work with with that studio? 185 00:24:07,200 --> 00:24:11,279 Just you know, we just kind of jumped on Google and talked to different 186 00:24:11,279 --> 00:24:15,160 people and saw what there was available, you know, at the time, 187 00:24:15,720 --> 00:24:19,319 just like right during the early like the first six months of when the COVID 188 00:24:19,400 --> 00:24:22,480 shutdown started, Like so it was kind of weird at the time, everything 189 00:24:22,559 --> 00:24:26,599 was weird, like it was limited. There weren't as many people like open 190 00:24:26,720 --> 00:24:30,119 and working. I think Ugly Duck Studios did a great job. You know, 191 00:24:30,160 --> 00:24:30,960 we had a good experience with them, but I think, you know, 192 00:24:32,119 --> 00:24:33,559 just for the sake of doing things different, we're going to probably move 193 00:24:33,640 --> 00:24:37,880 elsewhere next time. But they great people there. They did a wonderful job. 194 00:24:37,079 --> 00:24:45,519 Yeah. Yeah, yeah, Now so they did they you said they 195 00:24:45,599 --> 00:24:49,799 closed, they just moved. They moved common story these days. Yeah, 196 00:24:49,920 --> 00:24:53,279 the buildings in a big old mill building that's housed a lot of music stuff. 197 00:24:53,440 --> 00:24:57,880 Part of that was their studio. Every everybody lost when this building got 198 00:24:57,960 --> 00:25:03,160 sold. You know, Okay, I gotcha practice spaces. It was everything, 199 00:25:03,240 --> 00:25:07,319 you know. Yeah, yeah, no, that's that's too bad. 200 00:25:07,559 --> 00:25:10,039 Now are you playing a lot of shows? Does? Does the band play 201 00:25:10,039 --> 00:25:14,519 out a lot? Yeah? We we got a show coming up January thirteenth, 202 00:25:14,759 --> 00:25:18,720 Saturday in Maldon, Massachusetts, Faces Brewery. We're playing with sounds and 203 00:25:18,759 --> 00:25:22,640 scenarios and the band called the Nicotines. Okay, welcome to come out if 204 00:25:22,680 --> 00:25:26,279 she can. Yeah, absolutely, a month in advances, January thirteenth, 205 00:25:26,720 --> 00:25:30,480 January thirteenth, Yeah, so it's yeah, there's a lot of good stuff. 206 00:25:30,480 --> 00:25:33,039 We've been playing at the Middle East. We've been playing saying we have 207 00:25:33,160 --> 00:25:37,599 one coming up with twentieth. Yes, we're going back to the Jungle Community 208 00:25:37,680 --> 00:25:45,240 Center and it's a sixth on board Court and Summerville weekend. Come out and 209 00:25:45,359 --> 00:25:48,920 celebrate with us. Oh that's your birthday weekend? When is that? January 210 00:25:48,000 --> 00:25:52,359 twentieth, January twentyeth Very good. I have a show that night too, 211 00:25:52,799 --> 00:25:55,400 that's at the Jungle. Yeah. So we've been playing like you know, 212 00:25:55,440 --> 00:25:56,880 we played the Midway, we played the Jungle, we played Middle East. 213 00:25:57,039 --> 00:26:00,720 Is like that exchelon of clubs and you know, now we're getting interested in 214 00:26:00,799 --> 00:26:06,039 like the next tier clubs in Boston. So it's it's been definitely interesting and 215 00:26:06,119 --> 00:26:08,640 you kind of you pay your due, you know, you know, you 216 00:26:08,720 --> 00:26:14,039 don't really get any attention or apply apply on an email until you know they 217 00:26:14,079 --> 00:26:18,319 see that you've been busy doing things right. Exactly, it's nice. Exactly 218 00:26:19,079 --> 00:26:23,480 now has the sound changed from who are who are the original Three? Again? 219 00:26:23,759 --> 00:26:33,759 Who's Mike? Mike three in the center? The first original three? 220 00:26:33,799 --> 00:26:41,359 I'm sorry? And that has the sound changed from from the original the original 221 00:26:41,480 --> 00:26:45,680 version of the band. Absolute, it's it's matured. It's definitely more mature 222 00:26:45,759 --> 00:26:49,640 crowd. We went from like a basement rock group, you know, with 223 00:26:51,000 --> 00:26:55,759 two guitars and a drummer and bass player, you know, kind of that 224 00:26:55,920 --> 00:27:00,680 messy Toronto Punk Rocks signed that kind of had some indievie to it, you 225 00:27:00,759 --> 00:27:03,200 know, but you know it was just three guys hanging out in the basement 226 00:27:03,279 --> 00:27:07,799 playing hesic back then. So it's you know, it's definitely now it's kind 227 00:27:07,799 --> 00:27:11,720 of evolved in and it's constantly evolving every Yeah, just like I was saying 228 00:27:12,039 --> 00:27:17,519 just a minute ago off here with my bassis, like last night just randomly. 229 00:27:17,799 --> 00:27:19,960 We were just doing this acoustic thing, just warming up and just playing 230 00:27:21,000 --> 00:27:25,119 around. But we actually came up with something that I am adding into our 231 00:27:25,160 --> 00:27:27,640 shows, even if we just take a couple of seconds, break it down 232 00:27:27,680 --> 00:27:30,279 for this one second, just me and him just do this little ensemble, 233 00:27:30,319 --> 00:27:34,200 because it was amazing. Ye how we vibed with just this two acoustic instruments, 234 00:27:34,759 --> 00:27:37,519 just things like that that we can now add to this next album. 235 00:27:37,759 --> 00:27:41,079 Yeah, it just might be one track that you just get some instrumentals, 236 00:27:41,319 --> 00:27:45,119 you you know what I mean? We just who knows, like we just 237 00:27:45,400 --> 00:27:49,079 wait? Was that the twist? Did you just give it away? Thought? 238 00:27:49,160 --> 00:27:53,559 I thought, I gotcha. There's still seventy five percent of a blank 239 00:27:53,599 --> 00:27:57,559 canvas. Yeah, yeah, I guess we're kind of hopeful and maybe the 240 00:27:57,640 --> 00:28:02,920 next up we can really bend genres and create something really interesting and unique. 241 00:28:03,119 --> 00:28:04,400 Yeah kind of it. It's our hope, you know what we wanted. 242 00:28:04,720 --> 00:28:10,720 That was the best way to put it. We have a lot of different 243 00:28:10,799 --> 00:28:14,799 musical tastes between the five of us, and so much musical talent is just 244 00:28:15,640 --> 00:28:19,559 a monthst like musical talent that's just being that can be unlocked. Yea makes 245 00:28:19,599 --> 00:28:23,839 sense, you know, I think the funnest part being probably from the outer 246 00:28:25,160 --> 00:28:27,640 perspective in I know, probably Tom could attest to this too, kind of 247 00:28:27,720 --> 00:28:33,240 coming into the band a little bit later, is you know, being friends 248 00:28:33,279 --> 00:28:37,720 with these guys, seeing them grow on a personal level, on a musical 249 00:28:37,839 --> 00:28:42,440 level. I think, in particularly myself, I loved that. You know, 250 00:28:42,480 --> 00:28:48,359 when I first started hanging out with these guys, it was you know, 251 00:28:48,480 --> 00:28:52,160 as friends and then doing some like vocal training and then kind of like 252 00:28:52,240 --> 00:28:57,599 immersing into it and you know, finding finding a sound that you know that 253 00:28:57,759 --> 00:29:03,839 fit the group. So it's been it's been very fun over the years. 254 00:29:03,240 --> 00:29:06,960 Yeah, I think Mike. Mike said it best. It's just like we 255 00:29:07,200 --> 00:29:11,079 formed this family of you know, of misfits, as I like to say 256 00:29:11,279 --> 00:29:18,599 squad. Did any of the material from the original version of the band has 257 00:29:18,640 --> 00:29:23,079 that has that made it into this version? Like obviously I'm sure it sounds 258 00:29:23,240 --> 00:29:26,519 very different if it did. But did any of those songs kind of survive 259 00:29:26,640 --> 00:29:30,279 or into the first album the second the first album that I was ye, 260 00:29:30,880 --> 00:29:37,359 right, I would have to say Deceiver, Yeah, And didn't you guys 261 00:29:37,400 --> 00:29:42,680 write like half the atch that that's pretty much the same sound that it was 262 00:29:42,759 --> 00:29:45,039 that day? We were. Yeah, I mean everything changed a little bit, 263 00:29:45,119 --> 00:29:48,759 but I mean in its pure form, is it's all their Yeah, 264 00:29:48,759 --> 00:29:52,720 you know what I mean, it's a lot of it was written already, 265 00:29:52,799 --> 00:29:56,319 and you know, besides like a few two or three tracks that we were 266 00:29:56,359 --> 00:30:00,880 writing as we were kind of got the five of us together, I mean, 267 00:30:00,960 --> 00:30:03,400 but even still everyone went back and put their own twist on and was 268 00:30:03,440 --> 00:30:06,720 already there anyways. But so it's just kind of it's the same thing, 269 00:30:06,799 --> 00:30:11,160 but you know, it's just a different flavor. Yeah. Yeah, the 270 00:30:11,200 --> 00:30:15,039 structure was definitely there. I think the you know, the minutia of it, 271 00:30:15,119 --> 00:30:21,079 all of you know, kind of transitioning vocals from one to the other 272 00:30:21,920 --> 00:30:25,960 was a fun experience. I'm sure some days Mike wanted to pull his hairs 273 00:30:25,960 --> 00:30:33,839 out, but but it was fun. It was a fun time. What 274 00:30:33,079 --> 00:30:37,720 why why do you say did Mike sing everything before you were in the band? 275 00:30:37,799 --> 00:30:40,400 Is that he did? So it was just the three of us, 276 00:30:40,799 --> 00:30:44,200 right, But as I gave him the name, he was the front man. 277 00:30:45,000 --> 00:30:48,359 Rob was the side vocals, you know, the second vocalist, and 278 00:30:48,480 --> 00:30:51,559 I would do background and app lips. That's just what it was. It 279 00:30:51,640 --> 00:30:53,039 was just us three and we just went out and just had a good old 280 00:30:53,119 --> 00:30:56,559 time. Yeah, and then as you see pretty latest forms and now we 281 00:30:56,759 --> 00:31:00,559 have us five and hopefully we're just going to keep on going to sky's the 282 00:31:00,599 --> 00:31:03,599 limits. Yeah, yeah, is it hard? Is it hard with five 283 00:31:03,640 --> 00:31:10,200 people in terms of schedules and you know, rehearsal and booking shows and everything 284 00:31:10,640 --> 00:31:12,680 challenge. Yeah, we're not twenty two anymore. We're not living with mom, 285 00:31:12,960 --> 00:31:17,519 you know. Yeah, we have responsibility, responsibilities, we have rand 286 00:31:17,640 --> 00:31:19,400 you know, like you know, we're in our thirties, like, you 287 00:31:19,440 --> 00:31:25,519 know, there's houses and mortgages and paying back student loan. Yeah, waking 288 00:31:25,599 --> 00:31:29,559 up at four o'clock to go to my construction job and everyone's gonna else cut 289 00:31:29,599 --> 00:31:33,480 their own time. And then yeah, moms to see family, to check 290 00:31:33,559 --> 00:31:37,200 in on you know, new babies that arrived and nephews and nieces and birthdays, 291 00:31:37,240 --> 00:31:41,279 so you know, yeah, it's definitely hard. But we try to 292 00:31:41,279 --> 00:31:44,200 get together at least once a week, and we try to play out around 293 00:31:44,279 --> 00:31:47,240 once a month, depending on what we have on our schedule. Yeah, 294 00:31:48,799 --> 00:31:51,319 you know, as things evolve, we just kind of roll with the bunches 295 00:31:51,359 --> 00:31:53,640 and figure out what works for us best. Yeah, and communication is a 296 00:31:53,720 --> 00:31:56,519 really strong factor on that, you know what I mean, because we have 297 00:31:56,640 --> 00:32:01,640 to be able to jump on opportuncesarily come in. Yeah, so it's it's 298 00:32:01,799 --> 00:32:07,359 can be a struggle, but we do our best to survive it. Yeah. 299 00:32:07,359 --> 00:32:08,559 I can only think of it in one you know, I used to 300 00:32:08,599 --> 00:32:10,759 play in bands, and I can only think of one band I was in 301 00:32:10,839 --> 00:32:15,279 where we actually had five of us. But I just remember with it was 302 00:32:15,400 --> 00:32:20,079 like just just going from a band with four people to five people. It 303 00:32:20,240 --> 00:32:22,680 was a huge difference in terms of just everyone's schedules and everything. It was 304 00:32:22,759 --> 00:32:27,680 a you know, it was a challenge. So yeah, I understand, 305 00:32:28,039 --> 00:32:32,480 I understand the issues that can come up with that. But yeah, what 306 00:32:32,799 --> 00:32:37,039 about I mean in terms of deciding where to record and everything. I mean, 307 00:32:37,440 --> 00:32:40,799 is that is that pretty democratic? Or do you kind of touching on 308 00:32:40,960 --> 00:32:45,359 like what Tom said earlier, It's it's in what Mike said. Honestly, 309 00:32:45,480 --> 00:32:50,079 it's kind of looking out doing little research. You know. It's anything you 310 00:32:50,119 --> 00:32:52,680 gotta get a couple of quotes, You got to get a couple of different 311 00:32:52,799 --> 00:32:55,799 ideas, see what their backgrounds is. They might be amazing what they do, 312 00:32:57,000 --> 00:33:00,599 but does it fit with us or will last stuff them? You know, 313 00:33:00,160 --> 00:33:02,759 and then like how to I was saying, it's just trying to figure 314 00:33:02,759 --> 00:33:07,759 out what the next best avenue, you know, and just going from there. 315 00:33:07,880 --> 00:33:10,880 We'll always open to you know, new ideas, new options, and 316 00:33:12,240 --> 00:33:15,279 yeah, I mean we we put up a lot of research. I'll and 317 00:33:15,359 --> 00:33:20,079 you know, I'll bring you know, kind of a PowerPoint pretty much presentation 318 00:33:20,160 --> 00:33:22,079 to the group and we'll try to come to a COmON vote or you know, 319 00:33:23,400 --> 00:33:27,440 someone Rob Christine, Tom, Mike, Mike. They might say, 320 00:33:27,480 --> 00:33:29,599 hey, I found out that's cool place. Whyn't we just give a callings 321 00:33:29,680 --> 00:33:34,319 what they're they're asking for, yeah, you know, for responsibilities and money 322 00:33:34,359 --> 00:33:37,440 and contracts, but all that stuff like that, and just kind of figure 323 00:33:37,440 --> 00:33:38,920 out if the dates will work for us. And then you know, things 324 00:33:38,960 --> 00:33:43,480 have kind of changed a little bit too. Like pre COVID, like recording 325 00:33:43,559 --> 00:33:47,240 studio time was probably about thirty forty dollars less hour, yeah you know what 326 00:33:47,319 --> 00:33:52,599 I mean, And that's kind of changed kind of bit and touches everything, 327 00:33:52,680 --> 00:33:55,400 yeah, everything. Yeah, and we you know, we would get four 328 00:33:55,400 --> 00:33:59,200 and at all it's for eight hundred block and now they're looking at like, 329 00:33:59,400 --> 00:34:01,799 you know, a ten hour that's like almost doubled, like six fifty. 330 00:34:02,119 --> 00:34:05,440 Yeah, just for the eight hour block. You you know what I mean, 331 00:34:05,519 --> 00:34:07,119 that's that's a working day. I get it, you know. With 332 00:34:07,280 --> 00:34:10,719 the costs. Oh yeah, it's a struggle. But so we got to 333 00:34:10,760 --> 00:34:14,000 make a lot of money for our merchant, our shows and the streams and 334 00:34:14,039 --> 00:34:16,519 things like that to put forth like that because we try to put it spend 335 00:34:16,559 --> 00:34:21,000 as least money out of pocket as we can. Yeah, but you know, 336 00:34:21,360 --> 00:34:23,840 and we do it already too in all right, John, as much 337 00:34:23,840 --> 00:34:27,039 as you can. You know, being in a working band, when you're 338 00:34:27,039 --> 00:34:31,000 a bunch of you know, working individuals, it's like what yeah, but 339 00:34:31,159 --> 00:34:34,559 we do pretty good. You know, things have gotten pretty serious. We 340 00:34:34,679 --> 00:34:37,239 do manage to make some money, use it to buy merch, you know, 341 00:34:37,360 --> 00:34:38,639 save ourselves the trouble of paying out of pocket all the time. We 342 00:34:38,679 --> 00:34:43,519 succeed in that. Mike signed us up, put us in for a grant 343 00:34:43,639 --> 00:34:47,159 nomination through like a mask cultural arts thing, and we won, which was 344 00:34:47,239 --> 00:34:50,840 really great. You know, we want some money that we put towards new 345 00:34:50,920 --> 00:34:52,880 gear and stuff. Like the band's becoming some kind of entity, like you 346 00:34:52,960 --> 00:34:55,360 know, business, like a real working band. You know. Yeah, 347 00:34:55,440 --> 00:34:59,159 pretty cool. It's a lot, but it's fun. It'll just be quiet 348 00:34:59,159 --> 00:35:07,599 because I my listening rights. I made profit off my shirts. We don't 349 00:35:07,639 --> 00:35:13,280 make profit. We don't have any profits. That's why we'll always open to 350 00:35:13,440 --> 00:35:21,079 donations. Find anything. Yeah, yeah, well don't worry. We'll get 351 00:35:21,599 --> 00:35:24,760 something for your appreciation of gratitude if you donated, will send you something that 352 00:35:24,920 --> 00:35:30,280 lets you know that you have donated, right, exactly, exactly. Yeah. 353 00:35:30,519 --> 00:35:35,199 I listened to UH satellite radio in the car and there's always these ads 354 00:35:35,199 --> 00:35:39,199 about the r S is coming for you and UH call optimal tax relief. 355 00:35:39,440 --> 00:35:45,159 Oh yeah, I don't have the jingle memorized Optima tax Relief. But you 356 00:35:45,239 --> 00:35:47,440 love when they call you in the middle of the work day. It's like, 357 00:35:47,519 --> 00:35:50,960 hey, you know, it seems like you're broke, wants some money. 358 00:35:53,880 --> 00:35:57,840 Now. Do any of you also play in other bands or are you 359 00:35:57,960 --> 00:36:01,960 all just Uh? I'm pretticular really curious about Mike. Mike because every drummer 360 00:36:02,000 --> 00:36:07,119 who is on the show always has a million dands. Drummers are in such 361 00:36:07,199 --> 00:36:09,320 high dead I don't know how they do it. I don't know how you're 362 00:36:09,400 --> 00:36:14,199 kid. It's really hard to be in one. Yeah, with branding and 363 00:36:14,320 --> 00:36:16,400 this and that, and you know, like it's it's it's a full time 364 00:36:16,559 --> 00:36:20,199 job. Yeah. Yeah, and if you're going to commit to one, 365 00:36:20,239 --> 00:36:22,719 it's great. But yeah, but like I feel like there's people that are 366 00:36:22,800 --> 00:36:25,039 like musicians and like they're they're just they can just jump in and they can 367 00:36:25,159 --> 00:36:28,639 work any type of music and whatever. And then yeah, they offer to 368 00:36:28,840 --> 00:36:30,280 other bands. And then there's people that are really passionate about one project. 369 00:36:30,320 --> 00:36:32,559 They want to get that forward going, you know what I mean. So 370 00:36:32,760 --> 00:36:37,559 everyone has their own kind of deviation between the two. Yeah, I mean 371 00:36:37,639 --> 00:36:43,000 a little bit more than the other. Yeah. Yeah, Yeah, we 372 00:36:43,079 --> 00:36:45,480 had a I don't know if if you guys know the band Sepsis, Uh, 373 00:36:45,719 --> 00:36:49,440 they were on recently and then the drummer was on his way to play 374 00:36:49,599 --> 00:36:53,000 some show with another band that he has in Brooklyn. Yeah. Yeah, 375 00:36:53,440 --> 00:36:58,280 travel like yeah, I mean I've seen a few logicians that like there's just 376 00:36:58,320 --> 00:37:00,400 a little bit above our level. And it's like you're doing so much traveling. 377 00:37:00,800 --> 00:37:04,119 How do you pay for that? Yeah? How do you have the 378 00:37:04,199 --> 00:37:08,039 time to do the two jobs? Right? You know? Right? Because 379 00:37:08,079 --> 00:37:12,199 it's really like four jobs because you're also a musician and then you have to 380 00:37:12,280 --> 00:37:15,719 do your marketing and social media messaging. You have to be nice to your 381 00:37:15,760 --> 00:37:19,599 fans, and you have to talk to them and entertain them. And when 382 00:37:19,639 --> 00:37:21,880 they say hi to you, you have to sit down and have a conversation 383 00:37:21,960 --> 00:37:25,440 with them. You can't just walk away from right, right. So yeah, 384 00:37:25,559 --> 00:37:30,440 that's it's like you really have two extra jobs when you're a musician, 385 00:37:30,719 --> 00:37:35,400 you know on top of your Yeah, you're you're really working three jobs just 386 00:37:35,480 --> 00:37:38,159 to play music. Love it, you know, yeah, which we love 387 00:37:38,199 --> 00:37:42,920 talking with our fans, we do. Yeah. I think we got home 388 00:37:42,960 --> 00:37:46,159 around like eleven thirty after practice last night. So yeah, now who does 389 00:37:46,320 --> 00:37:50,400 uh that you could because you mentioned how much work it is like in terms 390 00:37:50,440 --> 00:37:52,519 of like social media for example, who who handles that for for you guys 391 00:37:52,599 --> 00:37:55,400 or do you all do it? Kind of all try to do a little 392 00:37:55,440 --> 00:37:59,480 bit, but you have a team that's kind of helping us. So I 393 00:37:59,639 --> 00:38:06,440 have We have an LMS UK. This is a company out in London. 394 00:38:07,199 --> 00:38:09,519 They do a lot of our contact creation, but we do. We provide 395 00:38:09,559 --> 00:38:15,360 all the raw material. I still do a lot of emails and reach outreach 396 00:38:15,440 --> 00:38:19,760 and stuff like that. You know, everyone else kind of chips in when 397 00:38:19,800 --> 00:38:22,480 they can. I tend to put that responsibility on myself. Quite a bit. 398 00:38:22,679 --> 00:38:27,320 But you know, it's just you just have to act with urgency in 399 00:38:27,400 --> 00:38:30,280 this business. So uh, it's tough. It's definitely tough to come to 400 00:38:30,679 --> 00:38:36,000 to get a opportunity out to five people and then get an answer returned and 401 00:38:36,119 --> 00:38:38,119 things like that. So sometimes it's easier for one person delegate and kind of 402 00:38:38,239 --> 00:38:42,320 just to figure out how we're going to figure it out and move it on. 403 00:38:42,760 --> 00:38:45,119 But these guys are getting better at getting back to me, and so 404 00:38:45,239 --> 00:38:49,320 I can get back to people like you and people like the club owners and 405 00:38:49,360 --> 00:38:52,320 this anding like that, and people thinks because a lot of stuff is just 406 00:38:52,400 --> 00:38:54,480 coming at us now and it's just like, wow, I gotta get a 407 00:38:54,519 --> 00:38:58,280 lot of answers out and I got to figure out the sketch with five people 408 00:38:58,760 --> 00:39:00,199 to get this one person answer, and they're looking at me, looking at 409 00:39:00,239 --> 00:39:04,599 the for like the hell I ever replied you want to play or not? 410 00:39:05,599 --> 00:39:07,840 You know? Yeah? Yeah, So basically, because that Mike's really the 411 00:39:08,320 --> 00:39:13,280 the heart behind a lot of our social media stuff. He's got the strategy, 412 00:39:13,599 --> 00:39:15,519 you know, the mind for it. But like he said, we've 413 00:39:15,559 --> 00:39:19,119 outsourced some of that stuff for our ben and it's definitely saved some time and 414 00:39:19,159 --> 00:39:22,239 after definitely well worth the money spent, for sure. It's it's definitely nice. 415 00:39:22,320 --> 00:39:24,840 It's nice to be able to kind of come back down to earth a 416 00:39:24,840 --> 00:39:30,679 little bit and just focus on my music and get there. So you know, 417 00:39:30,800 --> 00:39:32,000 it's just like you know, as these things grow, you know, 418 00:39:32,199 --> 00:39:36,559 you kind of know, like these the brain becomes takes the life of its 419 00:39:36,559 --> 00:39:40,039 own, and you know, you're just don't even know. It's just doing 420 00:39:40,079 --> 00:39:43,880 things on its own. Like it goes on like people looking at our past 421 00:39:43,960 --> 00:39:46,440 content, you know, the music itself, and that's just kind of snowballing 422 00:39:46,559 --> 00:39:50,679 and everything online. As the Internet does, it starts to just kind of 423 00:39:50,760 --> 00:39:52,920 multiply, right, you know what I mean. So and then the challenge 424 00:39:53,000 --> 00:39:57,400 comes. It becomes keeping up with it exactly, and you got to feed 425 00:39:57,480 --> 00:40:00,719 that machine. And that's where we're at now. You know, it's moving 426 00:40:00,760 --> 00:40:06,960 faster, faster faster. So yeah, yeah, absolutely, how many, 427 00:40:07,360 --> 00:40:09,199 So how many songs do you have because you've got the first album and then 428 00:40:09,199 --> 00:40:13,239 you've got new you've got new stuff obviously for the new album, So we've 429 00:40:13,239 --> 00:40:17,639 probably got fifteen sixteen, maybe twenty so all together, yeah, Moses maybe, 430 00:40:17,760 --> 00:40:23,480 Yeah, it's pretty We have completed ten released we have ten released. 431 00:40:23,519 --> 00:40:29,800 It's our full album. You guys are probably getting a three song epiece way 432 00:40:29,880 --> 00:40:34,800 next year, okay, and you know we're writing that. We're taking our 433 00:40:34,880 --> 00:40:37,039 time with that, yeah, don't. We don't want to rush out of 434 00:40:37,119 --> 00:40:42,360 product. You know, we took a long time to get like it took 435 00:40:42,760 --> 00:40:45,800 you know, six years to find a lineup. Yeah, then it took 436 00:40:45,880 --> 00:40:47,840 four years for that lineup to kind of master the craft again to the studio, 437 00:40:47,880 --> 00:40:51,599 and we still kind of rushed that and we did it during the COVID 438 00:40:51,639 --> 00:40:53,400 time, and it was our first whack at recording and all that stuff, 439 00:40:54,039 --> 00:40:58,159 and you know, kind of taking all the lessons we've learned for the past 440 00:40:58,400 --> 00:41:01,079 four and a half years and applying it to the second album. Yeah. 441 00:41:01,280 --> 00:41:06,320 So what we've learned is that we're just gonna do it the way it needs 442 00:41:06,360 --> 00:41:07,679 to be done and take our time with it. And you know, we're 443 00:41:07,679 --> 00:41:10,199 gonna play our old music. We'll play some covers while we're out there. 444 00:41:10,480 --> 00:41:15,039 You might we might play unreleased songs if you come out to the shows. 445 00:41:15,079 --> 00:41:17,880 You just you're not gonna get a version on Spotify for at least a year. 446 00:41:19,840 --> 00:41:22,880 It cost money. Yeah, yeah, exactly, what do you guys 447 00:41:22,920 --> 00:41:27,159 do for for covers, we get some stuff, we rotate them around, 448 00:41:27,360 --> 00:41:29,840 you know what I mean. So that's kind of like a box that keeps 449 00:41:29,880 --> 00:41:34,159 refilling a lot of variety in the genres. Like one of some of our 450 00:41:34,199 --> 00:41:37,000 earliest covers from when the five of us first got together, it was like 451 00:41:37,320 --> 00:41:43,599 Tennessee Whiskey by Chris Dapleton, Valerie by Amy Winehouse. Yeah, and then 452 00:41:43,840 --> 00:41:46,360 you know there's some rock covers, some pop covers we've done. Uh, 453 00:41:46,800 --> 00:41:52,199 we did some remember when we did what was that funk song? We learned 454 00:41:52,239 --> 00:41:57,840 that Carl Carlton? Yeah, yeah, Yeah, that was the one. 455 00:41:57,920 --> 00:42:00,480 Yeah. It's like we just we like a lot of difference. Yeah, 456 00:42:00,519 --> 00:42:01,599 it depends on the audience, you know, because like that's what you that's 457 00:42:01,599 --> 00:42:04,800 why you pick. You pick your covers based on who's going to be there, 458 00:42:04,800 --> 00:42:07,639 you know, I mean the other bands were playing shows with and say 459 00:42:07,679 --> 00:42:10,599 what type of stuff's gonna fit with the other artists more in this Yeah, 460 00:42:10,639 --> 00:42:13,679 that's kind of how we pick our covers, you know what I mean. 461 00:42:13,719 --> 00:42:15,920 We got a couple of covers that we just kind of that we can pull, 462 00:42:16,280 --> 00:42:20,039 you know, out of the hat, Yeah, and do that. 463 00:42:20,239 --> 00:42:23,000 But covers we kind of rotate them, you know what I mean, something 464 00:42:23,039 --> 00:42:25,760 you could come out well cover that, yeah, you know, yeah, 465 00:42:27,440 --> 00:42:29,920 are any of these songs, by the way, are any of them kind 466 00:42:29,920 --> 00:42:34,639 of different live in terms of because some of them kind of have a vibe 467 00:42:34,719 --> 00:42:37,159 like I can see where alive, you can you can stretch them out a 468 00:42:37,199 --> 00:42:38,639 little bit, h you know, maybe kind of jam a little bit. 469 00:42:38,679 --> 00:42:42,280 Do you do any of that with any of these songs? Yeah, No, 470 00:42:42,599 --> 00:42:45,800 it's not exactly exactly the same thing. You want to touch on that 471 00:42:45,800 --> 00:42:47,440 a little bit, you know, Yeah, it's always a little different. 472 00:42:47,519 --> 00:42:53,039 We play live really tied into what the album was. Yeah, yeah, 473 00:42:53,280 --> 00:42:57,480 freedom, just screw around, maybe tackle on a man or two, get 474 00:42:57,559 --> 00:43:00,800 someone else a little time to breathe. Behind the drums, yeah, Tom 475 00:43:00,840 --> 00:43:05,000 with a nice bass all here and there. Yeah, yeah, no doubt 476 00:43:05,039 --> 00:43:07,239 a lot more fun playing them, Yeah, I mean, so we'll sing 477 00:43:07,320 --> 00:43:10,079 all the others parts or add backups where they're not backups on the on the 478 00:43:10,159 --> 00:43:16,159 album, or you know, the guitar, Yeah, the guitar Salolne might 479 00:43:16,239 --> 00:43:20,599 not be exact, or you know, we'll just depending on how much time 480 00:43:20,639 --> 00:43:24,079 and the set will kind of condense things like but you know, if anyone's 481 00:43:24,079 --> 00:43:28,400 a fan of our music, they know that what we're we're doing like on 482 00:43:28,480 --> 00:43:31,440 the album, and it's not everything you can kind of translate that live anyways. 483 00:43:31,599 --> 00:43:36,000 So but we give you a pretty good pure form that goes back to 484 00:43:36,079 --> 00:43:37,880 that that reference. You know, you look at things through staying glass. 485 00:43:38,719 --> 00:43:42,400 We're there to have fun with them too, so it's like it's an experience 486 00:43:42,440 --> 00:43:46,480 for us as well. So it's always going to be slightly different. So 487 00:43:46,679 --> 00:43:50,960 that's why we love, you know, having these opportunities to be out there 488 00:43:51,159 --> 00:43:54,519 kind of with our fans, you know, connecting with new people, just 489 00:43:54,880 --> 00:44:00,280 you know, kind of being a part of the music industry right now. 490 00:44:00,599 --> 00:44:05,880 Yeah, very fun, excellent, excellent, Well we are we are almost 491 00:44:05,960 --> 00:44:09,360 out of time. Where where should people go online? To keep up with 492 00:44:09,440 --> 00:44:14,119 everything that you're doing shows? Absolutely, just go onto the Instagram. Pretty 493 00:44:14,199 --> 00:44:19,280 late you'll find us right there. You can go on Facebook and that's pretty 494 00:44:19,360 --> 00:44:22,440 late. Ma yep. Right on the Instagram, you'll see our logo with 495 00:44:22,559 --> 00:44:29,079 the infamous famous clock. Yeah you get the cup that yeah, rabbits. 496 00:44:29,199 --> 00:44:32,800 That Instagram has the link tree and then that goes links to every social so 497 00:44:32,960 --> 00:44:36,920 you just click the link in the bio and yeah, I'll bring everywhere but 498 00:44:37,000 --> 00:44:38,880 Facebook, We're on pretty much everything. Yeah, yeah, cool, you 499 00:44:38,960 --> 00:44:45,159 can't miss us, like comment and subscribe shows. Our next shows are January 500 00:44:45,239 --> 00:44:49,679 thirteenth and twentieth at thirteenth and Malden, twentieth in Summerville, yep, Faces 501 00:44:49,719 --> 00:44:55,320 Brewery think January thirteenth Saturday, and then one twenty at the Jungle. Very 502 00:44:55,360 --> 00:44:58,400 good, it's very good. Hey, where does the name come from? 503 00:44:58,440 --> 00:45:00,159 By the way, I might have asked you this last time you're here, 504 00:45:00,239 --> 00:45:01,719 But what what is it? Because it's a struggle to get five people to 505 00:45:01,719 --> 00:45:06,440 show up on that? Is that true? Is that really? Very much? 506 00:45:06,960 --> 00:45:09,880 Pretty much everywhere. We didn't actually have a name. On our first 507 00:45:09,960 --> 00:45:13,679 show with me and Mike and Rob, we actually didn't have a name. 508 00:45:13,719 --> 00:45:16,320 Really. We were supposed to have been on at seven thirty. I remember 509 00:45:17,840 --> 00:45:22,320 the guy kept coming out every hour on the hour, So do you mind 510 00:45:22,400 --> 00:45:23,920 going on at eight thirty? No problem? You mightd have going on nine 511 00:45:24,039 --> 00:45:28,400 thirty, No problem. Well here comes about ten thirty eleven o'clock when we 512 00:45:28,480 --> 00:45:30,159 finally got on stage thirty. So he's like, you guys got a name. 513 00:45:30,280 --> 00:45:32,039 No, we don't have a name, but we're half in the bag 514 00:45:32,159 --> 00:45:36,400 by this point, it's pretty late. Come on, we need to get 515 00:45:36,440 --> 00:45:38,400 the show on the road. Hey, ladies and gentlemen, here comes pretty 516 00:45:38,440 --> 00:45:44,239 late. Yeah, oh damn, that's great. Yeah, that's cool. 517 00:45:45,760 --> 00:45:51,320 That's that's really cool. Show my bass drum exploded. I lost my bass 518 00:45:51,400 --> 00:45:55,559 drum. Yeah. Well we lost a couple of guitar strings during that show. 519 00:45:59,039 --> 00:46:02,079 But you know I lost the ride symbol. Oh let me see. 520 00:46:02,119 --> 00:46:06,039 I came back and I'm like, where's my throne, where's my ride symbol? 521 00:46:07,280 --> 00:46:14,960 I did get a free T shirt. Well that's good. Yeah, 522 00:46:15,800 --> 00:46:21,480 lots of anecdotes up for another time. Well, we're gonna wrap up, 523 00:46:21,519 --> 00:46:23,039 but thank you all five of you for being here today. This has been 524 00:46:23,079 --> 00:46:27,639 wonderful, had a lot of fun. Thank you again, pretty late, 525 00:46:27,679 --> 00:46:30,880 Thank you again so much. Great, thank you very much, great stuff. 526 00:46:30,280 --> 00:46:32,039 Pleasure all right, bye bye everybody.