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Cheap into the ball the body onst
today tap to somebo to the stars yesterday

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I see nothing songk suckst got something
to say, Wan don't be so storm

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but something in the way show the
by shut on over my shot over,

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shut on over my eyes so reckon
te change she wants to see over tooting,

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say gotta change just in the day. Wanna make you father out and

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bind the word say try to see
some loud and tapping love way shut over

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of my eyes, shut on over
my eye, shot on to my eye,

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shot on my heart. I be
so I can keep myself all I

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child. I do not ste myself
that I love my love. I love

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it all a day. What need
Something's all? The train was my funday.

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I just came my love shut O
my eye shutow over my eye shut

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out, O my eye shut over
my shot over shut out over by shut

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my life. Breaking news from beautiful
Manchester, New Hampshire. An international coalition

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has surely declared itself the supreme leader
of all things rock and all things roll.

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Tenents are rising as others have claimed
themselves to be quote the senior of

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real rock and roll. But the
coalition, founded and headed by Jerry Robinson

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says these claims are unfounded. As
you can see, war can be declared

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at any moment. The smallest act
of aggression can be seen by either side

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is oh god. We have a
a briefing News Bolton being published as we

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speak, the first struck for the
Hello everyone, Jerry here. So I

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am taken over the airwaves. I've
taken over the radio and now I want

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you all to understand that I am
the supreme leader of rock and roll.

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But not just me, of course, I would like to welcome the brand

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new member of Jerry's rock and Roll
Army that commander to the Supreme Leader man

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so can't be down. Hey,
welcome everybody. Here we go. It

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is that time again, Happy Friday. Matt Connerton Unleashed. We are live

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from the studios of w m n
H ninety five point three FM and Glorious

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Downtown Manchester, New Hampshire. Also
on Comcast ninety seven. If you're in

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Manchester and nope, Channel six.
I did it again. Channel six now

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in Manchester and hello to Oliver Online
listeners across the nation and around the globe.

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You can go to my website Matt
Connerton dot com for all your live

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00:07:01,279 --> 00:07:05,680
streaming options, social media links,
show archives, etcetera, etcetera. Today

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is a Friday, September eight,
twenty twenty three. It's so nice to

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have you all with me. It
is Friday, my favorite day of the

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week here at WMNH. It's my
long day and I do love it.

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So i do this show till six
pm, and then I'm back tonight from

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eight to eleven PM for Retro Spectrum
Radio with PAULI C. And I have

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the honor and privilege of being one
of Paul's co hosts on that show,

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along with DJ Steve and of course
Mike from Queen City Cabinetry. So that

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will be tonight. We have a
very exciting and busy show for you today.

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In a little bit, a little
bit later in the hour, we're

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going to have Eric Pilcher's classic film
review, and today the subject is the

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nineteen eighty two film The Collab as
I think the Young people say, with

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Stephen King and George A. Romero
called creep Show. It's an anthology anthology

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film, very very cool. This
humidity makes it apparently I'm having trouble speaking.

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It's very very humid, and I
thought it was going to open up

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00:08:03,319 --> 00:08:05,000
and pour, but it never quite
happened, but it could happen yet if

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you are in Manchester of course.
And then coming up in the second hour,

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we have a very special band here. We're gonna be joined in studio

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by the band Soda and that is
spelled st Ah Soda. That song that

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you heard shadow at the top of
the show, that is one of their

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songs. So we're featuring some of
their music today and they're going to come

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in and play live in studio for
us in the second hour and we'll chat

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for a bit. So really looking
forward to that. Also, I am

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expecting a call. He did post
a YouTube video saying he was going to

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call in Jerry Robinson himself from the
band Jerry and the Scumbags. Yesterday we

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featured all the entire eight tracks from
the new album called Scum of the Earth

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and it also, in addition to
Jerry Robinson on vocals, that features the

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guitar stylings of Eric Pincher also known
as Eric Pilcher. For some reason,

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a stage name is Eric Pincher.
I'm not sure why. I guess that

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00:09:01,600 --> 00:09:03,720
sounds more rock and roll, right. Pilcher is kind of a weird name,

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but but pincher, it just sounds
very very rock, very metal,

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and also of course Billy Painter on
drums and yours. Well, I don't

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know if I shouldn't give it away, but let's just say there's a guy

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named Matzo who plays bass on the
album. So maybe we'll talk about that

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if Jerry calls in. But yes, so that was very exciting. Tons

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of positive feedback and it's already streaking
up the charts. Yes, I think

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it's already cracked the Billboard Hot one
hundred. So so we featured yesterday.

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We played the whole thing. You
know, if you missed the show,

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go back and check it out.
It was fun. We spaced it out,

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you know, didn't play the entire
thing at once, but we spaced

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it out throughout the show, and
tons of positive response and feedback on that.

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So yeah, looking forward to speaking
with Jerry Robinson today if he's if

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he's able to call in, and
hopefully he does it soon because obviously we've

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got a lot going on as the
show progress. But six zero three two

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00:10:01,960 --> 00:10:05,039
five zero six ZO seven is a
studio line six zo three two five ozho

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six zoo seven. You can also
text me at six one seven nine one

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00:10:09,600 --> 00:10:13,799
seven four four seven six. I'm
on social media at Matt Connerton. You

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00:10:13,840 --> 00:10:16,200
can email me Matt at Matt Connerton
dot com, and of course you can

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00:10:16,440 --> 00:10:20,399
interact endo Pine in the Facebook live
chat. But the best thing to do

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00:10:20,440 --> 00:10:24,519
so that we can hear and enjoy
your dulcet tones is to give us a

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00:10:24,559 --> 00:10:28,480
call at six zero three two five
ozho six zoo seven six zo three two

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five zero six zero seven. By
the way, another quick programming note two.

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For Monday of next week, we
will have the world radio premiere of

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the brand new single from Sepsis.
It's called Romance and Reality. Heard it

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today for the first time, really
really good. So I believe it's already

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available online for your listening pleasure.
But but we will have the world radio

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premiere the first time on FM Radio
right here next week on the show end.

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Oh well, I think I think
I have an idea who this might

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be? Hi, Welcome to Matt
Connor. It's an unleashed Is this hello?

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00:11:01,799 --> 00:11:07,120
Matts? So this is Jerry Robinson. Oh, Jerry, I'm so

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00:11:07,200 --> 00:11:11,879
glad you called my friend. The
response to some of the Earth is just

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fantastic. I've played the whole thing
on the show yesterday, and everyone loves

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it. I know, I thought
that Lady I was having issues with my

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cellular telephone and it just would not
allow me to call in, but that

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00:11:26,799 --> 00:11:30,559
guy said that I would call today. So you know, the reception has

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been very good so far. There
has been I think guysens and dozens of

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00:11:37,080 --> 00:11:41,639
streams. I believe I've said that
in my previous video that I made.

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Yes, and of course I meant, did you hear those crisp, rocking

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00:11:46,000 --> 00:11:52,480
guitar leads from eric a Pecha?
Yes, I'll tell you what he really

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00:11:52,600 --> 00:11:58,000
rips on that guitar. It's it's
quite remarkable. Who knew, Jerry?

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00:11:58,399 --> 00:12:01,960
I mean, I don't, no, I guess you know some people they

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00:12:01,000 --> 00:12:05,960
say that like you like a child
podgy or something. So I think once

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he just picked up the guitar that
I mean, it just the music started

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flowing through him and just the magic
happened. Of course, your basslines are

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00:12:16,720 --> 00:12:20,240
very, very very good. You
held down the good middle end, the

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low end, and Billy he's just
got those. He's like an animal from

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them. Upp it's I mean,
he was just rocking those drums out.

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00:12:28,559 --> 00:12:31,080
Yes, well he is from Idaho. That's how they do it there.

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And as far as my basslines,
I have to tell you, the songs

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that you wrote just made it so
easy to play along, to play the

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00:12:37,200 --> 00:12:41,519
bass. Really, it was effortless, to be honest with you, Jerry,

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00:12:41,559 --> 00:12:43,919
but I'm glad that I'm glad that
you're happy with it. And again,

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just an amazing response and reception to
the album. Yes, it has

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00:12:48,840 --> 00:12:52,639
been good. In fact, it's
not the great news. And I know

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00:12:52,799 --> 00:12:54,919
that you and all the other guys
know about this, but that can really

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actually finally fade. Yes, we
have a live show that it's coming up

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in two weeks. As you know, it is a private event. Sorry

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00:13:05,240 --> 00:13:09,279
for everybody who wants to be there, but it is private. Unfortunately,

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00:13:09,720 --> 00:13:13,320
maybe one day in the future we
can do a public show. But I

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00:13:13,440 --> 00:13:16,840
believe it. Quote me if I'm
wrong, but I believe there is two

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00:13:16,919 --> 00:13:22,360
thousand, twenty five hundred people who
are who are going to be there.

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I believe, So I believe that's
correct. Okay, yeah, it's in

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that ballpark, of course. But
yes, you know it's gonna be great

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and even better, we're gonna record
the entire show live. I can't remember

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who's going to be opening the show. I think it's one of the acts

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that's been on one of your programs
before. And I just I can't remember

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the name of the time. It'll
it'll come back to me in the future.

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00:13:46,240 --> 00:13:48,960
Yes, but it's gonna be a
great night. I'm really excited to

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be with all the people, hang
out with all the fans, and get

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00:13:52,840 --> 00:13:56,960
to finally show that when when you
actually put your mind to it, you

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00:13:58,000 --> 00:14:01,639
can do it. Instead of you
know, sitting around videos and and and

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00:14:01,679 --> 00:14:03,600
all that sorts of stuff saying that
you're going to do it, we're actually

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00:14:03,600 --> 00:14:07,320
out there, you know, putting
mind to metal and making it work.

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00:14:07,759 --> 00:14:13,080
Oh, mind to Metal. I
like that. Oh I think I dare

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00:14:13,120 --> 00:14:16,720
say there might be a song in
there. Oh dah man. We just

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00:14:16,879 --> 00:14:20,399
finished an album. Now I have
to write another one. We'll talk about

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00:14:20,399 --> 00:14:28,879
that later. Also, my studio
producer missed a b very very kindly offered

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00:14:28,879 --> 00:14:33,799
for free course. Who I know
that the Commander to the Supreme Leader's theme

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00:14:33,919 --> 00:14:39,440
is quite long. The offered to
do a mix, like a shorter version

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00:14:39,960 --> 00:14:43,120
that would be perfect for your radio
show. So if that is something that

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00:14:43,159 --> 00:14:45,960
you would like in the future,
of course I can organize that. If

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00:14:46,000 --> 00:14:50,759
mister B would like to do that, that would be fantastic. I mean,

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00:14:50,799 --> 00:14:54,080
you know, Jerry, I'm a
little bit wary of him only because

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00:14:54,120 --> 00:14:56,799
the name mister B. Sometimes I
wonder if he might be involved in organized

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00:14:56,840 --> 00:15:01,519
crime or something. But having said
that, yes, if you'd like to

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00:15:01,519 --> 00:15:05,120
produce a shorter version of that that
I can use for the intro on a

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00:15:05,200 --> 00:15:09,799
daily basis, that would be fantastic
because I do love it, so you

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00:15:09,919 --> 00:15:11,720
know, I can absolutely and don't
worry about mister B. Of course,

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00:15:11,759 --> 00:15:16,080
he's not liking it. He's not
like an Italian mobster or anything. He's

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00:15:16,120 --> 00:15:20,600
actually a short white kid who is
from Ireland. Oh right, oh and

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00:15:20,720 --> 00:15:22,679
Irish, an Irish lad. All
right, very good. Then, well,

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00:15:22,720 --> 00:15:28,080
I in that part the terms of
our contract, I'm not allowed to

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00:15:28,120 --> 00:15:31,120
say his entire and name. Plus
I don't want some unnamed loser from New

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00:15:31,200 --> 00:15:35,159
York accidentally, you know, coming
across him and trying to use the services.

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00:15:35,440 --> 00:15:39,679
Well, I think mister B would
would know better than to get involved

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00:15:39,759 --> 00:15:46,679
with anybody like that. I'll just
I'll just put it that way. Yeah,

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00:15:46,799 --> 00:15:50,759
absolutely, you know. It's it's
great hearing from you again. Thank

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00:15:50,759 --> 00:15:54,720
you so much for playing out Music
again yesterday. That was an excellent show.

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00:15:54,759 --> 00:15:58,120
I watched the whole thing. It
was fantastic. I'm and really,

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00:15:58,159 --> 00:16:03,759
I'm very excited to hear Eric Alan
Pancher. I'm really excited to hear his

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00:16:03,879 --> 00:16:07,480
review of A creep show. That's
a that's a great movie. And I

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00:16:07,559 --> 00:16:11,399
said it in a previous video.
Maybe you can pass it along to Eric

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00:16:11,159 --> 00:16:17,120
that maybe he can do a review. It's a it's an awful, awful

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00:16:17,200 --> 00:16:22,200
B movie called Lama Geddon, like
the animal Lama and AMAgeddon put together called

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00:16:22,279 --> 00:16:26,559
Lamageddon, and it's I mean,
it's terrible, but it I just I

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00:16:26,600 --> 00:16:30,600
couldn't help but watch it. It
was horrible. Now when did that come

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00:16:30,600 --> 00:16:33,879
out though, Because if it's if
it's too recent, it wouldn't qualify as

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00:16:33,919 --> 00:16:37,559
a classic film. Oh that's a
good point. Yeah, okay, Well,

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00:16:37,799 --> 00:16:44,639
maybe maybe he can do like a
like a schwarzenegga movie like like uh

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00:16:45,679 --> 00:16:48,720
uh. He could do like Predator
or a Racer that's a great movie,

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00:16:48,840 --> 00:16:53,639
or even total recall, or what
about Twins. I know a guy from

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00:16:53,679 --> 00:16:57,000
New York who's about the same height
as Danny DeVito who would probably enjoy a

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00:16:57,039 --> 00:17:02,360
review of Twins. Oh that would
be great, or a jingle all the

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00:17:02,399 --> 00:17:06,079
way, probably the best Christmas movie
you ever made, next to a Christmas

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00:17:06,079 --> 00:17:11,440
story. Ah, of course,
absolutely. Well, you know the holidays

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00:17:11,480 --> 00:17:15,960
are I mean it is September,
so the holidays aren't too far away.

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That's right, that's right around the
corner. We can make it work,

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00:17:18,880 --> 00:17:22,440
yes, but listen, I know
you have a very big show. Uh.

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00:17:22,079 --> 00:17:26,359
Best of luck to your awesome musical
guest today. I will call you

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00:17:26,400 --> 00:17:30,359
in the future and maybe we can
get something else walked out. Also,

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00:17:30,440 --> 00:17:33,839
see you in two weeks when I
fly up for that private show. All

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00:17:33,920 --> 00:17:37,799
the best, Jerry, all right, thanks, Jerry, all right,

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00:17:37,160 --> 00:17:41,680
very nice, very nice, the
great Jerry Robinson of Jerry and the Scumbags.

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00:17:41,720 --> 00:17:45,279
And uh, we did feature some
of that that music yesterday. Well

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00:17:45,319 --> 00:17:48,680
actually we featured all of it yesterday
and that was a lot of fun.

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00:17:48,720 --> 00:17:52,119
And uh, what a what a
great guy. And and by the way,

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00:17:52,240 --> 00:17:57,759
can I just say I think he's
also inspirational and motivational because you know,

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00:17:57,839 --> 00:18:02,759
he talked about not just the music, but he also talked about the

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00:18:02,799 --> 00:18:07,599
importance of actually doing something that you
say you're going to do, not just

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00:18:07,000 --> 00:18:10,480
you know, you keep saying it
and keep saying it in a year after

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00:18:10,599 --> 00:18:14,279
year after year. I mean,
I know people, you know, you

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00:18:14,599 --> 00:18:18,920
go back on YouTube or Facebook and
you find videos from like ten, twelve,

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00:18:19,559 --> 00:18:22,599
fifteen years ago talking about how they're
gonna do this, they're gonna do

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00:18:22,640 --> 00:18:26,200
that, and then they just never
get to it. But Jerry Robinson is

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00:18:26,240 --> 00:18:32,559
a man of action, and I
like that. Putting mind to metal,

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00:18:32,880 --> 00:18:34,799
I like that a lot. I
like that a lot, very very good.

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00:18:34,839 --> 00:18:37,720
Well, thank you so much,
Jerry Robinson for calling it. That

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00:18:37,799 --> 00:18:41,160
does open up the studio line for
you. Six o three two five zero

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00:18:41,240 --> 00:18:45,799
six zero seven six zero three two
five zero six zero seven. I do

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00:18:45,920 --> 00:18:49,960
want to say hello to everybody in
the Facebook live chat. We'll see who

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00:18:49,960 --> 00:18:55,319
we have in here, and then
we'll try to get into some some stuff.

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00:18:55,720 --> 00:18:57,359
As we say, Jenny of course
is in the chat room and says

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shalom peeps. Jay fed It joins
us, of course from the great state

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of Vermont, says good afternoon everyone. Dylan Reynolds is in the chat.

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Very talented musician in his own right. He says, good afternoon. Jenny

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was commenting. She said, I
love this, commenting on how much she

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likes that song Shadow from the band
Soda, who is our musical guest today

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00:19:18,200 --> 00:19:22,319
coming up in the second hour.
Oh, Dylan really likes that that intro

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that Jerry Robinson, Well, mister
b actually produced it. He said,

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what a legendary intro. I agree, I agree, absolutely really cool.

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00:19:30,599 --> 00:19:37,480
Miriam Bannish joins us in the Facebook
live chat and and says, good afternoon.

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Dylan said, I've heard it has
dozens and dozens of streams so far.

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00:19:41,920 --> 00:19:45,640
Yes, multiple dozens, I believe. Oh, Jenny clarified. So

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00:19:45,720 --> 00:19:52,319
the new single from Sepsis, Romance
and Reality. It is currently only available

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00:19:52,400 --> 00:19:56,680
to Patreons. So if you subscribe
to Sepsis is Patreon, which you should,

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00:19:56,680 --> 00:19:59,640
I recommend it, you can get
the track now. But if you

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00:19:59,680 --> 00:20:03,039
want to hear here on the radio, you got a tune in Monday if

219
00:20:03,039 --> 00:20:07,039
you're just joining us. Monday,
we will have the world radio premiere of

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00:20:07,079 --> 00:20:11,920
the brand new single from Sepsis,
Romance and Reality. And like I said,

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00:20:11,920 --> 00:20:15,319
I heard it today, it's really
really good. Eric Pilcher, Oh,

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00:20:15,319 --> 00:20:18,599
we were just talking about you,
He joins us in the Facebook laugh

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00:20:18,680 --> 00:20:22,759
chat and says, hello peeps.
Oh are you are you saying peeps?

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00:20:22,880 --> 00:20:27,359
Because oh, never mind, I
was about to make a really dumb joke

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00:20:27,480 --> 00:20:32,720
that before the joke fell out of
my mouth, I realized it doesn't work

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00:20:32,759 --> 00:20:34,599
and doesn't make sense. So now
you'll never know what the joke was,

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00:20:34,640 --> 00:20:37,920
because it would have been really stupid. And I'm so glad I caught it

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00:20:38,279 --> 00:20:41,640
before. I said. You ever
do that where you make a joke and

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you realize right after you say it
that the joke doesn't make any sense,

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00:20:45,640 --> 00:20:48,960
and then you kind of feel self
conscious because you were trying to be funny

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00:20:49,400 --> 00:20:52,319
and everyone knows you were trying to
be funny, but what you said wasn't

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00:20:52,319 --> 00:20:57,240
even remotely funny, and it didn't
even logically make sense, so it can't

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00:20:57,279 --> 00:21:00,759
even Not only is it not a
funny joke, Okay, it doesn't even

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00:21:00,880 --> 00:21:07,960
qualify as a mildly witty quip or
anything. It's just a thing you said

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00:21:07,000 --> 00:21:11,839
that immediately you're embarrassed by. That
almost happened to me just now. I'll

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00:21:11,880 --> 00:21:18,079
tell you that's a that's that's terrible
when that happens. Eric Eric says,

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00:21:18,279 --> 00:21:22,799
someone says today's review is my best
work yet. Yes, someone did say

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00:21:22,839 --> 00:21:26,559
that. Someone did say that,
Yes, Eric's film review. Obviously I

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00:21:26,799 --> 00:21:30,920
listened to them ahead of time,
and uh it is I and I did

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00:21:30,920 --> 00:21:36,680
tell I don't think he'll mind ever
reveal this. This was a uh conversation

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00:21:36,680 --> 00:21:38,039
we had online, but I did
tell Eric, I said, Uh,

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00:21:38,319 --> 00:21:42,440
it's been one of the nice things
about working with him and him being a

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part of the show with these film
reviews, and of course we do our

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weekly segment on Wednesdays too, But
it's it's been nice, uh, watching

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00:21:51,880 --> 00:21:56,240
the way the reviews have evolved over
the last I think it's been a couple

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00:21:56,279 --> 00:21:59,920
of years now, the way the
reviews have evolved, the way Eric's approached

247
00:22:00,079 --> 00:22:02,480
it has changed, and uh,
it's it's just been really cool. I

248
00:22:02,480 --> 00:22:06,839
mean I thought they were good right
from the beginning. But but but he

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00:22:06,880 --> 00:22:08,839
continues to evolve and grow and how
he how he does it, and I

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00:22:08,839 --> 00:22:15,200
think that's really cool. Dylan Reynolds
says, your guitar skills on the album

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00:22:15,240 --> 00:22:21,599
were absolutely stellar. Do you teach
lessons? Yeah, yeah, Eric Pilcher,

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00:22:22,319 --> 00:22:25,640
like I said to Jerry, I
mean, he just I will say

253
00:22:25,680 --> 00:22:29,519
this, the guitar tone you could
cut glass with it, You really could.

254
00:22:29,759 --> 00:22:38,000
Those riffs, I mean just incredible. He's like he's like trying to

255
00:22:38,000 --> 00:22:41,319
think of it. Yeah, there
really is no one to compare him to.

256
00:22:41,440 --> 00:22:48,920
He's just that good. He's just
that good. Carol's Warwitz joins us

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00:22:48,920 --> 00:22:52,039
in the Facebook live chat. Dylan
says, like, when you make a

258
00:22:52,119 --> 00:22:56,160
joke but it bombs so bad that
it sounds like a statement, that happens

259
00:22:56,160 --> 00:23:00,920
to me a lot. I'll tell
you what. Yes, And a couple

260
00:23:00,920 --> 00:23:04,799
of years ago on the show,
this was a few years ago. Jeez,

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00:23:04,799 --> 00:23:07,640
I've been here six and a half
years now. I think hard to

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00:23:07,680 --> 00:23:14,799
believe it goes so fast. I
paid, I made a joke. I

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00:23:14,839 --> 00:23:18,440
don't even remember who was in the
room with me, but there was a

264
00:23:18,480 --> 00:23:21,599
reference. It was a political reference, but I guess it was just too

265
00:23:21,640 --> 00:23:27,359
much of a deep cut. I
made a reference to a moment in a

266
00:23:27,880 --> 00:23:33,400
two thy twelve presidential debate between Barack
Obama and Mitt Romney, or a Mittens

267
00:23:33,440 --> 00:23:41,119
of Utah as I like to call
him. And the joke was a reference

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00:23:41,160 --> 00:23:48,079
to the phrase binders full of women, because that phrase was used by Mitt

269
00:23:48,119 --> 00:23:53,839
Romney during that debate, And I
thought, I don't remember exactly what the

270
00:23:53,880 --> 00:23:56,640
context was, what the discussion was, I don't remember who was in the

271
00:23:56,720 --> 00:23:59,640
room, who was on the show
with me that day, but I remember

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00:23:59,680 --> 00:24:04,279
making reference to Mitt Romney's Binders Full
of Women, and I swear to god,

273
00:24:06,279 --> 00:24:10,119
no one believes me because it sounds
like this isn't even possible, but

274
00:24:10,200 --> 00:24:15,440
I swear to you it happened.
I delivered the line and I actually heard

275
00:24:15,680 --> 00:24:21,400
in my headphones. I could hear
it an audible thud in the room of

276
00:24:21,440 --> 00:24:25,920
the joke hitting the floor. It
was, And the people on the show

277
00:24:25,920 --> 00:24:27,200
with me, they're just staring at
me, like what, And I'm like,

278
00:24:27,359 --> 00:24:33,720
oh my god, I just really
bombed with that. But it wasn't

279
00:24:33,720 --> 00:24:37,359
even like it wasn't something where it
was like the joke didn't make sense.

280
00:24:37,400 --> 00:24:41,279
The joke did make sense, and
I thought it was really clever. And

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I heard a thud and I said, did you guys hear that? And

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00:24:42,960 --> 00:24:47,759
nobody else heard it, but I
swear that joke made a thud when it

283
00:24:47,880 --> 00:24:49,279
hit because it didn't hit. I
mean, it hit the floor, but

284
00:24:49,319 --> 00:24:56,200
it didn't hit the way I wanted
it too. Very frustrating, But google

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00:24:56,519 --> 00:24:59,640
Mitt Romney Binders Full of Women.
You'll you'll get the reference if you don't

286
00:24:59,640 --> 00:25:02,079
know it. But apparently the people
I had on the show that day,

287
00:25:02,119 --> 00:25:04,680
they just weren't having it. They
did not see the humor and Mitt Romney's

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00:25:04,799 --> 00:25:12,279
binders full of women. Uh,
let's see. Bella Smith joins us in

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00:25:12,319 --> 00:25:22,720
the Facebook live chat. Bella Smith
is posting spam. All right, Oh,

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00:25:22,799 --> 00:25:26,400
Dylan Reynolds, says George Lynch from
doc and would be my guest,

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00:25:26,519 --> 00:25:30,359
oh at regarding Eric Pilcher's guitar skills. George Lynch, Yes, yes,

292
00:25:30,480 --> 00:25:37,000
yes, yes, m I was
never that in a although, honest,

293
00:25:37,000 --> 00:25:40,559
Sleepless Night's a great song. That
wasn't one of their singles, but Dream

294
00:25:40,559 --> 00:25:44,720
Warriors, I think it is the
one everyone remembers the most right they had.

295
00:25:44,799 --> 00:25:48,160
They had a bunch of hits.
I never got that much into dock

296
00:25:48,240 --> 00:25:49,720
and as much as I you would
think that I, although I've seen them

297
00:25:49,759 --> 00:25:52,799
live, you would think that I'd
be really into them, because I do

298
00:25:52,920 --> 00:25:56,599
love that music and I'm an eighties
kid. But let's see, are we

299
00:25:56,599 --> 00:26:00,160
missing anybody in here? Roniefervero from
all the way from California, says,

300
00:26:00,240 --> 00:26:04,759
Hi, guys, hello Ronda.
Uh, let's see, I think we

301
00:26:04,839 --> 00:26:07,880
got I think I mentioned Miriam's in
there. Very good, very good.

302
00:26:07,960 --> 00:26:11,160
Let me give the studio line again
and then we'll get into Uh, well,

303
00:26:11,160 --> 00:26:12,920
we'll see what we have time for. We are going to get to

304
00:26:14,119 --> 00:26:19,400
Eric Pilcher's classic film review very shortly. But six O three two five oh

305
00:26:19,440 --> 00:26:22,440
six O seven is a studio line
six zo three two five zero six zoh

306
00:26:22,559 --> 00:26:26,160
seven. Oh. Before we go
any further, two, I wanted to

307
00:26:26,200 --> 00:26:30,319
mention remind you, of course,
our great sponsor, the hopnot right across

308
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309
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on the radio from somewhere right across
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310
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but we happen to be right across
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311
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They've got those delicious gourmet Pratzels,

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313
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That's right, that's right. This
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314
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315
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It's like bingo, by the way, I do enjoy saying it. If

316
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you haven't noticed, it's like bingo
but gay, but for real, it's

317
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regular bingo. But instead of numbers
and letters, we use slang and terminology

318
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319
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320
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and entertainers for the afternoon. The
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322
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325
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and empowerment. You can call us
this week when we are open on Oh

326
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actually, oh, there's something in
here about reserving reserving a spot, but

327
00:28:00,119 --> 00:28:03,680
that was on Wednesday, so I
think they were they were already taking reservations,

328
00:28:03,720 --> 00:28:04,799
but go ahead and give them a
call. There might still be spots

329
00:28:04,799 --> 00:28:08,279
open. The number is six zero
three two three two three seven three one

330
00:28:08,240 --> 00:28:11,160
six zero three two three two three
seven three one. If you want to

331
00:28:11,200 --> 00:28:14,759
call, try to reserve a spot
if there are still spots open. But

332
00:28:14,799 --> 00:28:17,119
even if they're not, you can
always show up and watch and enjoy some

333
00:28:17,160 --> 00:28:22,599
delicious gourmet pretzels and craft beer.
And that starts at one pm on Sunday.

334
00:28:22,720 --> 00:28:25,960
So very cool. And the other
thing I wanted to make sure that

335
00:28:26,000 --> 00:28:29,960
we mention is what's going on tonight
for retro Spectrum Radio. This is what

336
00:28:30,279 --> 00:28:36,480
PAULI c posted. Don't miss an
all new, very special episode of Retrospectrum

337
00:28:36,559 --> 00:28:40,640
Radio. Oh, by the way, this is I like this. You

338
00:28:40,680 --> 00:28:42,920
know, every week if you've never
listened to the show. Every week there's

339
00:28:42,920 --> 00:28:48,359
a theme to the playlist that Paul
assembles and I really like this one.

340
00:28:48,400 --> 00:28:55,279
This kind of stuff I absolutely love. Here's what it is. Okay,

341
00:28:55,359 --> 00:28:59,000
so we have a very special episode
of Retrospectrum Radio when we feature all of

342
00:28:59,000 --> 00:29:04,079
your favorite classics songs that you never
knew were ripped off from other classic songs.

343
00:29:04,480 --> 00:29:08,039
We'll feature songs whose lyrics were ripped
off, melodies were ripped off,

344
00:29:08,240 --> 00:29:12,920
and some songs that ripped off everything
by sampling the original without permission. We'll

345
00:29:12,920 --> 00:29:18,200
feature song plagiarisms that resulted in lawsuits, settling out of court, and even

346
00:29:18,359 --> 00:29:22,400
bankruptcy, many of which were kept
under the radar. Do join us,

347
00:29:22,440 --> 00:29:27,880
and that is tonight from eight to
eleven PM. Eastern Time here from WMH

348
00:29:27,960 --> 00:29:33,519
ninety five point three FM. And
by the way, Paul does open a

349
00:29:33,599 --> 00:29:36,880
chat room for the show. There's
a live stream on Facebook, just like

350
00:29:36,960 --> 00:29:41,000
with this show. However, for
Paul's show, he actually mutes the Facebook

351
00:29:41,039 --> 00:29:42,799
audio. So if you do join
us tonight, we'd love it if you

352
00:29:42,880 --> 00:29:48,160
chat with us while you listen.
Open a second browser tab and go to

353
00:29:48,319 --> 00:29:51,960
WMH radio dot org and click listen
live, so you can hear the show

354
00:29:52,000 --> 00:29:56,359
uninterrupted while you chat with us in
the Facebook. Paul mutes the audio because

355
00:29:56,400 --> 00:29:59,839
obviously there's a lot of copyrighted music
on the show, and it gets us

356
00:29:59,839 --> 00:30:03,920
in trouble with Facebook. And you
know how that is. Well, some

357
00:30:04,000 --> 00:30:07,720
of you might not some of you
might never have been in trouble with Facebook,

358
00:30:07,759 --> 00:30:11,200
but that show gets us in trouble
with Facebook if Paul doesn't mute the

359
00:30:11,200 --> 00:30:14,519
show. So that will be a
lot of fun. Really looking forward to

360
00:30:14,519 --> 00:30:18,359
that this evening on retro Spectrum Radio, Jay fed in the chatroom says,

361
00:30:18,359 --> 00:30:23,039
I look forward to tonight with retro
Spectrum Radio with Paul ec Yes, indeed,

362
00:30:23,440 --> 00:30:30,160
yes, indeed, I might get
into just one quick thing here but

363
00:30:30,880 --> 00:30:33,359
before the film review, but I
happen to see this. So I've been

364
00:30:33,359 --> 00:30:37,920
talking this week. The days kind
of run together. You know what it

365
00:30:38,000 --> 00:30:42,240
is is so much not only is
there always so much news, so much

366
00:30:42,240 --> 00:30:45,319
political news going on, which,
don't get me wrong, it's a good

367
00:30:45,359 --> 00:30:51,000
problem to have when you're doing a
show like this, but there's so much

368
00:30:51,000 --> 00:30:52,559
of it that the day's just run
together. But I have something kind of

369
00:30:52,559 --> 00:30:56,519
weird to share. But Shannon's on
the line, so we'll grab this call

370
00:30:56,599 --> 00:31:02,039
first. Hi, Shannon, have
no hello. I love listening to on

371
00:31:02,119 --> 00:31:06,160
Fridays because you were in prayer form, because it's your favorite day, it

372
00:31:06,200 --> 00:31:08,440
is, it's my favorite day of
the week here at WMNH. Yes,

373
00:31:08,599 --> 00:31:12,720
and I was just going to request
that you pretend I'm in the Facebook page

374
00:31:12,799 --> 00:31:18,519
tonight and say hi Shannon in the
Facebook page, okay, or make something

375
00:31:18,599 --> 00:31:26,200
up? Okay, listening to an
actual radio yes, sound something good?

376
00:31:26,279 --> 00:31:29,920
Yeah, yeah, I'll be listening. Excellent. Well, we appreciate it.

377
00:31:30,039 --> 00:31:32,160
All right, you have fun tonight, all right, thank you,

378
00:31:32,200 --> 00:31:34,920
Shannon? Okay, all right,
bye bye, all right, very good.

379
00:31:36,559 --> 00:31:40,640
That was our friend Shannon. Just
quickly, I was talking earlier in

380
00:31:40,640 --> 00:31:45,920
the week about CNN. Well,
let me back up a little bit.

381
00:31:45,920 --> 00:31:51,119
So yeah, I think it was
yesterday because Billy Painter had called into and

382
00:31:51,160 --> 00:31:56,559
we talked about this a little bit. We're talking about bias and media and

383
00:31:56,559 --> 00:32:00,519
so forth. And you know,
when you talk at cable news, obviously

384
00:32:00,640 --> 00:32:05,279
you know some easy examples. You
know, on the left you've got MSNBC

385
00:32:05,559 --> 00:32:12,480
and CNN, on the right you've
got CNN and Newsmax. But I've noticed

386
00:32:12,519 --> 00:32:16,960
that CNN seems to really be turning
on Biden. And it's not been subtle,

387
00:32:17,720 --> 00:32:22,680
and I wouldn't even say it's necessarily
been incremental. It seems to be

388
00:32:22,039 --> 00:32:27,920
fairly abrupt. But they're really dogging
him on his poll numbers. And because

389
00:32:27,960 --> 00:32:30,559
it's not just a matter of an
approval rating at this point, it's a

390
00:32:30,559 --> 00:32:35,480
matter of you know, something like
almost seventy percent of Democrats, registered Democrats,

391
00:32:35,519 --> 00:32:38,000
not just voters across the board,
registered Democrats don't want him to run

392
00:32:38,039 --> 00:32:40,880
for a second term. They want
a different nominee. And I've noticed a

393
00:32:42,000 --> 00:32:45,279
split, by the way, So
CNN seems to have really turned on Biden

394
00:32:45,319 --> 00:32:50,720
in a big way, while some
of the personalities on MSNBC seem to be

395
00:32:50,799 --> 00:32:55,200
kind of sticking with Biden. For
example, I heard Joy Read talking about,

396
00:32:55,640 --> 00:33:00,599
you know, all these these polls, well, whodo Democrats want if

397
00:33:00,599 --> 00:33:02,640
they don't want Biden? Nobody can
answer that, But she talks about it

398
00:33:02,680 --> 00:33:07,960
in a way that's very dismissive and
a little condescending, to be honest with

399
00:33:07,000 --> 00:33:12,519
you. You know, she was
saying today. I heard her today saying,

400
00:33:12,599 --> 00:33:15,359
well, you know, something like
eighty percent of Democrats don't want Biden,

401
00:33:15,400 --> 00:33:17,680
But when you ask them who they
do want, they can't tell you.

402
00:33:17,920 --> 00:33:21,079
Well, yeah, because they don't
know who else is willing to run,

403
00:33:21,759 --> 00:33:24,359
you know, other than the obvious
Kamala Harris. But and there's all

404
00:33:24,440 --> 00:33:28,240
this buzz around Gavin Newsom, but
I'm pretty sure he's gonna run in twenty

405
00:33:28,279 --> 00:33:35,759
eight or thirty two even But but
but the but the the change on on

406
00:33:36,119 --> 00:33:44,519
CNN has been so abrupt and obvious
that Fox News actually was talking about CNN's

407
00:33:44,559 --> 00:33:50,799
coverage. So you have and by
the way, these cable news networks talking

408
00:33:50,839 --> 00:34:02,119
about each other isn't isn't necessarily new
and not that unusual either, But actually

409
00:34:02,200 --> 00:34:09,760
have the audio of it here.
They actually ran a montage of of CNN

410
00:34:10,840 --> 00:34:15,440
dogging Biden's poll numbers. They actually
ran this on Fox News to show to

411
00:34:15,559 --> 00:34:21,920
demonstrate how CNN has turned on Biden. Here it is, it's only about

412
00:34:21,920 --> 00:34:24,559
a minute. Within his own party, You've got two thirds of Democrats saying

413
00:34:24,719 --> 00:34:29,880
they wish they had another Democrat to
choose from. I'm sorry, this isn't

414
00:34:29,880 --> 00:34:32,280
the montage itself. This is the
segment, but the montage is within the

415
00:34:32,320 --> 00:34:37,400
segment from just a third of people
in his own party say they are happy.

416
00:34:37,639 --> 00:34:40,639
That's Peter Doocey from Fox News talking
with President Biden as the top of

417
00:34:40,679 --> 00:34:45,320
the ticket. Let's just stand.
We have brand new CNN polling this morning,

418
00:34:45,360 --> 00:34:50,400
and the numbers are rough for President
Biden. They could spell Trump for

419
00:34:50,440 --> 00:34:53,639
Democrats and the president's hopes for re
election in twenty twenty four. Still early,

420
00:34:53,719 --> 00:34:59,280
but Biden's approval rating has shunk to
thirty nine percent. Nearly sixty percent

421
00:34:59,320 --> 00:35:04,119
of voters think policies are making the
economy worse. Close to seventy percent of

422
00:35:04,199 --> 00:35:08,320
Democrats want somebody else to run for
president, and the president's approval among Democratic

423
00:35:08,400 --> 00:35:13,760
voters that's slipping. There is no
way to spend this. CNN reads the

424
00:35:13,760 --> 00:35:20,039
country's mood right now and finds that
America is deeply unhappy with Joe Biden.

425
00:35:22,719 --> 00:35:28,119
Oh that well, that was not
much of a montage. They showed literally

426
00:35:28,159 --> 00:35:31,400
two clips. Two clips is not
a montage. I wish I had played

427
00:35:31,400 --> 00:35:35,239
that before I shared it with you, because it really wasn't even worth it.

428
00:35:35,320 --> 00:35:38,159
But sometimes I forget so media.
I like the site, and I

429
00:35:38,199 --> 00:35:40,400
get a lot of interesting, you
know, because part of what I love

430
00:35:40,440 --> 00:35:44,719
to do is not you know,
I enjoy discussing and analyzing politics, but

431
00:35:44,760 --> 00:35:51,719
I also enjoy discussing and analyzing the
media apparatus that covers politics. But so

432
00:35:51,800 --> 00:35:53,960
I like media. It's useful for
that. But I forget sometimes that some

433
00:35:54,039 --> 00:36:00,760
of their titles on their articles are
clickbait because the title of the article is

434
00:36:00,760 --> 00:36:06,880
Fox and Friends runs montage of CNN's
relentless dumping on Biden's bad poll numbers.

435
00:36:07,079 --> 00:36:08,760
So from that title, you would
think, okay, so they ran a

436
00:36:08,920 --> 00:36:13,159
montage of full, you know,
all these different clips, which they could

437
00:36:13,239 --> 00:36:15,239
put together because there's a lot of
it going on right now on CNN.

438
00:36:15,280 --> 00:36:19,280
It wouldn't be that hard to put
together an actual montage. But it turns

439
00:36:19,280 --> 00:36:21,840
out that's not what they did.
They just showed a couple of just quick

440
00:36:21,840 --> 00:36:23,880
clips from CNN and that was it. But then you get this title that

441
00:36:23,920 --> 00:36:30,360
they ran a montage of CNN's relentless
dumping on Biden. But there is relentless

442
00:36:30,440 --> 00:36:32,360
dumping on Biden going on, it
says here. On Friday's edition of Fox

443
00:36:32,400 --> 00:36:37,840
and Friends, White House correspondent Peter
Doocy reported on a brutal CNN poll out

444
00:36:37,880 --> 00:36:42,800
this week that showed, in the
words of CNN's Dana Bash quote, Americans

445
00:36:42,800 --> 00:36:46,760
are deeply unhappy unquote with President Joe
Biden, and Doocy included some clips two

446
00:36:46,960 --> 00:36:54,280
two, I guess two is some
right, it's plural from CNN saying just

447
00:36:54,440 --> 00:36:58,639
that maybe, by the way,
maybe these titles are AI generated. I

448
00:36:58,639 --> 00:37:02,880
don't know media. I also found
a few CNN clips that Doucy did not

449
00:37:04,000 --> 00:37:07,679
include. You can watch both montages
below. Oh will this be like an

450
00:37:07,719 --> 00:37:13,480
actual for real montage if I play
this, Let's see, let's see what

451
00:37:13,480 --> 00:37:15,360
this says? Oh, the rage
and cage and James Carville he's in the

452
00:37:15,360 --> 00:37:20,519
clip. Well, that'll be exciting. Look, these polls seem to get

453
00:37:20,599 --> 00:37:23,719
at the elephant in the room when
it comes to President Biden. For voters,

454
00:37:24,199 --> 00:37:28,719
it's his age that they're concerned about
his mental acuity, his health.

455
00:37:29,440 --> 00:37:32,719
What does that tell us, Well, I guess to say the least that

456
00:37:34,960 --> 00:37:38,119
the polls are not We're not great, and it tells us that, you

457
00:37:38,159 --> 00:37:44,760
know, voters expression some apprehension here. If it's it's pretty clear, I

458
00:37:44,760 --> 00:37:47,400
mean, it's not ourselsa you can
say when you look at him. I

459
00:37:47,440 --> 00:37:52,800
mean, I guess the best thing
you could say is not, if anything,

460
00:37:52,840 --> 00:37:59,079
they're worse for Trump. But there
there is apprehension out there that's undeniable.

461
00:37:59,199 --> 00:38:04,199
But don't I point out, women
lost an election since the Dabbs decisions,

462
00:38:04,280 --> 00:38:07,400
so you know we're supposed to lose
in novemb and off it year,

463
00:38:08,079 --> 00:38:14,199
we didn't really look kind of tied. So I don't know, but there

464
00:38:14,280 --> 00:38:16,480
is an attitude, by the way
to just a comment on what Carville is

465
00:38:16,519 --> 00:38:22,639
saying there, there is an attitude
among Democrats that because of abortion, because

466
00:38:22,679 --> 00:38:28,440
that issue in theory hurts Republicans,
and I think, you know, in

467
00:38:29,159 --> 00:38:31,440
the example that he gives the recent
elections, I think that that's probably there's

468
00:38:31,440 --> 00:38:38,719
some truth to that in general elections. But the thing is, if establishment

469
00:38:38,760 --> 00:38:43,000
Democrats like James Carville are going to
hang their hats on that, they're going

470
00:38:43,079 --> 00:38:45,440
to be in for a pretty route
awakening, I think, because you can't

471
00:38:45,480 --> 00:38:50,679
take that and say, okay,
because of the Dabbs decision, there's no

472
00:38:50,719 --> 00:38:54,559
way Trump can be Biden because if
you're looking at these polls and taking anything

473
00:38:54,599 --> 00:38:58,400
from them, look at the I
mean, I saw a general election poll

474
00:38:58,440 --> 00:39:00,800
just the other day. It showed
them locked in a you know, within

475
00:39:00,840 --> 00:39:06,800
the margin of error, in a
statistical tie right now. So you take

476
00:39:06,880 --> 00:39:10,800
nothing for granted, and that will
be the undoing if Biden stays in again.

477
00:39:12,239 --> 00:39:15,920
I Mark Halperin said, Biden's definitely
getting out. The decision has been

478
00:39:15,960 --> 00:39:20,880
made. But that is not filtering
through the rest of mainstream media, which

479
00:39:20,960 --> 00:39:23,079
is very strange to me. We'll
listen to the rest of this and then

480
00:39:23,199 --> 00:39:28,960
and then we're gonna get to Eric's
review. But pulling adopt Scene or anybody

481
00:39:28,960 --> 00:39:32,039
else I've seen is not very good. There was a memo my friend Jim

482
00:39:32,039 --> 00:39:36,320
a Scene said out and said Democrats
need to quit bedwedding. My wife's already

483
00:39:36,400 --> 00:39:42,800
changed me to rub a sheets.
I mean, but do you are you

484
00:39:42,840 --> 00:39:46,119
saying then that you're worried that you
think the Democrats should be taking this Hope

485
00:39:46,119 --> 00:39:52,639
seat more seriously, well, I
mean you know, it's typically in the

486
00:39:52,840 --> 00:39:57,079
August or September before the election.
You know, I think predent Reagan's numbers

487
00:39:57,079 --> 00:40:00,800
were not Greatred and Clinton don't know. We're you know, starting to move

488
00:40:00,920 --> 00:40:05,679
up a little bit, the same
thing at preason Obama. But you can't

489
00:40:05,719 --> 00:40:08,199
look at this and I say that
you can chart. It's just for me

490
00:40:08,280 --> 00:40:12,559
to come on television and say I
don't find this along meing of troubling at

491
00:40:12,599 --> 00:40:15,800
all would be it would be stupid
of me. I wouldn't do that.

492
00:40:16,800 --> 00:40:22,800
But there are there are people in
your party, James who mister Carville the

493
00:40:22,920 --> 00:40:25,599
Rage in Cajun, which would be
a great name for a wrestler. There

494
00:40:25,599 --> 00:40:30,000
probably has been a wrestler named the
Rage in Cajun at some point. But

495
00:40:30,280 --> 00:40:34,039
there are people in your party who
are complacent. Over on MSNBC, they're

496
00:40:34,119 --> 00:40:37,360
very complacent. It's only on CNN
where they're saying, oh, this is

497
00:40:37,480 --> 00:40:44,360
really bad. So the dynamics of
it are interesting in terms of how media

498
00:40:44,480 --> 00:40:47,840
is reacting to it or in some
ways not reacting. All right, let's

499
00:40:49,039 --> 00:40:52,679
do this, my friends. I
want to get to this film review this

500
00:40:52,719 --> 00:40:58,440
week. Eric Pilchers. He's done
a review of Creep Show the nineteen eighty

501
00:40:58,440 --> 00:41:02,920
two classic, written by Stephen King
and directed by George A. Romero,

502
00:41:04,159 --> 00:41:07,760
a collab, as I believe the
young people say, Well, I guess

503
00:41:07,760 --> 00:41:12,079
all films are collaborations of some sort, right, But this is really good.

504
00:41:12,079 --> 00:41:14,280
Like I said, I think this
is Eric's best work to date.

505
00:41:14,360 --> 00:41:16,800
So I really enjoyed listening to this
and I'm looking forward to sharing it with

506
00:41:16,840 --> 00:41:20,960
you all. So we're gonna listen
to the film review, and then we're

507
00:41:21,000 --> 00:41:22,960
gonna take a break, show some
love to our amazing sponsors, and then

508
00:41:23,880 --> 00:41:29,719
we're gonna play another track from our
musical guest today, Soda, who are

509
00:41:29,719 --> 00:41:30,960
going to be joining us in the
second hour, and they're gonna play live

510
00:41:31,000 --> 00:41:34,920
in studio, so we're gonna do
all that, and then we're gonna talk

511
00:41:34,960 --> 00:41:38,519
to those guys and hear some live
music. So lots coming up. So

512
00:41:38,920 --> 00:41:44,559
I think I already see musicians in
the hallway in fact, so that's good.

513
00:41:44,840 --> 00:41:47,880
But yeah, here we go.
This is Eric Pilcher's classic film review

514
00:41:47,920 --> 00:41:54,400
and the subject is nineteen eighty two's
Creep Show. Check this out. I

515
00:41:54,559 --> 00:41:59,480
told you before, I didn't want
you to read this crep I never saw

516
00:41:59,519 --> 00:42:02,079
us. It's crap in my life? Where do you get to who sells

517
00:42:02,119 --> 00:42:06,039
it to you? I'm talking to
you, young man. You want to

518
00:42:06,039 --> 00:42:08,559
answer me when I'm talking to you. You remember who puts the freaking bread

519
00:42:08,559 --> 00:42:12,039
on the table around here? Don't
you stand? Don't be too hard on

520
00:42:12,119 --> 00:42:14,840
him. All the kids are reading
My boy. Isn't all the kids?

521
00:42:15,400 --> 00:42:17,199
I want to know where this is
going, Billy in the garbage, right

522
00:42:17,280 --> 00:42:22,559
into the freaking garbage. Now you
got any smart mouth about that? In

523
00:42:22,639 --> 00:42:27,079
the books, he's keeping your dresser
those one time a year underwear, those

524
00:42:27,119 --> 00:42:30,880
set Dan. You didn't have to
hit him. Not only do I find

525
00:42:30,880 --> 00:42:37,159
out he's reading this crapp he's a
snoop as well? Then for me to

526
00:42:37,159 --> 00:42:40,840
get your conflict day. The windows
are open downstairs. I better get down

527
00:42:40,840 --> 00:42:43,599
a cloth and the rain will get
in. No, I'll do. And

528
00:42:43,639 --> 00:42:45,960
I got some garbage I want to
throw away, Daddy, Please don't throw

529
00:42:46,000 --> 00:42:50,360
it away. I'm sorry. The
next time, young man, I find

530
00:42:50,360 --> 00:42:52,239
you with a worthless piece of sh
like this again, you want sit down

531
00:42:52,280 --> 00:43:14,599
for a week, buddy boy,
Remember that tuck In anthologies have long been

532
00:43:14,639 --> 00:43:21,639
synonymous when not just horror films,
but horror in television books, and even

533
00:43:21,719 --> 00:43:27,679
comics. This week's film is a
homage to all of those means of media,

534
00:43:27,960 --> 00:43:31,599
but yet it found a way to
stand all on its own as one

535
00:43:31,639 --> 00:43:37,719
of the greatest anthology films made.
Our next film honoring director George A.

536
00:43:37,880 --> 00:43:45,119
Romero this month is nineteen eighty two's
Creep Show. This film teams up two

537
00:43:45,199 --> 00:43:52,199
masters of horror, with Ramero directing
and the script being written by horror king

538
00:43:52,840 --> 00:43:59,639
Stephen King. The film features five
tales of horror and has a star studded

539
00:43:59,719 --> 00:44:07,119
gas featuring Ted Danson, Ed Harris, hal Holbrook, Leslie Nielsen, Adrian

540
00:44:07,159 --> 00:44:14,119
Barbou and even Stephen King's stars in
one of the tales. To tell the

541
00:44:14,239 --> 00:44:20,559
story of creep Show, we must
first delve into some history. Creep Show

542
00:44:20,719 --> 00:44:25,920
was a homage to the ec comics
of the fifties and sixties, the comics

543
00:44:27,079 --> 00:44:32,400
Vault of Horror, Haunt of Fear, and Tales from the Crypt. If

544
00:44:32,400 --> 00:44:38,119
that sounds familiar, it was because
it was made into a very successful HBO

545
00:44:38,280 --> 00:44:45,840
series in its own right. These
comics became insanely popular due to the stories

546
00:44:45,960 --> 00:44:53,239
in graphic artwork they depicted. Eventually, they became the target of politicians and

547
00:44:53,400 --> 00:44:59,599
parents alike. Such is the parent
in the opening clip of this film.

548
00:44:59,719 --> 00:45:06,159
W was the opening clip of our
review. Our next clips explain a brief

549
00:45:06,199 --> 00:45:12,679
history of EC comics. First,
the late publisher William Gaines explains how the

550
00:45:12,920 --> 00:45:20,239
artwork drove the popularity of the comics, in what each prime artist brought to

551
00:45:20,280 --> 00:45:27,519
the table. And then we will
hear how the comics became targeted by politicians

552
00:45:27,719 --> 00:45:34,199
and parents and eventually led to not
just their downfall, but the downfall of

553
00:45:34,280 --> 00:45:39,119
EC comics itself. In the nineteen
fifties, if comics were killers and my

554
00:45:39,239 --> 00:45:45,559
o manner, publisher William M.
Gaines was public enemy number one. My

555
00:45:45,719 --> 00:45:50,840
father had been instrumental in staught in
comic books back in the thirties, and

556
00:45:51,079 --> 00:45:55,320
he had a whole stable of comics
which included The Flash and Wonder Woman number

557
00:45:55,360 --> 00:46:00,519
of others, and he sold out
his entire business to see He then went

558
00:46:00,559 --> 00:46:06,840
back on business and started little comic
books for children he called the Outfit Educational

559
00:46:06,920 --> 00:46:09,760
Comics. When Max Gaines was killed
in an accident, Bill, who was

560
00:46:09,760 --> 00:46:14,679
planning to be a chemistry teacher,
decided to concoct his own comic book formula.

561
00:46:15,159 --> 00:46:20,199
He changed the name to entertaining comics
and started publishing Western war and crime

562
00:46:20,280 --> 00:46:25,039
comics. Eighteen fifty, editor Al
Feldstein conducted a creepy experiment in an issue

563
00:46:25,079 --> 00:46:32,280
of Crime Patrol. We introduced the
Crypt of Terror, and I kind of

564
00:46:32,320 --> 00:46:37,440
based it on what I've envisioned when
I used to listen to Archoba's Lights Out

565
00:46:37,559 --> 00:46:43,840
or the Witch's Tale on radio.
Gaines and Feldstein quickly realized that horror could

566
00:46:43,840 --> 00:46:46,159
be a hit. We were so
excited that we went ahead and changed the

567
00:46:46,239 --> 00:46:52,199
titles to Tales from the Crypt and
the Vault of Horror. The Haunt of

568
00:46:52,320 --> 00:46:57,039
Fear soon followed, and by early
nineteen fifty the first Horror comic books were

569
00:46:57,039 --> 00:47:01,400
selling half a million copies per issue. Russ Cochrane, who's been reprinting the

570
00:47:01,400 --> 00:47:06,960
original EC series, was typical of
the kids that got hooked on EC Horror.

571
00:47:07,320 --> 00:47:12,119
I had about stopped reading comic books
when I was fourteen fifteen years old.

572
00:47:12,159 --> 00:47:15,880
I'd sort of outgrown the superhero comics, and all of a sudden I

573
00:47:15,920 --> 00:47:20,039
picked up an EC comic. Can
hear were comics that were written better and

574
00:47:20,239 --> 00:47:22,239
drawn better than anything I'd ever seen
before, and they hooked me right back

575
00:47:22,280 --> 00:47:28,639
in. Feldstein continued to create cover
art and write stories based on Gaines's ideas,

576
00:47:29,159 --> 00:47:31,639
but they soon began to draw on
a gruesome group of artists to bring

577
00:47:31,679 --> 00:47:37,599
EC's tales of terror to life.
Every story was written for the artist who

578
00:47:37,719 --> 00:47:44,559
drew it. Graham always got the
dripping, rotting corpses, slimy cookie stuff

579
00:47:44,800 --> 00:47:49,639
oozing out of the solid kind of
things, and Johnny Craig, who wrote

580
00:47:49,679 --> 00:47:52,400
his own stuff. Everything was nice, clean looking, except terrible things were

581
00:47:52,440 --> 00:47:59,960
going on in this beautiful, clean
situation. Joe Orlando could go either way.

582
00:48:00,119 --> 00:48:01,480
He could have a clean job,
or he could have an who's job,

583
00:48:01,519 --> 00:48:07,280
and he did a lot of either. Orlando himself remembers the awe inspired

584
00:48:07,599 --> 00:48:12,239
by another EC alumnus, Zack Davis
in the Sweat, and we all envied

585
00:48:12,280 --> 00:48:16,960
him that he just toissed it off
and he's just pure genius, you know.

586
00:48:17,360 --> 00:48:21,880
It was room and that he could
do four complete pages a day if

587
00:48:21,920 --> 00:48:23,639
he wanted to, and we'd counted
up. Oh my god, he can

588
00:48:23,679 --> 00:48:28,760
make that much money. EC artists
were among the most talented in the history

589
00:48:28,880 --> 00:48:35,360
of comic art. I and now
Outcry leads to the end of EC comics,

590
00:48:37,079 --> 00:48:40,760
but not everyone appreciated the joke,
and in nineteen fifty three a Senate

591
00:48:40,800 --> 00:48:46,079
subcommittee convene to find out if comics
created juvenile delinquents. My name is William

592
00:48:46,159 --> 00:48:51,199
Dayes. I was the first publisherman
these United States, the publisherror comics.

593
00:48:51,679 --> 00:48:57,000
I'm responsible. I start of him. If you remember Mayor Walker who once

594
00:48:57,039 --> 00:49:01,599
said, I never knew a woman
to be ruined by a book, and

595
00:49:01,719 --> 00:49:06,079
I never knew what child would be
ruined by a comic book. There's just

596
00:49:06,280 --> 00:49:08,159
under nonsense. We were really the
much shocked people in the world, and

597
00:49:08,199 --> 00:49:13,639
we discovered that we were these terrible
people who were causing juvenile delinquency in America,

598
00:49:13,760 --> 00:49:19,400
which is what happened and would put
us out of business. The controversy

599
00:49:19,440 --> 00:49:23,039
helped kill the horror comics, but
he sees gore stories wouldn't stay buried.

600
00:49:24,000 --> 00:49:30,400
Since this film is a homage to
the aforementioned ec comics, it couldn't just

601
00:49:30,760 --> 00:49:37,960
be a simple horror anthology on film. It had to have the look in

602
00:49:37,039 --> 00:49:43,760
the field of a comic book that
had come to live. Romero did this

603
00:49:44,119 --> 00:49:52,119
by using many tricks, such as
bright vibrant lighting to indicate horror instead of

604
00:49:52,239 --> 00:49:58,719
implementing traditional cuts in the film,
Romero and his crew used comic book blocks

605
00:49:58,800 --> 00:50:06,000
to indicate past sage is a time
in text blocks to establish areas and if

606
00:50:06,119 --> 00:50:10,320
more time had passed or an exact
amount of time. In our next clip,

607
00:50:10,760 --> 00:50:17,519
lead animator Rick Catizone speaks on how
this comic look was achieved for the

608
00:50:17,519 --> 00:50:23,000
film by using animation and why it
is so key to the film success.

609
00:50:23,760 --> 00:50:28,480
Right, a few reels and it's
almost something that would be impossible to capture,

610
00:50:29,119 --> 00:50:34,760
and so they suggested that probably sell
animation would be the better way to

611
00:50:34,800 --> 00:50:42,000
go with that, and so we
created animation segments of the actual comic book

612
00:50:42,840 --> 00:50:46,079
that would cause it to blow down
the street and land in the garbage can,

613
00:50:46,199 --> 00:50:50,320
soon still be able to open to
the page that they needed it to,

614
00:50:51,079 --> 00:50:54,440
and then we would zoom in and
do match dissolves. The other part

615
00:50:54,480 --> 00:50:59,679
of the problem that they were dealing
with was that Tom's creep at the window.

616
00:51:00,599 --> 00:51:04,800
The reason we're going to have a
big crane pulled back over the whole

617
00:51:04,840 --> 00:51:07,760
neighborhood with the creep floating in the
air and so on. And I believe

618
00:51:08,000 --> 00:51:12,079
that it was a budgetary consideration.
I believe the crane was going to cost

619
00:51:12,320 --> 00:51:15,480
become a twenty thousand dollars shot probably, and that wasn't in the budget,

620
00:51:15,000 --> 00:51:17,559
and they thought, well, you
know, it is an ec comic takeoff,

621
00:51:19,079 --> 00:51:24,000
and it seemed natural to have the
creep through a flash of lightning and

622
00:51:24,360 --> 00:51:30,119
a dissolved change into an animated creep
because the EC comic book characters were always

623
00:51:30,320 --> 00:51:34,480
hand drawn, so it seemed natural
to go to a hand drawn creep as

624
00:51:34,519 --> 00:51:38,159
well. The animation process was pretty
involved, particularly with the creep, because

625
00:51:38,159 --> 00:51:45,000
you're trying to achieve a character,
and of course you're trying to achieve motion

626
00:51:45,079 --> 00:51:51,960
that's interesting and believable, and so
the process of course is doing drawings by

627
00:51:52,039 --> 00:51:58,440
hand, frame after frame. Actually
we do key drawings first and then these

628
00:51:58,440 --> 00:52:01,800
are some of the drawings. You
can see detail in the drawings. The

629
00:52:02,760 --> 00:52:07,440
key drawings are done first, and
then I decide how many drawings should go

630
00:52:07,440 --> 00:52:12,440
in between, and then those are
filled in afterwards. Try and get the

631
00:52:12,519 --> 00:52:16,800
key poses first, to get the
dynamic action for the main elements of the

632
00:52:16,880 --> 00:52:22,079
motion, and then we fill it
in afterwards. And then he flies back

633
00:52:22,079 --> 00:52:25,000
over the neighborhood here of course,
and then he points down towards the garbage

634
00:52:25,039 --> 00:52:34,559
can here near the end, and
zooms in. It was really difficult in

635
00:52:34,679 --> 00:52:39,159
terms of drawing the hands. The
hands on some of the parts of this

636
00:52:39,239 --> 00:52:44,360
are acting on a different level,
but it was actually pretty difficult to draw

637
00:52:44,480 --> 00:52:49,440
because there's no flesh, and so
when you have bony segments that are basically

638
00:52:49,480 --> 00:52:54,000
cylindrical, it became some very demanding
drawing and it was one of the better

639
00:52:54,079 --> 00:53:00,719
challenges that I've had in my career. As I stated early this week,

640
00:53:00,360 --> 00:53:07,199
I chose to do this review in
this specific way because I felt that to

641
00:53:07,280 --> 00:53:12,880
choose just a handful of scenes from
this great film would be way too difficult.

642
00:53:13,480 --> 00:53:17,519
That is, because all five stories
shown in this film are truly great.

643
00:53:19,159 --> 00:53:22,800
There is no way or no fair
way to choose which wants to include.

644
00:53:23,440 --> 00:53:28,320
To be honest, that could be
a whole month of reviews all in

645
00:53:28,360 --> 00:53:34,880
itself. That's how great this film
really is. Our final clip is our

646
00:53:34,960 --> 00:53:39,800
man of honor himself, George A. Romero discussing this film on a Pittsburgh

647
00:53:39,840 --> 00:53:47,639
talk show shortly before its release.
Of Note here how Romero separates this film

648
00:53:47,679 --> 00:53:52,719
from the horror films that were popular
during the eighties, and he has a

649
00:53:52,800 --> 00:54:00,000
very special and hilarious story regarding the
villains of the final story of this film

650
00:54:00,880 --> 00:54:07,400
different stories based on a young child's
it's a comic book. It's I guess

651
00:54:07,400 --> 00:54:08,639
the real story of the movie is
about a comic book. And we go

652
00:54:08,679 --> 00:54:13,000
into the comic book and there are
five stories in the pages turn and the

653
00:54:13,079 --> 00:54:16,199
drawings turn into to live action and
we see five stories. Yeah, well,

654
00:54:16,239 --> 00:54:21,079
thank you. It's it's a lot
of fun. Steve Wright's traditional Gothic

655
00:54:21,480 --> 00:54:27,679
horror. This isn't a typical has
many of the horror films recently have been

656
00:54:27,880 --> 00:54:30,280
what they call Dyson slice slasher movies, and this isn't like that at all.

657
00:54:30,360 --> 00:54:35,760
It's uh, this is really gothic. Has its root in Gothic traditions,

658
00:54:35,800 --> 00:54:39,039
and Steve believes it's much more frightening
when you know that something's behind the

659
00:54:39,079 --> 00:54:43,480
door. Your imagination makes it a
lot more frightening. Once you see the

660
00:54:43,519 --> 00:54:45,639
monster, you start dealing with it. You can so sort of resolved.

661
00:54:45,719 --> 00:54:51,000
So much of the time and Creed
Show has spent saying don't go in there,

662
00:54:51,079 --> 00:54:52,800
don't put your hand in that box. And it's more anticipatory than it

663
00:54:52,880 --> 00:54:57,719
is shock, and it's it's one
of the things about I mean, I

664
00:54:57,719 --> 00:55:00,360
like all the variety of the shows. As you say, do you know

665
00:55:00,400 --> 00:55:02,159
the five different stories? But there
are certain parts of it that are really

666
00:55:02,400 --> 00:55:07,239
very very realistic, and those are
the things that are most frightening, you

667
00:55:07,280 --> 00:55:09,199
know, dealing with the situation that
could could possibly happen in life here.

668
00:55:09,320 --> 00:55:12,719
Yeah, I think it's hard for
I would like to think that I will

669
00:55:12,760 --> 00:55:15,960
ever have to deal with three million
cockroaches coming up up out of drains and

670
00:55:15,960 --> 00:55:21,960
things. But that, you know, I understand you had a great search

671
00:55:22,000 --> 00:55:23,719
to find those bugs. Well it
wasn't really a search. It's just that

672
00:55:23,840 --> 00:55:28,880
you know, and everyone says,
boy, moviemakers really go to some extremes

673
00:55:28,920 --> 00:55:31,639
to pull off the scenes they need. The fact is, cockroaches are very

674
00:55:31,639 --> 00:55:42,719
expensive, plain old American styled cockroach
couts at a laboratory bread under laboratory conditions

675
00:55:42,760 --> 00:55:45,840
fifty cents of teas, and we
needed in order to fill that room about

676
00:55:45,880 --> 00:55:52,559
fifty thousand them, and it was
actually more economic. We sent entomologists to

677
00:55:52,679 --> 00:55:58,360
Trinidad and they got the real article
out of caves down there, and we

678
00:55:58,400 --> 00:56:00,079
have to go through government clearances and
everything to bring them in and make sure

679
00:56:00,119 --> 00:56:05,119
that they were you know, they
weren't infested with any, infected with anything

680
00:56:05,119 --> 00:56:08,559
and all that. So it's all
done on supervised program. These guys were

681
00:56:08,599 --> 00:56:12,079
big. They were, they were, But when you bring them, you

682
00:56:12,119 --> 00:56:15,239
bring them into this country. Cockroaches
I thought were afraid of light. I

683
00:56:15,239 --> 00:56:19,199
mean, well, that's part of
the trick. They don't take direction well,

684
00:56:19,280 --> 00:56:22,159
so you have to sort of trick
them into doing things. And the

685
00:56:22,159 --> 00:56:24,679
only way we could get them to
move one way or move another way would

686
00:56:24,679 --> 00:56:29,519
be to have they they'll run from
light into darkness. So when we needed

687
00:56:29,559 --> 00:56:30,679
them to run that way, we
would just make it dark over there and

688
00:56:30,719 --> 00:56:32,960
put a lot of light over here, and they don't go running that way.

689
00:56:34,320 --> 00:56:37,000
You really can't get them to do
very much. They don't have a

690
00:56:37,000 --> 00:56:42,480
big repertoire of talents, but they
they're creepy. Oh yeah, that's true.

691
00:56:42,639 --> 00:56:45,360
Now, the book itself, the
script was written by Steven Steve King.

692
00:56:45,440 --> 00:56:49,719
Yeah, Steve and I have become
really good friends over this project,

693
00:56:49,719 --> 00:56:52,960
and we're going to do another.
We're doing one of Steve's novels called The

694
00:56:52,000 --> 00:56:59,320
Stand, which was the novel right
after The Shining, and that's hopefully we'll

695
00:56:59,360 --> 00:57:05,559
be one of the next projects that
we do. Sadly, Romero's in King's

696
00:57:05,679 --> 00:57:10,360
version of The Stand was never made. However, in good news, Unlike

697
00:57:10,440 --> 00:57:15,719
last week's film, this film found
great success at the box office. It

698
00:57:15,800 --> 00:57:22,480
was released November tenth of nineteen eighty
two and garnered over five million dollars it's

699
00:57:22,519 --> 00:57:27,159
opening weekend, making it the number
one film that week. Overall, it

700
00:57:27,239 --> 00:57:31,280
made over twenty one million dollars,
making it the highest grossing horror film for

701
00:57:31,400 --> 00:57:38,880
Warner Brothers that year. This film
success also led to a revival for orientthologies

702
00:57:39,159 --> 00:57:45,880
both in cinema and TV. Tales
from the Dark Side, which was created

703
00:57:45,920 --> 00:57:51,159
by Romero, Tales from the Crypt, and the Twilight Zone revival of the

704
00:57:51,199 --> 00:57:57,639
eighties all oh adeta gratitude to Creep
Show for them being brought to the small

705
00:57:57,679 --> 00:58:05,119
screen in for theatrical releases. Films
such as Tales from the Hood in Monkey

706
00:58:05,199 --> 00:58:13,000
Shines became monumental classics in their own
right and showed that I anthologies could be

707
00:58:13,159 --> 00:58:19,280
successful on the large screen as well. Without the success of Creepshow, one

708
00:58:19,320 --> 00:58:23,800
could argue that all of those would
have never found the successes that they have.

709
00:58:25,320 --> 00:58:30,679
This film has spawned two sequels,
one in nineteen eighty seven and a

710
00:58:30,719 --> 00:58:37,320
direct to video release in two thousand
and seven. In twenty nineteen, the

711
00:58:37,440 --> 00:58:44,800
fledgling streaming service Shutter announced Creepshow would
be made into a series. It has

712
00:58:44,920 --> 00:58:50,719
aired since and was recently renewed for
its fourth season, set to begin next

713
00:58:50,840 --> 00:58:55,679
month. This just shows the lasting
legacy of this film and adds to the

714
00:58:55,800 --> 00:59:01,599
legend of two masters of horror.
I hope you joined me. Next week

715
00:59:01,840 --> 00:59:06,960
when we continue our month long tribute
to George A. Ramero, we will

716
00:59:07,000 --> 00:59:12,840
look at one of his rare non
horror films, the nineteen eighty one drama

717
00:59:13,199 --> 00:59:17,880
Night Writers starring Ed Harris for WM
and eight Hure and Matt Connerton Unleached.

718
00:59:19,360 --> 00:59:40,679
This has been a classic film review
with Eric Pilcher. Come on down to

719
00:59:40,760 --> 00:59:46,400
the hop n at one thousand Elm
Street, Manchester's premiere craft beer and gourmet

720
00:59:46,480 --> 00:59:51,000
pretzel bar. Tell us more at
Drudy. We make our dough fresh every

721
00:59:51,079 --> 00:59:54,280
day. We make a variety of
styles of pretzels and serve craft beer,

722
00:59:54,480 --> 00:59:59,719
cocktails and a few bottles of wine. We do the traditional pretzel and we

723
00:59:59,800 --> 01:00:02,880
have multiple flavors for that. We
also do stuffed pretzels, pretzel sandwiches,

724
01:00:04,079 --> 01:00:08,239
re dessert pretzels, and pretzel months
the Hopknot in the Brady Sullivan Plaza at

725
01:00:08,280 --> 01:00:14,440
one thousand Elms Street. Bring your
kitchen to life with Queen City Cabinetry,

726
01:00:14,840 --> 01:00:20,559
located at eighty seven Elm Street in
the historic Sunbeam Mall in Manchester. Open

727
01:00:20,639 --> 01:00:24,800
Monday through Friday nine am to five
thirty pm, in Saturdays ten am to

728
01:00:24,960 --> 01:00:30,960
two pm. They can be reached
at six zo three two two two two

729
01:00:30,199 --> 01:00:37,400
zero zero seven. We're on the
web at Queen City Cabinetry nh dot com.

730
01:00:37,480 --> 01:00:43,800
Come see the possibilities. Queen City
Cabinetry. Another proud sponsor of WMNH

731
01:00:44,280 --> 01:00:54,039
clementze Hemntones Beetzarea Family Friendly or some
for day night. Clemente Lemontons Beetsarea Court

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delivery cost six zho three seven eight
two eight four five ohmentos Stead, eighteen

733
01:01:05,480 --> 01:01:09,639
seventy five South Willow Street in Manchester, New Hampshire. Best contels around.

734
01:01:10,199 --> 01:01:15,599
Come in as friends and leave us
family. This hour on WMNH is sponsored

735
01:01:15,599 --> 01:01:22,320
by CGI Business Solutions, located at
five Dartmouth Drive in Auburn. They serve

736
01:01:22,400 --> 01:01:29,440
all your business needs including employee benefits, planning, corporate design and business administration,

737
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investments and wealth management and customize Business
Insurance Solutions. Their phone number is

738
01:01:35,480 --> 01:01:39,239
eight six six eight four one forty
six hundred, or on the web at

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01:01:39,320 --> 01:02:14,639
CGI Business Solutions dot com wmnh rip. The novels never Blies could be hard

740
01:02:14,679 --> 01:02:17,880
to take track though you're in your
head and just been in your boarder.

741
01:02:19,440 --> 01:02:22,840
It's hard enough to know you've got
them all treads you takled up. Then

742
01:02:22,840 --> 01:02:29,360
it makes them so sad one the
step that you've lost your footing. Now

743
01:02:29,440 --> 01:02:34,440
you don't even know who your heart
It could be that it could be you.

744
01:02:35,400 --> 01:02:39,679
What does your heart tell you that
do poison the water? Poison the

745
01:02:39,840 --> 01:02:46,639
water and love me by high?
The poison the water point in the water,

746
01:02:47,800 --> 01:03:07,199
love me by high. I don't
cared to me. There's so much

747
01:03:07,280 --> 01:03:12,960
you know my mother me. I
don't care. The love was true,

748
01:03:13,800 --> 01:03:19,400
I know, I don't know all
I can do looking back? The water

749
01:03:19,800 --> 01:03:30,639
was green, loving sense Why you
get served me? Now it's turned to

750
01:03:30,880 --> 01:03:44,039
keep its way, so other lines
of blood you share. It trickles down

751
01:03:44,239 --> 01:03:57,679
from your affairs, bulak faster and
where where aware the loving soul could live

752
01:03:57,880 --> 01:04:10,039
like it? Just don't you find
what your boys? The water boys,

753
01:04:10,199 --> 01:04:16,199
the water love be far mine your
boys in the water, boyson the water.

754
01:04:17,039 --> 01:04:23,559
It was just not my mine water
the water, boys in the water,

755
01:04:24,639 --> 01:04:34,639
the love be far the water by
the water. It was not water,

756
01:04:39,599 --> 01:05:00,559
your boyson, water my whoo.
Boys in the water, poison the

757
01:05:00,679 --> 01:05:08,800
water. I'll be far high.
Poison the water, poison the water.

758
01:05:10,480 --> 01:05:18,039
You're not hi. I love that. That is a soda and that is

759
01:05:18,119 --> 01:05:24,039
also the name of the project.
And we have in studio on the couch.

760
01:05:24,320 --> 01:05:27,599
Casey Drone is here. Welcome back. Hey, thank you very much

761
01:05:27,599 --> 01:05:30,320
for having me. I say welcome
back because you've been here with Afterimage,

762
01:05:30,320 --> 01:05:31,760
of course yes I have. So
it's it's good to see you and I

763
01:05:31,920 --> 01:05:36,960
love this project. Thank you so
much. We played what was it?

764
01:05:38,079 --> 01:05:41,880
The track that oh Shadow was the
track that I opened the show with today,

765
01:05:41,920 --> 01:05:45,800
and but that's my favorite and that's
the current single. Is that correct?

766
01:05:45,559 --> 01:05:48,360
Soda is the current lead single.
Yes, yeah, yeah, yeah,

767
01:05:48,480 --> 01:05:51,280
really good, really catchy. Thank
you so much, very very catchy.

768
01:05:51,639 --> 01:05:56,519
So Casey is here and he's also
gonna play live for us in studio.

769
01:05:56,599 --> 01:06:00,280
He's got his guitar so and we're
gonna talk a bit and all of

770
01:06:00,360 --> 01:06:03,639
that good stuff. This is Matt
Connerton unleashed and we are live from these

771
01:06:03,679 --> 01:06:09,639
studios of wm n H ninety five
point three FM and Glorious Downtown Manchester,

772
01:06:09,760 --> 01:06:13,679
New Hampshire, where it did not
quite open up. The sky did not

773
01:06:13,800 --> 01:06:15,920
open up in poor like I thought
it was going to, which is fine,

774
01:06:16,559 --> 01:06:20,280
at least at least around here.
You said in Londonderry it was running.

775
01:06:20,400 --> 01:06:24,159
Oh yeah, for about ten minutes. There's a huge, huge thunderstorm.

776
01:06:24,280 --> 01:06:28,280
Any any flash flooding that you saw, Oh no, it was really

777
01:06:28,360 --> 01:06:30,599
fast, went through, went on
outside. That's that's good. That's good.

778
01:06:31,480 --> 01:06:35,039
And of course we're also on Comcast
Channel six in Manchester. And hello

779
01:06:35,119 --> 01:06:38,639
to all of our online listeners across
the nation and around the globe. You

780
01:06:38,679 --> 01:06:42,079
can go to my website Matt Connerton
dot com for all of your live streaming

781
01:06:42,119 --> 01:06:45,760
options, social media links, contact
and folk show archives, et cetera,

782
01:06:45,960 --> 01:06:48,840
et cetera. Uh and you can
join us if you have any questions or

783
01:06:49,199 --> 01:06:53,800
feedback or anything for our guests today. The studio line is open six zo

784
01:06:53,840 --> 01:06:57,599
three two five O six zoh seven
six Z three two five ozho six zero

785
01:06:57,880 --> 01:07:00,559
seven. You can also text me
at six one seven nine seven four four

786
01:07:00,679 --> 01:07:04,320
seven six. I'm on social media
at Matt Connerton. You can email me

787
01:07:04,400 --> 01:07:08,639
Matt at Matt Connerton dot com,
and of course you can interact endo Pine

788
01:07:09,159 --> 01:07:12,039
in the Facebook live chat. But
the best thing to do so that we

789
01:07:12,119 --> 01:07:15,920
can hear and enjoy your Dulsa tones
is give us a call at six oz

790
01:07:15,119 --> 01:07:19,199
three two five zero six zero seven. By the way, Casey, so

791
01:07:19,239 --> 01:07:25,199
where does the name come from?
Soda? So it's funny a little story.

792
01:07:25,880 --> 01:07:30,000
I was writing the song Soda about
two two and a half years ago,

793
01:07:30,519 --> 01:07:34,920
and when it comes to lyrics,
I tend to I like to do

794
01:07:35,039 --> 01:07:39,119
stream of consciousness a lot of the
times, and I kind of let that

795
01:07:39,880 --> 01:07:44,119
breed where the lyrics take me.
And as I was writing the instrumentals for

796
01:07:44,199 --> 01:07:46,159
the song, I kept hearing the
phrase poison the water, poison the water

797
01:07:46,239 --> 01:07:49,920
as you're hearing the chorus. Yeah. And I don't know why I heard

798
01:07:49,960 --> 01:07:54,360
that phrase in my head. It
was just it kept like it repeating day

799
01:07:54,400 --> 01:07:56,239
after day, and I was like
that, that's kind of cool. So

800
01:07:56,320 --> 01:07:58,840
I looked it up online and I
was like, this probably is something to

801
01:07:58,920 --> 01:08:03,039
do with the bill. I'm sure
there's something in that vein because I think

802
01:08:03,079 --> 01:08:08,079
it's I wouldn't consider myself a religious
person, but I find a lot of

803
01:08:08,159 --> 01:08:12,280
the imagery and themes in the Bible
very intriguing. I think you can pull

804
01:08:12,320 --> 01:08:15,960
a lot from that. Yeah,
so I looked it up and it turns

805
01:08:15,000 --> 01:08:24,319
out that soda it's a story from
actually very early Testament, and those that

806
01:08:24,399 --> 01:08:30,479
were thought to have cheated on their
significant other were put through a trial of

807
01:08:30,720 --> 01:08:34,720
the poison water. Oh, and
if they drank the poison water and they

808
01:08:34,800 --> 01:08:39,359
died, they were guilty of cheating. If they survived, they were innocent,

809
01:08:39,479 --> 01:08:44,000
and those accused were called sota.
Oh I'll be damned. Yeah,

810
01:08:44,199 --> 01:08:46,439
no, pun intended. So that's
where that came from. Wow, Oh

811
01:08:46,479 --> 01:08:49,199
that's pretty cool. See if i'd
be a little bit alarmed if I kept

812
01:08:49,239 --> 01:08:51,880
hearing that phrase over and over in
my head, Oh definitely, you know,

813
01:08:53,199 --> 01:08:55,640
especially if it was the same voice
that tells me to burn things,

814
01:08:55,840 --> 01:08:58,800
I'd be pretty freaked out. But
but you created a song with it,

815
01:08:58,880 --> 01:09:02,279
so that's great. So yeah,
So, so you like the title so

816
01:09:02,399 --> 01:09:06,800
much you decided to also call the
project. Yeah, it's really hard to

817
01:09:06,880 --> 01:09:12,279
come up with band names nowadays because
every single band name has been taken,

818
01:09:12,560 --> 01:09:15,560
right, So I looked on Spotify
at the time and there were no other

819
01:09:15,640 --> 01:09:17,119
sodas, so I said, you
know what, I like it. We'll

820
01:09:17,119 --> 01:09:21,039
call the project Soda very cool.
We have a question for you in the

821
01:09:21,039 --> 01:09:27,800
Facebook live chat, Isaac Banks is
asking hashtag Soda what's your favorite song of

822
01:09:27,920 --> 01:09:31,159
Susanne Vega? Do you have a
favorite Susanne Vega song? I need to

823
01:09:31,199 --> 01:09:35,000
apologize to him. I don't even
know who Susanne Vega is. I apologize,

824
01:09:35,000 --> 01:09:40,119
that's all right. I suspected that
might be a kag Isazac Banks acts

825
01:09:40,199 --> 01:09:43,840
asks very strange questions. Yeah,
it's from Greensboro, North Carolina. That's

826
01:09:43,840 --> 01:09:45,159
how they do it. Do you
know the song? My name is Luca.

827
01:09:45,479 --> 01:09:48,560
My name is Luca. Oh sure, that's Suzanne Vega. Okay,

828
01:09:48,640 --> 01:09:53,239
I think that's I think that's our
only really big hit though, So well

829
01:09:53,279 --> 01:09:56,520
that's my favorite. Then there you
go, there you go. Well,

830
01:09:56,520 --> 01:09:58,760
you've got your guitar, you want
to play something for us and dine?

831
01:09:58,800 --> 01:10:00,920
Here, you play and then we'll
talk some more. Yeah, absolutely,

832
01:10:00,800 --> 01:10:04,880
I'm gonna play. This is the
very first original single that I ever released.

833
01:10:05,520 --> 01:10:10,399
This came out Saint Patrick's Day of
twenty twenty one. It's called Dying

834
01:10:10,479 --> 01:10:15,600
Breath. All right, When you
hear my name? Do you cry like

835
01:10:15,840 --> 01:10:21,720
God? Do? When you see
my face? Do you die like God?

836
01:10:21,800 --> 01:10:28,399
Do? I can hear your voicing. I don't know how I should

837
01:10:28,560 --> 01:10:33,600
feel. I can see your smile, and I don't know if it's real.

838
01:10:35,560 --> 01:10:54,239
Is it the same for you?
Woo woo woo, woa whoa,

839
01:10:55,359 --> 01:11:12,119
woa oh whoa. Everywhere I go
I can feel you there, Even in

840
01:11:12,279 --> 01:11:18,479
my room, I can feel your
stare. God knows. I've tried to

841
01:11:18,640 --> 01:11:26,399
kill the shadows that remain, but
when I'm on my own, I relive

842
01:11:26,560 --> 01:11:31,640
all the pain. Is it the
same for you? But have you let

843
01:11:31,800 --> 01:11:40,399
it go? Is it a shame
for you that we couldn't grow? I'm

844
01:11:40,520 --> 01:11:47,079
not sure why I care? Why
I wanna know? Is it the same

845
01:11:47,800 --> 01:11:56,520
for you? Don't want to sleep
because I know I'll meet you there,

846
01:11:58,359 --> 01:12:04,000
don't want away because the truth is
hot too bad. God knows. I've

847
01:12:04,079 --> 01:12:11,199
try to kill the feelings that remain, but when I'm on my own,

848
01:12:12,399 --> 01:12:16,960
I know it's all in vain.
There hasn't pean a second yet. You

849
01:12:17,439 --> 01:12:24,399
haven't crossed my mind. You know
I've tried with all my heart to leave

850
01:12:24,520 --> 01:12:30,560
it up behind. I'm holding on
to something that I cannot fix this time.

851
01:12:31,640 --> 01:12:38,600
It's not so easy to except maybe
you're doing fine, and yeah,

852
01:12:38,720 --> 01:12:59,760
maybe you're doing fine. Whoa,
whoa, whoa, whoa, whoa,

853
01:13:00,079 --> 01:13:09,359
oh whoa? Is it the same
for? But have you let it go?

854
01:13:10,000 --> 01:13:16,279
Is it a shame for you that
we couldn't grow? I'm not sure

855
01:13:16,439 --> 01:13:25,119
why I can't. Why I wanna
know? Is it the same for?

856
01:13:28,199 --> 01:13:33,239
There hasn't been a second yet.
You haven't crossed my mind. You know.

857
01:13:33,439 --> 01:13:40,359
I've tried with all my heart to
leave it up behind. I'm holding

858
01:13:40,560 --> 01:13:46,600
out to something that I can I
fix this time. Is it the same

859
01:13:47,399 --> 01:13:58,479
for? Is it the same?
Is it the same? Is it the

860
01:13:58,760 --> 01:14:04,760
same? As it the same?
Is it the same? Is it the

861
01:14:05,039 --> 01:14:15,319
same? Is it the same for
you? Very nice? Very nice?

862
01:14:15,640 --> 01:14:19,720
If you're just joining us? Casey
Drone is here from the band Soda,

863
01:14:20,119 --> 01:14:25,760
is it who else has involved in
that? With you? So? I

864
01:14:26,079 --> 01:14:31,279
initially asked my longtime friend from high
school and drummer Johnny Dayshan. I've known

865
01:14:31,359 --> 01:14:33,760
him for years. I've always wanted
to be in a band with him.

866
01:14:34,239 --> 01:14:38,880
I just never have been up until
this point. Yea, So it's a

867
01:14:38,960 --> 01:14:42,800
dream come true to be working with
him. The bass player is actually my

868
01:14:42,920 --> 01:14:47,479
younger brother, Killian Drone and he
is a senior in high school, so

869
01:14:47,560 --> 01:14:50,600
it's very cool to have him in
the band as well. And then we've

870
01:14:50,680 --> 01:14:58,239
gone through various guitar players. Originally
Brandon Curcio from after Image has helped fill

871
01:14:58,319 --> 01:15:02,159
in and he actually does all the
solos that you hear on the recorded songs.

872
01:15:02,279 --> 01:15:06,920
Oh okay, and he mixed and
mastered my EP that was released today.

873
01:15:08,079 --> 01:15:11,800
Oh wow, but very cool.
Lately, I've been working with Zoe

874
01:15:11,960 --> 01:15:15,800
Pancratz Harvey Olsen. She's been helping
play guitar at some of our live gigs.

875
01:15:15,840 --> 01:15:20,079
So that's a wonderful addition because she
just adds a lot to our sound.

876
01:15:20,520 --> 01:15:25,640
She's a phenomenal player, monster guitar
player, so very excited to have

877
01:15:25,800 --> 01:15:29,720
her join. She joined earlier this
spring. Okay, yeah, cool.

878
01:15:29,880 --> 01:15:31,520
Cool. It's nice too though that
you know, if you have to you

879
01:15:31,560 --> 01:15:34,800
can always do it just by yourself
too obviously, you know, des grab

880
01:15:34,840 --> 01:15:39,159
your guitar and do it that way
too, so you have some flexibility.

881
01:15:39,479 --> 01:15:45,199
Absolutely. It's it's funny because in
Afterimage, it's always been a group effort

882
01:15:45,560 --> 01:15:50,800
when writing our songs with Soda,
it's all me my band members don't mind

883
01:15:50,920 --> 01:15:55,680
that I do one hundred percent of
the writing. I hand them the music,

884
01:15:56,039 --> 01:15:59,640
they listen to it and they play
their parts. They'll embellish little things

885
01:15:59,680 --> 01:16:02,359
here and there. But it's the
first project where I've kind of had complete

886
01:16:02,600 --> 01:16:05,960
creative control. Yeah, so it's
nice and that it definitely gives me the

887
01:16:06,039 --> 01:16:10,039
opportunity. I wrote them, so
I know everything, so I'm able to

888
01:16:10,239 --> 01:16:13,039
sit here today with my acoustic and
play him for you. So yeah,

889
01:16:13,239 --> 01:16:16,119
yeah, Now, so on the
because we've played a couple of studio tracks.

890
01:16:16,840 --> 01:16:21,000
On the studio tracks, who who
is I mean? Are you doing

891
01:16:21,279 --> 01:16:26,680
most of the or maybe all of
it on the studio tracks? So I

892
01:16:27,560 --> 01:16:32,159
really admired how Dave Grohl the first
food Fighters album was completely done by himself.

893
01:16:32,319 --> 01:16:38,000
Yeah. Unfortunately, I don't play
drums and I'm not that much of

894
01:16:38,039 --> 01:16:42,319
a shredder on lead guitar. I'm
very I'm pretty decent at rhythm guitar,

895
01:16:42,880 --> 01:16:45,720
but I wanted to try and do
as much as I could buy myself.

896
01:16:45,800 --> 01:16:50,359
So on the EP, I recorded
the rhythm guitar tracks, the bass tracks,

897
01:16:50,479 --> 01:16:56,920
and vocals. Johnny Dayshaun played drums. He did a different percussion that

898
01:16:56,920 --> 01:17:00,199
you'll hear like tambourine and shaker and
stuff like that. He provided some backup

899
01:17:00,279 --> 01:17:03,560
vocals, and then Brandon Cursio,
like I said, he did all the

900
01:17:03,680 --> 01:17:09,039
lead guitar tracks and solos. Okay, okay, very cool. There's somebody

901
01:17:09,119 --> 01:17:11,399
in the chat room. I have
a feeling he might be related to you,

902
01:17:11,640 --> 01:17:15,159
Dave Daron that's my dad. Excellent, excellent. Yeah, it's good

903
01:17:15,159 --> 01:17:18,079
to have supportive parents. Absolutely.
Yep, you're getting some love in there

904
01:17:18,119 --> 01:17:23,079
too. A Miriam Banish says that
was amazing. She really liked the song

905
01:17:23,159 --> 01:17:28,079
you played. Thank you very much. Isaac Banks says, awesome. And

906
01:17:28,880 --> 01:17:32,359
do you cover tunes? Do you
do any cover tunes? He's asking I

907
01:17:32,520 --> 01:17:36,359
do do some cover tunes. I'm
actually going to play one for you guys

908
01:17:38,039 --> 01:17:42,880
today. But yeah, no,
I like to cover all sorts of different

909
01:17:42,880 --> 01:17:46,279
stuff. Soda is very much in
the realm of punk and SKA, so

910
01:17:46,359 --> 01:17:50,600
I like to do various covers.
But in the past we've done American Jesus

911
01:17:50,720 --> 01:17:57,319
by Bad Religion. Actually on Spotify. The very first release that I put

912
01:17:57,399 --> 01:18:00,239
out was a cover of the Mighty
Mighty Boss tones They will need Me Music,

913
01:18:00,359 --> 01:18:03,319
Oh no kidding, And it was
really cool because I released it my

914
01:18:03,439 --> 01:18:06,560
first everthing was soda, and two
weeks later they actually shared it on all

915
01:18:06,600 --> 01:18:10,000
their social media. That's cool.
Yeah, it was good, good,

916
01:18:10,079 --> 01:18:12,920
cool right off the bat. And
did you did you know they were gonna

917
01:18:12,960 --> 01:18:15,239
do that? Like, did they
contact you directly or they just did it?

918
01:18:15,479 --> 01:18:18,520
No. I'm Facebook friends with a
couple of them, just having gone

919
01:18:18,560 --> 01:18:23,479
to the shows for years, and
they're pretty open with their fans, which

920
01:18:23,520 --> 01:18:26,079
is really cool. But they're not
really the type that, like you sent

921
01:18:26,159 --> 01:18:28,520
of a message and they'll get right
back to you. You know that they're

922
01:18:28,560 --> 01:18:31,520
living their lives too, so I
don't know. I guess one of them

923
01:18:31,560 --> 01:18:35,039
saw it and they really liked it. They showed the rest of the band

924
01:18:35,119 --> 01:18:38,720
and then they shared it, so
that was all on them. I had

925
01:18:38,760 --> 01:18:42,560
nothing to do with that, which
was really cool. That's excellent. Oh,

926
01:18:43,079 --> 01:18:46,239
your dad says, your mom is
there too. And brothers a phenomenal

927
01:18:46,279 --> 01:18:49,039
whole family listening in. How many
brothers you have? I have four younger

928
01:18:49,119 --> 01:18:53,279
brothers. Oh my god. Oh
yeah, big family, huge family,

929
01:18:53,319 --> 01:18:57,880
all boys. Oh no kidding?
Are you so you're the oldest. I

930
01:18:58,000 --> 01:19:00,720
am the oldest. Yeah, are
your brothers? Do any of them play

931
01:19:01,119 --> 01:19:05,760
play instruments, or just my brother
Kellyan, who's in the band right,

932
01:19:08,000 --> 01:19:11,039
A couple of my brothers. One
of them played trumpet for a year or

933
01:19:11,079 --> 01:19:13,680
two and then he got sick of
it, so he could have been my

934
01:19:13,800 --> 01:19:16,840
horn player, but he bailed right
right ten years ago. Oh wow,

935
01:19:17,159 --> 01:19:20,800
no kidding, boy, Yeah,
I can't imagine, you know, I

936
01:19:21,239 --> 01:19:28,239
my first sibling. I was already
ten years old when my first sister was

937
01:19:28,359 --> 01:19:30,720
born. So it's like I kind
of almost feels like I grew up an

938
01:19:30,720 --> 01:19:33,760
only child. But it's just it's
hard. It's always been hard for me

939
01:19:33,840 --> 01:19:36,479
to imagine what it must be like
to have that many siblings. You know,

940
01:19:36,560 --> 01:19:40,159
it must get crowded, I would
think, But then again, you

941
01:19:40,239 --> 01:19:42,840
grew up with that, so you're
used to it. It's a full house,

942
01:19:42,880 --> 01:19:45,359
though, that's for sure. We're
always doing something. Yeah, Yeah,

943
01:19:45,560 --> 01:19:51,680
that's cool. I saw somebody else
pop in here too. Oh I

944
01:19:51,800 --> 01:19:55,000
can't find him now, Oh that's
all right, they'll say. Oh,

945
01:19:55,359 --> 01:19:59,880
Jason Fetterson in the chat room.
I was asking, now, this is

946
01:20:00,000 --> 01:20:04,439
a question that he asks everybody.
He's asking, have you ever considered increasing

947
01:20:04,520 --> 01:20:09,960
the length of your beard? Now, that's a particularly interesting question for you.

948
01:20:10,199 --> 01:20:15,199
Since those of you only listening who
can't see Casey does not have any

949
01:20:15,520 --> 01:20:18,960
facial air. I don't so when
COVID hit, I tried to grow a

950
01:20:19,039 --> 01:20:24,000
little got Yeah, it's not here
anymore. So that's that's all I'll say

951
01:20:24,039 --> 01:20:27,399
about that. It is unusual,
though, it seems like everybody asks facial

952
01:20:27,439 --> 01:20:30,680
hair these days. I know,
you know, when you're able to grow

953
01:20:30,760 --> 01:20:34,000
it, it must be nice.
You rarely see anybody clean shaving anymore.

954
01:20:34,399 --> 01:20:38,600
It's kind of funny. Oh,
your dad says, ask Casey about his

955
01:20:38,800 --> 01:20:44,119
Kermit tattoo. He already asked that
last time. We're getting repeat questions here.

956
01:20:44,239 --> 01:20:46,640
Yeah, I have a Kermit tattoo, Kermit the Frog right on my

957
01:20:46,800 --> 01:20:50,239
arm. Oh okay, yeah,
I love the Muppets, big Muppets fan.

958
01:20:50,479 --> 01:20:55,840
So for those that don't know me, I have a Kermit the Frog

959
01:20:55,960 --> 01:20:58,560
tattoo on my arms. My brothers
make fun of me a lot for that.

960
01:20:59,239 --> 01:21:01,960
Oh yeah, nothing wrong with that. I don't remember asking you about

961
01:21:01,960 --> 01:21:05,319
that last time. Yeah, he
called in. Oh he called it,

962
01:21:06,800 --> 01:21:11,239
he said, ask him about the
Kermit tattoo. Now it's coming back like

963
01:21:11,319 --> 01:21:15,880
this might be a recurring. The
studio line is open if you have any

964
01:21:15,960 --> 01:21:19,920
questions for casey six zero three two
five six zero seven. Uh. Mike

965
01:21:20,000 --> 01:21:24,439
Pelapito from Queen City Cabinetry, one
of our great sponsors, and I get

966
01:21:24,479 --> 01:21:28,239
to hang out with Mike tonight on
retro Spectrum Radio with Paul C from A

967
01:21:28,359 --> 01:21:31,279
to eleven PM. He called you
a very talented musician. Oh, thank

968
01:21:31,319 --> 01:21:35,520
you very much, very nice,
very nice. Do you want to you

969
01:21:35,560 --> 01:21:40,560
want to play another song? Absolutely? Yeah, I'm gonna play an unreleased

970
01:21:40,600 --> 01:21:44,880
song. It has been recorded,
just has not been released yet. Okay,

971
01:21:45,039 --> 01:22:00,359
this is called sunrise, all right. They see the winds of chain

972
01:22:03,079 --> 01:22:15,479
up here after the rain, but
only some might find where the sunlight lies.

973
01:22:16,479 --> 01:22:23,960
No matter how they mightter, you
don't ever let it. Father,

974
01:22:26,760 --> 01:22:46,560
you're strangling day, say you will
live another day? Did you grow from

975
01:22:46,720 --> 01:23:00,199
the pain or just suffer in vain? Sometimes it's hard to find your own

976
01:23:00,319 --> 01:23:10,600
peace of mind. I lie awake, can think of you and other selfish

977
01:23:10,680 --> 01:23:20,560
things I do. I just can't
understand how to make a mass. When

978
01:23:20,680 --> 01:23:30,359
will the sunrise? Sunrise? Had
enough moonlight? Moonlight, So seek of

979
01:23:30,600 --> 01:23:51,399
the night, the night, bring
on the sunlight, sunlight. My heart

980
01:23:51,640 --> 01:24:01,479
was on my sleeve. I know
you watched it. Please hemorrhad dring in

981
01:24:01,800 --> 01:24:12,319
my hands. But still my love
will stand no matter how much pain you

982
01:24:12,600 --> 01:24:20,319
feel. Don't never doubt that you
are real. You're not the only one

983
01:24:23,960 --> 01:24:32,319
who's still searching for the sun.
When will the sunrise sunrise hide enough moonlight?

984
01:24:32,520 --> 01:24:41,560
Moonlight? So sick of the night, then night, bring on the

985
01:24:41,720 --> 01:24:51,600
sunlight, sunlight? When will the
sunrise sunrise hide enough? Moonlight? Moonlight?

986
01:24:54,680 --> 01:25:00,359
So sick of the night the night? Bring on a sun that sun

987
01:25:00,840 --> 01:25:29,840
I like it. What's that called
again? It's called sunrise? It's very

988
01:25:29,960 --> 01:25:31,520
nice. Thank you nice? Now? When is that? So? That's

989
01:25:31,560 --> 01:25:34,479
been recorded but it's not out yet? No, yeah, I was.

990
01:25:34,920 --> 01:25:42,840
I actually recorded seven songs in this
Love Hate recording session, and it really

991
01:25:42,880 --> 01:25:45,680
took me some time to figure out
what I wanted to be on the project

992
01:25:45,760 --> 01:25:48,520
and what I didn't want to be
on the project, And that one ultimately

993
01:25:48,640 --> 01:25:54,920
did not make the cut because I
felt that the recorded track really has a

994
01:25:55,319 --> 01:26:00,640
different feel to it. I wanted
to go for a police eighties like I

995
01:26:00,840 --> 01:26:02,760
was thinking that when you started playing
that at the police. Yes, it

996
01:26:03,239 --> 01:26:06,800
has a very The bed's too big
without you? Bring on the night that

997
01:26:06,920 --> 01:26:11,520
Those were the two big influences from
it. Yeah, so it has a

998
01:26:11,640 --> 01:26:15,800
very eighties reverbi kind of reggae scot
feel, and I thought that it kind

999
01:26:15,840 --> 01:26:21,319
of could stand out as its own
single, So that'll come out at some

1000
01:26:21,520 --> 01:26:26,399
point down the line, but just
chose not to put it on this Love

1001
01:26:26,479 --> 01:26:28,960
Hate release. Yeah, yeah,
no, it's really good. Thank you.

1002
01:26:29,479 --> 01:26:30,840
Where did you How did you learn
to sing? Did did you take

1003
01:26:30,920 --> 01:26:34,560
lessons or you self taught or I
learned to sing in my car? Because

1004
01:26:34,600 --> 01:26:39,640
you have a very powerful voice like
you project very well. Thank you very

1005
01:26:39,760 --> 01:26:44,920
much. I played trumpet for almost
ten years, and I don't know if

1006
01:26:45,000 --> 01:26:47,920
that has anything to do with it. I know that makes sense. Ronnie

1007
01:26:48,000 --> 01:26:53,319
James Dio, who I consider one
of the greatest, most powerful singers of

1008
01:26:53,359 --> 01:26:58,840
all time, often attributed his power
and his voice from playing trumpet, and

1009
01:26:59,399 --> 01:27:02,159
I never knew that out about Dio. Yeah, he started out playing trumpet

1010
01:27:02,239 --> 01:27:04,960
in various jazz bands. I fit, wow. I didn't know that.

1011
01:27:05,119 --> 01:27:08,560
So we had a lot of air
control, and I don't know if that

1012
01:27:08,720 --> 01:27:11,720
has anything to do with it.
I know that a lot of my favorite

1013
01:27:11,760 --> 01:27:15,279
singers are punk singers and they yell, so I just kind of went for

1014
01:27:15,399 --> 01:27:18,880
it and I found my own way
without hurting my voice to project. Yeah.

1015
01:27:19,039 --> 01:27:21,680
Yeah, no, that makes sense
though about the trumpet, that totally

1016
01:27:21,760 --> 01:27:26,920
makes sense. Do you ever does
your voice ever hurt from that at all?

1017
01:27:27,079 --> 01:27:29,640
Or you're pretty pretty good with it? No, I've I know,

1018
01:27:29,840 --> 01:27:33,359
early on in high school when I
sing, I didn't really have much technique,

1019
01:27:33,439 --> 01:27:35,560
not that I have any technique now, but I think I've kind of

1020
01:27:35,640 --> 01:27:39,520
refined it a little bit to where
I know what I'm doing a little bit

1021
01:27:39,600 --> 01:27:43,720
more. But early on, when
I do the kind of Dicky Barrett growl,

1022
01:27:44,000 --> 01:27:46,159
yeah, I definitely would get a
sore throat after that, but I've

1023
01:27:46,199 --> 01:27:50,279
kind of figured out a way to
do that where it doesn't hurt anymore.

1024
01:27:50,279 --> 01:27:54,800
I can still get the growl.
And I've also learned how to do a

1025
01:27:54,920 --> 01:27:59,520
semi like vocal fry, which is
using the higher end of your vocals.

1026
01:28:00,399 --> 01:28:02,920
I use a mix of the two, and I think just the power behind

1027
01:28:03,000 --> 01:28:06,800
my voice kind of makes it so
I don't hurt myself, which is Yeah,

1028
01:28:06,840 --> 01:28:11,159
it's been a long time coming.
Yeah, it's so important to to

1029
01:28:11,279 --> 01:28:14,359
be able to do that without because
you don't want to be you know,

1030
01:28:14,399 --> 01:28:15,439
you don't want to be one of
those guys who eventually, you know,

1031
01:28:15,520 --> 01:28:18,399
your voice kind of blows out right. Uh, do you know? Uh

1032
01:28:18,600 --> 01:28:24,479
Sam Beechard from House Lights and Always
Forward the promoter, No, I don't.

1033
01:28:24,640 --> 01:28:28,239
We we had we had him on
the show and you'll you'll probably run

1034
01:28:28,279 --> 01:28:30,600
into him at some point because he's
doing a lot in the scene. But

1035
01:28:30,960 --> 01:28:33,960
yeah, we were talking about the
importance of taking care of your voice and

1036
01:28:34,239 --> 01:28:38,640
being able to sing without hurting yourself
and getting a short throat because he does

1037
01:28:38,760 --> 01:28:45,279
the he's does the growley stuff and
the straight singing and and it's it's impressed.

1038
01:28:45,319 --> 01:28:48,880
It's always impressed me. Uh,
people who can really push their voices

1039
01:28:49,039 --> 01:28:53,920
without without hurting themselves. I took
vocal lessons over the years from a few

1040
01:28:53,920 --> 01:28:57,159
different vocal coaches, and but I
never I never got good enough to be

1041
01:28:57,199 --> 01:29:00,479
able to I'm a good harmony singer, you know. I can sing with

1042
01:29:00,560 --> 01:29:02,000
other people and find the octave and
kind of lock in, but on my

1043
01:29:02,079 --> 01:29:05,439
own I get lost. But I
remember it was a you know, even

1044
01:29:05,479 --> 01:29:08,840
when I was taking lessons, it
was a challenge for me to just being

1045
01:29:08,880 --> 01:29:13,520
able to learn how to project without
without hurting my throat right now. Yeah,

1046
01:29:13,920 --> 01:29:15,560
No, for me, I've always
been very insecure as a singer.

1047
01:29:17,000 --> 01:29:21,600
I don't necessarily think that I have
the best voice, but I enjoy bands

1048
01:29:21,680 --> 01:29:26,319
where that's not really necessary. I
love punk, I love Scott my favorite

1049
01:29:26,319 --> 01:29:30,000
singer, Sticky Barrett of the Mighty
Mighty Bosstones, who I think he has

1050
01:29:30,039 --> 01:29:32,000
a great voice. But to you
know, a common listener, they might

1051
01:29:32,079 --> 01:29:35,680
say, what the heck is that
all about? But so I think listening

1052
01:29:35,720 --> 01:29:40,479
to bands like that really gave me
the confidence to do my own thing and

1053
01:29:41,359 --> 01:29:45,000
sing how I want to sing and
be completely me. Does it? Does

1054
01:29:45,079 --> 01:29:47,359
it? He have a thing I
seem to remember a long time ago.

1055
01:29:47,439 --> 01:29:51,439
I've never seen them live, but
I remember seeing a video where he uh,

1056
01:29:51,560 --> 01:29:56,399
and I guess it's something that he
says sometimes live where he'll coming up

1057
01:29:56,399 --> 01:29:59,119
on a chorus to a song,
he'll yell out something like, sing along,

1058
01:29:59,279 --> 01:30:00,279
but if you can't sing, do
what I do? You got it?

1059
01:30:00,920 --> 01:30:04,000
I did that every show. I
always laughed every single time. Yeah.

1060
01:30:04,239 --> 01:30:09,640
Yeah. And in terms of so
the songs, so the songs are

1061
01:30:09,680 --> 01:30:15,960
completely written by you do the lyrics
come first? And then it's very tough.

1062
01:30:15,159 --> 01:30:18,720
I half the time I don't even
know what I'm doing. A lot

1063
01:30:18,760 --> 01:30:24,039
of times I'll write the instrumentals first, lyrics completely separate. I know a

1064
01:30:24,119 --> 01:30:30,319
lot of singers write lyrics to the
music. I don't do that at all.

1065
01:30:30,439 --> 01:30:36,640
I like to write stories and versus
completely on their own. And a

1066
01:30:36,720 --> 01:30:41,359
lot of times what I'll do is
I'll take influence from other songs that i'll

1067
01:30:41,439 --> 01:30:46,600
hear in terms of how they do
cadences, and I'll use the cadences from

1068
01:30:46,640 --> 01:30:49,960
other songs to kind of figure out
how I want to sing them. Yeah,

1069
01:30:50,720 --> 01:30:56,159
And that's just looking at the lyrics, and then I'll just try to

1070
01:30:56,239 --> 01:30:59,199
cram them into songs that I write. And sometimes it works, and sometimes

1071
01:30:59,239 --> 01:31:02,319
it doesn't have to go back to
the drawing board. But every song that

1072
01:31:02,600 --> 01:31:08,039
you'll hear from me today was something
that there were two separate entities that kind

1073
01:31:08,039 --> 01:31:12,600
of merged together after a little bit
of working it. Yeah, yeah,

1074
01:31:13,159 --> 01:31:15,520
Well do you want to Should we
play another studio track? Absolutely? Go

1075
01:31:15,600 --> 01:31:18,680
ahead? What what? What would
you? Uh? Why don't you play

1076
01:31:19,000 --> 01:31:24,800
love Hate? That's gonna be the
next single. We're hoping to record a

1077
01:31:24,920 --> 01:31:28,279
music video for that at our next
show, which I'll talk about a little

1078
01:31:28,359 --> 01:31:31,720
later. Yeah, yeah, And
so these are all from now. So

1079
01:31:32,039 --> 01:31:34,119
this is one of the ones that
came out today. Correct, Yes,

1080
01:31:34,239 --> 01:31:39,520
you got it? And so are
these? Are these a collection of singles

1081
01:31:39,560 --> 01:31:42,159
or are they an actual EP?
It's an EP? Yeah. So.

1082
01:31:43,159 --> 01:31:46,239
The lead single, Soto was released
two weeks ago and the three other songs

1083
01:31:46,319 --> 01:31:50,159
were released today. Okay, gotcha, gotcha? All right, let's give

1084
01:31:50,199 --> 01:32:16,479
this a listen. This is love
hate from Soda to tell her to my

1085
01:32:16,600 --> 01:32:23,960
heart but my another soulver golling from
the Star want me three shoulders, love

1086
01:32:24,039 --> 01:32:29,720
to be alive and leave me in
the town with other weather God? How

1087
01:32:29,840 --> 01:32:44,399
much love to how much need to
love you? So y want tell into

1088
01:32:44,520 --> 01:32:51,119
trance? They brought me closer today
so much I still want to tell you,

1089
01:32:53,640 --> 01:32:59,079
but I need to say my bad
how much old love to be you.

1090
01:33:00,760 --> 01:33:06,600
I'm gonna tell you I love to
you with no gong so love song,

1091
01:33:09,920 --> 01:33:50,039
no w SNG love. Can't I
be any more? Can't be any

1092
01:33:50,159 --> 01:33:58,800
more? Can't be any more,
can't be any more? Can't be anymore?

1093
01:34:15,159 --> 01:34:38,760
What God? So taking the snow, take snow, take the snow,

1094
01:34:39,640 --> 01:34:47,680
make me stow. Yeah, that
is love hate from Soda, which

1095
01:34:47,760 --> 01:34:51,239
is spelled by the way s O
T A H. So. In case

1096
01:34:51,319 --> 01:34:57,079
you're looking up online. Uh,
And Casey Drone is here with us in

1097
01:34:57,319 --> 01:34:59,920
studio. He's on the couch,
he's got his guitar, he's been playing

1098
01:35:00,119 --> 01:35:02,560
some songs and we've been talking and
having a great time this afternoon on Matt

1099
01:35:02,600 --> 01:35:06,800
Connerton Unleashed. If you are just
joining us and you'd like to to chime

1100
01:35:06,880 --> 01:35:11,199
in six zoo three two five zero
six zoo seven, the studio line is

1101
01:35:11,279 --> 01:35:14,880
open six ZO three two five zero
six ZO seven if you have any questions

1102
01:35:14,960 --> 01:35:19,479
or feedback or anything at all for
Casey and uh. Yeah, we were

1103
01:35:20,039 --> 01:35:23,800
talking off air while that song was
playing. I was saying to you,

1104
01:35:24,319 --> 01:35:28,159
who's who's the drummer on that again? Johnny DeShawn, Johnny DeShawn, Yeah,

1105
01:35:28,159 --> 01:35:30,560
I gotta give gotta give him props
exolutely really drives that song. And

1106
01:35:30,680 --> 01:35:33,880
ye and yeah, we were kind
of talking a little bit too. I

1107
01:35:34,000 --> 01:35:39,399
was saying, how you know a
lot of because it's it's easier than ever

1108
01:35:39,520 --> 01:35:42,800
to do it if you want to
have program drums. But but a song

1109
01:35:42,960 --> 01:35:46,439
like that needs real drums. Absolutely. The energy is lost if you don't

1110
01:35:46,520 --> 01:35:51,960
have the human touch. Yeah,
and I always felt that punk music is

1111
01:35:53,199 --> 01:35:57,520
all about rawness, it's all about
power. It's all about being completely authentic,

1112
01:35:57,680 --> 01:36:01,239
and to do anything other than that
just feels the opposite of punkin right

1113
01:36:01,520 --> 01:36:05,520
right. Oh yeah, Oh,
so here's another. I assume this is

1114
01:36:05,560 --> 01:36:10,279
someone related to you, Jody West
Drone. That's my mom. Oh,

1115
01:36:10,520 --> 01:36:14,960
very nice. Yep, she says, Casey sounds amazing, and she said,

1116
01:36:15,039 --> 01:36:16,960
Matt, you are great. Well, I like your mom. She's

1117
01:36:17,000 --> 01:36:21,119
got she's got a good taste in
radio hosts. Well, do you want

1118
01:36:21,119 --> 01:36:25,239
to play another you want to play
another live song for us? Absolutely?

1119
01:36:25,399 --> 01:36:30,039
Yeah. This is another original.
This one actually has not been recorded yet,

1120
01:36:30,199 --> 01:36:32,960
but I'm hoping to do so in
the next few months. This is

1121
01:36:33,039 --> 01:36:54,800
a song called rain. All right. Every day I'm wondering who I want

1122
01:36:54,880 --> 01:37:09,319
to be, and every day I'm
pondering how do you see me? And

1123
01:37:09,600 --> 01:37:43,159
time? No, howll I can
be? I see clearly the rain.

1124
01:37:48,880 --> 01:38:18,000
I find comfort in the pain.
M M in the rain, in the

1125
01:38:18,279 --> 01:38:36,319
rain, in the rain, in
the rain. Oh, it's pretty,

1126
01:38:39,079 --> 01:38:42,039
very nice, very nice. If
you're just joining us, Casey Drone is

1127
01:38:42,079 --> 01:38:45,840
here. We've been talking about his
project Soda. We've played some studio tracks

1128
01:38:45,880 --> 01:38:48,720
and we have one more two that
we'll we'll definitely get in before the end

1129
01:38:48,720 --> 01:38:51,640
of the show, and he's been
playing live in studio for us, and

1130
01:38:51,840 --> 01:38:56,960
I want to make sure we before
we I mean, we're not too too

1131
01:38:57,039 --> 01:39:00,279
short on time, but I do
want to make sure we mentioned You've got

1132
01:39:00,439 --> 01:39:01,680
a show, who are you you
playing with? Coming up? It's an

1133
01:39:01,720 --> 01:39:05,159
important show. Yeah. I am
actually opening up for Murphy's Law. Oh

1134
01:39:05,279 --> 01:39:10,600
yes, yes, Grade two in
Manchester, New Hampshire on Friday, September

1135
01:39:10,680 --> 01:39:15,720
twenty second, just days after both
of them open up for Rancid at the

1136
01:39:15,760 --> 01:39:19,399
House of Blues in Boston. It's
funny. I got tickets to the Rancid

1137
01:39:19,439 --> 01:39:24,159
show months ago before I even knew
that this Manchester show is going to get

1138
01:39:24,159 --> 01:39:27,640
announced, because I really wanted to
see Murphy's Law. They used to tour

1139
01:39:27,800 --> 01:39:30,439
with the Bosstones and Fishbone and all
that back in the early nineties late eighties.

1140
01:39:30,640 --> 01:39:32,479
Yea, So I was like,
oh, I gotta go see that

1141
01:39:32,600 --> 01:39:36,920
Rancid show. And then just a
few weeks ago it was announced they're playing

1142
01:39:36,920 --> 01:39:44,279
in Manchester their own solo show,
Murphy's Lawn Grade two. So I knew

1143
01:39:44,359 --> 01:39:45,640
that I had to play that show. I was like, there's no way

1144
01:39:45,720 --> 01:39:48,199
I am not playing the show.
That it's ten minutes from my home.

1145
01:39:48,640 --> 01:39:51,479
So I got on the bill and
I'm going to be direct support that night.

1146
01:39:51,800 --> 01:39:56,439
Excellent. Good for you, the
full the full bands, full band

1147
01:39:56,520 --> 01:39:59,279
that night. Yes, very good, very good. Tickets are on sale

1148
01:39:59,359 --> 01:40:03,680
now if you go on our Instagram, Instagram, dot com slash Soda Band,

1149
01:40:04,640 --> 01:40:09,560
there's a link tree in our bio
where you can directly buy tickets from

1150
01:40:09,560 --> 01:40:14,800
me through the event bright link and
that just you know, it helps the

1151
01:40:14,840 --> 01:40:17,279
promoters see that I'm out there doing
my best for the shows. We've been

1152
01:40:17,319 --> 01:40:21,840
putting out posters all over town at
all the record record stores, music shops

1153
01:40:21,840 --> 01:40:27,600
all around so excellent, excellent.
Yeah, it's so important when you're working

1154
01:40:27,680 --> 01:40:30,119
with promoters, you know, to
to kind of kind of show your work

1155
01:40:30,159 --> 01:40:32,640
in a way, you know,
show the effort that you're putting in.

1156
01:40:33,840 --> 01:40:38,920
Yeah, that's excellent. Will that
be the biggest show that you've done today

1157
01:40:39,039 --> 01:40:43,479
with this project? Absolutely? Yeah, it's it's so big that we are

1158
01:40:43,600 --> 01:40:47,279
dubbing it our EP release party.
We'll have physical CDs for thep we released

1159
01:40:47,319 --> 01:40:53,680
today. In the past, I
have opened up with Soda for Sponge and

1160
01:40:54,439 --> 01:40:59,079
really yes, that was back last
spring, about a year and a half

1161
01:40:59,079 --> 01:41:01,840
ago. I opened up for Hung
Down in New Bedford. Yeah, and

1162
01:41:02,640 --> 01:41:08,279
we also just recently opened up for
this scott punk band out of Texas called

1163
01:41:08,319 --> 01:41:11,840
Hans Gruber and the die Hards.
They're they're starting to blow up right now.

1164
01:41:11,920 --> 01:41:16,119
They're on Scott Punk International Records and
they're they're really blowing up. They're

1165
01:41:16,159 --> 01:41:18,279
they're on tour right now. So
that was really cool to be able to

1166
01:41:18,359 --> 01:41:21,319
open up for a fellow SKA band. Yeah, yeah, no doubt,

1167
01:41:21,399 --> 01:41:28,439
that's a cool name. Uh,
your mom says in the chat room.

1168
01:41:28,520 --> 01:41:30,520
Yeah, let's all go to the
Jewel. That's where it is. I

1169
01:41:30,680 --> 01:41:33,479
come to the Jewel Friday, September
twenty second. It's gonna be great.

1170
01:41:33,720 --> 01:41:36,680
Tickets on sale now, I'll be
there, give you a free CD.

1171
01:41:38,800 --> 01:41:41,399
It'll be fun. She also said, how do you talk to an Angel?

1172
01:41:42,560 --> 01:41:45,600
I don't know why she is that? Do you cover that song?

1173
01:41:45,920 --> 01:41:48,279
I don't. I have no clue
what that means, because there's a song

1174
01:41:48,359 --> 01:41:51,199
called how do you talk to an
Angel? I can't remember the guy's name

1175
01:41:51,239 --> 01:41:56,039
though, but yeah, for some
reason she said that in the chat room.

1176
01:41:56,199 --> 01:41:58,960
Interesting, and Jenny is sharing all
the links by the way to your

1177
01:41:59,000 --> 01:42:00,600
Instagram. Thank you. Oh,
she said, I was responding to someone

1178
01:42:00,640 --> 01:42:06,520
else. Okay, sorry double double
texting. That's right. Well did you

1179
01:42:06,560 --> 01:42:12,399
want to play? How many?
How many of you done acoustics so far?

1180
01:42:12,439 --> 01:42:14,640
Today? I have three? Three, I had one more that I

1181
01:42:14,720 --> 01:42:16,039
had planned. If you would like
me to yeah, yeah, let's do

1182
01:42:16,159 --> 01:42:19,000
that. I want to make sure
we get that in before we run out

1183
01:42:19,039 --> 01:42:23,039
of time. Absolutely love hearing your
play, so yeah, definitely awesome.

1184
01:42:23,119 --> 01:42:26,079
Yeah, this is a cover.
I know. It was requested earlier.

1185
01:42:26,439 --> 01:42:29,079
It was asked if I do any
covers. This is a drop kick Murphy's

1186
01:42:29,119 --> 01:42:42,640
cover. Skinhead on the MBTA.
All right, well, let me tell

1187
01:42:42,680 --> 01:42:45,520
you a story about up big old
skin Head. On the Tragic and Faithful

1188
01:42:45,720 --> 01:42:49,199
day, she put ten sets in
his pocket, kissed his wife, and

1189
01:42:49,279 --> 01:42:55,279
his family went to ride on the
MBTA. But did he ever return?

1190
01:42:55,479 --> 01:43:00,000
Now we never returned, and his
fabe is still unknown. He may ride

1191
01:43:00,119 --> 01:43:04,760
forever neat the streets of Boston.
He's the skin had who never returned.

1192
01:43:05,479 --> 01:43:11,840
Skinhead goes down to the Kendall Square
station and he changes for your maker plane.

1193
01:43:12,720 --> 01:43:16,359
The conductor says skin Had unneed a
nickel skin that punches him in the

1194
01:43:16,640 --> 01:43:21,960
brain. Did he ever return?
Now? We never returned and his babe

1195
01:43:23,119 --> 01:43:28,760
is still unknown. He may ride
forever neat the streets of Boston. He's

1196
01:43:28,800 --> 01:43:33,079
the skin head who never returned.
Now all night long, skin It drives

1197
01:43:33,119 --> 01:43:39,039
through the station thinking what can I
go when? See can apport to buy

1198
01:43:39,159 --> 01:43:45,159
Cracking Chelsea or Rabundlin Rocksberry. But
did he ever return? No, we

1199
01:43:45,359 --> 01:43:51,479
never returned, and his babe is
still unknown. He may ride forever neat

1200
01:43:51,520 --> 01:43:58,159
the streets of Boston. He's the
skin head who never returned. Skinhead's wife

1201
01:43:58,279 --> 01:44:03,840
goes to the Kendall Square stay changes
for Jamaica plane and through the open window

1202
01:44:03,880 --> 01:44:09,439
she throws skin at her grenade as
the train comes a rumble and through what

1203
01:44:09,600 --> 01:44:14,159
did he ever return? Now?
He never returned and his fade is still

1204
01:44:14,560 --> 01:44:18,760
unknown. He may ride forever eat
the streets of Boston. He's the skin

1205
01:44:18,960 --> 01:44:38,439
that who never returned? Right now, you citizens of Boston, don't you

1206
01:44:38,600 --> 01:44:48,600
think it's a scandal how the skin
head stole the train? What did he

1207
01:44:48,760 --> 01:44:54,840
ever return? Now? He never
returned and his fade is still unknown.

1208
01:44:55,800 --> 01:45:00,039
He may ride forever eat the streets
of Boston. He's the skin that he

1209
01:45:00,239 --> 01:45:04,279
never returned? Well did he ever
return? Now? We never returned and

1210
01:45:04,520 --> 01:45:10,960
his babe is still unknown. He
may ride forever, eat the streets up

1211
01:45:11,079 --> 01:45:15,880
Boston, Eat the skin and who
never returned? You see the skin head?

1212
01:45:15,920 --> 01:45:19,600
He never returned, I said the
skin Well, he never returned.

1213
01:45:23,720 --> 01:45:27,720
Excellent, excellent, very good.
Thank you. Yes, Casey Drone is

1214
01:45:27,800 --> 01:45:30,800
here from Soda. And we should
mention also After Image, which is the

1215
01:45:31,039 --> 01:45:34,479
absolutely you're on here with before it. Did you want to catch us up

1216
01:45:34,560 --> 01:45:38,560
on what's going on there? We
were kind of talking off earlier. Yeah,

1217
01:45:39,520 --> 01:45:43,439
well, After Image has been in
the studio. We just recently recorded

1218
01:45:43,520 --> 01:45:48,000
four new songs that will be out
eventually. Don't hold your breath. It's

1219
01:45:48,000 --> 01:45:50,720
gonna come out at some point.
But we really want to make it big.

1220
01:45:50,840 --> 01:45:54,039
We want to go over the top, have some music videos, have

1221
01:45:54,119 --> 01:45:57,760
a nice release for that. So
it is coming. You just gotta be

1222
01:45:57,840 --> 01:46:01,239
patient. Yeah, yeah, very
cool, good good. Miriam Banish said

1223
01:46:01,279 --> 01:46:04,039
in the chat room, Oh,
that was so fun. And uh,

1224
01:46:04,720 --> 01:46:09,920
Melanie La Liberty says, come on, he never returned. He returned apparently

1225
01:46:09,960 --> 01:46:13,319
not. Oh, and your mother
clarified. Someone had asked her what her

1226
01:46:13,359 --> 01:46:17,199
favorite Jamie Walter's song was that how
can You Talk to an Angel? I'm

1227
01:46:17,199 --> 01:46:21,560
not going to cover it. Sorry, yeah, no you shouldn't. That's

1228
01:46:21,600 --> 01:46:24,960
funny. I bet I know,
I bet I know who was asking her

1229
01:46:25,000 --> 01:46:27,560
that. And in the chat room
too, some of the conversations are going

1230
01:46:27,680 --> 01:46:32,720
in there. So so how much
music does Soda have released at this point,

1231
01:46:32,720 --> 01:46:35,159
because you've got the four that just
came out, right, Yeah,

1232
01:46:35,199 --> 01:46:39,239
and I actually only have two other
ones. I have Dying Breath, which

1233
01:46:39,239 --> 01:46:43,520
I played acoustically earlier, and then
that Bosstones cover. So okay. I

1234
01:46:44,159 --> 01:46:45,399
In the next year, I'm hoping
to get a lot of music out there.

1235
01:46:45,399 --> 01:46:48,439
I have a full album written that
needs to be recorded, but I

1236
01:46:48,520 --> 01:46:53,119
have a about ten or eleven songs
that are on the way excellent. Yeah,

1237
01:46:53,439 --> 01:46:56,399
and uh yeah, it's cool too
because they're the ones that you just

1238
01:46:56,520 --> 01:47:00,239
came out with their lyric videos on
YouTube, which is which is nice because

1239
01:47:00,399 --> 01:47:02,359
you know, something I have to
do when I'm getting ready for the show

1240
01:47:02,439 --> 01:47:04,600
is I have to go through and
make sure the songs, you know,

1241
01:47:04,640 --> 01:47:08,960
I see if I need to make
a radio at it. But with you,

1242
01:47:09,079 --> 01:47:11,399
that wasn't a problem because you don't
have any swears in anything, so

1243
01:47:11,520 --> 01:47:15,960
that was which was nice. I
appreciate that very very conveniently. I'm forever

1244
01:47:16,079 --> 01:47:18,800
making radio audits of things, which
I don't mind doing, but but it's

1245
01:47:18,880 --> 01:47:21,439
nice to not have to do it. Where do you record? By the

1246
01:47:21,479 --> 01:47:27,000
way, we record in town at
Blackheart Sound. If you know where the

1247
01:47:27,359 --> 01:47:30,640
Manchester Music Mill is, right over
on Elm Street, it's right behind there.

1248
01:47:32,239 --> 01:47:38,199
Brandon my guitar player from Afterimage,
and he's been doing all the mixing

1249
01:47:38,239 --> 01:47:42,399
and mastering for me for Soda.
He kind of worked his way in there.

1250
01:47:42,560 --> 01:47:45,119
That's where after Image records too,
and that's what he does for his

1251
01:47:45,239 --> 01:47:49,000
profession, so now he's kind of
working their part time and he does a

1252
01:47:49,039 --> 01:47:51,960
great job. So yeah, it's
nice to just drive ten minutes down the

1253
01:47:53,039 --> 01:47:55,760
road and record your stuff. Excellent. Yeah, and it must be nice

1254
01:47:55,760 --> 01:48:00,279
to to record with somebody who already
is so familiar with how you work.

1255
01:48:00,640 --> 01:48:02,359
Right, absolutely, let's make it
so much easier. Oh yeah, things

1256
01:48:02,479 --> 01:48:06,159
go like we'll book a three hour
session and we know exactly what we're going

1257
01:48:06,199 --> 01:48:10,039
to be doing for that three hour
session. There's no room for like,

1258
01:48:10,560 --> 01:48:13,000
well, we might get to this. It's we kind of have it locked

1259
01:48:13,039 --> 01:48:15,560
in at this point where we work
very well with each other. Yeah.

1260
01:48:15,159 --> 01:48:20,399
Is it the same approach with Afterimage
as it is with this project in terms

1261
01:48:20,439 --> 01:48:24,920
of just you you go in knowing
exactly what you're gonna do, and pretty

1262
01:48:25,039 --> 01:48:30,600
much After Image is a different beast
because the songs there are a little more

1263
01:48:30,760 --> 01:48:34,560
conceptual, a lot longer. We're
looking at like our latest batch material has

1264
01:48:34,640 --> 01:48:39,439
I believe, an eight minute song
and a nine minute song. Those are

1265
01:48:39,560 --> 01:48:42,640
not going to be recorded in the
same sense as a three minute punk song,

1266
01:48:42,840 --> 01:48:46,119
right, So we do those in
pieces, like we'll have one session

1267
01:48:46,640 --> 01:48:49,880
solely dedicated to drums, then the
next one will be guitar and bass,

1268
01:48:49,920 --> 01:48:54,960
and then eventually we'll get to vocal. So it's a very different approach when

1269
01:48:54,960 --> 01:48:57,920
it comes to the After Image music. Yeah, yeah, no doubt,

1270
01:48:59,039 --> 01:49:01,920
Melanie said she's fixated on that song. She says, I just think he

1271
01:49:01,960 --> 01:49:05,720
would have returned at least once,
you know, to the for the holidays

1272
01:49:06,079 --> 01:49:11,319
or his mom's birthday. Yeah,
you know, as the song goes,

1273
01:49:11,399 --> 01:49:15,680
and it's it's actually an old folk
songs. It is. The Drop Kicks

1274
01:49:15,840 --> 01:49:18,239
changed the lyrics a little bit,
but it's uh. I believe it used

1275
01:49:18,239 --> 01:49:24,119
to be called Johnny on the MTA
and that's been around for about one hundred

1276
01:49:24,199 --> 01:49:27,119
years. But I don't know that. The legend says he never came back,

1277
01:49:27,159 --> 01:49:29,720
and we don't know where he is. Is he living in down there?

1278
01:49:29,800 --> 01:49:33,760
We don't know. And Jay Fed
said, thank you for not swearing.

1279
01:49:33,920 --> 01:49:38,840
I'm not a fan of the profanity. Actually, you know, it's

1280
01:49:38,880 --> 01:49:42,960
funny in that in Skinhead on the
MBTA you might have noticed that there was

1281
01:49:43,000 --> 01:49:48,039
a verse that I completely cut out. It's because it's throne as Okay,

1282
01:49:48,239 --> 01:49:53,800
well well done, Yeah, Melanie
says, So he doesn't really know if

1283
01:49:53,800 --> 01:49:57,359
he returned or not. We'll never
know who knows And no, we'll never

1284
01:49:57,439 --> 01:50:00,319
know just as the song goes.
And if the original song is one hundred

1285
01:50:00,439 --> 01:50:02,680
years old, then you know,
he'd probably be passed on by now.

1286
01:50:02,840 --> 01:50:09,720
Probably probably. Yeah. What should
what should people know about? Where to

1287
01:50:09,800 --> 01:50:12,640
find your music, website, social
media, anything you want to make sure

1288
01:50:12,640 --> 01:50:15,119
our listeners know about. Yeah,
we're on everything. We're on Spotify,

1289
01:50:15,279 --> 01:50:18,920
Apple Music, any streaming service that
you can think of, we're on.

1290
01:50:19,680 --> 01:50:24,640
You can purchase our music or you
can get it for free on our bandcamp,

1291
01:50:24,680 --> 01:50:30,079
which is stah dot bandcamp dot com. We have a link tree which

1292
01:50:30,119 --> 01:50:34,800
has all of our links on there. It's link tree dot Soda band and

1293
01:50:35,479 --> 01:50:40,880
yeah, it has everything from our
YouTube, music videos, the streaming links,

1294
01:50:41,000 --> 01:50:44,760
tickets, tour dates, everything you
could possibly want. March is on

1295
01:50:44,840 --> 01:50:46,479
there as well. Yea, all
on the link tree. Do you do

1296
01:50:46,600 --> 01:50:49,119
all that yourself? All the social
media stuff and everything? Is that all

1297
01:50:49,159 --> 01:50:51,600
you? I do it? I
run everything. I make all the graphic

1298
01:50:51,640 --> 01:50:57,479
design I actually do get some help
from. My artwork is oftentimes done by

1299
01:50:57,560 --> 01:51:00,279
Jerry Matts, who's a legendary punk
ourist. He's been in the scene since

1300
01:51:00,319 --> 01:51:04,239
the eighties from New York and he
does a lot of my artwork for me.

1301
01:51:04,479 --> 01:51:08,199
Oh cool, very cool. How
did you get connected with him?

1302
01:51:08,560 --> 01:51:12,279
So, as I've said about fifteen
times already on this show, a huge

1303
01:51:12,319 --> 01:51:18,239
Bosstones fan. He actually designed the
Mighty Mighty Boss Tones logo. He did

1304
01:51:18,279 --> 01:51:21,319
their bulldog, which I actually have
tattooed on my arm right here. Ye.

1305
01:51:23,439 --> 01:51:28,840
He various t shirt designs, and
I'm in a Facebook group online for

1306
01:51:28,880 --> 01:51:30,640
the Boss Tomes. He started posting
his artwork. He's like, here's my

1307
01:51:30,720 --> 01:51:33,680
original copy. So I messaged him, I said, would you be interested

1308
01:51:33,720 --> 01:51:38,720
in doing art for me? He's
like absolutely, So him and Dicky they've

1309
01:51:38,800 --> 01:51:43,000
they've gone back since the eighties,
he's like just a super nice guy and

1310
01:51:43,079 --> 01:51:46,680
he's designed a couple of my merch
designs. There's a shirt online that you'll

1311
01:51:46,680 --> 01:51:50,319
see that has an angel on it
and that was done by Jerry Matts,

1312
01:51:51,079 --> 01:51:55,880
super talented guy. Oh, very
cool, very cool. Well, in

1313
01:51:55,960 --> 01:51:59,800
a moment, we'll we'll play that
last. We have one studio track that

1314
01:51:59,840 --> 01:52:01,439
we haven't played yet. Better than
you. Yes, yeah, I like

1315
01:52:01,600 --> 01:52:05,840
this one a lot too. It's
pretty cool. But yeah, this has

1316
01:52:05,880 --> 01:52:09,479
been This has been wonderful, Casey, thank you so much for coming in

1317
01:52:09,920 --> 01:52:12,600
and uh listen if you miss any
part of today's show it we'll be up

1318
01:52:12,600 --> 01:52:15,399
in a little bit at WMH radio
dot org and at my website Matt Connerton

1319
01:52:15,479 --> 01:52:18,239
dot com. And uh, I'll
remind everybody too, don't forget. I

1320
01:52:18,279 --> 01:52:23,720
will be back tonight from eight to
eleven pm for Retro Spectrum Radio with Paul

1321
01:52:23,760 --> 01:52:28,039
ec and I get to hang out
with Paul and DJ Steve and Mike from

1322
01:52:28,159 --> 01:52:30,520
Queen City Cabinetry for that. I
don't forget too. This weekend to visit

1323
01:52:30,600 --> 01:52:34,520
our wonderful sponsor, the Hopknot right
across the street at one thousand Elm Street,

1324
01:52:34,920 --> 01:52:39,960
and make sure you check out soda
and again it's spelled s O T

1325
01:52:40,319 --> 01:52:43,760
A H. Does anybody ever get
that wrong? Like on a flyer or

1326
01:52:43,800 --> 01:52:47,000
anything? Does anybody ever screw up
the spelling? Nobody has so far,

1327
01:52:47,119 --> 01:52:51,239
but they all think it's a parody
of like soda can, which it's not,

1328
01:52:51,439 --> 01:52:55,680
as as I told you earlier.
But because of that, I've actually

1329
01:52:55,760 --> 01:53:00,479
made a Coca Cola parody shirt.
So oh have you that's out there.

1330
01:53:00,600 --> 01:53:03,600
That's a good idea. That's a
that's a really good idea. Casey,

1331
01:53:03,680 --> 01:53:06,159
thank you again so much. Oh, thank you so much for having me.

1332
01:53:06,199 --> 01:53:09,760
It's always a pleasure to be on. Oh. Absolutely, And we

1333
01:53:09,840 --> 01:53:12,720
will end with this. So this
is called better than You. Uh,

1334
01:53:12,800 --> 01:53:16,119
this is brand new out today.
This is from Soda again s O T

1335
01:53:16,359 --> 01:53:19,760
A H. And check this out. This is a This is a great

1336
01:53:19,800 --> 01:53:45,199
track. I'll let you get to
the show. You want to see me

1337
01:53:45,399 --> 01:53:53,479
low see a couple of tists to
make it me a better I see you

1338
01:53:53,840 --> 01:54:00,720
thought go, but let us go. I'm about im, but I'm still

1339
01:54:00,800 --> 01:54:09,880
doing better than everyone. Never reprays
and will buy many day. But somehow

1340
01:54:09,920 --> 01:54:15,840
I know that it's not mad boy
you and it's bloody the expo say to

1341
01:54:15,960 --> 01:54:20,319
make the field prosy. I'm m
be down, but I'm still there.

1342
01:54:20,399 --> 01:54:35,960
Ain't done you, So what more
do you want to go? Because I'm

1343
01:54:36,000 --> 01:54:42,439
ready to go. I've had enough, but I'd like to both get her

1344
01:54:42,720 --> 01:54:46,479
now. I can give you some
ball. I love it. I'm like

1345
01:54:46,640 --> 01:54:55,039
a joke. I could do gotter
then I'd be no better than everyone ever

1346
01:54:55,199 --> 01:55:01,119
reprays and they will buy many day. But somehow I know that is not

1347
01:55:01,359 --> 01:55:08,319
bad for you, and it's gone
Alex prosade to make the field proceed.

1348
01:55:10,760 --> 01:55:42,720
I'm gonta down on the field and
better than you if everyone ever play with

1349
01:55:42,960 --> 01:55:48,000
my bad today. But somehow I
know that is not bad for you,

1350
01:55:49,079 --> 01:55:57,159
and it's gone to the lex procede
to make it feel crazy. I'll be

1351
01:55:57,279 --> 01:56:03,600
down on this steel O the da
that yo bter that Joe b that yo

1352
01:56:05,920 --> 01:56:16,920
I n down on the stile better
than yo yo go go I un down

1353
01:56:17,000 --> 01:56:19,000
on the stile down land Joe
