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Hudson River Radio dot com. It
beats listening to nothing. Be Frank.

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We're the only way to be is
Frank Lord one, and welcome to Being

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Frank. We're the only way to
be, is Frank. I'm your host,

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Frank Lebrono. We'd like to thank
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Being Frank brings a topical program every
week, beginning on Thursdays. But

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listen to your convenience and remember every
program as archives, so that you can

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listen to any Being Frank virtually any
time that you want. We think it's

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the intelligent thing to do. And
we are recording live to tape, as

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they say on the sixth of July, so we'll give you some context.

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You know, I moved to the
small Hudson River hamlet of Nayak over forty

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years ago, lying only twenty five
miles north of Midtown Manhattan. It is,

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however, truly a world to part. Where New York City is all

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about hustle and flow, Nayak is
often described as quaint, charming, and

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picturesque, with its impressive waterfront mansions
and bustling art music scene. It is

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all of those things and more.
I love it for those qualities, but

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even more so for its progressive attitude, diversity, and generosity of spirit.

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However, no place is paradise,
and that certainly goes for Nayak too.

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Despite its boasts of inclusion, in
the past, Nayak has turned its back

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on a significant, largely successful,
and thriving part of its own village,

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the African American community. In the
nineteen sixties, under the guise of something

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known as urban renewal, large swath
of the town's vibrant black community surrounding the

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area around Jefferson Street were mislabeled as
slums to give the town the excuse it

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needed to level the entire area,
including successful black owned businesses, and to

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create more attractive housing and a parking
lot to service the white downtown businesses.

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The once modest black family homes were
replaced with substandard block housing and the businesses

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never returned, but the parking lot
still exists. Keep that in mind.

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To this day, the black community
still bears the scars of that ill fated

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attempt at so called civic improvement.
It's now the subject of a new and

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wonderful documentary, What Happened to Jackson
Avenue, A Story of Urban Renewal Executive

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produced by the Phoenix Theater Ensemble in
association with Rivertown Film and created by Hakima

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Alim and Rudy Gold. We will
meet some of the creators of this important

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film in just a moment and will
take a taken After the break, we

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will continue our intelligent conversation on a
very important and related subject, this recent

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Supreme Court decision on affirmative action with
the nub ACPs. Wilbur Baldridge. Okay,

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let's meet our panel, And as
I always do, these are really

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truncated introductions. If I were to
read what all of these people have accomplished,

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we'd have no show left, nothing
to talk about, because they're that

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impressive. So forgive me, guys, this is very brief as it relates

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to what we're talking about. Craig
Smith is a managing director of the Phoenix

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Theater Ensemble and an executive producer of
the documentary. At Least Stone is founder

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and artistic director of the Phoenix Theater
Ensemble and also a co executive producer.

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Bill Batson an artist, activist,
a longtime Nayak resident, and whose family

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was directly affected by the loss of
Jefferson Street. Welcome everyone. I'm so

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excited to have you here. I
saw the documentary and it is wonderful.

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Well done. Thank you so much. Franky, you can all say hi,

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thank you, thank Hi, Welcome, Good evening everyone, Craig,

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Bill, thank you, thank you
for joining us. They know it's a

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little awkward because and now we stream
audio and not video, but but that's

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okay. We have lots to talk
about. It was a great description you

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gave of the the situation that the
film explorers. Thank you, Bill,

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appreciate especially coming from you. That's
that's quite a compliment, and I want

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to develop that. We're going to
talk about it. But let's let and

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anyone can take any question at any
time. Obviously I'll point some directly,

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but but in general, feel free
to jump in at any time to make

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any point. But let's give some
people some context. First, Uh,

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let's let's talk about us. And
again it's part of the film, and

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it's oppressive. The history of the
African American the black community in niag It

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is and it was it continues to
be a rich one. But let's give

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some people a little context. Anybody
can take this. The strong black presence

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has really always been a part of
Naya Bill. You lived here, Yeah,

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I mentioned it, and I've studied
some And it's interesting when Perry is

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interviewed in the film, and he's
an ideal person to talk about the history

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of the county because he is a
direct descendant of I think the first or

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the second Dutch immigrant to arrive here, and like the early sixteen hundreds,

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around the time of the Tapan patent, which is the first European presence,

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and the beginning of the encroachment and
the loss of native land. From the

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very beginning there were African There was
an African presence, and it wasn't just

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a slave presence. Of course,
until eighteen twenty seven in New York State.

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In eighteen sixty three the United States, if you were a black person

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living here, you were likely to
be a slave or to be caught by

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a slave catcher and declared a slave, whether you were or not. So

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but but Rockland County had free and
enslaved Africans um from the very beginning.

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And when you look at the history
of Naik, which became kind of the

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metropolis of the county, UM the
kind of population center and the industrial center

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UM where goods from the farms were
brought to markets through the river and eventually

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the road systems. UM. The
population has consistently stayed around twenty percent.

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Maybe it's gone a little bit below, maybe it's gone a little bit above,

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and if if it would definitely hit
its apex around the time that UM,

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the neighborhood, the middle class black
neighborhood of Jackson Avenue was declared a

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slum despite m tons of evidence,
and a lot of that evidence is in

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this documentary. Yes, and I
want to talk about the development of bringing

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Craig a Lease in just a minute, talk about the development as a documentary,

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as a film, if you will, But but I want to develop

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a little bit more in context than
UH, Jackson Avenue, UH tell us

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about it, what was and you
grew up there as a young man,

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uh in the fifties and early sixties. What was was Jackson Avenue like?

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Because now it's basically a parking lot
as I've known it, and I've been

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here forty years, I never knew
it as it was. What was it?

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Well, just to correct the record, I didn't grow up there,

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UM. I grew up in in
the home UM my grandmother managed to get

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after she was forced out of Jackson
Avenue in nineteen sixty four, she managed

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to buy a home and UM and
on Upper to Pew near central Nyak UM

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but Jackson Avenue, UM, there's
a home. If anybody UH was walking

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in nyak up to Pew Avenue from
UM Broadway, if they take a left

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on Liberty Street, which is right
behind the post office, there is on

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one side there are apartment buildings,
the brick buildings that you're referenced earlier.

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On the other side there's a lone
little house and that's kind of typical of

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the construction UM. And that house
UM recently had a condemned sign on it,

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but I just recently noticed it.
The condemned signs left, So it's

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one of the last remaining UM houses
in that kind of footprint. UM.

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And if you go up Bird Street, UM, which is the how the

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street that um has Saint Philip's on
the corner. All those houses were very

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similar to that period. And um, if you watch this film, you'll

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see literally white picket fences and um
you know stoops with porches and you know,

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dry cleaning signs hanging outside. So
it was it was a um,

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you know, it was a mixed
use, um, middle class neighborhood.

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I'm sure there were a couple of
buildings that provided um, you know,

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multiple dwellings. Uh you know maybe
um uh you know, uh single or

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studio apartments, so maybe you know, they weren't as groomed as a person

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grooms. You know, they're there
a single family home. Um. But

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really very little of all the photographs, and there are a lot of photographs

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from this period, there's very very
little evidence that Jackson Avenue was anything other

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than a typical American street. Okay, so now we have this thing called

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urban renewal, which from my little
bit of research that I did do,

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started in the late forties but really
kind of reached, uh it's most destructive

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in the sixties. It did,
particularly in Nyack. What was what was

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the concept behind it? And again, anyone can take this and then we'll

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eventually wind it to how this became
a film and what the film is saying

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about it. But we need some
context. So we had this urban renewal

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plan, it comes to Nayak,
How is it presented? How is it

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executed? Anyone here to grab?
I mean, I can at least did

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you want to know? I would
like to I would defer to you Bill

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as the historian. UM sure,
and and and and once again, as

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I said, the film, Uh, you know, um Kim Alam and

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Rudy Gould do a great job of
telling the story and putting together the background

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of the legislation. But UM,
basically there was a notion that UM cities

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required giant parking lots and UM and
skyscrapers or or or or office blocks in

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the middle and UM and the and
that uh this was a time when um,

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you know, the downtown was possibly
struggling some and uh it wasn't quite

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um the magnet for retail that it
had been in the past. UM.

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And there was this notion that if
land could be acquired, UM, that

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it would be you know, a
solution to the to all the problems that

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ailed Naiak at the time. UM. And uh what urban renewal does is

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it gives the government power to um
declare something um. You know, uh,

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the that remove something for quote unquote
the greater good. Um. People

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are the proper product. You know, the property is condemned and the property

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owner is offered a settlement which is
pennies on the dollar of the value of

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the property. UM. And you
really don't have a recourse, there's no

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UM. And I'm very interested.
I know there's legislation now and people are

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looking at how this was conducted around
the country. I don't really even think

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that people had due process. I'm
pretty sure that there are a lot of

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you know, people who were just
in shock and they were dealing with the

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whole town and the newspapers and everybody, you know, kind of declaring that

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you know, happy days are here
again, as long as you get out

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of your house quickly and um.
And then as as one of the interviewees

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Lonnie Leonard says, the second you
got out of your house, you know,

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it was bulldozed and then they would
go after your neighbor um. So

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uh, you know, the process
um was very brutal and UM. And

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there was one other provision that the
filmmakers were able to capture UM the way

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that the legislation was envisioned. UM. People were supposed to be reum relocated

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UM, you know, but before
they were removed UM and before the project

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could proceed UM. But at one
point the mayor of Nike at the time

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said that they didn't consider themselves a
social service agency and that's not what they

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were elected to do. So basically
people were just shoved out. And many

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of those families, you know,
they're about one hundred and twenty four families.

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UM, we don't we don't really
know where they where they went and

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what happened to them. And they
lost you know, those that were owners

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lost, you know, UM an
asset that could and that's that's generation generation.

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So yeah, there's there's there's a
great great UM look at the Walston

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generational wealth. Yes. Some of
the reasons behind this Wind talks about it

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is the Thruway was coming through at
that time too, in the nineteen fifties,

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and uh, and there were all
these strip malls that were right around

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the throughway, and and that that
was taking away all the retail, you

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know, and the retail from a
place like Nyack, and so part of

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their consideration was that, Okay,
we're going to clean up, clean up.

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Then they called them the slums.
They'll clean up the slums and and

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we will get retailed back here.
Uh. And then you know, wind

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says, you know that they didn't
understand what a colossal mistake that actually was,

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because really what was replaced was a
parking lot, a bank, and

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this other thing which kind of looks
like a strip mall on Main Street.

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But I've never quite understood what exactly
what that is. But the there wasn't

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improvement there with what they were thinking
about, and these families and these businesses

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were removed. Uh the uh there
for the eminent domain. They did give

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you know, pennies and the dollar
at least for the residents, but they

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gave absolutely nothing for any business.
For all the business that were gone,

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and these people were relocated. Uh, faith talks about moving to Orangeburg,

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and they moved to Orangeburg. And
when they moved there there there were petitions

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from the people in Orangeburg to keep
the black families out. So this is

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the kind of reception that they were
getting. People who had a community,

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who had a family, and then
the government moves in bulldozes it all out.

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And there's no recourse. So it's
you know, it's it's really it's

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it's shameful. It truly is,
you know, when it's shocking as as

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a long time Nayak resident and one
of the things, you know, Nayak

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is thought of and it is mostly
qualify that a progressive town. So when

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you find out history like this,
it's disturbing, as it should be.

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You know, people should be pissed
off. Wennie. You know, Lonnie

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says in liberal Nayak, Liberal Nayak, they did this, you know,

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you know, he just hits the
nail right in the head. And and

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and it's one of the things that
really appealed to us when we moved here

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was you know, the diversity and
the liberalness and the progressiveness of this town.

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And then you know, when when
we were talking to Bill, we

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were we were doing we were having
a theater conversation out in the parking lot

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and we were I was on an
audio tour that we were going to have

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for our festival. And when Bill
was there and he was standing in the

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parking lot in two empty spaces,
and he said, this is where my

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family's household stood, and and and
and in this empty parking lot and and

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and that's what began this journey for
us that led to this documentary. Um,

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you know, did you were you
approached by Rudy and Hakima or did

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you approach them? I'm interested in
the germ of how this all came together.

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Who was you know what came first? The chicken or the end?

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Did you did you guys have this
idea and look for them to create this

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film or were they creating this film
and then came to you for for more

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support, et cetera. So at
least why don't you take out so um

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So, as Craig was saying,
you know, we were we were creating

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an audio um and augmented reality walking
tour um of the village, and so

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Bill was taking us to to various
sites. But we were deciding what would

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be interesting to bring people in for
the festival, to walk, to bring

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them through the town and to have
this experience, but let them experience the

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village. And then when Bill stood
in the parking lot and said my family

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home was here, that was it
had like a really kind of soul shattering

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effect on me quite frankly. So
then I started thinking about, well,

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what if we were to incorporate in
this walking tour an augmented, augmented reality

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and narrative experience where you could see
what used to be in the parking lot,

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you know, what that used to
be, what was taken away from

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the village. And and so we
had asked Rudy and Hakima Alm if they

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would, um start working on some
visuals for this, and then it just

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kind of, um, how can
I put this? It was a even

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though you have to understand, we
are not our our art form is not

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making film. That isn't actually what
we do. People. We've spent decades

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live theater performances. Um. However, um, it became very clear the

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more research that we did that this
was a story that needed to be told.

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Bill also had shared with us a
zoom uh talk that was done I

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think at the Historical Society or at
the Nyack Library. And so we watched

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that uh and heard some of the
folks speaking and listen, we're storytellers and

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the kind of theater that we do. I want to tell stories. It's

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important to me to tell stories that
are deeply human, whether they're you know,

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comedy is absurd or whatever they are, but it's something that deeply human

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because I believe in the power of
storytelling to change hearts and minds and hopefully

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cultures and societies and all of my
big idealistic feelings about why I make the

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art that I do. But it
seemed to me these were stories that needed

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to be told, that they needed
to be told now. And even though

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we are not filmmakers, we could
say, well, let's just wait until

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somebody comes along who you know,
who can do this and who does know

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how to do this and who will
do this, or we can tell the

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story now because the people who have
lived through this, who are witnesses to

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this are you know, they're not
twenty anymore, and these stories will be

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lost to us, and the truth
has to be told, and we all

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need to we all need to face
history, because it isn't his story for

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the people whose lives were impacted.
It is still impacting them and will impact

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them for generations, has done so
and will continue to do so. There

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were a lot of people who you
know, who said, why why has

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it taken so long to tell this
story? Uh, you know, and

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we were relatively new, I mean, we moved to Nyak in twenty eighteen,

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and we started doing theater performances there
and then the festival last year.

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But in a way, I kind
of think that it took someone from the

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outside to look at this and to
unpack this uh complicated and painful history,

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and I hope a very sensitive way. Uh, we didn't have the baggage

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that I think. You know,
people who have lived in Nyack have been

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there many filmmakers here in Nyak,
but maybe it maybe it took someone from

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the outside to kind of look at
it, So you know that that's kind

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of had something to do with it
as well. Well. Yeah, and

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I think it's interesting with your perspective
too, And you mentioned being outsiders with

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an idea and maybe an ideal as
well of what Nyak was supposed to be.

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Has this changed your expectations in some
ways? Could it even have made

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it stronger because the village hopefully at
some point will come to terms with this,

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and they haven't entirely. And I
thought I read an account and your

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response about the audience which was lacking
in black representation, So are you know,

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within the context of the film too, are we doing enough to reach

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out again with as significant as Bill
mentioned, a significant portion twenty percent of

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the Nayak population is black. But
but are we you know, we certainly

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have improved, but but is it
enough? And again it comes down to

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your impressions, what you thought,
and what you found, especially through creating

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this film. We would I would
say that the key I'm sorry, the

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key audience here or the one hundred
and twenty four families that were displaced.

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And that is um something that you
know, a filmmaker doing a screening can't

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really accomplish. That is, that
is a kind of the job of like

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a commission um with some funding and
and you know, some some resources.

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Um. And uh, you know
I know that that UM. Any time

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I go to any event with in
Nayak anywhere, but particularly the Niac Center

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because it is so um well represented
in all the communities of the village,

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I look to the audience and I
would have liked to have seen more people

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of color the first time, and
I hope that that will will. You

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know, I know that steps have
been taken to have more people of color

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here the next time. UM,
But this is the second screening of something

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that should be viewed you know,
hundreds of times here and and and and

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at this time too. It's it's
perfect. So again with our taping here

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on the on the sixth, which
is a Thursday, So Friday the seventh,

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if anybody is in the Nyack area
at the Nyack Center at eight pm,

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will be a screening of Jackson and
Whatever what Happened to Jackson Avenue,

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a story of urban renewal. Again, I'm grateful to you guys. I

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got an advanced copy and I was
stunned by it. It's it's excellent in

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every way technically, it's it's easy
to watch, it's beautifully photographed, and

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the stories are so honest. The
people are so honest. And you know,

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I thought I kind of knew some
of those people, but I did

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never knew their stories, and you
know, they got bro there's there's um.

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There's two um two dynamics here.
One is that oftentimes, especially the

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painful periods of of kind of racial
discord, they feel, uh, when

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you're living in the North and you're
living at a place that feels liberal and

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progressive, like it feels like you're
separated by you know, decades and by

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hundreds of miles from those events.
You know that they take took place in

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another time and another place on another
side of the Mason Dixon line. But

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this is a perfect example where in
every American city that hadn't ever been renewal

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program, you know, a very
Jim Crow, viciously Jim Crow thing occurred

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with government sanction and without you know
a lot of protests. But the other

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thing which I think came across from
what the filmmakers have done and what people

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started to discuss at the Night Center
and the people who I know who've seen

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the film and discussed, is that
there are aspects of that displacement going on

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today that there are um you know, certainly one way to lose your houses

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through a bulldozer. But if you
know, if you're renting and suddenly you

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know them, you know your your
rent is doubled or tripled, you know

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that that that is a form of
displace And if the number of rental units

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start to shrink and it puts more
pressure. So there are um a lot

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of um factors today that make um, you know, uh Nayak a less

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and less friendly place, um you
know, uh for for people who aren't

325
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aren't hot, you know, in
the upper echelon in terms of income.

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So there are so many issues in
history and so many current issues that that

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seem to um flow out of this
this this um screening, and and hopefully

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it's important mentioned too as we stream. You know when we mentioned Nie,

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we're all Nyackers, can we still
love our little town? But this streams

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beyond. And I think it's important
you made the point and we're all making

331
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the point. This is just this
is not unique to Nayak And I think

332
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you're making the point that if it
can happen here, it can certainly happen

333
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anywhere. And it did. And
I think that that's part of the message

334
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of the of the film, of
the documentary, and guys, Craig and

335
00:27:03.119 --> 00:27:07.440
Atlis, I want you to speak
on that, the message within that I

336
00:27:07.000 --> 00:27:12.119
saw that you know, they're so
typically American, and I'm almost saying it's

337
00:27:12.160 --> 00:27:15.640
like surprised, but and I say
it from the standpoint that you would be

338
00:27:15.640 --> 00:27:19.960
surprised it would happen to anyone,
any one of our neighbors. Yet it

339
00:27:21.039 --> 00:27:25.480
did. And it didn't only happen
here, It happened everywhere. Guys,

340
00:27:25.519 --> 00:27:26.920
at least Craig, take that a
little bit. What what do you hope

341
00:27:26.920 --> 00:27:33.440
people will take from these interviews,
these very honest and opening taking the specificity

342
00:27:33.480 --> 00:27:37.799
of it is it really works,
you know, is that you know,

343
00:27:37.240 --> 00:27:41.640
listen to urban renewal and then the
complications and challenges of urban renewal is a

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00:27:41.799 --> 00:27:45.920
national anyone an international program. But
the thing about this is this happened in

345
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our community, that this this was
here, and it happened here. And

346
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the other thing I found interesting that
when we had the premier screening, Yeah,

347
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it was like a white audience and
usually an older white audience, but

348
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in many cases, in many ways, these are the stakeholders of a kind

349
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of reparation or things like that.
And the thing I was stunned at was

350
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the concrete recommendations and suggestions that came
from people and saying, maybe we should

351
00:28:17.200 --> 00:28:18.720
do attacks, maybe we should do
this, what if we did this?

352
00:28:18.880 --> 00:28:23.359
I mean really in a community situation. They were coming up with very concrete

353
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suggestions on how to address this inequity
that happened. So that was a really

354
00:28:30.000 --> 00:28:34.359
good thing and it was really good
to see it come from this particular audience.

355
00:28:34.880 --> 00:28:44.559
I also have tremendous gratitude in a
village like Nayak that is highly principled,

356
00:28:44.759 --> 00:28:48.799
that is getting in front of this
issue and in front of this documentary

357
00:28:49.000 --> 00:28:55.240
and is acknowledging its past and how
to learn from its past and not trying

358
00:28:55.279 --> 00:28:57.839
to just forget that this didn't happen. All the way from you know,

359
00:28:59.000 --> 00:29:03.000
Don Hammond to the trustees and all
of that kind of stuff. Very you

360
00:29:03.079 --> 00:29:07.640
know, very very much in support
of all of this, at least,

361
00:29:07.640 --> 00:29:11.440
what would you what would you add
to that? You know, this is,

362
00:29:14.200 --> 00:29:18.720
as you said, this is an
American problem. It persists in being

363
00:29:19.880 --> 00:29:30.000
a problem that has happened everywhere.
And I think that the really important thing

364
00:29:30.200 --> 00:29:37.480
about telling the story specifically about Nyack
and Craig. I hope you're right.

365
00:29:37.599 --> 00:29:45.160
I hope that actually the village will
come together and actually be moved to start

366
00:29:45.720 --> 00:29:55.519
finding ways to create reparations of some
sort for all of these families. But

367
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I think that one of the really
important things for me is that we need

368
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to acknowledge that this happened not just
to a group of people. This happened

369
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to individuals and their families. That
it's so easy to lump things together and

370
00:30:18.319 --> 00:30:23.319
say, you know, this happened
in you know, in this country,

371
00:30:23.359 --> 00:30:29.400
there was a war, this community
was you know, this population was removed.

372
00:30:29.799 --> 00:30:37.960
These are individual people. The repercussions
for what happened, our generational trauma

373
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and stealing generational wealth that cannot be
easily recovered. And we have a tendency

374
00:30:51.920 --> 00:30:56.319
to say about things well that happened
so long ago, which is a way

375
00:30:56.319 --> 00:31:02.319
of sort of dismissing people and their
experience that we have to stop doing.

376
00:31:02.720 --> 00:31:06.039
It didn't happen so long ago,
and it didn't happen to a group of

377
00:31:06.119 --> 00:31:10.880
people. It happened to this mother
and this father who have a name,

378
00:31:11.200 --> 00:31:17.359
who had children who have lives and
whose lives were upended. And that's the

379
00:31:17.400 --> 00:31:22.480
thing that I think that Rudy and
Hakim Alem did so beautifully in this film

380
00:31:22.000 --> 00:31:30.720
was allowing these individuals to speak to
their experience and their family experiences so we

381
00:31:30.759 --> 00:31:36.160
could stop divorcing ourselves in some way
by saying, you know, this group

382
00:31:36.200 --> 00:31:41.079
of people who was you know,
whose properties were, and then they just

383
00:31:41.119 --> 00:31:45.680
went away. You know, they
didn't just go away. It's a perfect

384
00:31:45.680 --> 00:31:48.119
segue because you can't see because we
just streamed audio now. But I do

385
00:31:48.240 --> 00:31:52.279
take little notes as we go along, and they made a little note to

386
00:31:52.440 --> 00:31:56.400
ask Bill, Bill, you lived
it. Okay, we see it.

387
00:31:56.559 --> 00:32:00.920
We can create a film about it
if you will, and support it,

388
00:32:00.359 --> 00:32:05.279
but you lived it. How do
you feel about the film? How do

389
00:32:05.359 --> 00:32:07.839
you feel when you see the film? Like, as I said, of

390
00:32:07.960 --> 00:32:10.440
all of us, you were the
one that experienced the most. You were

391
00:32:10.559 --> 00:32:15.880
literally there. Well, it was
it was interesting because I've done a good

392
00:32:15.920 --> 00:32:22.000
deal of oral history and Nayak and
I realized that, Um, there's two

393
00:32:22.079 --> 00:32:30.559
dynamics. One oftentimes, UM it's
hard as compelling as it is to learn

394
00:32:30.640 --> 00:32:35.319
these facts. Like Alice said,
they're traumatic to the people who lived through

395
00:32:35.359 --> 00:32:39.759
them. So it's it's something that
you, um are kind of forced to

396
00:32:39.799 --> 00:32:45.359
relive. So there there is you
know, a kind of a PTSD aspect.

397
00:32:45.680 --> 00:32:51.480
Yes, I could feel that very
much. Um. There's a story

398
00:32:51.559 --> 00:33:00.880
that Lonnie Leonard tells about um uh
the mortgage Uh the officer at a bank

399
00:33:00.000 --> 00:33:05.400
tearing up documents and throwing them in
the trash and telling his father will never

400
00:33:05.440 --> 00:33:07.279
get Alane. You can see how
devastating that was to the family, and

401
00:33:07.519 --> 00:33:12.359
it reverberated to the generations. In
front of his father, that happened.

402
00:33:12.400 --> 00:33:14.640
I mean, it's just what happened. Yeah, in front of his father

403
00:33:15.279 --> 00:33:16.960
and and you know, his father
was a vet and and you know,

404
00:33:19.079 --> 00:33:22.680
an incredible pillar in the community,
and this is how he was treated.

405
00:33:22.759 --> 00:33:27.319
So so it's hard to get the
nerve and it's hard to to to to

406
00:33:27.440 --> 00:33:30.680
share this. So when you once
you do it, there's a certain kind

407
00:33:30.720 --> 00:33:38.079
of responsibility for them, you know, the person who takes this information and

408
00:33:38.079 --> 00:33:43.119
the artists that work with it.
And I was just and normally I'm the

409
00:33:43.160 --> 00:33:46.599
person asking for these stories. So
now I was telling stories about my grandmother

410
00:33:46.720 --> 00:33:52.240
and and and the pain that she
suffered from being displaced. Um. You

411
00:33:52.279 --> 00:33:55.440
know, the family home that we
lost was purchased in eighteen eighty three,

412
00:33:57.440 --> 00:34:04.440
so that's twenty years after black people
in America were property. Um, this

413
00:34:04.480 --> 00:34:09.320
family managed somehow to acquire property,
and that property was what was taken.

414
00:34:09.800 --> 00:34:15.000
So it really wasn't just brick and
mortar and money, it was something.

415
00:34:15.119 --> 00:34:16.719
It was freedom. Actually, at
one point, Barbara Williams says, it

416
00:34:16.800 --> 00:34:21.880
was your your ticket to freedom,
and and that was what was stolen.

417
00:34:22.039 --> 00:34:28.280
So UM, I was just so
h impressed and and and proud of of

418
00:34:28.320 --> 00:34:32.239
the document that um that Kima and
Rudy put together. Um, you know,

419
00:34:34.320 --> 00:34:39.360
the story, the narrative structure of
the film, or the interviews that

420
00:34:39.400 --> 00:34:45.039
they took, and they really did
manage somehow to get us all to to

421
00:34:45.159 --> 00:34:50.119
go back in history and to go
talking about At one point, UM,

422
00:34:50.559 --> 00:34:52.679
you know, Faith is talking about
how she likes to go in the classroom

423
00:34:52.679 --> 00:34:57.360
and teach about black history. And
then of course that is something that is

424
00:34:57.400 --> 00:35:00.760
being canceled. I mean, you
know, Uh, people don't like cancel

425
00:35:00.840 --> 00:35:06.199
culture. Well, how the heck
do you cancel American history? You know?

426
00:35:06.280 --> 00:35:09.119
So um and uh And then I
was able to tell a story where

427
00:35:09.239 --> 00:35:13.719
I really began to learn more about
urban renewal when I was in South Africa,

428
00:35:13.760 --> 00:35:16.400
and I learned that the South African
government, when they were planning forced

429
00:35:16.440 --> 00:35:22.000
removals and apartheid, actually flew to
the United States to study our slum clearance

430
00:35:22.039 --> 00:35:29.599
programs. So UM, I left. Uh you know the first time I

431
00:35:29.920 --> 00:35:35.440
saw it, UM, I left
the Nike library. UM deeply moved and

432
00:35:35.440 --> 00:35:38.920
and and um and and and relieved. UM because it's such a you know,

433
00:35:39.000 --> 00:35:44.239
a burden and a responsibility to deal
with this. And now I'm just

434
00:35:45.280 --> 00:35:50.920
very hopeful that UM we get we've
gotten to such wonderful reactions. UM,

435
00:35:50.960 --> 00:35:55.000
people really want to help move this
forward. UM, you know. And

436
00:35:55.199 --> 00:36:00.440
uh. And the last thing is, UM, their their cases around the

437
00:36:00.480 --> 00:36:05.800
country now in Palm Springs, a
lot in California where communities are formally formally

438
00:36:05.880 --> 00:36:12.159
requesting apologies and reparations and and and
commission. So um, I think this

439
00:36:12.239 --> 00:36:16.199
is the timing of this is wonderful
and the product is perfect. Well,

440
00:36:19.320 --> 00:36:21.639
yeah, I just want to on
the spot about what we're going to do

441
00:36:21.679 --> 00:36:24.159
with this, Joe. But I's
going to add on to that is that

442
00:36:24.719 --> 00:36:34.559
I think that what is so deeply
affecting about how the story is told is

443
00:36:34.599 --> 00:36:43.119
that because this is people's lived experiences, there isn't there isn't an argument here.

444
00:36:43.880 --> 00:36:47.000
You can't argue. You can't say
to somebody, I don't agree with

445
00:36:47.079 --> 00:36:52.039
your lived experience. I don't agree
with this. It's not you know,

446
00:36:52.159 --> 00:36:57.440
this is not a matter of a
political ideology or anything else. This is

447
00:36:57.840 --> 00:37:01.280
people's lived experiences, and you can't
there's no argument here. You can't say,

448
00:37:01.320 --> 00:37:07.559
oh no, you know you didn't
you don't feel that way. These

449
00:37:07.559 --> 00:37:13.199
are lived experiences. They are they
kind of I hope I know they do

450
00:37:13.320 --> 00:37:16.599
for me, but I'm I'm on
the empathetic scale of things, but they

451
00:37:17.039 --> 00:37:25.480
kind of like break my heart open, like extremely is the the depth of

452
00:37:25.920 --> 00:37:30.400
sharing of all of your story as
a Bill and Barbara and Lonnie and faith

453
00:37:31.079 --> 00:37:39.280
and the the intimacy and the vulnerability
actually of sharing that because that is that

454
00:37:39.480 --> 00:37:47.679
is trauma, and that is you
know, PTSD inducing to when people see

455
00:37:47.719 --> 00:37:51.679
the interviews and they should see this
documentary. And I'm gonna ask Craig what

456
00:37:52.159 --> 00:37:54.800
would be the next step? People
should see this, Everyone should see this,

457
00:37:54.880 --> 00:37:59.559
and I you know, I'm I
use social media promote and I said,

458
00:37:59.599 --> 00:38:02.559
you know, yakers, every Nayakers
should see this, but every American

459
00:38:04.119 --> 00:38:06.880
should see this story. So how
are we going to do that? Craig,

460
00:38:06.960 --> 00:38:09.440
What's what's next for this documentary?
What would you like to see?

461
00:38:09.920 --> 00:38:14.679
I will just add one thing well
talking about it, but the artistry of

462
00:38:15.079 --> 00:38:20.239
how they put this film together is
there's no narration. This is only only

463
00:38:20.320 --> 00:38:24.400
the stories of the people who lived
in so there's no agenda here. So

464
00:38:24.679 --> 00:38:30.519
you know that that that that comes
to clearly and then and it is very

465
00:38:30.599 --> 00:38:35.159
moving. And when we were watching
a rough cut in our house, we

466
00:38:35.440 --> 00:38:37.800
were looking at it and I said
to Rudy. Rudy and Hakima said,

467
00:38:37.840 --> 00:38:42.880
we need to put a monetary value
on this because people are going to say,

468
00:38:42.880 --> 00:38:45.519
oh, this is really sad.
This is very emotional, it's a

469
00:38:45.519 --> 00:38:49.000
psychologically very different and then some people
will respond to that. And then but

470
00:38:49.039 --> 00:38:52.239
then there's a whole group of people
who when you talk, when you have

471
00:38:52.440 --> 00:38:58.960
the actual monetary generational wealth that was
stolen from these people, it can hit

472
00:38:59.039 --> 00:39:01.960
you like a s in the stomach. And that's exactly and that's exactly what

473
00:39:02.000 --> 00:39:07.320
this is. And our calculations on
this is between thirty and forty million dollars

474
00:39:07.360 --> 00:39:10.320
which were lost from these families.
And then when we talk about affirmative action,

475
00:39:10.679 --> 00:39:16.039
you know, affirmative action is is
a grain of sand in the barricade

476
00:39:16.079 --> 00:39:22.559
against education inequities. And now we
get rid of that. And so the

477
00:39:22.599 --> 00:39:28.440
most little thing is too much and
and and these families that were in Niake,

478
00:39:28.519 --> 00:39:32.639
in our own community lost millions of
dollars and and and their children could

479
00:39:32.679 --> 00:39:36.840
have gone to these you know,
these elite colleges or at least had the

480
00:39:37.280 --> 00:39:39.400
an access to it, and that
access has taken away. And then the

481
00:39:39.400 --> 00:39:45.599
Supreme Court turns around and does this. It's it's ridiculous. After the break,

482
00:39:45.639 --> 00:39:49.320
we have Wilbur Aldridge from the NUBACP
is going to come. We're gonna

483
00:39:49.320 --> 00:39:52.480
talk about that because it's it's still
happening. You know, it's so funny

484
00:39:52.480 --> 00:39:57.400
we spent to thirty five minutes or
so speaking about a film from the sixties

485
00:39:57.440 --> 00:40:00.159
and yet in its own way,
it still had happening. I think that's

486
00:40:00.280 --> 00:40:06.280
part of the of the point of
the film. So tomorrow night, the

487
00:40:06.480 --> 00:40:09.880
seventh, correct and to Nayak Center
eight pm. Is there any other way

488
00:40:10.039 --> 00:40:15.239
people can see the film? Will
it eventually be streamed on any kind of

489
00:40:15.280 --> 00:40:17.320
surface, because not everybody lives at
Nyack or can get to the film,

490
00:40:17.519 --> 00:40:22.320
but they need to see it.
What happened to Jackson Avenue a story of

491
00:40:22.480 --> 00:40:25.199
urban renewal. How do we get
it to them? Well, we're still

492
00:40:25.239 --> 00:40:30.760
working on the what is next and
what the next steps are and how that

493
00:40:30.880 --> 00:40:39.400
happens for many different reasons, including
for the filmmakers themselves. But our hope

494
00:40:39.519 --> 00:40:46.480
is that the film will be seen
widely, that it will at some point

495
00:40:46.519 --> 00:40:51.679
be able to be streamed. UM. So this is you know, these

496
00:40:51.679 --> 00:40:59.440
are the first two screamings that have
been um have happened. And by the

497
00:40:59.480 --> 00:41:01.920
way, we're very close to being
sold out for the second screening as well,

498
00:41:02.039 --> 00:41:08.760
So people do one you know,
people certainly in the community do want

499
00:41:08.800 --> 00:41:12.960
to see it, and we we
do think that it should be more widely

500
00:41:13.000 --> 00:41:15.960
seen. So, um, the
best thing I can say is, you

501
00:41:15.000 --> 00:41:19.880
know, we're all staying tuned to
this space as we figure out all of

502
00:41:19.920 --> 00:41:25.039
the next steps as to as to
what happens with the film. Greig last

503
00:41:25.079 --> 00:41:29.480
thoughts. We have a minute or
two left last some last thoughts here.

504
00:41:29.840 --> 00:41:32.480
I think I think at some point, you know, well most likely will

505
00:41:32.519 --> 00:41:37.920
be streaming. We're talking to some
distributed We haven't made movies before, you

506
00:41:37.960 --> 00:41:40.119
know, so we're new at this
and uh. And and then there's been

507
00:41:40.159 --> 00:41:44.119
some interest in distribution and things like
that, and you know, and streaming

508
00:41:44.360 --> 00:41:46.840
interferes with with your ability to do
that. So we're trying to be smart

509
00:41:47.000 --> 00:41:51.039
at the same time, so trying
to make the right decision along the line.

510
00:41:51.320 --> 00:41:57.719
But we want people to see this. Uh. And we were so

511
00:41:58.800 --> 00:42:07.039
pleasantly surprised at the quality of this
documentary. And certainly it is a reflection

512
00:42:07.280 --> 00:42:13.039
on you know, Bill and Aleases
and everyone's part that their their their passion

513
00:42:13.400 --> 00:42:16.159
about telling these stories and these stories
they need to be told. These are

514
00:42:16.199 --> 00:42:20.800
old These are old people. Some
of them are in their eighties somewhere in

515
00:42:20.840 --> 00:42:22.960
their nineties, and so as Bill
said, you know at one point and

516
00:42:23.000 --> 00:42:25.719
said, we can't waste time.
We need to move forward with this and

517
00:42:25.760 --> 00:42:30.159
make sure we capture this. So
you know, we we record, we

518
00:42:30.239 --> 00:42:32.119
reveal, and we hope that we
preserve. I mean that that that that's

519
00:42:32.119 --> 00:42:35.840
what we're trying to do with this. Yeah, but I do want to

520
00:42:35.880 --> 00:42:39.840
give all kudos to Ridi Goal and
Hakima Alm in terms of the filmmaking,

521
00:42:39.960 --> 00:42:49.000
because that was you know, I
think that we had an amazing group of

522
00:42:49.320 --> 00:42:57.639
storytellers who are the interviewees um to
tell their story and then really um very

523
00:42:57.920 --> 00:43:04.960
sensitive and art beautifully executed filmmakers to
do this, and then you know,

524
00:43:05.039 --> 00:43:07.840
and then you know, the only
thing, honestly, the only thing I

525
00:43:07.880 --> 00:43:13.559
really had brought to this is my
desire that the story should be told and

526
00:43:14.119 --> 00:43:17.559
out of nothing, because you know, I've said this before, we're theater

527
00:43:17.679 --> 00:43:22.000
makers, and we didn't have a
budget or anything like that for making a

528
00:43:22.039 --> 00:43:24.519
movie. We're going to be paying
for this for a long time. This

529
00:43:24.599 --> 00:43:28.599
is not you know, it wasn't
like I went, oh and this theater

530
00:43:28.679 --> 00:43:31.519
season. I also happened to be
doing a documentary and I budgeted for that

531
00:43:31.639 --> 00:43:37.079
it didn't happen that way. It
really was Bill standing in the parking lot

532
00:43:37.440 --> 00:43:43.239
saying this is where my family home
was, and learning about that, and

533
00:43:43.280 --> 00:43:50.599
then seeing the talk at the Naiack
Library that was recorded. It just had

534
00:43:50.639 --> 00:43:52.920
to be done, that's all.
And if it wasn't us, then you

535
00:43:52.960 --> 00:43:55.280
know, it's that thing, if
you know, if not me, then

536
00:43:55.360 --> 00:43:59.800
who? And if not now,
then when? And it was that sit

537
00:44:00.679 --> 00:44:06.320
So yeah, thoughts, I've got
about a minute. Yeah, I um

538
00:44:06.559 --> 00:44:09.679
uh want people to see this.
I know that the people have been making

539
00:44:10.320 --> 00:44:15.000
wonderful offers of support and trying to
figure out a way to get it into

540
00:44:15.039 --> 00:44:21.559
schools and get um, you know
screenings um uh you know, discount tickets

541
00:44:21.800 --> 00:44:28.400
for those um uh. I just
urged people to um to meet you know,

542
00:44:28.480 --> 00:44:32.159
Lonnie, faith Um, Barbara other
people you're actually never going to forget.

543
00:44:32.199 --> 00:44:35.559
I think, I think, I
don't know if people agree, but

544
00:44:35.599 --> 00:44:40.880
I think the breakout performance was Lonnie
Buster Leonard. He's amazing. He loves

545
00:44:40.960 --> 00:44:45.639
Nak and he looses Nayak and you'll
never forget him once you meet him.

546
00:44:45.719 --> 00:44:49.119
And I believe he's going to be
at the screening um tomorrow night, So

547
00:44:49.320 --> 00:44:53.000
come down and and and enjoy the
film and and UM and we'll we'll make

548
00:44:53.039 --> 00:44:58.880
sure that more and more people learn
what happened to Jackson Avenue and um and

549
00:44:59.079 --> 00:45:05.960
for anybody who suffered from urban renewal
will be a part of finding a way

550
00:45:05.960 --> 00:45:09.960
forward and finding the truth of what
happened and finding some reconciliation. Craig and

551
00:45:10.000 --> 00:45:15.280
Elise, Uh, we didn't even
get to talk about the Phoenix the summer.

552
00:45:15.440 --> 00:45:20.559
That's another show, a whole another
show. Thank you, thanks for

553
00:45:20.559 --> 00:45:23.880
the teeth. Bill exactly got you
guys, got you guys for another show.

554
00:45:24.400 --> 00:45:27.519
Uh, We've got to take a
quick break. I want to thank

555
00:45:27.519 --> 00:45:31.360
you so much, Craig Elise.
Bill please expressed to Hakima and Rudy what

556
00:45:31.400 --> 00:45:35.719
a fabulous job it is. I
hope to meet them someday, maybe tomorrow

557
00:45:35.800 --> 00:45:38.199
night. I will see you guys
there. I look forward to meeting some

558
00:45:38.280 --> 00:45:43.559
of the other participants in the film
and it will be certainly my pleasure.

559
00:45:43.840 --> 00:45:45.360
Got to go for a quick break. Will we come back? And I

560
00:45:45.440 --> 00:45:49.920
just got to call Wilbur. Wilbur
is calling. I'm just answered. It's

561
00:45:49.960 --> 00:45:53.039
called Wilbur. Will be with you
just one minute after this commercial break.

562
00:45:53.079 --> 00:45:58.679
We're going to break right now when
we come back, it's so relative.

563
00:45:58.719 --> 00:46:01.000
It's just scary how that work works
out. Sometimes we're gonna talk a little

564
00:46:01.000 --> 00:46:07.079
bit about the Supreme Court's decision on
affirmative Action with the n double ACPs Wilbur

565
00:46:07.159 --> 00:46:09.719
Aldress. In just one minute,
Tom your host Frank Lagono. We've got

566
00:46:09.719 --> 00:46:13.400
a little bit more to go with
this great show. To uncle anywhere yet,

567
00:46:13.599 --> 00:46:17.480
We'll be back. Hudson River Radio
dot com. Bring a dash of

568
00:46:17.559 --> 00:46:22.880
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569
00:46:22.920 --> 00:46:28.400
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570
00:46:28.480 --> 00:46:32.000
that affect us all. Pick a
shade of green and raise your eco consciousness

571
00:46:32.199 --> 00:46:37.800
with the Many Shades of Green.
Available on Apple Podcasts, iHeart, Spotify,

572
00:46:38.199 --> 00:46:50.079
or wherever you get your podcasts.
Hudson River Radio dot com. This

573
00:46:50.320 --> 00:46:57.400
is Hudson River Radio dot com,
your local Rockland County station. Be sure

574
00:46:57.440 --> 00:47:00.960
to check out another one of our
podcasts, Big Jim Wheelers Classic Radio Theater.

575
00:47:01.480 --> 00:47:07.320
It features historic radio shows from the
nineteen thirties through the nineteen sixties,

576
00:47:07.559 --> 00:47:12.840
including Dragnet, Gunsmoke, the Shadow, and tons of other classic hits.

577
00:47:13.320 --> 00:47:19.079
Check out Big Jim Wheelers Classic Radio
Theater on Apple Podcasts, iHeart, Spotify

578
00:47:19.280 --> 00:47:28.440
or wherever you get your podcasts.
Hudson River Radio dot com. Welcome back

579
00:47:28.480 --> 00:47:31.440
to being Frank Ware. The best
way to be is Frank. I'm your

580
00:47:31.440 --> 00:47:35.440
host, Frank Labono. Thank you
once again for joining us. We just

581
00:47:35.599 --> 00:47:39.880
finished a great conversation with the creators
of a wonderful new documentary called What Happened

582
00:47:39.920 --> 00:47:45.039
to Jackson Avenue, a story of
urban renewal, and as part of it,

583
00:47:45.079 --> 00:47:47.360
one of our guests, Craig Smith, one of the executive producers,

584
00:47:47.400 --> 00:47:53.679
brought up the recent Supreme Court decision
which basically cancels affirmative action, and he

585
00:47:53.760 --> 00:47:59.599
said, my god, affirmative action
is a grain assault to try to make

586
00:47:59.639 --> 00:48:05.159
good on what has happened to African
Americans, blacks in this country and even

587
00:48:05.199 --> 00:48:10.000
in a progressive place like Nayak in
plain English. And I'm a plain speaker,

588
00:48:10.000 --> 00:48:15.000
and my guest, as a plain
speaker that got screwed again. I

589
00:48:15.000 --> 00:48:19.119
guess there's kind of no other way
to put it as being Frank as I

590
00:48:19.119 --> 00:48:22.440
can possibly be. So without further
ado, let me welcome back to the

591
00:48:22.480 --> 00:48:28.320
show. One of my favorite guests
from the n Double ACP, mister Wilbur

592
00:48:28.400 --> 00:48:32.039
Aldridge Wilburg, thank you once again
for joining us. Your honest, intelligent

593
00:48:32.119 --> 00:48:38.239
conversation is always appreciated here. Well, thank you for having me, and

594
00:48:38.320 --> 00:48:44.960
i'd rather long winded introduction. We
talked a little bit about urban renewal,

595
00:48:45.079 --> 00:48:52.519
which used eminent domain to destroy any
equity that most black families might have had

596
00:48:52.639 --> 00:48:58.039
this point. So affirmative action was
an effort at one time to try to

597
00:48:58.159 --> 00:49:02.280
level the playing field little bit at
least, and now it's gone. What

598
00:49:02.320 --> 00:49:10.199
are your thoughts? My thoughts is
an absolute sad day in America. The

599
00:49:10.320 --> 00:49:19.599
purpose of affirmative action was always and
still is until they decided to sludge hammer

600
00:49:19.639 --> 00:49:25.760
it. The purpose was to ensure
equity and education so that people of color,

601
00:49:25.920 --> 00:49:34.119
specifically black people, would be able
to become self sufficient and navigate the

602
00:49:34.239 --> 00:49:39.960
system intelligently and qualify for positions.
That was the sole purpose of affirmative action.

603
00:49:42.079 --> 00:49:45.719
To be honest, the people person
who really who people who got the

604
00:49:45.840 --> 00:49:52.320
most out of affirmative action on all
levels, It was white women. You

605
00:49:52.400 --> 00:49:57.480
know, black's benefited, yes,
but it was white women that really benefited

606
00:49:57.559 --> 00:50:06.199
from it. I yes, the
Supreme Court or especially Clarence Thomas for some

607
00:50:06.239 --> 00:50:13.920
reason, that there was there is
now equity as far as educational opportunities is

608
00:50:13.960 --> 00:50:20.519
concerned, and that systemic racism does
not exist. Well, let's again finish

609
00:50:20.559 --> 00:50:22.920
your point. I'm sorry, we'll
go. Didn't mentioned interruption. I was

610
00:50:22.960 --> 00:50:28.519
just going to say that for most
people, most people in this country knows

611
00:50:28.559 --> 00:50:32.239
that that's not the case, and
education has always been the key to getting

612
00:50:32.280 --> 00:50:39.599
out of poverty, getting out of
our eliminating racist activity, and affirm that

613
00:50:39.679 --> 00:50:44.639
was the purpose of affirmative action too, so the people would be reporting on

614
00:50:44.679 --> 00:50:49.000
what they were doing. So there
was some oversight. Well, you mentioned

615
00:50:49.039 --> 00:50:53.559
Clarence Thomas was at least a controversial
figure at the very least, but the

616
00:50:53.599 --> 00:51:00.480
only black man on the Supreme Court
and yet voted to And I would think

617
00:51:00.519 --> 00:51:05.559
at some point in his life,
although I'm sure he's brilliant in his own

618
00:51:05.599 --> 00:51:09.519
way, he must have been a
brilliant student and earned honors that way.

619
00:51:09.719 --> 00:51:15.400
But I'm sure at some point in
his life there must have been someone who

620
00:51:15.519 --> 00:51:20.679
supported him as a black man.
And yet in a sense he's turned his

621
00:51:20.800 --> 00:51:24.199
back if he will on other blacks. What what what? What is your

622
00:51:24.199 --> 00:51:28.559
feeling as a black man for someone
who says well, I made it,

623
00:51:28.559 --> 00:51:30.119
well, I did it, you
know, by the and that's often you

624
00:51:30.239 --> 00:51:34.400
here with many people and people not
of means and say, well, nobody

625
00:51:34.400 --> 00:51:37.079
helped me. I had to do
it all on my own, and blah

626
00:51:37.159 --> 00:51:39.280
blah blah, what are your thoughts? He doesn't even say that. He

627
00:51:39.400 --> 00:51:45.719
says that he benefited from affirmative action, however, it was the worst day

628
00:51:45.719 --> 00:51:51.039
of his life, right, and
that he felt that that diminished the quality

629
00:51:51.239 --> 00:51:55.119
or the feeling or the thought of
his Harvard degree. Right. I mean,

630
00:51:55.159 --> 00:51:59.880
I don't know anyone else that has
that opinion other than him. And

631
00:52:00.039 --> 00:52:05.280
listen, everybody that looks like me
and whose skin colors like me does not

632
00:52:05.559 --> 00:52:10.519
feel like me. That's an important
point to make. You know. We

633
00:52:10.639 --> 00:52:15.000
tend to think of things in groups
of people sometimes as homogeneous, but that's

634
00:52:15.000 --> 00:52:19.719
not necessarily the case. So it
will elaborate on that a little bit.

635
00:52:20.360 --> 00:52:24.800
Well, it depends upon the individual. There are some people who feel I've

636
00:52:24.840 --> 00:52:30.679
benefited from affirmative action. You know. I went to Fareleigh Dickinson University in

637
00:52:30.440 --> 00:52:35.440
seventy three. That was not the
time that there were a There was a

638
00:52:35.480 --> 00:52:42.039
total of fifteen African Americans on campus. The Fareley Dickinson University of Tena campus.

639
00:52:42.079 --> 00:52:46.159
Now, obviously New Jersey is full
of people of color, but that

640
00:52:46.360 --> 00:52:52.559
wasn't an option for many of them
at that time. So there were there.

641
00:52:52.639 --> 00:52:57.280
Yes, it opened doors, but
you had to perform in order to

642
00:52:57.320 --> 00:53:01.039
stay there. So it's not a
case so if anyone was giving you anything

643
00:53:01.400 --> 00:53:07.239
other than an opportunity. Once you
got the opportunity, then you had to

644
00:53:07.280 --> 00:53:14.800
demonstrate your ability to achieve within that. That goes be an education or employment.

645
00:53:15.679 --> 00:53:17.960
It's still the same thing. I
want to talk a little bit about

646
00:53:17.960 --> 00:53:22.880
things on a personal level. And
you mentioned at f tou in seventy three,

647
00:53:22.880 --> 00:53:24.519
and I'm you know, in Teaneck. I'm from Fort Lee, so

648
00:53:24.599 --> 00:53:28.800
it was familiar a little bit with
the campus, and I'm sure there were

649
00:53:28.800 --> 00:53:34.039
not many blacks on the campus at
Fairleigh Dickinson, especially at that time.

650
00:53:34.800 --> 00:53:37.760
What is that like, Wilburt.
I know, when I'm in a situation,

651
00:53:37.800 --> 00:53:40.440
when I'm when it's reversed and I'm
in the minority, always try to

652
00:53:40.480 --> 00:53:45.079
feel comfortable, but it can be
a little bit of a strange situation.

653
00:53:45.320 --> 00:53:50.960
I think people need to understand in
an environment like that, what is it

654
00:53:51.039 --> 00:53:54.840
like? It can be. It
can be difficult for some people depending upon

655
00:53:54.960 --> 00:54:00.079
who you who you're dealing with,
and who you're around. Fortunately, for

656
00:54:00.199 --> 00:54:05.039
me, the people some of my
best friends even today are people that I

657
00:54:05.079 --> 00:54:07.880
went to school with a Fareleigh Dickinson, who don't look like me, not

658
00:54:08.039 --> 00:54:14.960
even of the same religion as me. But there was there was a camaraderie

659
00:54:15.039 --> 00:54:20.000
that you developed on campus that kind
of superseded the color. Where they were

660
00:54:20.079 --> 00:54:24.480
learning from me, and I was
certainly learning about them from them, both

661
00:54:24.599 --> 00:54:31.639
on a cultural basis as well as
a religious basis. So there it was

662
00:54:31.679 --> 00:54:37.440
one of the better things that probably
happened to me in life because at that

663
00:54:37.639 --> 00:54:40.960
coming from the South, I had
not been around white people. You know,

664
00:54:42.039 --> 00:54:45.679
that wasn't that wasn't what I had
done, and the experiences that I

665
00:54:45.760 --> 00:54:52.639
had or knew about people that did
not look like me were negative experiences.

666
00:54:53.039 --> 00:54:59.159
Now I finished, I graduated high
school in sixty four, so I didn't

667
00:54:59.159 --> 00:55:04.880
go to fair I went to Rockland
Community College prior to that, but I

668
00:55:04.920 --> 00:55:08.039
worked at Let's Where Village during that
time, and even then, I would

669
00:55:08.119 --> 00:55:15.000
say the experiences with many of the
white people there were superficial. You know,

670
00:55:15.079 --> 00:55:17.559
it was nice, but you knew
you felt as if it was a

671
00:55:17.639 --> 00:55:23.719
force niceness and discrimination was certainly prevalent
during that time. I mean, you

672
00:55:23.719 --> 00:55:30.519
didn't have an administrative of color,
let's where philis during that time. So

673
00:55:30.679 --> 00:55:35.559
going in to family, I began
to see that there was some genuine people

674
00:55:35.960 --> 00:55:38.280
on the other side of the track, so to speak. You know,

675
00:55:39.119 --> 00:55:43.079
one last point, well Burn,
You know, I heard a very interesting

676
00:55:43.239 --> 00:55:47.840
point made by one pundit that nobody
really picked up about affirmative action, that

677
00:55:47.920 --> 00:55:54.519
it not only benefits students of color, it benefits all students by increasing diversity.

678
00:55:55.000 --> 00:56:00.639
So that, you know, you
mentioned exposure to different cultures again,

679
00:56:00.719 --> 00:56:05.840
I went to I'll never forget.
I went to Lily white virtually Fortley High

680
00:56:05.840 --> 00:56:08.840
School, and then I went to
Rutgers in Newark and played football there with

681
00:56:08.920 --> 00:56:15.960
black men. It was an experience
literally, physically, spiritually, emotionally.

682
00:56:15.000 --> 00:56:19.039
I had never been, as you
had mentioned, ever, never been about

683
00:56:19.039 --> 00:56:23.440
white around white people. I had
never been around black people before, and

684
00:56:24.079 --> 00:56:29.000
just in generalism sort of see certain
habits and cultural things, how they shared

685
00:56:29.079 --> 00:56:34.440
with one another was fascinating to me. So it enriched me as well as

686
00:56:34.519 --> 00:56:37.639
others, And that point somehow gets
missed. Total thoughts on that. Well,

687
00:56:37.719 --> 00:56:40.639
that's another thing that you just hit
the nail on the head when you

688
00:56:40.679 --> 00:56:46.239
mentioned diversity. That's one of the
things that affirmative action did. It provided

689
00:56:46.679 --> 00:56:53.760
diversity, equity, and inclusion.
It was a main road to get those

690
00:56:53.800 --> 00:57:00.480
things started, so that once it
was started, people then began to perform

691
00:57:00.480 --> 00:57:06.440
in a manner in which other people
saw that the people were not so much

692
00:57:06.480 --> 00:57:09.599
different. We had more things in
common than we had not in common.

693
00:57:10.400 --> 00:57:17.800
We had more The intelligence level was
not substandard. It was in most instances

694
00:57:17.840 --> 00:57:25.119
equal in most instances. Now I'm
referring to after the college education. It

695
00:57:25.320 --> 00:57:30.320
always amazed me when I first after
that first finished college and I started this

696
00:57:30.360 --> 00:57:35.199
work and I would go speak,
people would say, oh, you speak

697
00:57:35.280 --> 00:57:40.920
so intelligently, which, in essence
said to me, you really expected me

698
00:57:42.079 --> 00:57:45.679
to be I guess, illiterate,
or or to speak unintelligently. I guess

699
00:57:46.039 --> 00:57:51.519
I'm not sure what they expected,
but obviously it wasn't that I would be

700
00:57:51.679 --> 00:57:55.800
speaking as anyone else would speak.
So that was one of the things.

701
00:57:55.800 --> 00:58:00.920
So, I mean, there are
many many ways affirmative action has change this

702
00:58:00.119 --> 00:58:05.920
country for the better. So to
strike it down and essence puts us back

703
00:58:06.159 --> 00:58:10.519
to where we were. I remember
part of initially an affirmative action. I

704
00:58:10.599 --> 00:58:17.400
worked in human resources, and human
resources we had to report on the number

705
00:58:17.440 --> 00:58:25.320
of hires based upon race. It
was done by observing people and therefore figuring

706
00:58:25.360 --> 00:58:30.039
out what race they were, and
in some instances that was more difficult than

707
00:58:30.079 --> 00:58:34.760
you would think, but then it
was reported, so there was a It

708
00:58:34.840 --> 00:58:38.840
was as if Big brothers watching to
make sure that you are employing all kinds

709
00:58:38.920 --> 00:58:44.920
of people and not people that just
looked like one in particular group. That's

710
00:58:44.920 --> 00:58:50.679
a good thing, excellent. When
I left, When I left human Resources

711
00:58:50.679 --> 00:58:55.800
and went into other areas, at
some point that part of affirmative action was

712
00:58:57.039 --> 00:59:04.920
also stopped, So the reporting was
stopped when I left. I'll say Luxworth

713
00:59:04.960 --> 00:59:10.880
Village for an example. When I
left there, the management level of Luxworth

714
00:59:12.000 --> 00:59:17.760
Village was extremely diversed. Any kind
of name, a person of nic culture

715
00:59:19.079 --> 00:59:22.880
and you could find it there,
or any race you could find it there.

716
00:59:23.760 --> 00:59:32.960
Within eight years that totally had dissipated
to as of today it is completely

717
00:59:34.360 --> 00:59:45.000
quite again. So there is a
tendency to revert back to what was instead

718
00:59:45.039 --> 00:59:49.480
of continuing forward. One of the
things that the NAACP is doing. And

719
00:59:49.480 --> 00:59:55.199
we had a national call to action
meeting last week after this was done fact

720
00:59:55.280 --> 00:59:59.719
the night, the day, the
next day, and in that meeting we

721
00:59:59.760 --> 01:00:06.039
are we have been asked to contact
all of the educational institutions that we deal

722
01:00:06.079 --> 01:00:12.559
with on a local basis and ask
them to sign on sign a petition that

723
01:00:12.719 --> 01:00:20.679
they will continue to push diversity,
equity and inclusion in their institutions. That's

724
01:00:20.760 --> 01:00:28.400
from public education to private education as
far and as well as colleges is concerned.

725
01:00:29.400 --> 01:00:31.159
Well, that's the least we can
do at this point. Will We're

726
01:00:31.199 --> 01:00:36.760
Aldred. You're always welcome here on
being frank, your your intelligent conversation is

727
01:00:36.800 --> 01:00:39.719
always welcome. I want to thank
you for joining us. Oh, thank

728
01:00:39.719 --> 01:00:43.559
you, thank you again to this
opportunity. I'm sad that I have to

729
01:00:43.599 --> 01:00:46.440
be talking about you know, I
mean, we're just talking about celebration and

730
01:00:46.760 --> 01:00:52.159
Juneteenth, and a few weeks later
here we're back to square one. I

731
01:00:52.280 --> 01:00:54.199
let what people talk about the good
old days, Well, the old days

732
01:00:54.239 --> 01:00:57.960
may not have been all that good. When you're stopping you, well,

733
01:00:58.039 --> 01:01:00.559
actually it may be better than the
days that comment. So I don't know,

734
01:01:00.800 --> 01:01:05.639
there's a little bit of a bit
of a scary thought that will have

735
01:01:05.679 --> 01:01:08.360
to live. We'll have to leave
it it there. You know, I'd

736
01:01:08.400 --> 01:01:12.400
like to thank Neil Richter of course, the mailman, our engineer, you

737
01:01:12.440 --> 01:01:15.880
know, he drives the bus,
he gets us to our destination where we

738
01:01:15.920 --> 01:01:19.320
need to be. But of course, our most special thanks to our listeners

739
01:01:19.559 --> 01:01:22.000
who take the time to give us
a voice in their lives. Remember we

740
01:01:22.039 --> 01:01:27.360
offer a fresh topic every week and
you can catch us wherever and whenever you

741
01:01:27.440 --> 01:01:31.280
get your favorite podcasts, Apple,
Spotify, iHeart Speaker and more. You

742
01:01:31.320 --> 01:01:36.920
can check us out on the Hudson
River Radio Facebook page or Hudson River Radio

743
01:01:37.039 --> 01:01:39.440
dot com. Click on Being Frank
and you can listen to any show.

744
01:01:39.719 --> 01:01:43.760
Of course, at the end of
every program, I like to leave you

745
01:01:43.800 --> 01:01:47.119
with what I like to call two
nuggets, and I think Wilbur and our

746
01:01:47.159 --> 01:01:52.880
first guests will appreciate this. It's
from Frederick Douglas. Where justice is denied,

747
01:01:53.480 --> 01:01:59.920
where poverty is enforced, where ignorance
prevails, and where any one class

748
01:02:00.159 --> 01:02:05.960
is made to feel that society is
an organized conspiracy to impress, rob and

749
01:02:06.039 --> 01:02:12.440
degrade them, neither persons nor property
will be safe. So there's there's still

750
01:02:12.440 --> 01:02:15.119
work to be done. But We've
got some good music to leave you with

751
01:02:15.199 --> 01:02:16.639
from a good friend of mine,
a co worker, former co worker.

752
01:02:16.679 --> 01:02:20.760
I'm retired now. I brag about
that all the time because I like it.

753
01:02:22.280 --> 01:02:24.719
He was a co worker, is
also a terrific musician. His album

754
01:02:24.840 --> 01:02:28.920
is a World Like This and it's
a really cool rock and roll song called

755
01:02:29.199 --> 01:02:35.000
American Standardsville. I'm your host.
Thank you watching for I'll get it right,

756
01:02:35.119 --> 01:02:37.920
hold on, I got it gay, slow down right, I'm gonna

757
01:02:37.159 --> 01:02:40.039
I'm not gonna say viewers. I'm
gonna say listeners. Neil, I see

758
01:02:40.280 --> 01:02:43.719
you can't see him, but I
can see him smiling. I just got

759
01:02:43.760 --> 01:02:49.480
the thumbs up. How close Now. I want to thank everyone for listening

760
01:02:49.519 --> 01:02:52.760
to be Frank. I'm your host, Frank Lebaro. We'll see you next

761
01:02:52.760 --> 01:03:34.159
week. One drown. What you
see in my eyes? Tell me that

762
01:03:34.360 --> 01:03:47.159
it's not a life I was behind. It's fun down, it's the bed.

763
01:03:52.760 --> 01:03:59.320
Something's got to change, something's got
to change in my life. The

764
01:03:59.519 --> 01:04:06.760
Summit's gotta change. Something that's gotta
change in my life. Someone's gotta change.

765
01:04:06.840 --> 01:04:16.639
And reading the same my life,
in my life, in my life,

766
01:04:18.920 --> 01:04:29.199
I can see flash in your eyes. Drop down like that, by

767
01:04:29.480 --> 01:04:42.480
desire. But I am a million
mouths from your work under sky. That's

768
01:04:42.519 --> 01:04:49.960
a dressed him by. Someone's gotta
change. Something's gotta change in my life.

769
01:04:53.800 --> 01:05:00.400
Something's gotta change. Something that's gotta
change in my life. Someone's got

770
01:05:00.400 --> 01:05:06.000
to change. Every is the same
in my life and my life, in

771
01:05:06.320 --> 01:05:45.800
my life and my life and my
life. Someone's got to change. Someone's

772
01:05:45.840 --> 01:05:53.920
got to change in my life.
Someone's got to change. Something's got to

773
01:05:54.039 --> 01:06:01.159
change in my life. Someone's got
to change. I decided in my life

774
01:06:01.679 --> 01:06:42.920
and my life and my life,
my life, my life. Hells turn

775
01:06:43.920 --> 01:06:56.880
pavement, come to deny. He
has glittered with denial. She yes,

776
01:06:57.639 --> 01:07:11.840
I haven't change. To change it
to Someone's got to change. Something's got

777
01:07:11.960 --> 01:07:18.800
to change in my life. Someone's
gotta change. Something's gotta change in my

778
01:07:18.880 --> 01:07:28.599
life. Someone's gotta change. Everything
the same in my life and my life

779
01:07:29.159 --> 01:08:09.920
and my life, in my life, in my life. This is Hudson

780
01:08:10.039 --> 01:08:12.760
River Radio dot com.

