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You're listening to the Mind over Murder
podcast. My name is Bill Thomas.

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I'm a writer, consulting, producer, and now podcaster. I am now

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trying to use my experience as the
brother of a murder victim to help other

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victims of violent crime. I'm working
on a book on the unsolved Colonial Parkway

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murders, and I'm the co administrator
of the Colonial Parkway Murders Facebook group together

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with Kristin Dilly. My name is
Kristin Dilly. I'm a writer, a

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researcher, a teacher, and a
victim's advocate, as well as the social

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media manager and co administrator for the
Colonial Parkway Murders Facebook page with my partner

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in crime, Bill Thomas. Welcome
to Mind Ever Murder. I'm Kristin Dilly

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and I'm Bill Thomas. We're joined
today by author Robert Kolker, here to

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talk about his New York Times bestselling
book Lost Girls, an unsolved American mystery.

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Thank you so much for joining us
on Mind Ever Murdered today. It's

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great to talk with you both.
Thank you. Go ahead and start off

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by telling us a little bit about
your professional and educational background. I grew

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up in Maryland and went to college
in New York and stayed there. I've

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been a New Yorker for over thirty
years. I've been a journalist for thirty

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years, mostly in magazines. More
than half that time I was a staff

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writer at New York Magazine, writing
feature stories and cover stories, a lot

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of crime stories, a lot of
narrative stories about complicated subjects. Lost Girls

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actually evolved from a cover story about
the Long Island serial killer case that I

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wrote back in twenty eleven. Then
the book came out in twenty thirteen.

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Since then, I've written another book, Hit in Valley Road, that was

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a number one bestseller and an Oprah
book. And I like to go back

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and forth between magazine stories and books. It's a dream career, so I'm

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very grateful to be able to do
it. When we talk about Lost Girls,

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the book and this case, where
do you find yourself coming down in

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terms of referring to this case by
name? Are you going with Gilgo Beach?

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Are you going with Long Island serial
Killer? It's the most amazing thing.

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The entire time I wrote the book, people were saying Long Island serial

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Killer. I called it the Long
Island serial Killer. Then Shortly after the

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book was published, people started to
shorten it and call it LISK. There's

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a fine documentary series called The Killing
Season with some nice people who run it,

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and they suddenly it's all lisc,
lisk, lisk, and that was

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interesting. And then the second this
arrest happens, it's the Gilgo Beach murders

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and the Gilgo Beach Killer, which
I hadn't seen in such high circulation before.

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So I'm happy to go where the
wind blows and go with gilg Beach

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Killer. At this point we had
noticed the same thing because people referred to

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it as Long Island serial Killer,
and we know people that have written about

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it and covered the case on podcasts. And then with the arrest, we

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find ourselves stumbling to describe the series
of murders accurately. Now people are almost

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talking about them as if they're separate
events. We've got four or four women

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who have been at least potentially linked
to Rex humermen and they're being referred to

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as the Gilgo Beach four. It's
almost like Long Island Serial Killer or LISK

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is a separate case. Any thoughts
on that those four sets of remains were

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always set apart from the others.
They were very particular compared to the others

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that were found, but there was
a constant debate about whether they should be

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a separate case or not, or
whether it's all one potentially one killer.

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In fact, there was a huge
breakdown from the very beginning between the COmON

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Police Commissioner at the time and the
district attorney at the time about whether there

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was one killer or more than one
killer, and that was one of the

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first reasons why the case centered paralysis
in my opinion. But it interests me

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now that there's an arrest that this
becomes the Gilg Beach killer, and these

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other murders are often the ether,
and it's anyone's guests whether they will be

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tied to. It's a tough one
because you have so many victims to account

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for, some of whom have been
identified and some of whom still have not,

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which is just stunning to me that
someone in New York City could be

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unidentified in a murder case like this
for ten years. It's interesting to think

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that we need to be that specific
with our killers because there are so many

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of them, and certainly there is
more than Long Island serial killer. There

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was Joel Rifkin from another generation who
is far more prolific than it appears.

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Rex Huerman was, so, if
you want to get scholarly about it,

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maybe it makes sense to be more
specific with your titles. How did the

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Gilgo Beach cases actually come onto your
radar? I was on staff at New

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York Magazine. I had lived in
Brooklyn. I had a car, which

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meant that it was the pretty easy
for me to get out to Long Island.

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I had done some Long Island stories
in the past before this, there

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were crime stories, and in those
first four remains. When the Gilgo four

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were found in December twenty ten,
my editor turned to me and said,

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this looks like it's for you,
and I resisted. I was probably intimidated

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by such a competitive story because it
was already national news. But also I

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was jaded and I was skeptical.
I thought, they're going to solve this

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case in twenty four hours. Just
a year and a half earlier, there

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had been a Craigslist killer in New
England who murdered one person and the police

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found him within forty eight hours.
So I thought, for people who the

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police say are sex workers, that's
four digital trails from the Craigslist. They're

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going to find this guy before I
even get in my car. But also

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I had that wasn't the only incorrect
assumption I made. I also was dead

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wrong about something else, which was
when I learned that these four women were

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supposedly escorts. I thought, we're
never going to learn a thing about these

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women. At the time, I
subscribed to the cultural stereotype that had been

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part of even good true crime shows
like The Wire, where they find a

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bunch of dead bodies and it propels
the plot in motion, and we assume

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those people were trafficked, and that
we don't know their names and we'll never

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learn from them again. I assumed
that these women lived off the grid,

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that they were outcasts from their families, that they were lost long before they

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were lost. But in fact,
the only reason they were lost is because

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we decided they were lost. They
had families, they had people who loved

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them, people who wanted the police
to look for them when they went missing,

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people who were frustrated by the lack
of efforts made by the police,

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people who had trouble even getting their
names onto the registry of missing persons.

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And only when it became a big
serial killer case did suddenly law enforcement have

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a vested interest in trying to solve
their cases. It became interesting to me

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how wrong I was at first,
And it became more interesting to me once

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I met the families how much they
had to talk about with one another,

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not just about their lost loved ones
and the lives that they led, but

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about the struggles that all of the
families had faced. They all were from

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different towns within striking distance of New
York, places like Portland, Maine,

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and Buffalo, New York, and
Wilmington, North Carolina, Grouton, Connecticut,

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and Jersey City, New Jersey.
And these are all places that never

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really recovered from the Big Crash of
two thousand and eight, places where people

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were still struggling, places where a
young person didn't have the entry level job

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opportunities that their parents or grandparents have. And it's a time where sex work

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is changing. You don't have to
walk down the street, you don't have

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to be under the control of a
pimp, you don't have to be a

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social outcast to be a sex worker. And if you work on Craigslist,

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you don't have to work full time. In fact, most people don't,

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and you can make far more money
than you would make at the dunkin Donuts

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or at the Walmart. It's not
even close. And it's time after time.

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As I researched these women's lives,
I saw people who were experiencing economic

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shocks of a certain sort. Maybe
they're facing eviction, and they see in

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a way to make money quickly.
They see it as a means for social

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mobility. To me, that is
the opposite of the stereotym type. To

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me, the stereotype is somebody who
is leading a life of drug addiction or

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is traumatized from a life of abuse, and falls into this work because they're

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desperate and addicted. If substances became
a problem for some of these women,

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it happened later, it happened after, and that was interesting to me too.

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And then abuse was way inconsistent.
Some of them had been abused,

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and then others had not, but
their sisters had, and yet they were

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the ones who became escorts. I
just became more and more interested in how

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surprising their lives were, and I
thought this could be a potentially small but

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special book, a book that could
come out with or without a killer.

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I was a little worried the publisher
would force me to wait until there was

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a killer. But I was very
pleased and grateful that my editors and my

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publisher, HarperCollins, they subscribed to
the same idea I had, which was

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a sort of off the beaten path
true crime book that was as much about

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the ways of life of all of
the women and their families and the media

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maelstrom that engulfed them after the case
happened as it was about the search for

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the killer. And so I was. I thought it would be a very

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small, but potentially highly regarded book. And what surprised me was that within

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a year or two, unconventional,
socially minded, high minded true crime suddenly

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became everyone's favorite thing. Cereal high
happened, and making a murder happen,

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the jinx happened, streaming happened,
and suddenly multi part documentaries happened, and

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then finally podcasts happened, And to
the extent that Lost Girls had a life

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for many years after it was published. It was because it hit that wave

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and rode that wave with so many
other really excellent works of true crime.

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And I think that's why the movie
got made too, Because it was time

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the world was ready, particularly with
me too. The world was ready for

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a story about listening to women,
about women who had been forgotten. It

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is a very sensitive portrait and it
definitely opened my eyes to what it is

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like for women who work as sex
workers, because it isn't something that I

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had given it a ton of thought
to. But as I'm sitting here reading

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this, I'm going, Wow,
this is heartbreaking in a lot of ways.

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I really appreciated the sensitivity and the
warmth that you gave to these women.

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And it's very clear that you spend
a lot of time with the family

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members of the victims, still close
with them, especially now in light of

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the recent arrest. Are you still
talking with them? Is this relationship that

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you've continued to cultivate over the years. There are a few who I'm send

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happy texts back and forth with over
time. There are some who I haven't

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really seen since the Lost Girls movie
came out, but I've just hit the

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like button when they've done something on
Facebook. It was a horrible time in

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their lives when I was talking with
them, and for some of them,

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talking with someone who ranted to write
a book was the last thing they wanted

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to do. After they had already
taken time off from minimum wage jobs to

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go down to New York to be
interviewed for forty eight hours or dateline.

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They didn't understand and didn't necessarily want
to be a part of it. I

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traveled where they were. I tried
to see them whenever I could. And

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I was witnessing them as the case
was still fresh on Long Island, as

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there was news coming basically every day, and I was watching their reactions,

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and I think that that's a traumatic
time for them. And I've been talking

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withlaw enforcement people recently since the arrest, and they've talked with some of these

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family members recently, and they talk
about how they seem very normal until you

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start talking about the nitty gritty of
the case, and then it's like a

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film covers over them and they stiffen
up, and it's like they go back

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to that time when the case was
fresh. So I'm not out barbecuing with

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them these days. No. Also, I appreciate what you said about the

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book's warmth and it's compassion. It's
a very tricky thing. I'm a consider

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myself a traditional journalist, not an
advocacy journalist. I didn't want to write

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a book that sort of turned these
women into angels, or carry the flag

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for them, or to beat the
drum and say, who will speak for

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these women? I will. I
wanted to do a book that was anthropological,

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that kind of looked very carefully and
sensitively at the lives these people left

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It led in perhaps a non judgmental
way, but not in a way that

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turned them into a different kind of
trope, like the poor innocent babe in

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the woods who gets killed by a
hannibal lector monster. I didn't want to

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fall into that trap either, and
I end up toward the end of Lost

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Girls, just coming out and saying
it like they weren't angels and they weren't

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devils. They each got involved in
escort work for different reasons, but they

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were deeply personal reasons to each of
them. One of them wanted to went

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away back into her family, and
another one wanted to have a close relationship

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with their sister, and another was
in love with her boyfriend and thought that

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they could build a family together with
their money. It just everybody's reasons were

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different. When I read these sort
of deep dives of the biographies of the

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women that you focus on, I
do see a through line though, of

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some terrible choices and drug addiction and
abuse, and even a mix of escort

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work with providing drugs cocaine and other
drugs to their johns. Don't you think

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that's part of the mix. For
a lot of these women, the idea

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of being your own boss is attractive, and escort work puts you for a

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brief period. It's occurred to me
as the center of attention. You're the

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star, and for someone leading an
otherwise humdrum life where you're under it all

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the time. Marian Brainerd Barnes in
Connecticut, who always is having trouble paying

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the rent and is always having trouble
keeping a job, to be able to

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go down to New York and stay
in a hotel room and walk around Times

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Square and see the lights, and
then go see men who want to see

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her, who want to give her
money. You can tell yourself a story,

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and I wanted to make sure that
aspect of things really appeared in the

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book. With drugs. The bleakest
story becomes Amber Costello, who really is

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a tragedy that began years before she
even came to New York. Her parents

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essentially are deteriorating because of health problems
standing from their own addictions. All she

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has in life is her big sister, Kim. Kim is an escort.

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Amber becomes an escort. They travel
together, they do everything together, and

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eventually addiction follows. By the time
she's in Babylon Long Island, the addiction

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is in full effect. Actually she
came to Long Island to go into rehab.

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Her sister paid for it. But
then she came out and the boyfriend

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who she met there, the two
of them went right back into it.

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And so yes, the sex work
at that time is fully sustaining the drug

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habit. And there's really gruesome detail
in Lost Girls about the lives that they

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were living in Long Island before she
disappeared. And this is this gets so

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bleak that when she does disappear,
no one, not even her sister,

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goes to the police because they don't
think they'll be taken seriously, and also

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because they don't want to draw attention
to the lives that they're leading. And

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that's as bad as bleak as it
can get. It seems to me,

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as the English teacher in the room, I do want to ask about your

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writing process, because I ask this
of every author that we have on the

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pod because I think that in some
way it will probably help me teach my

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00:14:52,480 --> 00:14:56,080
own students. Can you tell us
a little bit about your writing process and

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00:14:56,120 --> 00:15:01,000
how that process is informed by your
vocation as a reporter. I'd never written

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00:15:01,000 --> 00:15:05,279
a book before Lost Girls. I'd
written magazine stories. Those stories, a

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lot of them were narrative in nature, and a lot of them involved interviewing

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people who were in difficult life situations
and telling their stories. And I understood

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that to talk chronologically with those people
was interesting and helpful. Didn't even didn't

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just help with writing, it also
helped create a cogent way of thinking about

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their lives. And so I thought, I talked myself into thinking this would

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be easy. I thought, this
will be like five magazine stories about five

224
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women and their families, and then
a six magazine story about the case and

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Bibbity Bobby boo. There'd be a
book, maybe a small book, a

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very short book. Then I would
be done. And of course it wasn't

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that easy. I had just enough
of an advance to afford to take six

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months off of work from New York
Magazine without us so that and so I'd

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outcome proof the book for myself.
I said, even if the book sinks

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like a stone and nobody reads it, I won't have lost any money and

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I will have had a good experience
working on something that I thought was interesting.

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So that's how I was able to
go to sleep night for the first

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six months of and the book was
due a year. So for six months

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I stayed on the clock at New
York Magazine, and I took little side

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trips here and there to all the
hometowns, and I interviewed everybody I could,

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00:16:11,759 --> 00:16:15,559
and I racked up hours and hours
of audio, and I didn't really

237
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look at the audio, and I
had an extravagance, which is I paid

238
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to have all the audio transcribed.
I thought that he if I had to

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00:16:22,759 --> 00:16:25,960
sit and transcribe it all, not
only would it take a month, but

240
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also I probably wouldn't be the same
person at the end of it, because

241
00:16:29,639 --> 00:16:32,879
I find it to be rather demoralizing
to sit and listen to my own voice

242
00:16:33,440 --> 00:16:37,240
talking to people. So six months
go by, and I have six months

243
00:16:37,320 --> 00:16:41,080
left before the book is ready,
and I have all this transcribed interviews,

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and that's when the clock starts.
That's when I take off work and I

245
00:16:44,320 --> 00:16:48,480
sit down and I created six buckets, one for each woman and her family

246
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and one for the investigation. And
I looked at a calendar and I charted

247
00:16:52,519 --> 00:16:56,039
out how much time I would divide
it up, how much time I would

248
00:16:56,039 --> 00:17:00,480
spend trying to write the sloppiest,
worst possible draft version of each of these

249
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stories. And I went to work, and the time pressure kept me from

250
00:17:03,319 --> 00:17:07,839
stopping. My motto don't just keep
going. So if I had a problem

251
00:17:07,880 --> 00:17:10,759
with a section, I would just
make a little mark saying you're gonna have

252
00:17:10,839 --> 00:17:14,000
to come back to this, and
then just kept going. But the real

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thing that kept me courage as I
was working on it was that I already

254
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had an idea for what the book
would look like. I was influenced by

255
00:17:19,960 --> 00:17:25,519
the Executioner's Song by Norman Mailer,
which is really two books in one.

256
00:17:25,920 --> 00:17:27,559
I hear you say, yeah,
the first part of the book is the

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prelude to the crime, and the
second is the aftermath, And so I

258
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thought that that would work here.
You'd have a part one that is the

259
00:17:34,839 --> 00:17:40,319
lives of the women from the moment
they are born to the moment that they

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disappear, and then part two would
be everything that happened after their bodies were

261
00:17:45,440 --> 00:17:49,119
found, the blow by blow of
the media Maelstrom, the trauma of the

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families coming together and finding each other, the police dysfunction, the rumor mill,

263
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the conspiracy, theories of who've done
it, and then finally, as

264
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an end, where they all are
now and how they look toward the future.

265
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And so I knew that it was
going to look like that, and

266
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that kept me going as well.
But as I wrote Just to I had

267
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lots of unanswered questions. I didn't
know if I was writing a pulse detective

268
00:18:15,160 --> 00:18:18,960
book, like if I was writing
an Elmore Leonard novel that was nonfiction it

269
00:18:19,000 --> 00:18:25,680
was something grizzly and tough, or
if I was writing something intellectual and removed

270
00:18:25,720 --> 00:18:30,960
and anthropological and that would read like
a sociological study of these people. I

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00:18:30,000 --> 00:18:33,640
didn't know which way I was going. I couldn't figure out what the voice

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was going to be, and so
I decided to just hit the gas and

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be as explicit and tough as possible, and then I could always dial it

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back, and that's what I did. But somewhere in there there was a

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second question I realized, which was, how OnEarth are you going to not

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just differentiate these women for readers,
but lead the reader through and around these

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worlds. And so I had lots
of chapters where I was the intermediary.

278
00:19:00,000 --> 00:19:03,160
Say, a chapter begins, it's
going to talk about Meghan Waterman. The

279
00:19:03,240 --> 00:19:06,440
chapter begins with me saying, I'm
sitting on a park bench talking to Megan

280
00:19:06,480 --> 00:19:10,920
Waterman's mother. It's been six months
since her daughter's been found, and she

281
00:19:10,960 --> 00:19:12,000
lives in Portland, and this is
what her life, saying, this is

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the story. She tells things like
that that got me through the first draft.

283
00:19:15,319 --> 00:19:18,880
But then when I handed into my
editors, they immediately said, you

284
00:19:18,880 --> 00:19:25,039
don't need to be in this book
so much. And I immediately was relieved.

285
00:19:23,359 --> 00:19:27,440
I was so psyched because what I
said to them was, so you

286
00:19:27,480 --> 00:19:30,440
think I have enough? I have
enough without me, And they said,

287
00:19:30,440 --> 00:19:33,240
oh yeah, yeah, You've learned
enough about each of these women that you

288
00:19:33,279 --> 00:19:37,039
don't need to be in it.
And that was extremely encouraging. And so

289
00:19:37,079 --> 00:19:41,079
the rewrite became about finding new ways
to start those chapters. So you then

290
00:19:41,200 --> 00:19:45,920
found yourself pulling back a little bit, and there wasn't so much of I'm

291
00:19:45,920 --> 00:19:49,519
sitting here on a park bench on
a sunny all day or whatever. Yeah,

292
00:19:49,599 --> 00:19:53,240
I was going in with the impression
that the world I was describing was

293
00:19:53,279 --> 00:19:56,720
so alien to most readers that they
would need someone to hold their hand and

294
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take them through it. But actually, what I learned was that wasn't necessary

295
00:20:02,720 --> 00:20:04,720
at all, and I was really
happy about that. I am not the

296
00:20:04,759 --> 00:20:10,039
sort of magazine writer who puts myself
in stories, and so it was an

297
00:20:10,079 --> 00:20:11,880
uncomfortable place to be in any way. So I was like, great,

298
00:20:12,160 --> 00:20:15,440
I show up in the book at
the moment that I show up in the

299
00:20:15,759 --> 00:20:19,039
chronology, when the case is when
the families have surfaced and the media is

300
00:20:19,039 --> 00:20:22,839
paying attention to them and somebody wants
to get to know them better. That's

301
00:20:22,880 --> 00:20:25,480
when I am there as a fly
on the wall. But you don't learn

302
00:20:25,519 --> 00:20:30,400
about me. I'm just part that
allows for scenes where it's just me and

303
00:20:30,599 --> 00:20:33,839
one person, one on one talking
about things, that allows for those scenes

304
00:20:33,839 --> 00:20:36,519
to appear in the book. But
it's not like it's me as a character.

305
00:20:36,559 --> 00:20:41,039
It's me as an interviewer. You
didn't Truman Capodia exactly exactly fact,

306
00:20:41,119 --> 00:20:48,359
same thought it is. It really
is just a wonderful piece of writing.

307
00:20:48,519 --> 00:20:51,920
Honestly, Bob, it's amazing.
Well, thank you. I was.

308
00:20:52,079 --> 00:20:57,160
I thought that the biggest challenge would
be to try to understand women who I

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was never going to meet through the
eyes of the people who knew them,

310
00:21:02,039 --> 00:21:06,079
And at first I thought it might
not be possible, but then I realized

311
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that the women were in their twenties, that they weren't sixteen, They had

312
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lives independent of their families, and
so I thought of I could talk to

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hopefully more than one, but at
least one person who really knew them well

314
00:21:15,599 --> 00:21:18,839
in their adult lives, and I
was lucky enough to talk to more than

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00:21:18,839 --> 00:21:22,839
one for each of them, then
I would have a fully dimensional view of

316
00:21:22,880 --> 00:21:26,319
who they were. And I decided
that I would try to solve the answer

317
00:21:26,359 --> 00:21:29,559
of why did each of them become
a sex worker? Why did they become

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00:21:29,599 --> 00:21:33,279
an escort? Why did they make
the decision that their cousin or their sister

319
00:21:33,200 --> 00:21:37,359
never did. What was it about
it for them? And I had trouble

320
00:21:37,400 --> 00:21:40,880
finding the answer to that question for
each of them, because even as I

321
00:21:40,920 --> 00:21:44,039
interviewed people who knew them well,
at no point did any of those people

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00:21:44,079 --> 00:21:47,359
say to me. And that's the
day I remember that she looked at me

323
00:21:47,440 --> 00:21:51,319
and she said, you know what
I'm going to advertise on Craigslist that just

324
00:21:51,400 --> 00:21:53,880
never happened. There was no moment
where it happened, and so I changed

325
00:21:53,920 --> 00:21:59,480
the question. I realized that the
way to understand anyone in fiction or in

326
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nonfiction is to find out what they
want out of life, what they want,

327
00:22:03,880 --> 00:22:06,640
And so I sat down and I
did some thinking based on all my

328
00:22:06,720 --> 00:22:10,000
interviewing. What does Maureen want,
what does Megan want? What does Shannon

329
00:22:10,000 --> 00:22:11,880
want? What does Amber want?
What does Melissa want? And what they

330
00:22:11,920 --> 00:22:17,839
wanted were all different things. I
talked before about Shannon being alienated from her

331
00:22:17,839 --> 00:22:21,440
family and wanting to get back in. In the book, I talk about

332
00:22:21,519 --> 00:22:25,079
Melissa wanting to be successful and not
to lead the life that her mother,

333
00:22:25,240 --> 00:22:29,119
who had her when she was sixteen, led. She came to New York

334
00:22:29,160 --> 00:22:32,920
for a whole different life, and
Maureen wanted to pay for her rent so

335
00:22:32,960 --> 00:22:34,799
that she wouldn't be evicted, so
that she could prove that she could have

336
00:22:34,880 --> 00:22:38,319
custody of her son. It goes
on, and Amber wanted to be close

337
00:22:38,359 --> 00:22:42,440
to her sister Kim, who I
talked about a moment ago. Everybody had

338
00:22:42,480 --> 00:22:45,960
something different, and that suddenly was
to me, was the key to understanding

339
00:22:47,000 --> 00:22:51,240
these people as individuals and not as
plot devices in a true crime story.

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You're listening to Mind over Murder.
We'll be right back after this word from

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00:22:55,720 --> 00:23:03,519
our sponsors. We're back here at
Mind over Murder. One process question.

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00:23:04,079 --> 00:23:07,920
You're talking to a number of different
people, and even listening to you described

343
00:23:07,960 --> 00:23:12,559
the process. I get how you're
talking about these women as younger, really

344
00:23:12,599 --> 00:23:18,559
girls growing up. Also talked to
people that were more of their contemporaries,

345
00:23:18,559 --> 00:23:21,799
that were their friends, that were
able to tell what they were up to

346
00:23:22,079 --> 00:23:26,240
pretty close to the moment they disappeared. Were any of these people resistant to

347
00:23:26,319 --> 00:23:30,920
the idea that you were going to
plunk down a digital recorder and record the

348
00:23:30,000 --> 00:23:36,759
conversation. Did you encounter much resistance, because some of this is a painful

349
00:23:36,960 --> 00:23:41,880
and b some of these people are
involved in illegal activity, particularly the friends

350
00:23:41,880 --> 00:23:45,839
and associates. Did anybody say I
don't want to be recorded or you had

351
00:23:45,880 --> 00:23:52,920
to do the traditional reporter's notebook approach. That's a very interesting question because while

352
00:23:52,920 --> 00:23:56,519
it's certainly true that a lot of
people resisted being interviewed at first, and

353
00:23:56,559 --> 00:24:00,000
I just kept asking and kept moving, kept on moving through the book,

354
00:24:00,200 --> 00:24:04,119
and eventually, through gentle positive pressure, people agree to be interviewed. But

355
00:24:04,160 --> 00:24:07,480
once I actually sat down to be
interviewed, nobody flinched it the tape recorder.

356
00:24:07,519 --> 00:24:11,519
And that's something that I've noticed over
the years. I first was a

357
00:24:11,519 --> 00:24:15,079
reporter working on news stories in like
nineteen ninety two or nineteen ninety three,

358
00:24:15,440 --> 00:24:18,599
and it was terrifying to take out
a tape recorder because you would think that

359
00:24:18,640 --> 00:24:23,680
the person would completely freak out and
it would spoil the entire encounter. Quite

360
00:24:23,720 --> 00:24:26,799
often, you wouldn't want to do
it. You just sit there with your

361
00:24:26,799 --> 00:24:30,599
notebook. But the reality TV era
has changed it all. It's changed everything,

362
00:24:30,599 --> 00:24:33,599
and I'm sure podcasting has changed it
as well. It's a different time

363
00:24:33,680 --> 00:24:37,279
now where I can't remember the last
time someone has been upset about having a

364
00:24:37,279 --> 00:24:40,680
tape recorder out. In fact,
they're upset if you don't. They're like,

365
00:24:40,720 --> 00:24:42,319
what, you're not going to record
me? Because everybody thinks that they're

366
00:24:42,319 --> 00:24:45,519
going to get recorded. It's a
night and day change. And of course,

367
00:24:45,559 --> 00:24:48,279
the other night and day change is
that recording is so much easier now

368
00:24:48,319 --> 00:24:53,559
you're not flipping tapes and buying new
tapes, and god, it was horrible

369
00:24:55,279 --> 00:24:59,079
changing batteries in the whole nine yard. Yeah, exactly. It was like

370
00:24:59,119 --> 00:25:03,359
a like this own age. Talk
to us a little bit about Mary Gilbert

371
00:25:03,720 --> 00:25:07,279
and her murder at the hands of
her daughter Sarah. When and how did

372
00:25:07,359 --> 00:25:11,079
you hear about it? And what
was your emotional response to it? Such

373
00:25:11,119 --> 00:25:15,759
an awful turn of events, really
a real tragedy. Most tragic of it

374
00:25:15,799 --> 00:25:18,559
all was that the life that Mary
had been leading in the years since since

375
00:25:18,599 --> 00:25:22,359
Shannon's death had really been, in
many ways the life that she had hoped

376
00:25:22,359 --> 00:25:26,119
to lead, an exemplarly life where
she was really caring for the people around

377
00:25:26,119 --> 00:25:30,480
her. That wasn't always the case
with Mary. She was a really erratic

378
00:25:30,559 --> 00:25:34,680
person and had her own personal problems. I don't mean to be oblique here.

379
00:25:34,720 --> 00:25:37,400
I'm not talking about substances or anything
like that, but just as a

380
00:25:37,440 --> 00:25:42,079
personality, she could she was a
handful, but with her daughter Sarah,

381
00:25:42,119 --> 00:25:47,359
she was a caregiver. She cared
about her, and she cared about Sarah's

382
00:25:47,359 --> 00:25:51,519
son as well, who was in
the mix. Sarah had mental health problems.

383
00:25:51,559 --> 00:25:55,519
Sarah had been diagnosed with schizophrenia,
and Sarah's mental health took a nose

384
00:25:55,559 --> 00:26:00,839
dive after Shannon's body was finally found
and her relationship completely disintegrated, She was

385
00:26:00,880 --> 00:26:06,359
on her own. She had psychotic
breaks more than one. She had meds

386
00:26:06,359 --> 00:26:08,839
that she was supposed to be on. There was a sun that she was

387
00:26:08,839 --> 00:26:12,079
supposedly taken care of, and she
was taking okay care of him, but

388
00:26:12,119 --> 00:26:18,359
she became more and more angry with
her sister Cherie and also with Mary,

389
00:26:18,839 --> 00:26:22,960
particularly with Mary, and one day
Mary came and visited and was murdered by

390
00:26:23,000 --> 00:26:27,039
Sarah. Sarah you could say that
she was psychotic, she also was planning

391
00:26:27,119 --> 00:26:32,799
it, so she ends up getting
convicted of murder. The insanity defense doesn't

392
00:26:32,799 --> 00:26:36,160
work. It rarely works in the
United States, actually, but it didn't

393
00:26:36,200 --> 00:26:38,160
work for her. So she's in
prison there and Mary is gone, and

394
00:26:38,200 --> 00:26:42,279
it's just awful. It was July. It was basically the same time of

395
00:26:42,359 --> 00:26:47,799
year as when I first went this
year when I heard that rex Hureman had

396
00:26:47,839 --> 00:26:51,599
been arrested for the murders. So
it was weird that way, like the

397
00:26:51,640 --> 00:26:56,039
same weather, the same stuff I
was doing outside, and the call come.

398
00:26:56,480 --> 00:26:59,720
The call came when I learned about
Mary. I was really brought low

399
00:27:00,000 --> 00:27:04,039
and immediately on the phone and Facebook
and email and texting with everybody involved in

400
00:27:04,079 --> 00:27:07,599
the case. And at that point. Actually, I was on the film

401
00:27:07,640 --> 00:27:11,200
with Liz garbus too, the director
of the Lost Girls movie, because even

402
00:27:11,240 --> 00:27:14,079
then she was still she was trying
to develop it as a movie, and

403
00:27:14,519 --> 00:27:17,759
she had met with Mary just a
few months earlier and was ready to make

404
00:27:17,799 --> 00:27:21,680
a movie about Mary and her life. And suddenly Mary was gone. It

405
00:27:21,799 --> 00:27:26,079
was a real shocks. Something you
highlight in the book. In the latter

406
00:27:26,119 --> 00:27:30,240
part of Lost Girls, you talk
about the fact that Mary really seemed to

407
00:27:30,240 --> 00:27:37,960
find purpose in life following Shinnon's disappearance
and then ultimately her body being recovered.

408
00:27:37,079 --> 00:27:42,200
That seems to just make that losing
her that much more profound a loss,

409
00:27:42,240 --> 00:27:45,599
I think for all of us,
because I don't think she had great purpose

410
00:27:45,680 --> 00:27:49,759
in her life prior to losing her
daughter. I think the best way of

411
00:27:49,799 --> 00:27:55,440
explaining this is to talk about the
relationship with another daughter, Sharie, who

412
00:27:55,480 --> 00:27:57,640
if you read Lost Girls, really
is at odds with Mary. Toward the

413
00:27:57,720 --> 00:28:02,160
end, She's really angry with her, and Mary is alienating the people around

414
00:28:02,200 --> 00:28:04,880
her. It's a tough time.
But also Shari is upset with Mary for

415
00:28:04,920 --> 00:28:07,960
falling short in a lot of ways
as a mother. I want to focus

416
00:28:08,000 --> 00:28:12,599
on that because that changed after Lost
Girls came out. In the years before

417
00:28:12,920 --> 00:28:18,319
Mary's death, she mended fences with
Shari. She worked hard to take care

418
00:28:18,400 --> 00:28:21,799
of Sarah as well, and she
worked hard to try to keep the police

419
00:28:21,960 --> 00:28:25,680
focused on shin AND's death and to
get the nine one one tape released,

420
00:28:25,680 --> 00:28:29,319
and to get the as second autopsy
done, and to get the remains away

421
00:28:29,319 --> 00:28:33,119
from the possession of the police department
so that she could have a proper burial.

422
00:28:33,599 --> 00:28:34,839
She had real challenges towards the end
of her life, and she was

423
00:28:34,960 --> 00:28:41,519
rising to those challenges and repairing her
relationships with people. And that's the tragedy

424
00:28:41,720 --> 00:28:45,920
I think. So let's shift gears
for a minute here. What would you

425
00:28:45,039 --> 00:28:48,720
say, especially given the fact that
now we've finally seen an arrest in this

426
00:28:48,880 --> 00:28:55,240
case, what would you say were
the biggest missteps in this case on the

427
00:28:55,359 --> 00:29:00,759
side of law enforcement and investigators if
you had to name the biggest couple,

428
00:29:00,039 --> 00:29:03,160
because it seems like there were a
lot of missteps, what would you say

429
00:29:03,160 --> 00:29:07,759
some of the biggest ones were before
it was a serial killer case. The

430
00:29:07,759 --> 00:29:11,519
world we're in was a world where
the when these women were leading were at

431
00:29:11,599 --> 00:29:15,640
risk in their lives that nobody was
really coming in to help them. Or

432
00:29:15,680 --> 00:29:19,519
support them, and when they disappeared, nobody was really working over time to

433
00:29:19,559 --> 00:29:23,680
find them. If they finally was
a murder case, suddenly the media was

434
00:29:23,720 --> 00:29:27,359
paying attention, but the police,
some of them were resentful they had inherited.

435
00:29:27,480 --> 00:29:32,160
Suddenly it's like a not just one
cold case had crash landed in their

436
00:29:32,200 --> 00:29:34,640
backyard, four of them had.
And then they found more bodies, six

437
00:29:34,720 --> 00:29:38,319
more bodies, ten cold cases,
and then the whole riddle of Shannon Gilbert

438
00:29:38,319 --> 00:29:42,039
and eleventh problem. They're sitting there
with eleven problems, none of which they

439
00:29:42,039 --> 00:29:45,480
think are going to get solved anytime
soon, and everybody's mad at them,

440
00:29:45,640 --> 00:29:48,480
and they've got other work to do, and they're annoyed. Part of this

441
00:29:48,519 --> 00:29:53,079
annoyance is apathy towards sex workers,
and part of it is misogyny, and

442
00:29:53,119 --> 00:29:56,799
part of it is class because god
knows, if these women had been high

443
00:29:56,839 --> 00:30:02,440
school cheerleaders or college students or workers
in Manhattan who had gone missing, it

444
00:30:02,440 --> 00:30:06,119
would be a very different story.
Lots of different pressure involved to try to

445
00:30:06,200 --> 00:30:10,319
solve the case. In terms of
police work. It wasn't just apathy or

446
00:30:10,359 --> 00:30:15,039
misogyny. There was a tip that
we now know about, a witness statement

447
00:30:15,200 --> 00:30:19,680
that somebody who saw an individual and
a car the night before Amber Castella disappeared,

448
00:30:19,720 --> 00:30:22,359
someone who was big enough to look
like an ogre and who drove a

449
00:30:22,400 --> 00:30:26,400
car that looked like a Chevy Avalanche. This tip went nowhere early on,

450
00:30:26,640 --> 00:30:30,039
and then it sat in the case
file. No one worked on it at

451
00:30:30,039 --> 00:30:34,240
all, No one talked about it
at all for more than ten years until

452
00:30:34,240 --> 00:30:37,839
a year ago. And then suddenly
it pinpointed our suspect. If that tip

453
00:30:37,839 --> 00:30:41,559
had gone somewhere twelve years ago,
then they would have had that suspect that

454
00:30:41,680 --> 00:30:47,519
much sooner. There was resistance to
innovation. There was cell tower technology where

455
00:30:47,559 --> 00:30:51,279
they could have tried to match up
the movements of the various burner phones that

456
00:30:51,319 --> 00:30:53,319
were used to contact the women.
This, to me, I would think

457
00:30:53,359 --> 00:30:56,960
would be the first thing you would
want to do in a case that's based

458
00:30:56,960 --> 00:31:00,759
on technology, like a Craigslist case. They didn't want to do it.

459
00:31:00,799 --> 00:31:04,279
They were resistant to it. The
FBI offered help to expand their work that

460
00:31:04,319 --> 00:31:08,920
they had done early on in it, and the Suffolk County authorities resisted it.

461
00:31:10,000 --> 00:31:12,039
They wanted to do their own thing
to find to complete my list,

462
00:31:12,079 --> 00:31:17,319
which is already really long list.
There's corruption there's police corruption because at the

463
00:31:17,319 --> 00:31:21,960
beginning of twenty twelve incomes a new
Chief of Department in the Suffoc County Police

464
00:31:21,960 --> 00:31:25,640
Department, a guy named Jim Burke, who is a known quantity, a

465
00:31:25,680 --> 00:31:29,880
problematic figure for years. He had
been working for the DA and now he

466
00:31:29,920 --> 00:31:33,839
was over in the police force again
after being away, and he turned the

467
00:31:33,839 --> 00:31:37,559
place into the KGB. He had
people followed, he had people wire tapped,

468
00:31:37,599 --> 00:31:40,519
He went after his enemies, He
beat up a witness and then tried

469
00:31:40,559 --> 00:31:44,519
to cover it up. It was
a misery for four years he was involved

470
00:31:44,519 --> 00:31:48,240
in the department and it was just
a shocker there that happened. But the

471
00:31:48,400 --> 00:31:52,160
shocker for the Gilgo Beach case is
that he kept the FBI way. That

472
00:31:52,240 --> 00:31:55,920
the FBI was there, ready to
do work, and he didn't want the

473
00:31:56,000 --> 00:31:59,880
FBI looking over his shoulders, so
he kept them away. The lack of

474
00:32:00,559 --> 00:32:05,720
cooperation, particularly with the FBI.
And I don't mean to attribute the recent

475
00:32:05,799 --> 00:32:10,920
success with the arresto rex Huermann strictly
to the FBI, but it's pretty striking

476
00:32:12,000 --> 00:32:16,839
that six weeks or so after a
new task force is formed with a high

477
00:32:16,880 --> 00:32:22,960
level of cooperation between Suffolk County new
York State Police, FBI, and other

478
00:32:23,119 --> 00:32:30,720
agencies. It can't be lost on
anybody that six weeks after this new team

479
00:32:30,160 --> 00:32:36,480
energized, working together, cooperating,
they're all of a sudden making progress,

480
00:32:36,559 --> 00:32:43,000
significant progress, including the tip regarding
this so called ogre and the Chevy Avalanche.

481
00:32:43,400 --> 00:32:47,039
He was a very distinctive physical figure
and the truck was a very unique

482
00:32:47,200 --> 00:32:52,200
vehicle, and they knew they should
be looking for that truck and that individual

483
00:32:52,440 --> 00:32:59,599
in Massapequa or Massapequa Park. Once
they actually put the team together that weren't

484
00:32:59,599 --> 00:33:05,519
playing politics and weren't covering up corruption, the case started moving forward. I

485
00:33:05,559 --> 00:33:08,519
think that's accurate. I'm starting to
get a more detailed view of how that

486
00:33:08,599 --> 00:33:14,359
went down. The corruption then did
a couple of years before this new administration

487
00:33:14,519 --> 00:33:17,839
came in, there was an interim
period where they did do some significant work

488
00:33:17,880 --> 00:33:22,400
on the cell tower stuff, and
they even limited the area even better,

489
00:33:22,440 --> 00:33:25,279
and they had an even more narrow
list of possible homes where a killer might

490
00:33:25,359 --> 00:33:29,640
live. They still didn't have a
suspect, though, and that's because it's

491
00:33:29,680 --> 00:33:32,519
not just that nobody was acting on
the tip about the Chevy Avalanche, it's

492
00:33:32,519 --> 00:33:37,279
that people didn't even know it existed
anymore, and it disappeared into the case

493
00:33:37,319 --> 00:33:40,519
file. The file wasn't even searchable, it wasn't digitizable. At the beginning

494
00:33:40,559 --> 00:33:45,119
of twenty twenty two, there's a
new police Commissioner, Rodney Harrison, and

495
00:33:45,160 --> 00:33:47,240
there's a new District Attorney, Ray
Tierney, and they both have done work

496
00:33:47,279 --> 00:33:51,599
in New York and they both worked
on gang cases, and they both understood

497
00:33:51,599 --> 00:33:55,680
how important cell tower technology is because
it puts people in places without meeting witness

498
00:33:55,720 --> 00:34:00,200
statements, and so they're ready for
a task force and the FBI that helps.

499
00:34:00,240 --> 00:34:04,599
It's the state police as well state
troopers. And it's a state trooper

500
00:34:04,640 --> 00:34:07,920
on the task force who does a
different kind of search for the Chevy Avalanche

501
00:34:07,960 --> 00:34:13,320
that turns up a guy Rex Hureman, who's huge, like an ogre,

502
00:34:13,639 --> 00:34:17,840
who lives in massive people park and
not incidentally has ninety seven gun permits.

503
00:34:19,039 --> 00:34:22,039
So it suddenly becomes someone they can
look at. They don't just have all

504
00:34:22,039 --> 00:34:27,199
this cell tower data which they've assembled
in recent years. Now they have somebody

505
00:34:27,199 --> 00:34:30,480
to square it against. But it
is amazing. As you said, the

506
00:34:30,480 --> 00:34:34,480
task force began February first, I
believe, twenty twenty two, and I

507
00:34:34,480 --> 00:34:38,400
think they found the Chevy Avalanche attached
to Hereman on March fourteenth, so no

508
00:34:38,480 --> 00:34:42,920
time at all, about six weeks
I think, from the time they got

509
00:34:42,960 --> 00:34:46,440
started just after the beginning of the
year. Credit to everybody who worked on

510
00:34:46,519 --> 00:34:51,400
this thing, but of course it
was all sitting there waiting to be discovered.

511
00:34:51,760 --> 00:34:53,440
I know we hear a lot of
cliches about fresh eyes, but I

512
00:34:53,480 --> 00:34:59,599
think fresh eyes, fresh enthusiasm,
a new team with all this talent.

513
00:35:00,159 --> 00:35:05,320
Six weeks later, they've actually got
strong leads which led them directly to a

514
00:35:05,400 --> 00:35:08,719
suspect. Yeah, and I think
there's a frustration there among some of the

515
00:35:08,760 --> 00:35:13,599
people who immediately preceded this group,
because they did some good things too.

516
00:35:13,679 --> 00:35:16,840
They identified an additional victim, Valerie
Mack, who had been anonymous up till

517
00:35:16,880 --> 00:35:22,199
then, and gave her family information
that they sorely wanted for years, and

518
00:35:22,239 --> 00:35:25,000
they made pieces of evidence public,
and there were things they did, and

519
00:35:25,239 --> 00:35:30,840
as I said, they refined the
geographic area where cell signals were pinging,

520
00:35:30,920 --> 00:35:34,559
and there was hope, but there
was no suspect. There was no the

521
00:35:34,599 --> 00:35:37,079
suspects that they were going after,
none of them panned out, and you

522
00:35:37,119 --> 00:35:40,599
can't have one without the other.
So when the arrest was made back in

523
00:35:40,719 --> 00:35:45,760
July. What was your response,
was Rex Huerman in any way what you

524
00:35:45,920 --> 00:35:52,800
expected when you pictured the perpetrator in
these cases. When I learned that he

525
00:35:52,880 --> 00:35:57,760
lived in Massapago Park and commuted to
Manhattan, I thought that certainly is.

526
00:35:58,519 --> 00:36:01,000
But when I learned that he had
a family, that surprised me. And

527
00:36:01,039 --> 00:36:06,480
when I learned that he had a
public facing job where he was. He

528
00:36:06,559 --> 00:36:09,960
wasn't a landscaper gardener like Joel Rifkin. He wasn't bopping around in his truck

529
00:36:10,280 --> 00:36:14,400
not talking to anyone all day long. He actually talked to people and had

530
00:36:14,400 --> 00:36:17,000
to impress them and went over their
business. And some of these people were

531
00:36:17,000 --> 00:36:21,079
powerful people in New York City that
he had to be a consultant for.

532
00:36:21,519 --> 00:36:24,960
I wasn't expecting that. And it's
not like he was some super charmer like

533
00:36:25,039 --> 00:36:30,559
a Ted Bundy figure. But he
was public. He was gregarious and ambitious.

534
00:36:31,039 --> 00:36:34,960
And then he went home and had
a wife and two children. At

535
00:36:35,000 --> 00:36:37,159
first you wonder, how do you
find the time, how do you manage

536
00:36:37,199 --> 00:36:39,480
a life to be able to do
this? And then you think, clearly

537
00:36:39,519 --> 00:36:43,960
he found a way, And then
you learn about a vaults down in his

538
00:36:44,280 --> 00:36:46,920
house with not just ninety seven guns, but two hundred and eighty guns,

539
00:36:47,400 --> 00:36:52,400
and it starts to become something really
gothic going on there in that house.

540
00:36:52,880 --> 00:36:57,639
The sixty four thousand dollars question,
maybe do you think that rex Huerman was

541
00:36:57,679 --> 00:37:01,480
responsible for the other victims in the
Long Island serial killings. I'd like to

542
00:37:01,519 --> 00:37:05,360
give you an answer, but I
need one second. The dog here is

543
00:37:05,400 --> 00:37:12,840
eating a napkin. Bob went under
the table for a second, and I

544
00:37:12,880 --> 00:37:14,880
was like, I don't know what's
going on there, but we'll give it

545
00:37:14,920 --> 00:37:19,599
a second. I saw the I
actually saw that beautiful dog. Oh I

546
00:37:19,599 --> 00:37:22,639
didn't see the dog. And now
I saw the dog in the background,

547
00:37:22,760 --> 00:37:25,039
and I was like, I think
he just grabbed something off the counter.

548
00:37:25,800 --> 00:37:30,320
Really, I thought I saw it. And I was like, I'm sure.

549
00:37:30,440 --> 00:37:34,840
I'm not always looking at the screen, of course, I'm looking at

550
00:37:34,840 --> 00:37:37,280
the questions and other things. I
think it's grabbing something off the counter.

551
00:37:39,119 --> 00:37:43,440
That's funny that it was in the
background. We'll take that part out,

552
00:37:45,239 --> 00:37:47,800
all right. So you had asked
about more so I think that's a great

553
00:37:47,880 --> 00:37:52,320
question. One of the first things
I certainly thought was, how does somebody

554
00:37:52,360 --> 00:37:58,119
who apparently is responsible for three or
four women on the beach continue to live

555
00:37:58,159 --> 00:38:02,239
his life for another twelve years after
those bodies are discovered. How does that

556
00:38:02,400 --> 00:38:07,159
person not try something else, not
hurt someone else? How does he just

557
00:38:07,199 --> 00:38:10,159
stop? And I think it's going
to be pretty dreadful to learn exactly what

558
00:38:10,239 --> 00:38:14,800
kind of life he was leading in
that time and before that time? Was

559
00:38:14,880 --> 00:38:17,840
this his first was mourning Brainerd Barnes
in two thousand and seven, really his

560
00:38:17,880 --> 00:38:22,480
first victim. That we have a
lot left to learn about him. I'm

561
00:38:22,519 --> 00:38:25,920
no profiler, but it seems odd
to me that he would stop being interested

562
00:38:25,920 --> 00:38:30,599
in this sort of thing and just
turn it off. When you've finished your

563
00:38:30,639 --> 00:38:34,039
book and turned it in, that
is the first edition of the book,

564
00:38:34,039 --> 00:38:38,159
because now you've added an afterward.
Did you think someday, I think this

565
00:38:38,280 --> 00:38:42,639
case is going to be solved or
did you always think it was going to

566
00:38:42,679 --> 00:38:46,800
remain a terrible unsolved part of Long
Island history. I had really placed myself

567
00:38:46,800 --> 00:38:51,920
in the lane of focusing on the
victims. In fact, I started to

568
00:38:51,920 --> 00:38:54,360
get to a place where I thought
our culture thinks too much about Hannibal Lecter.

569
00:38:54,639 --> 00:38:58,559
I enjoyed the silence of the lambs
as much as anyone that between that

570
00:38:58,679 --> 00:39:02,159
and Dexter and everything else, like
we sit and romanticize these people and that

571
00:39:02,159 --> 00:39:06,159
they're just they're all like Joel Rifkin, they're just disturbed, gross people who

572
00:39:06,239 --> 00:39:07,280
need to be put away. But
I'm not going to think about it.

573
00:39:07,599 --> 00:39:13,519
And I had skepticism about whether the
Long Island authorities would ever have any headway.

574
00:39:13,840 --> 00:39:16,239
The only thing, the only silver
lining I thought of at the time,

575
00:39:16,320 --> 00:39:20,719
over the years was that a lot
of these cases do tend to get

576
00:39:20,920 --> 00:39:23,599
solved ten or fifteen years later.
All over the country, you hear about

577
00:39:23,639 --> 00:39:28,880
it ten or fifteen years later,
something shakes loose, somebody's life situation changes,

578
00:39:28,960 --> 00:39:32,920
they tick somebody off, they die, or or a witness suddenly changes

579
00:39:32,960 --> 00:39:37,480
their mind. Something happens, And
I think that's in fact, really what

580
00:39:37,559 --> 00:39:42,840
happened here at administration changed and the
corrupt culture started to wither away, and

581
00:39:42,880 --> 00:39:45,480
suddenly there was cooperation with other agencies. That's what changed in this case.

582
00:39:46,280 --> 00:39:50,840
What is next for you in terms
of projects, I know you've had a

583
00:39:50,840 --> 00:39:53,360
lot of success with Lost Girls.
You had a ton of success too with

584
00:39:53,480 --> 00:39:58,679
Hidden Valley Road, which actually is
in my classroom at this very moment on

585
00:39:58,679 --> 00:40:02,000
my bookshelf. Next. When else
can I put another Robert Kulker book on

586
00:40:02,039 --> 00:40:05,599
my shelf. I would love to
write another book. At the moment,

587
00:40:05,679 --> 00:40:08,079
I have a lot of magazine work
going. The books are always really big

588
00:40:08,119 --> 00:40:12,199
gambles, and I need to do
what I did with Lost Girls, which

589
00:40:12,239 --> 00:40:15,679
is outcome proof them. In my
head think this will be worth putting a

590
00:40:15,719 --> 00:40:21,119
couple of years into, and so
it's tricky there. I usually have to

591
00:40:21,199 --> 00:40:23,960
kiss a lot of frogs before finding
another book. But in the meantime,

592
00:40:24,000 --> 00:40:30,159
I just panted in a draft of
a timed New York Times magazine story about

593
00:40:30,199 --> 00:40:32,960
the Gilgo case to try and chime
in with the rest of the world.

594
00:40:34,320 --> 00:40:37,360
Perhaps that'll be the last thing I
do in it, Perhaps not. And

595
00:40:37,400 --> 00:40:39,840
then I'm thrilled to have a nice
relationship with the Times magazine now where I

596
00:40:39,880 --> 00:40:45,119
can write about any number of different
subjects. I've written about a plagiarism case

597
00:40:45,199 --> 00:40:49,159
and about a family with dementia.
It's a thrilling career where I can have

598
00:40:49,239 --> 00:40:52,039
a lot of variety and jump around, but I do keep coming back to

599
00:40:52,119 --> 00:40:57,440
families. I do end up writing
about families and crisis, families facing challenges.

600
00:40:57,920 --> 00:41:00,719
I did it with Lost Girls and
with my other book as well,

601
00:41:00,760 --> 00:41:05,000
and so I imagine it's going to
take me somewhere new before long. Do

602
00:41:05,079 --> 00:41:07,679
your publishers and editors call you up
and say, g you, Bob,

603
00:41:07,719 --> 00:41:14,000
it would be great if you book
or I think I'm feeling the pressure more

604
00:41:14,000 --> 00:41:17,079
than they're like, you can't hurry
love. They get it. They understand

605
00:41:17,119 --> 00:41:21,440
that it has to be a good
idea too, so they've seen it before

606
00:41:21,599 --> 00:41:25,239
that it takes some time. Do
you know roughly when your New York Times

607
00:41:25,440 --> 00:41:30,679
magazine article will appear? I don't, but I assume it'll be sometime in

608
00:41:31,039 --> 00:41:35,199
late September or in the month of
October. It won't sit around for long,

609
00:41:35,360 --> 00:41:37,320
so it's not going to wait until
the trial or anything like that.

610
00:41:37,400 --> 00:41:42,719
So Fall twenty twenty three, it's
coming soon. We hope, Yeah,

611
00:41:42,760 --> 00:41:47,199
I hope so. And then is
Hidden Valley Road getting the Netflix treatment or

612
00:41:47,320 --> 00:41:51,719
is that one going to remain purely
in book form? It was in development

613
00:41:51,800 --> 00:41:53,920
for a while, and that one. I wasn't creatively involved in the Lost

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00:41:53,920 --> 00:41:58,760
Girls movie, but I was with
developing a Hidden Valley Road mini series and

615
00:41:58,800 --> 00:42:02,320
I really enjoyed working on I really
grew and developed as a writer trying to

616
00:42:02,639 --> 00:42:07,679
work with a screenwriter. It was
really a thrill for me, and at

617
00:42:07,719 --> 00:42:09,719
the moment it hasn't been picked up. These things go up and down and

618
00:42:09,760 --> 00:42:15,039
have different lives. Lost Girls went
to three different studios before Netflix finally made

619
00:42:15,039 --> 00:42:17,559
it. You got to kind of
divorce myself from the outcome with that one

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00:42:17,679 --> 00:42:23,920
and hope for the best. The
book is Lost Girls and Unsolved American Mystery.

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00:42:24,639 --> 00:42:30,440
And where can our listeners look for
this amazing book? Lost Girls is

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00:42:30,480 --> 00:42:34,199
still in print, which means it's
everywhere. You could buy it on the

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00:42:34,199 --> 00:42:37,480
internet or you could buy it in
your bookstore. And it does have an

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00:42:37,519 --> 00:42:43,000
afterward about Mary Gilbert and perhaps one
day when the case against Rex Herman proceeds

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00:42:43,000 --> 00:42:45,920
in court. Mailby another thank you
so much for joining us on this episode

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00:42:45,920 --> 00:42:50,239
of Mind Ever Murder. We really
appreciated talking to you. I really like

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00:42:50,280 --> 00:42:52,000
talking with you guys. Thanks so
much. That's going to do it for

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00:42:52,039 --> 00:42:57,280
this episode of mind Ever Murder.
Thank you so much for listening. We'll

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00:42:57,320 --> 00:43:10,239
see you next time. Mind Over
Murder is a production of Absolute Zero and

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00:43:10,360 --> 00:43:16,199
Another Dog Productions. Our executive producers
are Bill Thomas and Kristin Dilley. Our

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00:43:16,239 --> 00:43:22,159
logo art is by Pamela Arnois.
Our theme music is by Kevin McLoud.

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00:43:22,719 --> 00:43:28,039
Mind Over Murder is distributed in partnership
with Coral Space Media. You can follow

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00:43:28,119 --> 00:43:31,239
us on Facebook, Twitter, or
Instagram. You can also follow our page

634
00:43:31,239 --> 00:43:36,599
on the Colonial Parkway Murders on Facebook, and finally, you can follow Bill

635
00:43:36,639 --> 00:43:40,639
Thomas on Twitter at Bill Thomas.
Five six. Thank you for listening to

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00:43:40,840 --> 00:43:43,239
mind Over Murder.
