That you don' t po or are or s hello. I' m
the truth. I' m so happy. Thanks for connecting. Good morning,
good evening, good evening. We don' t know where you are
or what you' re doing, but it' s a privilege for me
to join us Today I' m very well accompanied by my guest. The
truth is, she' s an exceptional woman. Right now, you'
re going to see everything you do and I think everything you do is going
to positively impact your lives. She' s more of a Horley master,
I don' t know if I pronounce it right or not for these tongues,
but my welcome, how are you? Thank you very well, urle
so tell your parents, that it is something yes, Tierres, misales,
Sanchez, no, but bake like that, no more hear? May this
man Luis Nin welcome you. I' m gonna ask you to talk a
little louder. Not sure, you can scream them a little so you can
tie well hear, Cha, thank you, thank you really for joining us.
Let me introduce my guest as she deserves. She considers herself a restless,
fun, passionate woman who obviously likes to live, live intensely and do
what she loves. She' s a psychologist and so is that actress.
He is currently mainly dedicated to theatre and his company, with which he has
spent more than fifteen years in energy, and is dedicated to generating learning processes
for companies. Note that so much is urgent and companies really come up with
correct learning processes and there can be no people who know much, who have
six doctorates, twenty- eight master' s degrees, fifty- five graduates,
but there you tell me they don' t know how to communicate knowledge.
How important it is that there are companies that can communicate these learning processes.
Maffer Loves to be complicit in human transformation, in the people who accompany
her and, obviously, in her own transformation. So for me it'
s had a pleasure, a privilege to accompany me today. Maffer hurle urle
a jet job. It' s my pleasure and all of you are also
welcome. This is a good question. If it' s okay with you,
we' ll start to see welcome what legion and good this question I
ask it is like the stripping is not like the first Sack, the first
Toach, because I care a lot to know beyond your titles, what you
studied, etcetera, etcetera, all your medals, I' d love to
know who Master Urle is please, r ay who I am. Who I
am, for it seems to me that I can first say that I am
an energy, energy that comes entirely from the source and in this reality is
expressed in a female body. And then if we leave like this more part
of the day to day. I am a woman who wants to love,
who wants to live, who truly wants to make everything she does not worth
it, but the joy of being in this life. I understand perfectly by
the energy you transmit and by the energy so father that you obviously bring you.
You consider a restless woman funny, passionate, but well, tell us
where she comes from? You, what is the source of this joy,
what is the source of this high vibration, where does it come from?
Please, because I believe that of living them or living them. A long
time ago I was thinking about that I was saying how interesting it was to
be in this existence and be able to have experiences that we can live through
our senses. And then how we can suddenly eat something delicious or we can
eat something rich, no, but it is an experience that we have thanks
to this space. So, living pleasant or pleasant things doesn' t matter.
It is worth the effort to be here, then, to enjoy it,
to take advantage of this little time that we have these senses. However,
you know that, evidently, there are many people who do not live
this way. There are many people go you throw a stone on September 16
in Mexico and whoever falls in the head is no more worried, more distressed.
It seems that everything is more complicated, more difficult, but we don
' t hear wars around here, wars over there, and that if the
President, the President will sit down, than if politics and it all seems
to be that it paints a shocking picture on us and then it seems that
the weird ones are those people who come nice father like you are weird,
whether you are from this planet or not. No, let' s see
first of all that I have pleasant emotions and, of course, that there
are things that go beyond me and that I feel that I suffer and that
I don' t, of course, that I live them that way.
But yeah, I say, you know what I say I' m a
little crazy and then, already from this perspective of seeing different things and I
think there' s a stream of crazy people and we' re more and
more the crazy people who choose to think about how we want to live our
life and create it. From there. Okay, but this madness, obviously,
comes from something. What do you eat, what, what, what,
what do you read that between woes, let me your story listen notice
that I am going to tell you that from the fourteen years to the fourteen
years I lived an experience that seems to me that transformed me, that were
days of youth awareness. Then those days went from fourteen to seventeen. I
was there in the group and then I came back about seven years ago as
a mom Oko, it is very interesting, because everything that lived there,
at that age, that I was so open and eager to live experiences suddenly
I found, therefore, with very hard things, with realities different from mine
and also entered for the first time the word into my consciousness mind. Then
imagine when you are fourteen years old to live that and, besides, to
be planning days, watching for the kids, looking after them and taking care
of me. Then it seems to me that that was transformative for me.
I think everyone, from little ones, at least men, wanted to be
firefighters, cops, not many of them, doctors, etcetera. Women,
obviously, because I also wanted to be doctors, actresses, singers, I
' m going to be a singer. Today you' re an actress,
no, and then in one other way, tell us why you decided on
this arty scroll and combine it with psychology look. Since all my life I
have wanted to be an actress or I always say that I was born I
said third call kat No, but I can share that it was always a
repressed situation in me because I was a mom, very young. I had
me say at the age of eighteen. Then I got married, I got
divorced very quickly and the subject was, because here ahead of your son I
didn' t have to do it. Then I couldn' t afford to
say ah but I want to be an actress. I tried, but life
kind of came back and I appreciate it, uh, because from there I
started doing my training company and we started being capable and theater. Then feel
the capacitheater and that it is still in force. We do plays, we
write the proper script to the need of the company. Then, with professional
actors, the staging is represented. And what happens that people in companies see
themselves there and you see it in a mirror. It' s not like
it happens, it does the next one. So, that' s where
you' re not, yeah, yeah, you' re afraid, you
' re afraid, you' re shy. For example, the first one
we did was called bullying is not funny and it' s to get rid
of sexual harassment and I also in the work environment. There you have the
nudges to the marketing no, and the ops and the wey talk no no
no. And the boss and he didn' t have people coming out anymore,
Luis. I did that those stones were big, they weren' t
true of those. No, yeah, totally, totally. Then, from
that, it was like my escape. I want to be an actress,
because I' m an actress here, no, but it didn' t
really fill me up. I wanted to have a staging and a season in
theater and not partners and then I started. About eight years ago there came
out a recuerdo on Facebook that I made I am very small, very cha
parrita. Then the work was the monologues of the short one. So,
how cool my talent is, what a father. So, because that'
s just how it was to talk in the form of a joke and stand
- up type what I lived for being so small in a reality where I
get the average and then, in the end it was like a self-
love issue, I can' t leave the subject of forming and transmitting like
these messages. Then I was and that' s how I' m perfect
and that' s how I love myself and that' s where I wanted
to sing. It was the first time that was what I called and wanted
to do with my life. You can sing, you can sing, you
can sing, you can sing, you can sing, you can sing,
you can sing, you can sing, you can sing, you can sing,
you can sing, you can sing, you can sing, you can
sing, you can sing, you can sing, you can sing, you
can sing, you can sing, you can sing, you can sing,
you can sing, you can sing, you can sing, you can sing,
you can sing, you can sing, you can sing, you can
sing, you can sing, you can sing, you can sing, you
can sing, you can sing, you can sing, you can sing,
you can sing, you can sing, you can sing, you can sing.
After that we' ll talk a little bit more about your works,
which are amazing you' re a very creative woman. I want to ask
you we are actors in this mega theater that is called life, or we
are really bad actors, because I understand at least how little I understand in
these many years. Not that we are actors, producers, directors of our
own film and staged and I believe, according to my worldview. If you
don' t like something, you can change it. You can change the
script, because you too are the writer and you can change your secondary characters.
You' re the main character. But we are actors, or truth
we are very bad actors in our reality. Hey, it says a nice
song. We are the dream and the dreamer. Yeah, now there,
yeah, sure, yeah, let' s see. The first thing that
comes to me is that life is a play, that is, that we
come to play, to experience, to live then and that on some other
plane there is a famous agreement of souls who talk a lot. I do,
I think we' ve already made certain agreements and we said you,
Luis, or you' re going to interview me when I' m about
to turn forty- two and then I' m in this state and you
know your forty- two years old, who looks thirty- two. Thanks
to you. I' m forty- two on Thursday. A or a
very good choice, let' s celebrate very hard, yes, yes,
yes, then, well. First that' s a play, because sometimes
and I say it, I say it to myself while I hear it,
while I tell you, we take it and I take it very seriously.
Okay, and it' s really not that serious. We are playing,
we come to represent this play in which we had already decided the characters previously.
You know, then, yes, we come to experience, to live
and to be actors of our reality, being having a draft in hand so
that we can erase from script what we don' t like. Ok hey,
I don' t know if you remember obviously, the Cantinflas movie,
which was made by a very, very good Spanish actor and well said something
like that the song as your life is a stage and I remember that there
is a part where all the excitement of characters parade, none with heart.
Your life is a stage and it said something like that you give your great
performance. However, I did not like your performance, and it is that
some performances of some people are very evil, that is, they lack.
They do not lack, indeed, yes, they lack, like that therapy,
I believe and speaking of psychology, obviously, why is it that people
cannot live freely, joyfully, without chains, why it costs us so much
work? My dear mater, you' re saying therapy, and it seems
to me that we would all have to take therapy at some point in our
lives. I mean, it' s like a subject we all have to
go through. Not why. Because clearly, we all have things to work
internally. To the point that' s when we don' t work them
or even see them. The worst ignorance is not knowing, it' s
not knowing what I don' t know then and there we live many I
share that I coach in companies and tell me, for example, you have
to coach the financial manager. Not because ah because he' s mistreating his
people. My first question is he knows, because if he doesn' t
know, I can' t get my chamba. My first session is to
review what level of knowledge of that problem is. If he doesn' t
have it and we can' t dig deeper into it. I can'
t work with him. Hey, that' s the thing. Sometimes we
don' t know that we' re at night, Luis, here,
here, here the subject is cannon, because then either there are times when
we don' t know or don' t believe it or we think we
' re very healthy, that we' re very good, or we think
we' re very bad. Not either one of them. And I think
there' s duality of thought. Or we feel super ultra mega. Or
I' m the super, because that' s sold us social media now.
Not you' re next and three, the mopiest thing on this planet.
And well, coaches, there' s polulan. You can' t
realize that there are people who even take a YouTube video, of the free
ones, because they don' t even have for the prize, they already
feel like coaches. But here the important thing about this to ask you is
that either it got fashionable to be in therapy, because now everyone seems to
be in therapy. Or therapy is very bad, because there is this duality.
I don' t insist, life is like this. Suddenly, everyone
is in terrapia, but not everyone acts like a person should be going to
therapy. Or everyone says no. I can only, I alone am healthy,
I am fine. How you handle this duality of who you' re
talking about ism of known mushrooms notice that I have an ex who can then
you don' t know yes, why, because no, I mean I
hear you and I think every time this issue of demand and supply. Why
there is so much, coach, and because there are so many people who
are looking today or who today rather offer your services, because more and more
people are interested in living it. No, then I think, answering your
question, it seems to me that it may be a matter of believing that
with going to therapy, everything is resolved and you don' t have to
chambeate him. I mean, you have to chambeate him. It' s
like brushing your teeth. You can' t go look at the dentist and
have him clean you up and I' m done. You don' t
have to wash it every day. You feel the idea three times.“
You know then,” the juito said. Not this data that forgives me
to see. I know I' m going to interrupt you 150, 000
times. It' s just that this fact is wonderful. You know that
halitosis or bad breath doesn' t, doesn' t feel it and doesn
' t smell it the one who brings it, but everyone. You can
say son of your Rebevin, don' t wash it, and there are
people who do it. No, it doesn' t smell ugly, no.
How not compadre is the same thing that happens in this sense. Not
sure. Of course. So it' s recognizing that therapy, all the
coach or whatever, is gonna be with you in a little while. But
the chamba is yours and the emotions and emotional management is yours. Then whose
responsibility is yours. You can' t expect the other one to come and
save you and watch out. That' s the fantasy that Disney sold us,
really and as other women, he' s gonna come to someone and
save me the couching. I talk about it a lot and tell them first
thing you have to understand is that no one is going to save you.
Even I, like your coach, don' t come to save you and
I say it to me constantly, uh, nobody' s gonna save me,
but don' t believe me. I fall into the trap. I
fall into the trap. It' s the unconscious collective talking and it'
s just that it' s cannony because it' s not just going to
women. Right now, he says it to women, but there are many
men who also expect me to save them. No, and not only that
the human being says now that he gets to this job, not thinking that
the job will save us. Now that I know this person and I have
a girlfriend, now that I win the lottery, now that and we think
that money, a job, a couple will give us what can come from
inside, because you can have the money you want and you can be the
most unhappy person. Cases of that we have a jet not and we don
' t learn. Now you told us this part of which actress, because
since Chiquita you wanted to be an actress. Not today you' re a
psychologist, why not be a mathematician, a biologist. Or I don'
t know a lawyer, you have a lawyer' s seat. I also
don' t know if that' s a compliment or a sale. But
notice that for this very reason of the awareness retreats that I tell you,
I begin to live it. And what we were doing there since very young
people was learning how to give talks, learn how to carry dynamics, care
for kids in crisis. And then, since I was fifteen, I'
ve been doing that. You know then what I used to say I want
to be a psychologist and give psychology courses. That was my speech. No,
I didn' t And I did. I mean, plus, you
know that by getting pregnant so little, because I was getting out of high
school, well, I wasn' t getting out. I got out of
high school for getting pregnant. So, at that point it was like I
want out of my life. And that' s when I decided to be
a psychologist. And if I wasn' t a psychologist, that you would
have liked to be an actris, you wouldn' t have sided with me.
Uh, no, I remember so hard not at all, but if
we say I don' t know about some astronaut, something like that.
No, I mean, not everything that has to do with the half actress,
singer, dancer. My thing, my thing is the musical theater.
Luis me I love the theater notion. Ah because apart it had to be
complicated, not just act, but act, dance and sing, because no
and that' s cannon, because it' s going to act like that.
It' s complicated to act good, uh, no, no,
we' re not talking about everybody acting now and everyone' s a journalist
and everyone' s a photographer. No or no doing well professionally. It
' s a big deal. We' ve got to get ready. Now
I want to ask you and go the act more, sing, more,
breathe, more try No, yes, it' s a roll. It
' s a roll tell us, please, well, first, just as
you' re an actress, we' d love to know what happens when
you' re about to get into the general scene. Forget the play'
s already started and maybe your role starts minutes later. That nervousness. How
you control it, how you do it. You look at people You have
some ritual. There is the footballer, for example, kisses or touches the
court. When you enter there are no ritual certs, you have some ritual
and tell us what happens in those first seconds that when you' re there,
because then I' ll tell you about when I start recording what happens
to me. You tell us right, well. First, I like to
do the ritual with the team, I like to do plays, not monologues.
So it' s with the others in the cast. Then I always
tell you circumliths, circumlith and for me the circumlith is we take hands,
bless the work, dedicate it, see ourselves in the eyes, connect with
energy, receive and give, fill the space, the theater. Or previously
I already, in addition to doing my stretching, I am present. That
' s what worked first and the actor' s biggest chamba is to be
present. So when they say third call, my body is where it is.
My mind, it' s where it is and my emotions are where
they are. I' m not anywhere else. I don' t think
if my aunt came, my sister, my mom. I don' t
think if the light is and I give myself to what I have to do.
Tell us, what happens as an actress, I' m not going
to ask you questions of all kinds. What happens when you' re acting.
And in the front row, oh, there' s a hottie,
there' s not a kid you say, oh son of a Southeast,
came out of the factory. But you just don' t get nervous,
you don' t see it, you don' t see it. Not
flirting with him. Evidently, when you' re starting to act, you
might get nervous, but later on with a fang, it doesn' t
say alone how you are. It' s not like that See that first,
I avoid seeing the audience. Or I' ve seen the public unless
the play needs it and it breaks. The fourth wall but I avoid seeing
the public because it does give me nerve. I mean, I realized that
when I get in touch for a thousand seconds with someone' s eyes,
I get distracted that he' s liking it, he won' t be
liking it better. I don' t take that off. Second, the
least you' re thinking about hitting while this time zero zeros. Later in
the applause and I can say hello, but unless before. Not that I
' m gonna tell you one thing. I' ll tell you what.
There are a lot of people and now I' m going to relate it,
because the question there are many people who say that don' t manches
ar jonas and I don' t, and it has posters and it has
records and it knows all its life and it has the books of its autobiography
and the books not until the unpublished. She doesn' t have them and
then you say she saw me. He saw me today, then Arjona and
I and I saw me and he recognized me. And there' s something
very important here. People. We have thought and we believe and we assume
that because we have all the posters, we know a person who because we
have all his records, we know one person and Jona neither goes, nor
seen her, nor has seen her. No, then here comes a relationship.
And either I want to concatenate you with that many times we think because
we have certain things about a person or an experience, we think we can
be friends or friends of a person as a public person. There are times
when we don' t even know where I' m going. With this.
I can have pictures of myself, I can go to many places,
I can know many cities. However, he saw me feeling alone, still
feeling abandoned because I don' t know myself, although the Journal lives with
me, although Diario is going in the mirror and I say to Caray Mira
here came a movie of those I don' t have here. Even if
that' s the case, I' m lonely. It is important to
understand that we need to get into our own life and we need not only
to have the posts of arjona, but to greet it, not clear,
good, and besides, to have spaces with us. I believe that to
be able to be in greater harmony with ourselves is to meet many times.
Most of the time we don' t know each other and how empathy enters
through meeting someone. It doesn' t happen to you that you suddenly meet
someone and you say" ay" falls to Gordo, but when he found
out that it would be that he knew him from love to his dog and
then he already changes perception. No, yeah, yeah, yeah, yeah.
There you go. That' s the door to empathy, knowing the
other and how I' m going to get to know myself, having experiences
with me instead of eloping into the other and seeing who the other is enthralled,
whether it' s Arjona and he wrote, whether or not it was
done to start with the lights, you don' t see anything, uh,
yeah, yeah, to start r and then Arjona doesn' t munch
another. No, at least I' ve taken another example, but well,
hey my dear ma do I want to ask you something. At what
point is your break point when you say yes now, I feel good already,
how much time goes from that nervousness to saying I' m already here
in the play. I know all the dialogues and for now I am going
to enjoy it. I' m gonna throw him out here. It doesn
' t taste at what time, how much time passes to that nervousness that
changes adrenaline and that becomes an absolute enjoymentÁndale Andale. I like the question
one from rehearsals. It has to do with when I already have the text
OK, for example, this text that I just studied is I wish you
could join us, Luis m Friday and Saturdays would be bread there is a
morning, yes, now tomorrow and Saturday be there. I' m gonna
be me I' m gonna be there, and I' m gonna be
broadcasting for people to go. Come on, come on, let' s
go to the theater. I' m gonna love being with you. It
' s really hard time and well, the point here is my acting teacher.
He always tells me if there is no joy, no teap is not
you apple Ook. And it' s very interesting, because in this process
there are very hard processes. This process was there, it did something.
No. Then it was ardu, it was long, it was tedious.
It was already you will meet Marta, who is my character, who is
not an easy woman. Then the moment when joy is given in this work,
already when it was in the functions, already in the first, the
first function was already the wow. It was amazing, but before there was
how it didn' t work out. I just wasn' t happy.
No or the same and all of a sudden, the character starts to grow
and you say I can' t reach it. Wait for me because it
' s already started being regardless of what' s in the script. Suddenly
there are characters that you say sonla, this one didn' t reach him
no. Or suddenly there are characters and you say no, man, this
one comes and passes. I don' t have aha Mira. I'
m going to confess that with Marta came a point where I said I'
m not the right person to be Amarta. So, not that point and
I think it served me the issue of confession with myself, not confessing it
to me. I' m feeling this way because then I make a decision
there. How I want to make Marta, I mean, I want to
be the person who should represent Marta or I want to suffer for the poor
of me. I' m not the one who should. It does not
reach the role and I decided to live it from the joy notice, without
knowing the work, without knowing the story. I' ll love to ask
you this, you and Marta, first, how you get along and second,
at what point you leave marta and at what point you' re a
master or you' re already taking a marten in or out. How we
all have a marten inside. I don' t know the play, uh,
but go here, the subject is important. We all take a marten,
because the invitation is that we go to the theater tomorrow. Please,
and right now, you give us data and so forth. Done, where
it is and so forth. But what I do, it' s important
to ask you this. If there' s a clear dichotomy or there'
s no look at it. There' s always papers you look a lot
like and you say ah this is easy because we' re little brothers,
no and there are other very different ones. That' s how it happened
to me with Marta. Marta is all my shadow and all my friends'
shadow. Wow. It' s the shadow of when I become manipulative,
when I become gossipy, when I become dependent. That' s Marta.
No, then it' s hard, because there are things I recognize from
myself in it and I say there in the towers that were gone or I
haven' t seen them in a long time or I saw them yesterday.
No, and then yes, we all have a Marta. Uh, we
all have, I mean, if Marta represents our shadow part. We all
have a shadow. That' s a fact and more to be then let
' s say it' s Marta' s counterpart. Not Maffers. Maffer
' s someone else. Only with its light and shadow. So we can
be, we can be unique and we don' t necessarily have to live
in one way or another, because this is what society dictates, because it
is dictated by a geography, because it is dictated by a culture. Because
if we learned we can be different. Of course, I think we should
be different. I think we should be what marks our soul wherever it takes
us. That is when we are faithful to ourselves and I return to the
subject. But if we don' t know each other and I don'
t know what marks my soul or I don' t know how to feel
it with my soul, then if it can be doing something I don'
t want to do, it influences the geography where we were born, it
influences what we eat, it influences the people we meet with, it influences
the education we receive to make a marten or not. The context defines us?
Son, you have all that, yes, the context defines us.
Marta lived in a place where she, feeling able to be a woman,
said no and how do you break up with that context? How? How
do you break up with that context? She didn' t break it,
okay, how. I don' t think there' s any more today.
I want to think, I don' t know, but it seems
to me that today women have a lot more opportunities and, above all,
we are more aware of what we deserve and what we don' t deserve.
I did it I think, uh forgive me there' s a delay
out there from the connection. But there we are. We' re here
online to see. Help me understand this because it' s very interesting.
I think we all want to be something we' re not. We all
want to have something that we don' t all have, we all have
a longing to be different. I think there are very few people who accept
us, love us, love us as we are. For example, the
pelon wants to be Don' t look at me. It' s good
for me because I get up like this. I remember, sideways, I
take a bath and I' m still hairy. Not a bad thing,
but if there' s a lot of people that cost them work, not
yet. The pelon wants to have hair. No, the tall guy wants
to be short. The short guy wants to be tall, the skinny guy
wants to be fat. Well it is and then we don' t agree
with this. It would seem that we all claim God or the Universe.
Hey, why did you do that to me? So why not, how
good not, what a father, how rich, why do you think this
happens constantly in the human being. By comparison, it seems a lot to
me. The comparison is that the others, if we were in a world
where we' re all jerks, you wouldn' t even think, I
want to have hair. You agree. So I think, to see somehow,
part of progress is that it' s choosing different things for me and
looking for my well- being and doing it and creating it. But on
the other hand, there are things I can' t change. And that
' s where love comes in what it' s like to love, what
it' s like to call what it' s like from me, I
can' t change this even with your partner. Not how many things I
can' t change. And then, if I can' t change them.
The son, the son will be here or not? The son won
' t be here, because I can' t change that. What I
' m going to do from this now, obviously, in a couple,
in a family, in a job, in a play, in a non
- literal scene, because if you want to be, it' s there.
If you don' t want to be, don' t be here,
but you know what. I think there' s always like a price
not to pay. I mean, I' ll be there. But maybe
the cast isn' t so fatherly to say anything if my fellows hear it,
it' s not true. In this artificial intelligence, it was recorded
by me looking for it no yes, but you' re in the scene
where people really make life impossible for you. I' ve lived it,
I' ve lived it then and that' s where I chose. I
' m going to be why, because I want to be a theater and
I really said the theater for me is an unconditional love, because I don
' t have a good time, because I' m having a hard time
but I come and I' m because I want to be and the son
how I live this discomfort with greater well- being I explain something that you
say is wonderful. That' s you you chose is totally and conscientiously,
despite, for, against or whatever you want to call it from the audience,
from the microphone light, from the stage, from whatever. Or of
course and imagine how many people who live frustrated in their jobs can say.
But I choose to be here changes because I become powerful. Yeah, yeah,
yeah, yeah, yeah,' cause for money, for whatever,
for whatever, this is the option and you chose it. So, how
do you choose to live this day, for example, or live this relationship
with your boss who shits you don' t lie sorry, ya, right?
Don' t you? Don' t you? Don' t you?
Dale? Dale? Dale? If we' re talking like that,
pure, pure net. Hey, let me, let me ask you something,
what skill you think we should have, that we should have all humanity,
some skill that you say this we should all have all human being.
Without hesitation. He listens to her, weaves the other one, but listens,
listens. I always say we' re handicapped when listening. Yeah,
yeah, yeah, yeah. We listen through. Obviously, we will always
listen through our thoughts. But what happens when I make them smaller and I
open the listen to say who is the other, what happens to the other,
I discover the other, wow, makes a divine connection and also listen
opening the mind not, because obviously, understand that the other is another,
that it is not bad I say the one who is asshole is asshole.
I' m really bored of that, but also to understand that you'
re hanging on to hikers, you have to give him the show to watch
my little asshole, tell me that can' t happen no more limited too.
There really are people who have more resources than others, and there'
s that I do. Call limited or enabled to give your asshole. I
keep telling you let me, let me, share with you that one other
way we' re all like this. They say that an asshole is a
genius out of context, that is, you put Michael Jordan to swim,
because he' s going to give a slug that he' s not going
to be half drowning. Not for Michael Jordan to dance, because it may
be all horrible, a very ugly thing. But he gets Michael Jordan to
throw you in basketball and he' s a genius. So an asshole is
a genius at something must be not out of this clear you usually, I
guess I' m supposed to, and that' s where I think we
all have skills and competencies not to do what we do. And but there
' s one part that is soft, soft skills, soft competencies, those
competencies that have to do with social skills. Those are the ones we need
to keep working. Luis me because I am already an architect and I am
very good at designing what you want and not sending, but what happens when
I meet another engineer, when I have to lead the team, when there
begin all the situations ripid, then it is open to the other from the
other, not from you what wonder he hears, tell me. Please imagine
that the day, instead of twenty- four hours, now has twenty-
five hours. What would you use that extra hour? I think he'
s got less and less hours. Or what made you already you see that
they say that you have fewer and fewer hours. No no meral and has
one more there I tell you that it came to me iva is the least,
inspiring, the least and sleeping already passes tarpaulins. That' s how
you get your energy back. Yeah, yeah, people. There are people
watching. They can endure without eating in the tratico, in the sun.
You can put him in a desert, you can put him in a storm
and go over perfect, but without sleeping. Don' t touch their sleep.
I cry when I' m so tired. I cry to that degree,
I swear. Look now I' m super quiet, but there are
times that, besides I have to go to Mexico. I come back yesterday,
I have a show, then I have a rehearsal for the other play.
Saturdays and Sundays dances. Then there comes a point where my body really
needs to rest. Wait for you in Queretaro, ah yes, ah,
for the work is in Queretaro, for obviously you have to go to the
work. I' m in Mexico City right now, so I can'
t join you tomorrow I' ll have you there, but I' ll
see how much in April he was playing. Give us some data, please.
Where do you introduce yourself, because today the podcast, the chapter and
it is said surely today we upload the video then to all the people who
live in Queretaro and want to go out and have fun. Where you show
up at what time the show is, how much it costs, etcetera.
Sure, well, first go to the theater. The theater, it'
s really a different experience to the cinema, because you have the actors there
that are happening to them while they' re acting. Not then, as
real, go to the theater. I think we don' t have a
theatrical culture in Mexico and we need to promote it. That first, then
it' s called the play. Who fears Virginia Wolff is at the City
Museum at eight o' clock tonight, March 29th and March 30th. That
' s where this first season ends and then we return from the 30th to
the 5th of May. In the world of the city important point and many
people of Mexico City are right now in Querétaro is filled that détaro Yes,
yes, I want to tell you and any country, because that is what
it has to do. There are people who go from other countries, who
visit us in Querétaro, from other cities, go to the theater, they
will have an incredible time. Besides it is a very nice theater and apart
it is a place that is very central. You can go out and go
to dinner, you can walk. You can walk through the center of Querétaro
truly walking. But apart from that, the nice thing is the climate that
helps a lot. Nowadays in the day it is a rich heat, in
the night it is fresh. Then it' s very safe, very safe,
something that the city has to love and that has taken care of a
lot. The Government has been right and has invested a great deal in the
issue of security. Then you can go anyway, be very careful, but
you can go quietly. And it is a family work, master is not
a family work, it is a strong work, it is an intense work.
It' s a different play that makes you feel like it' s
happening recapable to quote a lot of things, as you get out I tell
you fast. It is a marriage that receives at two o' clock in
the morning, after a party, receives another couple and from there begins to
emerge the darkness, the shadow and the monsters of all begin to reveal super
interesting things. And it' s an intense play. You' re going
to cry a little bit about why not, and you' re going to
do catharsis and look, something funny happens, because it suddenly has some comedy
gags and it happens like people laugh, but it' s like it'
s not like I just laugh or it happens, so the audience. There,
well, we hear it, because apart it' s a very small
theater. The same breathing we saw is done like this. If it is
divine, divine reactions. All the people have come out super happy from the
play, super revealing. Then go who fears Virginia Wolf City Museum eight of
the night tomorrow and eight of the night go go for real to the theater,
because the theater enriches. Theatre is culture, but theatre also teaches.
But the theater also questions. The theater also solves. The theater is also,
as you said a few seconds ago, cathartic. Maybe you can go
out, Lendy there renewed and say my life is like that and maybe I
don' t know. Maybe this marriage isn' t good for me anymore,
or if it' s good enough for me, and be clearer,
now, because look. Another skill I think we should do and right now
I' m thinking, is the ability to ask ourselves questions. I think
we live in a world where answers are preferred. Hey, since elementary school,
give me the quick answer Think not if I' m not going to
ask myself questions. I can tell you that with this play you' re
going to come out more with more questions than with answers. And live the
questions, because what question you can ask yourself today that changes your reality kill,
because speaking of questions, there are several questions that I' m going
to ask you talking about that you like the questions and you have to look
for the answers. Well, I' ll ask you a few questions.
Which I need to be answered as quickly as possible. I' m not
gonna put it in your mind, but yes, as quickly as possible.
Tell us, please, one or two of your greatest achievements in life my
son at the age of eighteen have my son bring him forward. The greatest
love I' ve ever felt is with my son on a picnic. Ah
well, the other one is missing. That' s one and the second
will be three. Being there on the boards to do what I love to
do hears on a picnic. Imagine we' re going to a field day
in which game you' d probably win if you said" son" You
have to play this because I do win there. I think in these darts
aha I think there already. I think that or what movie you' ve
seen over and over again and you' d see again five hundred times more.
I love one that is called the secret of the secret of your eyes
is Argentina see it be re good afternoon good. You talk about passion.
There is also a theme of passion. OK. If your favorite superheroes had
to fight other superheroes, who you think would win and why. Ah,
I think the good guys would win, no matter what they are, they
' d win the good guys. Okay and if you could incarnate in some
animal, which would you like to be a bird, an eagle or OK
good that an eagle. Imagine that you have the possibility to travel a complete
month. First travel you will go to one place and there you will stay
or travel several places. No, I think I' d go through several
places and what would be those places you' d like to go and what
we really want to go to Italy. I' m looking forward to meeting
Italy. So I think Italy' s around you ok Ma. Imagine that
you have a month full of fame, but of brutal fame, of that
fame Shakira type, Jenny fer Anniston type you know yes, brutal. What
would you do in that month with that fame? Oh I don' t
know I' ve never asked, but I think in the end do what
I always do, which is talk about this power. If I have that
fame, wow to share consciousness with the world or somehow what holiday is your
favorite and why my birthday. Yeah, it' s important, it'
s nasi is I' m still here and I choose it. Then what
am I going to do to celebrate MM so stupid. Now tell me you
remember your teacher, the meanest thing you' ve ever done, but bad
not mediocre or ignorant, baddest of rough, difficult, complicated, you remember
him with affection. I think my miss is curious because it' s my
primary school, the pre- primary school that taught me how to read and
she' s also a friend of my mom' s. Then I see
her, because at least once a year you know what father. Yeah,
but it was rough there. It was very rough. There you greet my
rude hear us, please, if you could invent something, what you would
like to invent, or have in mind some time, for perhaps a device
that allows me to listen to the other and understand more clearly what he wants
to say to me. Okay, what would you like to be, for
example, what super power would you like to have being invisible and being able
to imagine yourself invisible, because being able to get in everywhere or listen or
read thoughts, to read thoughts, but it also has to be pretty ugly.
You don' t remember there was a mel Gibson movie. I think
that' s what they want a thing like that. Yeah, he just
went crazy. No, yes, son, yes, I' m not
doing well ugly anymore. No. Hey, there' s another one and
another that I could ask that I want to learn from everything like in the
matrix. Like this. Secondly, that is, I want to dance now,
ready granted, I want to speak to you to the smart language hear
the party parking lot, not the one who always says no, but then
yes, yes, yes, yes, at the Christmas party you get well
drunk. That must be pretty ugly, too. No, I mean,
learning everything also looked kind of boring. No, it can' t be.
Maybe. I think that with this world so fast there are certain things
that would serve us like everything not all in excess. I think it'
s all in excess. It becomes a vice. Your favorite dessert is that
I' m so late, but I think like a natilla, ice cream
or keretaro ice cream and good ice cream. Yes, if you invite to
eat mater because you already know the dessert, a good ice cream arrives hears
nieladito with pastelito next to calindito or I am also like this. No,
and tell me why I have the cheeks. Yes, a horrible thing.
You remember your favorite cartoon. The Tunder Cats seriously, yes, of course
and if you get out of any dialogue of them, do not tol de
toller dunder cap but always look at the courses I tell them let us take
our sword out of the augury to see beyond the obvious. Oh, no,
yeah, yeah, yeah, yeah. You know it there is telling
us, please, how do you hear the news from the outside world.
You see news, no, you see news, Les newspapers, no,
the newspapers. How do you know what' s going on in the world?
I don' t know if I think part of what we were talking
about at the beginning of being a little crazy is running away from those realities
that sometimes don' t add up to me. Okay, okay, hey.
I' d rather you spend a year in space or a year on
a submarine. OH myect in space the moon I love the moon. What
' s the scariest, most horrible gift, don' t say whose.
What' s been the scariest gift you' ve ever received at New Year
' s Christmas on your birthday, at some start of season, something so
say you know. I don' t know how nice you say you'
re dirty. My mom once took me some parents that my mom didn'
t hear to the theater, but they were those dead- natured ones.
I thank you, yes or yes, I know, but you say.
Oh, well, welcome, not exactly. Listen, tell us if you
could go back to time or ahead first where you' d like to travel,
in the past, travel to the future, in the past, okay,
and if you could change something in your life, what would everyone hear?
When asked these questions, they answer nothing, because today I am what
I am thanks to Blan No. Yeah, yeah, yeah, no.
I think I would take more time to enjoy my son, or I think
because of the situation it was very fast to grow it very fast for me,
that is to say, if they return to that very moment, I
will surely need the same thing, but with the awareness that I have now,
I would go, I don' t know that it was cheating,
but I would go and enjoy those moments more with him He hears and believe
me that here too there is a subject that I do, I will change
things from my past, that is me, as you would say. I
would do this. I would, this would make it perhaps more exaggerated or
this would take care of it. No, because it is also wise to
recognize mistakes and change them. Not sure, yeah, or this like moments
you say happened so fast. The point is, you have to remember it.
No, because if we go to that moment with the same awareness that
you had at that time, there' s not going to be any change
in it if you didn' t forgive him. No, if I leave
now with the awareness I have and the experiences I have, surely, the
change that makes the significant one. We all want to know which is the
weirdest band of whatsapp you have, what' s called the most ah i
think, sons, what will be twenty years later, we just stopped seeing
the friends of the prepa and we just met again and it was twenty years
later. I think I don' t think I hear that one very strange,
but a greeting to all those 20 years later. Not there they'
re going to greet you, if they' re going to greet each of
whatsapp' s groups and everything they share and they' re what they did.
The horrible ones are the parents, the chat, the parents of any
school. Oh, well, it was awful. No, and there'
s even funny videos of Tiktop not mom. Yeah, yeah, yeah,
yeah, Miguelito' s mom, that' s just that my son didn
' t make it. I' m coming, ma' am, I
' m there. Emilia is already twenty- two years old. Then I
' m no longer enchan and when Emilio was in school, there were no
chats Look at you. Hey, we' re going with yes or no
questions. Quick as it comes to your head. There are interesting questions,
other creative and other measures i rare, but there you go ok come.
Let' s start from at least to the most. Do you consider yourself
a happy person? Yeah, you consider yourself a nice person. You have
betrayed someone. You did hurt a loved one. Yeah, you' ve
done your homework. Yeah, you already threw away the trash. You didn
' t wash your teeth and wash the dishes. You didn' t like
the food. If you want to leave, you don' t feel well
anymore. You do consider yourself a romantic person. You did have sex with
a stranger. Yeah, you think the man really made it to the moon.
You do believe there' s life after death and you' re scared
to die. You don' t like living, you' d like to
live in space. You wouldn' t like to be a wild animal,
no, and a domestic animal. No. I don' t support on
anymore why go back. You support gender equality. You do consider yourself a
good citizen. You do change your name if you could. You are capable
of being 100% honest. You wouldn' t want to be immortal.
You don' t agree with the death penalty, you don' t agree
with the monarchical systems. No. Okay very well, it' s like
a passed test. I' m not glad it' s over. Not
now tell me one thing, three things you can do very well with your
fingers, put on some beautiful rings, make some delicious quesadillas and give some
caresses that you don' t know wonderful. Please mention three telephone companies,
Cell, Movistar, Usacel and tercel ok There are three types of floor exercises,
abdominal and suicidal squats. Pau can' t do to me three things
you can find yourself in a bathroom, toilet paper, water and ay I
was going to say something and tampons ok ok tell us three ways to improve
vision, eat carrots, do exercises and protect you from the sun. Finally,
of this block, three things that are sold by catalog, jewelry,
lipstick and oils to clean ok Ok very good. All right. There are
people who get nervous about these questions. I' m one of those.
Hey, three things you see today, three things you find on Vikimi Beach,
women and fish, three things you know how to do very well with
your mouth, kiss, kiss and kiss to kiss, talk and scream.
Ea. Three things, three messages you' d give to humanity. Be
yourselves, love yourselves a lot and forgive me Look at me well, don
' t believe that, because I' ve rehearsed them already and there we
had practiced this part of the great session. And the truth is, we
didn' t know the dialogues anymore. Listen, I' d love you
to tell us, please, some topic, some incident, some incident or
some accident in your life that at the time was something catastrophic, difficult,
that today you can tell it already having forgiven or that today even it'
s funny something so it' s happened to you. What came to me
first was my dad' s death. My dad dies, it wasn'
t an accident, but he dies in the middle of a pandemic, on
a major peak. Then you know everything he brought that we couldn' t
see, we couldn' t say goodbye. And yes, at that time
and a long time later I couldn' t talk about it. I could
sing this. First, I could sing it and now I can talk about
it. You really hear that one hug for your whole family, one hug
for you too, obviously, because a loss is complex, it is difficult,
but at the end of the road we also understand that we are all
going there, not all of us are in one way or another, but
that there is this blessing of knowing you very loved by your daddy not at
the end of the way. I think this is part of and that there
is prota resignation thanks for being vulnerable and for telling it for real. Courage
and emotional healing are needed. So I wish you a healing that remains much
better and that, despite the years and the damage, there is still the
presence of your dad in your life. Or listen I would love to now
I will return you to this message because I think it is something very important,
a message that you want to give to the whole planet, in these
moments of war, in these moments where it seems that the world is rumba
and that it is with chopsticks, because the economy, the politics, where
you move, the neck, where you turn it seems that everything is wrong
And this message you will give to the whole planet, it will be translated
in all languages, dialects, it will be transmitted by all means. What
a message you could give us today. Maffe urle Burle, Jode Burda de
Gourle Hello, güey Burle, given I believe that love is the answer,
that is, to remember that we are love, that the other is love.
And if we put a little bit of love into what we do a
little bit with a little bit enough to generate very healthy things in life,
how would I like to be remembered mafer as a happy woman who did what
she was given her free will. OK. The human being needs to be
happy. Happiness is needed in human life. Yeah, it takes happiness,
it needs to be recognized that things are already fine. Many times and there
I am just living it. No, I mean, we went back to
the beginning. Again. I don' t ask this question. I'
ve copied it I want to make it clear to you. I' ve
copied from other places. But I would love, finally, for you to
tell us what you' re keeping from this talk, this talk, because
at the end of the way and look at you. I think the first
person to ask you this question because I' d like to know what leaves
you all these minutes that we' ve talked about. I love recognizing how
to build with each other. He does bigger things than I could be alone.
And that' s what I' m staying with. I think this
conversation led me to recognize myself, to learn from me and also to be
able to convey what I have inside then. That was because of you,
because you' re here and if you hadn' t been, I would
have missed something wonderful, because also the fact that you' re here is
a blessing. And surely through these microphones, through this exercise that we are
doing, you are blessing many people and I really congratulate you and remind us,
please, your social networks for those people who are just listening to the
program. Please, of course it is url is hurle with h r Urle
Maffer like peanuts, so that I did not come to you instagram and on
Facebook backwards maffer urle Ok very good and from the play. Please remind us
this calls for season and the one that starts in a month. Please,
twenty- nine and thirty March City Museum, eight of the night, who
fears Virginia Wolf and the thirty of April to five of May at the same
City Museum, eight of the night. Or there' s two hundred and
fifty pesitos. The ticket there looks wonderful, because there it is for you
to go to the theater, have fun, entertain and learn a little more
from life. That' s one thing, a wonderful opportunity. He'
s gonna see you. I bless you. Thank you very much. So,
thank you really for everything, a lot of shit. So they say
the length of the theater so that then they don' t tell me,
yes, so they say no. And I hug you with a lot of
love, Maffer with a lot of love. I get your hug. I
return another one to you and thank all those who heard us to live our
lives with much joy. So be it forever good morning, good afternoon,
good night wherever you are. I am Luis Miguel Algado, thanks for sharing
this podcast, from this chapter. See all the others follow us on social
networks and do very well. I' ll see you in a next chapter
bye is going to see bye b S