1 00:00:26,559 --> 00:00:29,760 Good evening everybody, or morning, I suppose this evening right now. But 2 00:00:30,039 --> 00:00:37,719 hello, welcome to Good Start That's Not Metal, your weekly heavy rock and 3 00:00:38,039 --> 00:00:41,640 metal podcast. We are here to let you know every single week what is 4 00:00:41,679 --> 00:00:45,200 going on, let you know what's happened in the news, what releases you 5 00:00:45,200 --> 00:00:50,479 should be looking into, and give you some some unfiltered, edgy, state 6 00:00:50,520 --> 00:00:53,320 of the art, cutting edge opinions on them. My name is parent Haish 7 00:00:53,759 --> 00:00:56,079 with me, it's just Sam digging on today. Hello Sam. How'd you 8 00:00:56,119 --> 00:00:59,679 weep been? Yeah? Pretty good. We just did our horror podcast which 9 00:00:59,679 --> 00:01:02,320 we'll go to like, but not a lot going on, no gigs. 10 00:01:02,520 --> 00:01:06,200 I've been out really this time after my fun double bill, so just a 11 00:01:06,200 --> 00:01:10,000 bit of a normal one, yeah, free, oh nice. As well 12 00:01:10,040 --> 00:01:11,840 as recording the Kong chat that we just did. I've been watching the Planet 13 00:01:11,840 --> 00:01:15,120 of the Ape series, so I've had the most monkey tastick week. I've 14 00:01:15,159 --> 00:01:18,400 been like, oh, I've been an x Men territory because I've been really 15 00:01:18,480 --> 00:01:19,719 enjoying X Men ninety seven, so i figured I'd go back and watch all 16 00:01:19,719 --> 00:01:26,079 the X Men movies not as good, like maybe not Yeah. Before before 17 00:01:26,079 --> 00:01:30,760 we did a recording session, it was the first night of the Taylor Swift 18 00:01:30,760 --> 00:01:34,400 Eras tour in Europe right though in Paris, and we had the live stream 19 00:01:34,439 --> 00:01:38,120 on of Paramore playing doing their support slot, and at first we were like, 20 00:01:38,120 --> 00:01:41,680 they've only played like six songs or something. Actually played about nine songs, 21 00:01:42,319 --> 00:01:46,560 but in terms of crowd pleasing, they didn't play Misery Business. They 22 00:01:46,560 --> 00:01:51,319 did play the Talking Heads cover. They've just raised twenty four. I've got 23 00:01:51,359 --> 00:01:53,879 this coming up in like a month's in a month, no as a month 24 00:01:53,879 --> 00:01:57,640 as of yes, yeah, I'm up to Edinburgh three. I will report 25 00:01:57,719 --> 00:02:00,680 back, we'll get like, we'll get a full live there. But I 26 00:02:00,760 --> 00:02:02,719 was we were enjoying the live stream comments of like you know, the Swifty 27 00:02:02,719 --> 00:02:05,959 who were streaming it other people. When they ended, they were like, 28 00:02:06,040 --> 00:02:10,199 no, Misery Business, that's their only song. Like I'm cool with that, 29 00:02:10,400 --> 00:02:14,280 Like it's you know, there's a sports lot for a nons and mine 30 00:02:14,319 --> 00:02:15,319 not know the man. They don't need to play miss Business all the time. 31 00:02:15,360 --> 00:02:19,280 It's a great song, but yeah, be unconventional. That's why I 32 00:02:19,319 --> 00:02:21,280 like about Paramore at the moment. Yeah, I think they probably should have 33 00:02:21,319 --> 00:02:23,759 played it, but it's funny that they didn't, and it's funny that people 34 00:02:23,800 --> 00:02:25,159 are like, that's their one song, that's the only thing I came to 35 00:02:25,199 --> 00:02:30,360 see. Shut up anyway, Right, as said today's Hyperblast, we're here 36 00:02:30,400 --> 00:02:36,360 with the news and everything. It has been an extremely quiet week for new 37 00:02:36,439 --> 00:02:39,120 announcements and music and stuff like that. And that's a good thing this time 38 00:02:39,159 --> 00:02:44,599 because it means that we can really just focus really this week on giving Steve 39 00:02:44,680 --> 00:02:47,919 Arbanie the time that he deserves, because on Wednesday we got the news that 40 00:02:47,960 --> 00:02:53,120 Steve Arbanie had suddenly passed away of a heart attack. And for the world 41 00:02:53,120 --> 00:02:58,000 that TNM covers that the art that we love, I think this is a 42 00:02:58,039 --> 00:03:05,560 moment of unbelievable magnitude. One of the again, like I Steve Albini's work 43 00:03:06,039 --> 00:03:09,599 goes so far as a producer, as a musician, I just like a 44 00:03:09,680 --> 00:03:15,199 general force in what we do. He is like one of those ironclad, 45 00:03:15,400 --> 00:03:19,599 like untouchable legend figures, isn't he. I've got quite a lot to say 46 00:03:19,639 --> 00:03:22,159 about Steve Aarbini, even though you know, I never spoke to him. 47 00:03:22,439 --> 00:03:25,039 I might not even have like as close a relationship with all of his work 48 00:03:25,120 --> 00:03:29,000 the way that some other people do, but I'm the same. But it's 49 00:03:29,120 --> 00:03:32,280 just one. You kind of go, like the name carries so much weight 50 00:03:32,360 --> 00:03:37,360 that like very few figures actually do. Yeah, I feel like if we 51 00:03:37,360 --> 00:03:42,639 were to make like a mount rushmore of people who represent and embody the kind 52 00:03:42,680 --> 00:03:46,680 of values that like we as an outlook covering you know, alternative music, 53 00:03:46,599 --> 00:03:50,919 not even a spouse because that sounds very self congratulatory of us, but you 54 00:03:50,919 --> 00:03:53,560 know, should aspire to. Steve Abini, I think is unquestionably on there 55 00:03:53,759 --> 00:03:57,800 because he like he was not a larger than life figure. That was kind 56 00:03:57,840 --> 00:03:59,599 of the point of him. You know, That's why he is as loved 57 00:03:59,599 --> 00:04:01,520 as he is. He was the ultimate like keep your feet on the ground 58 00:04:01,560 --> 00:04:05,800 punk no matter what success he achieved. But through that, the shadow that 59 00:04:05,840 --> 00:04:10,479 he has cast and the way that his you know that this music in this 60 00:04:10,560 --> 00:04:16,839 culture has been almost shaped in his image is beyond words. In terms of 61 00:04:16,879 --> 00:04:20,680 recording engineers, which is what Steve Albini insisted on being known as rather than 62 00:04:20,680 --> 00:04:26,319 a producer. Yeah, because he famously saw his role as non interferer with 63 00:04:26,399 --> 00:04:30,600 the creative process. He saw himself as there to capture in the most authentic 64 00:04:30,680 --> 00:04:34,480 terms what the artists themselves was bringing, and accordingly he took upfront fees for 65 00:04:34,519 --> 00:04:40,000 the job instead of continuing royalties. Nirvana posted yesterday a copy of the letter 66 00:04:40,759 --> 00:04:44,079 that he sent to them when he was agreeing to make in Utero. And 67 00:04:44,120 --> 00:04:46,839 if you want to get an insight into like how he saw his role and 68 00:04:46,839 --> 00:04:48,319 the kind of creative process, I recommend you go and read that full thing. 69 00:04:48,959 --> 00:04:53,839 But you know, for people in that role in our community, he's 70 00:04:53,920 --> 00:04:58,240 probably the all time greatest, isn't he. Like he's the one of you 71 00:04:58,319 --> 00:05:00,600 kind of just look at his cat and like it's ova asked, and then 72 00:05:00,639 --> 00:05:03,639 you just look at like the big ones that he's done there and it's like 73 00:05:04,279 --> 00:05:10,720 it's untouchable. It's like astonishing the work he did. And and again like 74 00:05:11,040 --> 00:05:15,959 how he was able to like create a sound that made bands sound huge and 75 00:05:16,240 --> 00:05:20,920 like pop commercial appealing like rock bands, but they were dangerous and they were 76 00:05:21,360 --> 00:05:26,839 artistically credible. I think that's it is that there's just no one doing it 77 00:05:26,920 --> 00:05:30,399 quite like what he did. More records are gonna sound shit now that Steve 78 00:05:30,439 --> 00:05:31,680 Albin's gone, Yeah, and there was already enough of those, like I 79 00:05:31,680 --> 00:05:38,399 said, on an engineering capacity, like unbelievable, and that the resume. 80 00:05:38,639 --> 00:05:41,480 You know, I mentioned him last week in our reviews show, because we 81 00:05:41,399 --> 00:05:45,360 we talking about the High on Fire album and he recorded Blessed Black Wings with 82 00:05:45,399 --> 00:05:47,040 them, And in terms of like the albums that you've seen posted around in 83 00:05:47,199 --> 00:05:50,480 the last day or so, that's not necessarily one of the primary ones you've 84 00:05:50,519 --> 00:05:55,240 seen loads, but in High on Fire's catalog, that's like one of like 85 00:05:55,360 --> 00:05:59,639 arguably their most like iconic and beloved. You know. The magnitude of the 86 00:05:59,680 --> 00:06:02,480 collect records that he's you know racked up, either in their you know, 87 00:06:02,639 --> 00:06:08,800 artistic quality or in how much they impacted the culture around them is borderline peerless. 88 00:06:09,399 --> 00:06:12,879 Yeah, I mean, like obviously you're gonna go to like Surf Rosa 89 00:06:13,040 --> 00:06:17,519 or in Utro like those ones as the kind of like ironclad like monoliths. 90 00:06:18,800 --> 00:06:24,079 But like you've got so much for so many genres and so many different types 91 00:06:24,079 --> 00:06:28,120 of bands like he wasn't you know, like you get some producers or like 92 00:06:28,199 --> 00:06:30,879 Edgers, say, who stick to their kind of like stick to their lane 93 00:06:30,879 --> 00:06:35,600 into what they do. Steve Albini like covered so much ground and like just 94 00:06:35,639 --> 00:06:41,160 kind of like did again. The list of Cevlbini album for these albums I've 95 00:06:41,160 --> 00:06:45,720 listened to is like minuscule competitive amount work he's done, because there's just it's 96 00:06:45,800 --> 00:06:48,720 such a like insane catalog in terms of just the more kind of you know, 97 00:06:49,839 --> 00:06:55,839 TNM centric kind of artists, you know, sun Ken Mode, the 98 00:06:55,879 --> 00:07:00,879 Manu Street Preachers on Made out of Babies, Mono, God's Speaking, Black 99 00:07:00,920 --> 00:07:03,360 Emperor, solo artists that I love that. You don't necessarily love that he 100 00:07:03,560 --> 00:07:06,399 Laurd Jane Grace he's worked with, sure, Yeah, I mean like those 101 00:07:06,439 --> 00:07:09,399 are the ones that you forget about, you know, because they're they're like 102 00:07:10,160 --> 00:07:14,519 footnotes in what he's done. You know that the Jesus Lizard, Low McCluskey, 103 00:07:14,639 --> 00:07:19,399 Jawbreaker, the nineties pretty much do not happen without Steve Albini in the 104 00:07:19,439 --> 00:07:24,079 same way, and the kind of the ethos that he helped usher in, 105 00:07:24,160 --> 00:07:28,279 like what he helped start first as a musician because you know, his own 106 00:07:28,319 --> 00:07:32,319 band, Like I am not like the biggest noise rock aficionado, but but 107 00:07:32,360 --> 00:07:35,800 Big Black are one of that album class. Yeah, and that kind of 108 00:07:35,800 --> 00:07:39,240 like blew my mind now, Like again, it's one that I was not 109 00:07:39,279 --> 00:07:43,279 Supermilian album club and it's okay, I'm necessarily love, But one that's stuck 110 00:07:43,279 --> 00:07:46,800 with me is when I think about it like that is no an unconventional and 111 00:07:46,879 --> 00:07:49,000 compromising album that needs to be remembered. Yeah, that was. We did 112 00:07:49,000 --> 00:07:51,560 an album club on Songs about fucking a couple of years ago, and that 113 00:07:51,600 --> 00:07:56,000 will have been you know, uploaded to the main feed here for free at 114 00:07:56,000 --> 00:07:58,040 some point, so you can easily go and find it. It's it's the 115 00:07:58,079 --> 00:08:03,040 album Club pack made two if you search for that. Such an interesting record 116 00:08:03,120 --> 00:08:07,079 to talk about, such an interesting band, the way that we've spoken about 117 00:08:07,079 --> 00:08:09,959 bands like Dillinger or whatever, kind of calling it quits initially in like a 118 00:08:09,000 --> 00:08:13,120 really noble way. Big Black, like one of the standard setters for that, 119 00:08:13,160 --> 00:08:15,279 you know, like two Bananas record, and then they got out with 120 00:08:15,360 --> 00:08:18,800 their ethics intact. And then shell Ak, the band he'd been in since 121 00:08:18,839 --> 00:08:22,079 the early nineties. I have to say I haven't heard most of their records, 122 00:08:22,360 --> 00:08:26,360 but I have time, you know, like Steve Albini produced more great 123 00:08:26,439 --> 00:08:30,120 music than you could feasibly become a fan of in a lifetime, but you've 124 00:08:30,160 --> 00:08:33,519 got time to go and explore whatever facets of that draw you in. And 125 00:08:33,559 --> 00:08:37,919 he was still doing it. There is a new shell Ac album out next 126 00:08:37,960 --> 00:08:41,200 week. Like he's died a week before his album is out because he was 127 00:08:41,279 --> 00:08:45,519 just constantly making like the man. From what I heard, he's literally died 128 00:08:45,559 --> 00:08:48,759 in the studio. Yeah, that's what I heard was that's where he passed 129 00:08:48,759 --> 00:08:52,480 away, Like yeah and so. And there's a big difference between Steve Albini 130 00:08:52,519 --> 00:08:58,320 and any other kind of other legendary producer figures, I think because he famously 131 00:08:58,360 --> 00:09:03,519 made himself so accessible right like, he was not demanding sky high fees that 132 00:09:03,559 --> 00:09:09,080 meant only big, already famous successful bands could afford him the way that like 133 00:09:09,080 --> 00:09:13,480 a Rick Ruben or someone is. Steve Albini was still working with grassroots artists 134 00:09:13,480 --> 00:09:16,720 the whole way, and the result on his output was actually a rewarding one 135 00:09:16,720 --> 00:09:22,039 because like the above by Code Orange came out last year, right like less 136 00:09:22,039 --> 00:09:24,039 than a year ago. He also worked on the Liturgy album last year, 137 00:09:24,039 --> 00:09:28,120 which is another you know, divisive band because what they are doing is out 138 00:09:28,120 --> 00:09:33,080 there, it's creatively unique stuff. Steve Aarbini has like cutting edge albums under 139 00:09:33,120 --> 00:09:39,720 his recording belt within a year of his passing. And how many other you 140 00:09:39,799 --> 00:09:43,960 know, big producers can you say that about, Because people who have albums 141 00:09:43,000 --> 00:09:48,720 as game changing in the eighties or nineties as Steve Aarbini has. But then 142 00:09:48,759 --> 00:09:52,480 also you look at music in the twenty twenties to also have records as relevant 143 00:09:52,519 --> 00:09:56,639 as those two we've just mentioned, that's an exceedingly small list, and it's 144 00:09:56,720 --> 00:10:01,679 directly as a result of his work practices. Yeah, I mean, like, 145 00:10:01,720 --> 00:10:03,519 you know, to those two albums, they're ones that appeared in the 146 00:10:03,559 --> 00:10:07,960 top end of like very like obviously my album of the year. Elliott really 147 00:10:07,960 --> 00:10:11,080 likes that littergy album, didn't He like, like these are like not you 148 00:10:11,120 --> 00:10:18,120 know, inconsequential albums. They are must like like the above is is still 149 00:10:18,159 --> 00:10:22,039 an album that I listen to and still get rewarded by because like, and 150 00:10:22,039 --> 00:10:24,519 that's that's so much that is in the production, and you know, an 151 00:10:24,519 --> 00:10:28,440 album that's been overly produced, and like we win that there's such a debate 152 00:10:28,480 --> 00:10:33,240 about over production. Still have going to make this album sound incredible, and 153 00:10:33,279 --> 00:10:37,480 it makes it sound super high tech in advance, but so timeless at the 154 00:10:37,519 --> 00:10:41,240 same time, and that there was like just a knat to that that you 155 00:10:41,320 --> 00:10:46,960 can't replicate. Yeah, And but he he was because of that, he 156 00:10:46,080 --> 00:10:52,960 was like still helping artists reach their potential, you know, by by continuing 157 00:10:52,960 --> 00:10:54,600 to work, like you can imagine a band like either like Gouage Away or 158 00:10:54,600 --> 00:11:00,919 someone could have worked with Steve Albinia at some point. It's completely not at 159 00:11:00,960 --> 00:11:03,480 the question. And so because of that, we're not just talking about someone 160 00:11:03,519 --> 00:11:07,200 who helped shape music as we know it in the nineties. How many bands 161 00:11:07,240 --> 00:11:11,440 who like we haven't even discussed yet, you know, won't now work with 162 00:11:11,480 --> 00:11:13,240 Steve Albini and get the results that he would have got for them. Like 163 00:11:13,279 --> 00:11:16,480 it's it's a massive loss. Yeah, you know, it really is. 164 00:11:16,600 --> 00:11:22,360 Is one of like the like just as a figure like so vital to where 165 00:11:24,000 --> 00:11:28,559 interesting artistic music could go. I mean in terms of you know that the 166 00:11:28,559 --> 00:11:31,840 the things he stood for and kind of his attitudes that you put out there, 167 00:11:31,879 --> 00:11:37,960 like hating Steely Dan, Yeah, I mean a certified hater, which 168 00:11:37,960 --> 00:11:43,240 I've seen like Steely Dan fan accounts saying like every fandom, every band needs 169 00:11:43,240 --> 00:11:48,159 a nemesis, we lost ours today. Yeah that taking in like good jest, 170 00:11:48,240 --> 00:11:52,519 But I'm like Steely Steve, I've been hating Steely Dan just you know, 171 00:11:52,720 --> 00:11:58,559 warmed me to him even Yeah, and just I think I really think 172 00:11:58,600 --> 00:12:01,960 he is kind of like a patron ain't for alternative usic though, and I 173 00:12:01,960 --> 00:12:05,639 don't mean that in a genre sense, but like anything from High on Fire 174 00:12:05,759 --> 00:12:09,320 to PJ. Harvey, you know, like anything that is going against the 175 00:12:09,360 --> 00:12:11,919 kind of the corporate angle that was pushed down onto it. I think he 176 00:12:13,279 --> 00:12:16,519 was the living embodiment of that. And uh, you know, I put 177 00:12:16,519 --> 00:12:20,399 this on my Instagram story. But like someone picking their favorite Steve Albinia album, 178 00:12:20,679 --> 00:12:24,480 I think is like a glimpse into that person's soul and their personality and 179 00:12:24,519 --> 00:12:28,559 their taste, you know, because there is so much different stuff to choose 180 00:12:28,559 --> 00:12:31,759 from what's your pick. I mean, like I don't known to sound too 181 00:12:31,799 --> 00:12:37,679 because like me being the code or expressed me thinks they are like the gifts 182 00:12:37,799 --> 00:12:41,720 music like I probably hope for the person this age, I probably would say 183 00:12:41,720 --> 00:12:43,919 the above, but like I mean, that just speaks to again the continued 184 00:12:43,919 --> 00:12:48,720 relevancy of his work, like in Utero, for like over the course of 185 00:12:48,720 --> 00:12:52,759 my development as a music fan, like for a period, I would like, 186 00:12:52,080 --> 00:12:56,799 that's the best Navana album by some margin. For me, I think 187 00:12:56,799 --> 00:13:01,399 in Utro is just an absolutely flawless record. And again like not necesarily you 188 00:13:01,440 --> 00:13:03,519 know, my top to me albums of all time at this stage is where 189 00:13:03,559 --> 00:13:05,519 I've gone, but I would pim back to Utro's been one of the most 190 00:13:05,519 --> 00:13:09,120 important albums I could have heard when I heard it in church of sort of 191 00:13:09,120 --> 00:13:13,799 like be like fuck me. That is what like dark, raw, like 192 00:13:13,720 --> 00:13:18,320 dangerous Fortain music sounds like from a band who were the biggest band in the 193 00:13:18,320 --> 00:13:20,559 world at that point and they made music that was that fucked up and Steve 194 00:13:20,600 --> 00:13:24,639 Albini kind of helped it blossom. I think that is something that has to 195 00:13:24,720 --> 00:13:28,639 just be like looked as like a one of a kind achievement. Yeah, 196 00:13:28,799 --> 00:13:31,840 I think in uteruroh is you know, I have undergone a process that I 197 00:13:31,879 --> 00:13:35,679 think a number of people have gone where like you know, I loved never 198 00:13:35,759 --> 00:13:39,720 Mind first, but over the last sort of you know, five odd years 199 00:13:39,799 --> 00:13:43,120 or whatever, I have you know, been won over by the idea that 200 00:13:43,159 --> 00:13:48,840 in Uteruro is actually you know that the masterpiece and uh you know again speaking 201 00:13:48,840 --> 00:13:52,279 about him as an engineer, right, the drum sound on in Uturo alone 202 00:13:52,960 --> 00:13:58,480 warrants every bit that we are saying, like maybe the best drum sound ever, 203 00:13:58,559 --> 00:14:01,360 like in terms of if you are just picking a handful, it's certainly 204 00:14:01,360 --> 00:14:05,799 in the conversation, isn't it just unbelievable? Fucking sound on that record, 205 00:14:07,039 --> 00:14:11,960 and that sort of that punk you know, anti capitalist, anti softening yourself 206 00:14:11,000 --> 00:14:16,320 up for the mainstream, pro art, anti industry kind of spirit, getting 207 00:14:16,320 --> 00:14:18,360 it out of like the literal biggest band in the world. Yeah, at 208 00:14:18,360 --> 00:14:22,120 the time, it's just insane. It can't could be said enough. It's 209 00:14:22,120 --> 00:14:26,559 one of the single most like unbelievable moments in the history of like our kind 210 00:14:26,559 --> 00:14:28,519 of music, what they did with the U two and then of course Surfer 211 00:14:28,559 --> 00:14:31,879 Rosa from the Pixies, like it's mad that again, the fact that that 212 00:14:31,960 --> 00:14:35,799 album is not even considered like his most significant achievement, which again I don't 213 00:14:35,799 --> 00:14:39,159 even know if it'd be in like my top five, but like talk about 214 00:14:39,639 --> 00:14:43,159 ushering in the nineties, setting that stage for that whole moment in popular culture. 215 00:14:43,399 --> 00:14:46,519 I finally go into the Pixi's kind of like over the last couple of 216 00:14:46,559 --> 00:14:48,720 months, and Surf Rosea is the one. Now I was like, well, 217 00:14:48,720 --> 00:14:50,559 I should actually spend the time with that. You kind of be like, 218 00:14:50,559 --> 00:14:54,919 fuck me, this album like when it came out, it doesn't sound 219 00:14:54,000 --> 00:14:58,600 like of its serial because it is it's laying down the groundwork for what nineties 220 00:15:00,279 --> 00:15:01,519 going to be. It's so pivotal to that, isn't it. Yeah, 221 00:15:01,519 --> 00:15:05,039 And you know, without it, we wouldn't have that malignant music cue. 222 00:15:05,480 --> 00:15:09,399 And you know in U to Row and Surfer Rosa, like you know, 223 00:15:09,399 --> 00:15:11,559 they're not his albums. He would obviously hate you saying as such, but 224 00:15:11,720 --> 00:15:16,080 like, yeah, his personality is undeniably on them, and they see his 225 00:15:16,080 --> 00:15:20,399 contribution is unavoidable. Yeah, and they sound the way they do because of 226 00:15:20,480 --> 00:15:26,879 him. And my pick what are definitely my favorite Deevabanie albums come from his 227 00:15:26,000 --> 00:15:30,679 long standing partnership with Neurosis, who are a band it's maybe been a bit 228 00:15:30,679 --> 00:15:31,679 more difficult to talk about in the last couple of years, but that they 229 00:15:31,720 --> 00:15:35,440 are unquestionably one of my favorite bands of all time. They are one of 230 00:15:35,440 --> 00:15:39,600 the bands where it is is feasible to consider them as the greatest heavy band 231 00:15:39,600 --> 00:15:43,720 there's ever been. And the whole third era of that band, starting from 232 00:15:43,720 --> 00:15:46,399 Times of Grace in ninety ninety nine going through to what currently is their endpoint, 233 00:15:46,679 --> 00:15:50,120 he recorded every single one of those albums and it is one of the 234 00:15:50,159 --> 00:15:54,840 most perfect band producer relationships I think we've ever seen in this kind of music, 235 00:15:54,919 --> 00:15:58,159 and so many of those are some of my favorite Neurosis albums are some 236 00:15:58,240 --> 00:16:02,320 that never sets on a fan of Decay was huge for me when it came 237 00:16:02,399 --> 00:16:04,960 out, and my very favorite of them all is The Eye of Every Storm, 238 00:16:06,039 --> 00:16:10,080 which which I hold as close and as dear as I'm sure everybody else 239 00:16:10,120 --> 00:16:12,600 holds whatever their favorite Steve Albini recording is. And that's what I'm saying, 240 00:16:12,879 --> 00:16:15,759 Steve, I've been in the race ones. It's times of Grace for me. 241 00:16:15,879 --> 00:16:18,960 But yeah, yeah, absolutely fucking classic. But what I'm saying is 242 00:16:18,039 --> 00:16:22,639 like again, every person will have like whatever Steve Albini recorded album or even 243 00:16:22,639 --> 00:16:26,240 you know, his own whether it's you know, Atomizer or whatever, whatever 244 00:16:26,240 --> 00:16:32,039 their one is, will be like so dear to them. And there are 245 00:16:32,120 --> 00:16:36,080 so many ones that you can go for in that regard. And the fact 246 00:16:36,120 --> 00:16:41,879 that like he made like money from playing but professional poker that he used to 247 00:16:41,000 --> 00:16:45,240 like basically you know, run his studio and not have to charge high fees 248 00:16:45,279 --> 00:16:49,879 and what I like, an insane fucking dude, you know, like I 249 00:16:49,879 --> 00:16:53,120 think that's it. She's just an amazing sort of character. And like read 250 00:16:53,200 --> 00:16:56,919 interviews from him, like more resents where he addresses you know, passings, 251 00:16:56,919 --> 00:17:02,600 and he just seems like something who just understood and like him beaten with transphobes 252 00:17:02,639 --> 00:17:04,200 and stuff like that, Like he just seems like a really fucking cool guy. 253 00:17:04,759 --> 00:17:07,759 Yeah, the fact that on Twitter his name was just regular Steve Albini, 254 00:17:07,839 --> 00:17:11,319 you know, yeah, because he was, that was him, And 255 00:17:11,359 --> 00:17:14,759 holy shit, he was funny on there again, like someone like that. 256 00:17:15,319 --> 00:17:18,680 The day before he died, one of his last posts was like the rolling 257 00:17:18,680 --> 00:17:21,400 Stones lips but in the shape of a butthole? Do they still sue people? 258 00:17:21,400 --> 00:17:23,559 I have an idea, like someone has to carry out his final wishes, 259 00:17:23,599 --> 00:17:27,240 just as we said, a gold standard hater. And you know, 260 00:17:27,440 --> 00:17:32,240 there are so many other cases of like, you know, important punk dudes 261 00:17:32,400 --> 00:17:36,880 in their sixties like he was, who become washed basically, like who maybe 262 00:17:36,920 --> 00:17:41,799 regress more in their worldview and would not be as outspoken on sticking up for 263 00:17:41,119 --> 00:17:45,519 you know, marginalized people and the right kind of causes and progressive world views 264 00:17:45,559 --> 00:17:48,799 as Steve Albini was. And you know, he was the biggest caller out 265 00:17:48,799 --> 00:17:52,599 of bullshit right through to you know, the present day. And I think 266 00:17:53,400 --> 00:17:57,160 for me, the kind of the really romanticized kind of character and mindset that 267 00:17:57,200 --> 00:18:02,559 people associate with that like that gen X, like artistic movement that then spawned, 268 00:18:02,640 --> 00:18:06,279 you know, that kind of punk rock and that kind of anti establishment 269 00:18:06,279 --> 00:18:10,480 culture and everything. Steve Albini, I feel, was like the platonic ideal 270 00:18:10,519 --> 00:18:12,880 of it in that he was totally there at the at the spark of it 271 00:18:12,920 --> 00:18:18,720 when it was you know, blooming, but right up into letting that naturally 272 00:18:18,759 --> 00:18:25,279 grow into the modern day and you know, adjusting the lines accordingly and you 273 00:18:25,279 --> 00:18:26,400 know, reckoning as you say, with the kind of the edge lord parts 274 00:18:26,400 --> 00:18:30,079 of whatever that might be. And you know, we always talk about the 275 00:18:30,160 --> 00:18:33,559 kind of capability of growth and change as humans, as things we want to 276 00:18:33,640 --> 00:18:37,240 encourage. And I think how Albini carried himself is one of the great like 277 00:18:37,400 --> 00:18:41,799 banner carry like he cooled out his own examples, and I think that's that's 278 00:18:41,799 --> 00:18:45,480 really important when you can recognize your own flaws, that's the attitude that like 279 00:18:45,759 --> 00:18:49,200 that you take forward and you recognize your own flaws, but with your own 280 00:18:49,400 --> 00:18:55,039 like artistic statements. And how he interacted with the industry again, how he 281 00:18:55,759 --> 00:19:00,880 treated you know, people on the ladder below him. Essentially, he was 282 00:19:00,119 --> 00:19:06,480 the walking manifestation of integrity that I think people love to kind of ascribe to 283 00:19:06,519 --> 00:19:10,440 punk rock but not everyone necessarily has it. Not everyone walks the walk the 284 00:19:10,480 --> 00:19:14,119 way that Steve Albini did. And I really wish I could have seen him 285 00:19:14,119 --> 00:19:15,160 play with like shell Ack or something. I never saw him on stage, 286 00:19:15,200 --> 00:19:21,240 but one of the most influential people on the entire landscape of music, but 287 00:19:21,279 --> 00:19:26,200 particularly our corner of it, and someone who you know, for decades helped 288 00:19:26,319 --> 00:19:27,680 artists make the best art that they could. You know, he was an 289 00:19:27,759 --> 00:19:34,799 enabler of art and a monumental presence. So we salute Steve Albini. I 290 00:19:34,799 --> 00:19:40,799 think one of our truest heroes. Yeah, pretty much, I can up 291 00:19:40,839 --> 00:19:45,079 any better. Like just a a real, like heartbreaking loss. So as 292 00:19:45,119 --> 00:19:48,960 said, that's the kind of the main thing we wanted to dedicate this episode 293 00:19:48,960 --> 00:19:55,480 to discussing, I guess, but Frank Turner did his little jaunt he is. 294 00:19:56,640 --> 00:19:59,200 I'm gonna rely on you, I think. To clarify some of the 295 00:19:59,240 --> 00:20:03,400 details here, Frank Turner did his like weird little fifteen shows in twenty four 296 00:20:03,400 --> 00:20:07,359 hours in different cities around the UK, released event thing for his album Yes, 297 00:20:07,720 --> 00:20:10,680 and we were like, yeah, we'll track this y how it goes. 298 00:20:10,960 --> 00:20:14,680 It seems to have gone swimmingly. He did it. Cry Wank also 299 00:20:15,279 --> 00:20:17,559 did it as we you you know, you dropped on us where we spoke 300 00:20:17,559 --> 00:20:21,039 about this one more show with one more show on the day before. Cry 301 00:20:21,079 --> 00:20:26,200 Wank somehow, very again without the resources or whatever, managed to fucking you 302 00:20:26,240 --> 00:20:29,640 know, ring together sixteen shows in different places. I think it's kind of 303 00:20:29,640 --> 00:20:33,319 a testament to you know, the di y kind of scene and like gang 304 00:20:33,400 --> 00:20:34,759 something like that. Like it's one of those like real grassrooms you can get 305 00:20:34,759 --> 00:20:37,640 like good for him, like he's a bit of a shit starre but good 306 00:20:37,640 --> 00:20:40,960 for him. However, And this is where, like I said, I 307 00:20:41,000 --> 00:20:42,920 might need to clarify a little bit because I don't quite know what they mean. 308 00:20:44,880 --> 00:20:45,839 There was a bit of a controversy when I think it was the day 309 00:20:45,839 --> 00:20:52,480 before the thing. There was a post from I guess it was like in 310 00:20:52,480 --> 00:20:56,880 conjunction with like Frank Turner and the music venue. Yeah, because they were 311 00:20:56,920 --> 00:21:00,640 doing this kind of this book World Records thing posted like a set of rules 312 00:21:00,960 --> 00:21:04,680 basically laying out what would count and what doesn't. And as it happens, 313 00:21:06,119 --> 00:21:07,799 you know, Criwank have done sixteen shows, Frank Turner did fifteen, but 314 00:21:07,839 --> 00:21:11,559 only Frank Turner's is being recognized and cry Wank have been told their attempt is 315 00:21:11,559 --> 00:21:15,799 is unofficial, and because of this, there's been a lot of like boom 316 00:21:18,400 --> 00:21:22,279 it. What I will say is, I don't know how true this is 317 00:21:22,319 --> 00:21:25,960 bad parents been put out that cry Rank was actually someone did reach out to 318 00:21:26,039 --> 00:21:30,039 kri Wank and say, look, this is an established also because this is 319 00:21:30,079 --> 00:21:34,319 what the last person who held the record went by as well. Apparently this 320 00:21:34,400 --> 00:21:38,039 is something I'll kind of look, am I digging into what had gone on. 321 00:21:38,119 --> 00:21:41,200 I've seen someone share this is like they think it's like as I like, 322 00:21:41,640 --> 00:21:44,640 you know, they're not trying to like Sean Krawan can do that, 323 00:21:44,680 --> 00:21:45,839 Like, but they said, this is this is not something that is just 324 00:21:47,079 --> 00:21:52,400 Frank Turner has cobbled together to steal the prize away from this is this is 325 00:21:52,519 --> 00:21:55,200 a thing that has been apparently I'm sure it is. It just looks bad, 326 00:21:55,240 --> 00:21:57,079 doesn't it. He said, Like they said they do this not to 327 00:21:57,119 --> 00:22:00,720 defend Frank Turner, but actually, like Music Venue Trust, they don't want 328 00:22:00,759 --> 00:22:04,599 them as an issuation being disparaged trying to like you know, steal some from 329 00:22:04,680 --> 00:22:10,200 crowncle Like it's not a good look for them. Like that's what like one 330 00:22:10,279 --> 00:22:14,240 take I've seen to mean, like, it's easy to paint Frank Turner as 331 00:22:14,240 --> 00:22:21,920 a villain in this situation, as it is in so many things. I 332 00:22:21,920 --> 00:22:26,640 mean, I really know people the hate of Frank Turner gets so ridiculous, 333 00:22:26,680 --> 00:22:30,680 like the littleman embodiment of Satan that like a lot tell you he is. 334 00:22:30,960 --> 00:22:33,440 He is cringe, I will admit, but I do people take the Frank 335 00:22:33,519 --> 00:22:37,119 and hated a bit far. But when this happens and the timing of it 336 00:22:37,160 --> 00:22:41,720 and the kind of go like it is a bit like like it is a 337 00:22:41,720 --> 00:22:44,279 bit Scrooge, isn't it? You know, like bo you can't have this 338 00:22:44,480 --> 00:22:48,839 CRIKYA Elliott described it as anerna you can't touch me because I have a force 339 00:22:48,960 --> 00:22:52,119 field a little bit that is that I have the money. I mean, 340 00:22:52,119 --> 00:22:57,759 here's the thing. Watch the hate bomber Guy video on the roadblocks. Oof 341 00:22:57,880 --> 00:23:00,599 sound. That's the that's the this was set up of it. It goes 342 00:23:00,640 --> 00:23:06,359 into what a fucking Faskinness World Records actually are. And so that's why again 343 00:23:06,400 --> 00:23:08,039 I doing crowk needs to actually get too upset about this because they are a 344 00:23:08,039 --> 00:23:11,240 complete joke. Yeah he had they have it in fairness, they were just 345 00:23:11,279 --> 00:23:15,960 like we've done this for giggles. Yeah, like and like again like I 346 00:23:15,400 --> 00:23:18,480 I like, I wish Crowns music was better because they are they are, 347 00:23:18,759 --> 00:23:22,480 there are a laugh to have around. They really like Blad but like, 348 00:23:22,599 --> 00:23:25,079 good on him for the ship. How's read. But it is just, 349 00:23:25,119 --> 00:23:26,480 you know, one of those things. I'm like, I don't think we 350 00:23:26,519 --> 00:23:30,839 need to see that Poteco as the literal satan for doing this, but it's 351 00:23:30,880 --> 00:23:33,240 just like, you know, it's happened. Good on everyone involved. Yeah, 352 00:23:33,279 --> 00:23:37,599 so so well done. Frank Turner is an achievement. Crink did it 353 00:23:37,680 --> 00:23:41,000 more though mastered on this week. We haven't got much to go on here, 354 00:23:41,000 --> 00:23:45,519 but they've uploaded a little teaser video here. I don't know if you've 355 00:23:45,519 --> 00:23:48,480 watched I haven't watched the WHO video. I've seen the Caveman pictures. That's 356 00:23:48,480 --> 00:23:52,880 basically all is. It's like a twenty second clip. Troy Sanders is dressed 357 00:23:52,880 --> 00:23:56,400 as a cave man because why not, and he's like, you know, 358 00:23:56,440 --> 00:24:00,200 he's going through some some ferns and there's a question at the end of what 359 00:24:00,359 --> 00:24:03,000 has he seen? You know, and he's like gasping and looking shocked at 360 00:24:03,039 --> 00:24:07,880 something. And that's literally it. That's the extent of the teaser. But 361 00:24:07,880 --> 00:24:11,039 what is mastered On teasing, I guess is the question. The one detail 362 00:24:11,079 --> 00:24:17,079 about this that I think is somewhat interesting is the sound in the video is 363 00:24:17,440 --> 00:24:22,119 the drum intro from Crystal Skull from the Blood Mountain album, And that just 364 00:24:22,160 --> 00:24:25,680 makes you go, is that just like incidental because it sounds like it could 365 00:24:25,720 --> 00:24:27,720 be like Caveman drumming or something, or is it, you know, something 366 00:24:29,039 --> 00:24:32,079 Blood Mountain perhaps related. I don't know. I mean, obviously you might 367 00:24:32,160 --> 00:24:33,400 go, is this a new album where I suppose it would be about duw 368 00:24:33,599 --> 00:24:38,000 a master On album so you wouldn't be surprised, or is this again It's 369 00:24:38,039 --> 00:24:41,200 not like we're on the twentie anniversary of Blood Mountin or anything, but fucking 370 00:24:41,240 --> 00:24:45,039 who knows? Yeah, I mean, to me, my main takeaway from 371 00:24:45,039 --> 00:24:48,079 this was like a mastered On ready to kind of cut loose, to have 372 00:24:48,079 --> 00:24:49,359 a bit of fun again, because obviously the last few master On records have 373 00:24:49,400 --> 00:24:55,359 been quite Yeah, they always they always do have fun with videos in promotion 374 00:24:55,440 --> 00:24:57,519 though infent Yeah, like I suppose even on the sort of heavy records. 375 00:24:57,519 --> 00:25:00,519 But I just wanted it like what it's gonna be. But yeah, I 376 00:25:00,799 --> 00:25:04,000 don't know, Like I'm my guess is this is this feels like it's time 377 00:25:04,039 --> 00:25:07,079 for a new master on album. I hope it's a new mastered album because 378 00:25:07,279 --> 00:25:11,519 I want a new master on album. Like yeah, I mean, I 379 00:25:11,559 --> 00:25:15,240 again, I'm so fucking just blood Mountain pilled that if it's anything to do 380 00:25:15,279 --> 00:25:17,960 with that, then I would. I mean, if it's as a blood 381 00:25:17,960 --> 00:25:21,599 Mountain like, I ain't gonna fucking complain about like blood Mountain stuff happening because 382 00:25:21,599 --> 00:25:23,000 you know, good album. Yeah, one of my absolutely favorites of all 383 00:25:23,000 --> 00:25:26,200 time, but it master not doing something at least, and hopefully we learn 384 00:25:26,240 --> 00:25:30,680 what that is fairly fairly soon. Off I have announced that they're gonna be 385 00:25:30,720 --> 00:25:36,000 on Farewell shows shows. They're going to be playing three shows this summer and 386 00:25:36,039 --> 00:25:38,680 then going on hiatus and off. I guess we've never really spoke off in 387 00:25:38,720 --> 00:25:42,480 a huge capacity. Again, I confess I'm not as familiar with OFF as 388 00:25:42,519 --> 00:25:45,759 I am. Obviously, you know, Keith's Morris's work in Black Flag and 389 00:25:45,759 --> 00:25:48,680 then also the Circle Jerks and stuff, but that's his sort of current venture, 390 00:25:49,160 --> 00:25:52,839 I guess. You know, obviously, just someone like Keith is a 391 00:25:52,799 --> 00:25:56,440 one of our sort of remaining links to that particular period in like you know, 392 00:25:56,960 --> 00:26:00,680 essential hardcore history. And I've heard that offer a fucking great live band 393 00:26:00,680 --> 00:26:04,720 as well. I've never seen them but offer on those ones, and I've 394 00:26:04,720 --> 00:26:07,960 never really gone deep and I've kind always been aware of it and be like 395 00:26:07,960 --> 00:26:08,960 I should you know, spend the time. I've never quite got round to 396 00:26:08,960 --> 00:26:14,359 it, but they feel like one of those like hardcore adjacent bands that people 397 00:26:14,400 --> 00:26:17,680 have a lot of, like high regard forms, like a cool, interesting 398 00:26:17,799 --> 00:26:21,319 artistic sort of project. So yeah, shame that they're calling it. Yeah, 399 00:26:21,400 --> 00:26:23,319 just notable that someone like Keith unless he starts a new project or something. 400 00:26:23,359 --> 00:26:26,599 But as of right now, we stepping away from music. Yeah, 401 00:26:26,640 --> 00:26:29,720 the thing he's been doing is going to be you know, hanging up somewhat 402 00:26:29,720 --> 00:26:33,880 soon. And we got a confirmation from Kerry King this week, which I 403 00:26:33,920 --> 00:26:37,599 know, confirmation from Kerry King as of later events does make you go but 404 00:26:37,680 --> 00:26:42,680 how confirmed is it? But I believe this because he's essentially said what we 405 00:26:42,759 --> 00:26:48,039 said. He said that Slayer the Reunion is not going to extend to like 406 00:26:48,480 --> 00:26:52,720 active large touring or recording any music, which is exactly what we said will 407 00:26:52,720 --> 00:26:57,240 probably happen when they shockingly reunited. So basically we will do event shows and 408 00:26:57,279 --> 00:27:00,160 that's it, like yeah, cool, yeah, And that's financially that seems 409 00:27:00,200 --> 00:27:03,119 to make the most sense for them, and that's obviously what's a good guide 410 00:27:03,119 --> 00:27:04,599 the whole thing. So big money, isn't it. Yeah, So there 411 00:27:04,599 --> 00:27:10,839 you go, Patreon supporters. This week, as said earlier, we're currently 412 00:27:10,839 --> 00:27:14,559 we're recording a little bit of double session here tonight's because we just recorded a 413 00:27:14,680 --> 00:27:18,880 new TNM does Horror episode for people who are supporters on the highest tier of 414 00:27:18,920 --> 00:27:22,240 the Patreon. Thank you everybody who's over there. We had a little bit 415 00:27:22,240 --> 00:27:25,640 of a drought with this series at the start of the year when there was 416 00:27:25,839 --> 00:27:29,160 it was fucking dead. It's been really nice to We did the episode on 417 00:27:29,200 --> 00:27:32,519 Immaculate in the first omen the nun Spoitation Double about a month ago, and 418 00:27:32,559 --> 00:27:37,319 it was nice to follow up fairly swiftly. What we have done is it 419 00:27:37,519 --> 00:27:41,119 big muscles, big monkeys, big mullets. Was how we started this off. 420 00:27:41,200 --> 00:27:44,400 Here we spoke about Godzilla x Kong, following up our Monster of Us 421 00:27:44,440 --> 00:27:48,000 episode we did, and also the new Rose Glass film Love Live's Bleeding Rose 422 00:27:48,000 --> 00:27:52,200 Glass, the director of Saint Maude, which we also praised very heavily on 423 00:27:52,240 --> 00:27:55,119 that show. Love Live's Bleeding is one that I think we were both like 424 00:27:55,359 --> 00:27:59,440 really looking forward to, like one of our most anticipated films and having just 425 00:27:59,640 --> 00:28:03,079 record that chat a lot of fun talking as always about the big lizards and 426 00:28:03,079 --> 00:28:07,519 the big monkey and they're silly antics and they're suplexing and all of that stuff. 427 00:28:07,960 --> 00:28:10,799 But also with that, if you like, the more cerebral stuff are 428 00:28:10,920 --> 00:28:15,240 really fascinating, thematically powerful, you know, brave, interesting fucking movie. 429 00:28:15,240 --> 00:28:18,359 And Love Live's Bleeding, Yeah, one of our let's kind of like explicitly 430 00:28:18,400 --> 00:28:22,279 horror episodes of the show we do, but like kind of throws back to 431 00:28:22,279 --> 00:28:26,240 all the roots of it and just like a really fun, stupid movie talking 432 00:28:26,240 --> 00:28:30,559 about and then you say, like a really bold, interesting, like as 433 00:28:30,599 --> 00:28:36,480 I said, I think visionary sort of director striking, like swinging big on 434 00:28:36,519 --> 00:28:41,240 their second movie, and the like really cool, fascinating results as you put 435 00:28:41,279 --> 00:28:44,200 it, Bleeding through Cinema. Yeah, for the for the obvious t and 436 00:28:44,240 --> 00:28:48,880 emlink if you enjoyed our bleeding through special Love Lives Bleeding certified Bleeding through Cinema. 437 00:28:48,920 --> 00:28:52,720 Apart from the fact that it is very gay, everything else about it 438 00:28:52,759 --> 00:29:00,240 is extremely bleeding through coded the similarities and cross occurrences in themes and peace of 439 00:29:00,240 --> 00:29:03,039 imagery and everything. It's pretty staggery. So if you like that, you 440 00:29:03,079 --> 00:29:04,480 should probably go and watch that movie and then listen to us talk about it. 441 00:29:04,599 --> 00:29:08,640 So that is what is up on the Patreon this particular week. Musically, 442 00:29:08,680 --> 00:29:12,160 our next music episode here. The last one we did was the Battle 443 00:29:12,160 --> 00:29:17,680 Swap special thing we did where we spoke about you know, records from Rolla 444 00:29:17,680 --> 00:29:21,240 to Massi and Battle Ruins and King Crimson and all sorts of interesting stuff there, 445 00:29:21,240 --> 00:29:25,039 so you can go and find that. The next one probably announced on 446 00:29:25,279 --> 00:29:29,440 next week's Hyperblasts. Plans are afoot, you know, putting together what the 447 00:29:29,480 --> 00:29:30,880 next thing there is going to be. So thank you very much for everybody 448 00:29:30,920 --> 00:29:34,640 who supports us over there and lets us continue doing this all these years in 449 00:29:34,720 --> 00:29:37,599 your support means the absolute world and it's not take you for granted. So 450 00:29:37,759 --> 00:29:41,319 yeah, thank you everybody. Go and have those if you're interested. So 451 00:29:41,920 --> 00:29:47,240 ending this hyperblast today a fairly quick one, but we have got the releases 452 00:29:47,400 --> 00:29:51,319 for May the tenth. It's been obviously we had a little bit of a 453 00:29:51,880 --> 00:29:53,400 week off and everything, and then we had the review show so it's been 454 00:29:53,400 --> 00:29:56,680 a few weeks that we've missed of hyperblasts. Rather than go back and cover 455 00:29:56,880 --> 00:30:00,960 absolutely everything, which would take fucking ages, we are going to move forward 456 00:30:00,960 --> 00:30:03,279 from this week. This week is quite a funny week because we have one 457 00:30:03,599 --> 00:30:07,680 absolutely massive, like obviously one of the biggest event releases of the year with 458 00:30:07,880 --> 00:30:11,119 Not Loose with You Won't Go for You Supposed To. I actually didn't realize 459 00:30:11,119 --> 00:30:15,759 it was out so soon. This feels like it's yeah, but I mean 460 00:30:17,440 --> 00:30:19,000 one of my most anti spared amms of the year, Like I'm ready for 461 00:30:19,039 --> 00:30:22,079 it. Yeah, so expect that, you know, this time tomorrow to 462 00:30:22,079 --> 00:30:26,079 be absolutely everywhere elsewhere. We have if you like your you know, kind 463 00:30:26,079 --> 00:30:30,880 of contemporary metal core, there's like moths of flames with the cycles of trying 464 00:30:30,920 --> 00:30:33,559 to cope with. If you like new metal, there is power amount of 465 00:30:33,559 --> 00:30:38,039 five thousand with Abandoned Ship. If you like English new metal, it's killed 466 00:30:38,039 --> 00:30:42,240 to this with variant. Moving on to some stuff that you might want to 467 00:30:42,279 --> 00:30:48,559 put on Hot Water Music a back with a record called Vowels. We have 468 00:30:48,640 --> 00:30:52,480 Indoor Pets with Pathetic Apathetic, a record that I was really intrigued by Unclast 469 00:30:52,519 --> 00:30:56,720 and the Deadbeats are back with their first album in six years. It's called 470 00:30:56,759 --> 00:30:59,440 nell Or a Blue, and we spoke about announcement for this. I've I've 471 00:30:59,440 --> 00:31:03,039 heard this album. Honestly, it's not a rock up or at least in 472 00:31:03,039 --> 00:31:07,720 a conventional sense. If you are like wanting like your traditional uncal acid you 473 00:31:07,759 --> 00:31:11,319 know, like psychedelic black sabbath star pop songs or whatever, maybe you've waited 474 00:31:11,319 --> 00:31:12,440 sixty of them, you might be a little disappointed that it's not that, 475 00:31:12,480 --> 00:31:18,200 because literally what it is is a seven minute fake Giallo score. It's it's 476 00:31:18,240 --> 00:31:21,279 a soundtrack to a fake Gallo film. So I said, you might be 477 00:31:21,279 --> 00:31:25,720 disappointed that it's not normal and call acid, But if you go in accepting 478 00:31:25,759 --> 00:31:27,279 and willing that you're going to have a different, specific kind of experience, 479 00:31:27,359 --> 00:31:30,000 you might find something that you're you know, interested and in trigue by. 480 00:31:30,079 --> 00:31:34,000 So it's an interesting record under less, and I think they know that it's 481 00:31:34,000 --> 00:31:37,920 only going to appeal to a certain niche of their fan base, and they've 482 00:31:37,920 --> 00:31:41,359 gone and done it anyway. So I think that's you know, applause worthy 483 00:31:41,359 --> 00:31:45,400 and I applorable power metal, fairly busy, wee going on there. We've 484 00:31:45,440 --> 00:31:49,039 got unleast the Archers, one of the most promising sort of current bands in 485 00:31:49,039 --> 00:31:52,200 that realm with the new record Phantoma. We also have one of the oldies, 486 00:31:52,279 --> 00:31:57,039 Freedom Call with Silver Romance and Nette Oldsen the X Nightwish saying that she's 487 00:31:57,079 --> 00:32:01,920 got a silo album called Rapture Bastion Bark also has a solo album called Child 488 00:32:01,960 --> 00:32:07,880 within the Man. We have in more kind of heavy metal, We've got 489 00:32:07,000 --> 00:32:13,359 Riot Riot the Mean Streets with I believe Greek band called Flamekeeper with a self 490 00:32:13,359 --> 00:32:16,599 touted record there. We also have some sort of thrash with take offence and 491 00:32:17,119 --> 00:32:23,640 totality but with ttality, and then going into slightly more underground stuff Arab Strap, 492 00:32:23,680 --> 00:32:27,279 who are a band I know that one of their last records was like 493 00:32:27,440 --> 00:32:30,240 very well kind of liked by a number of people. I've reacent a record 494 00:32:30,240 --> 00:32:34,559 with emojis in the name which I never quite trust, but it's called I'm 495 00:32:34,599 --> 00:32:37,160 totally fine with it, don't give a fuck anymore, with some thumbs up 496 00:32:37,200 --> 00:32:39,920 in there, and then again going into kind of extreme metal. Fair The 497 00:32:39,920 --> 00:32:44,880 big event released of the week, I guess that six feet under Back with 498 00:32:44,960 --> 00:32:49,200 a record called Killing for Revenge. Two things about this A I've heard it 499 00:32:49,319 --> 00:32:52,240 is like not as bad as the last one, which six feet Under. 500 00:32:52,319 --> 00:32:54,759 They do have, they have records that are possible, They have records that 501 00:32:54,960 --> 00:32:58,720 are you know, sometimes they really go down the deep end and then sometimes 502 00:32:58,720 --> 00:33:00,079 they slightly gain some more a little bit. I've heard this is more of 503 00:33:00,079 --> 00:33:05,000 those. The other is that it has a Vince Locke album cover. Vince 504 00:33:05,000 --> 00:33:07,400 Locke, who is the guy who has done every single Cannibal Corps album cover, 505 00:33:07,519 --> 00:33:09,160 and I found it very strange to finally see a piece of his artwork 506 00:33:09,200 --> 00:33:13,799 on a six feet under cover. But there you go. And then elsewhere, 507 00:33:14,039 --> 00:33:16,240 Necrophagia have got a record called Moribundus Grim, which is very strange because 508 00:33:16,279 --> 00:33:20,599 Necrophagia again very early, long running death metal band, but they haven't been 509 00:33:20,640 --> 00:33:23,359 around for like a decade because the main guy died. But this seems to 510 00:33:23,359 --> 00:33:27,480 be a record made up of like some finished recordings and stuff. And then 511 00:33:27,960 --> 00:33:30,720 I believe like Mirai from CI and a few other people are involved it. 512 00:33:30,720 --> 00:33:34,720 So I was very fucking baffled when I saw Negrophagia on the releases, but 513 00:33:34,759 --> 00:33:37,119 there they are. And then also if you like your slightly more sort of 514 00:33:37,160 --> 00:33:40,480 you know, dissonant nasty type stuff. Red Rot Borders of Mania is in 515 00:33:40,519 --> 00:33:45,559 there. So that is the round up for this time. Thank you very 516 00:33:45,640 --> 00:33:47,440 much for listening today. As said, the main thing we've got going on 517 00:33:47,480 --> 00:33:52,160 this week is we've just done that Tad's Horror on Godzilla and Love Lives Bleeding, 518 00:33:52,559 --> 00:33:54,200 but this time obviously here with Hypoblasts, we really wanted to just send 519 00:33:54,200 --> 00:33:59,319 it out to, you know, to Steve Albini and recognize everything that that 520 00:33:59,359 --> 00:34:04,559 guy contributed to everything that we love and that we talk about. So go 521 00:34:04,640 --> 00:34:07,240 and spin whatever your favorites. Dvar Beanie Records are Rest in peace. What 522 00:34:07,279 --> 00:34:09,440 an absolute fucking legend, and cheers for being here with us. We'll be 523 00:34:09,480 --> 00:34:14,360 back here again next week with another Hyperblasts. We'll bring back questions and stuff 524 00:34:14,400 --> 00:34:17,119 like that there and then fairly soon after that we'll have some more reviews and 525 00:34:17,199 --> 00:34:21,639 new music. So cheers and we'll see you for the next one. Bye bye