WEBVTT

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Hey, it's Bob Pickett. We're
on our way to the legendary Broken Spoke.

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Come on, let's get out the
truck and head inside. Come on,

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let's go inside, getting ready for
another tale from the Broken Spoke.

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Welcome back. We're in me too. It's time for another great tale,

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in fact, more great stories.
Tell us the Broken Spoke on. Bob

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Pickett, my co host and best
friend. Right here, mister Wannie Warden,

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and we are we are. We
are joined by a rock and roll

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Hall of Famer. No, is
that crazy? Yeah? Austinite. Yeah.

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Kathy Valentine's with us right now.
Welcome. It's the book is great.

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The book is called All Everyone,
and you share a lot of stories.

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You mentioned, you know, sitting
in and showing up on stage for

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Doug. You also talk about Chuck
Berry influencing You talk about the stones and

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stuff. What a cool life.
And we were talking earlier. There's got

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to be a sequel to this.
There's got to be. Yeah. I

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mean, this book the one thing
I was asked to do. The University

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of Texas Press offered me a book
deal. I had the best situation that

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any writer could dream of, and
that I sat down to write every day

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knowing that it was going to get
published and be read. Was it therapeutic?

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Were you afraid marry? It's the
cheapest, most intense therapy ever to

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write a memoir. I highly recommend
it if you need to work through some

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ship. But the main thing is
that I knew it was going to get

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published. It's it's hard to write
and to avoid without knowing. A song

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is different because you can sit there
by yourself and play your song and be

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just happy as can be. But
writing is different. You're really giving and

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it's it's not that different because you
are giving a part of yourself away in

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a song. But you can entertain
yourself. You can't really entertain yourself reading

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your own book. Are you now
take your solo and really, you know,

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like with your song, you can
write your song and you don't really

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have to play it on the stage
and you don't have to record it.

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You can just play that song every
day and be pretty happy with yourself.

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Wow. But you can't do that
with a book. So anyway, um

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this, when I sat down and
had to write an outline, I saw

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real clearly that there was a story
arc that started around the age of eleven

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that had a natural character at me, growth and change that ended around age

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thirty. So that's when the book
ends with a little epilogue. Like I

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said, it isn't too soon because
yeah, I would like to write a

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sequel. Now, I would like
to get a book deal before I write

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it, so I have that same
situation where I'm not writing into the void,

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but I might have to do it
the hard way. Well, and

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just because you know, I was
one of the you know, prer the

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book of course and first in line
and all this stuff. But if somebody

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wants to get it, announce it's
Kathy Valentine's all I ever wanted. Where

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would you recommend somebody going to order
the book as soon as they listen to

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our show? Well, I like
to support indie bookstores, but I'm I'm

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fine if they wanted to get it
from Amazon too, but I always try

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to support a local business first.
You might have to ask them to order

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it. Because thank you for discussing
the book right now. It came out

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April first, twenty twenty, and
what was going on then? That was

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just right when the global pandemic was
announced. So the eight weeks when a

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book comes out is really that's the
window where you get your press and your

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reviews and you hit you go out
and do book tours and appearances. So

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I couldn't do any of that,
and it did really well considering, but

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it's nice that I still get the
chance to do some of the stuff now

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that I missed out on well.
And also it's like one of those things,

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it's like until somebody here's it,
you don't have any old songs,

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you know, and then anybody listening
now maybe they've just now heard of the

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book, and the book's brand new. The stories are timeless. It's it's

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your memoir, so it's a specific
time and a place so that it will

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never be dated because this is this
is your story. Have a long shelf

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life. Yeah, and you think
you're too honest though, and some of

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the chapters, I mean that had
to be can't be too long. There's

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stuff about me I don't want people
to know. And you stripped down a

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lot of layers for the book.
Yeah. I feel like, um all

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I was concerned about when I wrote
it was was it well written? And

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was was my deadline? Was I
on time? That's was my two things?

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Is it well written and it wasn't
until I actually finished it and it

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was going to be published that I
was like, oh, oh, everyone's

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going to read this thing and read
all the stuff I wrote. Oh um,

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But I think there's not a way
to to be um reliable as a

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narrator if you're not honest. I
mean, you know, it's you are.

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You were first generation American punk,
So you can't really do that and

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compromise what you're gonna tell about your
story. It's all about truth and honesty,

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and and there was you know,
I don't like the phrase brutal honesty.

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I don't think you're being brutal.
I think you're either being brutal or

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you're being honest. But whatever,
brutality towards the honesty, it's just towards

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yourself. Yeah, you know,
and I know I tried to not tell

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anyone else's story, right, Yeah, you told your story. Yeah what

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about You're just beautiful reading it?
Were you? I mean, was that

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tough? Well? She hasn't.
Actually she's read parts of it. I

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mean she was pretty young when I
started it, because I started twenty sixteen,

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so she would have been around fourteen, And she overheard me talk think

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about a certain part. And she
was appalled and said, I heard you

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talking and that doesn't happen, and
you can't put that, you can't write

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that, And and I just said, you know, let's see how you

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feel in a few years, you
know. And why would anyone want to

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do this? That's what she said. Why would anybody want to write a

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memoir? Yeah? And I had
to go well, and that actually became

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part of my introduction, was her
asking me that. And I was like,

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well, a lot of people,
it gives them hope and makes them

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feel like if somebody can mess up
and make mistakes and do things that they

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are ashamed of and yet still go
on and be loved and have relationships and

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a family and a career, that
can do a lot of healing for somebody,

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that can heal someone else. So
it's a way. It's being of

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service, not ever, And I
said, not everyone can write a memoir.

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Yours would be boring, right.
I think it takes but it takes

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time. But I mean by yours, I meant hers. Because she was

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a fourteen year old kid with a
well adjusted life. Well, I mean

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that was a whole thing. I
didn't have that. No, you know,

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because brainy and I. Our son
Brooks is nineteen, and you know,

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and I and I talked to him
about you know, I was raised

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by not only wolves, but kind
of cruel wolves. You know, I

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go with you know, I started, you know, I started a I

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guess I'd moved in with my first
check when I was fifteen, you know.

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And I'm telling him, you know, an eyes, his eyes,

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just go, Daddy, that you
were a kid. I went, well,

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you were a kid at fifteen,
you know. But it was just

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different. It was thanks for different. It was like, you need to

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write a book. Oh yeah,
it sounds I'm getting interested already. I

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want to hear about Well, it's
this young man from West Austin became a

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big Go Ghost fan and wanted to
write a bunch of songs. A lot

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of a lot of my book was
about my relationship with my mom. And

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it took me a long time to
come to terms with my relationship. And

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it was a very healing thing because
I had a lot of resentment towards my

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mom. She didn't parent me,
she didn't give me guidance. And when

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I became a mom, it became
really clear to me. And but writing

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the book was very healing because it
made me realize that she might have dropped

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the ball in a lot of places. But I always felt loved and I

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always felt supported. And I know
people that had the most traditional, you

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know, leave it to beaver or
whatever family, and yet they didn't feel

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loved, right. I didn't feel
if they had said to their mom,

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hey, I want to play guitar
and start a rock and roll band,

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they would have gotten laughed at.
And I didn't have that. But I

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think your mom gave you the drive, and that was writing the book gave

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me a whole new lens to see
her and to see my relationship, and

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it was incredibly valuable. And even
in the book, I would say to

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her mom, I'm going to write
about this. I'm gonna write about when

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you did that. Is that okay
with you? Because I don't have to

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I can leave it out because my
mom did some crazy stuff. And she'd

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be like, no, this is
your story. You write what you want

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to write. And I was like, that's support. Yeah. Well,

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and it was either in the book
or it was either it might have been

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shortly after your mother passed and she's
been going about a year. Yeah.

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June June twenty nine, so sorry
and something else that Kathy has going.

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I highly recommend everybody, and it
is available. There's free and then there's

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also subscribers, but Kathy uh is
on the sub stack. It's a writing

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platform that a lot of writers fantastics
to get their writing out to an audience.

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And you're sure, thank you,
thank you so much. I love

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it. Um. I don't want
it to get in the way of writing

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a book, because they do take
a lot of effort and commitment and time.

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But it's been good for me.
It's made me more accountable and like

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it's me. It's kept me writing, which if you're a writer, just

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like if you're a songwriter, if
you're a musician, artist, you got

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to keep doing it. You you
had said one of those things where you

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said a lot better than this,
But that is when when you realize that

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your mom just even though it might
have been awful, not your words,

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but she always did the best she
could. And that's such a I was

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like, yeah, wow, if
you if you use all the tools in

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your tool chest, but your tools, you know, it's a sack of

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balloons, but you do the best
you can. And what a what a

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great healing thing for other people to
read. But yeah, it is a

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substack dot com is it just Yeah, it's just Kathy Valentine's substack. And

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I know Michael the first uh local
cat, Michael Calchrane's on there and I

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can't wait for you turned me on
to substack. Yeah, yeah, it's

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a lot of writers are using it. Yeah, and I love yours,

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Thank you so much. I'm enjoying
doing it, and it is free to

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subscribe. I don't withhold, and
I take readers along what it's like to

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write a song. You know,
I started a song and like, here's

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how I got the chords, Here's
how I got the lyrics, Here's okay,

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now I'm going to figure out the
tempo. I'm going to do a

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click track. And they love that. People love when you pull the curtain

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back and stuff. But with the
parents, I mean, I think I

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think people you know, and it
doesn't just have to be parental. It

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can be in a relationship. Is
so many of us keep going to the

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person expecting something that they can't give, and you're you set yourself up over

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and over to be disappointed and let
down, going back and to get to

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a place where you realize that a
person's capabilities might not be like maybe just

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like even in my book, I
said to my mom, like, what

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were you thinking? What were you
thinking? Back then? I could have

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been putting foster care, you could
have gone to jail. I could have

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been completely without a parent. What
were you thinking? And she was sitting

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there and I'm fifty seven years old, and she's going, oh, I

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was scared, but she didn't admit
that until then to you asked her,

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Yeah, but it's still like I'm
like, so you were scared, but

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you didn't you didn't stop. You
still did it. And I realized at

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that moment, I'm like, what
am I doing. I'm wanting her to

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go. I'm so sorry, I'm
so sorry, and she just couldn't.

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And it was this realization like,
don't keep going to someone wanting them to

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give you something if they're not going
to do it, you know, just

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see what they can give. But
I think that all I think, all

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three of us are parents. I've
got a twenty year old son. Yeah,

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his birthday was but but our eyes
don't really open up until we become

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a parent. And suddenly we realized
the responsibility and how we've got to guide

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that child. So and that's what
I wanted in the book too. How

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much becoming a mother changed your life
and influenced you even more, that's to

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me that that's that's a great story
that I would love to hear. Yeah,

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well, I think like you're since
we're all parents, we all know

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that number one. You know it's
I had. I was always like not

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very nurturing of a person. I
was a tough cookie. I was just

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like, you know, you got
a problem, take care of it,

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damn it, you know, just
like I just wasn't. I was harsh.

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I was like a hard and I
think becoming a parent made me soft

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and made me open and made me
nurturing and compassionate. It made me such

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a better It's made me who I
am, Right, it's who I was.

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But I had built up so many
that's how to me weakness, vulnerability

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and needing help or any It just
felt weak. And if you're weak,

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you're like an injured animal that's going
to get eaten. So you always act

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strong. You always be that.
And that's all tied into the drinking and

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the addiction and the fronting. So
getting sober was a big step, but

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becoming a mom finished the job off
where I could be who I really am,

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you know, and I love that
I love and and plus just not

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knowing what it kind of love your
you're capable of. I think so much

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of it is, you know,
particularly when you have all of our jobs,

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you know, with so much focus
on self. Is you know I'm

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doing this? What is what are
people going to think about me? What

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does my new song sound like?
What is how well is my record doing?

206
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And then you then you have a
young and it's just like, oh,

207
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there's something so much bigger than I
am. And I think that that's

208
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how God gets in our lives.
You know. I got sober when Brooks

209
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was nine months old, so he
doesn't know a dad strung out, you

210
00:15:09.360 --> 00:15:13.840
know, he just knows sober me. And where you're able to let go

211
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of so much self and then through
the gift of parenting, where you go

212
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there is something so much bigger than
anything I would want. I just want

213
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my child to be safe and happy. And it's scary too. It's scary

214
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to love that much because you know
the thought will creep in your mind,

215
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what would I do if something happened? Right? You know? And you

216
00:15:35.399 --> 00:15:41.919
know that people tragedies do happen,
and people do and it's it's it's so

217
00:15:41.360 --> 00:15:46.960
terrifying, you know, to love
completely as also the other side of it

218
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is the terror of having it taken
away from you, and that just kind

219
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of puts you right in the moment
where you just have to be present and

220
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grateful, which is being you know, living and God's light or however you

221
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want to look at it or think
of it. That that being in present

222
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and the moment and grateful that's set. Yeah, humility of knowing that you

223
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don't have to you don't get to
say, you don't get to decide,

224
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well, that just so great.
Well, I think one of the main

225
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things about parenthood is it's one of
the greatest vehicles to present as as sometimes

226
00:16:26.080 --> 00:16:30.240
it's said in the Twelve Steps,
you know, to to no humility,

227
00:16:30.320 --> 00:16:33.919
with no humiliation, and that's what
parenting will do for you, you know,

228
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and just bring about a patience that
yeah, I'm a hard asked son

229
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of a bitch bandleader and a you
know, watching a three year old put

230
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on your their shoes will make you
patient a little bit. Yeah, but

231
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then you get older and then you
turn into a grumpy old man, you

232
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know, Yeah, I really enjoyed
in the book where you talked about how

233
00:16:56.840 --> 00:17:00.240
you became sober and how you started
attending meetings, but all the people that

234
00:17:00.679 --> 00:17:06.079
Carlene Carter big influence and you were
worried how she would feel about you when

235
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you when you turn the corner,
became sober. No, actually she was

236
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sober for or me, so she
inspired me. I wasn't worried about what

237
00:17:15.480 --> 00:17:18.240
a great story though. Yeah,
And we were just together in Nashville,

238
00:17:18.279 --> 00:17:23.279
and it was really nice to still
have that friendship, you know there And

239
00:17:25.240 --> 00:17:32.680
yeah, I mean there's there's usually
there's usually somewhere, somehow someone will pierce

240
00:17:32.759 --> 00:17:37.000
through the denial, you know,
and we're just reading your mail and your

241
00:17:37.000 --> 00:17:41.519
bullshit doesn't work when when there's somebody
in recovery and you sit and you explain

242
00:17:41.599 --> 00:17:45.160
to them why you don't yet need
to go and recovery or this, you

243
00:17:45.200 --> 00:17:52.240
know whatever. Every there's a great
thing in Uh. The way it works

244
00:17:52.279 --> 00:17:55.599
is the eleven tradition says we must
always maintain personal anonymity, love of press,

245
00:17:55.720 --> 00:17:57.559
radio on film. So how it
works is Kathy and I can tell

246
00:17:57.599 --> 00:18:02.000
you we're in a twelve step program. We can't tell you what twelve step

247
00:18:02.000 --> 00:18:07.680
program. We are because we don't
want to have anything we do adversely effect

248
00:18:07.759 --> 00:18:11.319
or influence one way or the other. A twelve step program. But I'm

249
00:18:11.319 --> 00:18:15.000
a member of a couple of different
twelve step programs. And uh, there's

250
00:18:15.000 --> 00:18:21.880
a thing that that says that that
we drunks and alcoholics have to practice rigorous

251
00:18:21.920 --> 00:18:26.799
honesty. Well, see, you're
not a drunk piggot. You don't have

252
00:18:26.839 --> 00:18:30.000
to practice rigorous homes. You practice
honesty, Brandy, practice is honesty.

253
00:18:30.039 --> 00:18:37.039
But only a junkie could find a
loophole in the word honesty. Oh sure,

254
00:18:37.079 --> 00:18:38.000
I'm honest. I mean, but
I don't hurt your feelings, you

255
00:18:38.039 --> 00:18:41.279
know, are you rigorously honest?
Oh no, yeah, no, not

256
00:18:41.359 --> 00:18:45.799
at all. Well, and it's
true, Like I'm amazed how many,

257
00:18:45.799 --> 00:18:51.119
how many times my first reflex is
to tell a lie, sure, a

258
00:18:51.160 --> 00:18:55.079
white lie, or just get out
of something, or that's my always my

259
00:18:55.160 --> 00:18:57.960
first reflex. And I'm like,
don't do it. It's not right,

260
00:18:59.119 --> 00:19:03.359
rewired different, you're always fighting it
all the time. Not fighting, it's

261
00:19:03.400 --> 00:19:04.759
just a it's a it's not a
fight, it's just an impulse. And

262
00:19:04.839 --> 00:19:10.359
to me, it's interesting because if
I if that's my impulse. I can't

263
00:19:10.359 --> 00:19:15.000
even imagine what your basic asshole is
doing all day long, you know.

264
00:19:15.200 --> 00:19:18.640
Or for me, it's like,
well, this is how I am eighteen

265
00:19:18.759 --> 00:19:23.480
years sober. Fuck I guess eighteen
minutes sober. I was pretty awful to

266
00:19:23.559 --> 00:19:26.359
be a run you know. But
but the thing is about the thing about

267
00:19:26.400 --> 00:19:30.960
the Steps is because we all have
these people in our lives, and by

268
00:19:30.000 --> 00:19:34.720
the grace of God and the Twelfth
Steps, I've been able to be one

269
00:19:34.759 --> 00:19:40.400
of those people in other people's lives. Of the you know, past eighteen

270
00:19:40.519 --> 00:19:44.359
years is there's just that one or
two or three people that are already in

271
00:19:44.440 --> 00:19:49.000
the program that just call you on
all your ship and they just they see

272
00:19:49.799 --> 00:19:52.960
that you're just lying through your teeth
and how miserable you are, and they

273
00:19:53.039 --> 00:19:57.680
and the facade that you're you know, putting through, putting other people through,

274
00:19:57.799 --> 00:20:00.359
and and they just call you on
all of it. And then they'll

275
00:20:00.400 --> 00:20:06.119
go, how about you have a
way of life that has none of that

276
00:20:06.240 --> 00:20:08.680
in it? And they sound like
crazy people, or you assume I did

277
00:20:08.759 --> 00:20:12.759
anyway this drunk assumed they were lying
to me. Yeah, you know,

278
00:20:12.839 --> 00:20:17.279
when I first came in the program, I was like someone said, well,

279
00:20:17.440 --> 00:20:18.960
yeah, we'll get you off dope. But what if you don't want

280
00:20:19.000 --> 00:20:23.039
to take the dope? Now?
Went, well, that's just a fucking

281
00:20:23.160 --> 00:20:26.559
lie. Of course, I'll always
want to take dope. And then you

282
00:20:26.680 --> 00:20:30.440
realize very shortly, Wow, what
if there's a life where you don't want

283
00:20:30.480 --> 00:20:33.359
to take dope? What is that
life? It's the greatest thing I've ever

284
00:20:33.480 --> 00:20:37.880
known. Today, you think the
environment's better in Austin than it was at

285
00:20:37.880 --> 00:20:41.480
in La the West coast for you
especially, what do you mean? I

286
00:20:41.559 --> 00:20:44.039
mean, do you do you really
enjoy living here as much as the city

287
00:20:44.119 --> 00:20:48.440
has changed? Somebody not very regionally
loyal to and the things I enjoy doing

288
00:20:48.680 --> 00:20:53.680
I can pretty much do anywhere.
YEA. To me, it's about like

289
00:20:53.920 --> 00:20:57.640
finances now. I mean, if
I wanted to live back in La I'd

290
00:20:57.720 --> 00:21:03.559
be I'd be living in like Cathedral
City or something. I just couldn't afford

291
00:21:03.680 --> 00:21:06.519
to live there. And the same
as with Austin. Now. If you

292
00:21:06.640 --> 00:21:10.440
get out of Austin now, you're
not coming back unless you want to live,

293
00:21:11.279 --> 00:21:15.039
you know, out of town.
So so I like, I mean,

294
00:21:15.359 --> 00:21:19.319
I had my twenties and my thirties
there, and those are the friends

295
00:21:19.440 --> 00:21:25.000
that you grow up with and you're
in the bars with then you you know,

296
00:21:25.319 --> 00:21:27.079
you get high with and then you
stop getting high. And like,

297
00:21:27.319 --> 00:21:33.400
I have really good friendships. I
love visiting there, and Austin is okay,

298
00:21:33.559 --> 00:21:37.880
I mean, I don't It's all
right. I can't say that I'm

299
00:21:37.000 --> 00:21:41.279
crazy about it, but I'm not
not crazy about It's just kind of where

300
00:21:41.319 --> 00:21:44.640
I am. But it's home,
it feels like right now, But I

301
00:21:44.680 --> 00:21:47.440
don't know if it's gonna always be
home. Well, I know from your

302
00:21:47.480 --> 00:21:52.880
substate you talked about after your mother
passed that you're thinking about because she had

303
00:21:52.960 --> 00:21:56.079
dual citizenship. Correct, No,
she was English, she wasn't, so

304
00:21:56.480 --> 00:22:00.880
that gives you dual citizenship. All
right. I'm going to my citizens ceremony

305
00:22:00.960 --> 00:22:07.480
on Saturday. So in Houston they're
combining it with the coronation celebration. I'll

306
00:22:07.480 --> 00:22:11.680
be a dual citizen. And I
just says, as I got older,

307
00:22:11.000 --> 00:22:18.799
I want to be around family more
and my mom's family in England is who

308
00:22:18.839 --> 00:22:22.319
I would like to spend more time
with, so I'll I'll go to I'm

309
00:22:22.319 --> 00:22:25.440
not going to cut ties with Austin. You know, I raised my daughter

310
00:22:25.599 --> 00:22:29.759
here, but but i'd probably go
live there for a couple of years while

311
00:22:29.799 --> 00:22:33.759
my daughter's in college finishing up.
Have you ever written over there? I

312
00:22:33.920 --> 00:22:37.400
started my sub stack there. I
mean, I'm sorry, songs written,

313
00:22:37.680 --> 00:22:42.000
Yeah, I mean I kind of
am always. I just I write and

314
00:22:42.079 --> 00:22:45.759
I don't know why, but I
write differently there. Just whatever it is,

315
00:22:45.839 --> 00:22:49.680
it's just it's just everything feels different. And you know, because everything's

316
00:22:49.680 --> 00:22:52.880
so damp, they're all the pianos
or their own variety of out of tune

317
00:22:52.960 --> 00:22:57.000
and it's just it's just Brandy and
I have found that we write different.

318
00:22:57.079 --> 00:23:00.880
And we're in Europe. I'll check
that out. Yeah, it's really could

319
00:23:00.920 --> 00:23:03.759
in the past. I'm there just
visiting or holidays or something. So if

320
00:23:03.799 --> 00:23:08.279
I'm living there, I'll get a
chance to experience that. That's so cool.

321
00:23:08.440 --> 00:23:11.359
I can't wait to see the stuff
at Jill. I mean, you

322
00:23:11.440 --> 00:23:17.319
know this summer with the musical Zach
Skinn head over Kathy Valentine, the musical

323
00:23:17.400 --> 00:23:22.480
director, and in the band,
and apparently we're on the stage. We're

324
00:23:22.519 --> 00:23:26.920
not in the pit. Really,
we're on the stage in costumes, interacting,

325
00:23:27.200 --> 00:23:33.079
singing backups. How many pieces are
in the band, It's gonna be

326
00:23:33.160 --> 00:23:37.640
four piece, just your basic two
guitar, bass and drum I'm just gonna

327
00:23:37.640 --> 00:23:42.519
be I got Emily gimbal It's gonna
play piano. Nobody good ve Eve is

328
00:23:42.519 --> 00:23:47.359
gonna play good drummer. Yeah,
okay, once again, Christy McInnis the

329
00:23:47.440 --> 00:23:52.880
drummers. So I couldn't think of
anybody that could do the job better than

330
00:23:53.279 --> 00:23:56.440
three. I mean, two of
them are in my band, but I

331
00:23:56.519 --> 00:23:59.000
didn't pick them because they're in my
band. I just thought they're just great.

332
00:23:59.000 --> 00:24:00.160
They're just the best people I could
think of. And you know,

333
00:24:00.319 --> 00:24:06.119
Eve, it's just a phenomenal Eve
month sys because another one of Kathy's projects

334
00:24:06.240 --> 00:24:10.000
is the Blue Bonnets. We hadn't
even talked about the blue Bonnets. Fantastic

335
00:24:10.160 --> 00:24:14.400
band, great just straight up great
songs, catchy rock and roll songs,

336
00:24:14.960 --> 00:24:18.400
great songs. We just played Saturday
at Sea Boys and it was just a

337
00:24:18.640 --> 00:24:22.680
great show and it was packed.
And you know what it's like, Sometimes

338
00:24:22.720 --> 00:24:26.160
you just look out and you just
see people and the jaws are dropped and

339
00:24:26.319 --> 00:24:30.559
you're just like they've got the look. They're just like, how the hell

340
00:24:30.640 --> 00:24:37.480
are these women up here rocking so
hard? And sometimes I think that like

341
00:24:37.839 --> 00:24:45.319
it never seems to go beyond like
elevate the stature we don't headline bigger places,

342
00:24:45.559 --> 00:24:51.200
we don't get offer us to do
this and that, and for a

343
00:24:51.319 --> 00:24:55.119
while it would like frustrate me.
But I've kind of gotten to this place

344
00:24:55.359 --> 00:25:00.119
where it's like, what is given, Let what's given be enough. And

345
00:25:00.400 --> 00:25:06.000
on that night, just Saturday night, we're all still high from it,

346
00:25:06.240 --> 00:25:08.920
you know, and it doesn't have
to mean that, oh, well,

347
00:25:10.000 --> 00:25:12.039
now we should be able to do
this. It was just on a great

348
00:25:12.160 --> 00:25:18.000
night. And that's another lesson,
and I think that comes with getting older

349
00:25:18.039 --> 00:25:22.400
and wiser, like, let what
has given be enough? Well, amen,

350
00:25:22.400 --> 00:25:26.200
I out just as a picker,
you know, been blessed to write

351
00:25:26.279 --> 00:25:30.559
some hit songs and all this and
stuff. But really my whole life since

352
00:25:30.599 --> 00:25:33.599
I was four I had the same
job since I was fourteen, and that's

353
00:25:33.640 --> 00:25:37.599
how I played guitar in front of
people. And the two years where those

354
00:25:37.680 --> 00:25:47.319
lockdowns took that away forever have given
me a gratitude that, by the grace

355
00:25:47.400 --> 00:25:52.720
good, even in all my darkest
days in addiction, I never had.

356
00:25:53.039 --> 00:25:59.359
I never took any gigs for granted, But I also didn't really realize what

357
00:25:59.440 --> 00:26:03.920
a privilege was until every single you
know, because usually history of the world,

358
00:26:03.200 --> 00:26:07.440
if work goes away, you can
migrate to where work is well.

359
00:26:07.480 --> 00:26:11.240
We musicians there was no other fucking
stage to go to every venue on the

360
00:26:11.319 --> 00:26:15.440
face of the Earth's shut down.
And when the gigs have come back,

361
00:26:15.960 --> 00:26:19.480
I have noticed an appreciation from the
audience. I have noticed an appreciation from

362
00:26:19.519 --> 00:26:26.039
the band. There is something so
wonderful with If the Wagoneers are here at

363
00:26:26.039 --> 00:26:29.759
the Spoke like we are on Friday
Friday, last Friday of the month,

364
00:26:30.039 --> 00:26:33.519
there'd be eight hundred people here and
all of them. All the people here

365
00:26:33.599 --> 00:26:37.640
are so appreciative, The band is
so appreciative, And I think what y'all

366
00:26:37.680 --> 00:26:44.519
got to experience Saturday is just a
subconscious collective of just gratitude a week and

367
00:26:44.599 --> 00:26:48.799
go out and see the blue bonnets
where we couldn't for two years. Back

368
00:26:48.839 --> 00:26:52.079
of the Broken Spoke, Kathy Valentine
has just entered. You just came back

369
00:26:52.160 --> 00:26:56.319
from the George Straight bathroom, the
world famous. Yeah. I was like,

370
00:26:56.759 --> 00:27:00.680
Okay, this is all the same
guy. Okay, is it comfortable

371
00:27:00.680 --> 00:27:04.359
to sit there and do your business
with George Straight looking at you? Sure's

372
00:27:04.359 --> 00:27:08.759
the way Kevy has it at home, you think. People that just reminded

373
00:27:08.799 --> 00:27:14.319
me of when I was like a
little adolescent, like with my pictures of

374
00:27:15.799 --> 00:27:19.319
my rings, Bobby Sherman all over
the walls, you know, saying cute.

375
00:27:19.680 --> 00:27:26.640
You think somebody's got a go Goes
bathroom or can't pictures that people have

376
00:27:26.000 --> 00:27:33.000
entire rooms filled with every space on
the wall. Are you okay with that?

377
00:27:33.759 --> 00:27:36.799
Well? Yeah, I mean fucking
great okay with it? I don't

378
00:27:36.799 --> 00:27:38.920
know, man, I just man, That's why I like doing radio where

379
00:27:38.960 --> 00:27:42.119
nobody can see what the hell I
look like? You know, well,

380
00:27:42.960 --> 00:27:47.839
I mean I wouldn't want to do
it. I mean I wouldn't want that

381
00:27:48.079 --> 00:27:51.119
in my house for any man.
I mean, I love even your own,

382
00:27:51.359 --> 00:27:53.880
right, I don't want I don't
want a Stone's room. Are you

383
00:27:55.000 --> 00:27:57.720
really going to give him your guitar
when you pass away? And he's I

384
00:27:57.759 --> 00:28:02.160
don't think. I think I'll outlive
them. I would hope. Yeah.

385
00:28:02.599 --> 00:28:07.279
I mean somewhere I don't think it's
legal, but somewhere I have it written

386
00:28:07.319 --> 00:28:11.680
down. But I forgot I was
gonna say, oh yeah, I was

387
00:28:11.799 --> 00:28:17.720
a I've done a couple of these
comic cons where you it's a real fan

388
00:28:17.920 --> 00:28:23.160
culture and people are there and they're
meeting actors from different films and comic book

389
00:28:23.240 --> 00:28:29.240
artists huge conventions, and some of
them are more pop culture oriented and they

390
00:28:29.359 --> 00:28:33.720
have musicians. So Gina and I
have done a couple together and they're really

391
00:28:33.759 --> 00:28:37.759
fun. But there was this one
amazing fan. She came. She asked

392
00:28:37.759 --> 00:28:41.440
me to sign her arm, and
I signed her arm, and damn of

393
00:28:41.759 --> 00:28:47.400
three hours later she sent me a
picture and she tattooed it. Wow.

394
00:28:48.440 --> 00:28:52.519
Three hours later, I was like, I've done a little neater? Have

395
00:28:52.680 --> 00:28:57.039
I known? I got a mispelled
running? What's the I mean, I'm

396
00:28:57.079 --> 00:29:03.000
sure do you get recognized a lot
in Austin? No, really, very

397
00:29:03.240 --> 00:29:07.079
very rarely. I mean my look
changes a lot. I mean, what

398
00:29:07.160 --> 00:29:11.200
would I get recognized for. I
don't look like you know, I'm not

399
00:29:11.279 --> 00:29:15.680
wearing a two two like on the
Vacation album. I'm not wearing a towel

400
00:29:15.759 --> 00:29:21.359
around my head like on Beauty and
the Beat. I had red, spiky

401
00:29:21.480 --> 00:29:26.720
hair in the eighties, you know, and then I had short, choppy

402
00:29:26.839 --> 00:29:30.519
hair in the nineties, and then
I had long So it's like, I

403
00:29:30.599 --> 00:29:33.519
don't know how anyone would record I
knew you were the men you walked in

404
00:29:33.559 --> 00:29:36.839
the door here, though, Well, I'm sure there's something. I mean,

405
00:29:36.880 --> 00:29:40.359
it has happened. It's just rare. It happened in Randalls. One

406
00:29:40.440 --> 00:29:41.880
day, somebody came up and said, I'm like such a big fan.

407
00:29:42.400 --> 00:29:48.000
It happened in New York City.
A guy came running up and just said,

408
00:29:48.200 --> 00:29:56.000
I was a school kid in Nebraska
and the Go Goes made me realize

409
00:29:56.160 --> 00:29:59.279
that my life could be anything.
And I live in New York City and

410
00:29:59.440 --> 00:30:04.519
I work and production on a TV
show and it's because of you guys,

411
00:30:06.160 --> 00:30:08.160
And I'm just like, this just
happened, you know, it's crazy.

412
00:30:08.400 --> 00:30:11.759
Well, and I was. I
was telling our boy Brooks, I said

413
00:30:11.799 --> 00:30:15.519
that you know thing about the Go
Gos. You know, they're in the

414
00:30:15.640 --> 00:30:18.359
Rock and Roll Hall of Fame.
And they were the first all girl group

415
00:30:18.480 --> 00:30:21.839
that wrote their own songs, played
their own songs, that had had a

416
00:30:21.920 --> 00:30:25.400
number one album. I think the
first girl group that had their number one

417
00:30:25.440 --> 00:30:27.240
album. I think, yeah,
no, the only yeah, only one

418
00:30:27.319 --> 00:30:32.440
still. But there was a lot
of female bands that played and that wrote

419
00:30:32.519 --> 00:30:37.160
songs, but we had hit songs
and the number one remember, so that's

420
00:30:37.279 --> 00:30:41.400
that's the distinction. I try to
make sure, like I know that there

421
00:30:41.559 --> 00:30:45.240
was a lot of bands before us
that were women, but there was no

422
00:30:45.480 --> 00:30:48.720
MTV for them, there was no
and there might not have been the songs

423
00:30:48.799 --> 00:30:52.200
either. As another thing, there
wasn't the talent or the songs. But

424
00:30:52.359 --> 00:30:56.640
the thing is that what you know, what drew me to The Go Goes

425
00:30:56.680 --> 00:30:59.559
had nothing to do, but they
were all chicks would just they were just

426
00:30:59.720 --> 00:31:03.359
great records, these records, I
think we could have been guys in I'm

427
00:31:03.359 --> 00:31:07.640
still in the Hall of Fame.
I think so too, because like if

428
00:31:07.680 --> 00:31:14.359
I'm if I'm fourteen and I'm listening
to every Day by Buddy Holly and the

429
00:31:14.400 --> 00:31:19.039
Crickets and I ain't living along like
this by Wayland Jennings and we got the

430
00:31:19.079 --> 00:31:23.200
beat by the Go Gos. What
I'm listening to are three great songs.

431
00:31:25.400 --> 00:31:27.279
That That's what it is. That
these are well written, well produced,

432
00:31:29.039 --> 00:31:33.319
well played, well song great records. That's the continuum. It's not that,

433
00:31:33.400 --> 00:31:34.559
oh wow, you had such an
eclectic taste. No I didn't.

434
00:31:34.599 --> 00:31:37.920
I just love stuff that was fucking
great, is what that is. Well,

435
00:31:38.000 --> 00:31:41.880
I'm the same. I like a
good song, right, I don't

436
00:31:41.960 --> 00:31:47.279
necessarily like an entire career of any
artist or an entire album, but a

437
00:31:47.400 --> 00:31:49.359
good song it kills you, right, and it it doesn't matter what it

438
00:31:49.519 --> 00:31:53.279
isn't like I was. I was
shocked. I didn't and I mean I'm

439
00:31:53.279 --> 00:31:56.680
talking about first chair go gos fan, But I didn't realize until I read

440
00:31:56.759 --> 00:32:01.160
your book All I Ever Wanted,
written by Valentine, available wherever books are

441
00:32:01.200 --> 00:32:06.039
sold, that Beauty and the Beat
only had two singles off of it.

442
00:32:06.240 --> 00:32:08.519
I was shocked because to me and
so many of my friends, it takes

443
00:32:08.559 --> 00:32:13.519
four singles. No, but yeah, but all eleven songs on the record

444
00:32:13.680 --> 00:32:15.599
were like hits. You know,
it was a stupid move. You know,

445
00:32:15.680 --> 00:32:17.960
I'm right about that. I think
a lot of people enjoy that in

446
00:32:19.000 --> 00:32:24.079
the book where I really show the
mistakes that bands can make and the you

447
00:32:24.200 --> 00:32:29.440
know, put showing what it's like
and the regret like I have giving a

448
00:32:29.519 --> 00:32:34.400
lot of my writing credit away on
vacation and just like describing a lot of

449
00:32:34.480 --> 00:32:40.400
the stuff about the business and why
the songwriting issue can be a band breaker,

450
00:32:40.880 --> 00:32:45.480
you know, and there's a there's
not a manual, there's not a

451
00:32:45.599 --> 00:32:47.880
right way to do it. It's
not a black and white issue that both

452
00:32:47.960 --> 00:32:53.279
sides are valid. But if you're
a band and everybody's getting up and hauling

453
00:32:53.319 --> 00:32:59.359
their butts across the country, and
a crappy van. You know, it's

454
00:32:59.440 --> 00:33:01.200
like, so if someone stayed home
and wrote a song. You know,

455
00:33:01.319 --> 00:33:05.079
that's the way I look at it
now. But all of y'all wrote,

456
00:33:05.880 --> 00:33:09.880
right, I mean Belinda, but
but yeah, but you, uh,

457
00:33:10.240 --> 00:33:16.319
you and and Charlotte and Jane wrote
and uh and Gina has I really encourage

458
00:33:16.400 --> 00:33:21.440
Gina to write songs. And you
know, not all, not all of

459
00:33:21.519 --> 00:33:23.319
our songs were suitable for the band. I mean, I write a lot

460
00:33:23.359 --> 00:33:27.480
of songs that I know when I've
written a song that's a good go go

461
00:33:27.680 --> 00:33:30.440
song that like every band I've ever
been and I'm the only writer, you

462
00:33:30.519 --> 00:33:34.119
know, like the bands are vehicles
for Yeah, that's a different it's a

463
00:33:34.480 --> 00:33:38.119
totally different bag than a band writing
all these you know, all these songs.

464
00:33:38.200 --> 00:33:45.119
And I just think just so many
of the of the songs that you

465
00:33:45.200 --> 00:33:50.279
and Charlotte wrote just they don't sound
like anything else, and they're just brilliantly

466
00:33:50.440 --> 00:33:53.759
written pop songs. Yeah, and
yeah, I think, I mean,

467
00:33:53.799 --> 00:33:59.599
I think Charlotte and Jane had the
had the uh they weren't the only writers,

468
00:33:59.640 --> 00:34:02.400
and that they didn't have enough songs
to sustain the whole career. They

469
00:34:02.480 --> 00:34:07.360
needed me. But I think as
a t writing team that they really exemplified

470
00:34:07.440 --> 00:34:12.360
the sound, you know. And
there was a the one heavy guitar song

471
00:34:12.679 --> 00:34:16.920
that's on talk show damn It You
and Danny wrote it. I'm the only

472
00:34:17.000 --> 00:34:22.199
one. I'm the only one,
man. What a great song. Carlene

473
00:34:22.239 --> 00:34:23.719
and I wrote that too, Carlin. I didn't know if Carlen was on

474
00:34:23.840 --> 00:34:28.320
that really Yeah, And she and
I played that together in Nashville. Wow,

475
00:34:28.480 --> 00:34:30.719
it's a great song. Yeah,
she sounds great on it. Fantastic

476
00:34:30.800 --> 00:34:35.079
song. It didn't really suit the
go goes that well, but I thought

477
00:34:35.119 --> 00:34:37.920
if it well on talk show,
I was surprised they wanted to do it.

478
00:34:37.119 --> 00:34:39.480
I didn't think they would be.
You know, looking back, you

479
00:34:39.599 --> 00:34:43.519
think that maybe if you guys have
been opened to more than one lead singer

480
00:34:43.599 --> 00:34:45.320
in the band, the band would
have sustained and lasted a few more years.

481
00:34:45.360 --> 00:34:50.400
And it's original in formation. No, I don't think that. I

482
00:34:50.480 --> 00:34:53.960
think Belinda is the singer of the
band. I don't think having another lead

483
00:34:54.039 --> 00:35:00.199
singer would have done anything. I
think the band didn't grow. You know,

484
00:35:00.320 --> 00:35:04.960
we got more mileage than anybody really
deserves to get out of and I'll

485
00:35:04.960 --> 00:35:09.039
say little output. And it was
I'm not taking it away, but you

486
00:35:09.119 --> 00:35:15.239
know, the band has has not
been a functioning, productive band for that

487
00:35:15.480 --> 00:35:20.679
much, you know. Well,
and I just think that sound, you

488
00:35:20.760 --> 00:35:25.800
know, uh, Belinda Carlisle as
the lead singer of the Go Goes is

489
00:35:25.880 --> 00:35:30.320
how the Go Go sound. And
I think she's part of the sound,

490
00:35:30.599 --> 00:35:34.360
right and and and I uh as
much a huge fan as as I've been

491
00:35:34.440 --> 00:35:38.840
of her uh solo records and having
is a Place on Earth and all that

492
00:35:38.960 --> 00:35:45.559
stuff, I think the best she
sounds even today is a member of y'all's

493
00:35:45.599 --> 00:35:50.320
quintet. I just think that's that's
how it comes to get to, you

494
00:35:50.400 --> 00:35:54.280
know, beforming out there in sed
Parker. Oh yeah, yeah. But

495
00:35:54.599 --> 00:36:00.400
one of her best vocal performances is
on World's Away, which is your song.

496
00:36:00.360 --> 00:36:02.519
Yeah, I mean, you know, so it's just just wrote for

497
00:36:02.639 --> 00:36:06.920
her, you know, right,
I was writing except for the songs I

498
00:36:07.000 --> 00:36:10.519
brought in that we're already written.
But when I'm in a band working with

499
00:36:10.599 --> 00:36:15.280
a singer, I try to I
try to get in their head and write

500
00:36:15.360 --> 00:36:21.480
something tay for her voice. Yeah, well, job well done. That's

501
00:36:21.519 --> 00:36:23.320
what it's always I mean. Because
I'm not the lead singer, so I

502
00:36:23.400 --> 00:36:27.440
want to write something that they can
really get behind because you're you know,

503
00:36:27.920 --> 00:36:30.360
a lot of it's just self preservation
too. You want tracks, you know,

504
00:36:30.440 --> 00:36:35.119
when you're not splitting everything up equally, and you're a writer, you

505
00:36:35.199 --> 00:36:37.719
want your song Pitt. It's just
the way it is, you know,

506
00:36:37.400 --> 00:36:43.760
And so it just makes sense,
you know, to write something that the

507
00:36:43.880 --> 00:36:47.159
singer wants to sing well. But
I also think, you know, just

508
00:36:47.400 --> 00:36:52.119
in our in my own songwriting,
blade Chip, I've written songs my whole

509
00:36:52.159 --> 00:36:57.360
life, but I write a lot
of material with Brandy. Brandy. Brandy's

510
00:36:57.360 --> 00:36:59.400
to be an A and R.
You know, she was a and Art

511
00:36:59.440 --> 00:37:04.639
Decca, so she knows the best
the way a singer's boys should sound even

512
00:37:04.719 --> 00:37:07.000
better than I do as a songwriter, because I just want to write,

513
00:37:07.039 --> 00:37:08.199
Oh, I was listening to the
Beatles this week. I want to write

514
00:37:08.239 --> 00:37:10.760
something off Revolver. I was listening
to the Buddy Holly this week. I'll

515
00:37:10.760 --> 00:37:15.840
write something from Clovis. You know, but she knows, Oh, your

516
00:37:15.960 --> 00:37:19.599
voice has this little wheelhouse and you
as a writer, because Blenda is not

517
00:37:19.679 --> 00:37:22.199
a writer, particularly on World's Way
and that was an album cut. But

518
00:37:22.480 --> 00:37:28.239
I just encourage go bost fans,
go revisit that that is I think probably

519
00:37:28.679 --> 00:37:32.239
Belinda's best vocal performance. Well,
she's singing really well. Now. We

520
00:37:32.360 --> 00:37:37.679
did a bunch of shows, probably
the last shows we're gonna do last year,

521
00:37:37.880 --> 00:37:40.440
and uh, she'd never sounded better. Yeah, that's so cool.

522
00:37:40.880 --> 00:37:45.719
She had never sounded better. Yeah, we appreciate you coming to visit with

523
00:37:45.880 --> 00:37:49.119
us. Back that we didn't tell
the story. This is the Willie Nelson.

524
00:37:49.360 --> 00:37:52.360
This is where Willie Nelson proposed to
one of his wives. So that's

525
00:37:52.400 --> 00:37:55.519
why it's a special one of us
wives to his wife Annie. We haven't

526
00:37:55.559 --> 00:37:58.960
confirmed that. No it is Annie. No, no, no, okay,

527
00:37:59.119 --> 00:38:01.320
it is Okay. We're waiting for
Willy to come and tell us the

528
00:38:01.400 --> 00:38:07.840
real story behind it. That's why
I say that romantic booth. You've you've

529
00:38:07.840 --> 00:38:10.119
been to the Spoke before though,
right have? Yeah, And this is

530
00:38:10.199 --> 00:38:15.559
where I always like to bring someone
that's visiting Austin because it's just it's the

531
00:38:15.679 --> 00:38:19.440
real thing. Yeah, it looks
like Texas threw up. It's the real

532
00:38:19.719 --> 00:38:23.239
thing. And you know, nobody
anywhere else is going to have anything like

533
00:38:23.400 --> 00:38:27.199
this. That's true, that's true. You ever been on stage before me

534
00:38:27.280 --> 00:38:29.480
here at this time, I have
not known I've never done a dance.

535
00:38:29.519 --> 00:38:32.960
I'm a terrible dancer. Terrible terrible
dancer. A two step well, no,

536
00:38:34.119 --> 00:38:37.960
no line dance two step. No, I can't dance. I don't

537
00:38:37.000 --> 00:38:39.679
know how. Well here's the scene. I look even. I mean,

538
00:38:39.840 --> 00:38:45.239
my daughter laughs at me when I
try. Laughs. Well, Kathy,

539
00:38:45.280 --> 00:38:50.400
if you ever come to a wagon
Ear show every last Friday of every month,

540
00:38:50.480 --> 00:38:52.800
including this Friday, you can come
join the wagon Ears and we can

541
00:38:52.880 --> 00:38:57.639
We'll play whatever you want. Well
that I'd be more comfortable with that than

542
00:38:58.639 --> 00:39:00.719
two stepping on the floor. Oh
yeah, thank you so much, And

543
00:39:00.960 --> 00:39:08.079
please write another one, two or
three volumes and everybody goes and sign up

544
00:39:08.079 --> 00:39:10.599
for your substack. Yeah, the
second order the book, and it's called

545
00:39:10.639 --> 00:39:15.519
The Direction of Motion. That's the
name of the sub stack. But you

546
00:39:15.599 --> 00:39:17.079
took a class at ACC Is that
right? Is that where you got interested

547
00:39:17.119 --> 00:39:23.199
in becoming an I got my degree
in English when I was sixty two in

548
00:39:23.320 --> 00:39:28.360
twenty twenty one. It's not something
you wanted to rush into. I was

549
00:39:28.440 --> 00:39:32.119
kind of busy, yeah, popped
up understand, kind of took classes here

550
00:39:32.199 --> 00:39:37.440
and there. I like to learn. I think. I think the thing

551
00:39:37.559 --> 00:39:42.880
that keeps people young is to keep
an open, curious mind a man.

552
00:39:43.199 --> 00:39:47.039
Yeah, and so I'm and we
have it's easy to do. You know,

553
00:39:47.159 --> 00:39:51.519
we've got Google, we have the
Internet. You know, you don't

554
00:39:51.599 --> 00:39:55.639
have to be going down holes of
of of nastiness, and hey you can.

555
00:39:55.719 --> 00:39:59.920
There's a lot of learning on there. Good for you, it's true,

556
00:40:00.199 --> 00:40:02.719
it's true. Well, God love
you, and thank you for stopping

557
00:40:02.760 --> 00:40:07.119
and visiting with us again. The
book is all I ever wanted rock and

558
00:40:07.320 --> 00:40:10.000
remember from Kathy Valentine. Read it. You will love it. And if

559
00:40:10.039 --> 00:40:14.280
you're in the area, go see
Hit over Heels at Zach Scott and the

560
00:40:14.360 --> 00:40:19.199
Dates again in August. Do you
know they dropped the Scott now why I

561
00:40:19.280 --> 00:40:22.519
don't know. But for those of
us that have lived here a long time,

562
00:40:22.599 --> 00:40:25.679
it's like the Walter Crest, right, you know, it's he was

563
00:40:25.719 --> 00:40:29.719
a guy, he was an actor. You know, he was from here.

564
00:40:29.840 --> 00:40:32.559
There's a hotel on the river that's
been four different things. To me,

565
00:40:32.639 --> 00:40:37.119
it's always still Walter Crest. It's
always, you know, and you

566
00:40:37.159 --> 00:40:40.800
know I still look for the Villa
Capri, the old timers here, you

567
00:40:40.880 --> 00:40:44.800
know, we're like at least top
notch there. Really, as long as

568
00:40:44.840 --> 00:40:47.559
there's a Mattsale Rancho, I'll be
held as long as there's a broken spoke.

569
00:40:47.760 --> 00:40:52.119
Amen back, So then we're going
to close on that. Thank you

570
00:40:52.239 --> 00:40:59.079
again, More Tales soon. Tales
from the Broken Spoke is recorded live at

571
00:40:59.119 --> 00:41:02.440
The Broken Spoke in Austin, Texas, hosted by Country Radio Hall of Fame

572
00:41:02.519 --> 00:41:08.239
broadcaster Bob Pickett and Monty Warden,
recorded mixed down and produced by Mike Rivera

