WEBVTT

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Hello Good afternoon I' m Kralen
Ramirez. We are in one more broadcast

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designing, I am here in D
Radio, the design in your ears and

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I am at the same time very
happy, also a little melancholy, because

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it is the closing of the season
precisely, of the first season of the

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year of D Radio. And,
well, we are closing with a gold

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clasp because there is with us an
architect who for the second time is with

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us, but it' s been
a long time. So I want to

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remaster this new program to know what
it' s doing, what things have

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changed, among other things, and
this is José Moyau, how you'

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re doing. Well, thank you
very much, Cara for the invitation,

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thank you for your time. And
so with you, we' re closing

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with gold clasp very well. I
hope so. Make sure you do.

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That' s right, hey,
well, that' s right. I

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' d like to start this great
talk with you wondering who José Oya is,

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but my name is José de Arima. I love you, I love

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Lopez. They know me as Pepe
Moyao. That is my name, which

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everyone very places, not and who
I am because I am an architect who

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has more than thirty years in professional
practice. I have my own studio,

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which is mo I carry architects and
because this one we have been working for

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a long time and can only tell
you that it is an architecture studio where

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we think, analyze and do all
kinds of projects and by chances of life.

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The greatest number of projects that we
have as for the part in which

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they place me is for the whole
theme of the centers of spectacle, entertainment,

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theaters, auditoriums, stadiums, museums, exhibition centers, that is,

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that they have been buildings. Regardless
of how I started in my career with

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the subject of housing, I worked
a long time with the architect, it

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doesn' t touch Rasco where we
made housing for infonavitfo dresses And this good,

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as I tell you, because of
chance of life this type of projects

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took place and we are pioneers in
the study in the whole topic of rescue

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of heritage buildings, conversion of them. The example is Frontón Mexico. You

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have what is the Science Museum,
model group industry that was the beer factory

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victory. And so, then,
good on this topic and also, starting

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with the whole theme of the centers
of shows, that the first was the

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rescue and also conversion of a sports
polysport palace designed for the Olympics of the

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sixty- eight. And that'
s where we start with going literal.

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That' s where I started with
oucesa that wasn' t before. That

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even began its name was transformed today
one of the world' s leading companies

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in the topic of the center in
the operation of centers of entertainment promoters.

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Anyway, today they have the leaders
in this industry. And so, regardless

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of this I say I work on
my own and have been able to develop

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for others and contest and make other
types of properties of these characteristics. But

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we do everything in the good studio
that doesn' t stand out basically that

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' s one day good friend told
me that says this one hears why not.

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Instead of quantifying how many square meters
of construction, you don' t

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quantify how many seats or entertainment seats. You' ve done it, and

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out of curiosity, I' m
standing on the edge right now. We

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carry more than four hundred seventy thousand
entertainment seats from an imax room of three

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hundred people to what you now have
to know your world, like what is

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today' s Genep Stadium racetrack,
which has changed its name from sun forum

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to GNEP Stadium. That' s
right Wow. It' s impressive,

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because now the square methods as they
changed to butaks. No, it'

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s not what it is. All
right, it' s amazing. Which

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father and I would like to know
how it was that you chose the architectural

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career for which architecture. In fact, I wasn' t thinking this way,

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I' m in high school,
I' m in high school,

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I' m six at UNAM,
and we were like seven eight boys who

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were very stuck, very this month
and we were all going to engineering.

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Actually and at the time of filling
the automatic pass, because I said,

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because I don' t know,
we all took out ten in physical themes,

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but because I had concerns the models
that were made in the last,

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in the third year of preparation,
I the subject of drawing, of art

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and I liked and then it architecture, but without thinking more or less,

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my family, my father was a
lawyer, has nothing to do with this.

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So, laugh and today, because
I think the family has some creativity.

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I have a cousin named Ulysses Moyao. I' m also architecture,

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but he' s also a plastic
artist. My son, Santiago Moyao,

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studied communication and today he is a
great illustrator and has his writing and has

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his graphic novel, Ahorita, which
has been published is mandrake and I have

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written him and in the illustrator,
then skills. I have a niece,

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my brother' s ija that Andrea
Moyao. Also then, everywhere, I

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began to see that this, as
there is something in the family up to

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the subject of creativity. And well, then, they have become so natural.

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And so, well, starting the
race. This because I wanted to

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do what I really wanted to do
was footballer. In fact, he was

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on the Atlante' s pilot team. I mean, all I wanted was

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to study, try to exempt the
subjects so I could have two months of

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training and play forgiveness. Of course
it wasn' t anything that football is

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today. And just finishing one of
the so many unveiled in the first semesters,

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I went to a three- day
sleepless workout and I passed out and

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when I woke up I said because
I have to think more about what I

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want to do, and I myself
made the decision to continue studying and do

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it more like a hobby, a
sport that I continue to practice to date.

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Oh, well, he' s
not getting that way anymore. That

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' s good, I' m
glad you didn' t lose that hobby.

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What father and then, how about
the incursion into the school, how

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about that introduction to architecture? How
they were in the classrooms, because in

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reality, I think I had the
fortune to know in the second semester the

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career of architect Norato Carrasco, with
which I began to work with him.

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From the third semester he invited me
half, which saw me something in me

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along with another teacher, who was
the architect Juan Tobar and Luis Solis,

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teachers who began to tell architect Carrasco
born look to this boy this and because

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I nailed I liked one of the
most complete architects that I have known the

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studio in San Carlos. Then he
calculated, projected, built, painted,

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was a bohemian, played the guitar, sang, then torea, so everything

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that ended with aba, did very
well and was a very prepared man.

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I hide and with him, because
I did the whole race. And when

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the theme of the thesis came,
it was my thesis advisor. With that

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thesis I was able to win a
world architectural competition. And it was out

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of necessity, because I needed a
hundred pesos to print the thesis. He

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paid me ninety- five centa for
the drawing hour and then, living in

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the hallways. There, at the
faculty I saw a UNESCO poster called to

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make a home rooted in a social
and cultural environment of each country and it

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was a contest for young architects under
thirty- five years of age. I

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was twenty- one years old at
that time and this one, but I

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had two phases that contest, the
national phase, where the first place was

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five hundred pesos of the prize,
third, three hundred, third, fourth

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and fifth was a hundred pesos and
I said, because there is my one

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hundred pesos. I spoke to him
and entered won third place in the national

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phase. I forgot that there is
an international phase and in the international phase

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won the first place with ten other
nine architects. Well, there were fifty

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- seven countries with five projects each. And the prize was that you went

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to Tsucuba' s World Expo in
Japan, and it was to put the

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project and there were ten projects and
the other nine were teams, many architects

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already with their studio and I was
alone, and because it was my turn

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to go with that and the jury
president of this contest was Kenzo TangerÁlvaro

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Cisa, the vice president was Pedro
erran Mérez Vázquez and good others more by

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unknown. That' s why it
was the maximum there was at that time

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and there I had the opportunity to
meet Don Pedro and Este, with whom

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I made a good relationship, but
I never worked with him always more well

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and he was sworn in in that
contest and twenty years later, he was

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the president of the jury of the
Guadalajara Auditorium, which I also won then,

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but the day was the president of
the jury and I tell you so

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many things. Yes, I have
been starting to fix the Palace of Sports

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because I started César Bueno, Alejandro
Soberón and Federico González with peán nothing I

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was summoned one day to see what
could be done with that property. And

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thanks also to the support of the
architect Honorato and Antonia Peir. At that

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time he was in Mexico and was
one of the architects who made the Palace

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of Sports. Happy Candela Pedi Drum
Res no, so it' s wow,

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so what real privilege? And so, then, you start, because

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it' s done, I don' t mean, the truth is that

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I think the opportunities when they present
themselves, because you have to take them,

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not and there are times that you
don' t meditate on things,

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but also, because you' re
young too. And today, you see

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how all this is, the success
you' ve had or stopped, yes,

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uh, and this one and you
And, well, there we go,

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I don' t know, come
on, yes, yes, yes,

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yes, so also to class that
has also grown a lot. Here

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we go clearly, yes, wow, because it was amazing how his start,

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his career and, above all,
the great masters that touched him.

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Above all it is also to get
the fact of entering a contest at an

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early age, because, unfortunately,
I feel, I, I don'

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t know you, but there aren' t so many architectural contests anymore.

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Yeah, there' s, there' s, there' s, no,

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no, no, it' s
a time, but I think we

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should be looking for the opis and
I, as I tell you, was

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more of a necessity issue. And
then, then, to enter Guadalajara,

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because there was no work, because
you invent, that is, I,

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because we are, we have from
below, we have done to pure work

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And this and, yes, contesting, risking, when they ask, well,

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you get clicks. I don'
t mean, the thing is,

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I' m over it. I
know it' s going to happen to

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some project development. They ask me
to do an analysis and I end up

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making preliminary drafts and which, fortunately, several have been done no and are

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then being done this, since one
is going to make up his own work,

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of course very well and he was
then working with his honorary professor and

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then, after that, of independence, he does learn how many years.

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He' d be twenty- two. WOW and here I started in the

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Rome presenter with good before in a
fourth service with a friend, we started

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doing there a market in his chitepec
in models with the government of Lauro Ortega

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Este as already used the topic that
had been world prize and more won and

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had no work. And I remember
that in an interview that Marta Sosa gave

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me today, my weasel, she
was a show host. Today in culture,

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he saw the newspapers that came out
the name of José Arimatris. I

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know him and I didn' t
have a job. I remember I told

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him good because tomorrow I' m
going to go to the pinos Miguel de

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la Madrid, of the President who
had received Hugo Sánchez, because it had

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been the beta Pichichi. Then I
said I' m also champion, I

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' m from the world and why
not. And then, no, no,

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no, no, I' m
gonna help you. And then his

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help was to have introduced me at
the time, in her boyfriend, the

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graduate Federico González Copián, today also
my compadre, because if we made a

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good friendship and we grew up together, not in other words, and there

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is always someone who helps you,
not the real one, and the truth

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for me they are very important.
Of course, nice and besides, you

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' ve had that friendship. Yes, yes, yes, of course,

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very valuable, really good. Yes, yes, yes, they have trusted

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And that too, because working with
friends, has a double commitment, not

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to say because, because it is
also to be very disciplined, this complimenter

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and then not to fail of course, And if so with a friend,

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then and with a client, because
it is also me. I think one

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of the most parenting things that'
s ever happened to me is that all

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the people he' s worked with
have a very good relationship They invite you

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back to work. This is the
case, Ahorita, with Justino Hirshow and

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Polo Ari, those of the Gir
and because I made them Pepsiscenter many years

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ago and at this moment we are
doing a new project for other centers of

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shows and because of confidence, because
it has worked already gives you results with

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his partner, Carlos Camagio. Right
now, we' re watching this,

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are we working, right now,
on this project? What a father,

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and I have a doubt how it
is that you are involved in a project

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since you arrive the client, how
you are developing it with your team.

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I think that this is how it
is definitely posed, because I what it

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is to listen to the client,
try to see things, see his needs

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and every entertainment center or every property
of any kind depends. I think the

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success of the studio is that I
got involved in the first place with who

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' s going to operate it,
that is, who' s going to

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handle it. So, even though
it is, for example, Caesar has

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the arrangement for the cell theater where
the musicals are, and then you sit

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down and see the whole thing with
the director who handles this whole subject and

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it' s Jame Matarredona. This
is how it' s going to work,

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which is x things, the needs
of a theater. In fact,

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there was an interesting anecdote. When
he talks to Federico, it' s

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a project Anton García Abril did.
His company is assembly that they are Spanish

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in a theater, but he loved
the dovela And when he tells me this

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how you see it, I told
him, because it doesn' t work.

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They tell him but why, because
he has no stageya. And then

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they told me how. For,
indeed, there was nowhere to put all

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the cloth and then had to.
But let' s get you out there

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and say things this big. And
it was an important thing. And one

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00:17:21.279 --> 00:17:26.759
day it' s the Broadway musical
theater. Thank you very much. And

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00:17:26.799 --> 00:17:32.240
when we started, for example,
the Orpheon cinema was a cinema of the

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forties and again we have to bring
a beautiful and beast. This is a

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00:17:37.799 --> 00:17:42.039
lot before and this and because the
people who were operating in this case,

213
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Federico Kaime Matar, then it'
s a profile. But the other thing

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is concerts. When you are to
do sports, driving with this George González,

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00:17:56.519 --> 00:18:00.519
who is the director today of Océsar, with pop people from real estate

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00:18:00.559 --> 00:18:04.720
like Mario Villavera, who have and
have to manage masses. When Federico,

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00:18:04.839 --> 00:18:10.240
then start to see how you handle
twenty- zero people, twenty- two

218
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zero, which is the capacity he
has, and then scale to Madonna'

219
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s concert, sixty thousand people,
and then it would seem that the theme

220
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is twenty zero And now it'
s sixty zero, because it' s

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three times the things you theoretically needed. Totally fake here. I mean,

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it' s not true, it' s not arithmetic. If you don

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' t have to have a logistics, it has to look like where you

224
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stop where. I remember what I
used to say to the wolves. In

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that first concert I said you have
to get down the stairs before people go

226
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up the stairs, because they were
also tubular steps. Then the wolf boys,

227
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for they stood up and of course
people came with the ticket and they

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were the next door and all of
a sudden, the stairs were full of

229
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people. And I trembled because if
I could fall into that clear and besides,

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I was the one who signed as
director responsible for today and I remember

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that in that in that I have
many anecdotes and this, but that was

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00:19:15.359 --> 00:19:19.480
that I turned eighty- four hours
without sleep to finish, because they did

233
00:19:19.519 --> 00:19:29.039
load tests and moved and loaded and
reinforced it and so and it is literal,

234
00:19:29.559 --> 00:19:33.839
I rented a room. There I
noticed about viaduct and nothing else.

235
00:19:33.839 --> 00:19:38.000
I went to give myself a shower
because I could no longer bear the smell

236
00:19:38.039 --> 00:19:41.839
and did not eat pure water,
because if I ate it made me hungry.

237
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This dream and November 10th of the
ninety- three is with being a

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concert and this at five o'
clock in the morning came five thousand policemen

239
00:19:56.640 --> 00:20:02.000
to the test and that same said
ok was approved. But you have to

240
00:20:02.079 --> 00:20:07.200
fix all the perfect plas that you
made. The police ripped off some conchitas,

241
00:20:07.640 --> 00:20:12.720
looted the food and beverage stalls that
were already ready. And well,

242
00:20:12.720 --> 00:20:21.319
then, arrange And well I can
perform the Knowing the concert and ending,

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00:20:22.960 --> 00:20:29.079
Alejandro Sobrón tells me this is the
great vision that has the truth. He

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00:20:29.119 --> 00:20:34.720
is an extraordinary entrepreneur and leader.
And I remember you told me and this

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00:20:36.000 --> 00:20:38.319
one you wouldn' t like to
see here a permanent building. I said,

246
00:20:38.480 --> 00:20:42.640
of course, yes and he says
why don' t you do it

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00:20:42.680 --> 00:20:45.880
and if it' s done,
I' ll pay you. I said

248
00:20:45.920 --> 00:20:52.200
go and then I armed my team
and I still told them engineer tar such

249
00:20:52.880 --> 00:20:55.000
tell me how much it costs and
if it is done you, I pay

250
00:20:55.000 --> 00:20:59.720
it. That is the back to
back, and so it was two years

251
00:20:59.720 --> 00:21:04.480
before the Forum sun Guau could be
made. Those are just like those.

252
00:21:04.599 --> 00:21:10.079
I could count twenty thousand and we
could keep talking about everything. There'

253
00:21:10.160 --> 00:21:12.680
s more shows, there' s
more seasons and he' s gonna keep

254
00:21:12.680 --> 00:21:15.440
telling me. That' s right, no, no, I don'

255
00:21:15.960 --> 00:21:18.160
t know about bras, but it' s amazing. I mean, I

256
00:21:18.200 --> 00:21:22.119
never really did. I never imagined
when I came to the forum. It

257
00:21:22.200 --> 00:21:26.200
' s me that I' m
a lot of concerts and suddenly I wonder

258
00:21:26.240 --> 00:21:30.279
how the architect has done it,
already or for another forao channel, because

259
00:21:30.359 --> 00:21:33.680
for a long time it was closed
and then back to life and now it

260
00:21:33.720 --> 00:21:37.559
' s the Gennep. Not all
the time has a success been working.

261
00:21:37.440 --> 00:21:45.559
Since the sun forum was born This
was intended to make a new mega concert

262
00:21:45.599 --> 00:21:51.200
a year. Today, that'
s like four. Today it is booted

263
00:21:51.359 --> 00:21:55.759
as the world' s number one, as in the Open Stadium category.

264
00:21:55.880 --> 00:21:59.759
Claro formula one in the last eight
years, because it has won the place

265
00:22:00.359 --> 00:22:03.240
six times and now. What was
done was the project. It took us

266
00:22:03.279 --> 00:22:10.200
more than a year and a half
since the remodeling began in January and it

267
00:22:10.279 --> 00:22:15.519
has to be ready for the month
of August. There goes and if there

268
00:22:17.240 --> 00:22:22.079
is, a transformation in thirty years, more than thirty years that the building

269
00:22:22.079 --> 00:22:30.599
has, because it will have a
new cover, it has a new image

270
00:22:30.720 --> 00:22:37.039
for what they will be able to
see of things and the idea of having

271
00:22:37.119 --> 00:22:45.519
an experience for the viewer much more
pleasant. Baths, I' ve multiplied

272
00:22:45.640 --> 00:22:51.839
things, food and drinks, more
things. The idea is that the public

273
00:22:52.000 --> 00:22:56.480
feels very, very well. Yeah, yeah, the truth is, I

274
00:22:56.960 --> 00:23:02.880
' m glad that what they'
re reforming back to now the EP gene,

275
00:23:03.599 --> 00:23:06.240
because last year, it was like
eight times at the Sun Forum,

276
00:23:07.079 --> 00:23:11.720
yeah, it was kind of good. You already have to give it a

277
00:23:11.960 --> 00:23:15.400
new view because aside, because it
is already something that is very recognized worldwide,

278
00:23:15.720 --> 00:23:18.519
as you mention, and besides not
come any artist, no, no,

279
00:23:18.319 --> 00:23:22.599
no, you have to put some
sizes of the most top totally there

280
00:23:22.599 --> 00:23:27.720
comes puel mccart and, for example, it is slut in the six aha

281
00:23:27.720 --> 00:23:32.440
number one. Not of things,
right now, yeah, gruno, Mars

282
00:23:32.480 --> 00:23:36.000
that you' re going to give
the opening. No, uh, well,

283
00:23:36.160 --> 00:23:37.119
that' s not just anybody.
And the truth is that I am

284
00:23:37.119 --> 00:23:45.039
very glad that this saying you are
still involved in this show thing, because

285
00:23:45.039 --> 00:23:48.680
you were given yes, which,
besides, I thank and I think very

286
00:23:48.759 --> 00:23:53.960
father that I have reconsidered the east, because the group, that is,

287
00:23:55.079 --> 00:24:00.640
Alejandro, Federico, Bueno George,
all to be doing things again and everything

288
00:24:00.960 --> 00:24:06.519
comes out and the idea was to
look for more spaces for advertising. And

289
00:24:06.640 --> 00:24:11.359
well, also that that also of
what happens, that I am not only

290
00:24:11.440 --> 00:24:17.720
in architect that we design a theater. That' s why we have not

291
00:24:17.799 --> 00:24:22.640
learned when watching Ticketmaster, we made
Ticketmaster to understand the SIY all the issue

292
00:24:22.759 --> 00:24:32.079
of how all these ticketing centers,
food and beverage topics were sold, is

293
00:24:33.400 --> 00:24:40.359
the subject of marketing, the subject
of all the items involved in this production.

294
00:24:41.720 --> 00:24:45.559
To be with you, for example, with Fede Valverde, who is

295
00:24:45.720 --> 00:24:51.960
in charge of the whole production assembly
part, and yes, we have grown

296
00:24:52.240 --> 00:24:57.119
up together for thirty years and that
has served me, because precisely for when

297
00:24:57.200 --> 00:25:03.599
Guadalajara was the contest. I knew
the problems I had, I had been

298
00:25:03.759 --> 00:25:10.599
doing things for fifteen years and I
knew the great problem I had of setting

299
00:25:10.640 --> 00:25:15.480
up and disassembly an event. So
this is Guadalajara' s Alleyard, the

300
00:25:15.799 --> 00:25:21.359
Telmex has two great manoeuvring countries where
you can get there. They went down

301
00:25:22.119 --> 00:25:26.519
stage, let' s say one
production and be going out and coming up

302
00:25:26.640 --> 00:25:30.519
to the other and having a stage. It is one of the largest scenarios

303
00:25:30.599 --> 00:25:34.559
in the world, because it has
twenty background events sixty long, which this

304
00:25:36.200 --> 00:25:41.359
allows me to have. And the
concept was to be able to make three

305
00:25:42.000 --> 00:25:45.640
different productions on the same day at
different times. That was the concept and

306
00:25:45.720 --> 00:25:52.359
that' s why I won and
that place has some mobile buros where you

307
00:25:52.480 --> 00:25:57.920
have sixteen room variables in the same
building from 1, 500 to 6,

308
00:25:57.920 --> 00:26:03.680
000. Yes, then you have
and that was an international contest organized by

309
00:26:03.759 --> 00:26:11.240
the University of Guadalajara and this and
good because it was more than a hundred

310
00:26:11.319 --> 00:26:18.319
projects that presented themselves anonymously and the
I knew, since many things or production

311
00:26:18.920 --> 00:26:23.160
and the other that it is not
the same to see a play and than

312
00:26:23.240 --> 00:26:27.279
to see a pop where you can
have a concert, where you have a

313
00:26:27.359 --> 00:26:32.880
100 degree opening in the room or
a play where you need to close.

314
00:26:32.920 --> 00:26:37.519
Then the moving walls are one hundred
seventy- sixty degrees, incredible with a

315
00:26:38.440 --> 00:26:42.039
few boxes and then in the back
sections. So that' s what we

316
00:26:42.680 --> 00:26:51.279
say, the multifunctionality and that part
of what in recent years is yes,

317
00:26:51.359 --> 00:26:55.119
it' s true that you have
to do, for example, for the

318
00:26:55.240 --> 00:26:59.680
government, to make a perfect opera
room, because you' re between a

319
00:26:59.680 --> 00:27:07.640
thousand two hundred and a thousand five
hundred spectators, but it' s a

320
00:27:07.079 --> 00:27:10.240
cavity of twenty- four meters and
where it' s not profitable to make

321
00:27:10.240 --> 00:27:15.880
for a people of productions. This
is such a small musical theatre, that

322
00:27:15.920 --> 00:27:22.000
is, telcel is a thousand four
hundred, yes for but it is a

323
00:27:22.720 --> 00:27:27.000
whole year ok yes then, but
a theater for the government, which says

324
00:27:27.720 --> 00:27:33.319
Querétaro, the metropolitan, in what
is machis here, in the cultural center

325
00:27:33.440 --> 00:27:40.720
Amexicans of the East. These have
been, for governments and have a visual

326
00:27:40.880 --> 00:27:52.400
hearing quality for the public, but
they are probably not profitable and rather through

327
00:27:52.480 --> 00:27:57.200
subsidies or by seeking sponsors. In
other words, the Guadalajara Auditorium is called

328
00:27:57.240 --> 00:28:03.119
the Telmex Auditorium because the University of
Guadalajara, despite being the second most important

329
00:28:03.279 --> 00:28:08.039
public university in the country, does
not have the locks that UNAM has.

330
00:28:10.279 --> 00:28:15.480
The Sebo Olympic Stadium you can'
t call it BBBA Stadium. Yes,

331
00:28:15.680 --> 00:28:22.880
not then, but that part because
it allowed to develop a property with all

332
00:28:23.000 --> 00:28:27.799
these characteristics that I say ok I
understood good point. That' s why

333
00:28:29.119 --> 00:28:33.160
everything and it' s part of
that the Sol forum is born by the

334
00:28:33.160 --> 00:28:37.759
Sol beer. So it is and
I heard then kennep thirty years and another

335
00:28:37.839 --> 00:28:44.440
and it is part of what the
group of Alexander, on the subject of

336
00:28:44.599 --> 00:28:48.480
selling the name, because there is
the Center Exhibitor City Banamex, this persistence

337
00:28:48.759 --> 00:28:55.559
of the cell and so I can
go you addition of the Metropolitan, because

338
00:28:55.640 --> 00:28:59.599
it has not been sold and I
sold the name to us. Why don

339
00:28:59.640 --> 00:29:02.480
' t I know, by the
way, but they have a really good

340
00:29:02.480 --> 00:29:04.160
place. I mean, it was
a cinema of the 40s that you asked

341
00:29:04.319 --> 00:29:10.400
me about, for example, my
friend Alejandro Ochoa, because you are born

342
00:29:10.400 --> 00:29:15.119
with these cinemas, that it is
a rescue and that fortunately, because we

343
00:29:15.319 --> 00:29:19.559
were also kids. They start making
that book of distant spaces. They'

344
00:29:21.279 --> 00:29:25.799
re alive from WAM and they documented
all this. And, for example,

345
00:29:25.880 --> 00:29:32.480
another rescue that I find beautiful is
the Fronton Mexico. Oh, I haven

346
00:29:32.559 --> 00:29:36.400
' t had any beauty of being
a real estate. Twenty years closed.

347
00:29:36.680 --> 00:29:40.039
That was 20 years. Yes,
yes, yes, he was twenty-

348
00:29:40.559 --> 00:29:45.000
sorbed and with serious issues and he' s from the family, cosio de

349
00:29:45.000 --> 00:29:48.319
los ingenieros. I also appreciate you
trusting me every time something calls me.

350
00:29:49.599 --> 00:29:53.400
It' s an art deco building. We made it multifunctional. He'

351
00:29:55.400 --> 00:29:59.559
s got some removers, some steps
down to make some retractable gras by then.

352
00:29:59.559 --> 00:30:06.319
For s has a thousand seven hundred
spectators for this bresh, for example,

353
00:30:06.319 --> 00:30:11.759
concerts. You can reach more than
six zero spectators, lectures, exhibitions

354
00:30:11.799 --> 00:30:18.400
have been given, I have been
killed with scaffolding, as well as branded

355
00:30:18.759 --> 00:30:22.599
exact material jafar and all, and
that is part of what I think we

356
00:30:23.000 --> 00:30:30.559
have mounted here in the studio that
I say in some I believe more in

357
00:30:30.839 --> 00:30:37.039
furniture today than in the Real Estate
ok that is. You don' t

358
00:30:37.160 --> 00:30:44.599
have to make closed systems. We
have to make architecture that has the ability

359
00:30:44.759 --> 00:30:48.759
to transform itself and not just in
the theme of the entertainment centers. I

360
00:30:48.839 --> 00:30:52.799
am talking about it, for example, in the case of housing, which

361
00:30:52.920 --> 00:30:56.519
are the most important. Suddenly,
right now you buy yourself a terra camcorder

362
00:30:56.680 --> 00:31:02.160
apartment, why, because you have
the kids or you start newly married.

363
00:31:02.519 --> 00:31:06.039
Ah, so, as an office, what' s her studio, the

364
00:31:06.200 --> 00:31:10.240
studio, your studio, and the
main camera? But then it happens,

365
00:31:10.880 --> 00:31:14.480
you have the kids and then they
grow up. If you have a chance,

366
00:31:14.920 --> 00:31:17.440
then you buy a house, but
if not, if this is your

367
00:31:17.920 --> 00:31:21.119
initial estate, you have to think
about origin. Well, if we think

368
00:31:21.680 --> 00:31:25.599
about it and then you evolve,
and at the end of you, the

369
00:31:25.640 --> 00:31:30.599
children' s people come in and
they' re staying and the people who

370
00:31:30.720 --> 00:31:33.799
have a case and then, then
this one would have to be done.

371
00:31:34.599 --> 00:31:40.519
Some rent the room, next door, others because they move flat and want

372
00:31:40.599 --> 00:31:47.240
an apartment, from a bedroom.
And ready and this I' ve always

373
00:31:47.240 --> 00:31:51.680
said the best country house is your
friend' s. Then why invest in

374
00:31:51.720 --> 00:31:56.440
a country house you are invited and
ready not, because besides, if you

375
00:31:56.480 --> 00:32:02.200
buy a house to go bravo you
become slave to that bed house. Yes,

376
00:32:02.480 --> 00:32:07.759
to give it maintenance and it does
that how much and you have to

377
00:32:07.759 --> 00:32:10.200
go, well, all that so
for it to take advantage of exactly,

378
00:32:10.519 --> 00:32:19.160
because like that all these things here
thinking you notice seeing the having so many

379
00:32:19.319 --> 00:32:22.279
properties or things like that is to
look for the rent and offer this kind

380
00:32:22.279 --> 00:32:24.839
of thing. No yes, and
I think that forming we had a great

381
00:32:24.839 --> 00:32:29.440
lesson now, which was about the
pandemic, about how to change the spaces

382
00:32:29.480 --> 00:32:32.160
also to the needs we need at
that time. We have together, the

383
00:32:32.160 --> 00:32:37.519
work, the exercise, everything inside
and suddenly it was like not giving me

384
00:32:37.720 --> 00:32:40.680
the space is not giving me for
myself. Then yes, I fully agree

385
00:32:40.759 --> 00:32:45.559
with you. To say, because
we need architecture that can be transformed,

386
00:32:45.920 --> 00:32:51.240
not only stays always 100 percent.
Not so and we see it now,

387
00:32:51.319 --> 00:32:55.160
for example, right now that we
are here in the East Rome colony why

388
00:32:55.200 --> 00:33:00.119
Rome and the Countess come after a
hundred years and more than a hundred years

389
00:33:01.200 --> 00:33:05.720
to be in force. And already
a great plus was worth. And all

390
00:33:06.920 --> 00:33:12.359
for me, because they are neighborhoods
that have an urban structure of origin,

391
00:33:13.279 --> 00:33:17.559
because you see Rome, Axis,
Alvaro, Obregón, Orizaba, Plaza,

392
00:33:17.839 --> 00:33:22.880
Rio de Janeiro, Plaser, Luis
Cabrera, a grid and you have a

393
00:33:23.319 --> 00:33:30.359
scheme of gardens countess park Mexico,
Parque España XS. And then it'

394
00:33:30.440 --> 00:33:34.839
s like it' s been easy
compared to the Pedregal. I' m

395
00:33:34.880 --> 00:33:39.759
putting it at one end and here
all these neighborhoods are vivable, of course

396
00:33:39.759 --> 00:33:45.480
not all the times walking has connectivity. Sure, yeah, you got subways.

397
00:33:45.599 --> 00:33:49.720
I can tell you about several seasons. I used trobus, it has

398
00:33:49.839 --> 00:33:53.000
ecobic and everything. All right,
there' s no public transport in the

399
00:33:53.000 --> 00:33:57.440
Pedregal. Everything you have to go
out with a car and push the ends

400
00:33:57.519 --> 00:34:00.519
to make it easier to spread rubs
and the Y and in turn, all

401
00:34:00.640 --> 00:34:07.480
those houses that were made in East
Rome at the beginning of the century thousand

402
00:34:07.480 --> 00:34:10.679
nine hundred and ten. I saw
in a house of nine hundred and thirteen

403
00:34:10.760 --> 00:34:15.800
and today ten. My studio house
and across the street is a six-

404
00:34:15.320 --> 00:34:21.400
camera butin hotel with three bedrooms.
Anyway they were houses and today they are

405
00:34:21.440 --> 00:34:27.320
little hotels or they are Airby and
b and they have gone and then many

406
00:34:27.360 --> 00:34:30.599
are restaurants. You don' t
have the rosette in the house this one

407
00:34:30.719 --> 00:34:36.920
that you have the white columa on
Facebook married everything there in the Bruges building,

408
00:34:37.400 --> 00:34:40.400
that you have this good one,
anyway, if what this is the

409
00:34:40.440 --> 00:34:45.519
dick, which is that it'
s down there, and then you do

410
00:34:45.519 --> 00:34:47.519
have everything. And if you want
me when I tell them I don'

411
00:34:47.599 --> 00:34:53.079
t have a parking lot in the
house, but I have to have a

412
00:34:53.400 --> 00:34:55.679
boarding house and there you find a
place and my garden too, because my

413
00:34:55.679 --> 00:34:59.760
garden is chapultepec. What you'
re starting to do is you' re

414
00:34:59.800 --> 00:35:01.719
two miles and I' m half
and you' re working out going to

415
00:35:01.719 --> 00:35:07.119
run there. Sure, then I
tell you you have to start living things

416
00:35:07.239 --> 00:35:15.559
differently. And also how to operate
as architects this, how to operate clear

417
00:35:15.559 --> 00:35:21.840
cities, for example, this case
of the NFL, because they are many

418
00:35:21.920 --> 00:35:25.920
people who go to the stadium and
you have to operate it because not two

419
00:35:27.000 --> 00:35:30.440
wide streets or public transport to handle
those votes. So they already tell you,

420
00:35:30.559 --> 00:35:36.320
you, we pick up in the
antara, we pick you up in

421
00:35:36.400 --> 00:35:37.880
the national auditorium and they go trucks, because you won' t grow the

422
00:35:37.880 --> 00:35:42.400
streets. Yeah, it' s
not impossible in this town anymore It'

423
00:35:42.480 --> 00:35:45.159
s impossible to just sit around.
A little of that' s like operating

424
00:35:45.239 --> 00:35:49.880
the cities. I also do how
to connect it, because I feel that

425
00:35:49.960 --> 00:35:52.360
there are still places like disconnected that
the car is indispensable. And it'

426
00:35:52.400 --> 00:35:55.719
s kind of good, because you
already have to use the uber or,

427
00:35:55.960 --> 00:36:00.760
the lidio or everyone else or the
car of your own to go to these

428
00:36:00.960 --> 00:36:02.960
places, because they don' t
have that comicity that they have, for

429
00:36:02.960 --> 00:36:07.360
example, here in the rome and
countess, that already begins to see in

430
00:36:07.400 --> 00:36:08.840
the Holy Mary and in the flakes
something and they begin to expand more.

431
00:36:08.920 --> 00:36:10.599
But there' s still a lot
to be done in the south. I

432
00:36:10.679 --> 00:36:14.440
feel, yes, yes, yes, of course, I feel, but

433
00:36:14.480 --> 00:36:17.079
here in the center north, as
it already begins to expand more. But

434
00:36:17.119 --> 00:36:22.639
a lot remains to be done again
It is because they have an exact urban

435
00:36:22.679 --> 00:36:27.400
structure, because it has structure the
other is the outskirts and also, for

436
00:36:27.719 --> 00:36:31.159
example, another topic is university city. There came a moment, it'

437
00:36:31.159 --> 00:36:36.400
s fifty- three fifty- four
x and it worked that spoke very few

438
00:36:36.400 --> 00:36:38.960
cars to me. Passing the time
came many cars and saturated all the streets.

439
00:36:39.119 --> 00:36:44.480
Yes and no, I mean,
it was a very good proposal.

440
00:36:44.960 --> 00:36:50.119
That' s like a Felitial.
The theme of the stadium. It has

441
00:36:50.239 --> 00:36:54.000
a capacity of 3, 000 cars
and you do it there and you put

442
00:36:54.039 --> 00:36:59.639
in a pomo abus system or eleven
clear lines when it gets there and then

443
00:36:59.719 --> 00:37:01.719
now you transport and you have a
clean college image. Yeah, yeah,

444
00:37:01.840 --> 00:37:06.000
yeah, and you don' t
have to connect second stories. It doesn

445
00:37:06.039 --> 00:37:10.760
' t keep as it' s
been and it' s exactly heritage that

446
00:37:10.760 --> 00:37:13.880
to me the pumabus thing. It
makes me a wonderful thing, wonder no

447
00:37:14.000 --> 00:37:16.920
more you have to stick which is
the right one, it is not cheese

448
00:37:16.960 --> 00:37:22.960
is the color of the road ready, that architecture, because it is yellow

449
00:37:22.079 --> 00:37:25.199
and such is a wonderful thing of
truth to connect your same university. It

450
00:37:25.280 --> 00:37:31.960
' s wonderful because you don'
t alter it any more than it already

451
00:37:32.119 --> 00:37:34.599
is, or it' s really
city. The university has not changed so

452
00:37:34.599 --> 00:37:37.719
much, but I made a very
good solution, both for those who are

453
00:37:37.800 --> 00:37:40.679
there that for those who visit the
university city of connects or because it is

454
00:37:40.800 --> 00:37:45.079
huge, huge and connected from point
to point of Universum, which is the

455
00:37:45.280 --> 00:37:51.000
furthest part of this rectory, because
it is wonderful that, because there is

456
00:37:51.000 --> 00:37:52.280
a pumabus that goes and brings you, no, then it is amazing.

457
00:37:53.679 --> 00:38:00.239
That is a great solution and that
is missing, I think it believes a

458
00:38:00.320 --> 00:38:02.079
very small exercise, but that,
therefore, it can be expanded to,

459
00:38:02.239 --> 00:38:07.400
for example, to the mayor'
s office that, for example, the

460
00:38:07.639 --> 00:38:10.079
Santa Maria, that there was no
ecobici and Ahorita already begins to have stations

461
00:38:10.119 --> 00:38:14.960
and already there is beginning to be
more mobility in the streets that was not

462
00:38:14.960 --> 00:38:16.119
before. Not then. So,
let' s get a good look at

463
00:38:16.119 --> 00:38:19.920
it. Not because it' s
too far away and, maybe, it

464
00:38:20.039 --> 00:38:22.079
' s a risk wave and now
it' s not too passable anymore.

465
00:38:22.199 --> 00:38:28.480
There' s ecobic going through the
purple trucks and all that and it makes

466
00:38:28.519 --> 00:38:32.360
it more feasible for people to live
it as well as here, I don

467
00:38:32.360 --> 00:38:37.159
' t know what you think.
That' s very good. Hey,

468
00:38:37.320 --> 00:38:42.119
so to do all those projections you
have, you must have a very big

469
00:38:42.159 --> 00:38:45.440
team. How many are in your
office today. We are fourteen, that

470
00:38:45.679 --> 00:38:52.559
is fourteen, Very good, but
it is again to be forming or talking

471
00:38:52.559 --> 00:38:54.960
and making them, that is to
say, but in the pandemic it seems

472
00:38:55.039 --> 00:38:58.239
that not working and doing promotion of
things. And that' s it.

473
00:38:58.320 --> 00:39:05.480
We were three ok Raúl, my
sister Rocío and I and the guys we

474
00:39:05.480 --> 00:39:10.519
had, because we had a year
holding a group like eight, but after

475
00:39:10.559 --> 00:39:16.719
a year it was all over.
And the truth is, I decided to

476
00:39:16.719 --> 00:39:23.079
bet. They' re doing promotions. Then, for the opportunity was given

477
00:39:23.199 --> 00:39:34.159
that now what is the parcas clan
you know where the wheel is. We

478
00:39:34.239 --> 00:39:38.800
have designed and bet we have now
taken almost twelve years to develop an auditorium,

479
00:39:39.880 --> 00:39:45.199
a forum that, therefore, begins
to be built at the end of

480
00:39:45.239 --> 00:39:47.599
this year and the time is very
father. But well, they' re

481
00:39:47.719 --> 00:39:54.519
betting it and doing so making a
hotel for cooked Philia to everyone stuck to

482
00:39:54.679 --> 00:40:01.039
what was this topic tremendously, but
if not what I' m trying to

483
00:40:01.039 --> 00:40:07.760
already, at some point in my
life it was up to me to have

484
00:40:07.840 --> 00:40:12.440
more than fifty people in the studio
working, because it' s the issue

485
00:40:12.480 --> 00:40:15.119
of having to pay a payroll of
that size and life is qualitative, not

486
00:40:15.119 --> 00:40:23.559
quantitative. So right now it'
s better infrastructure, good teams, committed

487
00:40:24.079 --> 00:40:32.199
people and I have two collaborators so
they' re eight years old with me

488
00:40:32.320 --> 00:40:37.079
this light and good raul the new
Viridian guys who also have a while and

489
00:40:37.079 --> 00:40:42.280
already with us. But these two
people are that they have supported me to

490
00:40:42.519 --> 00:40:47.320
be able to lead and there we
are doing several projects in these clear and

491
00:40:47.320 --> 00:40:51.360
yes, right now for the morning, they told them to see what they

492
00:40:51.440 --> 00:40:53.559
have to say things by their name. Occa scene, prostration bow, legs,

493
00:40:55.199 --> 00:41:00.480
backstage X. They are clear guajes, yes, yes, yes,

494
00:41:00.920 --> 00:41:05.159
they have to be used. Yes
or yes in architecture, well, that

495
00:41:05.639 --> 00:41:07.559
' s right. Wow. It' s amazing and good. I thought

496
00:41:07.559 --> 00:41:10.639
your team was bigger than but it' s 14 people. Yeah, but

497
00:41:12.199 --> 00:41:15.960
I have a lot of outside advisors. Okay, it' s the people

498
00:41:15.000 --> 00:41:19.480
in the studio who give you a
whole project to executive. Well, then

499
00:41:20.039 --> 00:41:24.000
my people of structures that the company
is coffee with the Carlos Arroyo genre,

500
00:41:24.519 --> 00:41:30.159
also learned from it because it was
the same. The frequency of music in

501
00:41:30.199 --> 00:41:34.920
structures is another theme. It'
s not regulated. The theme of how

502
00:41:35.079 --> 00:41:42.519
to load a grill. It is
Leonardo Rodríguez in his Saul, his engineering,

503
00:41:43.880 --> 00:41:47.480
Eduardo Dualdo, Jorge Romero, in
what is the acoustic part and special

504
00:41:49.960 --> 00:41:55.800
installations he steps on with Edgar Castillo, everything that had worked and all things,

505
00:41:57.039 --> 00:42:00.639
that are equipment, that are what
forms and that, therefore, they

506
00:42:00.639 --> 00:42:05.199
have their equipment. And the truth
is, it' s very interesting.

507
00:42:05.280 --> 00:42:07.320
That is, for example, air
conditioning would be good. The point is

508
00:42:07.360 --> 00:42:13.800
that it has the air conditioning to
a room twenty degrees of tino temperature with

509
00:42:13.960 --> 00:42:16.599
fort x. But it' s
not just to make a comfort or,

510
00:42:16.639 --> 00:42:23.159
be it, because your design engineer, who is pepegodinho to explain to you

511
00:42:23.280 --> 00:42:29.840
that the speed of what is injected
from air does not have to make noise

512
00:42:29.880 --> 00:42:34.760
well ok suddenly you' re not
in an opera, or you' re

513
00:42:34.800 --> 00:42:39.400
in a classical music concert and it' s in the climax, which is

514
00:42:39.400 --> 00:42:42.280
silence, it' s a terrible
beat. I mean, then it is

515
00:42:42.360 --> 00:42:50.320
the comfort but also or the scheme
of conditions a scenario. Then you don

516
00:42:50.440 --> 00:42:53.679
' t have to move the curtains. Sure, and when you inject the

517
00:42:53.760 --> 00:42:58.039
air into the room, there'
s the procedure arch. Yeah, and

518
00:42:58.159 --> 00:43:01.599
that' s done like a shot
of chinos There' s pressure going there.

519
00:43:01.679 --> 00:43:07.000
Then all these things. It'
s not the same as working with

520
00:43:07.239 --> 00:43:09.360
someone on condition. You have to
explain all these things clear, of course,

521
00:43:09.800 --> 00:43:15.079
wow, yes, that' s
a lot of detail and years of

522
00:43:15.320 --> 00:43:20.920
practice too that you' ve seen
that good, and there are things that

523
00:43:21.000 --> 00:43:25.320
you have a triple heights in the
national auditorium of many theaters all and this

524
00:43:25.360 --> 00:43:29.480
one why set up upstairs if there' s no one clear, because it

525
00:43:29.480 --> 00:43:32.679
matters where people are standing. Yes, exactly, then go we have many

526
00:43:32.920 --> 00:43:39.119
things done and learned over time.
And indeed, when we started with the

527
00:43:39.119 --> 00:43:45.199
Palace of Sports, we knew nothing
about acoustics or flows, nothing beside that

528
00:43:45.119 --> 00:43:50.519
it was born with the mote of
Palacio of the rebounds. True, I

529
00:43:51.280 --> 00:43:54.559
was twelve seconds late, that is, everything was finished the artist singing and

530
00:43:54.679 --> 00:44:00.840
because upstairs I kept hearing the until
well, already engineers of are put the

531
00:44:00.920 --> 00:44:06.840
curtains to absorb, not bounce.
But that' s how he was born

532
00:44:06.840 --> 00:44:09.159
clear. But you' re learning. Yeah, we didn' t know

533
00:44:09.159 --> 00:44:10.880
anything, and besides, I wasn' t made for that. At first,

534
00:44:12.360 --> 00:44:15.519
it was what sport basketball was for, everything was sports, in cinema,

535
00:44:15.679 --> 00:44:20.920
what was basketball, gym, everything
that has questions. And in fact,

536
00:44:20.960 --> 00:44:25.960
we started from first event and it
was pan- Americans Wow, very

537
00:44:25.960 --> 00:44:31.599
well arranged the instruction for Americans.
And then they already started an inexense concert

538
00:44:32.119 --> 00:44:37.480
and already the opening officer was with
Billy Joel well Wow, a great artist,

539
00:44:37.880 --> 00:44:45.920
very well any exact or not exact
exact. He' s a great

540
00:44:45.000 --> 00:44:49.079
great real musician that I love and
hear I know you' ve done architecture

541
00:44:49.199 --> 00:44:52.000
of all kinds. You' ve
already done and I know you' re

542
00:44:52.119 --> 00:44:58.639
the master of all the scenarios and
everything, but there' s still a

543
00:44:58.679 --> 00:45:00.320
project that' s your crown jewel, that hasn' t arrived, that

544
00:45:00.800 --> 00:45:01.760
' s already arrived, which one
would be no. I think it'

545
00:45:01.760 --> 00:45:07.239
s good. I would like to
do a lot of things not from projects,

546
00:45:07.320 --> 00:45:13.880
but, as you say right now, I think the project has never

547
00:45:13.960 --> 00:45:17.360
arrived, the star project, Ahorita, here we keep doing things. This

548
00:45:19.960 --> 00:45:22.840
one day will come and he won' t decide. Well, life'

549
00:45:23.079 --> 00:45:28.360
s the one who breaks it down
and they' re gonna have to do

550
00:45:28.360 --> 00:45:32.400
it. Everyone locates the forsor,
but other projects that the fronton are finally

551
00:45:32.719 --> 00:45:38.639
like children, do not have their
things that give you illusion. The lining

552
00:45:38.719 --> 00:45:44.880
of the Empire of Acapulco is very
beautiful, as you have me very intimate.

553
00:45:45.039 --> 00:45:51.880
They are also spectators of the GNP
sand that we made for tennis and

554
00:45:52.119 --> 00:45:57.800
live like this kind of transformations and
that we attend all and museums. That

555
00:45:57.840 --> 00:46:01.239
is to say, of course,
already to make a museum of science industry

556
00:46:01.360 --> 00:46:07.320
with a theme of water, beer, that was a motadore project that clearly

557
00:46:07.880 --> 00:46:13.199
has already sold it the group Modelo
and this one because it has just interested

558
00:46:13.199 --> 00:46:15.960
to the new company to have it. And now it' s a cultural

559
00:46:15.000 --> 00:46:19.800
center there in Toluca. That'
s right, but then he hasn'

560
00:46:19.840 --> 00:46:22.320
t gotten to that star project.
But which one wouldn' t, Ahorita

561
00:46:22.320 --> 00:46:25.079
would give. I think we need
to keep working, but what would be.

562
00:46:25.599 --> 00:46:28.559
I don' t know what'
s coming, what' s coming.

563
00:46:29.119 --> 00:46:31.239
Things have been done, for example. Yes, now with my brother

564
00:46:31.320 --> 00:46:39.320
Honorato, the son of the Masternoda, we were I recently made last year.

565
00:46:40.480 --> 00:46:46.519
This is an airport. He has
a lot of experience in the subject

566
00:46:46.960 --> 00:46:51.239
of aeronautics and was my father because
we did a collaboration and he focused a

567
00:46:51.239 --> 00:46:59.480
course. Unfortunately, they evaluated it
more by topic expensive architectural contests that are

568
00:46:59.519 --> 00:47:02.400
made deep architecture and it will cost
what it has to cost, of course

569
00:47:02.679 --> 00:47:07.039
not, if they had not been
said, we want it to be with

570
00:47:07.280 --> 00:47:15.840
such a budget and remained very father
and then so you also have many projects

571
00:47:15.960 --> 00:47:21.480
that I gave the chair Federico Mariscal
two thousand twelve and the chair and I

572
00:47:21.519 --> 00:47:25.000
called thinking and rethinking the architecture.
Yes, and several conferences in which I

573
00:47:25.079 --> 00:47:30.079
have been asked to speak, because
there are many times talks about parent projects

574
00:47:30.159 --> 00:47:37.599
everything, but there is also frustration. So I' ve presented projects that

575
00:47:37.679 --> 00:47:42.599
frustration is necessary in anyone' s
life if you don' t have a

576
00:47:42.719 --> 00:47:45.320
frustration, like you can have a
comparison of the father and then gross clear.

577
00:47:45.880 --> 00:47:51.280
And then, put, for example, a multi- function Stimedith Baiseball

578
00:47:51.400 --> 00:47:57.039
in the inkwell was left in the
university after it had been approved by UNESCO.

579
00:47:57.719 --> 00:48:05.000
And everything, and because there are
variables that don' t depend on

580
00:48:05.000 --> 00:48:07.960
one not another. For example,
I taught him a stadium of Mr Hernández

581
00:48:07.000 --> 00:48:14.840
' s auto end for the team
all the messa complete project developed paid me,

582
00:48:15.159 --> 00:48:20.840
we moved a million cubic meters and
I had invested ten million dollars it

583
00:48:21.599 --> 00:48:24.280
and simply, because it changed and
stayed there I day, but because we

584
00:48:24.360 --> 00:48:27.760
did not finish it. I mean, and he, because he had the

585
00:48:27.800 --> 00:48:30.800
equipment of all the tables and the
zacatepec. And well, and this is

586
00:48:30.840 --> 00:48:34.480
for calling you or not then.
Suddenly, one day, many years ago,

587
00:48:34.719 --> 00:48:44.800
a friendÁlvaro gave himself an engineer, gave me a little book from

588
00:48:44.840 --> 00:48:46.559
Frank Lock Wright, of all the
projects that were not built. It was

589
00:48:46.880 --> 00:48:51.320
a book. Yeah, there'
s a lot of things that stayed that

590
00:48:51.320 --> 00:48:55.519
way. The frustration, because you
already do it and cham and the trap

591
00:48:55.559 --> 00:49:00.239
are the contests and they will be
in a second place, because for me

592
00:49:00.280 --> 00:49:04.599
it is of first loser, since
and even with certain number, certain that

593
00:49:04.679 --> 00:49:07.960
it is already in the second to
nothing. But because you were in second

594
00:49:07.039 --> 00:49:09.320
place in that try forgiveness, yes, the truth is that those are the

595
00:49:09.440 --> 00:49:14.559
things that it was, for example, in the case of the theater of

596
00:49:15.079 --> 00:49:20.440
o De was an invitation contest and
in the end there were three and the

597
00:49:20.519 --> 00:49:25.119
team meridian that I tell them at
ease the Bunch and this truth. And

598
00:49:25.400 --> 00:49:31.000
so for one thing, so are
these things. They swam And so,

599
00:49:31.119 --> 00:49:36.519
you stay chin and I remember that
it was good on February 4, because

600
00:49:36.519 --> 00:49:40.320
the next day it was the university
of the plate of all Mexico ok and

601
00:49:40.679 --> 00:49:45.360
they said no longer want to be
architect, ah flat, when I decided

602
00:49:45.440 --> 00:49:49.280
I returned from what I wanted to
go to the bulls. It wasn'

603
00:49:49.360 --> 00:49:53.360
t at the time. But not
anymore. They are not great architects,

604
00:49:53.400 --> 00:49:58.639
no, and good friends, yes
it is also that this trade because I

605
00:49:58.719 --> 00:50:04.360
have always said that it is like
a pyramid where we all leave the base

606
00:50:04.480 --> 00:50:09.519
that is the one cop the wab
that you want. And I see and

607
00:50:09.599 --> 00:50:14.559
then over time I' ve realized
that it' s getting the tip of

608
00:50:15.440 --> 00:50:20.239
the pyramid and closing the circle of
people who are doing things clearly. Yeah,

609
00:50:20.440 --> 00:50:23.079
yeah, yeah. That happens at
least as close to me as generationally

610
00:50:24.360 --> 00:50:32.360
speaking. They are a little more
boys Javier Sánchez and Mauricio Rocha de Lona,

611
00:50:34.440 --> 00:50:37.000
very well hears and what he is
doing, very ao arquitectos, Ahorita,

612
00:50:37.519 --> 00:50:40.079
because we are with this that told
you, Ahorita, about the development,

613
00:50:40.400 --> 00:50:49.840
the asclan. We are with the
lining in Cancún and with a entertainment

614
00:50:52.039 --> 00:50:58.119
center so that it is a little
waiting for a matter of permits, here,

615
00:50:58.880 --> 00:51:02.920
a rescue, a fronton in the
sures of the Lisas Group, but

616
00:51:02.960 --> 00:51:07.960
we are sewn and a good hotel, several things there that we are promoting

617
00:51:08.000 --> 00:51:12.440
there giving it very well. This
is because we' re already hired.

618
00:51:12.760 --> 00:51:17.000
Ah good to see the others still
and you still do the area to promote

619
00:51:17.119 --> 00:51:22.960
it. Of course, then this
yes very well hear, but I think

620
00:51:23.039 --> 00:51:27.199
you don' t need so much
promotion, because your work speaks for you

621
00:51:27.280 --> 00:51:30.840
sun, because you have to be
anyway having yes, yes, that is,

622
00:51:30.840 --> 00:51:36.119
no. I' ve never been
able to get you to finish the

623
00:51:36.119 --> 00:51:39.480
famous geo güey page. It'
s all been like this, because you

624
00:51:39.719 --> 00:51:44.719
publish things, uh- huh,
but well something has worked out No,

625
00:51:45.119 --> 00:51:47.039
yeah, of course, your work
speaks for itself and that well, it

626
00:51:47.039 --> 00:51:49.559
' s also a way to promote
you. And, but then, web

627
00:51:49.639 --> 00:51:51.519
page for what if you don'
t need it. I say no,

628
00:51:51.639 --> 00:51:55.760
then in vita. At the moment
I was talking to one of the guys

629
00:51:55.800 --> 00:52:01.880
who was right now who said about
sales as they do now through social networks,

630
00:52:02.320 --> 00:52:08.360
because yes, many dawn yes,
of course, he doesn' t

631
00:52:08.559 --> 00:52:13.480
hear who your five favorite architects are
or that you have in your sights.

632
00:52:13.800 --> 00:52:19.599
I believe that of the people who
have always admired him, I do not

633
00:52:19.599 --> 00:52:22.400
remember that one day being at the
Venice Biennial, which is one thing that

634
00:52:22.679 --> 00:52:29.039
I suggest to you that I had
to start enjoying them through that the pavilion

635
00:52:29.519 --> 00:52:36.639
of Mexico was made, this previously
nadianal of the Mexican pavilion and presented a

636
00:52:36.719 --> 00:52:39.840
project of mine, that of Fuero
de Acapulco. Then all of a sudden,

637
00:52:40.280 --> 00:52:45.559
because I believe a lot in each
side, no and that it was

638
00:52:45.599 --> 00:52:52.800
my turn to see it and to
buy a book where he had signed his

639
00:52:52.800 --> 00:52:57.760
work Picter Suntor, it is crossing
it and you almost put it as if

640
00:52:57.760 --> 00:53:00.119
it were your bread so complete of
it. Well, I really like Renzo

641
00:53:00.199 --> 00:53:07.719
Piano very much what the way I
analyze and everything about Rogers and Sín more

642
00:53:08.559 --> 00:53:15.400
Rogers than Foster, but Rafael Moneo
or I' m going to tell you

643
00:53:15.519 --> 00:53:19.639
a lot of what I have.
No and obviously here, because in Mexico

644
00:53:20.559 --> 00:53:25.119
we all in one way have an
admiration for what it was there that has

645
00:53:25.280 --> 00:53:32.079
transcended Barragan' s work. Of
course, I like everything Agram sol Dowsky

646
00:53:32.159 --> 00:53:39.320
handled, yes, and the way
to organize, pcentorize that Don Pedro Ramírez

647
00:53:39.400 --> 00:53:45.039
Vázquez had. Yes, very certain
people and right now, because there are

648
00:53:45.199 --> 00:53:51.880
many young people who are doing things
and I like the time to knock.

649
00:53:51.960 --> 00:54:00.280
I like to speak of Mauricio Rocha, of Javier Sánchez himself, in short

650
00:54:00.639 --> 00:54:06.079
several that could be said long list
of all the Japanese. They' re

651
00:54:06.239 --> 00:54:08.079
a not- good thing too,
yeah? Yeah? Yeah? And that

652
00:54:08.159 --> 00:54:13.400
as a starting point. I'
m sorry to understand all these things,

653
00:54:13.679 --> 00:54:19.719
but most of all it' s
that movement of provoking and knowing, approaching

654
00:54:19.719 --> 00:54:25.039
projects. Right, I don'
t know. It' s part of

655
00:54:27.000 --> 00:54:30.719
what you' ve called me in
college and keep studying things and seeing the

656
00:54:30.800 --> 00:54:35.239
moves that are taking place. I' m a fan of the Bauhause movement.

657
00:54:36.280 --> 00:54:40.639
I' ve studied it carefully and
going to know the building twice already,

658
00:54:40.880 --> 00:54:45.679
almost going to Germany and asking a
friend that I have is Gaspar Woodyno

659
00:54:45.760 --> 00:54:50.800
who lives in Berlin, in Mexican. It' s a wake up in

660
00:54:51.840 --> 00:54:57.880
everything he gets. You call a
guide all this and good to visit.

661
00:54:57.920 --> 00:55:00.800
It' s like going to the
temple doesn' t have its temples,

662
00:55:01.239 --> 00:55:01.960
of course, yeah, does it? It' s very true. Everyone

663
00:55:02.000 --> 00:55:07.039
has their temples, which only one
knows why? That' s very good,

664
00:55:07.360 --> 00:55:09.679
hey, it' s been an
amazing conversation and I hope it'

665
00:55:09.760 --> 00:55:13.719
s not the last time, because
the last time you were with us was

666
00:55:13.719 --> 00:55:15.639
six years ago. Please don'
t spend another six years having you here

667
00:55:15.679 --> 00:55:20.000
with us and keep telling me your
anecdotes, because you have so many.

668
00:55:20.360 --> 00:55:23.400
That' s right, we'
ll talk about what happens a couple of

669
00:55:23.480 --> 00:55:27.119
months in a couple of months.
Please, hey, I' d like

670
00:55:27.199 --> 00:55:34.880
to finish this big talk now.
With you wondering or rather what you would

671
00:55:35.239 --> 00:55:38.119
say to the new generations of architects
that, just as you want to throw

672
00:55:38.239 --> 00:55:42.159
yourself in the ring of saying well, I want to put myself in office

673
00:55:42.159 --> 00:55:45.039
or already putting it. What would
you say to them? I would tell

674
00:55:45.280 --> 00:55:50.199
you a little bit that, as
I said poster is that in this trade

675
00:55:50.800 --> 00:55:53.760
we have to be curious and creative. Yeah, and have the curious zero,

676
00:55:54.039 --> 00:56:00.360
not to tell him that it'
s really research, analyze the things

677
00:56:00.519 --> 00:56:08.280
that don' t get carried away
by the fashions of all the things that

678
00:56:08.400 --> 00:56:17.679
if they' re confusing, to
make architecture because you drive a i e

679
00:56:17.920 --> 00:56:21.840
the reddit the I don' t
know what each are working tools, of

680
00:56:22.000 --> 00:56:27.559
course, and then suddenly they say
good, neither am I a good manager

681
00:56:27.559 --> 00:56:27.800
and everything, but they don'
t say clear to solve things. Then

682
00:56:27.840 --> 00:56:30.480
you have to do what I tell
you if I' m going to make

683
00:56:30.519 --> 00:56:34.559
a door, when you have to
see curious it is, then, I

684
00:56:34.559 --> 00:56:37.480
' m going to make a door
from where, then, a gate of

685
00:56:37.480 --> 00:56:40.440
the door to grab. So,
then, to investigate how they' re

686
00:56:40.519 --> 00:56:45.079
done, to have what hardware they
handle, blah blah, not just to

687
00:56:45.119 --> 00:56:52.039
be drawing it, it' s
not a copy pas Then you have and

688
00:56:52.039 --> 00:56:55.400
it' s all that if I
want to make a boob, I take

689
00:56:55.519 --> 00:56:59.599
to the theater and I see and
I' m where I' m going

690
00:57:00.079 --> 00:57:05.480
that if I had the chance to
go to Australia, of course I'

691
00:57:05.519 --> 00:57:07.079
m going to have a concert at
the clear movie opera and I take the

692
00:57:07.079 --> 00:57:08.960
explanation tour, from the backstage of
the testime. Yeah, yeah, then,

693
00:57:09.559 --> 00:57:14.360
and of course all that cult stuff, knowledge stuff, at some point

694
00:57:14.440 --> 00:57:21.039
it' s gonna present you something, but you already have a file in

695
00:57:21.960 --> 00:57:25.960
your head of all this information and
you can drive it into a creative part

696
00:57:27.039 --> 00:57:30.559
the moment you get it. He' s asking for a pleasant hotel in

697
00:57:30.599 --> 00:57:34.599
the room today too. How you
arrived in New York and you have rooms

698
00:57:34.719 --> 00:57:38.800
that are truly unclosed Why, then, because the bed is high and down

699
00:57:38.880 --> 00:57:45.480
the chamber, you guard the matter
of the east manalette. Why, because

700
00:57:45.639 --> 00:57:50.320
the square meter is very expensive.
There, yes, it is not the

701
00:57:50.440 --> 00:57:52.400
same that you go to a beach
that you have, that is, for

702
00:57:52.440 --> 00:57:57.519
example, the Princesses Hotel, which
have its rooms of almost a hundred square

703
00:57:57.760 --> 00:58:00.480
meters, but of the old one. We' re not talking about how

704
00:58:00.559 --> 00:58:07.000
to make a hotel clear and all
these things, the curious observer being learning,

705
00:58:07.239 --> 00:58:09.559
reading as much as he can and
yes, traveling as he can.

706
00:58:09.960 --> 00:58:15.639
I, unfortunately, started to travel
to like pleasure and enjoy things, since

707
00:58:15.639 --> 00:58:22.440
relatively already large, but obviously because
the people who worked from Sunday to Sunday,

708
00:58:22.639 --> 00:58:25.639
in fact, work Sunday Sunday,
but now otherwise, that is,

709
00:58:25.880 --> 00:58:31.360
enjoying the studio, we work Monday
to Friday, well we work Monday to

710
00:58:31.719 --> 00:58:37.559
Saturday. Right now, if Monday
through Friday, we start at 8:

711
00:58:37.880 --> 00:58:43.159
00 a m we finish at 7: 00 a m, that part of

712
00:58:43.199 --> 00:58:49.519
being ordered that, for example,
light tail has it, that is,

713
00:58:49.679 --> 00:58:52.920
boys respect at lunchtime. The idea
is two and a half, four and

714
00:58:52.000 --> 00:58:55.880
a half hours of food. Well
there in the studio very strange his things,

715
00:58:57.280 --> 00:59:01.679
but we are always talking about food, I as with three of my

716
00:59:01.679 --> 00:59:07.880
collaborators, also with Roberto so that
we are talking and we are working,

717
00:59:08.360 --> 00:59:14.119
eating and we are this time hearing
all seeing things. Maybe they don'

718
00:59:14.119 --> 00:59:19.440
t happen in the studio. Maybe
not calmer now. It' s settled

719
00:59:20.960 --> 00:59:23.480
and yes, I' ve got
Marie, who' s a teacher,

720
00:59:24.480 --> 00:59:30.480
the girl who cooks everything for me, who' s over 20 years old

721
00:59:30.679 --> 00:59:32.559
with me, who' s so
cute that the batting nanny who' s

722
00:59:32.559 --> 00:59:36.679
now twenty- two. So they' re like those things I' m

723
00:59:37.119 --> 00:59:40.280
doing to you and you really have
to take advantage of. Hey, for

724
00:59:40.320 --> 00:59:45.639
example, last night we were invited
to bowling and show at the cinema.

725
00:59:46.280 --> 00:59:54.280
You are tired and you say yes, but I went and we see how

726
00:59:54.840 --> 01:00:00.920
the product is again two years ago
in the halls, because tar to the

727
01:00:00.440 --> 01:00:05.280
clear day and that invite you to
the positions that if you are going to

728
01:00:05.360 --> 01:00:10.679
see new materials, in order to
take advantage of everything and for already yahar

729
01:00:10.679 --> 01:00:15.679
as much as you can. Well, that' s a great big real

730
01:00:15.719 --> 01:00:21.320
thing that you keep and learn a
lot. No doubt about it. Thank

731
01:00:21.360 --> 01:00:24.800
you very much for being with us
and thank you for closing the season with

732
01:00:24.880 --> 01:00:30.840
us. Thank you very much,
thank you very much. Thank you for

733
01:00:30.159 --> 01:00:34.800
not and well, thank you very
much to the audience that was listening to

734
01:00:34.800 --> 01:00:37.960
us all season, the first season. We listen to each other until autumn,

735
01:00:38.440 --> 01:00:40.639
but John d' Radio doesn'
t stay alone. Emiliano and Lorena

736
01:00:40.639 --> 01:00:45.199
stay, who are about to premiere
their programs. So summer' s still

737
01:00:45.280 --> 01:00:47.880
here on D Radio. But I
listen to each other in autumn for all

738
01:00:47.960 --> 01:00:52.280
the events that are already coming and
that we do high coverage here in Drreo.

739
01:00:52.320 --> 01:00:54.159
Really, thank you very much to
the audience. Remember that you can

740
01:00:54.239 --> 01:01:00.360
listen to us for all the music
streaming Spotify, Apple Music, Amazon Music,

741
01:01:00.840 --> 01:01:04.199
Google Podcast. Everything that ends in
podcast, of going, everything that

742
01:01:04.320 --> 01:01:07.320
ends there with music, there we
are, so there is no one,

743
01:01:07.519 --> 01:01:09.079
but it is worth without them not
being missed. And so again, thanks

744
01:01:09.199 --> 01:01:13.320
to the architect PP like me for
being here with us. Thank you very

745
01:01:13.400 --> 01:01:16.239
much, thank you very much for
the opportunity. See you later, bye bye.

