1
00:00:00,040 --> 00:00:02,359
All right, I say, had
Arrow, Hey, how are you doing

2
00:00:02,359 --> 00:00:06,080
today, Tony? Ah, there
we go. There's a person's voice.

3
00:00:06,120 --> 00:00:09,919
I'm joyful this morning. That's what
I am, dude. I love that

4
00:00:10,039 --> 00:00:12,519
kind of energy. That's that's the
kind of stuff that you believe in the

5
00:00:12,519 --> 00:00:15,160
power of choice. And your choice
today is to be in a great mood.

6
00:00:16,920 --> 00:00:21,920
Absolutely absolutely, And I've been choosing
the word joyful on a purpose lately

7
00:00:21,920 --> 00:00:25,559
because that's the only way to describe
how I'm feeling. I got to tell

8
00:00:25,559 --> 00:00:27,480
you, Tony, I'm very proud
of you with this book. And the

9
00:00:27,519 --> 00:00:32,640
reason being is because I've been a
daily writer for thirty years. I've done

10
00:00:32,679 --> 00:00:36,039
everything humanly possible to try to get
people to write themselves. And then here

11
00:00:36,079 --> 00:00:40,520
comes your book and it is an
expression. It is emotion, it is

12
00:00:40,600 --> 00:00:44,159
your journey, it is it is
so much and this is the kind of

13
00:00:44,159 --> 00:00:48,679
stuff that people need to read so
they can do it themselves. Wow.

14
00:00:48,920 --> 00:00:53,479
Thank you for that affirmation. Wow
Wow, thank you. Thank you to

15
00:00:53,560 --> 00:00:56,560
put it out on paper, though, because it's one thing to live it

16
00:00:56,600 --> 00:00:59,479
and you know the emotional changes that
we go through when we're living in But

17
00:00:59,600 --> 00:01:03,200
now when you relinquish it to the
readers, what are you going through?

18
00:01:03,760 --> 00:01:08,560
Yeah, that's a rule. There's
a good question, you know. Ah,

19
00:01:08,840 --> 00:01:12,439
there is a there's a there's a
sense of release, and then there's

20
00:01:12,519 --> 00:01:17,680
this like a bit of vulnerability.
I still feel right because the stories,

21
00:01:17,719 --> 00:01:21,719
at least the memories and that I've
crapped, the stories around and the poetry

22
00:01:21,719 --> 00:01:26,840
that's included are poems and memories that
nobody knows that I've had, parents,

23
00:01:26,879 --> 00:01:30,000
family members, friends, And so
there is something to be said about like,

24
00:01:30,120 --> 00:01:34,319
not only is the world getting it, but even people who are in

25
00:01:34,359 --> 00:01:37,319
my world, like in fact,
they're getting it too. And so there's

26
00:01:37,359 --> 00:01:40,640
something to be said about big breath. I'm so glad I got it out,

27
00:01:40,760 --> 00:01:45,359
but also I hope this's not only
them understand me, but help them

28
00:01:45,760 --> 00:01:49,439
them understand themselves so much better too. And so there's a sense of like,

29
00:01:49,519 --> 00:01:52,680
gosh, like now there's a book
out in the world that I could

30
00:01:52,680 --> 00:01:55,719
have used as a kid that helped
me realize how humor I was, you

31
00:01:55,719 --> 00:01:57,879
know, yep. Yeah, And
that that goes all the way back to

32
00:01:57,879 --> 00:01:59,959
when I said that this is what
I've been doing for the past thirty year.

33
00:02:00,319 --> 00:02:02,560
My wife goes, Okay, all
your journals when when you transition.

34
00:02:02,680 --> 00:02:05,879
We're we're going to get rid of
the journals, okay, And I go,

35
00:02:05,959 --> 00:02:08,240
no, you're not, because these
books are for somebody that's well beyond

36
00:02:08,319 --> 00:02:13,759
me. Yes, yes, that's
it. And and what you know with

37
00:02:13,800 --> 00:02:16,159
this thing part about the part about
this is too because really I wrote this

38
00:02:16,199 --> 00:02:21,680
book as an adult. But the
poems that I've included the story is this,

39
00:02:22,120 --> 00:02:24,319
I was actually in therapy. This
is a real thing, like actually

40
00:02:24,520 --> 00:02:29,719
like the cognitive behavior therapy, right, dealing with some stuff and the suppressed

41
00:02:29,759 --> 00:02:34,479
anger and sadness and uh, there's
sort of like the suppressed joy that I've

42
00:02:34,479 --> 00:02:38,639
had, like that were still in
those poems because I've been carrying those poems

43
00:02:38,639 --> 00:02:40,800
around with me forever. My therapist
this book I wrote. The book was

44
00:02:40,840 --> 00:02:44,719
like, Tony, you know that
box of poems you said you've been carrying

45
00:02:44,759 --> 00:02:46,800
around since you were a kid.
May the time you went back and revisited

46
00:02:47,159 --> 00:02:53,759
those poems and I spent a week
in reading and crying and ripping some of

47
00:02:53,800 --> 00:02:54,960
them up. But it was almost
like ritualistic. But I was like,

48
00:02:55,000 --> 00:02:59,319
oh, all of the fears that
I've had about myself, everything that I've

49
00:02:59,360 --> 00:03:01,960
sort of been whole being on to
hoarding around emotionally as an adult. They

50
00:03:02,360 --> 00:03:06,080
they've been here the whole time,
and so it was a matter of like

51
00:03:06,120 --> 00:03:07,439
figuring out which one of the these
ones though, led to my freedom.

52
00:03:07,680 --> 00:03:10,400
You know, those are ones that
I made. I went included. Man,

53
00:03:10,439 --> 00:03:14,080
I'll tell you what the now,
Now you've just explained the title to

54
00:03:14,120 --> 00:03:17,120
me. From from my point of
direction, the boogeyman becomes the poet.

55
00:03:17,199 --> 00:03:22,120
I mean you you had some boogieman
moments, and then when you found your

56
00:03:22,159 --> 00:03:27,120
poetry, all of a sudden you
found an expression of freedom. Yeah,

57
00:03:27,439 --> 00:03:30,479
that's exactly it. That boogeyman for
sure. You know, for readers,

58
00:03:30,319 --> 00:03:38,280
it's absolutely metaphor for a fear right
of internalized racism, internalized homophobia. We

59
00:03:38,360 --> 00:03:42,719
grew up for not in poverty.
I want to make that distinsion you distinguished

60
00:03:43,000 --> 00:03:46,360
single mom. My father was adictions
of the drugs and it was a messy

61
00:03:46,400 --> 00:03:49,639
time. He was a wonderful,
amazing sober man. Now, but you

62
00:03:49,680 --> 00:03:53,240
know, writing about that stuff during
that time. But like I had internalized

63
00:03:53,240 --> 00:03:54,680
this belief that I was not great, that I was you know, not

64
00:03:54,719 --> 00:03:58,479
a good person that you know I
needed to always be. I need to

65
00:03:58,479 --> 00:04:01,360
always perform, right, I need
to perform in a safe blackness. I

66
00:04:01,360 --> 00:04:04,599
need to perform straight. I needed
to know there was a performance that I

67
00:04:04,599 --> 00:04:11,879
had to just keep putting off.
Ess. Mark Twain in his autobiography talked

68
00:04:11,879 --> 00:04:15,000
about how writers need to keep their
accent, and in reading your book,

69
00:04:15,079 --> 00:04:19,800
I see your accent clearly, because
there are some sentences here that don't start

70
00:04:19,839 --> 00:04:24,120
with a capital letter, and your
commas and your posities, and I'm going,

71
00:04:24,199 --> 00:04:27,000
my god, I love this man. I love the way that he

72
00:04:27,120 --> 00:04:31,560
convinced his editor let me do my
thing. Oh wow, thank you er.

73
00:04:31,800 --> 00:04:34,920
That's exactly how it went down to
write. And so you know,

74
00:04:35,079 --> 00:04:39,800
the readers need to know. I
am not a like academically trained writer.

75
00:04:39,920 --> 00:04:42,319
This is the truth. I've been
writing poetry as a kids, just to

76
00:04:42,360 --> 00:04:44,959
write poems as a kid. I
do enjoy reading and stuff like that,

77
00:04:45,000 --> 00:04:48,000
but I don't have an MSA.
And so form is what you're referring to.

78
00:04:48,199 --> 00:04:54,319
And this memoir and verse developed into
a form because I naturally think and

79
00:04:54,399 --> 00:04:58,639
write poetically. Even in my academic
writing sometimes I try to slot a little

80
00:04:58,839 --> 00:05:01,839
rhythm, illiterate and so you're right, this is a memoir written in verse.

81
00:05:01,879 --> 00:05:05,079
And I broke the text up on
the page with the line breaks and

82
00:05:05,240 --> 00:05:09,839
so that people can catch the occasional
rhyme to you know, to catch the

83
00:05:09,879 --> 00:05:13,279
moments and I might take my breath, or to catch the really extended message

84
00:05:13,319 --> 00:05:15,399
forward. I wanted people to engage, you know, with the book,

85
00:05:15,439 --> 00:05:18,040
you know, beyond just reading,
you know, a memoir like oh this

86
00:05:18,120 --> 00:05:21,839
is this is actually fun and engaging
to read, especially for young readers right

87
00:05:21,839 --> 00:05:26,360
who may not get anything written like
this. Although shout out to Mahogany Brown

88
00:05:26,439 --> 00:05:31,360
and Candice Elo and Elizabeth Glasklez and
Elizabeth Oceabato who also have written memoirs and

89
00:05:31,439 --> 00:05:34,399
verse Dean Ada. Anyway, I
just had to throw that out there.

90
00:05:34,399 --> 00:05:38,920
But there's a form that exists,
and I'm so happy to have that language.

91
00:05:38,920 --> 00:05:42,839
Now. Now, as a poet, and you speak the language of

92
00:05:42,879 --> 00:05:46,319
the poet, how do you get
people to understand what you're saying? Because

93
00:05:46,639 --> 00:05:48,680
there are many times people will look
at me and say, come back down

94
00:05:48,720 --> 00:05:54,560
to where I am, man,
you're talking way over my head. Yeah,

95
00:05:54,920 --> 00:06:00,680
translation is the word that pops in
my head because I am a PhDe

96
00:06:00,720 --> 00:06:03,480
the person who I published in you
know, peer reviewed academic journals, and

97
00:06:03,519 --> 00:06:08,279
words are always thirteen letters long,
you know, When I was writing this

98
00:06:08,360 --> 00:06:11,959
book and when I was engaging in
this reflection, I treated it almost like

99
00:06:12,279 --> 00:06:15,439
an academic essay because the title of
the book actually comes from a poem that

100
00:06:15,480 --> 00:06:19,000
I wrote, maybe over a decade
ago, and the last line is and

101
00:06:19,079 --> 00:06:23,439
so the Boogeyman became a poet?
Actually, that poem is in the epilogue

102
00:06:23,480 --> 00:06:25,600
of this book. And I wrote
it, you know, over a decade

103
00:06:25,600 --> 00:06:29,160
ago. And what I realized is
everything that I write is always for me

104
00:06:29,240 --> 00:06:30,800
first, right, and then there's
a moment when I want to share it

105
00:06:30,839 --> 00:06:34,240
with the world. And so I
wrote this book with that title in mind,

106
00:06:34,279 --> 00:06:39,240
and I wrote it, how did
the Boogeyman become a poet? Tell

107
00:06:39,319 --> 00:06:44,360
me? How did you become so
unafraid to unapologetically be who you are?

108
00:06:44,839 --> 00:06:46,560
Right? And so that required a
translation because it was like, oh,

109
00:06:46,600 --> 00:06:50,560
we don't need to write this in
this academic context with all this fancy words.

110
00:06:50,720 --> 00:06:55,560
Write this for younger you. How
would you want to read how would

111
00:06:55,560 --> 00:07:00,399
you want to understand how complicated the
world is? Without explicitly saying how can

112
00:07:00,439 --> 00:07:02,879
you write about racism without really like
writing the words? Right? So I

113
00:07:02,920 --> 00:07:05,199
think I might have written that word
once, like how I don't even think

114
00:07:05,199 --> 00:07:09,199
I use the word homophobia in the
book at all. Right, but like,

115
00:07:09,240 --> 00:07:12,279
how can you write about this in
a way where the language accessible.

116
00:07:12,800 --> 00:07:15,040
Yeah. The only time that you
bring anything like that up is when you

117
00:07:15,120 --> 00:07:17,399
when you go in at ten fifty
six pm at night to go on AOL.

118
00:07:17,639 --> 00:07:20,199
And it was like, man,
he's brave and very honest in this.

119
00:07:20,399 --> 00:07:23,279
But the thing about it is,
though, that you show the text

120
00:07:23,279 --> 00:07:26,959
messages or the IM messages and I'm
going, my god, this guy knows

121
00:07:27,000 --> 00:07:30,240
exactly what he's doing in this story. Yeah, yeah, I'm so glad

122
00:07:30,240 --> 00:07:32,600
you mentioned that. And this is
the important thing about memoir, right,

123
00:07:32,639 --> 00:07:35,560
So this again, this takes place, you know, spring nineteen ninety nine

124
00:07:35,639 --> 00:07:39,279
to fall two thousand, so it's
a short time period in my life,

125
00:07:39,360 --> 00:07:42,759
seventeen year old Tony. And you
know, when I had to think about

126
00:07:42,759 --> 00:07:45,600
like what kind of memories and things
include, I had to be very sort

127
00:07:45,600 --> 00:07:47,959
of strategic about that, and so
you know, oh, I'm off my

128
00:07:47,959 --> 00:07:50,000
point. What was I going to
say? I was very excited about that

129
00:07:50,079 --> 00:07:54,839
question. What's he saying? I
was talking about when you went in and

130
00:07:54,879 --> 00:07:57,639
you hooked up to AOL. And
I think one of the funniest lines was

131
00:07:57,680 --> 00:08:00,920
that you looked over your shoulder and
You're wondering God, God was going to

132
00:08:00,959 --> 00:08:01,720
be the only one that was going
to see your witness, but it was

133
00:08:01,759 --> 00:08:07,399
okay. You were one year away
from turning eighteen eighteen. Yeah, now,

134
00:08:07,439 --> 00:08:09,040
I really yeah. I got lost
in the story because I was like,

135
00:08:09,040 --> 00:08:11,480
wait a minute, because in terms
of what's include, So here's the

136
00:08:11,519 --> 00:08:16,839
thing. You know, I do
not remember exactly every single conversation I had

137
00:08:16,879 --> 00:08:22,120
with someone in nineteen ninety nine and
so, but I have very strong fond

138
00:08:22,240 --> 00:08:28,199
memories of finding chat rooms and visiting
websites. Right around the time the Internet

139
00:08:28,279 --> 00:08:31,279
was sort of like becoming more accessible
to just people just in their homes.

140
00:08:31,279 --> 00:08:33,840
And I had a computer in college, and I'm you know, Google wasn't

141
00:08:33,840 --> 00:08:35,799
out. I think it was Yahoo
at the time. But that was the

142
00:08:35,799 --> 00:08:39,679
first time I was able to research
information and find a community. I even

143
00:08:39,720 --> 00:08:43,679
think in the book I mentioned like
how you know the internet was the safest

144
00:08:43,679 --> 00:08:46,480
place for a lot of us,
and wild it is. You know,

145
00:08:46,879 --> 00:08:48,960
I've been married to my husband now
for five years. We met, you

146
00:08:48,000 --> 00:08:50,519
know, almost eight or nine years
ago, and we met online. Like

147
00:08:52,039 --> 00:08:54,559
the fact that the internet still continues
to serve. It's sort of this space

148
00:08:54,559 --> 00:08:58,559
where there's a safe I don't know
a way to be. This is it.

149
00:08:58,320 --> 00:09:01,080
Yeah, Now what's the next book? You've got to be working on

150
00:09:01,159 --> 00:09:03,840
another one, because now that you've
been published, man, you're you're part

151
00:09:03,840 --> 00:09:07,200
of the group. Now. Oh, it's happening. It's happening. So

152
00:09:07,320 --> 00:09:11,080
I'm happy to share that I was
actually offered a tuber deal from Harper Collins,

153
00:09:11,080 --> 00:09:16,080
Captain Ticket Books and Harpercollums. And
so the next book because coming winter

154
00:09:16,200 --> 00:09:20,879
twenty twenty five. It is called
Knuckleheads, and it's a collection of Yeah,

155
00:09:20,879 --> 00:09:26,159
it's a collection of poems two black
boys and men, especially the gay

156
00:09:26,200 --> 00:09:28,720
ones, and the people who love
us. So I tell the word of

157
00:09:28,799 --> 00:09:31,440
you love me and I love you. This book is for you too.

158
00:09:31,799 --> 00:09:35,440
And the cool part about it is
I originally wrote Knucklehead first, and when

159
00:09:35,480 --> 00:09:39,360
my wonderful agent, Annie Lang I
should Pandy literary love ay so much.

160
00:09:39,480 --> 00:09:43,679
When she was pitching me the publishers, we included in the proposals that I

161
00:09:43,720 --> 00:09:46,799
was also working on a memoir and
verse. But how the boogeyman became a

162
00:09:46,799 --> 00:09:50,159
poet and it wasn't tell my editor
who I wound up connecting with Ben Rosenthal

163
00:09:50,200 --> 00:09:52,159
at Harper Collins was like Tony the
memoir, I've got to come first,

164
00:09:52,159 --> 00:09:54,879
man, like the world needs to
know who you are. And so the

165
00:09:56,000 --> 00:10:01,799
cool thing is I embedded Nuggets in
how the Boogeyman became a poet that directly

166
00:10:01,799 --> 00:10:07,440
connects the Knucklehead, and nuggets and
Knucklehead that directly keets out a boogeyman became

167
00:10:07,480 --> 00:10:11,720
a poet. So these two are
huge. They compliment each other very very

168
00:10:11,799 --> 00:10:13,600
well. As my agent says,
Tony, it's like it's like the book.

169
00:10:13,639 --> 00:10:16,519
It's like the flesh, but the
poetr're collecting. It's a bone and

170
00:10:16,519 --> 00:10:20,480
they stick together. I'm really excited
about that. But it's called Knucklehead.

171
00:10:20,519 --> 00:10:22,519
Yes, well, I expect to
talk to you next year then in twenty

172
00:10:22,600 --> 00:10:28,200
twenty five about Knucklehead. Let's do
it. Let's do it, dude.

173
00:10:28,200 --> 00:10:30,519
Please come back to this show anytime
in the future. The door is always

174
00:10:30,519 --> 00:10:33,159
going to be open for you.
Thank you so much. I've had a

175
00:10:33,200 --> 00:10:37,159
wonderful time, man, take care. Will you be brilliant today okay or

176
00:10:37,240 --> 00:10:39,919
what wait? Wait? Wait?
You be joyful all day today and forward

177
00:10:41,279 --> 00:10:43,960
there we go. I shall be
joyful. Thank you, Thank you,

178
00:10:45,000 --> 00:10:46,320
thank you, thank you God,
