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The clock by Arthur Styron. All
my life I have had a deep and

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abiding dread of monotony. The invarying
and wearisome sameness of life irks me and

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fills me with depression. I fear
and hate all men because I am compelled

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to shun them in order to avoid
that hideous mother of monotony, habit which

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tears my nerves to shreds and flings
them mockingly in my twitching face. Regularity

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of any sort fills me with resentment
and impotent rage against the scheme of things.

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The steady patter of rain drops drives
me hysterical and gibbering to bury my

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face among the pillows under a mattress
any place where the steady drip drop,

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drip drop is not audible. The
sound of drum beats fills me with such

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uncontrolled rage and fury that I shriek
aloud in my distress and hurl stones or

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any missile available at the miscreant who
dared to provoke me. I cannot,

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I dare not. I will not
endure a drab uniformity. My imaginative and

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excitable temperament demands variety. Since I
am thus constituted. Is it any wonder

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that clocks fill me with hatred and
terror? Those prosaic engineers of space,

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with their dreadful, unfailing cadence,
their ceaseless vigil over man's allotted time,

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their steady and untiring tic tac toward
eternity. They terrify me, poison me,

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madden me, those hideous reminders of
inexorable time, time, the faithful

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ally of unrelenting and unyielding death.
I lived alone with an old woman who

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had taken me when I was a
child from a foundling's home. Her I

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loved in a way, for she
was kind and very old and feeble.

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Yet she always insisted upon regularity,
eating, sleeping, and working at set

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times. And when I undertook to
vary my life from day to day,

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such as retiring at noon and rising
for breakfast at midnight, in order that

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I might thus break the monotony of
my existence, I met with such determined

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opposition from the old woman that her, too, I began to fear and

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hate. The house in which we
lived was an old, rambling country place

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of splendid and pretentious proportions, though
with an air of pervading gloom and loneliness.

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The furnishings were mostly heirlooms and antiques
of great beauty and value, of

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which the old woman was very proud. Among the chattels were two ancient and

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costly clocks of rare and unusual design
and workmanship. They stood side by side

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in the great Hall, tall grim
and spectral, regulating the household by their

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minute divisions of space. At least
one of them did so. The other

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had not run for many, many
years. The old woman had frequently related

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to me how that one had stopped
at a quarter past midnight, the very

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minute I the very second her husband
had died, stopped of its own accord,

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so she said, or by the
hand of some unseen guest. With

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her own hands, she cared for, and cleaned and polished the two clocks

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every night with unvarying regularity. She
wound the living, which she told me

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with the utmost confidence, would stop
at the moment of her death, just

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as the other one had stopped when
her husband died. Is it any wonder,

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then, that I feared these damnable
machines almost as much as I hated

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them. I might have borne the
awe and dread with which I regarded them.

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But the continual ticking of a living
clock, the old woman's life piece,

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as I called it, lashed my
nerves to such a state of frenzy

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that goaded beyond endurance. I would
rush, trembling and screaming from the house

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into the night, the cold,
the storm, anywhere, anywhere away from

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that gruesome monotony, that eternal cadence. There was a chime too, a

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chime that gave out a thick,
gloomy, resonant sound, filling me with

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foreboding and terror, a sound that
brought to mind grim death, and a

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grimmer reckoning that told of unsubdued passions
and stern retribution. Each quarter the time

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increased, until upon the hour it
became a complete stanza. So gruesome was

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the effect of this music upon my
imagination that I could not rid my thoughts

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of it. I could not sleep, I could not rest. Always I

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was anticipating, waiting for the next
installment. Sometimes in the small of the

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night, I would creep from my
sleepless bed and crouch in the dark,

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chilly hall in order that I might
hear the ticking and chiming more plainly,

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waiting for the dreadful music to start
again, and then for the next sound,

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and the next, and so on
until morning. At times I would

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make a determined effort to throw off
the spell. I would say to myself,

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after the next quarter chimes, I
shall hurry to bed and fall asleep

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before it sounds again. Then,
as soon as the quarter's direful melody had

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ceased, I would hasten to my
room, shivering with cold and nervousness,

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and lie with tightly closed eyes courting
sleep. But big pointed hands would clutch

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at my heart, brassy voices would
laugh musically and mockingly in my ears,

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Until unable to endure it longer,
I would rush back to the dark,

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cold hall, where I would count
the steady tik toks and listen for the

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unvarying chime the rest of the night. Long as time wore on, I

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realized that my condition was becoming grave. Thoughts of destroying the clock occupied me

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constantly, but I could not do
it because I feared the frightful thing with

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all my soul. On one occasion, I did approach the old woman with

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cunningly and clever argument as to why
she herself should stop the clock, But

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she indignantly refused after that, so
it seemed to me I began to detect

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her, stealing furtive and suspicious glances
at me. She suspected my trouble.

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She knew, Dear God, I
verily believed she knew my suffering and agony,

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and yet she would not stop that
fiendish clock. So I began to

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burn with remorseless hatred for the old
woman, a desire for revenge. Then

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it was that I cunningly devised a
scheme to appease my hatred of the old

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woman and rid myself of the monster. At the same time. The old

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woman had said that the clock would
stop of its own accord when she died.

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Very well, in this way she
should accomplish what she had refused to

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do, and what I myself feared
to do. Yes, I resolved to

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kill the old woman. I felt
sorry for her, because she had been

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kind to me, and she was
very old and feeble. But she stood

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between me and my happiness, and
she must die that very night. I

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would perpetrate the deed and rid myself
forever of this lesion upon my soul.

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After dark, I began to make
my arrangements. They were very simple.

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The house stood in a lonely neighborhood, no one would hear. The old

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woman was very aged and infirmed,
and could make no resistance. She retired

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early, as was her wont and
I went to my room to listen and

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wait. I planned to wait until
the midnight hour had struck, and then

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accomplished the deed before the clock should
begin another day with its quarter's melody,

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hardly breathing. Touched in my room
until the midnight hour had struck. Waited

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until the last note of the awful
dirge had faded into the dreadful stillness of

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night. Then, carrying in my
hands a small hatchet, I made my

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way stealthily toward the old woman's room. I moved very slowly and cautiously,

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inch by inch, creeping on my
hands and knees so as to make no

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sound. On my way. I
paused before the tall, grim clock to

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gloat. Monster. I gibbered in
a high, thin voice, for I

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did not wish the old woman to
hear and become alarmed. Fiend, damned

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soul, Never again will you raise
your hellish voice. Never again shall I

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tremble and shake with terror at your
taunting melody. Never again, for soon

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you will be forever stilled in my
excite, I had unconsciously allowed my voice

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to rise to a shrill, piercing
treble. Rage possessed me. I rose

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to my feet and shook my fist
at its evil shape. I screamed maledictions

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and curses at it, and laughed
with fiendish joy and triumph. Agent of

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hell, I shrieked, brandishing my
hatchet and dancing in a frenzy of hate.

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You have spoken your last. You
shall never never use your brassy lungs

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again. The words were scarcely out
of my mouth, when on the clear,

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dreadful stillness of the night, there
broke a sound, hoarse, bold

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mocking, a sound that froze my
blood, that made my hair rise with

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terror, that filled me with surging
fury. I had miscalculated my time,

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because I had not gone by the
clock. The demon was beginning to strike

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the quarter to mock me beginning.
But no more, For with the first

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note, such a wave of rage
and loathing swept over me. Hatred of

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the monster, and the fury at
having been thwarted in my plans that I

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forgot, my fear, forgot everything
save that I was mad. I uttered

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an awful cry, and leaped upon
it. With superhuman strength. I dashed

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it to the floor, where it
fell with a terrific crash. Shrieking invectives,

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I tore into its vitals with my
bare hands, destroying mangling devil.

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I raved, you shall not speak, you shall not, you shall not.

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In a few minutes, it was
a complete wreck. It lay on

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the floor, bruised, broken,
seeming in my excited imagination like a murdered

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thing, laughing loudly and shrilly,
and clutching in my wounded, blood stained

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hands the remnants of the mutilated machine. I rushed to the old woman's room.

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She lay quietly on the bed,
gazing at me with horror dilated eyes.

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See, I screamed, throwing the
bloody remnants upon the floor. See,

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old woman, there is your clock. Now it will hardly stop when

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you die. Ha ha. Then
a strange feeling of awe crept over me.

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I ceased raving and looked intently at
the old woman. In the pale

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light of a flickering candle, I
could see that she still gazed at me

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with horror dilated eyes. But now
I saw that they were sightless. The

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old woman was dead. She had
died when the clock stopped. The End

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of the Clock by Arthur Styron
