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Welcome to Popcorn Psychology, the podcast
where we watch blockbuster movies and psychoanalyze them.

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My name is Bernie Brownfield and I'm
a child therapist and I'm joined by

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Ben Stover, individual therapist, Hannah
Espinoza, marriage and family therapists. We're

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all licensed clinical professional counselors also known
as therapists who practice out of Chicago.

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Even though we are licensed mental health
professionals, this podcast is purely for entertainment

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purposes and to fulfill our love of
dissecting pop culture in all forms. Please

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remember that even though we are all
licensed therapists, we aren't your therapist.

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If you are struggling with mental health
symptoms, please find a local mental health

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provider. This is a highly different
episode than we typically do, but very

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exciting. As you guys know,
we talk about mental health as it's displayed

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in movies of all different kinds,
and so if you wouldn't mind having you

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all introduce yourself to our audience and
kind of talk a little bit about this

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movie, The Retaliators. Go ahead, boys, I'm Darren Gear, one

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of the Gear Brothers, a writer
of The Retaliators. I am Jeff Alan

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Gear, brother of Darren co write
or of The Retaliators, and my name

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is Michael Lombardi and I'm an actor. I produced and directed some on The

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Retaliators, and I'd like to think
of myself as a third brother in this

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family. Sometimes you care a lot
about it, guys, and it was

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I'm excited to talk about the project
because it's a special one, and I

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think the tone of your podcast will
allow these guys to tell a story and

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an inspiration that I think makes us
something a little different than perhaps other horror

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thriller films. So thank you very
much for having us. Oh sure,

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thank you for thinking of us.
I know we like to take sort of

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like we like to take topics and
movies that people don't think of that intensely,

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and then we just go in and
we just pull it apart in a

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way that I think is helpful and
people seem to enjoy. So I appreciate

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you being here and being so game
for my questions. So first off,

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just introducing the movie for anyone listening
asn't seen it. The Retaliators, I

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hope I'm going to try to summarize
if you guys can add to anything I'm

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missing. Is about a family who
loses their oldest daughter, their teenage daughter,

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to violence, and so in order
to try to get justice for that

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situation, the father played by you
Michael gets involved with a detective who has

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a very specific brand of justice and
how he deals with retaliating I guess when

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things happen in their life. So, is there anything I missed about the

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summary that you think will be helpful
for the audience to know to give some

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context to what we're going to talk
about. Yeah, well, I'll let

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the writers. I know that they'll
have a couple of things, But I

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just want to add to that that
it certainly is a family. But I

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think what's important is that my characters
a single dad. So I think I

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think that it plays into the story
a lot in the relationship with his daughters

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and sort of is part of the
catalyst that drives him on this tale of

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revenge. And I think anyone who
has a son, or a daughter,

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or or or or a niece or
a nephew, you know, he's a

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certain a shoe in to the understanding
those feelings. But I certainly do feel

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like, at least for my preparation
for the role, there was a sort

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of a heightened sense to what happens
because of being a single dad. But

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that that you gave it, You
did a beautiful description to add that,

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you know, and see if these
guys had anything to sort of put people,

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uh, you know, put people's
ears and minds in the right place

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when we hit this the rest of
this cast. So yeah, no,

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I think the the other thing to
note about the film that uh, certainly

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we found interesting in writing it,
and again having to do with Michael's character,

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is Michael is a single father in
the film, but he's also a

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pastor. And we what we thought
would be would make for good drama would

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be creating a character who is sort
of like a sort of throwback to a

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sort of classic quote unquote good guy
kind of character, like a Jimmy Steward

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in a Frank Capra movie, and
really make him the real deal and earnest

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guy, a very well meaning guy, not perfect, not you know,

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no one is, but certainly you
know, just a good person and someone

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who is a true, true blue
Pacifist. Have to then go through them

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the the somebody tempting him into crossing
some very very questionable moral lines in the

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height of being sort of at the
height of trauma, and we sort of

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thought it would make for again sort
of really to kind of amp up the

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drama. So when the movie from
there, without giving away where it goes

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once he's brought to that line,
but certainly some chaos ensues in a big

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way. And so seeing I think
the journey of seeing a character like Michael's

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go through that makes for just hopefully
very entertained a ride. That's the that's

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uh, that was that was the
intention, how the psychology or mental health

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considered when writing a story that has
grief and trauma. Like I noticed too

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that there's the scenes in the movie
where they're in even a grief counseling group,

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and so it made me curious when
writing something like that, where I

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guess what informs that? Um,
yeah, you know, in this case,

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well in any case. Um,
when it comes to writing, UM,

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you know, Jeff and I pride
ourselves on doing a lot of deep

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research. A lot of things are
left up to the imagination in writing,

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but I also think there's a responsibility
to really dig in and and be resourceful.

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Um. In the case of the
Retaliators, because the Heartbeat Wash was

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based on a real life trauma in
our family, we didn't you know,

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we didn't have to do any research
there, right, We were the nugget

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of the first idea. When the
idea first popped up, which was what

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if there was this? It showed
up in the form of what if there

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was a service for family members of
crime victims that provided them one minute alone

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as sort of a healing. It
wasn't even really thought of as that original

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thought wasn't even it was just as
sort of a healing. But then the

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title the Retaliators kind of came along
with that thought. That happened right as

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we were going through my sister was
our sister was going through the trial phase

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of her whole ordeal, which was
very grueling and very long and very difficult

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to go through. So there's just
you know, it doesn't take too much

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of a leap of imagination to figure
that, you know, psychologically, that

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sort of idea would kind of pop
out. Um. So as far as

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you know, uh, you know, now we weren't grieving a death,

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um, but we were grieving a
a trauma, and so we sort of

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kind of use the emotions we were
feeling and and you know, really one

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would feel when someone close to you
goes through something as heinous as what our

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sister went through. Uh, we
were able to sort of tap into that,

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uh for you know, dealing with
with sort of Bishop and really I'm

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also a father and uh and it
was sort of it was you know,

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it really was in having a conversation
with my dad and hearing his experience of

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being in the courtroom that made me
connect to me being a father. And

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then then now imagining this is one
of my children. I'd already been sort

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of caught up in the you know, the frustration and pain with it being

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my sister. Then trying to then
put myself into my dad's shoes. That's

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what really brought me to, you
know, that place. And that's really

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kind of where Bishop was born from
that the character Michael's character in a movie.

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So a lot of the research was
kind of more homegrown, like from

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like internal exercises. Almost. Yeah, Okay, that's really interesting to know.

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It makes me curious. But the
question I'll have later but maybe you

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can ruminate on it is sort of
how do you practice self care when engaging

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in a piece of work, a
piece of artwork that is not just like

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psychologicalically heavy in a general sense.
But then it seems like what you from

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what you just shared also has a
close personal tie to your own story.

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Yeah, you know, Jeff,
you go ahead, Jeff, I was

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baffling. Go ahead, yeah,
yeah, No, no worries, no,

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no, no. I think it's
a great question. Um. It

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really got my mind going on it
because I never really thought of it that

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way. Um, because well,
I think one thing we did that didn't,

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you know, make it too difficult
for us to be that close to

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it was that, you know,
the story that we're telling is not exactly

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the story of our of our sister. Um, so it kind of put

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us with some distance to to that. You know, I think if we

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had been writing, you know,
the true story of what happened to our

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sister, Yeah, there'd be a
lot of you know, um, concerns

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about self care going through that kind
of process in a way that that felt

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very daunting to me and to me
and Darren. And also we don't we

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didn't feel like the kind of we
were in a position to exactly tell that

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that story. It felt like the
story we wanted to tell had more to

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do with the family members of the
victims, but we didn't want to sort

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of tell her story through our point
of view. Instead, we thought,

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well, let's tell the point of
view of the victims of family members,

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but a different kind of tragic event. And so I think, you know,

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it didn't feel very challenging in writing
it, even though the heartbeat the

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story was that very tragic event.
And I think that was just due to

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the fact that we didn't we didn't
do exactly her story, but still in

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a way we're able to tie it
in. And that's where I feel like

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that was the beautiful thing about it, was that we were still able to

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honor our sister um and get our
story out there while still making a piece

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of you know, entertainment. Yeah. What these guys always said to me.

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Look, they want to make a
fun, entertaining film. Um,

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they're huge fans of the genre.
They understand the genre. But it was

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an actually a healing uh therapy this
is and again they're here so they can

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talk, right, And they said
to me, you know, because I

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fell in love with the script the
moment I read it. It jumped off

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the page, the characters and the
thing is, you write what you know,

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and I knew it was good writing. And then to find out the

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inspiration of the story, which I
think we should get to and uh,

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and we will because we've talked touched
upon it a little bit. But Darren

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said to me, you know,
uh, we were going through all this,

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and I said to my brother,
you know what if there were a

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service where you could have a minute
alone with the person who harmed your loved

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one? And they started to go
off on this thought. And the bottom

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line is that's the foundation and the
number one provocative question of the entire film.

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If you had a minute alone with
the person who heard or killed your

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loved one, would you take it? So this was a now, guys,

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please take over. But it was
sort of a healing process for you

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writing a fun, entertaining story and
sired by your sister's tragedy, which is

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why it's so real and it makes
you think a lot when you're watching it,

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even though it's fun. It's a
popcorn movie. You definitely think.

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But go ahead, boys, Yeah, no, I it's a good segue

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to what I was gonna say,
Michael, which was writing itself is self

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care in general. For I know, for me and and Jeff, I

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don't want to speak for you directly
with that, but for me, one

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of the things coming to discovering writing. Sort of been writing all my life

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in a way, but never doing
it formally. Um and Jeff and I

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made the decision about five years ago
to say, hey, let's let's take

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this dream we've always had, let's
really do it. Let's let's really go

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for it. And what I couldn't
have imagined was how therapeutic writing in general

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is, so even when it would
rub up against because there's certainly a lot

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of easter eggs. You know,
there's this scene in the movie you know,

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spoiler spoiler alert, when when the
scene when the daughter is killed is

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very much a surrogate for you know, the incident that happened with Jody,

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you know, the real life incident, and so you know, that's an

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example of it's not wasn't an easy
scene to write, um, but in

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writing it, it felt like therapy, you know, it felt I had

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no idea how how sort of therapeutic
it would be. I've also lived with

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anxiety disorder for most of my life, um uh, pretty severely, and

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I writing has is a very very
uh sort of meditative has become an extremely

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meditative, pleasurable thing. So I
mean, I love writing. You know,

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I hear a lot of interviews with
sort of self self loathing writers that

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sort of I hate to write.
And I and I we're huge fans of

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Almore Leonard and I love seeing him. When he would give interviews, he'd

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be like, I love writing,
I just I can't wait to write.

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That's very much where we come from, like we we love it, you

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know. So on the other hand, the film and acting in it is

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was actually quite self destructive making this
thing during COVID and playing this character,

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and you know more more I'm joking
because at the end of the day,

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what I've gotten out of it it
has been therapy. And I guess you

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get to do that as an actor
when you're looking through other people's sort of

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playing different characters and seeing things through
an imaginary sort of circumstance and trying to

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understand what people go through, you
know, to or what they have gone

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through to find the truth in it
for yourself in a scene or an objective

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or of a person. But you
know, it was the film notes filming

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during COVID and the different obstacles we
had making a movie was definitely challenging to

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all of us. Yeah, for
sure, I bet you know, what

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you all are bringing up are actually
therapeutic activities or exercises like writing a trauma

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narrative give be a very powerful way
to process through something that's happened to us.

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Also, psychodrama is another therapy technique
where you put yourself in the shoes

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of someone in your life that you
are in relationship with or maybe even caused

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harm to you as a way to
work through some things. And that's actually

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like something people do a lot in
family therapy. That's interesting to know,

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So I'm not surprised to hear that
you are feeling that, even if you're

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like not intentionally going in thinking of
it as a therapy get exercise, it's

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not surprising to me that you're getting
the benefits of it. So that's nice

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to hear as someone who's just a
watcher of things like this, and to

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kind of build on what you were
talking about, Michael, in terms of

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like psychology and mental health. When
playing a role like this and having to

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get immersed in these experiences, what
is there anything that you pull from psychology

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or mental health that forms the way
that you act in these kind of roles.

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Well, I'll tell you this,
So getting into the character and trying

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to understand what the loss would be. Right, he loses it, So

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then what did that feel like?
Where what's the shoe into that? Of

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course I have a six year old
son, so you have to go to

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these crazy places that you don't want
to, to put yourself in an imaginary

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circumstance of something happening. And you
do all this work, right, you

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do playing a pastor. I went
to sermons and you kind of you just

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do all this layering I watched.
I told Darren I did a lot of

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work with Darren too, and we
talked about the character because that's the beauty

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of having the writers there. If
you're lucky enough to have that, it's

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pretty amazing to have access to the
writers and get in their heads. But

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I went to I saw this YouTube
video and it was this guy who he

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literally if you were to cast a
math teacher like a characterature of like a

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math teacher, right. He was
a very guy, it was, and

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this is true, this is a
real thing. He was in court and

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he had the moment to tell his
son's killer to uh, you know,

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at the end of the trial,
and there were two on each side of

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him. There were two court officers, right, they're on each side of

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him. And he stood there and
the guy who was up on up next

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to the judge up in the bench
was like a huge guy to it big

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and this is the guy who killed
this man's son. And he got there

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and he stood there and he started
to do his speech and uh to him

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and express his his words, and
he let out this moan from the depths

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of his soul. It was like
so, and he was like and it

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came so, and he grabbed he
had a pen and he jumped over the

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railing on and he tried to start
stabbing the guy and the court officers had

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to pull him off, and they
kind of they understood, they were careful

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with him, you know. And
it was the first thing. And it

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was that that was my first little
shoe into this, you know, Uh,

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seeing what happens in this film and
the tragedy that occurs with this family

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and me and my daughter, that
that primal, primal instinct and to see

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it with this guy who was so
on you'd never suspect this man to enrage

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like this, and it gave me
the chills. This is just a true

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like just in searching finding things,
the psychology into this character and this circumstances.

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So look, you layer it all
in right this other things. We

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Darren and I did backstory together of
how my guy became who he was,

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and then you let it go and
you trust it and you trust it's in

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there, and you put your two
feet on the ground and you listen and

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answer in the scene. And it's
kind of like like if you try to

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play the result of it too much, you know about sort of fine ending

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that pinch, not the ouch.
So you never want to push in terms

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of getting into this because again I'm
getting into the acting a little bit and

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maybe a little off track. But
why I'm doing that is because there's nothing

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more important than trying to find the
truth in their story and these circumstances and

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to sort of tell the truth so
it can touch other people in a way

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in a way that maybe they can't
understand or understand in a truthful way.

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So you know, it's like if
a person was in a concentration camp,

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you know, and you met them
at a bar and you were talked to

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start at a dinner and started talking. They don't that might come out way

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later or conversations later, but it's
not like they wear that on their sleeve.

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Right. So the point being is
we all have things inside of us,

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crazy thoughts, things that have happened, things that and and you want

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to do this work. If you
can't connect or if it hasn't happened in

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yours, you create the imaginary circumstance
of it, and you layer it in

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and then you go and play the
scene. Okay, that's great. One

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thing I also wanted to ask,
and I don't know if this will be

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not a provocative question, but a
part of the theme of the movie.

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I picked up on a sort of
the concept of closure, Like you guys

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are talking about if you had one
minute with the person who wronged your family

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or harmed someone you loved, what
would you do? And so I'm curious,

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does this play into or does this
part of like the fantasy of closure

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and sort of what are this kind
of a big question, But do you

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guys have any like personal perspectives on
the concept of closure. Therapists were a

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bit of jaded about that concept.
So I'm just curious if in writing this

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film, I guess where your head
where are your heads at with that concept?

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Well? What I guess I could
I couldn't have known until sort of

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here we are, because now you
know the It started as this script idea

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that we approached our sister about and
got her blessing, and then it as

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00:23:12,119 --> 00:23:18,400
Michael alluded to it, it was
a very long, crazy adventure, as

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making any movie is, but navigating
the early days of COVID was herculean to

278
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to say the least. But now
having the film, it was before anyone

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saw it. When we finally got
to see the finished film, and when

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I say we, I mean Michael, Jeff and myself with our editor,

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we were at the sound stage and
watching the finished film. It was a

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very it was a very satisfying experience, and not really that we hoped somebody

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would connect with the film. If
even if a few people do, great,

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because you never know how people are
going to respond to a film,

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and we certainly had no idea from
their thirty film festivals, and you know,

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just tons and tons of amazing feedback
about the film and watching Jody,

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you know, we've got to experience
now being on two stages with her and

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to watch an audience clap for her, and to get to see her walk

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around and shake hands and be this
be the inspirational force that she is,

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and she had. She was the
one who had the bravery to say,

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hey, use my name. I
want you to use my name. I

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want you to get my story out
whenever however you can. And it takes

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a lot of courage. I mean, I don't know if I could say

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that. I don't know if if
I had gone through what she went through,

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if I could at some point in
my life go hey, yeah,

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just throw my story out there,
get my name out. I just want

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to be an inspiration for anyone suffering
PTSD in the world. I mean,

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it's a pretty bold thing. But
to experience this sort of people getting a

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lot of entertainment value from the film, also having a meaningful and sort of

300
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a profound experience in hearing about Jody's
story the inspiration because we've now got to

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00:25:42,839 --> 00:25:48,440
tell her story and many interviews,
and like I said, seeing her on

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stage is what it showed me as
far as closure goes, is that I

303
00:25:55,880 --> 00:26:00,039
feel like to a degree to you
know, never I don't no, I

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00:26:00,039 --> 00:26:07,559
don't know if you could ever have
complete closure on on something that that traumatic.

305
00:26:07,640 --> 00:26:11,920
I don't know, but I can
tell you that I have learned that

306
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through art through art and creativity and
getting together. Um we I think we

307
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did create a sort of triumphant,
cathartic experience for us as a family.

308
00:26:29,960 --> 00:26:34,279
And uh, going back to the
origins of Jody's story and talking about art

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00:26:34,359 --> 00:26:38,799
that also relates to Michael Lombardi and
relates to the show that he was on

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00:26:41,039 --> 00:26:44,920
Rescue Me. Um, you want
to take it from there, we tell

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00:26:45,000 --> 00:26:48,359
what well, Brittany, sorry to
interrupt, but I think we need to

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00:26:48,400 --> 00:26:52,279
hear the story of what happened to
Jody. And again, you know,

313
00:26:52,400 --> 00:26:56,480
Brittany, I never want you to
think that we're sort of well, these

314
00:26:56,480 --> 00:27:02,200
are her brothers she wants to or
told. We never want you to think

315
00:27:02,200 --> 00:27:07,039
we're like sort of exploiting this.
It's something that inspiration and something that was

316
00:27:07,119 --> 00:27:11,119
discussed. But I think we've been
talking about the inspiration and their sister and

317
00:27:11,200 --> 00:27:18,359
this this uh traumatic, traumatic experience. So if you're if you're open to

318
00:27:18,400 --> 00:27:21,839
it, I think these guys should
be able to tell you what happened.

319
00:27:21,920 --> 00:27:26,799
And I think it ties in.
It ties in. First of all,

320
00:27:26,839 --> 00:27:29,920
it is the story the film,
and it's the inspiration, but it'll tie

321
00:27:29,960 --> 00:27:33,839
into the podcast quite nicely as well. The subject matter sure I'd love to

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hear it if you as are open
to telling. Yeah, yeah, yeah,

323
00:27:37,599 --> 00:27:41,519
of course. Um So, basically
it was essentially gotta get my dates

324
00:27:41,680 --> 00:27:48,599
right on. This time just flies. But it was maybe roughly sixteen years

325
00:27:48,599 --> 00:27:52,559
ago or so. My sister,
she was very young. She was walking

326
00:27:52,640 --> 00:27:57,240
home from a friend's house, a
couple like a block or two away from

327
00:27:57,319 --> 00:28:04,119
her house, and this is a
suburb in northern California town. She was

328
00:28:04,119 --> 00:28:07,400
with her friends. Then she was
like alone literally for just a matter of

329
00:28:07,480 --> 00:28:11,799
a few minutes. It was late
at night. She thought she heard a

330
00:28:11,920 --> 00:28:17,680
jogger running behind her, and she
just heard these really loud footsteps, and

331
00:28:18,079 --> 00:28:21,839
she was walking next to a ravine. There was like a little section that

332
00:28:21,920 --> 00:28:26,920
was sort of near a highway and
there was like this ravine as she again

333
00:28:26,000 --> 00:28:32,519
she was walking into her neighborhood,
and she said she had a moment of

334
00:28:32,559 --> 00:28:36,160
going, gosh, who's jogging this
late at night? And she moved to

335
00:28:36,200 --> 00:28:41,920
the side to sort of give the
person space, and literally, next thing

336
00:28:41,000 --> 00:28:48,880
she knows, she is tackled full
force down this twenty two foot ravine.

337
00:28:48,519 --> 00:28:56,160
So from there, this is where
the horrors really began. This person assaulted

338
00:28:56,200 --> 00:29:03,000
her viciously raped her and really attempted
to kill her. She she had a

339
00:29:03,039 --> 00:29:12,720
belt around her neck. Um.
She miraculously survived and sort of um outwitted,

340
00:29:12,799 --> 00:29:17,039
fought, did everything she could to
get out of there, and she

341
00:29:17,200 --> 00:29:23,440
ended up getting out of there,
UM climbed out track um tracked down a

342
00:29:23,559 --> 00:29:32,680
car and was she very luckily survived
because the odds of a stranger attack of

343
00:29:32,720 --> 00:29:37,519
that sort, the odds of surviving
that are very very low. They're very

344
00:29:37,559 --> 00:29:42,000
low. It's typically a murder um
and those kind of attacks are very rare.

345
00:29:42,599 --> 00:29:48,599
That gentleman was a column a gentleman. That person was not caught for

346
00:29:48,680 --> 00:29:56,599
years and years. Um. Ten
years went by and he was not caught.

347
00:29:56,079 --> 00:30:02,920
And then after her ten years advancements
in DNA, they got a DNA

348
00:30:03,079 --> 00:30:11,119
match because this guy was attempting to
do this to someone else. And what's

349
00:30:11,359 --> 00:30:17,640
very scary about the whole thing is
that it was in the same area ten

350
00:30:17,759 --> 00:30:25,559
plus years later and he was a
taxi driver, so he was caught.

351
00:30:26,200 --> 00:30:30,599
He ended up going to trial and
that's when the trial phase began that went

352
00:30:30,640 --> 00:30:34,559
on for a long time. That's
when the nugget of the idea was sort

353
00:30:34,599 --> 00:30:42,200
of born and for the movie and
then the as I say, there are

354
00:30:42,279 --> 00:30:49,799
sort of multiple happy endings here.
One the most important happy ending is that

355
00:30:51,160 --> 00:31:00,640
Jody, our sister, not only
survived, but after a very difficult subsequent

356
00:31:00,720 --> 00:31:08,599
years of PTSD, ended up thriving
and becoming a very successful, happy,

357
00:31:08,759 --> 00:31:15,960
healthy person. And she happens to
be one of the few female fire fire

358
00:31:17,039 --> 00:31:22,240
captains in the United States. And
she's just awesome, awesome human. She's

359
00:31:22,279 --> 00:31:29,880
she's she's the best. The second
happy ending is the guy was convicted and

360
00:31:29,960 --> 00:31:33,160
he was virtually put away for life. He'll he'll come up for parole when

361
00:31:33,200 --> 00:31:37,359
he's an old man, and hopefully
we'll be able to keep him in there.

362
00:31:37,880 --> 00:31:44,160
And then the third part being you
know when this all start, this

363
00:31:44,319 --> 00:31:48,079
all right around the same time as
we had come up with this idea.

364
00:31:48,200 --> 00:31:53,240
Independent of that, Jody had approached
us and said, do we know anyone

365
00:31:53,319 --> 00:31:57,160
in the in the documentary space.
She said, you know, after everything

366
00:31:57,200 --> 00:32:02,839
she went through with pe TSD,
she wants to give her story out so

367
00:32:02,880 --> 00:32:07,000
that she can be an example that
you can get through it, that there's

368
00:32:07,079 --> 00:32:15,200
ways, there's there's pathways through really
really severe PTSD. And we attempted that.

369
00:32:15,240 --> 00:32:17,880
We attempted to find you know,
jeez, I don't know if I

370
00:32:17,920 --> 00:32:22,119
know anybody in the documentary space.
And we did some digging and looking,

371
00:32:22,240 --> 00:32:27,119
and then on a whim, brought
up the retaliators as like, hey,

372
00:32:27,200 --> 00:32:30,319
you may think this is a crazy
idea, but what do you think.

373
00:32:30,400 --> 00:32:34,680
She went great, I don't She's
like, I don't care. Yeah,

374
00:32:34,720 --> 00:32:37,480
if you can make it into a
movie and you can use that as the

375
00:32:37,519 --> 00:32:42,119
platform to get my name out,
please And we told her, you know,

376
00:32:42,160 --> 00:32:44,839
it's not going to be your exact
story, but it'll be a kickoff

377
00:32:45,000 --> 00:32:46,599
point and blah blah blah, and
she said, yeah, do it.

378
00:32:46,640 --> 00:32:50,799
Do it. You have my blessing, go do it. So the weird

379
00:32:50,920 --> 00:32:57,799
part where this connects up to Michael
is that when we finished the scriptum,

380
00:32:58,720 --> 00:33:05,039
the first person and we sent it
to was Michael, and Michael responded to

381
00:33:05,079 --> 00:33:09,759
it very very quickly, and was
essentially he was on a plane in three

382
00:33:09,839 --> 00:33:13,880
days. He's on the East coast, we're on the West coast, and

383
00:33:14,000 --> 00:33:19,079
he showed up at our doorstep in
three days and was like, Okay,

384
00:33:19,119 --> 00:33:22,039
I'm going to get this movie made
where you know, I'm born to play

385
00:33:22,039 --> 00:33:27,440
this role of John Bishop and I'm
going to get this movie made and we

386
00:33:27,559 --> 00:33:34,359
formed a partnership basically right away independent
of this. What I did not I

387
00:33:34,440 --> 00:33:40,720
was not even aware of, was
that my sister in Well, Michael,

388
00:33:40,720 --> 00:33:44,920
why don't you tell this part of
the story, because this is sound cool

389
00:33:44,920 --> 00:33:49,599
coming from you. Well, I
think you're doing a great job. But

390
00:33:51,079 --> 00:33:55,839
yeah, so so basically, she
was in probi school right during the time

391
00:33:55,920 --> 00:34:00,519
of when this happened. She was
a firefighter training school. This is when

392
00:34:00,519 --> 00:34:04,839
she was around eighteen, right when
the when the attack happened. Darren.

393
00:34:05,599 --> 00:34:13,400
Yeah, she then ended up,
as Darren said, becoming a firefighter.

394
00:34:14,000 --> 00:34:20,920
And I was on a television show
called Rescue Me, as Darren said,

395
00:34:20,920 --> 00:34:25,559
early, which is about New York
City firefighters post nine to eleven and the

396
00:34:27,199 --> 00:34:31,559
issues that they and that sort of
the demons that they deal with on a

397
00:34:31,639 --> 00:34:38,440
day to day basis. And it
turns out that that was Jody's like favorite

398
00:34:38,440 --> 00:34:46,079
television show and it was, as
she tells it, part of her healing

399
00:34:46,199 --> 00:34:52,559
process. It made her laugh and
it made her cry, and it made

400
00:34:52,639 --> 00:34:59,159
her see firefighters as real human beings
who were fighting these demons and had PTSD

401
00:34:59,360 --> 00:35:04,239
and all these different issues. But
we're still going into burning buildings to save

402
00:35:04,360 --> 00:35:07,480
people and still doing their job.
And one of the things that was interesting

403
00:35:07,559 --> 00:35:15,760
about about Rescue Me was we the
guys had issues in the firehouse, you

404
00:35:15,800 --> 00:35:20,119
know, and and it was funny
because we would, uh, there were

405
00:35:20,239 --> 00:35:23,880
firemen at the time who had issues
with the show because but but it was

406
00:35:24,039 --> 00:35:27,840
more more like the senior guys did
and then they, you know, at

407
00:35:27,880 --> 00:35:30,159
the end of the day, after
you know, a hundred episodes, they

408
00:35:30,280 --> 00:35:35,199
got it because we did have you
do have to hollywoodize something a little bit,

409
00:35:35,199 --> 00:35:37,360
but it was issues like this,
like the Captain and the show,

410
00:35:37,360 --> 00:35:44,840
he's an old man and he's has
a gambling problem and he's walking into a

411
00:35:44,840 --> 00:35:49,119
an old woman's apartment and he he's
not that old. I said he was

412
00:35:49,159 --> 00:35:53,440
an old man. And he opens
he kicks a pot like the cabinets sort

413
00:35:53,440 --> 00:35:58,159
of doors open and money falls out, like that's where she hides her money

414
00:35:58,199 --> 00:36:01,440
and he takes it because of his
gamble issue and then he does end up

415
00:36:01,480 --> 00:36:06,440
returning it. But just the different
things that these guys had to go through

416
00:36:06,480 --> 00:36:07,880
his human beings on the show,
and that's what I'm most proud of of

417
00:36:08,079 --> 00:36:10,559
being on a show like that.
Dennis Leary, he wrote it, he

418
00:36:10,639 --> 00:36:16,679
produced it, he started it,
he co created, and like in Fires

419
00:36:16,719 --> 00:36:21,280
for instance, it was all smoke. He wanted it, so it wasn't

420
00:36:21,360 --> 00:36:25,599
like man against flame, like Backdraft. He wanted aotic point is very real.

421
00:36:25,960 --> 00:36:31,599
And Jody latched onto this show because
she was a probationary firefighter. And

422
00:36:31,679 --> 00:36:36,559
here's the crazy serendipitous part is that
I mean it all is, but that

423
00:36:36,679 --> 00:36:42,079
I played the probe. I was
the probationary firefighter. So she connected with

424
00:36:42,119 --> 00:36:45,880
my character a lot. And it's
so interesting that as these guys tell it

425
00:36:45,960 --> 00:36:50,000
and Jody that I was her favorite
character, and then here I am the

426
00:36:50,119 --> 00:36:52,599
lead in her fan. And these
guys didn't even know this, right,

427
00:36:52,639 --> 00:36:55,800
I didn't even know it. We
didn't know. I figured, well,

428
00:36:57,199 --> 00:36:59,920
knowing she was a firefighter, well
she must be a rescue me fan.

429
00:37:00,000 --> 00:37:04,480
And I remember when I first told
her I knew Michael Lombardi and I was

430
00:37:04,519 --> 00:37:07,039
working with him. She didn't even
believe me. She and she was like,

431
00:37:07,119 --> 00:37:09,880
yeah, right, I said,
no, I did because we worked

432
00:37:09,960 --> 00:37:15,119
in music together years before. It's
where we met. And come to find

433
00:37:15,119 --> 00:37:17,800
out, she didn't really believe me. She was like, I just couldn't

434
00:37:17,800 --> 00:37:24,280
believe it because she was turns out, completely obsessed with Michael and his character

435
00:37:24,400 --> 00:37:31,440
and was just like you know,
she she really credits the show as helping

436
00:37:31,519 --> 00:37:35,880
her in those times. She said
she just kind of watched it on a

437
00:37:35,920 --> 00:37:39,840
loop. So when we told her
Michael was the star of the film who

438
00:37:39,920 --> 00:37:46,119
was in a way sort of surrogate
her father in the movie because you know,

439
00:37:46,159 --> 00:37:52,079
the character's named John, My dad's
name is John. Not a coincidence,

440
00:37:52,199 --> 00:37:57,760
you know, um uh and uh, And so you know, it

441
00:37:57,840 --> 00:38:01,719
was beyond we called her. We
facetimed her because I finally started realizing she

442
00:38:01,840 --> 00:38:07,760
wasn't believing me, and Michael was
over and he facetimed her, and she

443
00:38:07,880 --> 00:38:13,360
was in her firehouse and the show, you know, Rescue Me in a

444
00:38:13,400 --> 00:38:17,760
Firehouse is about as you know,
it's about as uh uh you know,

445
00:38:17,800 --> 00:38:22,559
they put it on a very high
pedestal, as like the only you know

446
00:38:22,639 --> 00:38:30,679
firefighters show worth its salt. And
so she's running around the firehouse showing everybody.

447
00:38:30,719 --> 00:38:34,119
Michael Lombardi's on the phone and freaking
out and it's it was, it

448
00:38:34,159 --> 00:38:37,440
was, It was hilarious. So
but it really made it like, wow,

449
00:38:37,559 --> 00:38:42,960
unbelievable. Yeah, and I just
wanted to add um, Brittany,

450
00:38:43,000 --> 00:38:45,239
because I know you were asking about
closure and like how all this sort of

451
00:38:45,239 --> 00:38:51,039
relates to closure and what our maybe
our personal opinions are about it, and

452
00:38:51,159 --> 00:38:53,440
um, you know, I you
know, I think I'm with you maybe

453
00:38:53,480 --> 00:38:55,800
having some kind of or I don't
know if you were expressing that opinion for

454
00:38:55,840 --> 00:39:00,719
yourself or just for the general uh
you knows a psychologists. But you know,

455
00:39:00,719 --> 00:39:07,760
I'm pretty skeptical of the concept of
closure. I actually I think that

456
00:39:07,840 --> 00:39:14,519
might be what drives people to want
to take revenge. You know. It's

457
00:39:14,559 --> 00:39:17,519
this desire to make it all go
away forever, you know, this awful

458
00:39:17,559 --> 00:39:24,679
feeling and to sort of settle the
score once and for all, and really

459
00:39:24,880 --> 00:39:29,239
like in writing the film and doing
all these great things, all these wins

460
00:39:29,280 --> 00:39:32,639
that we really had with telling,
you know, helping Jody's story get out

461
00:39:32,639 --> 00:39:37,960
there. I don't look at it
as closure, but in a sense,

462
00:39:37,000 --> 00:39:44,559
it's like the writing of the script
itself. It's it's this outlet for giving

463
00:39:44,559 --> 00:39:47,639
it some air, you know what
I mean, of coping with it as

464
00:39:47,679 --> 00:39:52,960
it comes, you know, And
I think that you know, this doesn't

465
00:39:52,039 --> 00:39:58,559
make the traumatic event that happened to
Jody go away, you know, but

466
00:39:58,360 --> 00:40:00,239
it but it is a sort of
vessel, a sort of you know,

467
00:40:00,719 --> 00:40:07,360
maybe direct or canal to direct that
that trauma through as as it becomes more

468
00:40:07,400 --> 00:40:10,840
difficult to deal with, you know, or if it does arise out,

469
00:40:10,920 --> 00:40:15,239
you know, arise it away where
it is difficult to deal with. So

470
00:40:15,239 --> 00:40:19,159
so yeah, I think it's It's
an interesting way to frame the question because

471
00:40:19,159 --> 00:40:22,400
I do think that in a sense, the you know, one of the

472
00:40:22,480 --> 00:40:27,800
anti heroes of the film in a
sense also a villain, Jed. I

473
00:40:27,840 --> 00:40:31,480
think he is someone whom it takes
that to the extreme of trying to find

474
00:40:31,519 --> 00:40:36,400
that closure, and the irony is
he never finds it because he just keeps

475
00:40:36,480 --> 00:40:39,280
it the violence begets violence, but
gets violence. You know. It's almost

476
00:40:39,280 --> 00:40:43,039
like a drug at that point,
you know what I mean. Yeah,

477
00:40:43,079 --> 00:40:49,039
that was the point was that you
see, if you took revenge to its

478
00:40:49,360 --> 00:40:58,880
furthest depraved, sadistic, and it
still isn't enough because it became about right

479
00:40:59,800 --> 00:41:02,119
now, not only could he you
know, did he against spoiler alert,

480
00:41:02,119 --> 00:41:07,239
I'll try to be a little big
not only did he keep things going for

481
00:41:07,400 --> 00:41:13,760
his own situation all those years,
but then he started having to do it

482
00:41:13,960 --> 00:41:23,119
vicariously through others and him taunting h
Michael's character and saying it's time for you

483
00:41:23,199 --> 00:41:29,639
to heal, which is a big
moment in them. You know, I

484
00:41:29,920 --> 00:41:37,800
believe the character in that moment really
believes that. I think Jed believes that.

485
00:41:37,679 --> 00:41:44,760
But we see the audience can see
it's not you know, it's not

486
00:41:44,880 --> 00:41:50,159
that easy, right, you know. Well, he's had to trade a

487
00:41:50,320 --> 00:41:55,880
normal life for this very depraved life, and so that obviously ends up being

488
00:41:57,079 --> 00:42:01,760
very having a lot of crazy outcomes. It's hard. It's because we're digging.

489
00:42:01,760 --> 00:42:07,719
We're digging so deep in this psychology
stuff. Yeah, it seems like

490
00:42:07,800 --> 00:42:10,000
you know, you know, some
people can have a version of healing that

491
00:42:10,239 --> 00:42:16,719
is closure that might be self destructive
and you know, perpetuating the pain and

492
00:42:16,920 --> 00:42:22,320
even aggravating it and making it worse. You know. Um, yeah,

493
00:42:22,360 --> 00:42:24,639
I think it's a it's an interesting
way to frame it. Yeah. Something

494
00:42:24,639 --> 00:42:29,679
I want to say too is we
uh, Jeff and I were committed to

495
00:42:29,719 --> 00:42:32,719
this very early, and then we
had many conversations with Michael about this,

496
00:42:34,320 --> 00:42:39,079
and that is that in writing the
film, we really, as as writers,

497
00:42:39,159 --> 00:42:53,679
felt a responsibility to not judge the
characters or telegraph uh personal opinions in

498
00:42:53,719 --> 00:42:59,400
other words, you know, well, here's what you should do in this

499
00:42:59,440 --> 00:43:05,000
situation, and here's what you shouldn't
do. We really tried to let the

500
00:43:05,159 --> 00:43:13,719
characters create characters and then again create
a dramatic situation where it would be entertaining

501
00:43:13,800 --> 00:43:17,159
for the audience to wrestle. You
know, My favorite scene in the film

502
00:43:19,440 --> 00:43:28,280
is the moment where John Bishop Michael
Lombardi's character is confronted with the question,

503
00:43:28,760 --> 00:43:34,760
and without giving things away, it's
a long scene and you really see him

504
00:43:34,800 --> 00:43:37,800
struggle, And that's my favorite part
of the film because that was really the

505
00:43:37,960 --> 00:43:45,119
essence of what I feel like it
was nailed. I feel like through the

506
00:43:45,199 --> 00:43:51,480
directing, the editing, the acting, it all really comes together in that

507
00:43:52,079 --> 00:43:58,119
I don't feel like the camera is
judging those two characters. I don't feel

508
00:43:58,119 --> 00:44:04,320
like the actors are telegraphing, uh
what they want or or you know,

509
00:44:04,440 --> 00:44:06,960
or what the right thing, or
who's the good guy, who's the bad

510
00:44:07,039 --> 00:44:10,079
guy. I really feel like it's
a moment where the audience has to stare

511
00:44:10,119 --> 00:44:16,000
down their own thoughts and wait,
what would I do? I've had so

512
00:44:16,039 --> 00:44:20,840
many people. I had a really
good friend of ours give him a shout

513
00:44:20,840 --> 00:44:25,199
out. His named Rudy writer,
an attorney, amazing, amazing guy and

514
00:44:25,519 --> 00:44:30,119
he uh he when he saw the
film, he called me and said,

515
00:44:30,800 --> 00:44:35,360
man, I'm I am pissed at
you. And I said, I said

516
00:44:35,719 --> 00:44:38,559
why. And this is a I
mean, the mensh of all mention of

517
00:44:39,000 --> 00:44:46,440
human beings, this guy. And
he's like, you really made me confront

518
00:44:47,400 --> 00:44:52,000
something I never I just you know, He's like, I would never imagine

519
00:44:52,039 --> 00:44:58,159
I could do anything like that.
But in that scene was really wrestling with

520
00:44:58,239 --> 00:45:02,360
my sort of cont being confronted with
jeez, what gosh, that's not the

521
00:45:02,440 --> 00:45:07,239
right thing to do, and I
why do I feel? And you know,

522
00:45:07,320 --> 00:45:10,079
call us sadistic, That's what we
wanted, you know, we really

523
00:45:10,119 --> 00:45:15,880
wanted that. You know, I
maybe laugh, you know I laughed when

524
00:45:15,880 --> 00:45:17,559
you hear it. But I've heard
it from multiple people that said, gosh,

525
00:45:17,599 --> 00:45:22,199
I really felt so conflicted and I
didn't know what to think. And

526
00:45:22,320 --> 00:45:27,440
I just that's great. You know, it's just so easy to just this

527
00:45:27,480 --> 00:45:30,880
is wrong, this is good,
and it's kind of boring. I like

528
00:45:31,599 --> 00:45:36,840
cinema that sort of challenges you and
makes you have to do a little of

529
00:45:36,880 --> 00:45:39,280
the work as the audience. That
makes sense. Yeah, And I've been

530
00:45:39,320 --> 00:45:44,559
nodding very knowingly while you've all been
talking, because I think what I appreciated

531
00:45:44,559 --> 00:45:47,679
watching the movie like as a therapist
is that you're right in that the movie

532
00:45:49,280 --> 00:45:52,880
plays around with the idea of closure
and the fantasy of closure. Because as

533
00:45:52,880 --> 00:45:57,239
a therapist, why I was nodding
emphatically at times while you were talking is

534
00:45:57,880 --> 00:46:01,559
that I think it's this idea deal
about like there's an answer and if I

535
00:46:01,599 --> 00:46:05,880
can find the answer, all of
my feelings will go away and I won't

536
00:46:05,880 --> 00:46:10,000
feel bad anymore. And well,
we have to all be honest with us

537
00:46:10,039 --> 00:46:15,679
all about is that there isn't really
an answer. That's very frustrating when I

538
00:46:15,719 --> 00:46:16,920
as a therapist, when I work
with clients, I say, have to

539
00:46:17,000 --> 00:46:21,880
let go of this idea that there's
an answer over here, and as soon

540
00:46:21,920 --> 00:46:23,199
as it is closure, it's an
action as I say the right thing to

541
00:46:23,239 --> 00:46:28,320
the right person. Sometimes people think
I'm withholding the answer from them in therapy,

542
00:46:28,719 --> 00:46:30,719
like I'm just not telling them the
thing that's going to make anything different.

543
00:46:31,239 --> 00:46:35,519
And so I think what your movie
does, and also what we try

544
00:46:35,559 --> 00:46:39,559
to encourage clients is that there's never
going to be one thing that makes this

545
00:46:39,599 --> 00:46:43,880
bad thing just disappear out of your
life. It's a part of you now.

546
00:46:43,920 --> 00:46:46,719
When you go through a trauma,
it integrates inside of you and you're

547
00:46:46,760 --> 00:46:50,880
never going to be the person you
were before that happened. But that doesn't

548
00:46:50,920 --> 00:46:55,079
mean that your life is over.
Your life is bad and we have to

549
00:46:55,199 --> 00:46:59,960
radically accept that and reconcile that.
And so I did appreciate and watch it

550
00:47:00,360 --> 00:47:04,559
that you guys don't not to spoil
you guys, don't take I think what

551
00:47:04,599 --> 00:47:09,679
would be the simplistic turn with that, and that's sort of indulging in that

552
00:47:09,880 --> 00:47:16,480
revenge fantasy and showing that it can
eat you up because you don't find the

553
00:47:16,480 --> 00:47:19,480
answers and you're like, oh,
well maybe the answer is down there,

554
00:47:19,519 --> 00:47:21,519
and then you're like, well I
couldn't find it there, so maybe it's

555
00:47:21,559 --> 00:47:24,079
down here. And then like the
jet character you're talking about, now,

556
00:47:24,119 --> 00:47:28,920
you're just wandering around and you don't
even know where you are anymore. And

557
00:47:29,000 --> 00:47:31,880
so I think that was all done
very well and I appreciate that as a

558
00:47:31,920 --> 00:47:36,400
therapist. It surprised me pleasantly.
Yeah, thank you. Yeah, I

559
00:47:36,480 --> 00:47:38,239
never thought of it that there was
a different Yeah, because there is,

560
00:47:38,440 --> 00:47:44,239
Look, there are fantasy revenge films
that do scratch an itch, you know.

561
00:47:44,599 --> 00:47:46,719
But this is not quite that.
I don't want to get too much

562
00:47:46,760 --> 00:47:51,480
away and saying it, but yeah, that was. It was very deliberately

563
00:47:51,679 --> 00:47:55,840
not just that. You know.
Yeah, and we're big, we're big

564
00:47:55,880 --> 00:48:00,079
fans of that aesthetic, you know. We love we love the gritties,

565
00:48:00,199 --> 00:48:07,639
seventies revenge exploitation films, we love
the Charles Bronson films, and right right

566
00:48:07,960 --> 00:48:14,239
there is there is a there is
a satisfaction in that kind of cinema because

567
00:48:14,840 --> 00:48:21,079
it isn't real life, and it
is life isn't so clean. And yeah,

568
00:48:21,280 --> 00:48:28,719
I appreciate you saying that because we, uh we One of the terms

569
00:48:28,760 --> 00:48:32,159
that we use with Michael was this
sort of we would say thinking Man's hostile,

570
00:48:32,880 --> 00:48:37,239
but we didn't mean. I want
to make clear too, because I

571
00:48:37,360 --> 00:48:42,519
love Hostile. I think it's one
of the best modern day horror films modern

572
00:48:42,679 --> 00:48:47,440
you know, last twenty years or
so. Yeah, I think it's a

573
00:48:47,519 --> 00:48:52,480
masterpiece. So when I say thinking
Man's I don't mean a smarter movie than

574
00:48:52,800 --> 00:48:58,679
than Hostile, or a more thought
out movie than Hostile. What I what

575
00:48:58,840 --> 00:49:05,280
I mean by that is in Hostile, the horror of that movie is that

576
00:49:05,920 --> 00:49:13,920
these people are torturing people truly for
the thrill of torturing people, because they're

577
00:49:13,920 --> 00:49:19,000
so there's such sociopaths, they're so
bored with life, they're so you know,

578
00:49:19,360 --> 00:49:22,719
um, you know there. I
guess you would just have to be

579
00:49:22,760 --> 00:49:30,320
past malignantly narcissis narcissistic at that point
and just be a full sociopath to do

580
00:49:30,920 --> 00:49:36,599
partake in something like that. And
it's that horror of humanity that you go,

581
00:49:36,800 --> 00:49:38,800
somebody could do that. That That
is for what makes for me,

582
00:49:39,320 --> 00:49:44,519
what makes that movie so like,
it just hits me in the gut because

583
00:49:44,559 --> 00:49:49,800
it's really hard for me to put
my head around doing that to another human

584
00:49:49,840 --> 00:49:54,199
being just for kicks. So the
whole thought of with Retaliators was, well,

585
00:49:54,199 --> 00:50:00,360
what if we built up enough backstory
and took time enough to where we

586
00:50:00,360 --> 00:50:06,760
could take an audience member into uh, could you do that? Could would

587
00:50:06,800 --> 00:50:09,480
you? Now? Personally, No, I don't think that's the answer,

588
00:50:09,599 --> 00:50:15,440
right. But the fun of it
was to go, let's let's really let's

589
00:50:15,480 --> 00:50:16,840
really go there. You know,
Michael, we've been going on and on

590
00:50:16,920 --> 00:50:25,599
where say something. No, I'm
I think you're filling the space quite nicely.

591
00:50:27,119 --> 00:50:30,639
Um, I think that you also
I've been asked like what would you

592
00:50:30,719 --> 00:50:36,840
do? You know, and and
to get back to what Darren said earlier,

593
00:50:36,920 --> 00:50:39,960
I think what's so interesting about this
too is they took a man of

594
00:50:40,039 --> 00:50:44,400
the cloth, you know, they
took a past and put him in this

595
00:50:44,519 --> 00:50:47,599
situation. Who's who's uh so?
So I think you know, it's it's

596
00:50:47,760 --> 00:50:53,760
um. It's hard to answer,
honestly, because you can judge this from

597
00:50:53,800 --> 00:50:59,559
a seat pretty easily. Yeah,
but if you're really confronted with it,

598
00:51:00,400 --> 00:51:06,000
and that really happened, that kind
of loss um and the way in which

599
00:51:06,000 --> 00:51:09,039
it happens, it's uh. I
think it's a tough it's a tough thing

600
00:51:10,360 --> 00:51:15,920
to to digest and and and say
what you would do either way unless it

601
00:51:15,920 --> 00:51:19,360
would really happened. And you know, the thing is you could be like

602
00:51:19,480 --> 00:51:22,320
I think that's what's crazy about the
film is half the people are like,

603
00:51:22,639 --> 00:51:24,039
yeah, get them, get him, get him, and then maybe the

604
00:51:24,119 --> 00:51:29,639
other half sort of the fence right
there with but what he's doing is wrong,

605
00:51:29,719 --> 00:51:32,159
but they understand it. And it
makes you think, you know,

606
00:51:32,199 --> 00:51:37,400
if you really were if you had
this person in front of you, would

607
00:51:37,440 --> 00:51:42,119
you really be able to hurt another
human being in that moment right right,

608
00:51:42,599 --> 00:51:45,920
really hurt a person. That's crazy
to see, like to hurt skin and

609
00:51:46,000 --> 00:51:52,719
you know and see blood and are
you capable? Yeah yeah, And it's

610
00:51:52,760 --> 00:51:59,559
simultaneously could you walk away? Right? It's like that's the and I love

611
00:51:59,559 --> 00:52:05,079
what you said. It's true because
there's we've gotten that reaction where people are

612
00:52:04,679 --> 00:52:07,920
they they say, oh, boy, I was about to get upset because

613
00:52:07,199 --> 00:52:12,880
I was so invested in Bishop and
I thought he was going to cross over

614
00:52:12,920 --> 00:52:15,639
there and so I was so happy
that he didn't do that, and boy,

615
00:52:15,679 --> 00:52:20,599
I was like not And then as
Michael said, have had other people,

616
00:52:20,800 --> 00:52:22,639
Man, you know, I just
wish you would have done just a

617
00:52:22,679 --> 00:52:25,679
little something, just a little you
know, I just because I would,

618
00:52:25,840 --> 00:52:29,800
you know. So it is interesting, you know. And that was again

619
00:52:29,920 --> 00:52:37,440
that's all music for us because uh, and I appreciate your your insights into

620
00:52:37,599 --> 00:52:42,159
that because really what we aimed for. Well, I think if if I'm

621
00:52:42,159 --> 00:52:45,880
listening to Brittany right that that latter
half of the audience, UH might need

622
00:52:45,920 --> 00:52:52,440
to get a little helped. They
might just you know, have something going

623
00:52:52,519 --> 00:52:55,079
on that I would hope that they
would go to a therapist to maybe talk

624
00:52:55,119 --> 00:53:05,280
that through. You. I love
all of our audience discouraging Jeff, Jeff,

625
00:53:05,280 --> 00:53:13,440
where I would where I would clap
back at you, I'm just no.

626
00:53:13,559 --> 00:53:15,400
But to push back on that a
little bit, what Michael was saying

627
00:53:16,440 --> 00:53:22,199
is I think a very good point, which is that it's very easy right

628
00:53:22,400 --> 00:53:27,239
here to say yeah, that's the
wrong thing to do. And I agree.

629
00:53:27,480 --> 00:53:30,679
I think the challenge of the film
and where people get caught up is

630
00:53:31,280 --> 00:53:37,840
when you play out that imaginary circumstance
of you really are going through it,

631
00:53:37,239 --> 00:53:43,800
and here they are presented to you
on a plate, right, It's you

632
00:53:43,880 --> 00:53:49,039
are confronted with an animalistic thought of
well, wait a minute, if I

633
00:53:49,079 --> 00:53:54,039
am in that emotional state, could
I resist that temptation? And that's where

634
00:53:54,039 --> 00:53:59,079
I think because I think, yes, I do think academically, I would

635
00:53:59,119 --> 00:54:01,800
assume most people would would say,
well, yeah, that's the wrong thing

636
00:54:01,840 --> 00:54:07,480
to do. And but you know, I think there's something to be said

637
00:54:07,519 --> 00:54:10,199
about when you're in that emotional there's
also you know, as a parent,

638
00:54:10,280 --> 00:54:20,000
there's a there's a there's a protectiveness
that may be unreasonable sometimes but it is

639
00:54:20,039 --> 00:54:24,519
just sort of there and how do
you deal with it? You know?

640
00:54:24,719 --> 00:54:29,840
So anyway, just earlier, you
said something really call your therapist. First,

641
00:54:31,440 --> 00:54:35,039
No, no, but I think
actually what actually, no, I

642
00:54:35,760 --> 00:54:38,719
met that really is just a joke
only because well, look, it's a

643
00:54:38,760 --> 00:54:42,719
film. When you're rooting for a
character to do something in a film,

644
00:54:42,719 --> 00:54:45,079
it's not the same as rooting for
a person in real life to do something

645
00:54:45,079 --> 00:54:49,400
to another human being as well,
So something to be said for that.

646
00:54:49,719 --> 00:54:53,079
And Brittany earlier, you said something
very heavy and you were like, look

647
00:54:53,199 --> 00:54:57,840
you uh and the DECI isn't to
quote you, but I think it was

648
00:54:58,920 --> 00:55:04,559
leaning into this idea of when something
like this could happen, or something dramatic

649
00:55:05,239 --> 00:55:08,920
and traumatic happens, you know you're
never going to be the same again,

650
00:55:09,280 --> 00:55:15,400
right. What's crazy is when you
said that, like it was like,

651
00:55:15,639 --> 00:55:20,199
wow, you know you're never going
to be the same again, right,

652
00:55:20,280 --> 00:55:25,679
Like everything changed. So then part
of me just justified why I would want

653
00:55:25,679 --> 00:55:29,960
to do revenge because I wouldn't.
I'm never gonna you know what I'm saying

654
00:55:30,000 --> 00:55:34,559
like you, because I'm thinking through
the character something now and you know someone

655
00:55:34,679 --> 00:55:39,079
did something like that to my child. You're never going to be the same

656
00:55:39,119 --> 00:55:42,800
again anyway, so you might as
well get the guy, you know what

657
00:55:42,840 --> 00:55:46,400
I mean? Your life's changed forever
I'm saying things you could think, I'm

658
00:55:46,440 --> 00:55:50,679
not condoned. I'm not saying one
way or the other. But I remember

659
00:55:50,800 --> 00:55:54,119
like having to deal with all these
questions when I was getting you know,

660
00:55:54,519 --> 00:55:59,760
prepared with the script. So yeah, and I think sort of that like

661
00:56:00,800 --> 00:56:05,639
part of being going through trauma is
also there's like a hopeless component to it.

662
00:56:05,719 --> 00:56:08,599
So in thinking of a through like
a therapist, that thought process combined

663
00:56:08,599 --> 00:56:13,679
with that could definitely lead to self
destructive behavior is probably not to the extent

664
00:56:13,719 --> 00:56:16,800
of this movie, but versions of
it. And so where we try to

665
00:56:16,840 --> 00:56:21,599
go in therapy is that you're never
going to be the same again, and

666
00:56:21,679 --> 00:56:24,280
that's not necessarily a bad thing,
Like you're not going to be a worse

667
00:56:24,440 --> 00:56:28,079
version of yourself on the other side, so you don't have to like dive

668
00:56:28,159 --> 00:56:32,840
bomb your life and very like fuck
it mentality, Like it's more like how

669
00:56:32,880 --> 00:56:38,599
do we integrate who you were and
who you are now without having to sacrifice

670
00:56:38,719 --> 00:56:44,320
some version of yourself or shut down
your emotional self. I think also with

671
00:56:44,360 --> 00:56:47,480
the idea of like closure, is
that, like I said, if I

672
00:56:47,519 --> 00:56:52,159
can just do this thing, then
hear the pain will go away. And

673
00:56:52,199 --> 00:56:54,360
so it's more like how do we
integrate the pain and kind of what you're

674
00:56:54,360 --> 00:56:58,679
talking about with your sister Jody,
Like, sometimes part of that growth is

675
00:56:59,079 --> 00:57:04,119
how do I you this pain and
my experience to create meaning from that,

676
00:57:04,280 --> 00:57:07,880
either by helping others sharing my story, you know, getting into like more

677
00:57:07,920 --> 00:57:12,639
post traumatic growth, which is a
new concept, a newer concept in mental

678
00:57:12,679 --> 00:57:15,880
health that people are talking about more
and more, and that part of that

679
00:57:15,960 --> 00:57:20,599
can be like finding meaning from what's
happened and then using that in a positive

680
00:57:20,599 --> 00:57:24,239
way that aligns with the values we
hold now and the values we held before.

681
00:57:24,519 --> 00:57:27,960
And so with like your character of
Bishop, you know, I think

682
00:57:28,000 --> 00:57:32,079
part of how he goes through the
movie is by the end melding those things

683
00:57:32,079 --> 00:57:37,079
together. How do I still live
by my values and not sacrificing my core

684
00:57:37,159 --> 00:57:43,880
self while also integrating that I am
a slightly different person now because something right

685
00:57:44,119 --> 00:57:49,000
wiles happened to me series of wild
things in the course of this movie.

686
00:57:49,559 --> 00:57:52,239
Yeah, and Bishop by the end
is he is not the same. He

687
00:57:52,320 --> 00:57:55,599
has changed forever. But you know, well, I guess I don't want

688
00:57:55,599 --> 00:57:58,880
to give too much the movie,
but yeah, I'll just leave it there.

689
00:57:59,039 --> 00:58:02,760
He's not the same. Well,
I know, you guys have been

690
00:58:02,840 --> 00:58:08,119
very generous with your time. Is
there anything else you want the listeners to

691
00:58:08,199 --> 00:58:13,400
take away from this conversation or seeing
the movie? And also where can the

692
00:58:13,480 --> 00:58:19,199
retaliators be found? Where can people
experience everywhere? You can rent or buy

693
00:58:19,360 --> 00:58:23,239
movies. It is available video on
demand, so that's Apple, you know,

694
00:58:23,280 --> 00:58:29,800
iTunes, Amazon, Voodoo, Google
Play, red Box, a whole

695
00:58:29,800 --> 00:58:37,119
bunch and right now in America and
Canada, and we will be going into

696
00:58:37,719 --> 00:58:42,400
more places soon, right. Yeah, I want to say that I realized,

697
00:58:42,639 --> 00:58:45,760
you know, and I've realized this
a long time ago, which I

698
00:58:45,800 --> 00:58:51,239
guess just haven't thought about it.
How how important you know therapists are.

699
00:58:51,320 --> 00:58:58,760
And I think and I say this
in life, but what I meant also

700
00:58:59,000 --> 00:59:01,719
was just because I was thinking about
how helpful you would be and would have

701
00:59:01,800 --> 00:59:07,199
been to talk to about this role. Actually, thank you. So obviously

702
00:59:07,280 --> 00:59:12,599
that applies to humans and behavior,
right, trying to do as actors and

703
00:59:12,679 --> 00:59:20,320
storytellers. So um, it's interesting
because you opened up my thought process actually,

704
00:59:20,360 --> 00:59:23,320
and part of what you said made
made me want to take revenge.

705
00:59:23,320 --> 00:59:28,760
You put me on that side to
be on would But I know we haven't

706
00:59:28,800 --> 00:59:32,880
had a real session here. Yeah, some of the little tidbits and maybe

707
00:59:32,920 --> 00:59:37,679
it's the mood I'm in or whatever, and that's another thing right like wherever,

708
00:59:37,119 --> 00:59:40,800
And it was like so it was
interesting to talk and sort of peel

709
00:59:40,840 --> 00:59:44,480
the onion back with you a little
bit and get to the you know,

710
00:59:44,800 --> 00:59:49,199
feel the rawness of some of this
topic. So depending on how much you

711
00:59:49,199 --> 00:59:54,159
are for a session next role,
I'll send you an invoice. Yeah we

712
00:59:54,800 --> 01:00:00,360
might. We might have to consult
with you from now on before we yeah.

713
01:00:00,440 --> 01:00:05,760
Script, but you know, just
one thing I wanted to mention before

714
01:00:05,760 --> 01:00:08,000
we go. This just came to
me right now, is that, you

715
01:00:08,039 --> 01:00:14,960
know, I think what makes John
Bishop's story sort of unique too, is

716
01:00:15,000 --> 01:00:20,519
that he is somebody that in his
corner of the world has all the answers

717
01:00:21,480 --> 01:00:24,960
in a way, you know,
And I think for some people that have

718
01:00:25,079 --> 01:00:30,840
that profile, they have that personality
type where they're usually the educator, the

719
01:00:30,960 --> 01:00:34,800
person that consoles people. You know, we see him in the movie,

720
01:00:34,960 --> 01:00:37,320
you know, talking to people,
you know, kind of consoling them a

721
01:00:37,360 --> 01:00:40,000
little bit. It's where do they
turn? You know, it can feel

722
01:00:40,039 --> 01:00:44,480
a little like, wait, I'm
supposed to have the answers here, and

723
01:00:45,000 --> 01:00:49,079
you know, really therapy really benefits
everybody. You know, we don't all

724
01:00:49,159 --> 01:00:52,880
have the answers. So and even
therapists go to therapy, you know example,

725
01:00:54,760 --> 01:01:05,880
but retalitied or too mom therapist,
it happens. Oh no, where

726
01:01:06,000 --> 01:01:10,679
we could go? Right? Interesting? We'll have more say, probably in

727
01:01:10,760 --> 01:01:15,920
that opinion. Why. But thank
you all so much. It's been so

728
01:01:15,000 --> 01:01:19,880
fun to chat. And yeah,
everyone keep your eyes out for retaliated.

729
01:01:19,960 --> 01:01:23,320
It sounds like it's widely available,
so if this chat has sparked your interests,

730
01:01:23,320 --> 01:01:27,679
I would encourage everyone to check it
out. Thank you all for joining

731
01:01:27,719 --> 01:01:30,880
me. Thank you, Darren,
Jeffrey and Michael. Thank you so much,

732
01:01:30,239 --> 01:01:31,360
so much, thank you,
