1
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And it feels like things are falling. It's please man up. Feel like

2
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gets the end of the Red Queen's
Races, and I feel like the stars

3
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are gonna change because I feel like
this was called just real ray. As

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we move from hugs and handshakes,
we must remember how our souls. As

5
00:01:34,879 --> 00:01:44,599
we move from confidant to confidet,
we must remember how our souls pay re

6
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But A feel like things are falling
its leaves. Man, I feel like

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gets the end of the Red Queen's
Rage, and I feel like the storms

8
00:02:04,560 --> 00:02:15,759
are gonna change because I feel like
this was all just rearing and people take

9
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too much pride in the way they
pick their side, split up into them

10
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and us a sign seating on the
bs on the bus. But I feel

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like fins are falling its place,
and I feel like it's the end of

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the Red Queen's Raiders, and I
feel like the stars, like the stars

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00:02:59,039 --> 00:03:30,800
are gonna check because I feel like
this was un just fearing. As our

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lives get more separating, well we
wish they weren't so. As things get

15
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more complicated, well we wish we
could just know, just know. But

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I fee like things are falling it's
place and I feel like it's the end

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00:04:06,000 --> 00:04:15,759
of the Red Queen's Rage. Had
a feel like the stars are gonna change

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because I feel like this was all
just preer range, and a feel like

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things aren't falling its place, and
I like it's the end of the Red

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Queen's Rage. Had a feel like
the stars, like the stars are gonna

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change because I feel like this was
all just freer range, I said,

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I feel like this was untle,
just freer range. Hmmm. I love

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that that is falling into place.
The band is Jam Tomorrow. Well,

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actually, these guys have been with
us on the show before, Mike,

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Mark and Gary, and Gary's struggling
with that. Mike a little bit.

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There we go, just done.
The trick is not to actually the trick

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is not to breathe on it.
Actually, the best thing is to not

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even look directly at at it.
Yeah, don't even look at it.

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Yeah, pretend it's not there anyway. But uh yeah, So we have

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00:05:50,759 --> 00:05:55,560
Jam Tomorrow here with us live in
studio, So that was falling into place.

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One of the two uh studio tracks
that we're going to play today.

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We have another one that will play
at the end of the hour. And

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I love both of these guys.
Great, great job, thank you very

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much. Yeah, absolutely, really
really good, really good. Where did

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you record these? Those are records
at Boardhouse Productions and Brookline. He does

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like Roots of Creation. He's bad
Fish's sound guys. Oh, he's recorded

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our Fox and Flamingo stuff too.
He's a he's a great dude. Yeah.

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Yeah. It's an awesome setup too, because the whole front of his

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studio as he's what he's looking at
his desk is all G five, it's

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00:06:27,480 --> 00:06:30,920
all digital, giant screen. And
then behind him he's got a rack of

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like twenty or twenty four old school
analog rigs. Yeah. He just knows

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how to blend, you know,
the solid state with the cutting edge,

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to to bring out all the nuances
that really just make everything sound so good.

44
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Yeah, yeah, no, it
sounds amazing. Are you is there

45
00:06:47,079 --> 00:06:50,399
a long term plan to do?
Are you gonna just keep releasing singles?

46
00:06:50,439 --> 00:06:54,639
Are you gonna do an EP or
an album or what's or do you know

47
00:06:54,720 --> 00:06:58,240
yet? No? I think we
we finally got in the studio last year,

48
00:06:58,240 --> 00:07:00,720
but we haven't been in the studio
since like October I think of last

49
00:07:00,800 --> 00:07:04,480
year. Yeah, so we really
haven't. It's been a while we need

50
00:07:04,519 --> 00:07:10,600
to get back on that. We
have twenty originals to record, no kidding,

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So I don't know if we want
to try to put out a EP

52
00:07:13,279 --> 00:07:15,800
or an LP or a double album
or I guess that kind of depends on

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00:07:15,839 --> 00:07:19,079
how things get paced in the next
six months or so. Yeah, yeah,

54
00:07:19,120 --> 00:07:23,279
you've got Wow, how long has
this project been around? It hasn't

55
00:07:23,319 --> 00:07:27,600
been that long, right, jam
tomorrow. So Mark and I started pretty

56
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much when COVID got nasty. So
what was that was that? Four years

57
00:07:30,839 --> 00:07:34,519
ago? Twenty nineteen, five years
ago? Twenty yeah? Four years Yeah,

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So we started just sitting six feet
apart from each other, yeah,

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and just doing covers just to kind
of not go crazy with all the madness

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that was happening in the world.
Yeah, and then we somehow when people

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started booking gigs again, we booked
a gig here and there and started writing

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some originals. That song that you
just played actually falling into place as our

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first original. It's kind of a
COVID song, but I feel like it

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it's a that's the first one you
guys wrote together. Yeah, Oh wow,

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00:08:01,639 --> 00:08:03,000
No, kiddy, they started with
the chorus instead of the verse.

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I didn't even know what I was
doing, I noticed that listening to it.

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It's one of those songs where,
yeah, where the chorus kind of

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00:08:11,160 --> 00:08:13,720
sounds like it might be the verse, and the verse kind of sounds like

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the chorus. It reminded me of
ooh child, all right. That song

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is to me, that's like the
classic example of that, where you know

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it's kind of inverted and it fools
you a little bit when you're listening to

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it, which I love. I
love that, and I was afraid it

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was going to kind of fall out
once all the COVID madness sort of receded

74
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into the background, But I feel
like it it's sort of just about hard

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times and changing time, so it's
sort of apropos well now as much as

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it was then. Well, well, the good news in terms of the

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song and it's relevance is the madness
has never received it. Only only the

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COVID part as we're as we're a
post pandemic, but the madness itself,

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Uh, I think that's us.
Well, I think COVID's with us forever

80
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too, but but so is the
madness. Yeah, I agree, it's

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a permanent passenger in our American life. Yeah, I believe, so believe

82
00:09:00,440 --> 00:09:03,480
so, guys, I'm dying to
hear you play something live. I really

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00:09:03,559 --> 00:09:07,159
enjoyed this the last time you were
on with us, and uh, of

84
00:09:07,159 --> 00:09:09,600
course this is the first time.
Well again, Gary, you were here

85
00:09:09,679 --> 00:09:11,879
last night, but but as jam
tomorrow, this will be the first time

86
00:09:11,919 --> 00:09:13,919
in the new in the new studio
here. By the way, do you

87
00:09:13,960 --> 00:09:16,320
like the new you like the new
digs? I do. It's very cool.

88
00:09:16,480 --> 00:09:20,200
Yeah. Yeah, everything's nice and
new and clean and love it.

89
00:09:20,480 --> 00:09:24,120
I love it. This sound sounds
good in here too. Yeah. Yeah,

90
00:09:24,120 --> 00:09:26,799
it's not bad. It's not bad. Better parking better, much better

91
00:09:26,840 --> 00:09:30,039
parking. Yeah. If you guys
want to play something for us, what

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do you what do you want to
what do you want to play? To

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start, we got a song called
playing the Blues, Living the Blues.

94
00:09:35,480 --> 00:09:39,360
Okay, we wrote this pretty recently. I'm not sure where it came from.

95
00:09:39,440 --> 00:09:43,399
It's just thinking about this guy,
probably a draft dodger Vietnam era,

96
00:09:43,799 --> 00:09:46,799
and the story just sort of came
together. But he did something and then

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he decided to run and uh never
stopped. So this one's called Living the

98
00:09:52,039 --> 00:10:22,120
Blues. Are a wonderful jam tomorrow
live in studio. When I started back

99
00:10:22,159 --> 00:10:33,159
in nineteen sixty eight outside of Sioux
Fall with a Queen Lake left Missoula blue

100
00:10:33,279 --> 00:10:43,480
lights were right behind, doing ninety
five with freedom on MI. My South

101
00:10:43,559 --> 00:10:54,919
Dakota seemed far enough away, drove
a thousand minds to the break of day.

102
00:10:56,039 --> 00:11:03,039
Barty gets off stolen money in my
shoes, Playing on the run and

103
00:11:03,159 --> 00:11:13,440
living in the blue, Live in
the blue, laying on the run,

104
00:11:16,960 --> 00:11:24,200
eyes wide opened, I have some
fun eyes in front of me on the

105
00:11:24,240 --> 00:11:33,480
path. It you living on the
runty the blue. They hang in the

106
00:11:33,519 --> 00:11:54,039
blue. Got a nine to five
downtown Mexico, just standing alive, antiquing

107
00:11:54,159 --> 00:12:07,919
its bloody knuckles from turning a wrench
better than bloody body in a sidegone trench,

108
00:12:09,120 --> 00:12:18,919
sliding light still let the rainbow bottle, drinking whiskey underneath the stock,

109
00:12:20,840 --> 00:12:30,720
under the raid, just paying my
jue, Playing on the run and living

110
00:12:31,120 --> 00:12:43,159
the blue, living the blue,
playing on the run. Eyes wide open,

111
00:12:43,799 --> 00:12:52,039
I have some fun eyes in front
of me on the path that you

112
00:12:54,080 --> 00:13:24,919
living on the run and play in
the blue. Playing time is a game

113
00:13:24,600 --> 00:13:33,840
I don't play so well. Don't
let it show these things I can't tell.

114
00:13:35,399 --> 00:13:43,759
Got nothing but time to lay his
game. I just smiled, sing

115
00:13:43,759 --> 00:13:52,120
along on the scene, ain't fat
the quit in the quit pro woke or

116
00:13:52,120 --> 00:13:58,759
if he just looks back because he
just don't know. Oh man, I

117
00:13:58,799 --> 00:14:07,759
don't wan't see my name in the
news. Playing on the run and Live

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00:14:07,879 --> 00:14:20,120
in the Blue, Live in the
blue, playing on the run, eyes

119
00:14:20,279 --> 00:14:28,039
wide open to have some fun,
but eyes in front of me on the

120
00:14:28,159 --> 00:14:35,080
path like you, live in on
the run and playing the blue, playing

121
00:14:35,639 --> 00:15:01,000
the blue, praying the blue,
play in the blue. H well done,

122
00:15:01,080 --> 00:15:07,679
guys. Wow, that was gorgeously. That was gorgeous. Was talking

123
00:15:07,679 --> 00:15:11,200
about early? No, that was
that was excellent. If you're just joining

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00:15:11,279 --> 00:15:15,679
us, we have jam tomorrow here
with us live in studio. Are you

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00:15:15,720 --> 00:15:18,159
guys playing out a lot? Are
you doing a lot of shows? Yeah,

126
00:15:18,200 --> 00:15:22,600
we're just this is gig well for
as this arrangement. This is gig

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00:15:22,759 --> 00:15:28,639
six out of seven in five or
six weeks. So we're doing We're gonna

128
00:15:28,639 --> 00:15:33,720
be joining Gary at City Limits on
Thursday night, jumping up for a couple

129
00:15:33,759 --> 00:15:35,679
of songs, and then I think
we actually don't have anything in the books

130
00:15:35,679 --> 00:15:37,639
for a while. We're we're looking
to book some stuff. Talking to a

131
00:15:37,639 --> 00:15:41,960
couple of venues we played out before, but yeah, we came out of

132
00:15:41,080 --> 00:15:45,679
just doing We played at Wing It's
on the fourth of July. We played

133
00:15:45,879 --> 00:15:50,279
at the Paki and hooks it.
We played a four hour gig there the

134
00:15:50,279 --> 00:15:52,360
week before that. We had a
the week before that show before that.

135
00:15:54,799 --> 00:15:56,120
So it's been good. It's been
been a lot of fun, and people

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00:15:56,159 --> 00:16:00,799
seem to be really receptive to the
new stuff because we've got songs that are

137
00:16:00,039 --> 00:16:04,720
just a couple of months old.
Yeah, yeah, outstanding outstanding. Now

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00:16:04,720 --> 00:16:08,399
are you so, Gary? Of
course? Uh? You obviously you play

139
00:16:08,480 --> 00:16:11,399
solo sometimes, you were on rob
Show last night. You also you have

140
00:16:11,440 --> 00:16:15,200
Fox and the Flamingos. Yep.
Always amazing. I always I always say

141
00:16:15,240 --> 00:16:18,840
that song straight is it Don't Be
a Stranger, Don't Be a Stranger?

142
00:16:18,879 --> 00:16:22,080
Yeah's you got a hit song there, dude. That's finally on Spotify so

143
00:16:22,120 --> 00:16:26,159
you can hear outstanding outstanding and now
usually it's the drummers that are in a

144
00:16:26,159 --> 00:16:30,440
million different bands. You're you're pretty
busy, Yeah, the basis too.

145
00:16:30,919 --> 00:16:33,399
Yeah, yeah, exactly exactly.
Do you have any other projects or yeah?

146
00:16:33,440 --> 00:16:37,360
I mean I've been working with Cosmic
Blossom Collective, which is a cool

147
00:16:37,360 --> 00:16:41,519
group. There. They went through
some changes and I brought a drummer from

148
00:16:41,600 --> 00:16:45,919
a fusion band I kind of dabble
with and we kind of joined them for

149
00:16:45,960 --> 00:16:48,240
a Strange Creek and we're playing with
them at trout Stock and the town and

150
00:16:48,279 --> 00:16:52,919
stuff. So I went down recorded
with them a few weeks go down at

151
00:16:52,919 --> 00:16:56,519
the Cape, so put down some
basslines for four songs. So they have

152
00:16:56,559 --> 00:16:59,759
some they have some stuff coming out
too. Excellent, excellent. How about

153
00:16:59,759 --> 00:17:02,600
you? What else have you got
going? Nothing? Really? I work

154
00:17:02,720 --> 00:17:06,880
almost sixty hours a week. Yeah, so you got yeah, you got

155
00:17:06,880 --> 00:17:10,240
your hands full? Yeah? Well
and you play at church all the time?

156
00:17:10,240 --> 00:17:12,720
To you do? Yeah most Sundays? Yeah, Oh okay. Loud.

157
00:17:12,759 --> 00:17:15,720
I'm proud. I actually played more
loud rock and stuff there than I

158
00:17:15,759 --> 00:17:21,519
do. Yeah, what about you, Mike, No, this is it

159
00:17:21,640 --> 00:17:26,039
I am. I'm trying to not
over commit myself. Yeah, that's sort

160
00:17:26,039 --> 00:17:29,000
of one of my faults. Yeah, and to over commit. So I'm

161
00:17:29,000 --> 00:17:30,839
actually stepping back from other stuff.
But I just stepped off of I was

162
00:17:30,880 --> 00:17:34,200
on the board with a Coalition against
Domestic and Sexual Violence. I just finished

163
00:17:34,200 --> 00:17:38,279
my term there and did not renew
my term there. I'm writing very little

164
00:17:38,319 --> 00:17:41,160
for a new Ympshire magazine now,
just a couple of articles a year at

165
00:17:41,160 --> 00:17:45,720
this point, so I'm actually trying
to just be a little more low key

166
00:17:45,759 --> 00:17:49,839
and not always have something to do
every day yet wow, oh yeah for

167
00:17:49,920 --> 00:17:53,519
right now, this is this is
plenty. Say you were being low key?

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00:17:53,759 --> 00:17:57,160
Yes? Oh okay, well that's
sorry? Is that is that a

169
00:17:57,160 --> 00:18:04,519
fourth subject? But I'm I would
think being low key would be very time

170
00:18:04,559 --> 00:18:08,160
consuming. A lot that comes with
that, trying to be a different place.

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00:18:10,759 --> 00:18:12,319
Well, you guys, actually we
should say hello to everybody on the

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00:18:12,319 --> 00:18:15,799
Facebook, lat chat and then I'd
love to hear another one. Uh,

173
00:18:15,880 --> 00:18:19,559
let's see, we have Aid.
I'm sorry, Aid, how do you

174
00:18:19,720 --> 00:18:22,559
say that? I don't know how
to say that last name, so I'm

175
00:18:22,559 --> 00:18:27,039
not going to butcher it. Aid. Congratulations on this? Uh oh,

176
00:18:27,119 --> 00:18:30,400
this is spam. We've got a
spammer in the chat room trying to sell

177
00:18:30,440 --> 00:18:36,799
it something. Yeah yeah, never
never mind, you Aid with your spam

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00:18:37,000 --> 00:18:40,720
now trying to Actually I'll go ahead
and read it. Congratulations on this.

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00:18:40,880 --> 00:18:44,799
Do you know that podcast is not
just recording but it's about building a strong

180
00:18:44,839 --> 00:18:48,960
fan base. And then there's a
a helpful link which I'm not going to

181
00:18:48,279 --> 00:18:53,079
uh click, but thank you,
Aid. Take some notes. Matt clearly

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00:18:53,200 --> 00:18:57,240
this is your first rodeo. Yes, yeah, I know. It's been

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00:18:57,279 --> 00:19:00,400
a while since I've seen a spammer
in there like we have, you know,

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00:19:00,480 --> 00:19:06,920
the the AI people from Greensboro,
North Carolina, but an actual spammer.

185
00:19:06,920 --> 00:19:10,119
I haven't seen it there lately.
Andre Dumont, of course from Dead

186
00:19:10,160 --> 00:19:15,720
Harris Andre is amazing, says,
good morning you awesome and amazing people.

187
00:19:15,720 --> 00:19:21,039
Thank you. Andre B. Pinard, big supporter of the show, says

188
00:19:21,160 --> 00:19:26,559
love this song. Yeah, me
too. Absolutely. Eric uh In Palamini,

189
00:19:26,720 --> 00:19:30,599
Did I say it correctly? From
Temple Mountain says says I could listen

190
00:19:30,640 --> 00:19:33,200
to them all day. Yes,
thanks Eric. Melanie Liberty of course from

191
00:19:33,240 --> 00:19:37,559
the great state of Vermont says nice, nice beard, mister yellow shirt.

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00:19:38,400 --> 00:19:42,119
Yeah yeah, she likes your beard. Melanie of course quite the aficionado of

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00:19:42,200 --> 00:19:48,880
beards, so totally judging. Yeah
yeah, not too many good ginger beards

194
00:19:48,880 --> 00:19:53,359
out there. Yeah, that's a
good ginger beard. Yes, with a

195
00:19:53,400 --> 00:20:00,559
good ginger right right, I would
not put you in the darkened Stormy Jay

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00:20:00,559 --> 00:20:03,799
Fed of course also in the Facebook
live chat and says, good morning everyone.

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00:20:03,839 --> 00:20:06,759
Let's see I just want to make
sure we don't miss anybody in here.

198
00:20:06,799 --> 00:20:08,559
Oh, and Bruce from Legion of
Solace. Bruce, I was wearing

199
00:20:08,559 --> 00:20:12,000
your shirt the other day, your
Legion of Solid shirt, says good,

200
00:20:12,039 --> 00:20:15,440
good morning friends. Hope Paul as
well. Is that what I'm wearing?

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00:20:15,319 --> 00:20:18,920
Oh, yeah, you've got the
shirt? Yes, there you go.

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00:20:18,599 --> 00:20:23,880
Jenny's uh, Jenny's got it.
No, Bruce was fine. Yeah.

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00:20:23,920 --> 00:20:26,079
When Bruce was on the show,
he was kind enough to bring us shirt.

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00:20:26,119 --> 00:20:30,759
Said, they don't sometimes people include
me. That's right, that's right,

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they do. Legion of Solace is
great. They do a lot for

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the music scene. When I when
I first heard the name Legion of Solace,

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I assumed it was a band,
but uh no, it's actually a

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really good, uh promotional organization.
And Joey Painter, who was on the

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show, uh not too long ago, says, what up? You know

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it's you and then multiple piece.
Yeah that was great too. Loved having

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Joey Painter on with us. Bruce
says, greatly appreciate the support. Well,

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we appreciate you, Bruce. All
right, i'mdying to hear another song.

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What do you what are you guys
gonna play next? We got another,

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a newish one. We actually we
wrote this. Yeah, normally Normally

215
00:21:07,079 --> 00:21:10,359
we don't write songs together. Normally, i'll take music that one of these

216
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guys has come up with, or
if we're rehearsing, I'll just put my

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00:21:11,839 --> 00:21:15,160
phone on record when I go,
you know, grab a beer or something,

218
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and some magical happen and then I
kind of take that away to my

219
00:21:17,680 --> 00:21:19,400
lair and I put lyrics to it. Because I'm my creative process, I'm

220
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usually pretty selfish with it. But
this was actually one that Mark and I

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were sitting out on the porch in
the rain and we wrote this together,

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smoking cigars and probably drinking some whisky. So this is actually called things in

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the Rain. All right, very
good sings in the rain, and the

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band is jam tomorrow. They are
here with us live in studio. These

225
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sings in the ring when he's all
alone, never use should be so hard

226
00:22:11,039 --> 00:22:27,799
Stone just singing to the bird out
on the streets rolling by with their silent

227
00:22:29,200 --> 00:22:40,480
feet. He sings in the rings
like everybody he's got pain bot. He

228
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sings nonetheless, that's the way to
be free from stress. He sings in

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the rings like everybody he's got pain
bots. He sings none the less,

230
00:23:00,960 --> 00:23:14,720
best way to be free from scratch
yap, m hm. She sings in

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the rain from behind her window.
Pain hasn't left this please since the world

232
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sped up its pace just singing to
reflection. Nurse gives her tly injection life

233
00:23:38,880 --> 00:23:52,839
ros by no connection. She sings
in the rain. Nobody else so why

234
00:23:52,319 --> 00:24:03,960
complained? But she sings anyway?
Best wait to pass the day? She

235
00:24:03,160 --> 00:24:11,240
sings in the rain. Nobody there, so bid and complain, but she

236
00:24:11,400 --> 00:24:33,079
sings anyway. Best way to pass
the day? You do, dude.

237
00:24:37,079 --> 00:24:49,440
She sneaks out up her bed room, set temporary escape from this hell.

238
00:24:52,839 --> 00:25:04,480
He means her around side, remembering
how they were used to be so wide.

239
00:25:25,839 --> 00:25:32,319
They sing in the ring, She
and he that's why they remained,

240
00:25:33,079 --> 00:25:42,880
didn't used to fine this kind of
piece of my just singing to the dog.

241
00:25:45,079 --> 00:25:53,720
Silly souls lost themselves in the park, they in their roles, happy

242
00:25:53,880 --> 00:26:03,079
dress, in the code they stole
us. They sing in the much to

243
00:26:03,440 --> 00:26:11,000
the worlds just stain, but they
sing all the same. Only way to

244
00:26:11,079 --> 00:26:21,519
please this game. They sing in
the rain, much to the worlds distink,

245
00:26:22,960 --> 00:26:29,839
but they sing all the same.
Only way to play this game,

246
00:26:30,079 --> 00:26:56,240
To play this game, to play
this game, play this game. Well

247
00:26:56,279 --> 00:27:02,079
done, gentlemen, well done,
Thank you. Jamsmorrow live in studio with

248
00:27:02,160 --> 00:27:04,759
us today of course we have Mike, Mark and Gary from the band a

249
00:27:04,839 --> 00:27:08,759
jam Tomorrow and another great song And
if you're just joining us, by the

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00:27:08,759 --> 00:27:11,839
way, at the top of the
show, one of the tracks we played

251
00:27:11,960 --> 00:27:15,680
was the new single from These Guys, Falling into Place. So if you

252
00:27:15,759 --> 00:27:18,680
miss it, of course you know
it'll be up in the archive when the

253
00:27:18,680 --> 00:27:22,400
podcast is posted later. I recommend
definitely checking it out. And we're going

254
00:27:22,440 --> 00:27:25,720
to be playing a second studio track
from These Guys at the top of the

255
00:27:25,759 --> 00:27:27,599
hour at the end of the segment, which I'm really looking forward to sharing

256
00:27:27,599 --> 00:27:32,960
with everyone as well. So so
really really good. And now you were

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00:27:32,960 --> 00:27:36,880
saying earlier you've got like twenty originals
in this band? Is that yeah,

258
00:27:37,160 --> 00:27:38,720
at least we have some that we've
actually forgot we have and like, oh,

259
00:27:38,799 --> 00:27:41,799
we haven't played this one in a
couple of years, no kidding,

260
00:27:41,960 --> 00:27:45,160
just this off and play it again. Yeah, yeah, no, that's

261
00:27:45,440 --> 00:27:48,720
that's great. That's great. Do
you do any covers when you play live

262
00:27:48,799 --> 00:27:52,599
or is it strictly originals or yeah, we probably got one hundred and twenty

263
00:27:52,640 --> 00:27:55,799
five undred and fifty covers in our
cab loog. Oh my god. Really,

264
00:27:56,720 --> 00:27:59,359
we switch it up as often as
we can do. We do a

265
00:27:59,359 --> 00:28:03,720
lot of original, so we usually
do thirty thirty five percent of our total

266
00:28:03,759 --> 00:28:07,480
set list will be original peppered in. Yeah, usually play fifteen or twenty

267
00:28:07,559 --> 00:28:10,839
of them. Yeah. Yeah.
And we like the fact that the venues

268
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that we play at don't tell us
not to play, right, Yeah,

269
00:28:14,319 --> 00:28:17,240
we kind of avoid those gigs.
Well, I feel like, you know,

270
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with the way that you guys play, you know, it probably opens

271
00:28:19,400 --> 00:28:22,839
up a lot of opportunities as far
as it seems like there's a lot of

272
00:28:22,839 --> 00:28:26,599
different types of venues where you can
play with a project like this, especially

273
00:28:26,599 --> 00:28:30,160
like non drum friendly venues, right
right, Yeah, yeah, exactly.

274
00:28:30,319 --> 00:28:32,839
Oh. We did have a cohone
player, Michael Freeman, sat in with

275
00:28:32,920 --> 00:28:37,440
us last weekend at the Packi's seventh
anniversary, definitely, and that was awesome.

276
00:28:37,519 --> 00:28:41,160
I just sent him a set list
and some rough recordings of roughs of

277
00:28:41,160 --> 00:28:44,920
all of our originals, you know, just done on an iPhone, just

278
00:28:44,960 --> 00:28:47,119
so we have something that we can
kind of reference in case we forget how

279
00:28:47,119 --> 00:28:49,039
we did it a year later,
right, and he killed it. He

280
00:28:49,880 --> 00:28:53,359
familiarized himself and laid back until you
know, into the first verse and the

281
00:28:53,400 --> 00:28:56,640
chorus kicked in. The kind of
found out where you could fit in on

282
00:28:56,680 --> 00:29:00,480
the track, and I think we
got a lot more engagement by virtue of

283
00:29:00,519 --> 00:29:02,839
that. So we'll probably have him
back on some other sets in the future.

284
00:29:03,119 --> 00:29:04,880
Well that's cool too, to have
something where you can have someone sit

285
00:29:04,960 --> 00:29:08,400
in or not sit in, and
you know you have some flexibility there.

286
00:29:08,640 --> 00:29:11,559
Actually, now that I think of
it, I've forgot about this, but

287
00:29:11,599 --> 00:29:14,200
we kind of did that with Chemical
Distance totally. Yeah, because we had

288
00:29:14,200 --> 00:29:17,400
a drummer toward the end. Yeah, Mark Brennan, Yeah, Yeah,

289
00:29:17,559 --> 00:29:19,839
he in touch with him. I
see him on social media every once in

290
00:29:19,880 --> 00:29:22,240
a while. I think he still
works at Stonyfield with these a Kinsel but

291
00:29:22,279 --> 00:29:25,759
I'm not sure. Yeah, I
know he's in I see him posting that

292
00:29:25,759 --> 00:29:27,480
he's doing other musical stuff. But
okay, I not had a chance to

293
00:29:27,519 --> 00:29:32,599
catch him yet. Yeah, great
guy and super talented. I mean those

294
00:29:32,759 --> 00:29:34,119
few shows that he did play with
us, I thought, oh yeah,

295
00:29:34,160 --> 00:29:37,920
and then well two of the cuts
on the album are so For those of

296
00:29:37,000 --> 00:29:40,240
you that don't know, Matt and
I were in a band about fifteen years

297
00:29:40,279 --> 00:29:44,799
ago. Called Chemical Distance with the
amazing Auto Kinseler and uh yeah he has

298
00:29:45,119 --> 00:29:47,799
five drums on a couple of those. You can you can actually find that

299
00:29:48,200 --> 00:29:52,279
on most platforms. Still the pain
and the progress Chemical Distance. Every once

300
00:29:52,279 --> 00:29:55,119
in a while, I still play
Sign of the Times on the show Nice.

301
00:29:55,200 --> 00:29:56,799
Yeah, yeah, we gotta we
gotta turn that over so we can

302
00:29:56,839 --> 00:29:59,599
do that with this project. That
would be a lot of fun. You

303
00:29:59,599 --> 00:30:02,960
should, you absolutely should. Twenty
four bars a heat. Yeah, there

304
00:30:02,960 --> 00:30:04,799
you go, there you go.
Well, you guys want to play you

305
00:30:04,799 --> 00:30:08,000
want to play one more live?
Sure? This is I think this is

306
00:30:08,000 --> 00:30:14,000
probably my favorite of our originals.
I think probably in mark two, definitely

307
00:30:14,039 --> 00:30:18,880
in the top three. I I
kind of channeled this song. I don't

308
00:30:18,960 --> 00:30:22,079
know who this person is. I
can I can see them, I can

309
00:30:22,119 --> 00:30:26,519
see where they are. It's not
me, but I very much came through

310
00:30:26,559 --> 00:30:29,240
me. I don't even feel like
I wrote this song. I feel like

311
00:30:29,279 --> 00:30:30,799
the song has sort of flowed into
me from the universe. I know this

312
00:30:30,839 --> 00:30:34,759
sounds kind of hokey, not too
Edgar casey for anybody out there, but

313
00:30:34,759 --> 00:30:37,400
but I really can't. I don't
feel like I can take responsibility for this

314
00:30:37,480 --> 00:30:41,319
song, even though it flowed through
my hand. Interesting, This one's called

315
00:30:41,359 --> 00:31:07,440
motor lodge. All right, jam
tomorrow a live in studio. Sometimes I

316
00:31:07,559 --> 00:31:14,119
think you don't even hear me ahead. Sometimes I think I don't want you

317
00:31:14,359 --> 00:31:19,640
to hear me at. Sometimes I
think I'm missing your time, But that's

318
00:31:19,720 --> 00:31:27,279
the hump time. I don't miss
you so much. Sometimes as I find

319
00:31:27,359 --> 00:31:33,119
I wish for your smile. That's
sometimes I stand in the rain waiting in

320
00:31:33,519 --> 00:31:41,759
a while as sometimes I want know
where you went dance the hump times I

321
00:31:41,880 --> 00:31:52,319
questioned my hantent. It comes to
questions every single time, never answers,

322
00:31:52,599 --> 00:31:59,839
never anything jeems sublime, And it
comes to questions, what the us come

323
00:32:00,119 --> 00:32:06,039
you? What do you belave?
One of you? Going through go in

324
00:32:06,880 --> 00:32:23,000
through? Oftentimes I don't remember the
moment and that past. Oftentimes I can't

325
00:32:23,119 --> 00:32:30,319
distinguish the first from the line.
Often times I feel I've walked in these

326
00:32:30,440 --> 00:32:36,759
foods steps before, and often times
I see my handprints on the hunt or

327
00:32:37,799 --> 00:32:44,319
ofttimes I find I reach for your
hands, but ben on f times it

328
00:32:44,480 --> 00:32:52,119
disappears at again, and oft times
I want to what have been to we?

329
00:32:52,960 --> 00:33:00,680
Oftentimes I question what mahade me?
It trumps the questions every single time,

330
00:33:02,359 --> 00:33:08,079
never answers, never anything he bust
of time. It comes to questions,

331
00:33:08,640 --> 00:33:13,720
what do you ask of you?
Who? What do you who believe?

332
00:33:14,200 --> 00:33:37,680
What are you thinking of his truth? Thinking of his true? Both

333
00:33:37,839 --> 00:33:45,400
times I fear I've lost myself in
the past. Most times I fear I've

334
00:33:45,519 --> 00:33:51,960
let the wrong moment. Laugh.
Both times it is it's beginning the meu

335
00:33:52,640 --> 00:34:00,640
right all And most times I can't
predict my fall. Both times I don't

336
00:34:00,680 --> 00:34:08,400
know what we're wrong is. Most
times I can't believe I'm singer. Thus

337
00:34:08,599 --> 00:34:15,800
times I don't know how this spelled. And most time side question once round

338
00:34:15,880 --> 00:34:23,880
the bend, round the bet.
It cost questions every single time, never

339
00:34:24,039 --> 00:34:31,719
answer, never anything more sublime cost
questions. But did you ask of you?

340
00:34:32,079 --> 00:34:38,480
Until you believe one of you?
Gone? You gone? You gone?

341
00:34:38,840 --> 00:35:06,000
You don't you don't you don't.
Oh my god, this is so

342
00:35:06,159 --> 00:35:07,840
good. That was awesome. That
is so good. I think did you

343
00:35:07,840 --> 00:35:10,079
guys play that the last time that
you were here? We might have.

344
00:35:10,159 --> 00:35:13,239
I tried to pull up the set
list from the last time we were here,

345
00:35:13,360 --> 00:35:15,400
but I'm not sure. Yeah,
just because it seemed familiar, I

346
00:35:15,440 --> 00:35:20,599
seem to remember I seem to remember
you playing it before, and well it

347
00:35:20,639 --> 00:35:22,079
is. Yeah, and I seem
to recall having the same reaction like,

348
00:35:22,119 --> 00:35:24,679
wow, what an incredible song.
Thank you. That'll probably be the next

349
00:35:24,960 --> 00:35:28,039
the next time that we dropp We've
got it recorded, we just got to

350
00:35:28,039 --> 00:35:30,360
get it mixed out. Yeah,
and I can see why, you know,

351
00:35:30,440 --> 00:35:34,800
you might think you sort of channeled
it or however you put it.

352
00:35:34,840 --> 00:35:37,559
You know, it's it's it's otherworldly. It's so good. I can see

353
00:35:37,559 --> 00:35:40,880
this guy sitting on a bed in
a motor lodge making some really difficult decisions

354
00:35:40,920 --> 00:35:45,800
about his life. Interesting. That's
why we call it motor lodge. Yeah,

355
00:35:45,880 --> 00:35:47,079
yeah, yeah, no, that
is really good if you are just

356
00:35:47,119 --> 00:35:51,000
joining us, Jam Tomorrow is here
with us. By the way, our

357
00:35:51,000 --> 00:35:53,400
friend Bruce from Legion of Solace was
asking do you guys play all over New

358
00:35:53,400 --> 00:35:58,320
England or do you stick to New
Hampshire. We're open a conversation about anything,

359
00:35:58,360 --> 00:36:00,679
Yeah, for sure. Yeah.
You can. You can find me

360
00:36:00,679 --> 00:36:02,480
on you can tag us on the
Facebook post and the Jam Tomorrow page,

361
00:36:02,559 --> 00:36:07,559
or I can drop a comment in
afterwards and shoot you my email address.

362
00:36:07,559 --> 00:36:12,079
You can just reach me at MHP
second Windwater dot com. Yeah, he's

363
00:36:12,119 --> 00:36:14,920
someone who would be really good to
connect to you, YEA, love to

364
00:36:14,960 --> 00:36:19,079
talk definitely, definitely. Where else
should people go online to keep up with

365
00:36:19,119 --> 00:36:22,320
everything that you guys are doing?
Garry, what's your website? My website

366
00:36:22,360 --> 00:36:25,039
is just d H g U r
s dot com. It's my old like

367
00:36:25,079 --> 00:36:30,800
Instagram name from a mountain biker.
Yeah, but sixth letter website was a

368
00:36:30,840 --> 00:36:35,639
good thing. That has all my
different projects and there's Jam Tomorrow clips and

369
00:36:35,639 --> 00:36:38,760
stuff on there and all our information
and you can contact me through there too

370
00:36:38,760 --> 00:36:42,599
if that's easier. We also have
a YouTube channel. We've got a couple

371
00:36:42,639 --> 00:36:45,840
of videos up there, but working
on populating some more, and you can

372
00:36:45,840 --> 00:36:50,639
find us on Facebook at Jam Tomorrow
Dash the band to be confused with Jam

373
00:36:50,639 --> 00:36:53,880
Tomorrow the Lunchbox or Jam Tomorrow the
Sleeping Bag, Jam Tomorrow the Flamethrower.

374
00:36:54,119 --> 00:37:00,880
The kids love that one. Yes, yes, baby, Oh, tell

375
00:37:00,920 --> 00:37:04,199
us again too. We talked about
it last time. But where the name

376
00:37:04,239 --> 00:37:08,480
comes from? So it's a Lewis
Carroll reference from through the Looking Glass.

377
00:37:08,880 --> 00:37:15,039
It's sort of a weird word play
on the Latin four I am. But

378
00:37:15,119 --> 00:37:19,320
it became in political parlance in the
late eighteen hundreds early nineteen hundreds. It

379
00:37:19,360 --> 00:37:25,239
became sort of a mocking statement about
unfulfilled political promises, but it also came

380
00:37:25,239 --> 00:37:29,239
down to the fact that when we
first started the project, we had a

381
00:37:29,239 --> 00:37:30,639
hard time schedule and rehearsal, so
it's like, oh, can we jam

382
00:37:30,639 --> 00:37:35,440
today? We can jam tomorrow.
Though the reference from Through the Looking Glass

383
00:37:35,480 --> 00:37:38,800
is actually the Red Queen sitting with
Alice, and Alice asked they're having tea,

384
00:37:38,800 --> 00:37:40,880
and Alice asked if they can if
you got some jam, and the

385
00:37:40,920 --> 00:37:45,199
Queen says, jam tomorrow, Jam
yesterday, but never jam today. And

386
00:37:45,239 --> 00:37:49,079
we make a lot of Lewis Carroll
references in our songs. Actually that feel

387
00:37:49,119 --> 00:37:52,119
like the end of The Red Queen's
Race from falling into place, the Red

388
00:37:52,199 --> 00:37:54,039
Queen had to run as fast as
you possibly could just stay in one place.

389
00:37:54,119 --> 00:37:57,599
Do you think you might actually remember
a song about the same topic from

390
00:37:58,639 --> 00:38:02,440
back in distances? Yeah, Red
Queen's Race. I tell everybody that was

391
00:38:02,440 --> 00:38:06,960
our hit. That was our hit. Yeah, so yeah, I definitely

392
00:38:06,960 --> 00:38:08,800
recycle that concept. It's a I
think it's a potent metaphor for life.

393
00:38:08,840 --> 00:38:10,599
A lot of the time, just
having to run as fast as you can

394
00:38:10,639 --> 00:38:14,320
to not get anywhere. Yeah,
yeah, absolutely, there was a lot

395
00:38:14,360 --> 00:38:16,280
of when we were reverse getting together, like phone calls back with you and

396
00:38:16,320 --> 00:38:21,159
you want to jam tomorrow. So
I think saying that enough sparked is like

397
00:38:21,239 --> 00:38:23,079
you know what, Oh yeah,
yeah, no doubt, no doubt.

398
00:38:23,440 --> 00:38:28,199
Well, guys, this has been
wonderful. I really I love what you're

399
00:38:28,199 --> 00:38:30,159
doing. I love the project.
Like I said, I love these new

400
00:38:30,199 --> 00:38:32,800
studio tracks, I love hearing you
live. Just really great. Anything this

401
00:38:32,840 --> 00:38:36,800
weekend? Do you play anywhere this
weekend or next weekend? Our listeners should

402
00:38:36,800 --> 00:38:40,159
know about city limits in Pembroke Thursday
on Thursday nine, Yeah, six to

403
00:38:40,239 --> 00:38:45,239
nine, there'll be still be a
bunch of different local New Hampshire musicians coming

404
00:38:45,239 --> 00:38:49,239
by playing a few songs, so
it'll it's kind of I call it Gary's

405
00:38:49,280 --> 00:38:52,519
musical gathering. So it's a bunch
of different my friends from different bands and

406
00:38:52,079 --> 00:38:54,960
just music friends I have are gonna
come by play a couple of songs.

407
00:38:55,360 --> 00:38:59,760
Outstanding, So yeah, it should
be fun. Outstanding And say hi to

408
00:38:59,800 --> 00:39:02,760
Rob new Spot. Yeah yeah,
congratulations sar rab az Avito on that.

409
00:39:02,760 --> 00:39:06,320
That's amazing. Thank you so much
for having us. Oh yes, oh

410
00:39:06,360 --> 00:39:09,920
absolutely, thank you guys. This
has been Wonderful's h so we'll finish off

411
00:39:10,000 --> 00:39:13,719
with this studio track, beautiful Loser. What should we know about this?

412
00:39:14,079 --> 00:39:19,519
So Mark and I went to see
Chris tila Uh mandolinist for Nickel Creek.

413
00:39:19,920 --> 00:39:24,559
Okay, Fulbright Scholar Award winner,
just an amazing singer, songwriter, musician,

414
00:39:25,159 --> 00:39:29,880
performer, all around super impressive.
Guy walked up. He had two

415
00:39:29,880 --> 00:39:31,280
mics, one for his instrument and
one for him and that was the whole

416
00:39:31,280 --> 00:39:35,039
thing. He didn't change this from
his whole set. Yeah, it was

417
00:39:35,079 --> 00:39:36,960
a great show. I'd never heard
of him, but then I realized I

418
00:39:37,000 --> 00:39:42,079
knew him from Goat Rodeo and he
plays with that crew Yo Yoma Edgar Meyer,

419
00:39:43,360 --> 00:39:45,159
and so I actually did know some
of his material. But he did

420
00:39:45,159 --> 00:39:49,320
a couple of Leonard Cohen songs and
a lot of bluegrass as well, and

421
00:39:49,679 --> 00:39:53,119
somehow that just turned into me deciding
to do a tribute to Leonard Cohen in

422
00:39:53,159 --> 00:39:57,559
bluegrass style. Okay, so that's
the cut. Gary's actually playing a really

423
00:39:57,599 --> 00:40:01,559
cool seven foot tall double bass.
Recorded this at the same Courthouse studios.

424
00:40:02,280 --> 00:40:07,760
Pete is amazing and he made us
sound really good. So, yeah,

425
00:40:07,840 --> 00:40:09,280
it's a bluegrass song, which is
sort of a departure for us. Yeah,

426
00:40:09,360 --> 00:40:14,519
yeah, all right, very good
jam tomorrow. Thank you guys again

427
00:40:14,639 --> 00:40:37,840
so much. Here it is.
This track is called Beautiful Loser, A

428
00:40:37,960 --> 00:40:45,119
big hold in the fabricop space in
time like I needed a dollar and I

429
00:40:45,119 --> 00:40:52,320
had a dime a Bens and Bull
fans of the missis Hippi from the Minnesota

430
00:40:52,400 --> 00:40:58,000
Highlands to the New Orleans Ocean.
She grips me, And I don't know

431
00:40:58,599 --> 00:41:07,239
what happened me. Dweam feeling live
and living free, keep walking towards where

432
00:41:07,239 --> 00:41:19,440
I think I might be. God
is alive and the magic is afoot.

433
00:41:20,760 --> 00:41:29,960
Some things just won't stay aware that, but reinvention tainted by previous intentions won't

434
00:41:30,000 --> 00:41:36,159
save us from those things. We
just can't mention. And I don't know

435
00:41:36,679 --> 00:41:45,400
what happened to me? Dream feeling
live and live and free, Keep walking

436
00:41:45,519 --> 00:42:13,760
towards where I think I might be. Yeah to the prayer, And I

437
00:42:13,800 --> 00:42:22,960
don't know what happened to me?
Dream feeling alive, living free, keep

438
00:42:22,039 --> 00:42:32,639
walking towards where I think I might
be. Every time we pull back the

439
00:42:32,719 --> 00:42:37,840
curtain, we find another curtain.
But my mind is lee read and my

440
00:42:38,119 --> 00:42:45,320
back is hurting. The only thing
I've ever known for s hurcheon is behind

441
00:42:45,360 --> 00:42:52,360
every curtain, there's another curtain,
and another curtain, And I don't know

442
00:42:52,960 --> 00:43:00,719
what happened to me. Dream feeling
alive and living free, Keep walking to

443
00:43:00,880 --> 00:43:13,480
woods where I think I might be, And I don't know what happened to

444
00:43:13,519 --> 00:43:22,159
me. Dream feeling life and live
and free, keep walking towards where I

445
00:43:22,239 --> 00:43:34,440
think I might be, And I
don't know what happened to me. Teen

446
00:43:34,599 --> 00:43:40,679
feeling live and live and free.
Keep walking to hold where I think I

447
00:43:40,800 --> 00:43:45,119
might be, Where I think I
might be,