WEBVTT

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That hello, what? Such a
very good afternoon, I am Karan Ramírez

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and we are on a mission to
say Radio saying in your ears, in

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the new season of D Radio two
thousand twenty- four, where we are

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already sharing with new speakers, new
programs and new podcasts here in this program

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as well, so don' t
miss them that we are in Spotify,

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in Amazo, Podcast, Google,
Podcast, disser everything that ends in podcast.

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There we are, so there'
s no excuse that they won'

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t find us. And so,
this season we' re in hard work

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on the street of San Luis Potosí
one hundred and thirteen so that they come

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to give a turn to the great
shorrum of pure design, high design,

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really, so come and take a
turn And I' m very happy and

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very surprised because at first I was
going to interview one person and now it

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' s going to be two by
one, Fernando Arrionda and Sebastian McGregor,

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that the truth they two, I
know them from Designe Wick, who do

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an extraordinary job. Guys, how
are you, how are you? Thanks

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for inviting me. Thank you very
much. Thanks for including me, too.

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Thank you, no thanks, it
really was a surprise and really nice

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to do the two for a viceroy
had not happened this in a canca.

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It' s unusual. After eight
years of being on d radio for prime

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this finally happens, but good to
have you here, I know you from

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design Wick. It' s every
season that you' re there participating.

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The truth is, they' re
doing an extraordinary job, and it'

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s good to see them all together
Yeah, I guess that' s got

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to do with it. We'
re gonna tell you a little bit of

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the story. Yeah, not everything. Sebastian always exercised. He' s

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an architect. Well, tell him
you Sebastian, well, c Sebastian?

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Yes, Sebastian is an architect of
formation and I had always liked the world

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of plants and up to there I
had not always caught much attention and met

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in design Wick. I also referred
to Fernanda and approached her to teach me

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how to work with her and from
there I stayed with her learning landscaping.

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Now you' ve been asking me, it' s not how you do

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it to do so much, and
it' s because I have a big

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team, not just big, of
high- level people who work in an

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extraordinary way. Sebastian is one of
my team members. We have in the

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office many other members like the Machuca
and other rosalía and when they listen to

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this podcast, we will send them
to say hello. But I have a

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team that allows me to make and
sebastian. Yeah, he' s been

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working for how long you' ve
been with me for up to two half

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years. Ok Yo, I thought
more. There aren' t almost three

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today, yes, three. In
fact, I already feel like it'

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s more time. Yeah, but
it feels like it. We' re

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already like families, and we'
re all in the sustainable garden. You

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can imagine me, listen, and
who Fernanda is, who' s me,

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I win upstairs, if you look
at me, I tell you.

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I' m saying you see I' m passionate about plants. I'

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m a gardener. I' ve
always described myself as a gardener. I

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' m a landscaper, self-
taught. I' m not your landscape

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artist. I didn' t study
landscape architecture. I always like to tell

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it, because it' s no
myth and it' s no no no.

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People then confuse me by the way
I move. I studied international relations

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on the Iberian in the 1990s.
It' s a career I love and

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I loved studying it. I don' t regret anything and always everything in

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the long run closes circles and closes
cycles. And today, with my work

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in society, architect those landscapers.
It' s been super helpful to have

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studied that. And, moreover,
all the projects that aboard the landscape always

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analyze the political, economic and social
context before addressing the landscape project. I

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always do it mostly in public space. And so because it is something that

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I bring from formation my life,
from a return in the year, in

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the two thousand years, at the
beginning of the two thousand years, when

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I decided to launch a business of
design and landscape, I started as everyone

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starts with ferents and family little bit, I do the garden, my mom,

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my friends, my own garden,
experimenting and took a course in the

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Iberian that everything no longer exists,
but we have one of the teachers that

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was my teacher there, the architect
Miguel Medina, in the diploma of the

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Nahuac that you give and the day
one that I took that diploma, I

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understood that I wanted to work on
this the rest of the cías month.

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I mean, there are things that
are like love at first sight, and

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this was not and alone. I
started when there was not so much Internet,

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and I say the Internet was already, but there were not so many

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forums and so many pages of intrenat
So much, I began to dedicate myself

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to ordering books that did exist asanón, already existed, had books and plant

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encyclopaes. And I read in the
plant encyclopelas of the z and I understood

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a lot of things about plant encyclopedias. I understood that they were published in

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one country and did not work the
same for Mexico. I started experimenting.

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I don' t mean if a
plant encyclope says that flowering is in spring,

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because spring in Spain is not the
same as that in Mexico as in

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England. Maybe then I learned all
that. I was experimenting with my own

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garden. I created the sustainable garden
office and in the years I believe that

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in the beginning I already have almost
twenty years working on it. This started

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with residential gardens hundred percent at first
and then we happened several important changes in

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my life that was participated in the
first disange that in two thousand twelve,

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and there no longer being like positioning
the brand within offices, architects and others,

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always being very having to the residential
and from the seventeenth year, where

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he participated in the first Festival of
Flowers and Fixed Gardens, where I made

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the first public space of my office
was a wetland in the botanical garden of

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Bosque Chacoltep. I can already say
we made a change. I don'

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t think I was doing bigger projects. No, and today we have projects

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of all kinds in public space and
above all good post industrial parks and already

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bigger things. No, and that' s who I am. I'

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m still today that we went with
Sebastian in the car, we went to

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have now, I don' t
even tell you what you' re going

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to do next week at the Froyres
and Jardines Festival, but we went to

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see the nursery that we have experimental
in Suchimilco And if you always return to

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the bases, you know that of
vocation of information you are a gardener.

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You' re a gardener who might
do more than a traditional gardener. I

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mean, we do landscape architecture,
I don' t think, but I

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' ll never stop being a gardener
and not passionate about notes. Very well,

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and Sebastian' s formation, how
is it because I already knew the

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formation of fer but yes that of
Sebastian, that of Sebastian is focused to

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see. I think it affects a
lot. My mom' s a biologist

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and I think that' s where
this formation begins towards the landscape. No,

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yes, I think that' s
obviously where the design comes from.

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It' s always been something for
me that I liked. That' s

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why I mean to jump architecture and
from there I got interior design. I

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put a lot into interior design at
one time, but something was missing and

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the plants gave it to me.
I don' t know what it'

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s like to work with as well, with this living environment. Not that

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for me it has been magical,
it goes half with the seasons and how

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to interact in a living environment that
was as well as good design. I

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' m fascinated by architecture, I' m fascinated by this formation as well

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as I do, I have an
architect uncle, like I' ve always

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seen all this growing up, I
grew up with pure architects, but something

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like that didn' t fit in
my life and the plants gave it to

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me. Yeah, it' s
like this, it' s like understanding.

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For me it' s like everyday
interaction with something alive and you do

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the design and you apply it.
But at the same time it evolves by

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itself. And that' s very
nice, like you have to anticipate.

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But you' re always getting surprised. Not because, yes, plants are

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fascinating. Yeah, because it'
s not an architectural project. You finish

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the geotic project and it' s
already there. You stay and dedicate yourself,

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you dedicate yourself to preserving the essence
of the project that doesn' t

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get damaged over the years or to
updating it all of a sudden. But

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architecture is much more, because it
doesn' t change that much. They

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don' t change places they change
cities, people change. But a building,

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because it is a building, yes, different meats, living exact,

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we created, plant communities and,
besides, our office is like focused on

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naturalist landscaping, but I think also
having people from different formations inside the office

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helps a lot. That is,
of course, we need architects working in

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the office. We have monomast,
sebastian. There are other architects in the

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office doing project to the machuca.
We don' t have kids on social

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service. For me it is very
important to have the point of view of

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architect, because I am not and
I have always said that it is my

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best virtue not be architect. No, because I don' t question them.

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I question them a lot in supplemental
things. We' re not just

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perfect. Of course because I see
something else. Yeah, and Sebastian doesn

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' t see what I see,
nor do I see what Sestian is,

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nor do I see what Alan'
s office or not then. But yes,

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I think it was a father process. I already met him at the

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two thousand twenty- one at Licen
House and he makes me wonder as well

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as Hola fer I feel like learning, learning and seeing what wavele sante to

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work with us. And so it
was, and I did, I'

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ve seen a lot of evolution in
our office since Sebastian came in and let

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' s say a lot of things
happened before. It wasn' t fair

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to come out of the pandemic and
right now we realized, after the pandemic

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much more of the importance of green
spaces than we were used to. I

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feel like we were more locked up
in party halls, offices or restaurants,

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you had them. No, people
went out to the street, to eat

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the exact street and are green spaces, even if they are small, and

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it was also a rethinking of the
public space, of the use of the

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public space of the cities. So
all this has been a very father and

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I think our office has been growing
much faster in the last five years than

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in the first fifteen, for example. For telling you like that, but

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it' s normal. It'
s not what they' re going to

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sow clearly, yes, exactly.
And last October that I interviewed you indisiin

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House right in your Jardin, that
you did wonderful, that I was amazing

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to you, I learned that now
you are the new President of sap SR,

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of the Society of Landscape Architects of
Mexico. Congratulations, but how do

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you do it, woman and as
presidents. As President, it' s

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one of the most rewarding jobs I' ve ever had in my life.

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I see it as a project rather
than a job. It' s a

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post really isn' t a position
where you assume a public personality, because

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it' s a landscape archtect society, it' s an association that you

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have fifty years of existence among its
founding partners. For example, I mention

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it a lot because a lot of
people don' t know. He was

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the architect Luis Barrajante, because Nes
Barragan was a landscaper. He described himself

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as a landscape architect, in addition
to being a great architect. Much of

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his legacy took place in the urban
area of several places in Mexico City and

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in addition the gardens they made in
his house. Not the landscape architects society.

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When I turn five in damage,
a lot happens since we' ve

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opened a lot more. At first
it was very limited to accepting only landscape

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artict partners. And for a long
time, already from several Presidencies back,

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not from mine, from that of
Maya the RUSAA and Katherin Brian began to

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make it much more diverse and I
equated it. A community of plants.

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If a community of plants is much
more diverse, it is richer and the

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society of landscape architects is opening up. He has already opened up to have

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members of other disciplines, but that
are all for purposes to the landscape,

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biologists, arborists, urbanists, etc. We have academics of all kinds dedicated

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to agronomists architects. Many are architects, as to the limited offer in Mexico,

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the offer of academic in terms of
landscape architecture is limited because there is

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a bachelor' s degree that is
the one already are opening much more in

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many master' s degrees. That
presented us with a problem and a dilemma

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in which society went very small,
the landscaped society cretos. So, now

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that we open it, it'
s a whole revolution and it' s

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my turn to leave this legacy to
me. It is not the task of

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communicating the vocation of landscaped aquiritos society, and our vocation is to promote the

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discipline of landscape architecture in Mexico and
Latin America. Not clear and how I

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do it, then, thanks to
the wonderful team that I have in the

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office and within the society architects,
landscapers and Sebastian and people like Stephane Creek

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and Diana Hernández, who work hard
in society, that these landscapers are architects,

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landscapers, ejas of formation and because
people who were before me, who

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are my mentors, did Arredondo,
Mario Shetman, all of them who were

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from previous presidents, the Isofo was
founding partner. In fact, the history

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of the architectural society was that the
Liceo first entered as a person to be

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part of the IFLA, which is
the International Federation Offlands Cape ARQUITEC and then

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he entered as an individual partnership and
then formed the society. What' s

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up, what' s up?
What' s up? And yes,

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Redondo entered the Ifla as a person
as well. Then he spoke to Barragán

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and other partners that I don'
t remember all the name right now,

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but among them Mario Shepman rito Alfonso
Murai, who today has because it is

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not close to the ninety years and
continues working in the architecture of the landscape

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Wow. So society was formed and
over these fifty years we have done things.

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We already have thirteen congresses held in
the Congress is held every two years

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is the National Congress of Landscape Architecture
and every two years the vienal. This

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year it touches the sea This year
it plays well it touches the binal and

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the surprise has already authorized that we
can communicate it already. This year it

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will be an award in Colombia.
What father, why? Because the biennial

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is called the Latin American biennial of
the landscape, the landscape no longer gives

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them the number of landscape. So
this is the first time Mexico has won

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the award, although Mexico always organizes
it. I think it' s time

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to get her out of Mexico.
Already organized in Colombia. We will give

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the details to much later And what
is stop sounds incredible, that well,

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but if you are very right is
Latin American and it was always celebrated here

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in Mexico, yes, but good
that you already had the initiative to take

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it out, because the truth was
initiative of the team of the Angolan architects

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society. We owe it to Megumio
Andrade, who is also the vice president.

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But he' s not in Mexico
right now, but the other day

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we invited him to the interview.
Yeah, he' s in Mexico right

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now. She' s in Japan
right now. She organizes trips to Japan

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and knows a lot about Japanese culture. And besides, they are now on

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the subject of cherry trees. And
all this is spring right now is not

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fair. When people liked to travel
to Japan, then it was her initiative

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and throughout several negotiations with a legacy
already Colombian and in those volumes hour of

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which father is already giving her as
a surprise. Yeah, it' s

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a surprise bike to me, too, but many times what I' ve

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been telling you right now is based
on the car. If it doesn'

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t hit you, there are projects
that you feel a little bit on the

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edge of the cliff. Yeah,
but you know you' re gonna jump

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and nothing' s gonna happen.
This is one of them. You don

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' t say. Oh, it' s the first time we' ve

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left Mexico, but then the stars
always line up and the sponsors arrive and

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it' s coming out. All
right, it' s not amazing to

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do it and if you don'
t feel like on roller coasters it'

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s not a project that' s
treated enough for you exactly then I like

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these mountain ranges and because there'
s her, you' re gonna mart

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your rags, you' re gonna
go back. You' re a father.

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I am very happy to know that
it is evolving very well. It

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is the rest of the landscape and
the biennial that is already coming and that

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already are the summons, right now, until the question. We' re

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already shared on my radio. I
invite you to enter the page of the

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biennial. If you put the Latin
American landscape right, it seems to me

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that the page is www. Black
landscape is called something like that if you

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weren' t helping confirm it to
dress your audience and invite them to everything.

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They don' t need to be
landscape architects. You can put your

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projects in. Anyone who has some
landscape architecture project is open- pit spaces.

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But we have several categories, not
only built and unbuilt construction projects,

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and within urban architectural scales and region
to territorial protection projects as well and we

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also have the category of research projects. That' s why we include you

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I tell the landscape architects society has
many acanomics in which father their associates and

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many have impressive research projects. And
also in Latin America there are many super

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valuable research projects in different universities,
since we can mention several, but we

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have colleagues in Brazil, at the
University of Brasilia, are constantly publishing interesting

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things. Then just so they know
and we' ll be following them.

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We will continue to share the initiatives. Anything we are contacted by social networks,

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not perfect to the social networks of
the society architects paacialistas or Vienna.

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We have social networks for both of
us very well, but that' s

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it. Do not waste your time
and come to give a reading to the

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calls, because they are very good
and participate, which is the most important

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thing that they enter, that they
dare yes, because the projects do win.

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And I say you never know when
I touch you not to win a

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project and you always have to be
putting projects in. I didn' t

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win prizes, which I didn'
t expect to win. And it is

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very important to put the projects in
because in addition, you are also learning

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about what other people do. Not
anymore, you don' t know and

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then or be the finalists and you
know people. That' s like a

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workshop on bread. Also yes,
yes, it' s a good network

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five really hard and it' s
talking to people, which is your competition.

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Finally and in the end who earns
it Sometimes it' s not that

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important. No, but of course
it' s a recognition and we also

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have the price. We have an
award that grants IFLA within the society that

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you can that within the biennial and
fla that is the International Federation of architects

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of world landscape. This award is
well prestigious and is the prize as the

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top prize and is very prestigious for
any firm architecture countrying to have a rural

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prize porrifla is next. He'
s a pain in the ass today.

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It' s good to bring everything. Let' s go with everything real

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and good wey tell me what you' re doing. Right now, jarainsustentable,

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because I feel like they' re
coming from Chinampaurita. Yes, please,

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let' s talk. The week
that enters is the Festival de Flores

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y Jardines fixed in Mexico City.
What a father you all know and everyone

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already loves and there are people who
travel from other parts of the country and

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I' m going to tell you
a little bit of history. This festival.

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Its first edition was the pre-
launching in the two thousand sixteen in

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the botanical garden of the forest Chapitatepec, as a pre- launch, as

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an initiative of the Foundation planting with
cause of epity of the streets, seeing

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as that a little bit measuring the
water to the tambals to see how it

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reacted and it was such a success
that the edition was made two thousand seventeen

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and two thousand eighteen. What was
the vocation of this edition to rehabilitate the

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botanical garden, the Chapopec forest,
whose master plan by the architect Magrier Sheatward,

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was very successful. After or there
has been a pause of almost six

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years in not being able to intervene
anymore the botno robot garden Chapultepec and has

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concentrated Festival of flowers and gardens on
the initiative they have in Polanco of Polanco

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in flowers of the shops and the
crossed ones, which is spectacular and travels

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people from all over the country to
take pictures with them and besides, it

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is an opportunity for the brands.
No, but this year we return with

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temporary garden facilities to Campo Mars and
Campo Mars is this where we are going

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to be there sustainable garden and twelve
other offices. I think it' s

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twelve. I don' t remember. That' s two in total.

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Several are members of the landscape architects
society. It is fullsol Pole, the

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landscape of Alejandra, the sow Oatán, Daniel Gómez, Bulbao home or I

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study harvesting water, jazz arterra landscaping. If I forget, somebody forgives you

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guys, but you' re a
lot. I' ll write. Yeah,

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that' s right now. I
tell you the page of the biennial

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W Black, landscape com perfect and
in fixate. I mean, we'

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ll be 12 dispatches inside the Mars
field with temporary facilities. They' re

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micro- garden gardens. Our garden
is what I call a pocket garden of

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four meters by five. Yes,
yes, and I love it because this

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year' s theme is called the
garden of amazing beings, and all the

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gardens are oriented to the amazing species
that inhabit our garden, but not only

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pollinators, but also fungi, mycorrides, that is, all are amazing beings

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that are in conjunction with the plants
inhabiting our small rodent gardens or tlacocacomiscles.

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I don' t know you know
that gardens inhabit all kinds of beings.

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Our garden is a bird garden and
in this garden we are collaborating with creative

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yato that you already know them also
say that it is a spectacular company that

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weaves with palm of communities of warrior
and of caréntaro. Yes, yes,

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and we have a surprise, a
nest, some nests, that is,

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spectacular, and we come from there. We went first to see plants in

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the occimilco chinampas and then to see
the nests as the fabric was going And

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well, we' ll get it
up. Right now, images on social

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networks and you will be able,
as you see, incredible. And I

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' ve always believed that collaborating on
a project gives it much more wealth.

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I mean, I do that I
can know about making a nest. And

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there are the master weavers not clear, which are more artists than they are

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apart. It' s ancient tradition. Orita, they were telling us that

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we are doing it with material that
no longer serve them, because you can

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not weave a basket with what is
left of the Palma, because it has

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to be a continuous strip to weave. That is to say, I believe

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that of what remained for them on
Sunday in the Community, which are the

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points, because they are not very
long the sevación must measure forty thirty-

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five cetimeters. All that is already
material that is not useful for weaving,

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because the baskets you have seen them
as PJ that even the lines of Palma

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are thrown back and weaving it.
Then the whole spirit of the garden is

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to use material that they would no
longer have used. He bought yato from

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these artisans this material they were going
to throw away. And it' s

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just what birds do in nests,
not experiences, the service of what birds

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find, from what twig leaves are
found, and then it' s an

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obviously, it' s an artistic
interpretation clear. We are making a faithful

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nest of being inspired by birds of
chapultepeque the Mexican sanate that inhabits Mexico City

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near the water. Then there are
healers in chapultepec as bringing a little bit

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to the discourse the topic of urban
birds and in a super artistic and spectacular

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interpretation of this company and self creative
Claudia a part. We are already friends,

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00:23:25.720 --> 00:23:30.079
colleagues, we have lived everything in
disiden wicks This I already, this

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heat, impossible deliveries work eleven o' clock at night. Then I trusted

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her. When I invited him,
it was as she was already believed,

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we already wanted this collaboration and when
they told me in invite, Pati told

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me you' re going to make
a jargin. You see I said well,

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I know who is going to be
the nest after yes, now is

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when and I hope that now they
go to the week that I entered the

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nest and then we will wait for
them to say radio. Ah of course

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and this areas that I liked already
goes the guided tour. So yes,

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of course, this is what we
have right now for sustainable garden in the

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short term, in the long term, because to continue with our projects that

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we already have to continue research.
I' m kind of obsessed with working

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on poor soils people, with anti- garden, right now for Fernández,

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anti- garden, ok we have
many traditions inherited from agriculture, which is

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very good, that is, for
agriculture. We are talking about agroforestry and

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very rich soil and so on.
However, there are many vegetable communities that

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they like. The poor soils grow
in poor soil and the meadows that I

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make I designed a meadow for a
park, to a post industrial site,

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00:24:40.720 --> 00:24:44.519
a recital site, industrial, in
a company transports in Guadalajara, just where

359
00:24:44.559 --> 00:24:48.000
it does not pass several railway tracks, but the residual space, where there

360
00:24:48.119 --> 00:24:56.039
was lying gravel thrown to spoil this
metal thrown alone contaminated. We took away

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all that garbage, that is to
say, solid waste and with the soil

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00:25:00.359 --> 00:25:07.279
there and the rock that had planted
a lot of wild plants, many natives

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of Mexico and that you think looked
not well what follows it see ay why,

364
00:25:11.440 --> 00:25:15.359
because some what passes the meadows.
If your sertiles are a paradora,

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you put very fertile soil on it. The only thing that' s going

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to happen is that grasses, which
are very selfish and very absorb a lot

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of nitrogen and need a lot of
nutrients. It was commented, that is,

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they eat the rest of the space
of the plants are very competitive and

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if you raise a meadow, the
pastures finish your flowers and the time you

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no longer have flowers and you have
by the steps. Of course what happened

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here. None of that. I
mean, grasses invade very little because they

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' re just very poor. There
are pastures growing on poor soils, eh,

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but plants they like alone poor.
There are many types of plants in

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Mexico that don' t care about
poor soil and rocky soil we see in

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the Pedreal SanÁngel Reserve. Totally, they grow in lava if dry for

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00:26:00.119 --> 00:26:03.599
thousands of years and no one pretilizes
them. In this scene they' re

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already blooming every year. Then I
like to challenge these ideas and present this

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anti gardening and say in the gardener
is the anti gardener And it will no

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longer fertilize once more not once,
because what happens. Solitary plants fix tempts

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and enrich the soil. You don' t need to put anything on it.

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We do not have land doing projects
with much less impact of carbon histo

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and that is what but in the
short term we have a fixed and long

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- term festival that will follow us
on social networks with these anti- garden

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projects. All right, it'
s not for how much sebastian. Then

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our customers ask us when it comes
to fertilizing their gardens. The only thing

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00:26:40.680 --> 00:26:47.200
to fertilize is grass. But nothing
more, why the grass is designed to

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see how many them until States biologically
united to grow, to grow. If,

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00:26:51.160 --> 00:26:53.079
in reality and we are cutting it
all the time, then it is

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00:26:53.119 --> 00:27:00.880
a constantly stressed plant, like that
leaf never produces photosynthesis already feels good more

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00:27:00.920 --> 00:27:07.039
a potential to create nourishing and it
is always much more susceptible is to fertilize

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00:27:07.160 --> 00:27:11.599
it more or it is stable,
domesticated and, of course, estringed.

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00:27:11.880 --> 00:27:15.839
But we no longer try not to
put grass anywhere, but sometimes it is

393
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irreplaceable. We understand that with some
clients. Yes, yes, but try

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to reduce to the maximum the area
of grass in the houses and in the

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public area, also in the and
or if we have to water at least

396
00:27:30.759 --> 00:27:36.559
and leave it half dry when as
if, because I think people marry with

397
00:27:36.640 --> 00:27:41.000
the fact that how much golf it
is just to have a golf green and

398
00:27:41.079 --> 00:27:45.759
it is all grass and plants on
the banks or just, and not a

399
00:27:45.960 --> 00:27:48.680
garden. It goes beyond having grass
and seeing it all the time, because

400
00:27:48.759 --> 00:27:52.839
apart from the grass, it absorbs
a lot of water, it feels very

401
00:27:52.920 --> 00:27:56.480
beautiful, yes, magua and now. We' re not looking exactly and

402
00:27:56.640 --> 00:28:00.319
they know what to stop giving away. It' s okay, it'

403
00:28:00.400 --> 00:28:02.960
s okay, it' s okay, it' s okay, it'

404
00:28:02.960 --> 00:28:02.960
s okay, it' s okay, it' s okay, it'

405
00:28:02.960 --> 00:28:02.960
s okay, it' s okay, it' s okay, it'

406
00:28:02.960 --> 00:28:04.680
s okay. We have a client. Now we are solving a project near

407
00:28:04.759 --> 00:28:08.000
the valley of Bravo that we stop
giving away grass. Well, they don

408
00:28:08.119 --> 00:28:11.000
' t give him away all season, but he stopped pruning. I told

409
00:28:11.079 --> 00:28:14.960
him to stop being able to leave
it alone, seriously and what happened?

410
00:28:15.039 --> 00:28:18.440
The pastor is appreciating us because he
needs water to grow. So, since

411
00:28:18.480 --> 00:28:22.640
it' s in the norm,
what' s going on with everything else

412
00:28:22.720 --> 00:28:23.039
that wanted to go out and that
we didn' t leave it with the

413
00:28:23.039 --> 00:28:26.640
mower. Of course, coming out
came out of a bunch of little flowers.

414
00:28:27.240 --> 00:28:33.160
Yesterday we saw some amazing mancerinas.
It' s not still green coverage.

415
00:28:33.720 --> 00:28:37.319
Sure, besides, it happened to
us. Then we must dare the

416
00:28:37.319 --> 00:28:41.640
gardener' s ante. Yeah,
let it grow, yeah, let it

417
00:28:41.759 --> 00:28:44.160
be in tempo. There you,
it' s going to become a problem,

418
00:28:44.440 --> 00:28:47.079
because it' s going to grow
a lot and we' re going

419
00:28:47.079 --> 00:28:48.799
to see what we do between projects. But, Ahorita, maybe my idea

420
00:28:48.799 --> 00:28:52.319
is that these colonizing plants and these
spontaneous plants end up with the grass.

421
00:28:53.200 --> 00:28:59.599
Or you already understood the competition.
Right now, they have a competitive advantage

422
00:28:59.640 --> 00:29:02.039
because, as there is, they
don' t need water and grass.

423
00:29:02.119 --> 00:29:06.960
Yeah, so the grass is like
resting. Of course, that' s

424
00:29:07.039 --> 00:29:07.519
exactly what I want to see.
Okay, then we' ll go.

425
00:29:07.759 --> 00:29:11.359
We' re going to publish them. I don' t know what'

426
00:29:11.359 --> 00:29:15.680
s going to happen anymore. Okay, but we' re seeing more species

427
00:29:15.680 --> 00:29:18.839
per species, which works for us
in the long run and which one doesn

428
00:29:18.920 --> 00:29:18.480
' t, of course, I
already know what' s going to happen.

429
00:29:18.559 --> 00:29:21.319
That' s gonna happen what I
told you. The plants, Ahorita

430
00:29:21.400 --> 00:29:23.519
are going to colonize the area that
the grass is leaving. Right now,

431
00:29:23.720 --> 00:29:27.960
he is at rest and then see
which is not useful to tread, which

432
00:29:29.039 --> 00:29:30.359
serves for why we are going to
grow very high and others are served,

433
00:29:30.519 --> 00:29:33.119
others yes, you can step on. Then it' s about putting some

434
00:29:33.240 --> 00:29:37.440
in a third- night place.
Well, yes, exactly Listen, I

435
00:29:37.480 --> 00:29:41.079
' m going to ask you both, yes, how important to you.

436
00:29:41.240 --> 00:29:47.440
This year with year in they say
Wick, how important it is to participate

437
00:29:47.799 --> 00:29:51.640
for you Tell me then, to
see you I' m going to talk

438
00:29:51.680 --> 00:29:55.079
to me, not because there are
many people say why you keep doing this

439
00:29:55.119 --> 00:29:57.519
when you' re, you'
re crazy, that' s because apart

440
00:29:57.519 --> 00:29:57.680
it' s how stressful it is, don' t beat yourself. It

441
00:29:57.839 --> 00:30:02.359
' s interesting. That' s
a very stressful process. It' s

442
00:30:03.440 --> 00:30:06.480
a setback, against the clock,
against the clock. But besides, we

443
00:30:06.559 --> 00:30:08.799
are the only space apart from the
others. This year there were three gardens,

444
00:30:10.440 --> 00:30:12.359
two gardens down and not on the
top floor of the schisic landscape and

445
00:30:12.440 --> 00:30:17.839
up to Juan Sánchez. They'
re not yes, yes, we are.

446
00:30:18.359 --> 00:30:21.920
No one understands us, like everyone
else. They' re architects,

447
00:30:22.359 --> 00:30:26.119
carpenters, upholsterers, that' s
for real. It is very difficult for

448
00:30:26.160 --> 00:30:30.000
them to understand that our garden is
a finish even though alive. Yeah,

449
00:30:30.039 --> 00:30:32.200
that' s right. That'
s right, that' s right.

450
00:30:32.880 --> 00:30:36.119
But I love it for millions of
reasons. The first is collaboration. If

451
00:30:36.200 --> 00:30:38.920
I hadn' t never met this
girl from Claudia de Iato, for example,

452
00:30:40.200 --> 00:30:42.000
or I' d never known I' d be enough. For me

453
00:30:42.119 --> 00:30:48.079
it' s important I wouldn'
t know, dog yes, not Sinwak

454
00:30:48.079 --> 00:30:49.279
' s most important thing. And
I think I tell my students, because

455
00:30:49.279 --> 00:30:53.799
a lot of people measure or a
lot of people I know who have participated

456
00:30:53.880 --> 00:31:00.839
as I said better and I'
m no longer raising awareness about a topic

457
00:31:02.039 --> 00:31:06.079
and I think my participation says Wicks
if only I had once stayed there.

458
00:31:06.920 --> 00:31:08.519
Oh how nice the garden of Fernanda
of the two thousand nineteen, for example,

459
00:31:08.640 --> 00:31:12.559
that was very famous and giving of
the mirrors that I put for the

460
00:31:12.559 --> 00:31:15.359
first time cosnos of pines that we
reproduce from seed. It was the first

461
00:31:15.839 --> 00:31:21.640
time he reproduces seed plant, especially
for that gallows that a little bit is

462
00:31:21.680 --> 00:31:23.079
blown up, it' s not
like that because sometimes it comes out,

463
00:31:23.440 --> 00:31:27.599
sometimes it doesn' t and we
go to China we stick that there,

464
00:31:29.279 --> 00:31:30.440
but this time it did happen like
that and maybe they would have said yes.

465
00:31:30.559 --> 00:31:36.039
It was very nice, but the
exercise of the constancy of repeating a

466
00:31:36.160 --> 00:31:40.079
message one year after year, after
year, three years, three years,

467
00:31:41.240 --> 00:31:44.759
has worked to transform a little bit
the image that the public has, the

468
00:31:44.759 --> 00:31:45.920
naturalist landscape. Yes or no.
I think so, I think I think

469
00:31:45.960 --> 00:31:49.359
you do. I can say that, after nine participations. I believe that

470
00:31:49.440 --> 00:31:53.880
we have succeeded in influencing the public' s perception of what looks good and

471
00:31:55.359 --> 00:32:00.079
not at first they were very shocked
by my very poor gardens. I think

472
00:32:00.160 --> 00:32:06.200
so. And second, it'
s pretty hard every year to believe something

473
00:32:06.200 --> 00:32:08.599
different. Yeah, yeah, and
I always say, oh, see if

474
00:32:08.680 --> 00:32:13.079
we don' t get it the
same as last year and we' re

475
00:32:13.200 --> 00:32:15.440
always surprised at sebastian and we always
create something new. That' s right.

476
00:32:15.119 --> 00:32:19.319
I can' t tell you if
we' re going to participate this

477
00:32:19.359 --> 00:32:23.039
year, because we always leave it
a little bit to align certain things.

478
00:32:23.559 --> 00:32:28.200
Yeah, especially you who have things
to see on you and I don'

479
00:32:28.279 --> 00:32:30.720
t think anything would happen either.
Also of what it means. I would

480
00:32:30.799 --> 00:32:35.240
love to open it to more offices
that could participate many more offices. However,

481
00:32:35.559 --> 00:32:37.720
the dison House space sometimes does not
allow it. It was amazing this

482
00:32:37.759 --> 00:32:40.599
year. We met these girls,
they' re landscaped and we collaborated.

483
00:32:42.039 --> 00:32:45.440
It' s really weird because then
you have someone else to listen to your

484
00:32:45.440 --> 00:32:47.119
problems. Yes, of course and
we have to water you no, that

485
00:32:47.119 --> 00:32:50.880
is, for example, because the
one who makes the living room or the

486
00:32:50.960 --> 00:32:52.960
dining room does not have to water
daily. Yeah, nothing at all.

487
00:32:52.039 --> 00:32:59.160
This year we had even Rainberg sponsors
who went to put it yes Galomans or

488
00:32:59.200 --> 00:33:02.559
my river installer of millions of years
ago, that is, they sponsored us

489
00:33:02.960 --> 00:33:07.039
the river. Imagine how important it
is to participate in saynwik that even they

490
00:33:07.119 --> 00:33:10.960
are looking for us to collaborate.
Ah It is very bad because we present

491
00:33:12.000 --> 00:33:15.240
to you a system of irrigation by
boat that is like this, it is

492
00:33:15.440 --> 00:33:17.680
done an irrigation like, no,
with a pipe out and that is seen

493
00:33:17.759 --> 00:33:21.799
all the people and it throws the
water everywhere. I don' t mean

494
00:33:21.920 --> 00:33:25.440
waste I like it, even if
it' s a temporary installation, always

495
00:33:25.519 --> 00:33:28.680
be faithful to my work. I
would never say I know that it'

496
00:33:28.720 --> 00:33:30.680
s going to take a month and
I could put a plant that won'

497
00:33:30.759 --> 00:33:34.640
t be given next to another that
won' t be given and they won

498
00:33:34.720 --> 00:33:37.599
' t work and they look good
for a month and no one will notice

499
00:33:37.680 --> 00:33:40.480
clearly, but I would be lying
to my audience and my students and my

500
00:33:40.480 --> 00:33:45.279
students. And then we always try
to be very aware of the message we

501
00:33:45.279 --> 00:33:49.000
communicate. And, well, then, we' re not rushing, it

502
00:33:49.000 --> 00:33:51.519
' s not adrenaline. If we
get problems addicted to adrenaline, you think

503
00:33:51.519 --> 00:33:57.240
it' s an incoming army and
miss is like exercise. It' s

504
00:33:57.319 --> 00:34:00.480
very nice of the collaboration with the
whole house. It is very splendid,

505
00:34:00.599 --> 00:34:02.880
that is the entrance, it is
very stressful, because all of a sudden

506
00:34:04.359 --> 00:34:09.239
they enter through a pedestrian door,
three hundred furniture, heavy finishes, marbles

507
00:34:09.239 --> 00:34:13.159
and trees. Not then, like
a whole thing is amazing, like the

508
00:34:13.239 --> 00:34:15.880
exercise of your house. Sometimes there
up to 200 people. So it'

509
00:34:16.000 --> 00:34:19.679
s not crazy. It' s
so dull that it' s happening.

510
00:34:19.840 --> 00:34:22.599
Yeah, yeah, yeah, and
you have to behave and you can'

511
00:34:22.679 --> 00:34:25.079
t lose your cool and you can' t lose your cool. And suddenly

512
00:34:25.159 --> 00:34:29.519
it is maximum stress, but also
the blacksmith here helps you and the face

513
00:34:29.599 --> 00:34:32.039
of the help if you take a
plant brings you the ladder. Yes,

514
00:34:32.400 --> 00:34:40.239
it is the motorcycle people and we
are more solved also nothing like with new

515
00:34:40.239 --> 00:34:44.920
offices, that is, as it
has evolved and we have met new spachos

516
00:34:44.960 --> 00:34:50.440
and we know new offices. But
above all, as Fed says that customers

517
00:34:50.599 --> 00:34:55.320
or the public that consumes design can
consume landscaping as at the design level,

518
00:34:55.519 --> 00:34:59.599
yes, that is, that they
put it in their i e, consider

519
00:35:00.719 --> 00:35:04.639
it already as design. No more
gardening. A gardener already did. The

520
00:35:04.679 --> 00:35:09.239
gardener has already gone as a perception
of what landscaping is. It' s

521
00:35:09.400 --> 00:35:13.480
one more discipline of design. Not
sure. I think it' s like

522
00:35:13.559 --> 00:35:16.559
the function and good, but he' s done a lot for this to

523
00:35:16.599 --> 00:35:21.960
happen to him and I think I' ve had the customers and they say

524
00:35:21.960 --> 00:35:23.159
I want this in my house.
Yeah, I never would' ve bought

525
00:35:23.159 --> 00:35:25.239
it for you. I never would
have seen it, but I see it

526
00:35:25.320 --> 00:35:27.960
and now it' s like this. So, what it is is a

527
00:35:28.039 --> 00:35:31.840
demonstration of the work and it'
s like someone tells it to invite you

528
00:35:32.079 --> 00:35:36.480
yes and right now good. A
client did go last year Juan Sebastián to

529
00:35:36.519 --> 00:35:39.159
see him and this I want to
say no. We cannot disassemble it and

530
00:35:39.239 --> 00:35:45.280
carry it null for many reasons,
but we are repeating it. But he

531
00:35:45.320 --> 00:35:50.119
already understood that he wants a garden
without grass, completely wants different species like

532
00:35:50.199 --> 00:35:52.559
he already does. I mean,
that' s the nicest thing about this.

533
00:35:52.920 --> 00:35:58.280
The message reached the client. It
came to him and I have a

534
00:35:58.400 --> 00:36:00.760
competitive advantage against the rest of the
people at Dison House, because there'

535
00:36:00.800 --> 00:36:07.199
s only one garden not like two
or you and I understand that we had

536
00:36:07.320 --> 00:36:13.000
to make a very strong message from
the landscape. It' s not clear

537
00:36:13.920 --> 00:36:17.119
design, and I' ve been
invited year by year. It' s

538
00:36:17.280 --> 00:36:22.840
not an obligation at all. It' s just a chance for me every

539
00:36:22.880 --> 00:36:24.519
year and every year I say yes. I' ve said yes many times,

540
00:36:24.639 --> 00:36:30.880
nine years and always. I never
regret it when we' re done,

541
00:36:30.199 --> 00:36:32.199
although there' s stress, yes, millions of things happen and everyone

542
00:36:32.360 --> 00:36:36.039
who' s in saja, that
is, we' ve made joke videos

543
00:36:36.119 --> 00:36:37.760
of not going to end up in
time, not a month. Last year

544
00:36:37.840 --> 00:36:39.840
you got one like a joke.
And that' s the feeling. If

545
00:36:39.960 --> 00:36:44.000
you say tyano and all of a
sudden, about twenty- four hours before

546
00:36:44.000 --> 00:36:45.599
or forty- eight hours before it
happens from magic and it' s all

547
00:36:45.599 --> 00:36:49.119
over. You' re staying warm. He landed still very good with the

548
00:36:49.199 --> 00:36:53.599
whole cause. Yes, but it' s an incredible collaborative exercise and as

549
00:36:53.920 --> 00:36:57.039
the director of San Gwick says,
that Melio Cabrero, who you know,

550
00:36:57.519 --> 00:37:00.719
I' m very kind. Yeah, we' re a family and I

551
00:37:00.840 --> 00:37:06.039
believe it, it' s amazing. It' s to that family environment.

552
00:37:06.360 --> 00:37:08.039
I mean, we' re already
two quates. I don' t

553
00:37:08.079 --> 00:37:12.079
think I' d ever been clear
about that message Emilio had, because more

554
00:37:12.119 --> 00:37:15.119
than once he had repeated it in
an interview. I reputed it all the

555
00:37:15.159 --> 00:37:17.760
time aja and I find it incredible
and just last year I think it was

556
00:37:17.880 --> 00:37:23.320
pretty clear when you saw it in
four c interact in the house to see

557
00:37:23.519 --> 00:37:27.360
them on the mere day of which
we open the doors to the press.

558
00:37:28.199 --> 00:37:31.639
And that' s when I noticed
more than every time they' re helping

559
00:37:31.679 --> 00:37:34.880
each other and I pass this on
to you, I pass on to you.

560
00:37:35.239 --> 00:37:37.920
And also when we had the panel
with you think we sent a greeting

561
00:37:37.960 --> 00:37:42.239
to frest in the white work of
everything is talking. Thank you, you

562
00:37:42.400 --> 00:37:45.400
think everyone talking about the same subject
and talking about everything that had happened to

563
00:37:45.480 --> 00:37:49.239
achieve the goal. That' s
when I realized they were a family.

564
00:37:49.400 --> 00:37:52.280
Yeah, yeah, yeah, we' re all too far from lending me

565
00:37:52.360 --> 00:37:59.559
your broom ah how it kills time
or it' s also with the sponsors

566
00:37:59.559 --> 00:38:00.840
and the media. I also say
we get to know each other and come

567
00:38:00.840 --> 00:38:04.360
on. It' s very nice
this exercise has been very nice. Yeah,

568
00:38:04.519 --> 00:38:06.639
yeah. I think the family isn' t just like it' s

569
00:38:06.760 --> 00:38:08.880
not, we' re not just
the ones yet, but it' s,

570
00:38:09.079 --> 00:38:13.880
like, a little bit out,
everyone, the suppliers even as you

571
00:38:14.199 --> 00:38:16.639
say sebastian, that is, the
same suppliers that work with us from the

572
00:38:16.639 --> 00:38:23.159
blacksmiths. There are even people who
have evolved their career through oh thanks to

573
00:38:23.320 --> 00:38:29.440
Addison Wick. In other words,
there are offices that have originally grown that

574
00:38:29.480 --> 00:38:31.960
were probably no more suppliers, not
that they decided to see this model.

575
00:38:32.079 --> 00:38:37.199
I mean, you see entrepreneurs as
well and we' re a model of

576
00:38:37.280 --> 00:38:37.559
all of us We' re starting
at that, that' s a lot

577
00:38:37.559 --> 00:38:40.679
of the word entrepreneur. I don' t call him more Right now that

578
00:38:40.719 --> 00:38:45.320
we were there in Suchimilco lego,
to know that we are all entrepreneurs,

579
00:38:45.760 --> 00:38:49.239
that is micros or macros, or
Mexico is the country of the entrepreneurs.

580
00:38:49.360 --> 00:38:52.159
Not Micro. How many women,
there are not that tend to see the

581
00:38:52.280 --> 00:38:54.920
tienditas, we did not come,
we stopped in an ox to, but

582
00:38:54.920 --> 00:38:58.280
there are a thousand tienditas. Not
Margarita, there' s a thousand tempts.

583
00:38:58.280 --> 00:39:00.760
There' s always a woman behind
and s s s s tiendita and

584
00:39:00.800 --> 00:39:02.679
no matter how many you invite out
there on the street. They all sell

585
00:39:02.760 --> 00:39:06.079
and there are already these women,
whether they' re men or whatever.

586
00:39:06.119 --> 00:39:10.639
And the winterers. In Sochimilco there
are dectal greenhouses and there are another thousand

587
00:39:10.719 --> 00:39:15.559
meters just. And we' re
all entrepreneurs. And we are all in

588
00:39:15.639 --> 00:39:21.960
disin rick because we are entrepreneurs or
design professionals, as you want to call

589
00:39:21.960 --> 00:39:25.719
entrepreneurs. Now we do, but
finally we are two leading companies and we

590
00:39:25.760 --> 00:39:30.320
learn a lot from that too the
design Wick model, which is non-

591
00:39:30.320 --> 00:39:34.039
profit. That too has helped me
a lot to work in Architectural society as

592
00:39:34.039 --> 00:39:42.079
well. It seems that in Mexico
it is inventing totally different strategies for raising

593
00:39:42.079 --> 00:39:46.280
funds, in order to be able
to bring design and landscape architecture to other

594
00:39:46.280 --> 00:39:52.599
people. Both have helped me a
lot, both society and wik say that

595
00:39:52.639 --> 00:39:57.039
having collaborated with them so many years
and understanding many things how partnerships work without

596
00:39:57.320 --> 00:40:00.280
luxury endings. Yeah, it'
s just very interesting. That' s

597
00:40:00.320 --> 00:40:04.760
not easy, because it' s
not just fundraising, it' s attracting

598
00:40:04.800 --> 00:40:09.400
the public that' s interesting and
engaging and going on two things at a

599
00:40:09.480 --> 00:40:13.960
time and it' s a big
challenge. They say so much as what

600
00:40:14.039 --> 00:40:16.440
is done in it among all the
things I do, because you always ask

601
00:40:16.519 --> 00:40:20.000
me what soon I tell you.
So then, if not many people know

602
00:40:20.079 --> 00:40:22.000
and I' m going to talk
about it. I also send a greeting

603
00:40:22.039 --> 00:40:24.880
to my professor Javier Duarte, who
will listen to this. It' s

604
00:40:24.880 --> 00:40:29.719
called. Javier Duarte Slateger is a
Lipade teacher. I am a graduate of

605
00:40:29.800 --> 00:40:35.000
lipadre very well that is the business
school of the Pan American University and we

606
00:40:35.000 --> 00:40:39.039
are writing. I offered Javier.
I wrote the case of the landscape architects

607
00:40:39.119 --> 00:40:45.079
society for lipa because lipader is handled
with the method of the case, not

608
00:40:45.199 --> 00:40:47.400
that it is to study a case
of a company or of some association.

609
00:40:47.440 --> 00:40:52.679
You don' t really have to
do business by profession and you study finance.

610
00:40:52.840 --> 00:40:57.480
The case of x company Full Motors, I don' t know.

611
00:40:57.800 --> 00:41:00.079
It doesn' t necessarily have to
be big companies. There are some that

612
00:41:00.199 --> 00:41:02.760
are called stationery. I don'
t know what. So because they are

613
00:41:02.800 --> 00:41:07.440
cases to illustrate a principle of matter
that you are carrying, for example,

614
00:41:07.559 --> 00:41:13.079
Javier Da the matter of decision analysis. He described a case about the Titanic.

615
00:41:13.480 --> 00:41:19.480
The catastrophic decisions were made before the
Titanie East Jesus sank. So I

616
00:41:19.559 --> 00:41:23.400
decided to propose you write the case
of landscape direct society and how it has

617
00:41:23.559 --> 00:41:28.000
transformed over fifty years and what awaits
you in the next two that I am

618
00:41:28.119 --> 00:41:32.079
President. If there is re-
election, it would be another two we

619
00:41:34.039 --> 00:41:36.360
don' t know, but it
can happen and how we are transforming it

620
00:41:36.360 --> 00:41:39.400
to make the rantable. So we' re writing this case. This is

621
00:41:39.519 --> 00:41:44.599
the part where I tell you non- profit associations, from the subject of

622
00:41:45.880 --> 00:41:51.800
design, because we are landscape architecture, how to do it to make it

623
00:41:51.880 --> 00:41:55.440
profitable and above all, know how
to communicate and that brands interest them sponsored.

624
00:41:55.519 --> 00:42:00.239
We have several super interesting allied brands. And here we are. But

625
00:42:00.280 --> 00:42:02.440
just so you know in one of
the eight hundred, fifty- eight,

626
00:42:02.800 --> 00:42:07.079
thousand more things we do. We
meet every fortnight the operating board of the

627
00:42:07.079 --> 00:42:09.920
Stefany Creek Society, Diana Hernández and
I with our teacher of lipadre, to

628
00:42:10.079 --> 00:42:15.239
teach us many things, they do
not have much experience in the associations infiennes

629
00:42:15.280 --> 00:42:21.000
of Lucrostan. He is a counselor
to several and then he is advising us

630
00:42:21.000 --> 00:42:22.679
and also, holding hands. It' s not so much that he gives

631
00:42:22.960 --> 00:42:24.960
us the solutions, he' s
bringing us to the hand that we'

632
00:42:24.960 --> 00:42:30.800
ll find. The clear solutions that
you know how to solve yes and communicate.

633
00:42:30.239 --> 00:42:32.800
This is fun. That' s
good fun. Well, the truth

634
00:42:32.840 --> 00:42:37.960
does sound pretty interesting. Hear what
father faith? Hey, what would be

635
00:42:38.440 --> 00:42:42.960
the project you' d consider,
which would be the jewel of the sustainable

636
00:42:43.079 --> 00:42:45.360
garden crown that tells you this one. I' d love for you to

637
00:42:45.480 --> 00:42:50.480
get there, get where your office
is going. I want to do a

638
00:42:50.639 --> 00:42:55.039
project of my dreams. Yes,
what would he be, what a blacksmith

639
00:42:55.239 --> 00:43:00.400
sebastian think not, for I don' t know right now he' ll

640
00:43:00.400 --> 00:43:02.920
tell you or or or look.
I would love to continue transforming residual and

641
00:43:04.039 --> 00:43:12.039
post- industrial space somewhat more,
that is, to continue this project that

642
00:43:13.199 --> 00:43:21.960
we started doing together with the Grupo
Mexico Foundation, to reproduce native plants to

643
00:43:22.039 --> 00:43:25.559
rehabilitate post- industrial seasonal space is
called industrial posto, not that the space

644
00:43:25.599 --> 00:43:31.480
is actually put industrial, but the
residual space in a place that is contaminated.

645
00:43:32.840 --> 00:43:37.639
Make a sort of biological corridor inside
all these industrial corridors that there are

646
00:43:37.719 --> 00:43:42.840
and have lots of residual spaces.
I' d love that. I know

647
00:43:42.960 --> 00:43:45.199
it doesn' t sound like maybe, so loud, it' s not

648
00:43:45.199 --> 00:43:50.880
a better park together. I'
d love to because there' s a

649
00:43:50.960 --> 00:43:54.079
book, a chapter in a book
that I read that' s called a

650
00:43:54.159 --> 00:43:55.800
strange beauty, or a strange cuty
is a landscaper, or I don'

651
00:43:55.800 --> 00:43:59.639
t remember the name. But then
I tell you a little bit about the

652
00:43:59.679 --> 00:44:02.280
postis spaces and the strange beauty they
have when you come to a real industrial

653
00:44:02.840 --> 00:44:07.679
or industrial space you see that they
always come out hierbitas between the railway tracks

654
00:44:08.119 --> 00:44:12.639
or between an example is the fighline. Not being a train track was no

655
00:44:12.840 --> 00:44:16.320
longer in use was rehabilitated and a
park with its own identity was created for

656
00:44:16.440 --> 00:44:22.559
a Manhattan site that is not of
any entity. If you do that,

657
00:44:22.840 --> 00:44:30.000
imagine the country' s industrial corridors, whether it' s railways, factories,

658
00:44:30.639 --> 00:44:37.639
mining, anyone, not only do
you get dressed, you enable these

659
00:44:37.719 --> 00:44:43.199
spaces and turn them into biological corridors
so that the fauna, the birds of

660
00:44:43.320 --> 00:44:45.679
the cities live there and low temperature. This effect is that of heat to

661
00:44:46.719 --> 00:44:51.320
the people who work in that factory. For example, we also have a

662
00:44:51.360 --> 00:44:53.440
super interesting brand that is also our
ally, ELBEC. It was done in

663
00:44:53.480 --> 00:45:00.320
the show room Deveis in Vallejo,
a garden without lawn wow and you don

664
00:45:00.400 --> 00:45:06.519
' t know how the temperature feels
there in that place and it' s

665
00:45:06.639 --> 00:45:12.880
a middle of Bayle imagine that all
companies in Mexico adopt green microspaces. That

666
00:45:12.920 --> 00:45:15.239
' s a project I' d
love. That' s obviously very long

667
00:45:15.719 --> 00:45:20.800
- term and we' d have
to start company by company, but we

668
00:45:20.920 --> 00:45:23.239
could count if all companies did.
I' m crazy, because I don

669
00:45:23.320 --> 00:45:28.599
' t know why the industrial casco
landscape I like is like a strange beauty.

670
00:45:28.880 --> 00:45:34.360
I' m attracted to the abandoned
and everything that grows. There come

671
00:45:34.440 --> 00:45:37.519
birds to live in and suddenly you
put them in this space that we did

672
00:45:37.559 --> 00:45:42.920
in Guadalajara we have an increase of
diversity of six hundred percent guau clearly because

673
00:45:42.960 --> 00:45:45.519
there was nothing. Yes, there
were three little pastries that are there suffering

674
00:45:45.639 --> 00:45:51.320
for survival, and suddenly we arrived
and entered more than seventy different species.

675
00:45:51.800 --> 00:45:54.840
There are seventy- four thousand individual
plants. It seems to me that twenty

676
00:45:54.920 --> 00:45:59.079
so many trees. Imagine if there' s not a six hundred percent time

677
00:45:59.199 --> 00:46:02.159
of college. The temperature of the
site dropped between three and five degrees.

678
00:46:04.320 --> 00:46:07.440
Crazy isn' t a big deal
if we measure the carbon footprint and how

679
00:46:07.519 --> 00:46:12.880
much we' re converting. No
more, we don' t have the

680
00:46:12.880 --> 00:46:15.960
data. We' re still going
to do it in a study with Shatte

681
00:46:15.079 --> 00:46:17.679
University, which is already on its
way very well. That' s my

682
00:46:19.159 --> 00:46:23.679
Crown Jewel Wow project, that all
Mexico adopts. It is well cresto and

683
00:46:23.760 --> 00:46:28.559
right now it is going to look
bastante, yes, sebastian, but it

684
00:46:28.679 --> 00:46:34.440
goes there also to see father more, yes, a park not all the

685
00:46:34.440 --> 00:46:37.199
more, I mean, as it
gives the desire to intervene the whole city,

686
00:46:37.719 --> 00:46:43.840
That is the dream to intervene on
an urban scale, for me that

687
00:46:43.840 --> 00:46:45.519
would be incredible. But right now, I have a lot of concern about

688
00:46:45.880 --> 00:46:52.559
water issues, because that is,
per Ahorita is like restoration, that is

689
00:46:52.599 --> 00:47:00.000
to say, harvesting and restoration of
aquifers and water harvesting with gardens, with

690
00:47:00.000 --> 00:47:02.760
SNS gardens. Rain with all that
process, Ahorita has me as very interested,

691
00:47:02.920 --> 00:47:06.199
very interested, and I think that
would be an incredible project. I

692
00:47:07.039 --> 00:47:09.239
mean, it varies from residential to
this organ scale, obviously, urban scale.

693
00:47:09.360 --> 00:47:13.639
It would be surprising and especially seeing
in Mexico City, with all these

694
00:47:13.639 --> 00:47:17.519
ravines that we have been losing and
losing all the water, like working to

695
00:47:17.719 --> 00:47:22.639
restore the ravines. For me it
would be as if, a dream not

696
00:47:22.639 --> 00:47:25.800
to mean, to be able to
see the process of saying, of recognizing

697
00:47:28.039 --> 00:47:30.960
the rivers and it is also a
city of sponge, the city of Sponge

698
00:47:30.960 --> 00:47:34.320
of Concha. I bring her to
Mexico City and recognize this that the river

699
00:47:34.400 --> 00:47:36.960
comes, that is, the water
comes from above the mountains and goes down

700
00:47:37.079 --> 00:47:40.840
and we have gone on your side
and lost her and give her that as

701
00:47:40.920 --> 00:47:45.599
well, as that space that deserves
the water, and recognize it. Yes,

702
00:47:45.760 --> 00:47:49.159
of course you can imagine if we
made Mexico City, in the sponge

703
00:47:49.159 --> 00:47:52.320
city, instead of making the camels
high and that water, when it rains

704
00:47:52.400 --> 00:47:58.039
will go to the brain to make
them under the level of the street and

705
00:47:58.559 --> 00:48:01.440
that camels and all areas, but
there were the ability to catch the water

706
00:48:01.480 --> 00:48:05.320
from the street, as they are
doing in Sheffield, they are doing it

707
00:48:05.960 --> 00:48:08.079
they can get to see soon gray
to rain A Sheffilds and, well,

708
00:48:08.559 --> 00:48:12.159
cities put themselves, all sponge cities
in that yes, to transform the city

709
00:48:12.400 --> 00:48:16.360
of Mexico into the city sponges,
yes. It would not be seeing exactly

710
00:48:16.360 --> 00:48:20.760
how right now, that is,
the idea of re- creating the exact

711
00:48:20.800 --> 00:48:24.760
source, because they recharge the use
of water and also how this awareness of

712
00:48:24.760 --> 00:48:25.800
seeing the water that is going to
bring them. We' ve already had

713
00:48:27.079 --> 00:48:30.519
a chef with tubed noises and be
able to see her, that is to

714
00:48:30.559 --> 00:48:34.039
say, see again to know that
there' s water there, so we

715
00:48:34.039 --> 00:48:35.239
live together so here we don'
t bemary. They are easy because to

716
00:48:35.960 --> 00:48:40.199
say no yes, to be like
being able to recognize this city of so

717
00:48:40.239 --> 00:48:43.519
incredible and what is very beautiful I
say no, no, no te,

718
00:48:44.360 --> 00:48:45.920
yes, it would be if a
project has incredible. There' s a

719
00:48:45.920 --> 00:48:49.760
big project. I think that we
are in a moment to do that And

720
00:48:49.840 --> 00:48:53.360
just for that we are the landscape
architects society, not and nothing more fernanda

721
00:48:53.360 --> 00:48:58.920
reonda, but as a society pesista
architects, so that those who hear us

722
00:48:59.039 --> 00:49:02.280
that not all are landscapers, maybe
I say of vir radio you have a

723
00:49:02.320 --> 00:49:05.960
very wide audience. Not very broad. Yes, it is that they understand

724
00:49:06.079 --> 00:49:09.199
that we are in a wave like
landscape surfing, that we have to climb

725
00:49:09.360 --> 00:49:15.119
the crest right now in order to
avoid us as far as we can and

726
00:49:15.280 --> 00:49:19.920
to take advantage of it and incorporate
in their speaking of all the people who

727
00:49:19.920 --> 00:49:22.960
hear you that not all are landscapers, that they see that at best really

728
00:49:23.000 --> 00:49:27.840
in spaces that they had not considered
in the residual space, the interstice.

729
00:49:28.280 --> 00:49:30.480
This is what is called these spaces
that are between the city and one area

730
00:49:30.480 --> 00:49:34.320
of the city and others, that
is, the interstitial landscape. You can

731
00:49:34.360 --> 00:49:39.920
do something, you can do something
complete. Wow go back to basics and

732
00:49:40.039 --> 00:49:45.280
you' re also involved in society. She' s also involved. Sebastian

733
00:49:45.440 --> 00:49:53.719
' s gone. This is in
the locality of commercials, important commercials,

734
00:49:53.840 --> 00:50:00.880
not as many i of the most
important vowels. Date basically dialog with marks.

735
00:50:01.559 --> 00:50:07.119
Everyone who listens to us, if
I say they know who they can

736
00:50:07.159 --> 00:50:10.079
talk to Sebastian with me. But
we' re just looking at all that,

737
00:50:10.480 --> 00:50:14.800
not brands and alliances. We also
see not only have brand allies,

738
00:50:15.000 --> 00:50:20.840
but we also have alliances that I
would love to communicate with universities that not

739
00:50:20.920 --> 00:50:27.199
necessarily all alliances are of economic type
of exchanges. Not that it gives us

740
00:50:27.280 --> 00:50:31.880
a university in exchange for that we, for example, made a spectacular alliance

741
00:50:31.960 --> 00:50:36.960
with the UABC of Mexicali, Autonomous
University of Baja California, the Campus of

742
00:50:36.960 --> 00:50:39.480
Mexicali, what we did with the
landscape congress there, in October, imagine,

743
00:50:39.719 --> 00:50:46.079
they gave us the headquarters in exchange
for society planting a seed to say

744
00:50:46.320 --> 00:50:50.960
here there is landscape, although it
seems that in Mexicalino there are and there

745
00:50:51.039 --> 00:50:53.519
are a lot of projects. There' s even one who' s Liberian,

746
00:50:54.119 --> 00:50:58.119
Mars Shetnan It' s about a
river in tubed in Mexico called Rio

747
00:50:58.119 --> 00:51:01.920
Nuevo. So they' re doing
a project there for water and mexical is

748
00:51:02.000 --> 00:51:06.559
the first city that had a landscape
teacher. The University of the wabes then,

749
00:51:06.840 --> 00:51:09.039
but like this we have alliances with
the UAM, with the Veracruz Corps,

750
00:51:09.519 --> 00:51:13.360
the Faculty of Architecture, UNAM.
That' s nice. There are

751
00:51:13.400 --> 00:51:19.119
many things, no, nothing else
are commercial alliances. But from all then

752
00:51:19.800 --> 00:51:23.639
between associations, right now the alliance
between foundation planting with cause that is that

753
00:51:23.679 --> 00:51:29.840
of Fixed and the landscape art society. We will engage in a dialogue between

754
00:51:29.840 --> 00:51:34.559
landscapers and will be guided by you
Creek, which is the c of the

755
00:51:34.559 --> 00:51:37.760
architectural society. He' s having
a good time. Let' s go

756
00:51:37.760 --> 00:51:39.880
alliances. With all that joke is
that the landscape, that the architecture of

757
00:51:39.960 --> 00:51:45.320
the landscape, reaches more people and
that in Mexico we understand that it is

758
00:51:45.679 --> 00:51:50.039
no longer a residual space of the
architecture, not in the country' s

759
00:51:50.079 --> 00:51:52.960
algreto, because many see as a
luxury not good nothing more believe than to

760
00:51:52.960 --> 00:51:55.239
put a green area. The landscape
is already architu, so what they do

761
00:51:55.360 --> 00:52:00.679
in developing an opposite project. That' s not landscape architecture. That and

762
00:52:00.800 --> 00:52:04.599
not all green areas, that is, landscape architecture also involves designing grey and

763
00:52:04.679 --> 00:52:12.360
blue areas, believe, water and
walkers. No, and now that'

764
00:52:12.440 --> 00:52:15.960
s not just a luxury product,
it' s not terrorizing it and reaching

765
00:52:15.039 --> 00:52:20.119
an audience to understand clearly is the
landscape, that is, the right actions

766
00:52:20.239 --> 00:52:22.800
and that everyone can enjoy clear because
green areas. Yeah, yeah, yeah,

767
00:52:23.159 --> 00:52:29.159
it' s not a necessity.
A green area has the ability to

768
00:52:29.239 --> 00:52:34.920
reduce inequality barriers in a city.
No doubt there are statistics that talk about

769
00:52:34.960 --> 00:52:38.960
that and it is known that if
you see the Green Area in Mexico City,

770
00:52:39.280 --> 00:52:42.800
well, I don' t remember
how much it is per person.

771
00:52:42.920 --> 00:52:45.320
I think seven in meters. I
don' t remember. I just gave

772
00:52:45.320 --> 00:52:47.079
the lecture. I forgot, but
it' s so easy to consult on

773
00:52:47.079 --> 00:52:52.480
the Internet. But it is very
uneven Cuajimalpa has thirteen square meters per person.

774
00:52:52.840 --> 00:52:55.920
The green area, which is wonderful, you are not lucky enough to

775
00:52:55.920 --> 00:52:59.320
live in Cuajimapa or in Miguel Hidalgo, why, because you have chapultepr If

776
00:52:59.360 --> 00:53:04.199
you see Miguel Hidalgo you are less
than fifteen minutes walking or a complete car.

777
00:53:04.320 --> 00:53:07.960
I don' t know about Chapoltete, but if you don' t

778
00:53:07.960 --> 00:53:10.639
have a thousand missing, I don' t think they' ll get two

779
00:53:10.719 --> 00:53:15.000
seriously, so imagine the inequality barrier
between a person who' s lucky enough

780
00:53:15.039 --> 00:53:16.880
to have more to live in Joajerí
Mal Pao, in Miguel Hidalgo against a

781
00:53:16.880 --> 00:53:21.639
thousand Missing. Then you have to
have a much smarter design in the cities.

782
00:53:22.000 --> 00:53:23.599
And if we can' t,
not everyone can have a green area

783
00:53:23.639 --> 00:53:28.679
in their house. But there are
statistics that say that I think they should

784
00:53:28.679 --> 00:53:31.599
be. The best thing is that
they' re less than 15 minutes from

785
00:53:31.639 --> 00:53:37.239
winning green, on foot to see
if we can make it. Wow,

786
00:53:37.599 --> 00:53:39.760
it' s a slam, yes, a slam and above all in this

787
00:53:40.280 --> 00:53:46.039
city that lacks much awareness of imagine
if it would not change the perception of

788
00:53:46.199 --> 00:53:52.320
security of a site in a thousand
lack or of insecurity and security not,

789
00:53:52.880 --> 00:53:57.000
but also, of being, therefore, an equitable and healthy city for all.

790
00:53:58.000 --> 00:54:00.639
Bad luck you had to be born
there or live there and not any

791
00:54:00.679 --> 00:54:06.719
malpa no, then why not make
a city more equitable. Sure, yeah,

792
00:54:06.840 --> 00:54:08.199
yeah, yeah, no, because
on average we' re not that

793
00:54:08.199 --> 00:54:10.960
bad. It means that those who
live on my schedule have enough green area

794
00:54:12.000 --> 00:54:15.679
for them. No, sure wow. So, they are important statistics,

795
00:54:15.760 --> 00:54:21.360
say, this is it and you
can consult the page of the cdema or

796
00:54:21.400 --> 00:54:22.920
of the environment. You have to
keep an eye on him, because,

797
00:54:22.480 --> 00:54:23.960
yes, it' s important.
It' s clear, yeah, wow.

798
00:54:24.079 --> 00:54:28.960
She' s amazing. But what
happens when a how is your design

799
00:54:28.960 --> 00:54:32.719
process, when a project arrives here, how you are developing it in your

800
00:54:32.760 --> 00:54:37.920
office until they get to deliver what
that process looks like is always done already

801
00:54:37.000 --> 00:54:42.599
we know not site analysis is the
typical thing that would answer you a landscape

802
00:54:42.679 --> 00:54:45.519
teacher of the Nahuat. I don' t understand you in class. No

803
00:54:45.840 --> 00:54:50.159
or what there is not that cyto
analysis, create a concept and then do

804
00:54:50.199 --> 00:54:54.719
an exercise of seeing which plants are
on the site. There are no things

805
00:54:55.199 --> 00:55:00.199
I like to tell my students,
and the first one is I almost always

806
00:55:00.239 --> 00:55:04.760
take a place and automatically do a
vegetable palette abstraction and I said here you

807
00:55:04.920 --> 00:55:07.800
get a point. You know what
plant they' re going to plant if

808
00:55:07.880 --> 00:55:10.320
they don' t even think beyond
what else I' m going to do.

809
00:55:10.639 --> 00:55:15.519
The first thing I do is think
about plants, which is not necessarily

810
00:55:15.719 --> 00:55:20.400
the best idea to have a fatal
palette already is to visit one, because

811
00:55:20.440 --> 00:55:22.480
if you already have all the answers, not a little does mean that you

812
00:55:22.599 --> 00:55:28.679
are missing to do a deeper analysis
itself, well, but I think we

813
00:55:28.760 --> 00:55:32.960
already give you many more years.
But if you have a lot of experience

814
00:55:34.239 --> 00:55:36.159
and that' s part of what
I' ve learned, that is,

815
00:55:36.280 --> 00:55:42.039
you get to do and you already
have an idea and then we analyze the

816
00:55:42.119 --> 00:55:44.400
site and we' re applying the
changes that if it' s happening,

817
00:55:44.400 --> 00:55:44.920
that is, many times we say
it doesn' t apply. We got

818
00:55:44.960 --> 00:55:46.599
it and it' s why I
don' t change the same. There

819
00:55:46.599 --> 00:55:50.039
' s too much wind here for
this plant. Yes or no. I

820
00:55:50.039 --> 00:55:52.159
know. It' s like you
guys just don' t get it at

821
00:55:52.159 --> 00:55:54.840
the time. I mean, I
don' t know, for example,

822
00:55:55.039 --> 00:55:57.679
yes, and then there are times
that I say via. You always have

823
00:55:57.800 --> 00:56:02.400
to hook up the client suddenly has
needs that he didn' t know anyway

824
00:56:02.440 --> 00:56:04.639
and then tells you no. I
just think it' s going to be

825
00:56:04.639 --> 00:56:07.519
a little bit more space here to
spread out with the kids or whatever,

826
00:56:07.519 --> 00:56:12.360
and then there, but who'
s private is a little bit better.

827
00:56:12.400 --> 00:56:15.360
No, no, it' s
not easier. Each project is different.

828
00:56:15.559 --> 00:56:19.480
When you' re working in a
public area or in a city or something,

829
00:56:19.880 --> 00:56:22.840
as I tell you, you have
to really analyze the economic, political

830
00:56:22.840 --> 00:56:27.079
and social context, because what happens. You know he' s working on

831
00:56:27.079 --> 00:56:29.199
public plow and you know that,
maybe there' s going to be a

832
00:56:29.239 --> 00:56:30.679
change of government, they' re
not going to follow up on maintenance.

833
00:56:30.880 --> 00:56:35.800
Either yes, or who' s
there, who' s the decision maker,

834
00:56:36.039 --> 00:56:39.280
who' s the clientele, it' s not the same as a

835
00:56:39.280 --> 00:56:43.960
decision maker, or the client is
probably the city. But the user is

836
00:56:44.079 --> 00:56:45.400
the citizen, not the government of
the cities, of the client, that

837
00:56:46.400 --> 00:56:51.840
is, you have to analyze that
in terms of context. There is the

838
00:56:51.880 --> 00:56:53.880
economic and political context. A little
and what' s going on. There

839
00:56:54.000 --> 00:56:55.559
' s a crisis, right now, it' s a pandemic right now.

840
00:56:55.639 --> 00:56:59.000
People are wasting us. Yeah,
I mean, there' s a

841
00:56:59.000 --> 00:57:01.519
recession or there' s no recession. Large- scale projects are taking place

842
00:57:02.159 --> 00:57:06.159
and the social issue is very important. Now that we did this project for

843
00:57:06.239 --> 00:57:13.719
these workers of the transportation company in
Guadalajara, we did a very simple analysis.

844
00:57:13.880 --> 00:57:17.079
We didn' t hire sociologists or
anything either, because we didn'

845
00:57:17.079 --> 00:57:21.079
t even have the budget. We
were thinking about who' s going to

846
00:57:21.079 --> 00:57:24.639
be the user. We are railway
workers and they work and they are generations

847
00:57:24.679 --> 00:57:29.760
of people who travel by rail and
collect money across the country and had their

848
00:57:29.800 --> 00:57:35.079
collection of plants. Then you must
always take into account the user and what

849
00:57:35.119 --> 00:57:40.039
impact you will have on a social
level with a landscape intervention. What we

850
00:57:40.039 --> 00:57:45.119
did, we connected their plants to
the design and gave them a space so

851
00:57:45.199 --> 00:57:50.559
that they would have a place to
collect their plants and, besides, teach

852
00:57:50.679 --> 00:57:52.679
them that the plants of the site
that nothing else. You should always want

853
00:57:52.719 --> 00:57:55.920
the plant from the very distant sites, but work with the plants of the

854
00:57:57.320 --> 00:58:00.519
site and it does work. Doing
that kind of analysis, that is,

855
00:58:00.280 --> 00:58:04.159
already after asking people, that is, it' s very important to ask

856
00:58:04.239 --> 00:58:08.880
people who the user is. And
since we have that, we did several

857
00:58:08.960 --> 00:58:14.840
interviews there on the very interesting site
and then we asked them how much they

858
00:58:14.840 --> 00:58:17.079
thought. And as you say,
I think in landscape I say that in

859
00:58:17.199 --> 00:58:22.559
all the discussions, in architecture,
in interiors everything has to involve the customer,

860
00:58:22.599 --> 00:58:25.320
the user and everyone so that it
presents part of the garden is to

861
00:58:25.320 --> 00:58:30.320
be alive, yes, then you
have to involve them a lot for when

862
00:58:30.440 --> 00:58:35.320
you leave that in the house you
have already made the decisions of how they

863
00:58:35.360 --> 00:58:38.400
want the distribution or the furniture type
other colors not, but here the garden

864
00:58:38.400 --> 00:58:42.239
will continue to evolve. You have
to involve the customer a lot in the

865
00:58:42.320 --> 00:58:44.760
process and the user to know what' s going to happen. Then no,

866
00:58:44.880 --> 00:58:47.039
and how you can enjoy that garden, because it just so suddenly dries

867
00:58:47.159 --> 00:58:51.400
up, but it' s part
of the cycle and you subsist. There

868
00:58:51.400 --> 00:58:54.920
you go. One thing we have
learned is to anticipate the anguish of the

869
00:58:54.920 --> 00:59:02.480
exact celestial client, because no shock
is difficult, like they expect the plant

870
00:59:02.599 --> 00:59:06.199
to be green all year long and
there are times that it is. It

871
00:59:06.440 --> 00:59:09.280
' s a garden consection. Many
times it is a green area, eternally

872
00:59:09.280 --> 00:59:15.280
green. And we are also promoting
plants that fulfill the cycles of the year

873
00:59:15.440 --> 00:59:20.719
and will be a dead divine.
Some flowers are also annual and disappear completely,

874
00:59:21.119 --> 00:59:24.880
as the one that throws the exact
seed and remakes good. So you

875
00:59:24.920 --> 00:59:30.159
have to, like, this conversation
in Mexico too, we have eternal spring

876
00:59:30.280 --> 00:59:32.320
syndrome. Yeah, yeah, they
eat exactly Cuernavaca. Then we want you

877
00:59:32.400 --> 00:59:36.159
to keep low and it can'
t be cor a cow but that does.

878
00:59:36.280 --> 00:59:40.079
Our people go to Japan and don' t mind seeing all the hairy

879
00:59:40.159 --> 00:59:44.079
trees in winter. They don'
t care there. But in Mexico,

880
00:59:44.239 --> 00:59:46.480
yes, and we have to change
this, because in Mexico the funny thing

881
00:59:46.519 --> 00:59:50.800
is that in Mexico we do not
perceive it as cold and hot seasons.

882
00:59:51.400 --> 00:59:54.960
Rather it is perceived in the landscape
as dry and green ah yes and learn

883
00:59:54.960 --> 00:59:59.920
to love also our dry season.
It has its beauty totally, it has

884
01:00:00.920 --> 01:00:04.360
its relo and it is very fun
to try to change this customers. But

885
01:00:04.639 --> 01:00:07.599
the design process which is very important
in pacing you have to understand that you

886
01:00:07.679 --> 01:00:12.039
do not end with the final delivery. And I said it the other day

887
01:00:12.159 --> 01:00:15.400
at a conference in Bageo Polis,
in my bagio I wanted to do a

888
01:00:15.400 --> 01:00:17.400
week. I told them the landscape
is an act of faith, because it

889
01:00:17.400 --> 01:00:21.159
is an act of faith, because
although we know what is going to happen

890
01:00:21.239 --> 01:00:23.719
and we can predict what is going
to happen, it always surprises us with

891
01:00:23.719 --> 01:00:28.840
something. There' s never a
garden for me. I' ve been

892
01:00:28.920 --> 01:00:30.039
at this for 20 years and we' re still here today. We were

893
01:00:30.119 --> 01:00:35.039
the restean and I saw the little
plants in chinapa as a baby, like

894
01:00:35.039 --> 01:00:40.239
little children, like in the candy
store we knew we carried the seeds,

895
01:00:42.559 --> 01:00:46.559
we took the envelope, you gave
how much it will grow, that is,

896
01:00:46.880 --> 01:00:51.400
it tells you and I say it
is an act of faith, because

897
01:00:51.639 --> 01:00:51.800
we are always surprised by some,
that is, what it doesn' t

898
01:00:51.800 --> 01:00:54.719
mean. It' s like and
projects have unexpected effects, sometimes desired,

899
01:00:54.760 --> 01:00:59.719
sometimes unwanted. But the most important
thing to understand in the design process is

900
01:00:59.719 --> 01:01:07.400
that it ends with us entering the
project and you have to explain to the

901
01:01:07.480 --> 01:01:09.599
client always anticipate a little bit his
anxieties that the trees are without not every

902
01:01:09.679 --> 01:01:14.239
yes already died us and died.
It' s winter exactly it' s

903
01:01:14.360 --> 01:01:15.199
winter and even though you don'
t notice it because we don' t

904
01:01:15.199 --> 01:01:16.760
wear a scarf and there' s
no snow. It is not seen the

905
01:01:16.840 --> 01:01:19.960
same in winter in Mexico as in
Canada. I like him very clearly.

906
01:01:20.400 --> 01:01:22.199
In the mild winter and we have
the best weather in the world. And

907
01:01:22.400 --> 01:01:25.679
I love him not all lotus.
We all complain here, but we know

908
01:01:25.760 --> 01:01:29.360
we' re not really going to
complain. We' re not going to

909
01:01:29.400 --> 01:01:30.719
Monterrey, for example, so it' s extreme to that we' re

910
01:01:30.719 --> 01:01:34.880
complaining. I arrived jja momentizes the
heat, not when I said well it

911
01:01:34.920 --> 01:01:37.599
' s not hot here. Finally, we just complain because that' s

912
01:01:37.599 --> 01:01:43.480
how we are, but we actually
have a wonderful climate and then understand that

913
01:01:43.480 --> 01:01:46.000
the customer has to understand what'
s going to happen. Not seeing the

914
01:01:46.079 --> 01:01:51.880
process, the process that is not
immediate like the architecture, as Sebastian said,

915
01:01:52.239 --> 01:01:55.000
but that takes a process and that
there will be green seasons and there

916
01:01:55.119 --> 01:02:01.400
are yellow seasons, coffee there is
exactly there we go. That' s

917
01:02:01.440 --> 01:02:05.880
the process we' re going through. All right, there' s a

918
01:02:05.920 --> 01:02:08.960
great father who are your architects,
landscapers, favourites who right now are as

919
01:02:09.000 --> 01:02:12.840
in your sights, because I feel
like you' re always at the dawn

920
01:02:12.880 --> 01:02:14.280
of what' s going on like
this. Well, let' s see,

921
01:02:14.440 --> 01:02:17.239
tell us your favorite, well,
what a cliché it is. Well,

922
01:02:17.440 --> 01:02:22.800
I' m very focused on planting
design. I' m very inspired.

923
01:02:22.119 --> 01:02:25.599
Thank you for this which is called
plantation design which are not necessarily landscape

924
01:02:25.639 --> 01:02:30.320
architects, because I don' t
know what this is about. So I

925
01:02:30.440 --> 01:02:34.239
always my first influence and the one
we all knew, and the first one

926
01:02:34.320 --> 01:02:38.880
I wanted to be not Fernanda Riona
wants to become was peto of no Wow

927
01:02:38.960 --> 01:02:45.199
Vit Dolph has a style of design
tending to the modernist, because he is

928
01:02:45.599 --> 01:02:47.960
Dutch and modernist. I mean,
he designs like with a lot of blocks

929
01:02:47.960 --> 01:02:52.719
and straight shapes. Suddenly it'
s very spectacular. However, life has

930
01:02:52.880 --> 01:02:58.239
led me to follow Ih Nd Donnet' s work in Sheffield and I think

931
01:02:58.440 --> 01:03:05.400
his work is very different. They
tend more to make one- on-

932
01:03:05.639 --> 01:03:09.840
one plant communities against very well-
defined blocks of certain plants. I love

933
01:03:09.880 --> 01:03:14.480
Idol and I' m a fan
of his plantation work. He' s

934
01:03:14.480 --> 01:03:17.840
not a landscape architect. He is
dedicated exclusively to designing the plantations they do

935
01:03:19.559 --> 01:03:23.079
in landscape projects that design pacifist architects. He' s the first and the

936
01:03:23.079 --> 01:03:29.400
two. Jean Jou' s work
in China is unprecedented. It could not

937
01:03:29.679 --> 01:03:35.440
be realized in a fully democratic country, because the political system of China,

938
01:03:36.199 --> 01:03:42.679
which is totalitarian or authoritarian, with
this capitalist economy, that even if they

939
01:03:42.800 --> 01:03:46.239
say they are not capitalists, this
dumbbell, makes cities that he designs are

940
01:03:46.239 --> 01:03:49.880
created. He has a book called
Letters to the leaders of the Monsk nation,

941
01:03:50.280 --> 01:03:53.519
where he explains how he convinces the
governors of provinces and that to make

942
01:03:53.599 --> 01:03:59.239
the cities sponge that those of.
But he intervenes cities at city level restore

943
01:03:59.280 --> 01:04:02.840
clarity at city level and blah.
They' re my two, I love

944
01:04:03.000 --> 01:04:08.000
working with Jan Ju because it'
s on a much larger scale and apart

945
01:04:08.000 --> 01:04:10.000
it' s different, not that
of no because it' s bigger.

946
01:04:10.119 --> 01:04:13.400
No, they' re my two
favorites, with Jan Ju and nightl Donnet

947
01:04:13.559 --> 01:04:15.119
the Tys, because I' m
going to repeat it. But you ns,

948
01:04:15.199 --> 01:04:18.880
Nigel, I don' t say
Sebastian, I think you do,

949
01:04:19.199 --> 01:04:23.840
your mirror, yes, it doesn' t belong to the arche, and

950
01:04:23.960 --> 01:04:26.400
all the devil in him sent him. It hits you, hits you,

951
01:04:27.039 --> 01:04:30.719
and so it' s like we' re all with piet Dolf, like

952
01:04:30.800 --> 01:04:35.199
it was like the first box to
scale. No yes, it' s

953
01:04:35.280 --> 01:04:40.400
more spectacular and it was the one
who participated in the Highlight at Millennium Park

954
01:04:40.480 --> 01:04:45.800
in Chicago, and we are these
big or these tanks projects as very media.

955
01:04:46.079 --> 01:04:49.239
Also not as if it was the
one who exposed the landscape very much,

956
01:04:49.519 --> 01:04:56.199
that new landscape then was always the
first that opens you, as well

957
01:04:56.320 --> 01:05:00.639
as that the desire to understand this
and then you are already more and as

958
01:05:00.719 --> 01:05:03.280
with a Latin American scale, I
think it would be worth it to tell

959
01:05:03.400 --> 01:05:08.280
your audience about the work of our
friends and colleagues of suffering. Yes,

960
01:05:08.760 --> 01:05:14.559
that are the Chileans, the Argentines, our friends who also came to Mexico,

961
01:05:14.559 --> 01:05:17.199
already gave lectures, the work of
Cristóbal, the Getame Macarena calbó in

962
01:05:17.280 --> 01:05:23.800
Chile made some. You guys are
literally totally naturalistic hairs, with gravel,

963
01:05:24.039 --> 01:05:28.639
with your technical dealings. They don' t use land so they don'

964
01:05:28.679 --> 01:05:30.360
t get vitacura herbs in the province, because it' s you remember as

965
01:05:30.360 --> 01:05:34.199
a municipality. Or what' s
his name, what' s his name

966
01:05:34.199 --> 01:05:39.360
in Santiago de Chile. The work
of Maca and Cristóbals print before fronts of

967
01:05:39.519 --> 01:05:45.679
Jimena Nasal, also at home.
She is lived in Mexico and the queen

968
01:05:45.760 --> 01:05:47.559
of the agaves in Chile, because
she took to Chile and also, the

969
01:05:47.559 --> 01:05:50.400
queen of the gramineas. The grasses
are the pastures. Pasture was not used

970
01:05:50.440 --> 01:05:56.239
in landscape before. Carl Forester started
using them in the beginning, well the

971
01:05:56.280 --> 01:06:01.599
20th century, the late 19th was
used for boats. It was a forage

972
01:06:01.719 --> 01:06:06.559
and she is the queen of grasses
in Chile. She' s about 70

973
01:06:06.639 --> 01:06:10.360
years old, Jimena, and she' s been working on it for many

974
01:06:10.360 --> 01:06:15.760
years. Who more the work of
Mariana Siqueira in Brazil, Julio pastore Fono

975
01:06:16.199 --> 01:06:23.039
geniusist truth for the awards. Abe
who else all these Latin Americans are worth

976
01:06:23.079 --> 01:06:28.039
it for your entire audience to follow. I love to talk to you about

977
01:06:28.159 --> 01:06:30.840
other people, so nothing else.
I like that they know the work of

978
01:06:30.920 --> 01:06:33.400
all people and that, besides they
are our friends and colleagues. So,

979
01:06:33.719 --> 01:06:38.280
I was traveling to Mexico, traveling
with maca to do I amaa met her

980
01:06:38.320 --> 01:06:43.000
on a trip eighteen months ago to
Macarena Calbo follow the m instagram is Macarena

981
01:06:43.840 --> 01:06:47.280
no longer think they say. Now
he tells me no landscaping, ecosist cristóbal,

982
01:06:47.880 --> 01:06:51.679
but Macarana Calvo is Macaranata a landscaper
or something. Yeah, they work

983
01:06:51.679 --> 01:06:55.920
together, not in every project,
they don' t have a patamonica.

984
01:06:56.000 --> 01:06:59.719
There it is. But Macas was
in charge of Chile' s screenplay in

985
01:06:59.719 --> 01:07:02.840
Venice' s life last year.
Okay, well, a beauty. They

986
01:07:02.880 --> 01:07:10.079
were the spheres of clear acrylic Seed
yes, yes. McCay Suizya, yes,

987
01:07:10.159 --> 01:07:12.920
yes, to be located. I
already met her last year on a

988
01:07:12.920 --> 01:07:16.320
trip here I know Chile and the
enamoria of the country and well we became

989
01:07:16.360 --> 01:07:23.000
instant friends because we watched taking pictures
of seedlings. We went last year also

990
01:07:23.039 --> 01:07:30.280
with another extraordinary landscaper to this valeriaer
Mira is Argentina, to the Tennis,

991
01:07:30.400 --> 01:07:33.039
to the chess show and to give
a lecture to the University of Sheffield.

992
01:07:33.559 --> 01:07:38.039
Am has robbed you is also spectacular. He' s already in Uruguay.

993
01:07:39.039 --> 01:07:44.559
Yes, see all these works of
Latin American landscapers. Or that the Latin

994
01:07:44.599 --> 01:07:46.840
American landscape is very spectacles. Yes, and they are. I think they

995
01:07:46.880 --> 01:07:53.199
' re advanced mccarem mccalbou mckademan.
I don' t see her, she

996
01:07:53.199 --> 01:07:54.679
doesn' t recognize her. No. That which is not, no,

997
01:07:55.440 --> 01:08:00.840
not what you say yes, but
the landscape sand that has virtue we also

998
01:08:00.840 --> 01:08:04.360
have the virtue of labor, that
is, of having I say is gigantic.

999
01:08:04.440 --> 01:08:09.880
Not exactly Latin America. We have
very large, we have deserted mountain,

1000
01:08:10.840 --> 01:08:15.680
two tropical forests. So it'
s very rich, it' s

1001
01:08:15.720 --> 01:08:21.399
very amazing if they' re countries
that have the, that is, the

1002
01:08:21.479 --> 01:08:24.520
advantage of having an incredible huge biodiversity. Europe doesn' t have it,

1003
01:08:24.640 --> 01:08:29.039
they don' t have it.
In Europe it was gradually imported. It

1004
01:08:29.079 --> 01:08:30.560
' s been imported by Naya.
All the work they do in Shefied is

1005
01:08:30.600 --> 01:08:34.560
just put plants native to other countries
to replenish the biodiversity that has ended there

1006
01:08:34.600 --> 01:08:40.319
and here we have her, the
carena cal paisan that is expected to salular

1007
01:08:40.439 --> 01:08:44.640
ok. I think it' s
very enriching. The Latin American pheasage.

1008
01:08:44.720 --> 01:08:46.119
Yes, it is. If any. So there is a lot to learn

1009
01:08:46.199 --> 01:08:53.359
from the Latin, that is,
a lot and now the landscape biennial.

1010
01:08:53.439 --> 01:08:57.039
It' s just that, to
highlight the region well, that' s

1011
01:08:57.560 --> 01:09:00.680
very lame, cantable, a great
one for society. Really the one I

1012
01:09:00.840 --> 01:09:05.159
thought was amazing. Really listen to
that vacan and you will stay forever in

1013
01:09:05.159 --> 01:09:12.840
landscaping, for I hope yes,
I hope already yes, yes, I

1014
01:09:12.840 --> 01:09:16.319
hope not. Yes, the truth
has been something incredible and I have it

1015
01:09:16.359 --> 01:09:19.560
here. No, I don'
t say life then you went different ways,

1016
01:09:20.640 --> 01:09:25.319
but here I come. So,
here I am and the truth is

1017
01:09:25.800 --> 01:09:28.319
yes, it' s amazing and
I' m happy, but I saw

1018
01:09:28.359 --> 01:09:31.520
his dicks glowing. Yeah, tomorrow
with the money for me like, yeah,

1019
01:09:31.680 --> 01:09:36.039
I mean, I' m working
with living things again. No,

1020
01:09:36.319 --> 01:09:41.880
as it is spectacular and obviously also
the magic to deliver a garden and let

1021
01:09:41.920 --> 01:09:45.840
a client come out and see it
and then mark you later tell you already

1022
01:09:45.840 --> 01:09:48.640
changed everything what happened. It'
s amazing this is when they' re

1023
01:09:48.640 --> 01:09:53.359
enjoying it. It' s that
surprise you' re giving and you'

1024
01:09:53.479 --> 01:09:55.520
re saying good that father can share. We' ve got a nice little

1025
01:09:55.520 --> 01:09:59.399
chamba. Yes, I' m
not saying that everything is as they are,

1026
01:10:00.399 --> 01:10:02.079
as they are not, but it' s like very noble, because

1027
01:10:02.119 --> 01:10:05.000
it' s like a much happier
action, that is, from the most

1028
01:10:05.159 --> 01:10:09.119
basic point of view, interaction with
nature. Yeah, I heard happy straight.

1029
01:10:09.159 --> 01:10:11.760
Then it' s good, but
we' re neither drivers nor lawyers,

1030
01:10:13.159 --> 01:10:15.880
because we' re mostly in the
majority and the truth is our problems

1031
01:10:15.880 --> 01:10:17.680
are smiling happy. We' re
in a world of both. We have

1032
01:10:17.800 --> 01:10:21.479
problems, but we have happy problems. They' re a good tree,

1033
01:10:23.199 --> 01:10:26.119
not the truth. It' s
nice, it' s a jacket.

1034
01:10:26.560 --> 01:10:30.840
She' s amazing. It'
s nice that House has somehow joined them

1035
01:10:30.920 --> 01:10:34.079
together, because I was going to
disign furnaces and I saw Sebastian' s

1036
01:10:34.119 --> 01:10:36.920
work and now it' s totally
different. I mean, they' re

1037
01:10:36.920 --> 01:10:42.119
different together. Yeah, pretty scary. Yeah,' cause we had a

1038
01:10:42.119 --> 01:10:45.119
lot of fun. Hey, what
a father I like and how nice to

1039
01:10:45.199 --> 01:10:48.439
have you both here in two by
one. Unexpectedly, amazingly and I'

1040
01:10:48.520 --> 01:10:51.920
d like to finish this great interview
having you guys here for real. Thank

1041
01:10:53.000 --> 01:10:56.680
you so much for being with us. What would you say to the new

1042
01:10:56.760 --> 01:11:01.000
generations of landscape architects that, just
like you, you are about or are

1043
01:11:01.159 --> 01:11:04.960
already taking the step of doing the
same? What would they say to them,

1044
01:11:06.479 --> 01:11:10.079
for I would tell them to do
what, that is, where their

1045
01:11:10.119 --> 01:11:12.960
heart beats, that is what I
have done to my life. Or it

1046
01:11:13.039 --> 01:11:15.920
' s the day I entered my
kind of landscape that addressed you with Miguel,

1047
01:11:15.520 --> 01:11:17.479
I said this, this is what
I want to do all my life

1048
01:11:17.600 --> 01:11:21.880
here I' m not the one
who dares, I mean take risks,

1049
01:11:23.039 --> 01:11:27.600
uh, totally. The fact that
you don' t take risks doesn'

1050
01:11:27.640 --> 01:11:30.239
t win and you do have to
do a little bit of risk affection while

1051
01:11:30.319 --> 01:11:31.520
you' re ahead, obviously two
calculated and so on. But that'

1052
01:11:31.600 --> 01:11:34.319
s what I' d tell my
students. I always tell them and everything

1053
01:11:34.640 --> 01:11:39.800
from a little plant mix that might
not be the case to try. Sometimes

1054
01:11:39.880 --> 01:11:42.399
they do work. That' s
why I' m telling you it'

1055
01:11:42.399 --> 01:11:45.000
s an act of faith. Sometimes
they surprise gardens and companies too, because

1056
01:11:45.479 --> 01:11:49.279
the work teams you would tell them. I think yes, I mean,

1057
01:11:49.399 --> 01:11:55.239
you have to let them go,
yes as hell, you dared to change

1058
01:11:55.319 --> 01:11:59.159
really yes how to go on.
You intuited your heart, not like seeing

1059
01:11:59.239 --> 01:12:04.359
what and how to follow and how
to exploit your idea to the fullest,

1060
01:12:04.880 --> 01:12:09.760
because reality already lands you. Then
let me tell you exactly in the ideas

1061
01:12:09.880 --> 01:12:14.159
and exploit it to the fullest.
I mean, your creativity, yes,

1062
01:12:14.439 --> 01:12:16.239
and reality is already going to terrify
you. That' s the wine.

1063
01:12:16.399 --> 01:12:19.199
If your silver mix doesn' t
work, it won' t happen all

1064
01:12:19.239 --> 01:12:23.520
by itself, but you already did, no, then you dare break those

1065
01:12:23.520 --> 01:12:28.720
rules a little bit. Yeah,
yeah, yeah, yeah, we'

1066
01:12:29.239 --> 01:12:32.119
d say good, guys. Thank
you, because the truth is, thank

1067
01:12:32.279 --> 01:12:39.119
you so much for your time,
for having us so much show ah thank

1068
01:12:39.159 --> 01:12:42.359
you so much when you want to
quote the field labor and that I don

1069
01:12:42.359 --> 01:12:42.600
' t know the last time you' re here in dirrace. Sure,

1070
01:12:43.079 --> 01:12:45.479
please, to keep telling us,
to learn you because yes, there is

1071
01:12:45.520 --> 01:12:48.920
a lot to learn landscape and also
to know what you are in right now,

1072
01:12:49.199 --> 01:12:51.600
no yes, yes, really.
Thank you very much. We'

1073
01:12:51.640 --> 01:12:54.800
ll be in Fixed the week we
do, of course. I' m

1074
01:12:54.800 --> 01:12:57.239
there, of course, and there
we' ll be a lot higher than

1075
01:12:57.239 --> 01:13:00.640
the probe. Yes, of course
of the sessions. S u good berto.

1076
01:13:00.359 --> 01:13:04.239
Let' s try exactly, not
if we, because we did it

1077
01:13:04.239 --> 01:13:09.800
with you. The truth is that
we love what landscape society does. I

1078
01:13:09.800 --> 01:13:13.119
think we' ve been supporting them
for several years now. So, this

1079
01:13:13.279 --> 01:13:15.880
won' t be the last one. The last one. We' ll

1080
01:13:16.000 --> 01:13:19.319
keep working with you now. Thank
you very much, thanks to the audience

1081
01:13:19.319 --> 01:13:24.560
and remember that we are found on
all music streams, Spotify, Amazon,

1082
01:13:25.079 --> 01:13:28.079
Deezer, Google Podcast. Everything that
ends in podcast there can' t be

1083
01:13:28.159 --> 01:13:30.359
found. And please visit Capo Laboro' s show, which is on St

1084
01:13:30.560 --> 01:13:33.119
Louis Boto' s Street, one
hundred and thirteen, in the Rome Colony.

1085
01:13:33.399 --> 01:13:36.239
Thank you very much, thank you, Fernanda, thank you Sebastian.

1086
01:13:36.560 --> 01:13:39.560
See you at the next bye bye. Thank you.

