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Hello, everybody, Welcome to Hyperblast
here on That's No Metal, where we

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are back once again as we always
are, giving you the week in news

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of rock, heavy metal, the
surrounding world, everything that's gone on in

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a week where like, I'm not
making light of his diagnosis, I'm not,

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but just as an insight into how
my brain works. This is not

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a bit My girlfriend told me the
king had cancer and I immediately jumped to

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what King Diamond? A few seconds
there was I was in a panic or

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like, you know, at least
the another king that we are going to

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spend you know, a bolt of
this episode talking about you know, you

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can't say that to me without context, but genuinely that is that is what

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happened to me this week. Hello, you can hear the voices opposite from

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me. My name is Paranhirsh.
Opposite from me, we've got Sam Dignon

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and also, for reasons that will
become clear later in terms of what else

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we are doing today, we've got
Mark Sanderson with us as well. Mark,

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How's how's twenty twenty four treating you? Sofar? I've done nothing.

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I've not gone farther than twenty twenty
minutes outside my village in about two months,

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but I mean that does change.
I suppose. Yeah, I'm seeing

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the enter Shikaris very nice. I
was very excited. Yes, I was

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at a Merseyside like metal thing this
week, mainly because Conan were playing really

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weird mix of like when there's no
theming or curation outside of these bands are

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from like around the Liverpool area.
You had like really awkward like pub metal

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stuff suddenly shifting into that band Utopia
who released that record last week, and

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just going into like full on screeching
math care. It was like some wild

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transitions. But Conan, that's a
band we take for granted. I think

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like that's one the great doom band
in terms of like benchmarks of how punishingly

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Barbarrick you can take that kind of
heaviness, like genuinely one of the nuttiest

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sounding live bands in the world,
maybe like without fail. Every time their

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records are great, I love them, but then you see them live and

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they will have a guitar tone that
you just don't understand, like you can't

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process how guttural and distorted it is, and they will smash you to pieces.

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And then last night I ventured over
the river to the strange wildlands of

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the Wirral and Birkenhead to see Drab
Majesty and Nuova Testamento playing over there.

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For some reason, Nuova Testamento back
again, very very quickly, immediately.

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Genuinely, I think one of my
favorite new artists of the twenty twenties at

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the moment, Like they are just
so much fun and so good at what

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they do, like incredible disco synthpop
songs, and it's a real case of

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like, ah, if this was
the eighties, you'd know these songs that

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they were bloody pet Shop Boys ones, Michelle Miss Sheell all that shit,

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although thank You Burke and here in
an American accent is not something that feels

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like it should ever be uttered.
Drag Majesty I hadn't seen before, and

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the Modern Mirror album I have listened
to consistently for the last like five years,

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so it was lovely to see those
songs live. They played like my

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four favorite songs off It All in
a row. They're touring this EP at

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the moment from last year. That's
like a bit weirder. It's more kind

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of like nineties British influence, like
some shoegaze, but also some kind of

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like psychedelic like Happy Monday's like influence
at points in it or something. It's

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not my favorite thing they've done.
I don't think this direction that suits them

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overall, but I am you know. I reminded of when we we talking

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about EPs on the Award Show and
Elliott was like, it's your free hit

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experiment. You know. Two weird
blokes in suits, crazy sunglasses a lot

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that they're bolted onto their heads,
blonde wigs like spray painted silver. Great

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time. A man I would love
to see in crazy sunglasses and a blonde

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wig spray painted silver is Kerry King, who this week debuted his first piece

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of music since the demise of Slayer. The last Sligher music was fifteen.

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It's been nine years since we heard
anything from the pen of Kerry King in

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this guise, and that really does
feel like quite quite a golf in time

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there. He has an out of
course previously that his band is just going

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to be called Kerry King. We've
had like festival dates and stuff like that

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going along with it. But now
we have an album that is going to

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be coming out a little while in
this year. We also have the full

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announcement of who is in the band, and we have the first song.

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It is called Idle Hands. The
band it should be you know it,

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no it. It consists of former
Slayer drummer Paul boss Staff on drums.

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In the least shocking move of any
of them, Phil Demml is actually going

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to be the co guitarist along with
him. He's left Violence this week,

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so I guess currently his primary musical
gig is playing alongside Kerry King. He

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had like filled in for a few
Slayher dates towards the end ones that Gary

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couldn't make. Former Hell Yeah bassist
Kyle Sanders is in the mix, and

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it is Death Angels front man mark
Us Gwanda. However, you say that

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man's name? Who is going to
be performing vocals on the record and presumably

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go It and Tory along it as
well. He has clarified saying that he

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is like still in Death Angel and
all that as well. But that is

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the lineup we have here. We
can talk about, you know what those

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people add to the song. But
also this came out with a fairly lengthy

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interview piece in Rolling Stone which had
some I mean, he said some pretty

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spicy things in this interview piece.
When it came to, you know,

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the the demise of Slayer in the
last few years. Not a man to

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pull his punches really, Yeah,
wasn't mincing words on this one. Didn't

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quite expect him to go quite as
much venom like Tom Riah and like all

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that. It was was like,
oh, well, he's no holds barred

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on this one. But you know, yeah interesting even I don't know if

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venom is even the word I would
use, because he seems like he's very

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over it, but he did.
He is very matter of fact about exactly

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what he thinksbout people. But he
like he didn't like to say, he

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just didn't hold back. It was
yeah, straight for the like straight to

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the point. But I mean,
I imagine if you're doing that interview must

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be like, oh, this is
this is gold, We're game right now,

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like it's real, like it's it's
had everyone's had an opinion on it,

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Like that's what you want to guess. Yeah, he's been enlisted general

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and I don't give a fuck war
Like I like that about to be fair.

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Yeah, I was reading it and
I was like, thank fuck someone

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still yeah, yeah, yeah,
if he was just like oh yeah,

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I really respect Tom such a lad
and all this, I'd be like boring,

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give me the tea. Yeah,
I mean, like, you know,

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obviously he talks about he talks about
the split with Dave Lombardo, which

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you know, and he basically says
Dave Lombardo was dead to me over the

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kind of the how he ended up
exting Slayer the second time. He also,

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you know, in terms of exposed, the relationship with Tom is the

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more unknown quantity prior to his interview, but he basically said that hen't spoken

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to Tom since the last Slayer shows. And you know, while he I

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wouldn't say he has venom for Tom, he does basically say like the quote

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which I imagine comes with a hint
of kind of you know, sort of

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twinkle in the eye when he says
it, But he says like he I

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don't wish him dead at this moment
in time, which is a very ridiculous

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Kerry King that that to me feels
and was like at this moment in time,

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Like he's like that he has at
some point that there has been like

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some genuine like real like yeah,
eased off almost, But yeah, I

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mean he talks about the there was
there was the Trump incident with Tom where

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Tom used the official Slayer like account
to post some like republican content, and

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you know, in Kerry's interview he
says, like, you know, the

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other three guys and Slayer at that
point in time, Kerry, Paul and

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Garry are all like, no,
what the fuck are you doing? So

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I imagine that you know, you
do see divides, you know, a

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bit like we've seen him with bands
like System of a Down or whatever it

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kind of those areas. And I
think more generally, Kerry King is obviously

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the guy who never wanted Slayer to
go, like he is the guy who

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completely fully lived and breathed Slayer and
would have done until his last breath had

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he been given the opportunity to.
So I mean, I guess he probably

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did have some frustration towards the fact
that, you know, like Kerry King

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has always been the guy who said, like, oh, yeah, I

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would still be playing in Slayer,
and people have gone, oh, does

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that mean a reunion. It's like, no, it means that Kerry King

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didn't want them to break up in
the first place. You're not seeing a

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reunion because the rest of Slayer weren't
down for that. But Kerry King is

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going to be playing music forever and
that's what he does. And I guess,

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you know, just in terms of
this innity people we get to the

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song. I like I said,
I appreciate the honesty from Kerry. I

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think we've seen you know, it's
a bit like the the Dillinger thing we

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spoke about recently when when Ben and
Greg were kind of, you know,

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sparring a little bit in the press. I think people sometimes see this stuff

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about their favorite bands and they feel
the need to like take a side,

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even if like you know, they
you don't know, you're not in the

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room, you don't really know,
like you don't know these people, and

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people feel need to. But oh, you know, I think this guy's

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in the right whatever. Slayer are
one of my favorite things to ever grace

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this earth. And you know,
like, would it be nice if they'd

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kind of kept up that full on
band of brothers thing like they were in

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the eighties till the end. Sure, But I mean, that's that's so

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rare for that to happen to anyone. I you know, you can look

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at this and go like, we
don't know exactly, you know, the

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Dave situation with the kind of financial
contract stuff that they kind of were arguing

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over that led Dave's exit the band. Could Dave have points? Yeah,

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could carry have points? Yeah?
I again, like I said, I

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don't feel the need to draw some
kind of allegiance, shall we say?

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In these matters? We don't know
him personally, so yeah, what's the

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point? You know? It's a
shame when bands get like I'm sure,

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like I say, for a lot
of them, they probably have their sides

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that are valid, but it just
it makes for sort of a gripping read

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when it all drops it like this. Yes, the album is called from

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Hell I Rise, which is a
great name for an album for the first

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you know past Slayer Kerry King project. It's gonna be on May the seventeenth.

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We have a track from it called
Idle Hands. It does not sound

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like unto others unfortunately, but it
does tell you what sounds like fucking Slayer,

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doesn't it. Yeah, Like you
hit play, you'd like if everyone

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was expecting a surprise thing play from
this. I think that's you know,

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more for them. But it's good. Kerry King still do the Kerry King

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thing. I find this like I
put it on and like I said,

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it's nine years since we heard a
Kerry King, you know, proper song

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like this, and it's a nice
hitter familiarity for me, Like it sounds

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like repentless in terms of like the
kind of thickness of the guitars and the

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production. Obviously that was the record
where Kerry King took on like the hugest

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bulk of the writing because Jeff was
no longer in the picture. So it's

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Kerry's style of riffing on it.
And you know, maybe if you're kind

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of the Slayer died after nineteen ninety
kind of purist, you know this won't

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be for you. But I love
that, and you know, his all

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over this, his like picking rhythms
of how he writes a riff that you

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kind of open chords on the chorus
that like chugging kind of crunch stump when

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the verse comes in, all that
stuff, Like, I just fucking it.

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It takes me back to, you
know, nearly a decade ago when

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we were last hearing a new Slayer
record, and I always always get a

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thrill out of it. Yeah,
it's funny him saying in the interview he

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never wanted Slayer to stop. That's
very, very apparent when you listen to

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this, it's the spot. I
don't think it's a particularly memorable song,

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but the riffing it's nice, it's
comfy, you know, but it is

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funny hearing a gruffer voice. Yeah, on that style of riff. It's

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funny you say about that, the
kind of the memorable soil. Maybe this

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is just how fucking Slayer pilled I
am. I've had this in my head

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a lot, like particularly that makes
sense. Yeah, I mean that the

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chorus of like the that, because
when we were talking about were all kind

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of suspect it even before it was
announced. Really that the vocalist, it's

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it's hard to do what Tom Arayer
does in terms of like being on like

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such heavy aggressive music and keeping that
kind of crystal clear clarity. And I

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think we all kind of just knew
that as soon as Tom threw in the

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towel. It's almost like you have
to go to a harsher vocalist at that

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point, because you're not You're not
going to get a full on, clean

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singer, and no one else really
does what Tom does in the same degree.

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You're going to get someone who's a
little bit more gruff. It's almost

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like the end of an era in
some way where like that kind of tom

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Area school is not quite so in
vogue. And for me that's always the

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one on this where I was like, you know, it's not going to

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recapture Slayer, because so much of
Slayer is that kind of the extremity in

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like crystal clear delivery that tom Arayer
brought to that, and so hearing like

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a more gutteral vocalist is a bit
like, oh, you know, not

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wholly sure about it, but I
will say when he ramps up into that

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chorus, the part where it's like
that the where do I get in line

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to stomp on all divine? And
he says that fully feels to me like

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a catchy Slayer you know chorus,
like you know, it's stirring, anti

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religious, kind of bullish, a
bit stupid, you know, kind of

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middle finger up kind of you know, modern Slayer kind of anthem and the

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you know, the idle hands do
the Devil's work back into that crunch.

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That stuck with me a little bit
more than anything else. I'm like,

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he's got that sort of like good
sort of like sloganeering right in there to

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sort of saya as it's what you
want from a lead single. I think,

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like, I don't know, this
isn't going to be like the best

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Melting Hill year, but as just
like a lead single for a new project,

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it delivers that fix that I would
kind of turn to a new Kerry

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King for and I think it's gonna
be going like there could be some really

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good stuff on this album. Then. Yeah, I don't necessarily mean this

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in a bad way, but when
I was listening to it, I was

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thinking, this sounds like every newer
thrashbad. But I guess that speaks to

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how every other thrash band is just
trying to be Slayer but without Tom Mariah.

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Yeah, I see what you mean, But I also think Kerry's riffing

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style does just kind of that's a
guy who has personality and his playing that

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you can't the things like in the
bridge on this when it goes all fucking

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like Antichrist or whatever that is.
I know what you're saying in terms of,

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00:14:22,080 --> 00:14:24,679
like, you know, meaty production, modern sound, a kind of

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00:14:24,720 --> 00:14:28,399
gruffer singer. You know, that
could be Death Angel or something obviously,

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but those kind of moments in the
riffing no one has really done that like

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that since Kerry stopped, so that
shit to me is just it again.

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It's such a nice point of familiarity, Like it's catchy. It stayed in

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my head, it doesn't, you
know. It's not the I'd say it's

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not the coolest new you know,
reinventing thrash metal or everything on the block.

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But like, I'm a Kerry King
fan and I like this song a

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lot. I think it obviously doesn't
sound like the eighties, but it doesn't

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sound tired either to me. I
think Kerry of all the Slayer is obviously

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pretty fired up. And you know, he could be complacent at this point

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and not release anything if you didn't
have it in it, because he doesn't

228
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fucking have to Slayer are Gone.
But he's doing it because he feels like

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it has in him. And yeah, it's basically a continuation of the same

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thing that he'd been doing for several
albums now, particularly Repentless. But he's

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still got more songs in that guys
that he wants to offer, and I'm

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enjoying this very much. So I
am like you know, as you say,

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it won't be the best metal album
of the year, but as a

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fucking Slayer not I can certainly see
it one being one that I spin quite

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a lot. So I'm like really
looking forward to the Kerry King album now

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that's coming out on May the seventeenth. Elsewhere. We had teasers a few

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days ago and then it was announced. Bathing it America, you are getting

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Lamb of God and Mastard on speaking
of something that Kerry King is involved with

239
00:15:46,840 --> 00:15:52,879
as well. Lamb of God and
Mastodon doing joint anniversary tours for Ashes of

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the Wake and Leviathan together bringing the
support bill of Kerry King by the way

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to only the man from Slayer supporting
that and Malevolence making it over for a

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big US slot. Fucking good for
them. That's awesome. The amount of

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American Lamb of God fans We're going
to see my level Andnce and be like,

244
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oh shit if they haven't heard them
already. But ah, man,

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I mean that's tier records that,
like, you know, I've put them

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together in terms of like records that
broke out about the same time and kind

247
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of you know, fucking shook up
what was going on with you know,

248
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popular metal at that point in time. Oh, please bring this to the

249
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UK, like please. I tend
to not get you know that jealous of

250
00:16:30,919 --> 00:16:33,840
us tours anymore. But I look
at this and gonna go like that is

251
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like one of those just like as
a package with the supports and everything,

252
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and those like say two seminal like
hugely important twenty first century metal albums that

253
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changed everything in ways. Yeah,
like celebrating them like what a Night.

254
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That's my favorite Lamb of God album. It's my second favorite mastered on but

255
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still an album that could possibly be
in my top twenty, top thirty whatever

256
00:16:59,120 --> 00:17:03,120
records of all time. I'm a
I'm a sucker for like an artwork mash

257
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up poster of when bands like tour
together and like the ashes of the wake

258
00:17:07,960 --> 00:17:11,640
Birds, like flying down and meeting
you know, Moby Dick coming up from

259
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below. Just imagery like that to
kind of have that clash of the Titans

260
00:17:15,400 --> 00:17:18,319
feel. Yeah, because I obviously
I saw the rumors and I was like

261
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the Viythan Nash is awake, Yeah, that sounds big. Then seeing that

262
00:17:23,079 --> 00:17:29,279
poster, yeah, I was like, oh fuck off, that's fucked.

263
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Yeahsiconicness of the albums and Unarthur supporting
on a couple of dates as well,

264
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so you're going to hear so many
of the best metal songs from two thousand

265
00:17:38,720 --> 00:17:44,519
and four to Yeah damn right.
And then I guess, while we're talking

266
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to specifically the US listeners out there, an underground tour that I'm very jealous

267
00:17:47,880 --> 00:17:51,920
off is Wayfairer are doing their first, like full US headline tour over there,

268
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and they're bringing along Sonya with them, which is a brilliantly you know,

269
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diverse but fucking awesome current kind of
underground match up bill. If you

270
00:18:00,880 --> 00:18:02,839
don't know Sonya, check that band
out. That's a tour. I'm very

271
00:18:02,880 --> 00:18:04,680
jealous, although I am very excited
to be seeing Wayfairer in about a month's

272
00:18:04,680 --> 00:18:08,480
time over here. All right.
Speaking of over here, sleep Token have

273
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gone from you know, the one
insane Wembley sell out whatever to a full

274
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UK arena tour, including like,
you know, the Manchester date is the

275
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new arena's just opening up and it's
like one of the biggest arenas in the

276
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in the country, and a whole
load of these fucking dates, you know,

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bloody sitting like hotcakes as well.
So a pretty incredible rise in terms

278
00:18:29,640 --> 00:18:34,200
of yeah, like like them or
not. I cannot remember a band jumping

279
00:18:34,240 --> 00:18:37,079
through the hoops as quickly as sleep
token of doing it. We are used

280
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to bands doing it the kind of
you know, the architects Partway Driveway or

281
00:18:41,359 --> 00:18:45,039
whatever of kind of you know,
you do Brixton and in a few years

282
00:18:45,119 --> 00:18:47,200
later you do Wembley and in a
few years later whatever. That kind of

283
00:18:47,920 --> 00:18:52,240
doing it all inside a year basically
is speaking barmy. Each tour has just

284
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gone consecutively. They've done like Brixton
once and then it will or they did

285
00:18:55,519 --> 00:18:57,920
Hammers before whatever like, but they
have just each time has gone bigger and

286
00:18:57,960 --> 00:19:03,839
bigger. So it's yeah, but
to go bankrupt on some coins, imagine

287
00:19:03,880 --> 00:19:07,119
the coins they can sell across that
many, like you know, fucking nearly

288
00:19:07,160 --> 00:19:11,359
sold out UK Arena day. It's
fucking crazy, all right. The Grammy's

289
00:19:11,400 --> 00:19:15,599
happened. Someone even in you know, the socials were like, I don't

290
00:19:15,599 --> 00:19:17,759
think you should even talk about the
Grammys on the news. This is about

291
00:19:17,799 --> 00:19:19,759
as large as we all devote to
it this time, because there's so little

292
00:19:19,799 --> 00:19:25,039
love a story. My favorite piece
of coverage about this was Metal Injections headline

293
00:19:25,279 --> 00:19:29,039
for it, which just says Metallica
won a Grammy. Rob Truhio showed up.

294
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It is about the level of like, yeah, all right, but

295
00:19:33,359 --> 00:19:37,039
this war obviously, that means that
Metallica won the Grammy for Best not Forwards

296
00:19:37,240 --> 00:19:42,240
for seventy two Seasons. They beat
out spirit Box, Slipknock Disturbed Ghosts covering

297
00:19:42,279 --> 00:19:45,119
Phantom of the Opera. I think
you know we said I like seventy two

298
00:19:45,119 --> 00:19:48,359
seasons the song. I think it's
one of the bet songs on that record.

299
00:19:48,519 --> 00:19:51,039
Yeah, I think we were saying
that, you know, the best

300
00:19:51,039 --> 00:19:53,480
two songs in the bunch really are
the Slipnot one and the spirit Box one.

301
00:19:53,640 --> 00:19:56,839
And in terms of like where you
want to see a Grammy go for

302
00:19:56,880 --> 00:20:00,599
lifting up a newer band, I
think we all collect went, yeah,

303
00:20:00,599 --> 00:20:04,000
it should pretty clearly go to spirit
Box Box. And at the same time,

304
00:20:04,519 --> 00:20:08,839
while it is a crying shame that
the Grammys keep basically like pissing money

305
00:20:08,880 --> 00:20:12,119
away by like refusing to lift up
bands and allow them to become, you

306
00:20:12,160 --> 00:20:17,720
know, more than they are,
and they're not helping create the stars of

307
00:20:17,759 --> 00:20:21,039
you know, the future, it's
also not surprising that Metallica won, like

308
00:20:21,079 --> 00:20:26,680
their twelfteenth Grammy. It's like,
all I could think of was the when

309
00:20:26,720 --> 00:20:30,960
I was watching the spirit Box fans
have a meltdown is the the clip of

310
00:20:30,960 --> 00:20:32,759
the movie with them in the Nooses. It's like, yeah, time,

311
00:20:32,799 --> 00:20:34,960
first time. All I could think
of when I was seeing spirit Box Fangs,

312
00:20:36,000 --> 00:20:37,519
just like I was like, I
promise you, you don't need to

313
00:20:37,559 --> 00:20:41,319
get this work about the Grammys.
This is this is nothing new. Yeah,

314
00:20:41,279 --> 00:20:44,920
might be your first rodeo, but
it is. It's just how it

315
00:20:44,960 --> 00:20:48,720
goes. It is a shame,
but also nothing else. Yeah, speak

316
00:20:48,759 --> 00:20:52,839
for yourself. All as Disturbed heads
are, I mean, I was saying

317
00:20:52,839 --> 00:20:56,480
that they were the one who,
like, of the legacy bands who hadn't

318
00:20:56,480 --> 00:21:00,400
already won before, maybe they would
get the kind of that. Instead they

319
00:21:00,440 --> 00:21:02,799
just went known with Hallka again.
They didn't even care about the fucking bands

320
00:21:02,799 --> 00:21:06,480
of Disturbed generation that much. But
fucking they didn't even care about the funniest

321
00:21:06,559 --> 00:21:11,920
fuck song Disturbed words Yeah, which, as I've said before, I can

322
00:21:11,960 --> 00:21:14,720
only ever think about the Skindred song
bad Man, Bad Man when I think

323
00:21:14,759 --> 00:21:18,480
about that, And that's actually very
fitting because Skindred also won an award this

324
00:21:18,519 --> 00:21:21,240
week, which is much nicer to
say. They won a Mobo Award for

325
00:21:21,279 --> 00:21:23,400
the Best Alternative Act, So you
know they were rolling up on their red

326
00:21:23,480 --> 00:21:26,960
carpet doing their thing that's so lovely
to say. Well done, Skindred.

327
00:21:26,079 --> 00:21:30,000
Okay, the Ghost Inside have announced
their new album. We were suppose have

328
00:21:30,000 --> 00:21:33,960
been waiting this for at while because
they've been releasing some material that's out on

329
00:21:33,000 --> 00:21:37,079
April the nineteenth. It's called Searching
for Solace. I haven't actually listened to

330
00:21:37,240 --> 00:21:42,640
this newest single, but I'm judging
by reactions from from you guys that it's

331
00:21:42,720 --> 00:21:45,720
kind of continuing in the vein of
the one that we did cover where we

332
00:21:45,759 --> 00:21:48,519
were like, I'm not sure what
you're doing here. Well, it's going

333
00:21:48,519 --> 00:21:56,119
a step further in like there is
almost entirely removing any harsh vocals. It's

334
00:21:56,200 --> 00:22:00,920
so like the guitars sound even more
like sanitized process. It's got a good

335
00:22:02,000 --> 00:22:04,279
chorus. I do genuinely think this
one's got a good chorus. But the

336
00:22:04,279 --> 00:22:07,519
problem is, like I was saying, like I love one of those big

337
00:22:07,559 --> 00:22:11,720
ghost of side choruses come out of
those like hard hitting marsh versus and when

338
00:22:11,720 --> 00:22:17,519
it's kind of like kind of very
soft like ambient bad omen z pop metalcore

339
00:22:17,880 --> 00:22:22,240
clean verse into a pretty big chorus. But when that's still very much of

340
00:22:22,319 --> 00:22:26,079
that kind of ILK doesn't leap out
to me, anymore, and I would

341
00:22:26,079 --> 00:22:29,599
just be like, I don't know. I like, I'm going to give

342
00:22:29,599 --> 00:22:32,759
this album like an honest shot,
because I think I'd always want you with

343
00:22:32,799 --> 00:22:34,160
the Ghost of Side, But this
is the first time I'm like, you're

344
00:22:34,160 --> 00:22:38,559
not doing a thing that suits you
creatively. Yeah, the guston cider and

345
00:22:38,599 --> 00:22:44,480
there of mice and mayn Era.
It's just it could be anyone. Yeah,

346
00:22:44,559 --> 00:22:45,920
So speak of that what you will. There will be an album coming

347
00:22:47,000 --> 00:22:48,559
in that regard. Okay, there
was a festival announced to this week,

348
00:22:48,559 --> 00:22:52,920
which I don't think is news in
itself because it's one of many festivals.

349
00:22:52,920 --> 00:22:56,960
It's Incarceration Festival in the US,
and very occasionally, and by very occasionally,

350
00:22:56,960 --> 00:23:00,599
I seemingly mean about twice a week
we get a festival coming through from

351
00:23:00,599 --> 00:23:02,359
the US, where we look at
it from over here and go, what

352
00:23:02,400 --> 00:23:04,440
the fuck are you guys doing over
there? This looks terrible. But one

353
00:23:04,440 --> 00:23:07,799
piece of news that did come from
that is that or Shall Perish are back

354
00:23:08,279 --> 00:23:12,400
and are reuniting seemingly properly this time. They've sort of attempted a reunion before

355
00:23:12,440 --> 00:23:15,839
and nothing really came of it.
But you know, this band have not

356
00:23:17,079 --> 00:23:19,759
been massively active really since the early
twenty tens and since Eddie Hamida you know,

357
00:23:19,880 --> 00:23:23,559
joined Suicide Silence as their primary vocalist, but they have now done the

358
00:23:23,559 --> 00:23:26,880
full thing. Like yet we are
back properly this time, we're going to

359
00:23:26,880 --> 00:23:32,000
be playing these shows and like I
don't Death Corps is in a very different

360
00:23:32,039 --> 00:23:33,480
era right now. I think the
fact that you know, Suicide Silence are

361
00:23:33,480 --> 00:23:37,799
releasing records that are like pretty good
but nothing crazy. I think, you

362
00:23:37,839 --> 00:23:44,480
know, a band like Orsha Perish
doesn't necessarily have to add a great deal

363
00:23:44,599 --> 00:23:48,240
to like the current Death Corps eitgeist. But I like Dorshar Perish. They're

364
00:23:48,240 --> 00:23:52,519
are important man in you know,
the development of that style in the kind

365
00:23:52,559 --> 00:23:55,880
of mid noughties. And if I, you know, was in a position

366
00:23:55,920 --> 00:24:00,599
where you're fucking throwing wage slaves down
in front of me in a first field,

367
00:24:00,880 --> 00:24:03,279
I would take that chance. So, uh, you know, interesting

368
00:24:03,279 --> 00:24:04,839
to see. I guess what this
means for Suicide Silence, whether he just

369
00:24:04,920 --> 00:24:08,759
kind of juggles both bands kind of
in a way that he hasn't necessarily done

370
00:24:08,920 --> 00:24:14,880
up to this point. But Perish
are indeed back on the on the scene.

371
00:24:15,200 --> 00:24:18,880
I would welcome nostalgic throwback Death Corps
as the more exciting thing going on

372
00:24:18,920 --> 00:24:23,480
at the moment death because I've I'm
the whole symphonic way that was going was

373
00:24:23,480 --> 00:24:27,440
really exciting for like a year and
then when everyone started doing it and it's

374
00:24:27,480 --> 00:24:32,000
so tapped out that well so quickly
that I'm like, you know what,

375
00:24:32,200 --> 00:24:36,720
give me back, like the the
like Naughty's MySpace Death Corps and that kind

376
00:24:36,720 --> 00:24:40,400
of ear of it. I'm down
for that to come back. So I

377
00:24:40,440 --> 00:24:42,839
hope they come to the UK,
Like I like death Core a lot,

378
00:24:44,160 --> 00:24:48,240
but everyone's so self serious. Now, bring back the breeze, bring back

379
00:24:48,279 --> 00:24:53,960
the sub drops, bring back the
monster energy risk bands come on. Yeah,

380
00:24:55,000 --> 00:24:57,039
and Altra Perish one of the more
credible bands in that particular school,

381
00:24:57,119 --> 00:25:02,480
so yeah, not to see back. We also have Therapy doing a thirtieth

382
00:25:02,480 --> 00:25:04,440
anniversary tour of Trouble Gum. Who
fucking knows how many times they will have

383
00:25:04,519 --> 00:25:08,400
toured Trouble Gum at this point,
but maybe this is the time I actually

384
00:25:08,400 --> 00:25:11,920
go and see them do it.
Who knows. Obviously it's an absolutely classic

385
00:25:11,960 --> 00:25:15,119
record. Crosses are doing their first
ever I didn't realize this their first ever

386
00:25:15,400 --> 00:25:21,279
UK and European headline performances. So
that is coming up later this year.

387
00:25:21,319 --> 00:25:23,079
And you know, even though we
didn't we'd cover, we didn't review that

388
00:25:23,200 --> 00:25:27,160
latest record, it got a lot
of you know, positive kind of feedbackers,

389
00:25:27,200 --> 00:25:30,240
I think, as you would expect
from you know, Chino and Crosses.

390
00:25:30,279 --> 00:25:33,279
So if that is you, then
you might get your chance to see

391
00:25:33,279 --> 00:25:37,440
those songs in a headline environment coming
up. I am very excited that Chelsea

392
00:25:37,480 --> 00:25:41,519
Wolf has announced the UK tour coming
through in October, doing you know obviously

393
00:25:41,880 --> 00:25:45,279
venues up and down the country.
It's been a hot minute since I've been

394
00:25:45,279 --> 00:25:48,920
able to see Chelsea Wolf, and
I have been feeling like I should.

395
00:25:49,240 --> 00:25:52,319
I've never seen her, and so
I'm like, this is gonna be the

396
00:25:52,319 --> 00:25:56,599
world wor blood moat. Yeah,
but I've not seen a Chelsea Wolf.

397
00:25:56,640 --> 00:25:59,559
Yeah. So that's when I said, and that's what I really want to

398
00:25:59,559 --> 00:26:02,480
see, is I want to see
you know, Chelsea Wolf doing the Chelsea

399
00:26:02,559 --> 00:26:04,960
material because like Blooming was incredible.
But yeah, I will be getting a

400
00:26:06,000 --> 00:26:07,559
ticket for this one because I think
I've put it off seeing her in her

401
00:26:07,559 --> 00:26:11,480
own show for too long. Yeah. The one time I saw Chelsea Wolf

402
00:26:11,519 --> 00:26:15,400
headline, it was just before his
Spun came out and she released like the

403
00:26:15,440 --> 00:26:18,440
first single from it, and it
was like a full on fucking experience.

404
00:26:18,480 --> 00:26:23,039
It was absolutely incredible. So I'm
so excited to get the opportunity to relive

405
00:26:23,119 --> 00:26:27,039
that. And then we also got
these sad news that the MC five's legendary

406
00:26:27,160 --> 00:26:32,319
founding guitarist Wayne Kramer passed away.
Who the Empty five are a bit of

407
00:26:32,319 --> 00:26:34,160
a blind spot for me, really, I don't know an awful lot about

408
00:26:34,160 --> 00:26:37,519
their their catalog, but I do
know that they are such an important band

409
00:26:37,519 --> 00:26:41,759
in kind of you know, that
sort of stooges generation of like kickstarting in

410
00:26:41,799 --> 00:26:45,799
the late sixties what would eventually become
fully fledged punk rock. And you know

411
00:26:45,839 --> 00:26:49,160
a lot of people kind of you
know who we celebrate so hard, have

412
00:26:49,160 --> 00:26:53,759
been celebrating Wayne Cramer for his you
know, very very important contributions to that

413
00:26:53,799 --> 00:26:56,039
over the years. So, you
know, rest in peace, Wayne Kramer.

414
00:26:56,039 --> 00:27:00,920
This is just a fairly quick little
hyperblast for us today because we are

415
00:27:00,920 --> 00:27:03,440
in this sort of recording session we're
in currently. We're about to go on

416
00:27:03,680 --> 00:27:07,240
and record our next that's not that
our Patreon special. And I said last

417
00:27:07,240 --> 00:27:11,119
week on last Week Hype Last I
would be announcing what that is. I

418
00:27:11,160 --> 00:27:14,519
did not necessarily know that it was
going to be essentially in your ears right

419
00:27:14,559 --> 00:27:18,319
now in that you know we're recording
this tonight today out with this hyper last

420
00:27:18,359 --> 00:27:21,319
episode as well. If you go
out to That's My Patron, you are

421
00:27:21,319 --> 00:27:25,480
going to have the opportunity to listen
to the first part of our band special

422
00:27:25,839 --> 00:27:30,400
on Alexis on Fire. That is
the band that we are going to for

423
00:27:30,480 --> 00:27:34,839
the first you know, multiple part
band special of this year, and it's

424
00:27:34,839 --> 00:27:40,559
a really interesting one to go and
do. I think they're not like an

425
00:27:40,599 --> 00:27:45,480
obvious band to do. They're a
big popular band. When they release albums,

426
00:27:45,519 --> 00:27:48,240
it's a big deal and people are
excited about and people want to talk

427
00:27:48,279 --> 00:27:49,759
about it, so why not go
and do it? But I think they

428
00:27:49,839 --> 00:27:52,799
might be a bit of a like
a left field choice and that you didn't

429
00:27:52,839 --> 00:27:56,920
necessarily think they would be at the
top of the list for things to be

430
00:27:56,000 --> 00:28:00,960
doing. But because of that,
it's really fucking exciting to be doing it,

431
00:28:00,039 --> 00:28:04,079
I think. And we have a
two part band special. Obviously they've

432
00:28:04,119 --> 00:28:07,440
only got five albums with a break
in middle, it's a bit awkwardly split.

433
00:28:07,519 --> 00:28:11,079
But this first part we are gonna
be talking all the way up to

434
00:28:11,359 --> 00:28:15,759
the crisis album. So the kind
of the blooming of alex on Fire and

435
00:28:15,759 --> 00:28:22,240
then going from you know, a
small little Canadian emo band to you know,

436
00:28:22,359 --> 00:28:26,559
one of the biggest bands of that
scene, of that generation. And

437
00:28:26,599 --> 00:28:29,680
I guess, you know, next
time we can go into what sort of

438
00:28:29,680 --> 00:28:32,000
talking about some of the discussions that
we've had or whatever, but just in

439
00:28:32,039 --> 00:28:34,400
general, you know, how excited
are you guys to be talking about alex

440
00:28:34,440 --> 00:28:37,920
on Fire in this deep fashion that
we do the only band ever, you

441
00:28:37,920 --> 00:28:42,400
know, Like, I've been so
looking forward to jumping on this one because

442
00:28:44,000 --> 00:28:45,799
I listened to Alex on Fire a
lot and it's just nice to be like,

443
00:28:45,880 --> 00:28:51,680
hey, this band fucking rule and
really dig into, like particularly these

444
00:28:51,720 --> 00:28:56,839
albums, these first view like how
good they are. Yeah, it's interesting

445
00:28:56,880 --> 00:29:00,240
because you were saying they are a
big band. It's funny because they are

446
00:29:00,279 --> 00:29:04,160
a big band, but they're not
an obvious big band, but older fans

447
00:29:04,359 --> 00:29:10,119
are extremely passionate. Yeah, so
it's almost like there're a cult band who

448
00:29:10,119 --> 00:29:12,960
are also really popular. Yeah,
there is that. There is that class

449
00:29:12,960 --> 00:29:18,240
of like you know, cult Brixton
bands or something, and alex on Fire,

450
00:29:18,440 --> 00:29:19,880
certainly I think one of the most
worthy of that particular school for us

451
00:29:19,880 --> 00:29:22,920
to be doing this treatment. You
know, I'm really excited to be going

452
00:29:23,000 --> 00:29:27,000
talking about this, this whole story
in these records as well. And you

453
00:29:27,039 --> 00:29:30,440
know, if you are someone of
that alex on Fire and their ilk sort

454
00:29:30,480 --> 00:29:36,799
of persuasion, then absolutely this is
going to be the band special for you

455
00:29:36,920 --> 00:29:40,119
amongst all the metal ones that we
do or whatever. It's always nice when

456
00:29:40,160 --> 00:29:44,599
we kind of find the right stuff
in each kind of world like that to

457
00:29:44,640 --> 00:29:48,519
go full all out on this.
And yeah, alex on Fire, patron

458
00:29:48,519 --> 00:29:51,799
of the commp slash that's not metal, is where you're going to find that

459
00:29:51,920 --> 00:29:55,240
special. As I said, the
first part should be out for you right

460
00:29:55,319 --> 00:29:57,640
now as we are speaking, and
the second part will follow one fairly soon

461
00:29:57,920 --> 00:30:03,480
on its heels. So get involved
ending this hyperblast. Today we have the

462
00:30:03,559 --> 00:30:06,400
release roundom. It's a lot more
manageable than last week, which is very

463
00:30:06,480 --> 00:30:08,839
nice for me. We do start
off with one of my most anticipated records

464
00:30:08,839 --> 00:30:11,799
of the whole year. We were
just talking about her doing the tour and

465
00:30:11,839 --> 00:30:15,960
suport of it. Chelsea Wolf's new
album is out today. She reaches out

466
00:30:15,000 --> 00:30:18,839
to, She reaches out to.
She I've remembered the order of the words

467
00:30:18,880 --> 00:30:22,279
and have to say it by this
point, but I mean, obviously today

468
00:30:22,319 --> 00:30:23,200
as this goes out, that's the
thing that I'm going to be listening to

469
00:30:23,279 --> 00:30:26,920
all day if I can manage it. Very excited to be having you,

470
00:30:26,079 --> 00:30:30,079
Chelsea Wolf. We then have a
collaborative album. I believe it is billed

471
00:30:30,079 --> 00:30:33,599
as it's Yellow Card and then a
band I'm not familiar with called Hammock,

472
00:30:34,079 --> 00:30:38,279
but the record is called a Hopeful
Sign. And you literally just sprung this

473
00:30:38,319 --> 00:30:41,599
on me basically right before we were
going to record this, and I was

474
00:30:41,640 --> 00:30:47,559
putting this list together. It's Yellow
Card and Hammock kind of doing like soft

475
00:30:48,559 --> 00:30:52,960
reworkings of Yellow Card songs if you
need them to be even softer. Yeah,

476
00:30:53,119 --> 00:30:59,720
like ambient piano. We like very
chill versions of pop punk songs.

477
00:31:00,000 --> 00:31:03,200
I'll give it a listen. I've
not been blown away by what I've heard

478
00:31:03,200 --> 00:31:07,440
from it so far, but who
knows. It's like they always say,

479
00:31:07,480 --> 00:31:10,319
you know a good song's a good
song when you can do a post rock

480
00:31:10,440 --> 00:31:12,319
version of it. You know a
good song is a good song when you

481
00:31:12,319 --> 00:31:17,920
can re record Ocean Avenue for the
seventh time of your career. We also

482
00:31:17,960 --> 00:31:22,680
have the Chisel UK punk hardcore heroes
their new album What a Fucking Nightmare.

483
00:31:23,359 --> 00:31:27,200
It's out today. In your kind
of you know, more progressive spheres,

484
00:31:27,240 --> 00:31:32,759
the Pineapple Thief are releasing It leads
to this, speaking of Breebree Death Corps,

485
00:31:33,200 --> 00:31:37,880
The Last ten Seconds of Life have
an album called No Name Graves Haystack

486
00:31:37,039 --> 00:31:41,319
Doomsday Goes Away. I'm curious to
listen to this because it's Upha Cheddlund from

487
00:31:41,480 --> 00:31:44,319
Tombe and this Sphere and so on, but doing a kind of like noise

488
00:31:44,519 --> 00:31:48,640
rock noisy type thing, so I'll
check in on that. And then a

489
00:31:48,680 --> 00:31:52,920
bunch of more kind of death metally
sort of black metally stuff. Morbid Saint,

490
00:31:52,000 --> 00:31:56,160
one of the og kind of death
thrash bands from the eighties, releasing

491
00:31:56,160 --> 00:31:59,680
an ear called Swallow by Hell.
One of the big releases in Like the

492
00:31:59,759 --> 00:32:05,839
under Ground this year is the return
of Spectral Voice and their record Sparagmos,

493
00:32:06,400 --> 00:32:09,000
which is absolutely in the worlds of
you know, death and doom metal,

494
00:32:09,440 --> 00:32:13,519
a fucking monolith of the thing to
be coming out this year. We also

495
00:32:13,559 --> 00:32:17,240
have Holder Versus in Oath, one
of the more popular buzzy black metal artists

496
00:32:17,240 --> 00:32:21,799
who have emerged onto the scene in
the last several years. We have Chapel

497
00:32:21,839 --> 00:32:23,279
of Disease, Echoes of Lights,
and I see this band back. They're

498
00:32:23,319 --> 00:32:25,200
a kind of you know, death
metal, black metal band, but they

499
00:32:25,279 --> 00:32:30,880
sort of leaned into some kind of
like proggy dire straits, guitar, fucking

500
00:32:30,039 --> 00:32:34,160
you know stuff going on with them. We have in more you know,

501
00:32:34,720 --> 00:32:39,640
simplistick straight to the fucking head death
metal. We have Petrification with sever Sacred

502
00:32:39,720 --> 00:32:43,960
Light. We have in black metal. This is a good record a band

503
00:32:44,000 --> 00:32:46,640
called Zviilicht, which is a German
band. They record the Ethotic Embrace.

504
00:32:46,680 --> 00:32:51,720
It's their first record in like ten
years and it's rather good. Then there

505
00:32:51,759 --> 00:32:57,359
is also in black metal Theophanos Ashes
in the Huron River and an EP from

506
00:32:57,519 --> 00:33:01,680
the drummer Hannah's Grossman, who is
basically related, seemingly writing a bunch of

507
00:33:01,720 --> 00:33:07,839
songs inspired or in the style of
various bands he's been in over the years.

508
00:33:07,880 --> 00:33:09,200
So there's like, this song's meant
to be a bit like Necrophagia,

509
00:33:09,279 --> 00:33:13,200
this song's meant to be a bit
like Obscurer, and I like those things.

510
00:33:13,240 --> 00:33:15,359
So there you go. Yeah,
he's good at it. He is

511
00:33:15,400 --> 00:33:19,440
good at it. So there are
your releases. Go and choose your favorites.

512
00:33:19,759 --> 00:33:22,599
Thank you very much for listening here
today. Next week we are going

513
00:33:22,640 --> 00:33:25,440
to be back here with the reviews
show for February. We are going to

514
00:33:25,440 --> 00:33:28,599
be talking about that Chelsea Wolf album. We are going to be talking about

515
00:33:28,599 --> 00:33:30,920
that Spectral Voice album. We're going
to be talking about some other things that

516
00:33:30,960 --> 00:33:34,519
are out either side of those things, and all of the biggest and best

517
00:33:34,519 --> 00:33:37,200
stuff that's going on in February,
So join us there for that. But

518
00:33:37,319 --> 00:33:40,079
right now, as said, we
are going to hop over to another lot

519
00:33:40,079 --> 00:33:44,480
of recording session and talk about Alex
on Fire for probably two to three hours.

520
00:33:44,519 --> 00:33:45,039
So if you want to get in
on that, you should go to

521
00:33:45,039 --> 00:33:49,680
peguon dot com slash That's nut metal, and just fucking listen to Crisis a

522
00:33:49,680 --> 00:33:52,279
whole load and listen to watch Out
a whole load. Get excited. So

523
00:33:52,480 --> 00:33:53,920
yeah, see you for both of
those things. See you around
