Good morning, Mother, Sphere Good morning' s bad commonic sphere of the
Foundation. Good morning, Mother, wait Welcome one more day to our podcast,
one more week we return with a new episode dedicated to you know all
these adventures, challenges, people, initiatives, projects that we present to you
and that we hope will help you to face motherhood, fraternity, education,
upbringing in a more positive way, more entertaining, more beautiful, if you
can, And then, entertaining a little while that is also a goal of
the podcasts today I, at least so I raise it, because besides,
I have the pleasure to share again space that is virtual, with a great
friend of mine, So I welcome Jimena Ruiz Echazu. Good afternoon Jimena,
how are you good afternoon, my great friend, how good, so let
' s do a little what I was going to tell you by combining the
arrival of summer, with the stampede of the classes and all that with the
work, because beautiful rejection day, one day of summer. It' s
like kids, one day less not with the calamities counter and those three natural
accidents. Well, one day less love And that which I consider lucky,
because my children are already quite old inside that they still ask for bread and
it has nothing to do with when the creatures climb your legs because there are
furniture or furniture plants eat the cables. All my love, all my patience,
I send you tons of love, kilos and kilos of affection and understanding.
Why the summer with creatures. It' s very hard and you only
know when you live. Of course, obviously one and from the trenches,
because besides, a summer to the venom does not forget. Then start doing
the summer by saying not this summer. Then you keep instagram the project and
the crafts and the small plans of I don' t know where. Then
I' m going to take you to I don' t know what and
how you look. You start that vacation you' ve exhausted that as you
look at three I' ll be able to do all this. But,
come on optimism about sole cream optimism so or cream that' s super important
factor fifty. If you are going to think to the pool carefully with your
mobile phones, always go to the water at a distance of a very careful
arm, because now begin the accidents and golden ones of love I insist and
in addition, in this program we will bring you, even if it is
a resource to help you on this vacation. We know we can' t
handle it all summer. That' s hard. But besides, I also
love the optimism or nothing like the optimism of a mother who comes out with
the bag of super, with the lunch box of the bazaar, that you
put in the milestones, the plasticine, I don' t know what the
puble, the doll the car in those I know that I don' t
know how many little you leave, as well as four hours of three.
I don' t have it fixed and this means the first seven minutes of
the road. But you liked everything and yes, what do I do now?
But well, to the full with optimism, I love with our ingenuity
proof of permanent reality. Indeed, they are never enough, never ever and
then, besides, they and they our creatures, will entertain themselves with the
most toxic, the dirtiest thing on the ground. What happened to that gum
stuck in the bird' s toilet. There that, that' s the
winning resource. That' s when we took it out, we put it
in a stylus that we don' t know about to use in the restaurant.
That' s why I don' t have your gum. It'
s okay, we understand you, we love you, so now we'
re making a lot of doubt, it' s okay. If you'
ve just landed in this universe. Motherspheric and you don' t know Jimena.
Jimena is a strange Tospheric, multidisciplinary artist, a woman of great talents
and fantastic artistic skills, who is a singer with a wonderful voice that you
can find all her works in Spotify. By the way to put this summer
' s playlist on your creatures. As the U S podcasts say, on
the platform where you hear your thing, too, and everywhere. I think
I' m into one, but it' s true. It' s
true, Jimena, on that platform where you consummate your music and come to
it and when you' re so desperate that we hear to make it happen.
And now, besides, Jimena' s an actress too, and it
' s just that you could have been born in rebirth. Rebirth women,
Jimena, Julia could. It' s a little bad for me. No
better. Better now. Now it' s better for us than years.
Now it doesn' t come much better because it has coincided, especially and
because it comes in time to consume live and to be able to celebrate with
you the release of your first book, your first illustrated work, Escuela de
Humanitos, which is an illustrated album, a story that is illustrated by pp
An Tarana. Now you will tell us where everything comes from, and that
this book, School of Humans, comes at the right time. Friends,
friends, you are listening to us an illustrated book, you have already formatted,
as would my friend sem is that it looks lined, but I sell
it shock I do not have there, wonderful there. I better have hard
cardboard cover, large format so that the slips well in the legs to the
little ones having if you are my head and a beautiful proposal for little ones
of what ages Jimena. Let' s go in there a little bit.
Like everything else, I' m telling you, from the four of us,
they enjoy each other more. But I am a great advocate and lover
of literature in general, and it seems to me that all books dedicated to
your childhoods have usable things before and after the age of rank. And it
also depends a lot on little if you' re more used to reading more,
if you can share it with someone in the family, etcetera. But
leaving four, I like going see me. Moreover, from four or even
earlier you can read it count, you sing, but even infinity is worth
a book, for it can fall into your hands and it will delight all
ages. I' m telling you, and what' s this humanito school
thing? What do you want to tell us about humanito school? What is
called a person in ten simple steps, nothing more and nothing more. So
also if you have a friend who turns fifty, you can also give it
to her, because one never gets completely from being a person. Looks like
this to me. I was always fascinated by the arrival of people in this
world, of small format people who are like extraterrestrials. There' s a
little that because they don' t know anything absolutely about what surrounds them.
They don' t even know what they' re for, and they don
' t care about a screwdriver that a live rabbit has the same categories.
They serve the same purpose. I don' t know, I don'
t know. I could do as you go then to be leading an extraterrestrial
half. He always gave me a lot of tenderness, and I was very
fascinated by the concept of starting, of going as a programming project by downloading
applications from him. This person we have here, then tell him look at
this, this is green, this is cold, this is not touched,
this burns, this occupies all a lot of things. This is Grandpa,
I don' t know what he is, it' s your bed,
it' s mine, but, well, you' re welcome, too.
And from there comes how to tell this funny fascination with newcomers to the
world. And it also comes from the fact that a new human came to
me, that he is two years old and has a sister of ten who
are taken away, that the age difference is very large. Then she is
also her sister, Lila and Martin, who are the characters in the story,
are my children and also a little portrait. The relationship is so beautiful
because older brothers are also great teachers of the little ones and vice versa too,
because the older ones also learn a lot from the little ones. And
I really wanted to shape that beautiful, Martian relationship, so crazy and so
funny, but also taking it off a little bit. The responsibility is formal
for no, because sometimes older brothers, older sisters are burdened as they have
to be responsible, especially when so many are so great the age difference as
to be attributed to them as more responsibility. And here it is much more
playful, it goes much more of you fruit that is responsible for enjoying and
having fun with your little brother. How did you think about it, how
did you choose those fundamental steps, because very complicated which is the most important
thing you leave out that you made a list of things. There were millions
of things left outside, but in the end it is that the artists that
we dedicate ourselves to the family and children' s audience, in the end
we are lucky to have the inspiring muses wandering around the house on two or
four legs according to the life stage and a little bit of seeing as the
quote. This is also a story that took me a long time to write.
Then also as Martin was running away from me, then the themes went
like fluctuating a little bit and this suits me. This doesn' t suit,
but I think it' s like a decalogue from the end of singing
as it was the most important thing here after themes there are a million more,
but it seemed to me as the most illustrative of the most fun and
also the most important in our family, because also each family will have its
ten important steps that perhaps don' t coincide in our days. For us
art is very important and all the steps of the story are you have.
They are graced with art and there they are, there, they were like
this one I also know what he is talking about and there with all the
pain of the soul, with my companion, I conbuved with the illustrator who
also created them together. It' s not that I did the text and
I gave it to her and she brought me the illustrations and we delivered it
to the publisher, but we talked about it a lot and we shared and
ideas throughout the process and with pubes. This is not very good, but
we can not take it is a lot that when they take out an encyclopedia,
in a story in the Index we can find things like because food poop,
already from the beginning jime and food poop is all life in poop,
closed, bath time, music, things that Mola Mogollón, draw, sleep,
cry. This is you and this is me doing us there. Well,
then a little what' s waiting for us and that' s already
telling us that the one who' s going to tell it, the narrator
is going to be the big sister. Of course this ideal and important big
clue for families who always ask me and what gift for brothers when they come
there are going to be a baby in the family. In fact, I
used to tell my daughter that she is already very old, but I would
tell her and tell this story. I wish I had had it when your
brother came in, it would have been so good for me. Jimena'
s late, Amiga, I' m sorry. Yeah, yeah, yeah,
yeah,' cause there' s brothers and brother, it' s
a great ride, but there' s brothers and sisters taking him to fly.
And I also believe that the environment contributes. No, because the focus
may always be on the one that' s coming. And that' s
not burdening a responsibility as too serious. You have to take care of him
and you have to do the other thing, but maybe the brother wants to
change diapers, if he doesn' t want to take care of it,
he wants something else, he has to be in charge of David and and
they won' t want to share the toys and they won' t come
to tell me that I have to leave my toys when I was little and
leave me, then I think we also get a little bit to this thing
of mmm. Yeah, I don' t know, I' m not
that clear. Yeah, I keep it a little sister, that is,
and it' s not clear that I didn' t want it directly.
Come on. Thank you, Thomas. Yes, yes, yes, yes,
with when this is returned, when I said clear thirty days, when
I no longer have in the box, no and we finished labeling now or
later. Yeah, yeah, yeah, maybe it' s been a matter
of years, because then it' s true that it' s worked out
wonderfully, and yes, I mean, the reaction came back. But at
the time it would have been good for me, although I have to say
that it would have been better if I had come with a storyteller incorporated with
the author directly telling and singing the story Jimena, because the other day I
saw you in the presentation I had the luxury of starting to attend the presentation
of the book in the mistral three weeks or four, I no longer know
twenty- five. It happens too late in May and friend is that of
course you see yourself surrounded by creatures, counting and narrating and singing is that
it changes, that is, it is another world we enjoy a lot.
The truth is that it was a beautiful first presentation, because in addition,
it must be said that this story comes with the company of song that we
premiered this Friday twenty- eight on Friday a song that we made with this
gentleman smal Serrano, who is a boy that I am threatening him around.
I like to encourage new promises how good you' re giving him a chance.
Hey, I don' t know if you' ll recognize him.
I' m kind of a poor brother and we got a song that we
wrote. The lyrics and music were composed by an Argentine musician, Marcelo,
Marcelo de Lamea, who made a wonder and we finally premiered it because the
book came out before the song. The book comes with a curre. You
can enjoy the song. Not yet. I don' t stand up yet.
It' s not because he bought us time, sorry what happened.
But well, the link qrre goes to my Spotify profile, which is all
my songs, and but next to the best cinemas and in Spotify is going
to be the song School of Humanitos, which is very fabulous and we really
want to share it. So the pack' s coming. Well, like
good schools. Humans are imperfect and things are coming out. When you can
do this, you have to respect the times. You walk when you can.
You learn to eat solid by playing or your Warman gave you little potty,
no laby led or what gave you poor women or what you could then
look at girls. I' ll open the song for you and when we
can good enough that it' s my mother, I don' t see
spending too if you could also say no good. I' m in the
mood of what' s being said now. You have to teach the kids
how to get that frustrated you see where I was looking at someone who,
well, Ryan Reynols and Hit Jackman, a video that looked like aha to
me. You knew the algorithm when you said this person was interested in patain
had. Even this comes out of deadpull. I think it' s about
macturnity. I was going down in peace and they said that we had to
show the children that the parents, the parents don' t do everything right,
and the parents don' t get the job, the projects look.
I actually did it for my kids who really have a song and there'
s no song, has a very focused pedagogical goal. Jimena and my kids
killed I have to put a brake on the pachos, on yours and on
everyone else' s. I mean, it' s really a round of
applause, a round of applause. If this is not motherhood, no,
not special, I do not know what is a multimedia product with an unquestionable
pedagogical background that will also remove your creatures from it screens also lack, since
it is sustainable, which is also because it speaks of plants. Also the
book that you can learn the story and already that pleasant story man, you
have to enjoy it for a long time, but then hear later. I
' m sure it can be recycled. So, well, better if you
earn it. The local library, be brother, a little friend, if
we go it' s a wonder. Tell us a little bit, how
the project arises, how you start working with the illustrator, how long it
took you. It' s just me that I squeal a lot on social
media. They cost me, they cost me a lot lately, like I
see them getting more and more loaded with toxicity and crap. But all of
a sudden things like what happened to us don' t know who went on
here in the first place if I did, I did and we loved it
on Instagram and this ah yeah, we have to do something together one day
and we did it and we' re that legend, that urban myth that
two one day said they were going to do something and they did it and
we got together and we made this story. At first we knew we wanted
to do something, but never at the time, because she was doing a
lot of work. She has millions of illustrated stories, beautiful for lots of
places in Latin America. And in the end, when I had a concrete
thing and I said look at this and I agreed with her that she was
coming to Spain for another project and we got together three mornings to take advantage
of the person, the person and from there it' s more that we
got him in depth to get him out of it. The previous one is
a little long, but after that we had to comply with the editorial with
not always there and we took it out and we worked like this and good
online passing on this yes, this no, I corrected text. We were
throwing text illustration issues at me, too. What I like is also that
she asked for references, because, as she knows that they are my children,
there are like many winks, there are many winks for our audience of
my children' s project with Oliverio, my mouse partner, with songs also
that are part of my album and my theater and music project, and also
of my children, who are there their illustrated stuffed animals, illustrations of my
children in the story and situations directly that I said no, because the other
day Martin was doing. I don' t know what I' m doing.
Send me a picture, then I sent him a picture, I sent
a video in Martin Bailando. Then I sent him. And she And it
' s final, we were like combining together and it was in truth that
a creative process, very nice, very teamwork, that I' m sure
that well, we have projects that I hope will continue to materialize, but
come on there' s team. Here, there' s equipment. The
illustration, the choice of illustration, knowing that I followed it so you liked
it, obviously, but you motivated something you have influenced or how it has
conjugated with the text, how they complement each other. The truth is that
I, as we chose each other, because she liked very much my way
of counting, both in videos and songs, in the style of humor that
my project has, and I liked very much its style of illustration, which
is very personal, it is very original, that I think it attracts a
lot of attention, because it escapes from a style that is very installed,
of illustrations, of children' s texts. And the truth is that I
had to encourage her to be her, because she' s like no yes,
sure, I don' t know, it' s like she'
s not very good at first, when you start working, you don'
t know very well where, but when we choose not you, you,
you know and you walked away with her palette that are so colorful and so
eye- catching, with her drawings that are so original and her illustration style
so there, there, was yes, yes, it is, is it?
Out there I liked it I wanted certain images and certain situations to be
in the story and they are, but otherwise we were going. I gave
up texts, and maybe I did figure something out. I asked her promptly
and the other way around she might have imagined something from the image and told
me what would be good to talk about such a thing. Why don'
t you write from this point of I don' t know what or this
text is left over. Perhaps this can be illustrated and it does not necessarily
have to have text. Then it was the truth, that it was united
and back, that it was very good to work, like we both complemented
very well. You' re on top of yourself, dedicating yourself to the
audience, that you' re dedicated to how you' ve dealt with this
project. I mean, how, knowing also that you have the most difficult
audience in the world, no, how you propose your first illustrated book,
your first story for your most faithful audience. Anyway, for an artist,
for a family audience, for a children' s audience, your most faithful
audience. It' s a little ephemeral. Well the theme that our most
faithful audience grows and is no longer our most faithful audience To the fathers and
mothers we cling to those projects that he sings, they accompanied us in raising
our children with nails and teeth and suddenly, they don' t take this
away from me anymore. I imagine dragons all right with this or that,
but putting the queen no no. I' ve given myself a list of
Spotify ok and soma then from the beginning of when I started with the children
' s project. Now my audience has changed. There are families who follow
us from that time who have had little brothers. So, hey, hey,
hey, hey, hey, hey, hey, hey, hey,
hey, hey, hey, hey, hey, hey, hey, hey,
hey, hey, hey, hey, hey, hey, hey,
hey, hey, hey So, hey, hey, hey, hey,
hey, hey, hey, hey, hey, hey, hey, hey,
hey, hey, hey, hey, hey, hey, hey,
hey, hey, hey, hey, hey, hey, hey, hey,
hey, hey. And I always think it' s another way to
tell and it' s another way to share with the audience, because with
the songs you' re telling stories, with the videos. They are always
different languages, but in the end, the experience is the same. And
I had a lot of desire to entrepreneurship, to go on writing, to
get into the mass in what is the literary path, because well I started.
I' m a literary translator. I don' t know when in
my pre- art life I started out there and I have one thing with
the lyrics that I always wanted to pick up. And well, in the
end if by the conjunction with PP it had to be now. And it
' s good because it' s like the three hundred and sixty project that
in the end are more things that we can share with families and how the
welcome has been. Well, I saw a little bit and I freaked out
a lot, I freaked out a lot. It was very good, because
in the end I' m never with the first times when they' re
from when they listen to my songs. That' s always the forename of
families. Yes, when they come to the concerts, we enjoy together a
play that you have there, but the storytelling experience we had also shared with
the different side that we did also make little presentations because it comes out in
a pandemic on the different side. But this is a story that has a
lot of humor, which is longer, has fifty- four pages and is
very funny. The truth is that you sit there with the kids and play
games, because I also have to tell stories. I love it. To
me the routine with my little son lasts two and a half hours, because
in the end they are never the horizontal reading. Well, because she came
over with penguins and seeing what' s going on with the family is so
hot. To me always any excuse to go out and share with the public.
Good family of tabunism. It was crazy jimena. Also, it'
s funny because I knew you in another context and although I have seen you
singing even live, but not in a family context, and with little ones
with creatures, And the truth is that how it changes or is really a
feeling like I don' t know, it has nothing to do with a
presentation of a book to use as an artist you are and besides that you
play different, although you are more specialized in family, but because you have
played also for adult audiences. What differences there are or what differences you plan
or maybe there are none and you don' t make any difference when it
comes to acting and placing yourself in front of creatures or a family audience or
an adult audience that will then have their creatures inside. But in theory grown
- up, the public. I think the difference, I think the bigger
it is that the children' s village doesn' t forgive you and you
don' t have a filter. You don' t have a filter if
he gets bored, because he gets bored and you yell at him, he
bores me or falls asleep. Well, even though some senior is staying,
too. Everyone does what you can see, they won' t make you
face me They pee, they pee and they want to go pee. But
it' s also effervescent, if it' s also what gets me hooked
on that freshness, also that maybe if you' re not used to it
and you' re not trained, you can play a little against it.
It' s a wonderful engine to take, that gives you the little ones
and I love you. I want to. What if he sings the screams
and if he dances he dances by jumping the chair? And if this when
I did many years ago make the typical scene of the time where it is
and is the bad guy behind that you can' t turn around. So
the kids are, they' re going to get out of place, the
butaque of leality is back and it' s wonderful and with all the vain
and red dishes. And that' s what I love, me, the
child audience, is that it drives me crazy when I enjoy that energy,
that idea and that return that is made with that there are also adult audiences
also very grateful, but I don' t know. There is also something
about being part of those memories with families, of being part of people'
s childhood, of those memories, of those early memories that have a magic
that has nothing else. After that, life is full of wonderful memories and
experiences that we can share. But they write to me and tell me no,
because your show was the first one my kids went to see or my
baby you listen from the gut and now he just falls asleep. When we
put him in music he says I can' t devote myself to anything else.
I can' t do anything else in my life anymore and it'
s wonderful the theater or in the presentations that go with all the illusion,
with the stories with which they carry drawings or I, when I have the
shows with my mouse steal socks and carry galsetines also olivery, know that he
likes cheese, then take the quesitos. It' s a front- row
witness to that magic. It' s not wonderful, it' s not
a very big responsibility to be there with a puppet and you' re next
door I' m making you, I' m seeing that it' s
part of it' s an extension ofé but it doesn' t matter
because it' s real, because at that moment your artistic proposal is real.
It' s their reality and it exploits me gres is because the code,
the code to be able to get you into that game of imagination is
malicious and how important, in the end, what you' re saying to
mark with your songs now, with your book, all those hours of imagination,
of creativity, of how it' s going to stay there, those
images, those private jokes that are going to become theirs as well. In
the end we don' t think about it and we don' t give
it all the importance it has and many times we consume or see the stories,
as well as well, it will pass from your time and you have
to have them, but well, they will pass and clearly we remember how
important they were for us the stories that we read when we were little,
of course, but very much since there is also the good thing that there
is everything and it is good to give them everything now in rotation, in
bedtime, we have the chicken pepe man that is, please, and all
and then we get you up, we get up, we stand up,
we get up, and then we have Chris Hotton, who is a British
non- illustrator and wonderful author, that his books are wonderful, that a
priori and you say or aren' t rich if you have a technique and
a knowledge of how the head of the boys works, but not of this
to sell. Then this resource always sells. Then I put it, no,
no, no, to really know where to, but it' s
a good place for how stories work, really from a creative, responsible and
loving place. And I, too, our creations with Ismael, both in
songs and plays, YouTube scripts or the story itself, always respond to a
need as parents. As a father and mother, what I' d like
a story to tell my children what messages we' re not talking about is
one of the chapters. One of the things they learn in humanito school is
to cry. It' s all right with sorar. Crying is important.
I' m super important to you, not crying. Why don' t
I go cry, yeah, I' ll cry, I mean, society
would be different. If we could all cry for a little while, then
there it goes. It' s also a bit of a message, the
messages we' re trying to convey to you as the father and mother of
these flesh and blood humans that we have at home and share it with others,
mothers and the little ones that count. Tell the story at home.
Yeah, what you were talking about is crying or I was thinking about the
typical behaving, being good, not being good, you have to be good,
you have to be what you don' t, so you' re
supposed to be and that but there are as many messages as very old-
fashioned. I already think it' s good to be good when you have
a baby, they say, it' s good that I know I don
' t kill anyone even when besides it' s a baby, I know
it doesn' t sleep, I don' t know what to tell you.
Yeah, well, it' s, I guess, but it'
s stuff that' s expired, that we drag so much that good.
But there he is in humor, because I also didn' t care to
fall into these books of child help, of what I buy from one who
is going to let that we also have there as projects, but from one,
from the humor, because that' s okay, we don' t
need them. And so, but this isn' t it. In the
end, the steps are we laugh at the steps we have to take to
be people. And I really like the concept, that is, the affection
with which then, evidently, as I was counting on you with my daughter,
I didn' t approach it that way. She didn' t treat
him like that. But you have to hold on to that affection of that
older sister who loves herself very much, who accepts herself very much presents herself
as wo looks like cool and helps the brother also to love himself as he
is and to enjoy and have fun that in the end is what we all
want friends. Give it up. I think the leit motive of the story
is also every one of us here doing what we can. Yeah, because
one of the things that was left out of the chapters was walking. I
don' t know how everyone walks when my son doesn' t walk until
he' s two years old, it' s almost like he' s
full, so he starts because yes, he' s cute a year,
because if he' s eight months old and you look at him because he
' s a little cow, or I don' t know what that is.
Not being a person is going to enjoy and do what one can good.
And there are also as little messages to fathers and mothers or the people
in charge of these little ones that good that one also in the chapter of
the food we say good. I already know that you love all the food
that like me, that I am big, give me pizza or give me
spaghetti with tomato or whatever. Whether you hurry or not, a mother who
' s scared of the baby lives wien touches you and doesn' t give
you any pussy like they' re going to see you hit the respectful grease.
It' s okay. You' ll get more. Keep freaking out
' cause you' re gonna get into noodles. They' re gonna give
you food. It' s not how you look it' s coming.
We have a lot of things in life to come. She' s so
good. Don' t worry. This is a detail and it is full
of sense, humor and as you well say, those of messages, of
dramatizers, of dramatizers or as the lords of the rad want to say to
enjoy and enjoy and so that in the end it is, for that read
the story. Let us not have a good time, all that the fathers,
the mothers who are reading it, and the little ones in that process
of enjoying there with that little bit, and the older brothers or sisters reading
them, please, that it would be their thing, it would be them
so please. Hey imagine upcoming projects, even though this is just now,
but the next projects have just come out of the oven. Well, we
really want to go back to some stage, in some format. But there
are projects like many that do not yet have an exit date. But we
' ll go back to the theater, we' ll come back with new
songs to see if we' re back too We' ve done a lot
of, a lot lately with the songs from the albums and a lot of
presentations. Let' s see if I' ll be back with a play
that will obviously be musical, because I can' t get away. But
let' s see if we come back in some hour that it was like
this project actually started and it makes us want to take back a little bit
of the fourth wall And well, if projects always, there are always many
things that will come, but still none with date of departure. So far
the story and the song. On Friday the school that humanito is with elsmal
Serrano. When this podcast comes out, the song will be there. So
now you go all and all and all, of course, many songs,
like I can' t put it on because I' ll skip my rights.
I couldn' t put it at the end of the show, because
what you have to do, is go, listen to the song directly and
put it in family. So at full volume, because we remind you that
we' re on vacation and that' s it, and friends, friends,
you have to survive. But we have given you, we have given
you with this little bit of good ideas, at least a resource at your
disposal that you can find in your local bookstores or ask it there to pose
the local commerce to call that bookstore that is so close to you, you
have this story. I can handle it. If he' s not there,
because suddenly you don' t have him then, but you ask for
him, they bring him in like this second school of humanitos. How to
be a person in ten simple steps, very simple. How hard, how
hard? How much would this give to actually talk, but we' re
going to keep what can be achieved and that has always published today editions.
You have it, as we told you in your local bookstores. And if
it' s not there, then you ask for it. Thank you so
much. I also encourage with summer spirit, with conciliation. It' s
not good. Yes, in conciliation you do what you humanly can, but
let' s enjoy it. Let us also enjoy the non- dutys,
the non- tests, the eight table, the demands, please, and
let us relax and enjoy the dwarves. Yes, later, that' s
what we' re saying. It' s true they grow, they grow
very fast fashion you only have eighteen summer Lie, just like we don'
t big house, but well, now you do have to enjoy it,
because it' s very fast. Ay Jimena to a pleasure always chatting with
you and nothing that for the next project, for sure we will chat again
because we will be there. We follow you through networks and we' re
watching when you get things out without stress, without pressure, enjoying, then
I say a date, I put a line and it doesn' t lead
anywhere in the end. So look, I surprise you and I tell you
look I have in the week next train theater play. So you' re
looking out for Jimenas' networks. We will, of course, put the
program notes, all the information in Jimena' s book and networks so that
you can follow her and be aware of all these things she gives us.
And thank you very much. For having accompanied us one more time. Thank
you very much for perimizing what Lindo Madrid. Friends, we' re leaving,
friends, we' re leaving. We' ll be back in a
new episode of good morning more waiting and Felipe Summer cheer. I encourage everyone
to war, to