1 00:00:07,919 --> 00:00:13,640 Good morning, Mother, Sphere Good morning' s bad commonic sphere of the 2 00:00:13,640 --> 00:00:22,719 Foundation. Good morning, Mother, wait Welcome one more day to our podcast, 3 00:00:23,000 --> 00:00:28,559 one more week we return with a new episode dedicated to you know all 4 00:00:28,600 --> 00:00:35,159 these adventures, challenges, people, initiatives, projects that we present to you 5 00:00:35,240 --> 00:00:38,719 and that we hope will help you to face motherhood, fraternity, education, 6 00:00:38,799 --> 00:00:45,320 upbringing in a more positive way, more entertaining, more beautiful, if you 7 00:00:45,399 --> 00:00:51,960 can, And then, entertaining a little while that is also a goal of 8 00:00:52,039 --> 00:00:55,799 the podcasts today I, at least so I raise it, because besides, 9 00:00:56,119 --> 00:01:00,679 I have the pleasure to share again space that is virtual, with a great 10 00:01:00,799 --> 00:01:08,000 friend of mine, So I welcome Jimena Ruiz Echazu. Good afternoon Jimena, 11 00:01:08,079 --> 00:01:15,480 how are you good afternoon, my great friend, how good, so let 12 00:01:15,680 --> 00:01:25,920 ' s do a little what I was going to tell you by combining the 13 00:01:25,920 --> 00:01:34,359 arrival of summer, with the stampede of the classes and all that with the 14 00:01:34,439 --> 00:01:41,319 work, because beautiful rejection day, one day of summer. It' s 15 00:01:41,439 --> 00:01:48,239 like kids, one day less not with the calamities counter and those three natural 16 00:01:48,680 --> 00:01:53,000 accidents. Well, one day less love And that which I consider lucky, 17 00:01:53,519 --> 00:02:01,120 because my children are already quite old inside that they still ask for bread and 18 00:02:01,239 --> 00:02:07,359 it has nothing to do with when the creatures climb your legs because there are 19 00:02:07,439 --> 00:02:15,919 furniture or furniture plants eat the cables. All my love, all my patience, 20 00:02:15,159 --> 00:02:22,680 I send you tons of love, kilos and kilos of affection and understanding. 21 00:02:22,800 --> 00:02:28,520 Why the summer with creatures. It' s very hard and you only 22 00:02:28,560 --> 00:02:32,400 know when you live. Of course, obviously one and from the trenches, 23 00:02:34,360 --> 00:02:37,159 because besides, a summer to the venom does not forget. Then start doing 24 00:02:37,120 --> 00:02:40,960 the summer by saying not this summer. Then you keep instagram the project and 25 00:02:42,039 --> 00:02:46,280 the crafts and the small plans of I don' t know where. Then 26 00:02:46,319 --> 00:02:50,280 I' m going to take you to I don' t know what and 27 00:02:50,280 --> 00:02:53,879 how you look. You start that vacation you' ve exhausted that as you 28 00:02:54,000 --> 00:02:57,120 look at three I' ll be able to do all this. But, 29 00:02:57,400 --> 00:03:04,360 come on optimism about sole cream optimism so or cream that' s super important 30 00:03:04,400 --> 00:03:08,919 factor fifty. If you are going to think to the pool carefully with your 31 00:03:09,879 --> 00:03:16,120 mobile phones, always go to the water at a distance of a very careful 32 00:03:16,159 --> 00:03:23,240 arm, because now begin the accidents and golden ones of love I insist and 33 00:03:23,319 --> 00:03:30,120 in addition, in this program we will bring you, even if it is 34 00:03:30,120 --> 00:03:30,639 a resource to help you on this vacation. We know we can' t 35 00:03:30,759 --> 00:03:36,039 handle it all summer. That' s hard. But besides, I also 36 00:03:36,159 --> 00:03:39,319 love the optimism or nothing like the optimism of a mother who comes out with 37 00:03:39,400 --> 00:03:47,120 the bag of super, with the lunch box of the bazaar, that you 38 00:03:47,120 --> 00:03:52,159 put in the milestones, the plasticine, I don' t know what the 39 00:03:52,199 --> 00:03:54,520 puble, the doll the car in those I know that I don' t 40 00:03:54,560 --> 00:03:54,759 know how many little you leave, as well as four hours of three. 41 00:03:54,800 --> 00:03:59,719 I don' t have it fixed and this means the first seven minutes of 42 00:03:59,719 --> 00:04:01,159 the road. But you liked everything and yes, what do I do now? 43 00:04:01,759 --> 00:04:05,360 But well, to the full with optimism, I love with our ingenuity 44 00:04:06,120 --> 00:04:14,479 proof of permanent reality. Indeed, they are never enough, never ever and 45 00:04:14,479 --> 00:04:18,759 then, besides, they and they our creatures, will entertain themselves with the 46 00:04:18,759 --> 00:04:25,199 most toxic, the dirtiest thing on the ground. What happened to that gum 47 00:04:25,279 --> 00:04:31,040 stuck in the bird' s toilet. There that, that' s the 48 00:04:31,120 --> 00:04:35,279 winning resource. That' s when we took it out, we put it 49 00:04:35,360 --> 00:04:40,560 in a stylus that we don' t know about to use in the restaurant. 50 00:04:41,639 --> 00:04:45,839 That' s why I don' t have your gum. It' 51 00:04:45,920 --> 00:04:47,959 s okay, we understand you, we love you, so now we' 52 00:04:48,600 --> 00:04:50,639 re making a lot of doubt, it' s okay. If you' 53 00:04:50,680 --> 00:04:57,120 ve just landed in this universe. Motherspheric and you don' t know Jimena. 54 00:04:57,399 --> 00:05:03,120 Jimena is a strange Tospheric, multidisciplinary artist, a woman of great talents 55 00:05:03,319 --> 00:05:13,319 and fantastic artistic skills, who is a singer with a wonderful voice that you 56 00:05:13,480 --> 00:05:18,360 can find all her works in Spotify. By the way to put this summer 57 00:05:18,399 --> 00:05:25,720 ' s playlist on your creatures. As the U S podcasts say, on 58 00:05:25,800 --> 00:05:30,959 the platform where you hear your thing, too, and everywhere. I think 59 00:05:30,279 --> 00:05:32,879 I' m into one, but it' s true. It' s 60 00:05:33,639 --> 00:05:39,120 true, Jimena, on that platform where you consummate your music and come to 61 00:05:39,160 --> 00:05:43,399 it and when you' re so desperate that we hear to make it happen. 62 00:05:44,360 --> 00:05:50,600 And now, besides, Jimena' s an actress too, and it 63 00:05:50,680 --> 00:05:54,000 ' s just that you could have been born in rebirth. Rebirth women, 64 00:05:54,680 --> 00:06:00,639 Jimena, Julia could. It' s a little bad for me. No 65 00:06:00,720 --> 00:06:03,399 better. Better now. Now it' s better for us than years. 66 00:06:03,680 --> 00:06:12,439 Now it doesn' t come much better because it has coincided, especially and 67 00:06:12,519 --> 00:06:19,480 because it comes in time to consume live and to be able to celebrate with 68 00:06:19,480 --> 00:06:26,240 you the release of your first book, your first illustrated work, Escuela de 69 00:06:26,319 --> 00:06:31,240 Humanitos, which is an illustrated album, a story that is illustrated by pp 70 00:06:31,240 --> 00:06:35,959 An Tarana. Now you will tell us where everything comes from, and that 71 00:06:36,240 --> 00:06:42,959 this book, School of Humans, comes at the right time. Friends, 72 00:06:43,000 --> 00:06:46,800 friends, you are listening to us an illustrated book, you have already formatted, 73 00:06:47,879 --> 00:06:53,279 as would my friend sem is that it looks lined, but I sell 74 00:06:53,360 --> 00:06:58,600 it shock I do not have there, wonderful there. I better have hard 75 00:06:58,800 --> 00:07:04,000 cardboard cover, large format so that the slips well in the legs to the 76 00:07:05,680 --> 00:07:18,279 little ones having if you are my head and a beautiful proposal for little ones 77 00:07:18,279 --> 00:07:20,839 of what ages Jimena. Let' s go in there a little bit. 78 00:07:21,199 --> 00:07:26,560 Like everything else, I' m telling you, from the four of us, 79 00:07:26,560 --> 00:07:30,120 they enjoy each other more. But I am a great advocate and lover 80 00:07:30,199 --> 00:07:38,480 of literature in general, and it seems to me that all books dedicated to 81 00:07:38,600 --> 00:07:44,639 your childhoods have usable things before and after the age of rank. And it 82 00:07:44,680 --> 00:07:49,160 also depends a lot on little if you' re more used to reading more, 83 00:07:49,639 --> 00:07:53,000 if you can share it with someone in the family, etcetera. But 84 00:07:53,079 --> 00:07:58,040 leaving four, I like going see me. Moreover, from four or even 85 00:07:58,720 --> 00:08:03,000 earlier you can read it count, you sing, but even infinity is worth 86 00:08:03,600 --> 00:08:09,959 a book, for it can fall into your hands and it will delight all 87 00:08:09,040 --> 00:08:18,279 ages. I' m telling you, and what' s this humanito school 88 00:08:18,279 --> 00:08:22,800 thing? What do you want to tell us about humanito school? What is 89 00:08:22,839 --> 00:08:26,920 called a person in ten simple steps, nothing more and nothing more. So 90 00:08:26,920 --> 00:08:30,839 also if you have a friend who turns fifty, you can also give it 91 00:08:30,879 --> 00:08:35,399 to her, because one never gets completely from being a person. Looks like 92 00:08:37,600 --> 00:08:43,519 this to me. I was always fascinated by the arrival of people in this 93 00:08:43,600 --> 00:08:50,960 world, of small format people who are like extraterrestrials. There' s a 94 00:08:52,120 --> 00:08:54,919 little that because they don' t know anything absolutely about what surrounds them. 95 00:08:54,960 --> 00:08:58,320 They don' t even know what they' re for, and they don 96 00:08:58,399 --> 00:09:03,320 ' t care about a screwdriver that a live rabbit has the same categories. 97 00:09:03,320 --> 00:09:03,919 They serve the same purpose. I don' t know, I don' 98 00:09:03,919 --> 00:09:11,639 t know. I could do as you go then to be leading an extraterrestrial 99 00:09:11,639 --> 00:09:18,320 half. He always gave me a lot of tenderness, and I was very 100 00:09:18,399 --> 00:09:22,879 fascinated by the concept of starting, of going as a programming project by downloading 101 00:09:22,879 --> 00:09:26,919 applications from him. This person we have here, then tell him look at 102 00:09:26,919 --> 00:09:30,559 this, this is green, this is cold, this is not touched, 103 00:09:30,879 --> 00:09:35,120 this burns, this occupies all a lot of things. This is Grandpa, 104 00:09:35,600 --> 00:09:39,399 I don' t know what he is, it' s your bed, 105 00:09:39,559 --> 00:09:41,480 it' s mine, but, well, you' re welcome, too. 106 00:09:43,759 --> 00:09:52,360 And from there comes how to tell this funny fascination with newcomers to the 107 00:09:52,399 --> 00:09:58,320 world. And it also comes from the fact that a new human came to 108 00:09:58,559 --> 00:10:03,399 me, that he is two years old and has a sister of ten who 109 00:10:03,600 --> 00:10:09,519 are taken away, that the age difference is very large. Then she is 110 00:10:09,519 --> 00:10:11,480 also her sister, Lila and Martin, who are the characters in the story, 111 00:10:11,679 --> 00:10:18,919 are my children and also a little portrait. The relationship is so beautiful 112 00:10:18,000 --> 00:10:24,440 because older brothers are also great teachers of the little ones and vice versa too, 113 00:10:24,759 --> 00:10:28,559 because the older ones also learn a lot from the little ones. And 114 00:10:28,600 --> 00:10:33,679 I really wanted to shape that beautiful, Martian relationship, so crazy and so 115 00:10:33,759 --> 00:10:39,799 funny, but also taking it off a little bit. The responsibility is formal 116 00:10:39,960 --> 00:10:43,080 for no, because sometimes older brothers, older sisters are burdened as they have 117 00:10:43,120 --> 00:10:48,960 to be responsible, especially when so many are so great the age difference as 118 00:10:48,480 --> 00:10:56,840 to be attributed to them as more responsibility. And here it is much more 119 00:10:56,840 --> 00:11:03,799 playful, it goes much more of you fruit that is responsible for enjoying and 120 00:11:03,840 --> 00:11:11,360 having fun with your little brother. How did you think about it, how 121 00:11:11,440 --> 00:11:18,159 did you choose those fundamental steps, because very complicated which is the most important 122 00:11:18,240 --> 00:11:22,240 thing you leave out that you made a list of things. There were millions 123 00:11:22,279 --> 00:11:28,919 of things left outside, but in the end it is that the artists that 124 00:11:30,200 --> 00:11:35,960 we dedicate ourselves to the family and children' s audience, in the end 125 00:11:35,080 --> 00:11:43,759 we are lucky to have the inspiring muses wandering around the house on two or 126 00:11:43,840 --> 00:11:48,159 four legs according to the life stage and a little bit of seeing as the 127 00:11:48,159 --> 00:11:50,879 quote. This is also a story that took me a long time to write. 128 00:11:50,960 --> 00:11:54,639 Then also as Martin was running away from me, then the themes went 129 00:11:54,720 --> 00:12:00,120 like fluctuating a little bit and this suits me. This doesn' t suit, 130 00:12:00,320 --> 00:12:05,279 but I think it' s like a decalogue from the end of singing 131 00:12:05,279 --> 00:12:13,480 as it was the most important thing here after themes there are a million more, 132 00:12:13,720 --> 00:12:20,000 but it seemed to me as the most illustrative of the most fun and 133 00:12:20,039 --> 00:12:26,000 also the most important in our family, because also each family will have its 134 00:12:26,080 --> 00:12:28,200 ten important steps that perhaps don' t coincide in our days. For us 135 00:12:28,480 --> 00:12:33,519 art is very important and all the steps of the story are you have. 136 00:12:33,639 --> 00:12:39,600 They are graced with art and there they are, there, they were like 137 00:12:39,720 --> 00:12:43,279 this one I also know what he is talking about and there with all the 138 00:12:43,320 --> 00:12:48,960 pain of the soul, with my companion, I conbuved with the illustrator who 139 00:12:48,960 --> 00:12:50,120 also created them together. It' s not that I did the text and 140 00:12:50,120 --> 00:12:54,720 I gave it to her and she brought me the illustrations and we delivered it 141 00:12:56,000 --> 00:13:01,559 to the publisher, but we talked about it a lot and we shared and 142 00:13:01,639 --> 00:13:03,960 ideas throughout the process and with pubes. This is not very good, but 143 00:13:05,080 --> 00:13:13,360 we can not take it is a lot that when they take out an encyclopedia, 144 00:13:13,559 --> 00:13:20,600 in a story in the Index we can find things like because food poop, 145 00:13:22,080 --> 00:13:26,039 already from the beginning jime and food poop is all life in poop, 146 00:13:28,360 --> 00:13:35,120 closed, bath time, music, things that Mola Mogollón, draw, sleep, 147 00:13:35,759 --> 00:13:43,960 cry. This is you and this is me doing us there. Well, 148 00:13:43,039 --> 00:13:46,399 then a little what' s waiting for us and that' s already 149 00:13:46,440 --> 00:13:50,120 telling us that the one who' s going to tell it, the narrator 150 00:13:50,200 --> 00:13:54,200 is going to be the big sister. Of course this ideal and important big 151 00:13:54,480 --> 00:14:03,720 clue for families who always ask me and what gift for brothers when they come 152 00:14:03,759 --> 00:14:05,879 there are going to be a baby in the family. In fact, I 153 00:14:05,919 --> 00:14:09,919 used to tell my daughter that she is already very old, but I would 154 00:14:09,960 --> 00:14:15,159 tell her and tell this story. I wish I had had it when your 155 00:14:15,240 --> 00:14:20,639 brother came in, it would have been so good for me. Jimena' 156 00:14:20,759 --> 00:14:22,440 s late, Amiga, I' m sorry. Yeah, yeah, yeah, 157 00:14:22,559 --> 00:14:28,159 yeah,' cause there' s brothers and brother, it' s 158 00:14:28,559 --> 00:14:31,639 a great ride, but there' s brothers and sisters taking him to fly. 159 00:14:33,919 --> 00:14:39,639 And I also believe that the environment contributes. No, because the focus 160 00:14:39,759 --> 00:14:43,799 may always be on the one that' s coming. And that' s 161 00:14:43,799 --> 00:14:50,000 not burdening a responsibility as too serious. You have to take care of him 162 00:14:50,039 --> 00:14:56,559 and you have to do the other thing, but maybe the brother wants to 163 00:14:56,559 --> 00:14:58,679 change diapers, if he doesn' t want to take care of it, 164 00:14:58,919 --> 00:15:03,200 he wants something else, he has to be in charge of David and and 165 00:15:03,440 --> 00:15:07,120 they won' t want to share the toys and they won' t come 166 00:15:07,120 --> 00:15:11,519 to tell me that I have to leave my toys when I was little and 167 00:15:11,639 --> 00:15:16,039 leave me, then I think we also get a little bit to this thing 168 00:15:16,039 --> 00:15:20,840 of mmm. Yeah, I don' t know, I' m not 169 00:15:20,840 --> 00:15:24,440 that clear. Yeah, I keep it a little sister, that is, 170 00:15:24,840 --> 00:15:28,159 and it' s not clear that I didn' t want it directly. 171 00:15:31,559 --> 00:15:33,480 Come on. Thank you, Thomas. Yes, yes, yes, yes, 172 00:15:33,639 --> 00:15:37,519 with when this is returned, when I said clear thirty days, when 173 00:15:39,120 --> 00:15:41,399 I no longer have in the box, no and we finished labeling now or 174 00:15:41,399 --> 00:15:46,320 later. Yeah, yeah, yeah, maybe it' s been a matter 175 00:15:46,360 --> 00:15:50,840 of years, because then it' s true that it' s worked out 176 00:15:50,840 --> 00:15:56,600 wonderfully, and yes, I mean, the reaction came back. But at 177 00:15:56,639 --> 00:16:00,559 the time it would have been good for me, although I have to say 178 00:16:00,600 --> 00:16:10,919 that it would have been better if I had come with a storyteller incorporated with 179 00:16:11,159 --> 00:16:14,240 the author directly telling and singing the story Jimena, because the other day I 180 00:16:14,320 --> 00:16:19,639 saw you in the presentation I had the luxury of starting to attend the presentation 181 00:16:19,960 --> 00:16:26,399 of the book in the mistral three weeks or four, I no longer know 182 00:16:26,399 --> 00:16:36,000 twenty- five. It happens too late in May and friend is that of 183 00:16:36,320 --> 00:16:44,360 course you see yourself surrounded by creatures, counting and narrating and singing is that 184 00:16:44,360 --> 00:16:48,480 it changes, that is, it is another world we enjoy a lot. 185 00:16:48,519 --> 00:16:52,679 The truth is that it was a beautiful first presentation, because in addition, 186 00:16:53,080 --> 00:17:00,559 it must be said that this story comes with the company of song that we 187 00:17:00,840 --> 00:17:07,400 premiered this Friday twenty- eight on Friday a song that we made with this 188 00:17:07,599 --> 00:17:07,839 gentleman smal Serrano, who is a boy that I am threatening him around. 189 00:17:11,960 --> 00:17:17,799 I like to encourage new promises how good you' re giving him a chance. 190 00:17:18,559 --> 00:17:19,759 Hey, I don' t know if you' ll recognize him. 191 00:17:21,559 --> 00:17:26,960 I' m kind of a poor brother and we got a song that we 192 00:17:26,960 --> 00:17:30,440 wrote. The lyrics and music were composed by an Argentine musician, Marcelo, 193 00:17:30,799 --> 00:17:37,720 Marcelo de Lamea, who made a wonder and we finally premiered it because the 194 00:17:37,759 --> 00:17:42,519 book came out before the song. The book comes with a curre. You 195 00:17:42,519 --> 00:17:47,319 can enjoy the song. Not yet. I don' t stand up yet. 196 00:17:47,400 --> 00:17:53,920 It' s not because he bought us time, sorry what happened. 197 00:17:55,240 --> 00:18:00,079 But well, the link qrre goes to my Spotify profile, which is all 198 00:18:00,079 --> 00:18:04,839 my songs, and but next to the best cinemas and in Spotify is going 199 00:18:04,960 --> 00:18:11,279 to be the song School of Humanitos, which is very fabulous and we really 200 00:18:11,319 --> 00:18:18,000 want to share it. So the pack' s coming. Well, like 201 00:18:18,079 --> 00:18:25,599 good schools. Humans are imperfect and things are coming out. When you can 202 00:18:26,000 --> 00:18:27,880 do this, you have to respect the times. You walk when you can. 203 00:18:29,240 --> 00:18:32,720 You learn to eat solid by playing or your Warman gave you little potty, 204 00:18:33,640 --> 00:18:37,960 no laby led or what gave you poor women or what you could then 205 00:18:37,079 --> 00:18:41,279 look at girls. I' ll open the song for you and when we 206 00:18:41,319 --> 00:18:47,519 can good enough that it' s my mother, I don' t see 207 00:18:47,519 --> 00:18:48,519 spending too if you could also say no good. I' m in the 208 00:18:48,880 --> 00:18:52,440 mood of what' s being said now. You have to teach the kids 209 00:18:52,480 --> 00:19:00,440 how to get that frustrated you see where I was looking at someone who, 210 00:19:00,960 --> 00:19:03,680 well, Ryan Reynols and Hit Jackman, a video that looked like aha to 211 00:19:03,680 --> 00:19:06,920 me. You knew the algorithm when you said this person was interested in patain 212 00:19:06,920 --> 00:19:10,200 had. Even this comes out of deadpull. I think it' s about 213 00:19:10,200 --> 00:19:14,480 macturnity. I was going down in peace and they said that we had to 214 00:19:14,559 --> 00:19:18,799 show the children that the parents, the parents don' t do everything right, 215 00:19:18,279 --> 00:19:21,359 and the parents don' t get the job, the projects look. 216 00:19:21,680 --> 00:19:26,599 I actually did it for my kids who really have a song and there' 217 00:19:26,680 --> 00:19:33,519 s no song, has a very focused pedagogical goal. Jimena and my kids 218 00:19:33,599 --> 00:19:38,839 killed I have to put a brake on the pachos, on yours and on 219 00:19:38,920 --> 00:19:44,200 everyone else' s. I mean, it' s really a round of 220 00:19:44,200 --> 00:19:48,720 applause, a round of applause. If this is not motherhood, no, 221 00:19:48,920 --> 00:19:53,960 not special, I do not know what is a multimedia product with an unquestionable 222 00:19:55,440 --> 00:20:04,720 pedagogical background that will also remove your creatures from it screens also lack, since 223 00:20:04,720 --> 00:20:10,559 it is sustainable, which is also because it speaks of plants. Also the 224 00:20:10,720 --> 00:20:19,440 book that you can learn the story and already that pleasant story man, you 225 00:20:19,480 --> 00:20:23,160 have to enjoy it for a long time, but then hear later. I 226 00:20:23,200 --> 00:20:27,119 ' m sure it can be recycled. So, well, better if you 227 00:20:27,200 --> 00:20:33,039 earn it. The local library, be brother, a little friend, if 228 00:20:33,559 --> 00:20:37,720 we go it' s a wonder. Tell us a little bit, how 229 00:20:37,839 --> 00:20:42,880 the project arises, how you start working with the illustrator, how long it 230 00:20:42,880 --> 00:20:51,000 took you. It' s just me that I squeal a lot on social 231 00:20:51,000 --> 00:20:57,039 media. They cost me, they cost me a lot lately, like I 232 00:20:57,079 --> 00:21:02,480 see them getting more and more loaded with toxicity and crap. But all of 233 00:21:03,319 --> 00:21:08,920 a sudden things like what happened to us don' t know who went on 234 00:21:10,000 --> 00:21:15,519 here in the first place if I did, I did and we loved it 235 00:21:15,640 --> 00:21:19,559 on Instagram and this ah yeah, we have to do something together one day 236 00:21:19,759 --> 00:21:26,720 and we did it and we' re that legend, that urban myth that 237 00:21:26,720 --> 00:21:33,279 two one day said they were going to do something and they did it and 238 00:21:33,279 --> 00:21:38,720 we got together and we made this story. At first we knew we wanted 239 00:21:38,720 --> 00:21:41,920 to do something, but never at the time, because she was doing a 240 00:21:41,920 --> 00:21:47,119 lot of work. She has millions of illustrated stories, beautiful for lots of 241 00:21:47,279 --> 00:21:52,759 places in Latin America. And in the end, when I had a concrete 242 00:21:52,839 --> 00:21:59,160 thing and I said look at this and I agreed with her that she was 243 00:21:59,319 --> 00:22:07,279 coming to Spain for another project and we got together three mornings to take advantage 244 00:22:07,319 --> 00:22:11,200 of the person, the person and from there it' s more that we 245 00:22:11,200 --> 00:22:12,200 got him in depth to get him out of it. The previous one is 246 00:22:12,279 --> 00:22:17,799 a little long, but after that we had to comply with the editorial with 247 00:22:17,880 --> 00:22:26,200 not always there and we took it out and we worked like this and good 248 00:22:26,240 --> 00:22:30,000 online passing on this yes, this no, I corrected text. We were 249 00:22:30,039 --> 00:22:33,599 throwing text illustration issues at me, too. What I like is also that 250 00:22:33,599 --> 00:22:40,519 she asked for references, because, as she knows that they are my children, 251 00:22:40,920 --> 00:22:45,880 there are like many winks, there are many winks for our audience of 252 00:22:45,000 --> 00:22:52,359 my children' s project with Oliverio, my mouse partner, with songs also 253 00:22:52,440 --> 00:22:56,559 that are part of my album and my theater and music project, and also 254 00:22:56,559 --> 00:23:04,200 of my children, who are there their illustrated stuffed animals, illustrations of my 255 00:23:04,599 --> 00:23:10,599 children in the story and situations directly that I said no, because the other 256 00:23:10,599 --> 00:23:11,119 day Martin was doing. I don' t know what I' m doing. 257 00:23:11,160 --> 00:23:15,160 Send me a picture, then I sent him a picture, I sent 258 00:23:15,160 --> 00:23:18,599 a video in Martin Bailando. Then I sent him. And she And it 259 00:23:18,799 --> 00:23:22,920 ' s final, we were like combining together and it was in truth that 260 00:23:22,920 --> 00:23:29,400 a creative process, very nice, very teamwork, that I' m sure 261 00:23:29,599 --> 00:23:33,759 that well, we have projects that I hope will continue to materialize, but 262 00:23:33,759 --> 00:23:37,039 come on there' s team. Here, there' s equipment. The 263 00:23:37,160 --> 00:23:42,920 illustration, the choice of illustration, knowing that I followed it so you liked 264 00:23:44,000 --> 00:23:52,200 it, obviously, but you motivated something you have influenced or how it has 265 00:23:52,519 --> 00:24:00,079 conjugated with the text, how they complement each other. The truth is that 266 00:24:00,440 --> 00:24:07,319 I, as we chose each other, because she liked very much my way 267 00:24:07,319 --> 00:24:15,759 of counting, both in videos and songs, in the style of humor that 268 00:24:15,799 --> 00:24:19,319 my project has, and I liked very much its style of illustration, which 269 00:24:19,880 --> 00:24:23,119 is very personal, it is very original, that I think it attracts a 270 00:24:23,200 --> 00:24:30,519 lot of attention, because it escapes from a style that is very installed, 271 00:24:30,759 --> 00:24:36,799 of illustrations, of children' s texts. And the truth is that I 272 00:24:36,880 --> 00:24:41,400 had to encourage her to be her, because she' s like no yes, 273 00:24:41,599 --> 00:24:45,920 sure, I don' t know, it' s like she' 274 00:24:45,000 --> 00:24:49,440 s not very good at first, when you start working, you don' 275 00:24:51,160 --> 00:24:56,640 t know very well where, but when we choose not you, you, 276 00:24:57,559 --> 00:25:03,079 you know and you walked away with her palette that are so colorful and so 277 00:25:03,160 --> 00:25:07,599 eye- catching, with her drawings that are so original and her illustration style 278 00:25:07,839 --> 00:25:08,559 so there, there, was yes, yes, it is, is it? 279 00:25:08,599 --> 00:25:15,400 Out there I liked it I wanted certain images and certain situations to be 280 00:25:15,440 --> 00:25:25,359 in the story and they are, but otherwise we were going. I gave 281 00:25:25,400 --> 00:25:30,039 up texts, and maybe I did figure something out. I asked her promptly 282 00:25:30,440 --> 00:25:34,440 and the other way around she might have imagined something from the image and told 283 00:25:34,440 --> 00:25:37,640 me what would be good to talk about such a thing. Why don' 284 00:25:37,680 --> 00:25:42,759 t you write from this point of I don' t know what or this 285 00:25:42,759 --> 00:25:47,440 text is left over. Perhaps this can be illustrated and it does not necessarily 286 00:25:47,480 --> 00:25:52,880 have to have text. Then it was the truth, that it was united 287 00:25:52,880 --> 00:25:57,519 and back, that it was very good to work, like we both complemented 288 00:25:57,599 --> 00:26:06,240 very well. You' re on top of yourself, dedicating yourself to the 289 00:26:06,680 --> 00:26:07,279 audience, that you' re dedicated to how you' ve dealt with this 290 00:26:07,279 --> 00:26:12,519 project. I mean, how, knowing also that you have the most difficult 291 00:26:12,599 --> 00:26:18,559 audience in the world, no, how you propose your first illustrated book, 292 00:26:21,319 --> 00:26:27,519 your first story for your most faithful audience. Anyway, for an artist, 293 00:26:27,799 --> 00:26:33,359 for a family audience, for a children' s audience, your most faithful 294 00:26:33,359 --> 00:26:37,279 audience. It' s a little ephemeral. Well the theme that our most 295 00:26:37,440 --> 00:26:41,880 faithful audience grows and is no longer our most faithful audience To the fathers and 296 00:26:41,920 --> 00:26:47,680 mothers we cling to those projects that he sings, they accompanied us in raising 297 00:26:47,759 --> 00:26:52,880 our children with nails and teeth and suddenly, they don' t take this 298 00:26:52,920 --> 00:26:56,400 away from me anymore. I imagine dragons all right with this or that, 299 00:26:56,039 --> 00:27:03,279 but putting the queen no no. I' ve given myself a list of 300 00:27:03,400 --> 00:27:15,799 Spotify ok and soma then from the beginning of when I started with the children 301 00:27:15,799 --> 00:27:21,000 ' s project. Now my audience has changed. There are families who follow 302 00:27:21,000 --> 00:27:23,880 us from that time who have had little brothers. So, hey, hey, 303 00:27:25,240 --> 00:27:30,839 hey, hey, hey, hey, hey, hey, hey, 304 00:27:32,079 --> 00:27:34,880 hey, hey, hey, hey, hey, hey, hey, hey, 305 00:27:34,880 --> 00:27:34,880 hey, hey, hey, hey, hey, hey, hey, 306 00:27:34,880 --> 00:27:34,880 hey, hey, hey So, hey, hey, hey, hey, 307 00:27:34,880 --> 00:27:34,880 hey, hey, hey, hey, hey, hey, hey, hey, 308 00:27:34,880 --> 00:27:34,880 hey, hey, hey, hey, hey, hey, hey, 309 00:27:34,880 --> 00:27:34,880 hey, hey, hey, hey, hey, hey, hey, hey, 310 00:27:34,880 --> 00:27:41,759 hey, hey. And I always think it' s another way to 311 00:27:41,799 --> 00:27:48,480 tell and it' s another way to share with the audience, because with 312 00:27:48,519 --> 00:27:52,759 the songs you' re telling stories, with the videos. They are always 313 00:27:52,839 --> 00:27:56,559 different languages, but in the end, the experience is the same. And 314 00:27:56,559 --> 00:28:03,160 I had a lot of desire to entrepreneurship, to go on writing, to 315 00:28:03,200 --> 00:28:08,440 get into the mass in what is the literary path, because well I started. 316 00:28:08,519 --> 00:28:12,440 I' m a literary translator. I don' t know when in 317 00:28:12,839 --> 00:28:18,279 my pre- art life I started out there and I have one thing with 318 00:28:18,680 --> 00:28:19,960 the lyrics that I always wanted to pick up. And well, in the 319 00:28:22,799 --> 00:28:27,799 end if by the conjunction with PP it had to be now. And it 320 00:28:27,880 --> 00:28:34,680 ' s good because it' s like the three hundred and sixty project that 321 00:28:34,759 --> 00:28:40,960 in the end are more things that we can share with families and how the 322 00:28:40,960 --> 00:28:45,920 welcome has been. Well, I saw a little bit and I freaked out 323 00:28:45,000 --> 00:28:49,759 a lot, I freaked out a lot. It was very good, because 324 00:28:49,880 --> 00:28:56,440 in the end I' m never with the first times when they' re 325 00:28:56,480 --> 00:29:00,079 from when they listen to my songs. That' s always the forename of 326 00:29:00,200 --> 00:29:08,359 families. Yes, when they come to the concerts, we enjoy together a 327 00:29:08,400 --> 00:29:14,759 play that you have there, but the storytelling experience we had also shared with 328 00:29:14,839 --> 00:29:21,839 the different side that we did also make little presentations because it comes out in 329 00:29:21,920 --> 00:29:26,799 a pandemic on the different side. But this is a story that has a 330 00:29:26,880 --> 00:29:33,519 lot of humor, which is longer, has fifty- four pages and is 331 00:29:33,519 --> 00:29:38,680 very funny. The truth is that you sit there with the kids and play 332 00:29:38,799 --> 00:29:42,519 games, because I also have to tell stories. I love it. To 333 00:29:42,559 --> 00:29:48,279 me the routine with my little son lasts two and a half hours, because 334 00:29:49,920 --> 00:30:00,200 in the end they are never the horizontal reading. Well, because she came 335 00:30:00,240 --> 00:30:03,759 over with penguins and seeing what' s going on with the family is so 336 00:30:03,759 --> 00:30:07,160 hot. To me always any excuse to go out and share with the public. 337 00:30:07,559 --> 00:30:15,119 Good family of tabunism. It was crazy jimena. Also, it' 338 00:30:15,160 --> 00:30:23,720 s funny because I knew you in another context and although I have seen you 339 00:30:23,720 --> 00:30:29,720 singing even live, but not in a family context, and with little ones 340 00:30:30,160 --> 00:30:36,079 with creatures, And the truth is that how it changes or is really a 341 00:30:37,279 --> 00:30:41,480 feeling like I don' t know, it has nothing to do with a 342 00:30:41,599 --> 00:30:51,319 presentation of a book to use as an artist you are and besides that you 343 00:30:51,359 --> 00:30:55,440 play different, although you are more specialized in family, but because you have 344 00:30:55,440 --> 00:31:00,880 played also for adult audiences. What differences there are or what differences you plan 345 00:31:00,920 --> 00:31:03,160 or maybe there are none and you don' t make any difference when it 346 00:31:03,200 --> 00:31:11,759 comes to acting and placing yourself in front of creatures or a family audience or 347 00:31:11,839 --> 00:31:18,480 an adult audience that will then have their creatures inside. But in theory grown 348 00:31:18,920 --> 00:31:26,759 - up, the public. I think the difference, I think the bigger 349 00:31:26,799 --> 00:31:30,319 it is that the children' s village doesn' t forgive you and you 350 00:31:30,319 --> 00:31:33,920 don' t have a filter. You don' t have a filter if 351 00:31:33,000 --> 00:31:36,839 he gets bored, because he gets bored and you yell at him, he 352 00:31:36,920 --> 00:31:38,440 bores me or falls asleep. Well, even though some senior is staying, 353 00:31:38,799 --> 00:31:48,319 too. Everyone does what you can see, they won' t make you 354 00:31:48,400 --> 00:31:53,519 face me They pee, they pee and they want to go pee. But 355 00:31:53,680 --> 00:31:59,880 it' s also effervescent, if it' s also what gets me hooked 356 00:31:59,920 --> 00:32:06,200 on that freshness, also that maybe if you' re not used to it 357 00:32:06,200 --> 00:32:07,880 and you' re not trained, you can play a little against it. 358 00:32:08,440 --> 00:32:14,119 It' s a wonderful engine to take, that gives you the little ones 359 00:32:15,119 --> 00:32:20,640 and I love you. I want to. What if he sings the screams 360 00:32:20,720 --> 00:32:24,680 and if he dances he dances by jumping the chair? And if this when 361 00:32:27,480 --> 00:32:35,000 I did many years ago make the typical scene of the time where it is 362 00:32:35,079 --> 00:32:37,799 and is the bad guy behind that you can' t turn around. So 363 00:32:37,880 --> 00:32:42,400 the kids are, they' re going to get out of place, the 364 00:32:42,480 --> 00:32:47,400 butaque of leality is back and it' s wonderful and with all the vain 365 00:32:47,400 --> 00:32:53,920 and red dishes. And that' s what I love, me, the 366 00:32:53,960 --> 00:32:59,519 child audience, is that it drives me crazy when I enjoy that energy, 367 00:33:00,119 --> 00:33:07,119 that idea and that return that is made with that there are also adult audiences 368 00:33:07,119 --> 00:33:10,720 also very grateful, but I don' t know. There is also something 369 00:33:10,720 --> 00:33:19,720 about being part of those memories with families, of being part of people' 370 00:33:19,960 --> 00:33:30,119 s childhood, of those memories, of those early memories that have a magic 371 00:33:30,200 --> 00:33:36,920 that has nothing else. After that, life is full of wonderful memories and 372 00:33:37,000 --> 00:33:40,200 experiences that we can share. But they write to me and tell me no, 373 00:33:40,240 --> 00:33:45,039 because your show was the first one my kids went to see or my 374 00:33:45,119 --> 00:33:49,519 baby you listen from the gut and now he just falls asleep. When we 375 00:33:49,559 --> 00:33:52,160 put him in music he says I can' t devote myself to anything else. 376 00:33:53,559 --> 00:34:00,079 I can' t do anything else in my life anymore and it' 377 00:34:00,200 --> 00:34:04,400 s wonderful the theater or in the presentations that go with all the illusion, 378 00:34:06,759 --> 00:34:10,679 with the stories with which they carry drawings or I, when I have the 379 00:34:12,199 --> 00:34:16,119 shows with my mouse steal socks and carry galsetines also olivery, know that he 380 00:34:16,119 --> 00:34:24,960 likes cheese, then take the quesitos. It' s a front- row 381 00:34:24,960 --> 00:34:31,559 witness to that magic. It' s not wonderful, it' s not 382 00:34:31,960 --> 00:34:38,119 a very big responsibility to be there with a puppet and you' re next 383 00:34:38,800 --> 00:34:44,119 door I' m making you, I' m seeing that it' s 384 00:34:44,199 --> 00:34:51,320 part of it' s an extension ofé but it doesn' t matter 385 00:34:51,320 --> 00:34:51,320 because it' s real, because at that moment your artistic proposal is real. 386 00:34:52,039 --> 00:34:55,840 It' s their reality and it exploits me gres is because the code, 387 00:34:57,880 --> 00:35:07,159 the code to be able to get you into that game of imagination is 388 00:35:07,159 --> 00:35:14,519 malicious and how important, in the end, what you' re saying to 389 00:35:14,639 --> 00:35:21,920 mark with your songs now, with your book, all those hours of imagination, 390 00:35:22,039 --> 00:35:28,599 of creativity, of how it' s going to stay there, those 391 00:35:28,840 --> 00:35:30,360 images, those private jokes that are going to become theirs as well. In 392 00:35:30,400 --> 00:35:35,519 the end we don' t think about it and we don' t give 393 00:35:35,519 --> 00:35:39,519 it all the importance it has and many times we consume or see the stories, 394 00:35:40,360 --> 00:35:45,679 as well as well, it will pass from your time and you have 395 00:35:45,000 --> 00:35:50,599 to have them, but well, they will pass and clearly we remember how 396 00:35:50,639 --> 00:35:54,440 important they were for us the stories that we read when we were little, 397 00:35:54,559 --> 00:36:02,920 of course, but very much since there is also the good thing that there 398 00:36:02,960 --> 00:36:10,599 is everything and it is good to give them everything now in rotation, in 399 00:36:12,119 --> 00:36:15,440 bedtime, we have the chicken pepe man that is, please, and all 400 00:36:15,519 --> 00:36:21,760 and then we get you up, we get up, we stand up, 401 00:36:22,320 --> 00:36:27,079 we get up, and then we have Chris Hotton, who is a British 402 00:36:27,159 --> 00:36:35,760 non- illustrator and wonderful author, that his books are wonderful, that a 403 00:36:35,880 --> 00:36:38,480 priori and you say or aren' t rich if you have a technique and 404 00:36:38,480 --> 00:36:38,480 a knowledge of how the head of the boys works, but not of this 405 00:36:38,480 --> 00:36:40,960 to sell. Then this resource always sells. Then I put it, no, 406 00:36:42,119 --> 00:36:47,159 no, no, to really know where to, but it' s 407 00:36:47,239 --> 00:36:54,320 a good place for how stories work, really from a creative, responsible and 408 00:36:54,840 --> 00:37:04,480 loving place. And I, too, our creations with Ismael, both in 409 00:37:04,559 --> 00:37:08,760 songs and plays, YouTube scripts or the story itself, always respond to a 410 00:37:08,800 --> 00:37:15,480 need as parents. As a father and mother, what I' d like 411 00:37:15,519 --> 00:37:22,039 a story to tell my children what messages we' re not talking about is 412 00:37:22,039 --> 00:37:24,840 one of the chapters. One of the things they learn in humanito school is 413 00:37:24,880 --> 00:37:31,280 to cry. It' s all right with sorar. Crying is important. 414 00:37:31,400 --> 00:37:36,239 I' m super important to you, not crying. Why don' t 415 00:37:36,239 --> 00:37:38,280 I go cry, yeah, I' ll cry, I mean, society 416 00:37:38,400 --> 00:37:45,440 would be different. If we could all cry for a little while, then 417 00:37:45,440 --> 00:37:52,679 there it goes. It' s also a bit of a message, the 418 00:37:52,679 --> 00:37:55,119 messages we' re trying to convey to you as the father and mother of 419 00:37:57,159 --> 00:38:04,679 these flesh and blood humans that we have at home and share it with others, 420 00:38:04,679 --> 00:38:07,199 mothers and the little ones that count. Tell the story at home. 421 00:38:08,679 --> 00:38:14,960 Yeah, what you were talking about is crying or I was thinking about the 422 00:38:15,440 --> 00:38:20,000 typical behaving, being good, not being good, you have to be good, 423 00:38:20,239 --> 00:38:24,480 you have to be what you don' t, so you' re 424 00:38:25,559 --> 00:38:27,480 supposed to be and that but there are as many messages as very old- 425 00:38:27,480 --> 00:38:30,119 fashioned. I already think it' s good to be good when you have 426 00:38:30,119 --> 00:38:36,599 a baby, they say, it' s good that I know I don 427 00:38:37,079 --> 00:38:42,880 ' t kill anyone even when besides it' s a baby, I know 428 00:38:42,880 --> 00:38:42,880 it doesn' t sleep, I don' t know what to tell you. 429 00:38:43,000 --> 00:38:46,199 Yeah, well, it' s, I guess, but it' 430 00:38:46,239 --> 00:38:50,039 s stuff that' s expired, that we drag so much that good. 431 00:38:50,199 --> 00:38:54,159 But there he is in humor, because I also didn' t care to 432 00:38:54,199 --> 00:39:00,880 fall into these books of child help, of what I buy from one who 433 00:39:00,960 --> 00:39:07,440 is going to let that we also have there as projects, but from one, 434 00:39:07,760 --> 00:39:12,119 from the humor, because that' s okay, we don' t 435 00:39:12,119 --> 00:39:14,079 need them. And so, but this isn' t it. In the 436 00:39:14,079 --> 00:39:19,000 end, the steps are we laugh at the steps we have to take to 437 00:39:19,079 --> 00:39:25,280 be people. And I really like the concept, that is, the affection 438 00:39:25,480 --> 00:39:31,119 with which then, evidently, as I was counting on you with my daughter, 439 00:39:31,360 --> 00:39:35,920 I didn' t approach it that way. She didn' t treat 440 00:39:35,920 --> 00:39:42,039 him like that. But you have to hold on to that affection of that 441 00:39:42,119 --> 00:39:45,199 older sister who loves herself very much, who accepts herself very much presents herself 442 00:39:45,280 --> 00:39:51,639 as wo looks like cool and helps the brother also to love himself as he 443 00:39:52,280 --> 00:39:58,199 is and to enjoy and have fun that in the end is what we all 444 00:39:58,239 --> 00:40:05,079 want friends. Give it up. I think the leit motive of the story 445 00:40:05,199 --> 00:40:12,360 is also every one of us here doing what we can. Yeah, because 446 00:40:15,199 --> 00:40:19,760 one of the things that was left out of the chapters was walking. I 447 00:40:19,840 --> 00:40:22,400 don' t know how everyone walks when my son doesn' t walk until 448 00:40:22,480 --> 00:40:29,320 he' s two years old, it' s almost like he' s 449 00:40:29,440 --> 00:40:32,519 full, so he starts because yes, he' s cute a year, 450 00:40:32,719 --> 00:40:37,280 because if he' s eight months old and you look at him because he 451 00:40:37,280 --> 00:40:37,280 ' s a little cow, or I don' t know what that is. 452 00:40:37,360 --> 00:40:43,280 Not being a person is going to enjoy and do what one can good. 453 00:40:44,239 --> 00:40:49,159 And there are also as little messages to fathers and mothers or the people 454 00:40:49,199 --> 00:40:55,960 in charge of these little ones that good that one also in the chapter of 455 00:40:57,000 --> 00:41:02,239 the food we say good. I already know that you love all the food 456 00:41:02,440 --> 00:41:06,320 that like me, that I am big, give me pizza or give me 457 00:41:06,400 --> 00:41:10,440 spaghetti with tomato or whatever. Whether you hurry or not, a mother who 458 00:41:10,519 --> 00:41:15,920 ' s scared of the baby lives wien touches you and doesn' t give 459 00:41:16,079 --> 00:41:21,280 you any pussy like they' re going to see you hit the respectful grease. 460 00:41:22,960 --> 00:41:27,639 It' s okay. You' ll get more. Keep freaking out 461 00:41:27,719 --> 00:41:29,800 ' cause you' re gonna get into noodles. They' re gonna give 462 00:41:29,880 --> 00:41:32,719 you food. It' s not how you look it' s coming. 463 00:41:34,440 --> 00:41:37,360 We have a lot of things in life to come. She' s so 464 00:41:37,360 --> 00:41:44,960 good. Don' t worry. This is a detail and it is full 465 00:41:45,000 --> 00:41:49,599 of sense, humor and as you well say, those of messages, of 466 00:41:49,599 --> 00:41:58,719 dramatizers, of dramatizers or as the lords of the rad want to say to 467 00:42:00,039 --> 00:42:06,079 enjoy and enjoy and so that in the end it is, for that read 468 00:42:06,119 --> 00:42:09,840 the story. Let us not have a good time, all that the fathers, 469 00:42:10,239 --> 00:42:16,559 the mothers who are reading it, and the little ones in that process 470 00:42:16,679 --> 00:42:22,320 of enjoying there with that little bit, and the older brothers or sisters reading 471 00:42:22,320 --> 00:42:27,559 them, please, that it would be their thing, it would be them 472 00:42:27,559 --> 00:42:30,400 so please. Hey imagine upcoming projects, even though this is just now, 473 00:42:31,199 --> 00:42:36,920 but the next projects have just come out of the oven. Well, we 474 00:42:37,079 --> 00:42:45,079 really want to go back to some stage, in some format. But there 475 00:42:45,119 --> 00:42:50,400 are projects like many that do not yet have an exit date. But we 476 00:42:50,440 --> 00:42:58,159 ' ll go back to the theater, we' ll come back with new 477 00:42:58,239 --> 00:43:05,280 songs to see if we' re back too We' ve done a lot 478 00:43:05,280 --> 00:43:05,280 of, a lot lately with the songs from the albums and a lot of 479 00:43:05,280 --> 00:43:12,079 presentations. Let' s see if I' ll be back with a play 480 00:43:13,079 --> 00:43:16,400 that will obviously be musical, because I can' t get away. But 481 00:43:16,400 --> 00:43:21,760 let' s see if we come back in some hour that it was like 482 00:43:22,719 --> 00:43:30,440 this project actually started and it makes us want to take back a little bit 483 00:43:30,480 --> 00:43:37,480 of the fourth wall And well, if projects always, there are always many 484 00:43:37,559 --> 00:43:38,159 things that will come, but still none with date of departure. So far 485 00:43:38,719 --> 00:43:43,639 the story and the song. On Friday the school that humanito is with elsmal 486 00:43:43,639 --> 00:43:46,760 Serrano. When this podcast comes out, the song will be there. So 487 00:43:46,800 --> 00:43:52,119 now you go all and all and all, of course, many songs, 488 00:43:52,559 --> 00:43:55,840 like I can' t put it on because I' ll skip my rights. 489 00:43:57,719 --> 00:44:01,559 I couldn' t put it at the end of the show, because 490 00:44:01,559 --> 00:44:07,559 what you have to do, is go, listen to the song directly and 491 00:44:07,559 --> 00:44:09,480 put it in family. So at full volume, because we remind you that 492 00:44:09,480 --> 00:44:19,360 we' re on vacation and that' s it, and friends, friends, 493 00:44:19,360 --> 00:44:22,000 you have to survive. But we have given you, we have given 494 00:44:22,079 --> 00:44:28,239 you with this little bit of good ideas, at least a resource at your 495 00:44:28,280 --> 00:44:34,360 disposal that you can find in your local bookstores or ask it there to pose 496 00:44:34,480 --> 00:44:39,360 the local commerce to call that bookstore that is so close to you, you 497 00:44:39,400 --> 00:44:43,159 have this story. I can handle it. If he' s not there, 498 00:44:43,639 --> 00:44:49,559 because suddenly you don' t have him then, but you ask for 499 00:44:50,199 --> 00:44:52,400 him, they bring him in like this second school of humanitos. How to 500 00:44:52,480 --> 00:45:00,400 be a person in ten simple steps, very simple. How hard, how 501 00:45:00,519 --> 00:45:05,800 hard? How much would this give to actually talk, but we' re 502 00:45:05,880 --> 00:45:13,000 going to keep what can be achieved and that has always published today editions. 503 00:45:13,199 --> 00:45:16,280 You have it, as we told you in your local bookstores. And if 504 00:45:16,320 --> 00:45:21,519 it' s not there, then you ask for it. Thank you so 505 00:45:21,519 --> 00:45:29,239 much. I also encourage with summer spirit, with conciliation. It' s 506 00:45:29,239 --> 00:45:31,880 not good. Yes, in conciliation you do what you humanly can, but 507 00:45:31,960 --> 00:45:37,000 let' s enjoy it. Let us also enjoy the non- dutys, 508 00:45:37,280 --> 00:45:43,119 the non- tests, the eight table, the demands, please, and 509 00:45:43,159 --> 00:45:49,880 let us relax and enjoy the dwarves. Yes, later, that' s 510 00:45:50,159 --> 00:45:53,920 what we' re saying. It' s true they grow, they grow 511 00:45:54,000 --> 00:45:59,320 very fast fashion you only have eighteen summer Lie, just like we don' 512 00:45:59,400 --> 00:46:04,159 t big house, but well, now you do have to enjoy it, 513 00:46:04,159 --> 00:46:08,760 because it' s very fast. Ay Jimena to a pleasure always chatting with 514 00:46:09,159 --> 00:46:15,320 you and nothing that for the next project, for sure we will chat again 515 00:46:15,519 --> 00:46:21,679 because we will be there. We follow you through networks and we' re 516 00:46:22,039 --> 00:46:27,719 watching when you get things out without stress, without pressure, enjoying, then 517 00:46:27,719 --> 00:46:30,360 I say a date, I put a line and it doesn' t lead 518 00:46:30,360 --> 00:46:32,079 anywhere in the end. So look, I surprise you and I tell you 519 00:46:32,400 --> 00:46:39,239 look I have in the week next train theater play. So you' re 520 00:46:39,280 --> 00:46:43,719 looking out for Jimenas' networks. We will, of course, put the 521 00:46:43,800 --> 00:46:46,679 program notes, all the information in Jimena' s book and networks so that 522 00:46:47,119 --> 00:46:52,840 you can follow her and be aware of all these things she gives us. 523 00:46:52,360 --> 00:46:57,440 And thank you very much. For having accompanied us one more time. Thank 524 00:46:57,559 --> 00:47:01,639 you very much for perimizing what Lindo Madrid. Friends, we' re leaving, 525 00:47:01,679 --> 00:47:05,519 friends, we' re leaving. We' ll be back in a 526 00:47:05,559 --> 00:47:09,079 new episode of good morning more waiting and Felipe Summer cheer. I encourage everyone 527 00:47:13,239 --> 00:47:13,920 to war, to