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In a Haunted House by Joseph B. Bowles. A New Yorker's experience with

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a strange old colonial mansion, a
nerve wracking night, some startling incidents which

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seemed impossible of rational explanation by T. D. Sullivan, Congressman elect from

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New York City. This is I
think the strangest experience in a career that

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has not been monotonous. It is
true, and at one time I had

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some trouble keeping it out of the
papers. Now there's no more reason for

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keeping quiet about it, so I
may as well tell the whole story for

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the first time. The reason why
I need not keep the secret any longer

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is because a big, old fashioned
red brick building was torn down this year.

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It was once a private residence,
then an office building, and now

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its site is the site of a
steel skyscraper. That is the way New

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York grow. But at the time
this narrative deals with, the house was

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a residence, a big, rambling, roomy old residence at that remodeled from

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a colonial mansion. There was a
young fellow whose father had been a dear

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friend of mine. He had recently
married his bride had taken a fancy to

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the house, and her husband,
being rich and eager to gratify any whim

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of hers, had bought it in
at a sheriff's sale of uptown property.

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The purchaser is now a United States
Congressman. I have not permission to use

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his name, sir, I will
call him Clark. His chief opponent at

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the sale was a real estate dealer. O'Gorman is near enough to his real

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name to suit present purposes. This
O'Gorman was a shrewd, shifty, unscrupulous

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chap who had visions of the great
future of the Upper west Side, visions

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that later came true. If you
ever get dissatisfied with the old place,

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I'll take it off your hands at
the figure of my best bid today,

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he said to Clark after the sale. Clark laughed at him, gave orders

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for the house's renovation, and sailed
with his bride for Europe on a six

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months trip. The trouble begins.
I was sitting in my office one day

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about half a year later, when
Clark sauntered in. I saw from his

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face he was bothered about something.
After our first meeting, he came to

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the point, I've made a bad
investment in that old Bartolf House. He

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said. The colonial builder's name had
been Yan Bartolf, and the house was

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still referred to in the neighborhood by
his name. Doesn't missus Clark like the

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place as much as she expected to, I asked him. She hasn't had

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a chance to judge of it,
he said, and I don't mean that

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she shall. The house is haunted. Haunted, what nonsense. That's what

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I thought when I came home last
week from Europe and found that not a

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single day's work had been done on
the repairs I ordered, answered Clark.

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I went to the contractor and he
calmly informed me he wouldn't touch the job,

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and then I could have my money
back. He said that ghosts had

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frightened his workmen half to death,
that he'd seen and heard things there that

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couldn't be explained, and that every
man in his employ would strike if he

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ordered them to work there. And
you believed all that rot, I laughed,

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No, replied Clark. Seriously,
I didn't. I thought he was

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lying. I went over the house
myself, and well, what he said

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was true. You can guide me
if you're like old man, But the

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house is haunted, and I'm going
to get rid of it. I suppose

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why monsters clattered their chains at you. I hazarded, and you ran a

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block before you identified the hideous specters
as a pack of mice scampering in the

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loose plastering of the walls. If
you take it that way, he said,

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offended at my guying, there's no
use inviting any more of your jokes

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by telling you what really happened to
me there. I'm going to hunt up

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O'Gorman, tell him the truth about
the place and see if his offer to

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buy it still holds good. He
may be willing to pay something for it

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as a land speculation. He never
could get a tenant to stay there.

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Now, Clark's absolute sincerity began to
make an impression on me. I saw

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that he was terribly in earnest,
that he believed he was telling the truth,

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and that he was really ready to
sell the valuable property for a song.

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Look here, Clark, I said, I'm sorry I guide you,

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but it all seems so absurd.
You know as well as I do that

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there are no such things as ghosts. Don't be foolish and give up the

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place till you've made sure. What
are you going to do this evening,

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nothing especial. Why come and dine
with me. Then we'll take a box

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of cigars, a bundle of candles, and a light lunch along and go

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together to this haunted house of yours
for the night. I've always wanted to

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see a ghost. Maybe I can
find some explanation for it all. My

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first idea on hearing his story had
been that o' gorman, in order to

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gain possession of the property he coveted, had bribed the contractor to spring that

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ghost yarn. But when Clarke himself
had apparently seen or heard something to verify

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the crazy belief, the affair began
to take on a more serious aspect,

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a night investigation. I took a
long nap that afternoon to obviate the chance

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of going to sleep, drawing the
vigil and promptly at ten that evening,

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I started with Clark for the Bartholf
mansion. It was, as I said,

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a rambling old brick dwelling and built
in colonial days by an eccentric Dutchman,

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concerning whom some odd stories still survived. The neighbors, it seemed,

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had regarded him as a sort of
wizard or magician. As we walked up

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the uneven path to the front porch. The old pile of brick looked in

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the moonlight like the regular dime novel
haunted house, and as Clarke led us

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in through the great blackened oak doors, the darkness of the huge hall seemed

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to rush forward to meet us.
We set about our preparations in a businesslike

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way. We established our headquarters for
the night in the big drawing room to

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the right of the hall. We
lighted a half dozen candles, stuck them

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in the rusty iron sconces about the
wall, and set about examining the room.

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The walls were lined with faded tapestry. One or two old, half

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defaced pictures hung here and there,
notably one of old Yan Bartolf himself,

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which was directly above the mantel.
Several pieces of furniture occupied the bare floor,

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whose hardwood boards were warped by dampness
and neglect. We made sure that

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no hiding place for lurking mischief makers
existed within the four walls of the apartment.

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Then, candle in hand, we
made a systematic detour of the whole

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dusty, creaking house. Well,
said Clarke, as we reached the top

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of the wide staircase on our return
toward the ground floor. If there'd been

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a man, or even a mouse
concealed anywhere, we'd have found him.

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Let's go back to the drawing room. And why it's dark down there?

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We were halfway downstairs, as he
spoke. On our way up, the

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light of the candles in the drawing
room sconces had cast a glow across the

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hall. Now, except where illuminated
by the two candles in our hands,

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the whole lower floor was in dense
blackness, ghostly mystery. What do you

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think now, asked Clark. I
made no reply, but ran down the

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remaining steps into the drawing room.
The smell of extinguished candles filled the room.

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All was dark, save where a
broad patch of moonlight from the one

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unshuttered window fell on the floor.
In the very center of that patch was

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an old mahogany rocking chair. It
was rocking with a quiet, regular motion,

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as if some invisible guest were taking
his ease and swearing himself to sleep.

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Do you see that, whispered Clark
over my shoulder. That's what I

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saw when I came up here in
broad daylight. It's a current of air,

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I explained, But even as I
said it, I knew that no

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real draft could enter that closed room
with force enough to blow out six candles

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and start a heavy chair into motion. Moreover, the air in the room

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was dead and motionless. I never
used to believe in this sort of thing

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any more than you do, said
Clark. But who can doubt it?

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Now? I can doubt it,
I answered, Help me light these candles

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in the sconces and will make another
inspection of the room. We lighted the

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candles. As we set foot in
the room, the chair had ceased rocking.

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We once more made the rounds of
the apartment, patting the tapestry against

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the walls with our hands, looking
under each bit of furnish, sounding the

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bricked up fireplace, and in other
ways making sure no trick was played on

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us by human agency. If anybody
is putting up this line of practical joking,

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I said, he can't do anything
while we're in here. If it's

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a ghost. The sound as if
someone sobbing and panting for breath, came

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to us while I was speaking.
It seemed to be in the room within

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arm's length of us. That's easily
explained, I said, as Clark grabbed

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my arm. The wind in the
empty passages of the house, and the

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chimney makes it's growing dark, interrupted
my companion. I looked up. Only

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two of the six candles were burning. Even as I looked, first one

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and then another of those remaining two
lights went out. It was as though

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someone had passed along that side of
the room and extinguished them. We were

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in total darkness, for I had
closed that one open window shutter. In

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the dense blackness, as I groped
for a match, I could hear that

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great rocking chair slowly begin to creak
back and forth. I found a match

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at last, and struck it.
We re lighted the candles. Then I

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turned to look at the rocker.
It was standing motionless. We stared hopelessly

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into each other's faces. I hope
mine wasn't as scared and white as Clark's.

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And this is the sort of house
you advise me to bring my bride

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to, he said, At last, we've seen enough. I'm going home.

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You're going to spend the night here, as you promised, I answered.

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This ghost seems to be a harmless
sort of creature, as long as

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he contents himself with puffing out candles
and making chairs rock. He can't bother

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us greatly. Let's have a smoke
and talk it over. I sat down

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in the ghostly rocker and lighted a
cigar. I kept a keen eye on

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the candles, resolved to get some
clue if possible, to the way they

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were extinguished. Clark threw himself on
a sofa at the other side of the

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room. It's no use, he
said. I'll get rid of the house

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as soon as I can, and
at any terms. I'm sorry because my

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wife had set her heart on living
here. With a little repair, this

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would be an ideal home except for
the ghost. What are you doing the

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ghost? I had risen to my
feet and come to the middle of the

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room. The rocker in which I'd
been sitting was in the shadow. The

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candles, as we had rearranged them, were all at the lower end of

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the room, near the big mantelpiece. As I had sat idly listening to

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Clark's complaint, my gaze had chanced
to fall on Old Yan Bartholf's picture.

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I could have sworn that I saw
the eyes in the tarnished face close and

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then open. I'm just strolling around
for exercise, I said, carelessly.

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It makes one so nervous to sit
still in here. And as I got

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to this point, my steps had
carried me in a circuitous route to the

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mantel. With a sudden motion and
exerting all my strength, I seized the

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big picture and wrenched it from its
fastenings. It fell to the floor with

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a crash, and there, in
a great hole in the wall which the

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canvas had covered, crouched a human
body. With a second sweep of the

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arm, I seized it as it
was about to vanish into the dark passage

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behind the opening, and pulled it
into the room, where it tumbled headlong

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on the floor. There's your ghost, Clerk, I said, brushing the

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dust off my clothes and watching the
figures grumble to its feet. You're a

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clever chap O'Gorman, but you're not
clever enough. That's all the trouble with

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you, now, Clark, If
you'll keep your hands on this worthy house,

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haunter, I'm going on an exploring
expedition. Clarke had the struggling fellow

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by the throat, and I lighted
an extra candle and clambered up into the

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hole above the mantel. I'll be
back in a minute, I said.

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The aperture led to a passageway nearly
three feet wide that ran the entire length

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of the house, being depressed to
a height of about three feet at places

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where the windows intervened. This explained
the unusually deep window seats I'd noticed the

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inner walls of the passage. Those
nearest the rooms were honeycombed with auger holes,

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whose aspect showed them to have been
bored many years before secret passages Through

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these apertures. It had been a
simple matter for O. Gorman to detect

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the whereabouts of the candles in the
sconces, and by a sudden puff to

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blow them out. The threadbare tapestry
did not obstruct the air, and one

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could see dimly through it. The
passage ran clear around the house between outer

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and inner walls, connecting by ladders, with a similar secret passage on the

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floor above. A ladder descended from
the ground floor passage to a space between

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the drawing room flooring and the cellar
ceiling. This space was quite large enough

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to admit the body of a man. As I glanced into it, I

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could see the drawing room candle light
filtering through the cracks in the flooring.

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A slender bladed knife thrust through the
cracks at the right place would readily account

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for the rocking of the chair.
One light push of the knife point would

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set it in motion. Old Yan
Bartolf must have had odd theories on the

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subject of building. What may have
been the original object of these passages peep

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holes, etc. No one can
tell whether he sought to spy on his

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family or guests, or whether he
feared he might one day need shelter from

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justice or from Indians. I don't
know, perhaps to foister the popular belief

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in his magic powers. But the
secret chambers were there, and O'Gorman had

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made clever use of them. But
for his folly in using the cutout eye

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holes in the portrait in order to
watch us from a better point of view,

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he would assuredly have gained his point
and bought the house of Clark for

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a song. O'Gorman confessed to us
that while wandering over the house with a

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view to buying it just before Clark
had outbid him, he had blundered on

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the secret passage behind Bartolf's picture.
The idea of scaring Clark into selling cheap

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had occurred to him sooner on O'Gorman, giving us a written confession. Clark,

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greatly against my advice let the fellow
go. He was so much relieved

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to find the house was not really
haunted. He said that he hadn't the

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heart to drag the whole story into
the public Prince by prosecuting the swindler.

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End of in a haunted house
