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Your 59 00:05:44,160 --> 00:05:48,480 missives do WMNH ninety five to three at gmail dot com or traverse the virtual 60 00:05:48,519 --> 00:05:55,040 corridors of wmnhradio dot org. Engage with our sonic vibrations by communing with us 61 00:05:55,040 --> 00:05:59,920 through the digital channel or radio beckons eager to enthrall you with its mesmerit, 62 00:06:00,120 --> 00:06:09,079 you would have soon found bless all that wars wonder. W m n H 63 00:06:09,439 --> 00:06:41,519 rip the domos. You are right, God tell me now the thing to 64 00:06:41,680 --> 00:06:47,759 see the shallows trying to pond and you're blind dogs. Now him Pulf the 65 00:06:48,160 --> 00:07:30,839 Death said golf. Now you know with those sum all days cook with cool 66 00:07:30,839 --> 00:07:35,240 and shold, because now they know you say you'll ball me all you run 67 00:07:35,399 --> 00:07:43,800 bond bank an Now for whatever showed how you love that I'm troll now that 68 00:07:44,120 --> 00:08:52,960 they are. Now I knew your fears, I knew your pride. So 69 00:08:54,480 --> 00:09:37,799 just so Justine, that'll get the blood pumping coil back. UH from Dallas 70 00:09:37,879 --> 00:09:41,240 Texas and we have. Let me bring that up there. Lou Morris is 71 00:09:41,440 --> 00:09:45,399 with us via Skype. Are you there? Yes, I am welcome to 72 00:09:45,480 --> 00:09:48,639 the show, my friend. I thanks for having me. Yeah, I 73 00:09:48,759 --> 00:09:50,159 really like what you're doing. Now. Is anybody else from the band with 74 00:09:50,279 --> 00:09:54,039 you or is it just you? Nah? No, everybody else actually has 75 00:09:54,120 --> 00:09:58,679 like real jobs and stuff. That's all right, that's all right. Yeah, 76 00:09:58,759 --> 00:10:03,720 man, that is pure adrenaline. That song. I really really like 77 00:10:03,840 --> 00:10:09,200 it. And actually we're gonna play another Coilback song at the end of the 78 00:10:09,320 --> 00:10:13,159 segment that I particularly love. I think I mentioned it to you in an 79 00:10:13,279 --> 00:10:18,320 email. Oh Chris Kelly is in the chatterman says I'm here in spirit. 80 00:10:18,360 --> 00:10:20,240 I assume he's one of your band mates. Yeah, he's our drummer. 81 00:10:20,360 --> 00:10:24,279 Oh, very good, very good. Yeah, that Texas Metal. We've 82 00:10:24,320 --> 00:10:28,039 had a lot of Texas metal bands on the show and love it. It 83 00:10:28,120 --> 00:10:31,600 seems like it's a really good scene there. I assume there's a lot of 84 00:10:31,639 --> 00:10:37,240 great bands that you know in the area. There's some amazing bands here. 85 00:10:37,559 --> 00:10:41,919 It's kind of a cover band wasteland of recently here. We're trying to slowly 86 00:10:41,000 --> 00:10:45,240 kind of get it going again. Yeah, but Yeah, there's so much 87 00:10:45,320 --> 00:10:48,600 talent here, and it's just one of those things that just trying to get 88 00:10:48,639 --> 00:10:50,679 the people out there to listen to it. It's like, you know, 89 00:10:50,600 --> 00:10:54,200 find something new. It doesn't always have to be you know, everything you've 90 00:10:54,240 --> 00:10:56,799 heard since you were a teenager, right, exactly, exactly. Yeah. 91 00:10:56,879 --> 00:11:00,360 That's something that we talk about a lot on the show too, is how 92 00:11:00,399 --> 00:11:05,080 people a lot of people tend to get kind of stuck in a certain era, 93 00:11:05,320 --> 00:11:09,080 whether it's when they were growing up or maybe a little bit beyond that. 94 00:11:09,240 --> 00:11:11,519 You know, some people they get to like twenty five or thirty years 95 00:11:11,559 --> 00:11:13,879 old and they just kind of say, Okay, all the music I've heard 96 00:11:13,000 --> 00:11:18,000 up to this point I like, and anything made after this day I'm not 97 00:11:18,200 --> 00:11:20,840 going to love. Yeah, and you miss out on so much that way. 98 00:11:20,960 --> 00:11:24,279 I often bring up on the show my dad, who is in his 99 00:11:24,440 --> 00:11:28,080 seventies and he lives on the seacoast here in New Hampshire, so he lives 100 00:11:28,159 --> 00:11:33,679 near a really great college radio station WUNH, and that's what he loves to 101 00:11:33,759 --> 00:11:37,360 listen to because he loves, even at his age, he loves hearing new 102 00:11:37,519 --> 00:11:41,799 music. You know. Oh yeah, yeah, I mean it's you gotta 103 00:11:41,879 --> 00:11:43,799 keep looking for the new stuff. I mean, familiar is great. You 104 00:11:43,879 --> 00:11:48,120 know, I'll throw on Van Halen just as quick as i'll throw on something 105 00:11:48,159 --> 00:11:50,159 new. And it's one of those that you got to seek it out there. 106 00:11:50,200 --> 00:11:54,720 And that's the thing is, there's so much good stuff right now that 107 00:11:54,480 --> 00:11:58,639 isn't necessarily put out by a major label, right and it's so easier these 108 00:11:58,720 --> 00:12:01,399 days of the Internet. It's easier to find. But I don't know why 109 00:12:01,440 --> 00:12:05,159 nobody's going out and looking for it. Well, that's the thing. Yeah, 110 00:12:05,399 --> 00:12:09,120 people have no excuse because it is easier to find than ever. There's 111 00:12:09,240 --> 00:12:13,360 so much music and there's so much that you're missing out on if you don't 112 00:12:13,440 --> 00:12:18,480 bother to investigate it, you know. So that it seemed my impression, 113 00:12:18,559 --> 00:12:20,919 by the way. As far as the scene that you're in in Dallas, 114 00:12:22,000 --> 00:12:24,480 I mean that's a pretty competitive scene, right There's a lot of bands, 115 00:12:24,799 --> 00:12:28,639 a lot of bands, and not a lot of venues anymore. We've lost 116 00:12:28,759 --> 00:12:33,919 a lot of our really like legacy venue so to speak, and it's it's 117 00:12:33,039 --> 00:12:37,440 it's a weird time right now. I mean it's kind of cycled like this 118 00:12:37,600 --> 00:12:41,360 through Dallas because I mean Coilback's been around twenty four years now at this point. 119 00:12:41,440 --> 00:12:45,120 Wow, And so it's one of those I've kind of watched it rise 120 00:12:45,200 --> 00:12:48,240 and fall and rise and fall, so we're kind of in one of those 121 00:12:48,399 --> 00:12:52,440 fall areas right now. But people get tired of the same old, same 122 00:12:52,519 --> 00:12:54,519 old, and then they start looking for the new stuff again. So it's 123 00:12:54,600 --> 00:12:58,879 kind of waiting for it to kind of rotate back around again, right, 124 00:12:58,120 --> 00:13:03,480 right, more than twenty years Coilback has been around. Oh yeah, oh 125 00:13:03,559 --> 00:13:07,360 yeah. We started in two thousand, December of two thousand, so just 126 00:13:07,480 --> 00:13:09,720 barely you know, twenty four. But it's like it's, yeah, we 127 00:13:09,879 --> 00:13:15,559 celebrated our We kind of joke around that we're kind of Dallas's answer to spinal 128 00:13:15,600 --> 00:13:20,720 tap the way stuff happened because we were going to celebrate our twentieth anniversary and 129 00:13:20,919 --> 00:13:24,360 have all these bring back all these old songs and do some extended sets, 130 00:13:24,480 --> 00:13:26,919 and we kind of know it all happened in twenty twenty, so right, 131 00:13:28,120 --> 00:13:31,440 yeah, yeah, how do you keep a band going for that long? 132 00:13:31,480 --> 00:13:33,639 Because I, you know, I myself, I've played it in a bunch 133 00:13:33,720 --> 00:13:39,200 of bands, but I think the longest I was in a band that lasted 134 00:13:39,240 --> 00:13:41,840 any amount of time, at least during my tenure in the band was probably 135 00:13:43,039 --> 00:13:48,080 geez. I was in one band for maybe seven or eight years. But 136 00:13:48,639 --> 00:13:52,399 so I can't even imagine, like, how do you keep something going that 137 00:13:52,519 --> 00:13:58,879 long? I guess just sheer stubbornness. Yeah, I mean I'm the only 138 00:13:58,000 --> 00:14:01,679 original member. We went through a couple of lineups, but I'm the I'm 139 00:14:01,759 --> 00:14:05,519 kind of the main songwriter anyway. So it hasn't really changed a lot sound 140 00:14:05,559 --> 00:14:09,039 wise. Yeah, a lot of it just because not Lessari. We always 141 00:14:09,120 --> 00:14:11,639 joke around. It's like I'm such a diva. All my original guys moved 142 00:14:11,639 --> 00:14:15,720 out of state to get away from me, But it really wasn't they like 143 00:14:15,919 --> 00:14:18,360 we had. Uh, we had a lineup and the original lineup, the 144 00:14:18,360 --> 00:14:24,000 bass player I worked with him at a pyrotechnics company, but he ended up 145 00:14:24,039 --> 00:14:26,480 moving to Ohio, and then we got another bass player in, and then 146 00:14:26,639 --> 00:14:30,559 he ended up moving to Idaho, and then when I brought in another we 147 00:14:30,679 --> 00:14:33,039 started as a three piece, and then I brought in another guitar player. 148 00:14:33,080 --> 00:14:37,960 He ended up moving to Illinois, and then the one drummer we had before 149 00:14:39,039 --> 00:14:43,399 this current one, he's out in California now, and so it's just been 150 00:14:43,440 --> 00:14:46,159 one of those it's just been swapping around a lot now saying that with the 151 00:14:46,200 --> 00:14:50,000 exception of the bass player we've got now the lead guitar and the drummer that 152 00:14:50,039 --> 00:14:54,639 I've got, that's been the longest we've that I've worked with any of them, 153 00:14:54,799 --> 00:14:58,600 and that lineup's coming up right at ten years. Okay, okay, 154 00:14:58,679 --> 00:15:03,399 so the there's been some stability there. That's good. Oh yeah, oh 155 00:15:03,440 --> 00:15:07,360 yeah. Yeah. It's always been one of those things that I try to 156 00:15:07,399 --> 00:15:09,679 keep it real easy going with coilback. It's always been one of those things 157 00:15:09,720 --> 00:15:13,360 that I try to let everybody have some input on it and all that stuff, 158 00:15:13,879 --> 00:15:16,639 and so it's usually when everybody leaves, it's never any hard feelings or 159 00:15:16,679 --> 00:15:20,519 anything. Because Yeah, for instance, our bass player Eddie Johnson, the 160 00:15:20,559 --> 00:15:26,559 one that moved to Idaho, he met a woman over there and he ended 161 00:15:26,639 --> 00:15:30,360 up having a heart attack on stage when he was playing with He didn't realize 162 00:15:30,360 --> 00:15:33,320 it at the time. Oh my god. And he just kind of went 163 00:15:33,399 --> 00:15:35,720 up to me and he's like, man, I'm not feeling great, and 164 00:15:35,039 --> 00:15:37,039 I'm like, oh, go get checked out, man, And he found 165 00:15:37,039 --> 00:15:41,440 I had a heart attack. So then he kind of had to reprioritize life 166 00:15:41,480 --> 00:15:43,600 a little bit. There going you know, do I want to play around 167 00:15:43,639 --> 00:15:46,360 with this or do I want to go maybe start a family or whatever. 168 00:15:46,600 --> 00:15:50,399 So wow, I was like, dude, no hard feels. If you 169 00:15:50,440 --> 00:15:52,639 want to go over there and pursue that the family like and go for it 170 00:15:52,799 --> 00:15:54,720 man. You know, it's like, I'm not going to stop you from 171 00:15:54,759 --> 00:15:58,679 that. So yeah, it's been for those things. We did, like 172 00:15:58,720 --> 00:16:03,200 a little if you ever go on YouTube on our coilback page, we did 173 00:16:03,240 --> 00:16:11,279 a little twentieth anniversary very spinal tapish documentary of the band. Oh wow. 174 00:16:11,200 --> 00:16:15,840 I had a lot of the old guys come in and just tell stories. 175 00:16:15,960 --> 00:16:18,279 We had some celebrities come in and kind of talk some smack about us and 176 00:16:18,320 --> 00:16:25,559 stuff. It spurred from a joke that I saw a band hire Gary Holt 177 00:16:25,639 --> 00:16:32,320 from Exodus slash Slayer on cameo and pretended like he was a fan of theirs. 178 00:16:32,480 --> 00:16:36,879 Oh no, that's a great idea. You paid him twenty bucks man. 179 00:16:36,960 --> 00:16:38,279 It's like, of course he did a saying, so I thought, 180 00:16:38,360 --> 00:16:41,840 you more hilarious if we got all the celebrities just act like they have no 181 00:16:42,000 --> 00:16:45,200 idea who they are. Of course most of them didn't, right, but 182 00:16:45,320 --> 00:16:48,919 I gave I let him in on the joke and they all loved it. 183 00:16:48,080 --> 00:16:55,960 So we have everybody from David Elphisen to Dana de Lorenzo from Ash versus Evil 184 00:16:56,039 --> 00:17:00,080 Dead, just a bunch of them that we just I paid him. I 185 00:17:00,159 --> 00:17:02,480 paid them on the cameo and I said, here's what we're doing as a 186 00:17:02,559 --> 00:17:03,559 joke, and they all loved it. They're like, man, that's great, 187 00:17:04,000 --> 00:17:07,079 I'm all for this. So that's a fantastic idea. I'll have to 188 00:17:07,160 --> 00:17:11,279 check that out. I love that concept. Oh yeah, it's on our 189 00:17:11,319 --> 00:17:12,759 YouTube thing. I wanted to do something for our twentieth so I was like, 190 00:17:12,799 --> 00:17:17,359 all right, we'll do this, and they every celebrity I had to 191 00:17:17,400 --> 00:17:21,119 go and edit obviously out because they would leave the band itself a message and 192 00:17:21,160 --> 00:17:22,960 going hey I really dig this and I actually listen to you guys. And 193 00:17:23,160 --> 00:17:27,880 we actually got some fans from just some of the celebrities. So it was 194 00:17:29,079 --> 00:17:32,440 it was a lot of fun doing and I wish I could have edited a 195 00:17:32,480 --> 00:17:34,680 little bit smoother, but I was kind of in the transition time of moving 196 00:17:34,799 --> 00:17:37,799 myself, so I just kind of slapped it together really quick. But we 197 00:17:37,920 --> 00:17:42,000 got some local guys here doing stuff and then yeah, some high profile there 198 00:17:42,039 --> 00:17:45,720 and it was it was just something just to do. But yeah, it's 199 00:17:45,759 --> 00:17:48,799 on YouTube, so you can find it there. That's great. I think 200 00:17:48,880 --> 00:17:52,000 that we live in a time where if you can, if you can find 201 00:17:52,079 --> 00:17:56,279 creative ways to market what you're doing. And some people get uncomfortable with the 202 00:17:56,319 --> 00:18:00,960 word market when talking about music, but it you know, yeah, it's 203 00:18:02,079 --> 00:18:04,160 like anything else. You have to you know, if you could be the 204 00:18:04,240 --> 00:18:07,519 greatest band in the world, but if nobody has an opportunity to hear you, 205 00:18:07,720 --> 00:18:10,799 you know, what's it matter? So you got to you got to 206 00:18:10,839 --> 00:18:15,799 find creative ways to you know, and if you can connect to humor is 207 00:18:15,880 --> 00:18:18,960 a great way to really connect with people, even though you know, the 208 00:18:18,039 --> 00:18:23,720 music itself obviously is serious. But but doing what you did, connecting using 209 00:18:23,799 --> 00:18:27,319 humor to connect with people, I think is a great way to promote what 210 00:18:27,440 --> 00:18:30,680 you're doing because you know, if you can make somebody laugh, you know, 211 00:18:30,839 --> 00:18:34,319 that's you know, you're in. You're in with that person, you 212 00:18:34,400 --> 00:18:37,960 know, especially these days, because it's like, you know, people get 213 00:18:38,039 --> 00:18:42,279 so sick of bands that just take themselves so seriously, and so it's one 214 00:18:42,279 --> 00:18:45,640 of those things that I've always been a little bit goofy and I mean not 215 00:18:45,799 --> 00:18:49,079 to get ahead of ourselves here, because I know love sick drugs coming up, 216 00:18:49,519 --> 00:18:53,160 but uh, let's stay drug Definitely. We really lean into that more 217 00:18:53,200 --> 00:18:56,799 on our YouTube thing, but we'll go into that obviously in that segment. 218 00:18:56,000 --> 00:19:00,440 Yeah, yeah, but coilbacks same way. It's one of those we get 219 00:19:00,519 --> 00:19:06,079 on stage, we'll be goofy sometimes up there, especially if it's one of 220 00:19:06,160 --> 00:19:11,200 those shows where hardly anybody's shown up or it's one of those everything's going wrong 221 00:19:11,480 --> 00:19:15,039 and they're like, hey, can you guys play later. I've got stories 222 00:19:15,079 --> 00:19:17,559 and stories about all that stuff. We'll just go up there and just crack 223 00:19:17,680 --> 00:19:19,359 some jokes and just play around and stuff and just try to have fun with 224 00:19:19,400 --> 00:19:22,559 the audience. Yeah. By the way, Chris Kelly in the chat says, 225 00:19:22,599 --> 00:19:27,240 I think Facebook Memories showed eleven years ago recently, so the current lineup 226 00:19:27,400 --> 00:19:32,640 eleven years according to Chris, Yeah, eleven here. I've slept since then. 227 00:19:32,720 --> 00:19:37,680 Well I barely slept since last night. But now I've told these guys 228 00:19:37,720 --> 00:19:38,960 several times. I was like, you guys have been the longest, And 229 00:19:40,079 --> 00:19:44,839 Chris is the whole reason I took a little hiatus over in two thousand and 230 00:19:44,880 --> 00:19:48,240 eight and the only reason I went to go work for Walt Disney World. 231 00:19:48,799 --> 00:19:52,359 And I wasn't sure at the time if I was coming back, and so 232 00:19:52,920 --> 00:19:56,920 I kind of had a soft closing, so to speak. I told all 233 00:19:56,960 --> 00:19:57,880 my friends, I'm like, this could be the last time you see me 234 00:19:57,920 --> 00:20:02,960 playing quoebacks, so come check out this last gig. And because that was 235 00:20:03,000 --> 00:20:06,880 when everybody was moving, Oh okay, I was like, well, the 236 00:20:06,960 --> 00:20:11,799 scene's kind of going downhill here. And I was doing pyrotechnics for a living 237 00:20:11,880 --> 00:20:15,640 for a while and that company wasn't getting as much time. And I'm like, 238 00:20:15,720 --> 00:20:18,799 well, I like going to Disney World and they shoot fireworks every night, 239 00:20:18,880 --> 00:20:22,759 so I could go try to get a job. So I told everybody. 240 00:20:22,759 --> 00:20:23,440 I was like, I might end up going to Florida and stance. 241 00:20:23,480 --> 00:20:27,759 I can't guarantee anything. Yeah, And I ended up coming back, but 242 00:20:29,039 --> 00:20:33,240 everybody had moved right, So Chris Chris's dad actually got a hold of me 243 00:20:33,319 --> 00:20:37,279 initially and said, you know, hey, hey, I said, the 244 00:20:37,359 --> 00:20:40,559 drummer're gonna bring back coilback stuff. I was like, I don't have anybody. 245 00:20:40,559 --> 00:20:44,200 Everybody's out, and he contacted me and he told me, hey, 246 00:20:44,319 --> 00:20:48,519 I really love the songs if I can learn them, would you be willing 247 00:20:48,599 --> 00:20:49,599 to start it back up? And I'm like, well, drummers are hard 248 00:20:49,599 --> 00:20:53,359 to find down here. Every drummer in here is like ten bands. And 249 00:20:56,039 --> 00:20:59,319 so I was like, I tell you what you learned, I'm moving into 250 00:20:59,359 --> 00:21:00,759 a new place. You learned the songs, I'll give you a couple of 251 00:21:00,759 --> 00:21:03,559 months. Come over if you know him, fine, we'll find some other 252 00:21:03,640 --> 00:21:07,440 guys. And sure enough he did it. So I'm like, okay, 253 00:21:07,480 --> 00:21:11,480 I guess I'm doing this again. Yeah, yeah, oh that's great. 254 00:21:11,759 --> 00:21:15,119 That's great. Now, what was it So when you were kind of when 255 00:21:15,160 --> 00:21:18,920 you thought it was winding down in two thousand and eight, did you at 256 00:21:18,960 --> 00:21:22,839 the time did you have ideas about maybe starting a new musical project or were 257 00:21:22,880 --> 00:21:27,480 you thinking about disengaging from it entirely. Oh no, no, I'm a 258 00:21:27,599 --> 00:21:33,720 musician all the way through, so I'm always doing something. I really was 259 00:21:33,759 --> 00:21:36,519 thinking, and I was like, okay, well, you know, I 260 00:21:36,640 --> 00:21:38,200 think I took this as far as it can go, So maybe I'll work 261 00:21:38,240 --> 00:21:41,559 on a different project or something like that. But that was the whole thing 262 00:21:41,559 --> 00:21:47,599 about Coilback, Like we are metal, but we also do we kind of 263 00:21:47,680 --> 00:21:48,759 lean a little bit rock. Too, Like, you know, we're not 264 00:21:49,200 --> 00:21:53,440 super super hardcore like growling all the time and everything else. Which, don't 265 00:21:53,480 --> 00:21:56,039 get me wrong, there's there's a lot of music I liked it. It's 266 00:21:56,119 --> 00:22:00,720 like that too, but it's one of those that into a little bit of 267 00:22:00,759 --> 00:22:03,960 everything. So when we started the band, I wanted a name where kind 268 00:22:04,000 --> 00:22:07,960 of like Aerosmith, they can be anything. Would you like you're kind of 269 00:22:08,039 --> 00:22:14,279 locked in yep. I wanted something that we could, you know, Okay, 270 00:22:14,400 --> 00:22:15,839 if I want to write a rock song or a ballad or whatever, 271 00:22:17,240 --> 00:22:22,079 we can do it. And so it's always been like that. So that's 272 00:22:22,119 --> 00:22:26,640 what's been good about it is these guys are always up for anything that I 273 00:22:26,759 --> 00:22:30,359 throw at them, and so it's we've managed to be able to do some 274 00:22:30,480 --> 00:22:33,640 songs that sometimes they'll look at me like, I'll write like a Ballady type 275 00:22:33,640 --> 00:22:34,599 thing and they're like really, and by the end of it they're like, 276 00:22:34,640 --> 00:22:37,799 Okay, I kind of dig it. Yeah. By the way, your 277 00:22:38,119 --> 00:22:45,759 comment about drummers being hard to find made me giggle because here, I guess 278 00:22:45,839 --> 00:22:48,200 it's the same everywhere, because you know, everybody I talked to on this 279 00:22:48,319 --> 00:22:52,880 show, you know, we we have we obviously have guests from other parts 280 00:22:52,920 --> 00:22:56,960 of the country or even other parts of the world as you are in Texas. 281 00:22:56,039 --> 00:23:00,160 But we also have a lot of local artists on the show, and 282 00:23:00,480 --> 00:23:04,119 we hear from everybody that drummers are the hardest to find and that every drummer 283 00:23:04,240 --> 00:23:07,279 is in multiple bands. It's almost become a running joke on the show. 284 00:23:08,000 --> 00:23:11,559 Thing my theory about it is that when you're growing up and you first start 285 00:23:12,240 --> 00:23:15,839 becoming interested in playing a musical instrument, you know, when you go to 286 00:23:15,920 --> 00:23:18,480 have that talk with your parents about you know, I want to learn this, 287 00:23:18,680 --> 00:23:22,200 I want to take lessons to learn whatever. If you say you want 288 00:23:22,240 --> 00:23:27,400 to be a drummer, that's that and maybe the tuba are the two instruments 289 00:23:27,440 --> 00:23:32,680 that they're going to actively discourage because they don't want all that noise. Oh 290 00:23:32,799 --> 00:23:37,440 yeah, and it's hard. I mean, that's the thing is there's guitaristre 291 00:23:37,480 --> 00:23:38,880 a diamond dozen because guitar is sexy, you know, and you can play 292 00:23:38,880 --> 00:23:41,279 it by yourself. You can go to a party and pick up an acoustic. 293 00:23:41,720 --> 00:23:44,359 You can't go to a party and go, let me get on this 294 00:23:44,440 --> 00:23:49,240 drum set and place them exactly. So, yeah, it's just not it's 295 00:23:49,319 --> 00:23:53,440 not an instrument that when you're by yourself you can do very well. You 296 00:23:53,599 --> 00:23:56,680 kind of have to be around some people you can play with. Yeah, 297 00:23:57,880 --> 00:24:00,599 yeah, And then same thing. Bass players are the second hardest thing to 298 00:24:00,640 --> 00:24:06,440 find. Rhythm sections are tough, yep, yep, And it's one of 299 00:24:06,480 --> 00:24:08,480 those things that I filled in for bass on certain bands, and I kind 300 00:24:08,519 --> 00:24:14,519 of dig it, just because when you're playing lead guitar or you're playing like 301 00:24:14,839 --> 00:24:18,559 like me when Coil Back, I do rhythm guitar and vocals. You stay 302 00:24:18,640 --> 00:24:22,200 pretty busy on stage. But if you're just having to play bass, you 303 00:24:22,000 --> 00:24:26,359 do all your rockstar poses and dance around or everything else is you don't feel 304 00:24:26,359 --> 00:24:30,359 like you're having to think that hard. I'm a bass player myself, so 305 00:24:30,599 --> 00:24:36,599 I know exactly what you mean. Yeah, rock it out up there and 306 00:24:36,799 --> 00:24:38,279 just be. It's like for me, it's like, oh, this is 307 00:24:38,559 --> 00:24:42,000 love. I love it. It's so much fun. Now given I will 308 00:24:42,000 --> 00:24:45,680 tell people I play bass player like a guitar player, I'm not a bass 309 00:24:45,759 --> 00:24:51,480 player bass player, yeah, but yeah, I can keep the rhythm going. 310 00:24:51,599 --> 00:24:52,559 But if you want me to do a lot of slap pop or anything, 311 00:24:53,279 --> 00:24:56,799 I'm not your man for that. So yeah, no, I know 312 00:24:56,839 --> 00:25:00,519 what you mean. I play with a pick and I you know, and 313 00:25:00,599 --> 00:25:03,680 I don't do anything. I can't do anything too technical. But when I 314 00:25:03,799 --> 00:25:07,400 was playing in bands, when I was active in bands, I wasn't kind 315 00:25:07,440 --> 00:25:10,240 of in high demand. Not because I was a great bass player, because 316 00:25:10,240 --> 00:25:14,920 I think I'm probably pretty average, but just because you're right after drummers, 317 00:25:14,960 --> 00:25:18,759 bass players is the next most difficult to find. And oh yeah, yeah, 318 00:25:18,960 --> 00:25:22,119 I was in multiple bands at once just for that reason. Chris made 319 00:25:22,160 --> 00:25:26,559 a comment too in the chat. He said the tryouts for bassis and guitarists 320 00:25:26,640 --> 00:25:33,240 were great. Lol. We do some make a crack on the bass player 321 00:25:33,359 --> 00:25:36,920 thing. On the it's more of an inside joke for us. I really 322 00:25:36,960 --> 00:25:38,839 don't know how many people. We tried to make it funny for everybody. 323 00:25:38,920 --> 00:25:42,319 But in that documentary, our bass player at the time, Andrew, we 324 00:25:42,519 --> 00:25:48,480 had him dress up as several different bass players, yeah try out and they're 325 00:25:48,559 --> 00:25:55,079 all based on a bass player we dealt with on that, and so it 326 00:25:55,240 --> 00:25:56,920 was kind of an inside joke for us, because like we had one guy 327 00:25:57,000 --> 00:26:02,640 come in and he talk the whole time and never learned the songs. He 328 00:26:02,759 --> 00:26:04,640 was always like extra rehearsal, I'll have it, but he would stop us 329 00:26:04,680 --> 00:26:08,200 from rehearsing. He'd give us like a thirty minute story about his bass and 330 00:26:08,240 --> 00:26:11,759 why he named it that and all that, and we're like, okay, 331 00:26:11,839 --> 00:26:18,720 cool dude, but can we at least practice up. Yeah. We had 332 00:26:18,799 --> 00:26:22,119 one guy come in. It was the weirdest audition. We brought him in 333 00:26:23,119 --> 00:26:26,359 and he came in and he goes, well, let me hear you play 334 00:26:26,400 --> 00:26:27,640 some stuff first. I see if it's worth bringing in my gear. I'm 335 00:26:27,720 --> 00:26:33,279 like okay. So we were like, not a great attitude to come in 336 00:26:33,480 --> 00:26:37,480 with, but whatever, and played a couple of songs. He's like, 337 00:26:37,759 --> 00:26:40,440 okay, I dig it, I'll come in. He brings his gear in, 338 00:26:40,640 --> 00:26:41,839 plays one song with us, and goes, hey, let's try some 339 00:26:41,920 --> 00:26:45,400 of my stuff. And I was like, who's auditioning? Who here? 340 00:26:45,720 --> 00:26:52,240 Oh boy? And yet guitar thing the same thing. We had some virtuoso 341 00:26:52,319 --> 00:26:56,759 guy come in and we tuned to standard tuning. We don't do drop z 342 00:26:57,039 --> 00:27:00,559 or whatever. We we're in standard. We're not in the standard, we're 343 00:27:00,559 --> 00:27:06,319 in d standard, but still we're in standard tuning yep. And so I 344 00:27:06,640 --> 00:27:07,920 gave him the songs beforehand and he comes in. I said, okay, 345 00:27:07,960 --> 00:27:10,720 this one starts an E and he goes, well, that's going to be 346 00:27:10,759 --> 00:27:14,240 a problem. I'm like huh, and he goes, well, this guitar 347 00:27:14,400 --> 00:27:17,559 is open A and this one's and they're all Floyd Roses, so it's not 348 00:27:17,680 --> 00:27:21,680 like you can just eat three tune. And I'm sitting there going, okay, 349 00:27:21,759 --> 00:27:26,079 so you can't play a basic E chord right now because that's and he's 350 00:27:26,200 --> 00:27:29,480 like, I'll come up with something. And I think he was just in 351 00:27:29,559 --> 00:27:30,920 his scales the whole time while we were playing songs. I'm like, is 352 00:27:32,000 --> 00:27:37,200 he even paying attention over So Chris is looking at me going is this normal? 353 00:27:37,279 --> 00:27:40,599 I'm like, in my world, yeah, this is how my auditions 354 00:27:40,640 --> 00:27:42,839 have always gone. That's why I wasn't so up on just trying to find 355 00:27:42,880 --> 00:27:48,160 a bunch of guys for a band, because it's it's a weird thing around 356 00:27:48,240 --> 00:27:52,359 here. Yeah, Chrissy, he put that in the chat room in quotes, 357 00:27:52,519 --> 00:27:56,920 I can't play E. Yeah. Yeah. We laugh about that so 358 00:27:56,079 --> 00:28:00,680 much because I mean, I think for anybody that plays guitar, you know, 359 00:28:00,799 --> 00:28:04,880 that's the most basic thing, especially you pedal right and just sit there 360 00:28:04,880 --> 00:28:07,799 and go okay. It starts to eat and he's like Oh that's gonna be 361 00:28:07,799 --> 00:28:12,880 a problem or like you're serious right now? Uh, great band from the 362 00:28:12,960 --> 00:28:18,920 areas of the Chaman, says drop J Tuning drop J. Yes, Yeah, 363 00:28:19,119 --> 00:28:22,880 it's just at a certain point, I'm just sitting there going like, 364 00:28:22,960 --> 00:28:25,079 why don't you just play it on a bass if you really want to be 365 00:28:25,160 --> 00:28:27,279 that low, because I mean, it just gets so muddy after a while. 366 00:28:27,559 --> 00:28:32,599 Yeah. Yeah, it does some of the genty stuff the guys do 367 00:28:32,720 --> 00:28:36,559 where they drop it and it's groovy and everything else. I mean that sound, 368 00:28:37,200 --> 00:28:40,720 but it just you can only do so much with it. It's all 369 00:28:40,799 --> 00:28:45,640 rhythmic right right exactly after that, so you can't really do any real technical 370 00:28:45,720 --> 00:28:49,000 stuff because it just it just gets all muddy. Yeah. And so again, 371 00:28:49,079 --> 00:28:52,440 like I said, there's a place for it, and there's some bands 372 00:28:52,480 --> 00:28:55,160 around here that play like that, and I completely dig their sounds, so 373 00:28:55,440 --> 00:28:59,839 I'm not, you know, basically talking down on it, but it's def 374 00:29:00,279 --> 00:29:03,000 one of those for me is a songwriter that feels very limiting, yeah, 375 00:29:03,119 --> 00:29:06,920 to have to do to do that, So it's one of those to me. 376 00:29:07,839 --> 00:29:11,519 One of the bands here. You know, this band is standard tuning 377 00:29:11,279 --> 00:29:15,880 LSD is we're drop but just drop D and so it's one of those things. 378 00:29:15,960 --> 00:29:18,759 It's like it still leads you a lot of room to be able to 379 00:29:18,799 --> 00:29:21,599 play around with all of it. Yeah, no doubt, no doubt. 380 00:29:22,240 --> 00:29:26,440 Now, are you guys playing out? I know you mentioned it. It's 381 00:29:26,440 --> 00:29:30,000 a little tough right now in Dallas in terms of lack of venues. Are 382 00:29:30,039 --> 00:29:32,680 you guys playing a lot of shows in other cities in the area, or 383 00:29:33,160 --> 00:29:37,160 or are you just are you more focused on the on the studio work or 384 00:29:37,240 --> 00:29:41,359 what do you what are you guys doing well, coilback. We're going in 385 00:29:41,440 --> 00:29:47,559 the studio matter of fact tomorrow, oh wow, and we're gonna be finishing 386 00:29:47,640 --> 00:29:49,799 up the next full length album. We kind of have a weird way we 387 00:29:49,920 --> 00:29:52,960 released stuff. It was never intentional, but it just kind of ended up 388 00:29:53,000 --> 00:29:57,480 this way. Is we tend to put out an EP that has four or 389 00:29:57,559 --> 00:30:03,880 five songs on it, and then inevitably we go, you know, we 390 00:30:03,920 --> 00:30:06,559 could have done a better job with those, So when we go do the 391 00:30:06,599 --> 00:30:10,440 full album, well, usually if we like all those songs, re record 392 00:30:10,519 --> 00:30:15,000 them after we've polished them more. Add in the songs that for instance, 393 00:30:15,039 --> 00:30:18,839 the one you're talking about playing later, that one was just kind of released 394 00:30:18,839 --> 00:30:22,079 as a single on its own, so we throw that on the album. 395 00:30:22,200 --> 00:30:23,680 So we're going to do that and then record you know, two or three 396 00:30:23,799 --> 00:30:27,640 more and then basically there's your full album and then the EP goes out of 397 00:30:27,640 --> 00:30:33,000 print. Basically, oh okay. It's it's almost like having like, okay, 398 00:30:33,079 --> 00:30:36,200 here's a sneak preview of what's coming, and now you get the full 399 00:30:36,240 --> 00:30:38,480 album. But the EP versions tend to be slightly different because we do re 400 00:30:38,599 --> 00:30:41,599 record them. Yeah. Yeah, yeah. To answer your question, I 401 00:30:41,680 --> 00:30:45,759 kind of got off track. We are going to start playing more out with 402 00:30:45,880 --> 00:30:49,279 Coilback. We just the bass player I told you about that was in that 403 00:30:49,400 --> 00:30:53,079 documentary thing. He moved to Austin, So we're on a bass player for 404 00:30:53,119 --> 00:30:56,200 a little bit. Right when we were starting to do more out of town 405 00:30:56,240 --> 00:31:00,160 stuff again and it was so we're just kind of getting the new guy in 406 00:31:00,079 --> 00:31:04,799 and getting him settled and everything else, and then we're gonna try to expand 407 00:31:04,839 --> 00:31:07,880 out. Coilback is probably not gonna do a lot a lot of road stuff. 408 00:31:08,039 --> 00:31:11,440 We tend to kind of just kind of do little small little stints here 409 00:31:11,480 --> 00:31:15,559 and there. Yeah, but it's one of those things. But with it 410 00:31:15,720 --> 00:31:19,680 being less venues and stuff, there are other cities in Texas that seem to 411 00:31:19,960 --> 00:31:23,640 like our brand of metal a little bit more that we've got followings in and 412 00:31:23,680 --> 00:31:26,240 stuff, So we're going to try to hit those cities up later, probably 413 00:31:26,279 --> 00:31:30,920 next year. Okay, Okay, Well, let's we'll play this track Stalemate 414 00:31:32,519 --> 00:31:36,000 and then now you're gonna be You're gonna be back with us on the other 415 00:31:36,119 --> 00:31:40,759 side of this, talking about love Sick Drug, your other band and which 416 00:31:40,759 --> 00:31:44,400 which I love. So we're gonna talk about that. Are you is anyone 417 00:31:44,400 --> 00:31:48,839 else joining you for that segment? Billy Blair will be Okay, So you're 418 00:31:48,880 --> 00:31:52,279 gonna disconnect and then reconnect with Billy on the line as well. Is that 419 00:31:53,960 --> 00:31:57,960 how I can either stay on and then he can come back, or we 420 00:31:59,039 --> 00:32:00,160 can do it. I'm not sure how to do it as a group thing, 421 00:32:00,240 --> 00:32:04,480 so that'll be I know he's ready to sign on, so I don't 422 00:32:04,480 --> 00:32:06,440 know if we have to do it separate or if there's a way to do 423 00:32:06,480 --> 00:32:09,720 a group one here. You might go ahead, Jenny, So disconnect from 424 00:32:09,839 --> 00:32:14,519 us and then skype him and then skype us, and then we'll be all 425 00:32:14,680 --> 00:32:19,039 three on. You can add us after you. Yeah, I'll do that. 426 00:32:19,480 --> 00:32:22,960 Awesome. That should work. Okay, cool, So looking forward to 427 00:32:22,000 --> 00:32:25,599 talking with you on the other side and with Billy as well. And I 428 00:32:25,720 --> 00:32:30,759 love this track, so we'll give this a spin. This is Coilback. 429 00:32:30,839 --> 00:32:35,240 The track is called Stalemate and I really like this song. Thanks Lewin. 430 00:32:35,480 --> 00:32:37,119 We'll talk with you in a few minutes, all right, see you in 431 00:32:37,160 --> 00:32:38,920 a few all right, man, all right here it is. This is 432 00:32:39,000 --> 00:33:49,119 Stalemate from Coilback. Let's see it all the side goes, say it all 433 00:33:49,119 --> 00:33:52,119 the same? Se it all the side over, ring up the day, 434 00:33:53,240 --> 00:34:00,559 riding up the wizus let uf he's alive. Some se does to die? 435 00:34:00,599 --> 00:34:09,440 Letter to don man too, save you. Pieces misery shame to see when 436 00:34:09,519 --> 00:34:20,800 you don't get to see the night nice and all a sight tell the TV 437 00:34:22,159 --> 00:34:27,920 at the babe you sitting they see that the sun's the same, never an 438 00:34:27,960 --> 00:34:31,840 access like at the balls? And did it to protect us? Want to 439 00:34:31,920 --> 00:34:40,519 tell them all? Let it to man to say, pieces a misery shame 440 00:34:42,559 --> 00:34:51,400 tells what see winnows her to see the knights almost sight the n for then 441 00:34:51,480 --> 00:34:58,800 it makes the same. What's going on? We are all the pieces we 442 00:34:59,000 --> 00:35:01,760 are U. Yeah, it's a lonely one way left the way before I 443 00:35:02,079 --> 00:36:10,480 exile diy why you say all my I can't say out why why? Yes? 444 00:36:10,639 --> 00:36:34,360 Say on the side out play a solid live. We're dressed of all 445 00:36:34,440 --> 00:36:40,760 the tire to side up like all red? Why side so bright, all 446 00:36:40,800 --> 00:36:45,159 the sides of the blast of the times. So say like the wolf of 447 00:36:45,360 --> 00:37:25,599 the girl. Let's call the ground present means to say what Millard, we 448 00:37:25,719 --> 00:37:31,400 are all love me mass go slay or only one white left the way white 449 00:37:31,480 --> 00:37:37,920 grain down. I locculate the reason of riva a means to play at the 450 00:37:37,000 --> 00:37:45,239 news not you o revenue sent been dang were at through the raid or red 451 00:37:45,400 --> 00:39:14,400 lund bag in the sall pre a gret child, I see you. You 452 00:39:14,559 --> 00:39:21,840 can't stee me over again, says no line feel you. You can't feel 453 00:39:21,960 --> 00:39:32,599 me coming in to blame. Move with the shadows on the you look here 454 00:39:32,960 --> 00:39:45,960 but don't see me and pray you to blame. I think you're coming side. 455 00:39:50,920 --> 00:39:55,800 You can't escape me side hair, you can't hide a bunch of heart. 456 00:39:57,119 --> 00:40:23,559 Take inside. I know you, I know you. You don't know 457 00:40:23,840 --> 00:40:37,480 who show you. You don't want to say. You won't see the moves 458 00:40:37,679 --> 00:40:45,639 I have to make. You don't know the friends. I have to really 459 00:40:45,400 --> 00:41:01,440 raise your name. I think it comes. You can't escape in stiny hair 460 00:41:01,599 --> 00:41:14,360 water. You can't hide a job. Tap inside, I know you're gonna 461 00:41:14,480 --> 00:41:30,800 behind. Don't take sound my side, don't drop sell my sick, don't 462 00:41:30,440 --> 00:41:45,400 the main. You don't know the supe what I mean? You could not 463 00:41:45,679 --> 00:42:43,320 be I think it can side. You can't escape the sun one. You 464 00:42:43,440 --> 00:42:55,480 can't hide the job, take the inside, you can leave. Yeah, 465 00:42:58,239 --> 00:43:02,159 alright, that is gonna be mine. The band is Oh, I forgot 466 00:43:02,239 --> 00:43:06,679 there was something at the end there. The band is Love Sick Drug and 467 00:43:07,039 --> 00:43:09,760 Jenny and I are back with Love Sick Drug. We have Lou Morris via 468 00:43:09,840 --> 00:43:13,920 Skype as well as well. Lou. Let's make sure you're there, can 469 00:43:13,960 --> 00:43:16,360 you hear us? Yep, I'm here, and I managed to not only 470 00:43:16,440 --> 00:43:21,079 drag Billy Blair with me, but we also now have Chris Carnage the drummer. 471 00:43:21,360 --> 00:43:23,960 Awesome, awesome, welcome guys, so welcome to all three of you. 472 00:43:24,400 --> 00:43:29,519 And uh sorry, we're gonna yeah, I don't, I don't mean 473 00:43:29,559 --> 00:43:31,400 to. We're gonna step on each other a little bit. Sometimes with Skype 474 00:43:31,519 --> 00:43:34,360 is a little bit of a delay, but that's all right, hey, 475 00:43:34,599 --> 00:43:37,679 guys. I love the Love the band a great, great sound. And 476 00:43:39,119 --> 00:43:45,800 now who's who's the singer? Aaron Aaron Garrett? Okay, okay, yeah, 477 00:43:45,840 --> 00:43:50,079 I like her voice a lot, especially on We're Gonna Play when we 478 00:43:50,199 --> 00:43:52,119 wrap up the segment We're gonna play the Trail, I wanted to save that 479 00:43:52,280 --> 00:43:55,320 for the end. I love her vocal on that, such a such a 480 00:43:55,679 --> 00:44:00,360 such a great song. But now, obviously, Lou, you're in both 481 00:44:00,400 --> 00:44:05,639 Love Sick Drug and Coilback? Are either of the other two of you also 482 00:44:05,719 --> 00:44:08,800 in Coilback? Chris is the one that was commenting earlier. Yes, he's 483 00:44:08,880 --> 00:44:13,960 the Coilbag drummer, and just most recently he's the newest member of Love Sick 484 00:44:14,000 --> 00:44:15,239 Drugs. So he just joined up with Love Say Drug. Oh okay, 485 00:44:15,400 --> 00:44:22,400 well congratulations Chris, thank you. And Billy, how long have you been 486 00:44:22,440 --> 00:44:28,599 in Love Sick Drug? Ever since we started? Okay please? The one 487 00:44:28,639 --> 00:44:34,960 that threw us all together? What we're going on? Five years? Yeah? 488 00:44:35,079 --> 00:44:37,960 Yeah, twenty nineteen, so yeah, yeah like that? Yeah, 489 00:44:37,559 --> 00:44:42,440 okay, very cool. So how did Love Sick Drug come about? Because 490 00:44:42,519 --> 00:44:45,599 obviously, Lou, you know you've you've had Coiled Back for more than twenty 491 00:44:45,719 --> 00:44:49,000 years. How did this project come about a little bit of a different sound 492 00:44:49,079 --> 00:44:52,039 obviously, and you've got you've got a female singer. But what's the genesis 493 00:44:52,079 --> 00:44:57,760 of Love Sick Drug Billy? You started this mass you? Yeah, I'm 494 00:44:57,800 --> 00:45:01,800 going to say I had to kill do you have a band? And I've 495 00:45:01,840 --> 00:45:07,159 worked with Lou before. He was a fill in for my other band, 496 00:45:07,400 --> 00:45:12,239 Junk, and I messed up with him really well, and I was just 497 00:45:12,320 --> 00:45:15,320 like, you know what, I would like to start something new with Lou. 498 00:45:16,480 --> 00:45:22,079 And then you know, we wanted I wanted a female singer. And 499 00:45:22,159 --> 00:45:25,360 then we went through, you know, a few recruits. I mean, 500 00:45:25,360 --> 00:45:29,840 we had another lineup and it didn't work out, you know how, just 501 00:45:29,960 --> 00:45:34,480 like everything else is just you know, you make it work at the end, 502 00:45:34,599 --> 00:45:37,559 whether you have to kick some people out and yeah, you know, 503 00:45:37,719 --> 00:45:44,400 but yeah, so now we get the lineup that that really connects and is 504 00:45:44,519 --> 00:45:49,079 really solid and that's you know, short story or nutshell there. Yeah. 505 00:45:49,159 --> 00:45:52,360 Yeah, is Love Sake Drug? Are you playing out a lot or you 506 00:45:52,440 --> 00:45:55,480 know, Lou we talked earlier about It's it's a little difficult in terms of 507 00:45:55,880 --> 00:46:00,519 venues. I don't know if if this is this band more active live then 508 00:46:00,840 --> 00:46:04,920 coiled back, or is it a similar kind of a situation. Oh yeah, 509 00:46:04,920 --> 00:46:07,000 Oh yeah, Lovestick drug is definitely gonna end up being a road band. 510 00:46:07,079 --> 00:46:12,239 I mean, it's one of the things that we opened up for Tesla 511 00:46:12,400 --> 00:46:16,079 last night at House of Blues, and we've played with power Man five thousand, 512 00:46:16,480 --> 00:46:22,000 A, Torturers all that. So we're buddies with well, I want 513 00:46:22,000 --> 00:46:25,039 to say buddies were not like close friends, but we do know Josh and 514 00:46:25,159 --> 00:46:30,000 Nita Strauss and all them, and so we've talked with them about trying to 515 00:46:30,039 --> 00:46:31,440 go on the road with them a couple of times too. So yeah, 516 00:46:31,519 --> 00:46:37,280 we're definitely Love Stick Drugs definitely gonna be out there and really hitting everything. 517 00:46:37,559 --> 00:46:38,840 Oh that's awesome. Yeah, so you got a good thing going here, 518 00:46:39,519 --> 00:46:43,119 and looks like you've too. I'm looking at your band camp. Looks looks 519 00:46:43,199 --> 00:46:46,039 like you've already released a fair amount of music. So that's great, that's 520 00:46:46,079 --> 00:46:51,760 great. How many how many songs does this project have at this point? 521 00:46:51,800 --> 00:46:53,079 Do you think? Can you put a number on it as far as original 522 00:46:53,159 --> 00:47:00,519 songs? We have eleven total right now and it just letting you know, 523 00:47:00,679 --> 00:47:04,079 give you the scoop. We are about to release the full album very very 524 00:47:04,119 --> 00:47:10,559 shortly. Oh really cool cover everything excellent, excellent. Uh where do you 525 00:47:10,599 --> 00:47:16,480 guys record? We h, There's a place over here called Session Works. 526 00:47:16,880 --> 00:47:21,920 Jeff Mount's a producer. He actually works with a lot. He's kind of 527 00:47:21,960 --> 00:47:25,800 one of those it's best kept secrets, so to speak. He's worked with 528 00:47:25,880 --> 00:47:30,800 a lot of people like Quincy Jones and all them. He's he does a 529 00:47:30,840 --> 00:47:34,360 lot of leads. A tripping Daisy box set that's coming that he actually they 530 00:47:34,440 --> 00:47:37,400 send him the masters to go back to remaster and all stuff. So he's 531 00:47:37,840 --> 00:47:42,239 really good at job, really good old school producer too. I mean, 532 00:47:42,320 --> 00:47:45,719 if if you want to record a two inch tape, he's got the equipment. 533 00:47:45,800 --> 00:47:47,079 But I mean we go digital just so we got some options. But 534 00:47:47,320 --> 00:47:52,719 like, he does it all and he's very much in this wheelhouse of if 535 00:47:52,760 --> 00:47:55,000 you can't do it for real, don't do it. He's not going to 536 00:47:55,039 --> 00:47:59,119 auto tune you to death or anything like that. Oh okay, well that's 537 00:47:59,159 --> 00:48:01,559 good. Yeah, Well and that makes sense because the sound of this band 538 00:48:01,719 --> 00:48:07,679 is very sort of raw and uh you know, not something that certainly I 539 00:48:07,719 --> 00:48:12,199 would imagine would require you know, a lot of effects or anything like that. 540 00:48:12,719 --> 00:48:15,159 Very raw and direct sound, which is uh, which is what I 541 00:48:15,360 --> 00:48:21,159 like about it. Oh yeah, we very much are a little bit a 542 00:48:21,199 --> 00:48:22,760 little bit punk rock. I'd say it's one of those things. It's like 543 00:48:22,880 --> 00:48:27,280 we will we go in there and we record it for real. We don't 544 00:48:27,320 --> 00:48:30,719 try to correct a whole bunch of it with processing and stuff like that. 545 00:48:30,880 --> 00:48:32,039 If if we can play it in the studio, we can play it for 546 00:48:32,159 --> 00:48:37,719 you live. Yeah. And uh, who who writes the songs? You 547 00:48:37,800 --> 00:48:45,280 all write together or how does that work? Yeah, I mean everybody contributes. 548 00:48:45,320 --> 00:48:50,360 I'd say me and Billy are pretty much the main writers. Billy does 549 00:48:50,760 --> 00:48:52,920 the bulk of the music and I do the bulk of the lyrics, but 550 00:48:53,000 --> 00:48:57,400 we also trade off. I mean Billy's had some lyrical input, I've had 551 00:48:57,440 --> 00:49:02,199 some musical input. So yeah, And if you guys all been a part 552 00:49:02,199 --> 00:49:06,960 of the music scene in that area for a while in other bands. I 553 00:49:07,079 --> 00:49:09,360 was reading the bio on band camp and it seems like you guys, I 554 00:49:09,400 --> 00:49:14,199 mean, Lou obviously we talked about your experience earlier, especially with a coilback 555 00:49:14,239 --> 00:49:17,000 haven't been around so long, But Billy and Chris, what about you guys? 556 00:49:17,920 --> 00:49:21,320 I get the impression that you've all got a lot of experience in the 557 00:49:21,360 --> 00:49:24,079 scene down there. Oh. Yeah, I've been doing this forever, man. 558 00:49:24,239 --> 00:49:30,480 I mean I've had so many bands twenty plus years, and you know 559 00:49:30,599 --> 00:49:31,800 it's always like, oh, this is just a band that's going to do 560 00:49:31,880 --> 00:49:36,239 it now. It's just a beg going to do it now, right, 561 00:49:36,880 --> 00:49:42,920 But this one is definitely doing it. So you know, it's just this 562 00:49:43,119 --> 00:49:46,000 just that thing, you know, it's it's it's our culture and and we 563 00:49:46,239 --> 00:49:51,320 just we just keep doing it. Yeah. Well, I mean you've obviously 564 00:49:51,400 --> 00:49:53,519 got a good thing going and you're making some progress with it, and and 565 00:49:53,920 --> 00:49:57,920 great connections and uh, how did how did it come about, by the 566 00:49:57,960 --> 00:50:00,639 way, working with and and forgive me what was his name again? The 567 00:50:00,639 --> 00:50:06,199 producer that you're working with, Jeff Mount? How did it come about working 568 00:50:06,239 --> 00:50:10,639 with Jeff? How did that? How did you make that connection? Previously 569 00:50:10,719 --> 00:50:15,599 with Coilbag? But I was recommended with him, I always. I mean, 570 00:50:16,159 --> 00:50:19,960 Billy will tell you. Me and Billy, we we have a lot 571 00:50:20,000 --> 00:50:22,800 of input. We give the producers a lot of times and it's hard to 572 00:50:22,880 --> 00:50:28,119 find ones that will listen to your input a lot of times. Yeah they're 573 00:50:28,199 --> 00:50:30,679 so oh no, I know the best way to do it, So you 574 00:50:30,800 --> 00:50:32,960 just need to let me do it. And we come in there and we'll 575 00:50:34,000 --> 00:50:37,199 do some goofy stuff sometimes and everything else. And Jeff's great. He'll humorous 576 00:50:37,239 --> 00:50:40,400 and stuff. Even if he thinks it's going to be stupid, he'll humor 577 00:50:40,480 --> 00:50:45,960 us. It works sometimes it doesn't. Billy will tell you about space guns. 578 00:50:46,400 --> 00:50:54,480 Oh yes, space guns. Yeah, yeah, we had a song. 579 00:50:54,599 --> 00:50:59,360 We got a song with some space guns in there, and Billy uses 580 00:50:59,360 --> 00:51:04,039 the space gun stage out. Oh yeah, it came out as a joke. 581 00:51:04,119 --> 00:51:07,199 And then but now I use it live. I actually found the space 582 00:51:07,280 --> 00:51:15,400 gun and connect that with my the pickups on the guitar and yeah, what 583 00:51:15,960 --> 00:51:19,440 was what does it make? Like a laser sound effect or something? Oh 584 00:51:19,519 --> 00:51:27,639 that's cool because a very stunky puke. What's that? No, we we 585 00:51:27,920 --> 00:51:31,159 put it. If you listen to our song Zombies, it's got a very 586 00:51:31,280 --> 00:51:37,480 long ending bunch of a bunch of noise. We added the laser of uh 587 00:51:37,960 --> 00:51:42,679 space cut effect because I was like, we need space gun in there. 588 00:51:43,079 --> 00:51:45,639 Oh wow, but they put it in there. It kind of came as 589 00:51:45,679 --> 00:51:49,039 a joke because you said you're playing the trails. I mean, you know 590 00:51:49,119 --> 00:51:53,280 how it sounds. And we had originally Jeff had a bunch of sound effects 591 00:51:53,280 --> 00:51:57,320 and we thought about starting it with like maybe you know, like a gun 592 00:51:57,400 --> 00:52:00,800 cocking or something like that. Yeah. Yeah, I've just played us his 593 00:52:00,920 --> 00:52:05,280 whole library, so it just sounded like a war zone suddenly all his gun 594 00:52:05,599 --> 00:52:08,519 effects. But there was a space gun, and me and Billy just joked 595 00:52:08,519 --> 00:52:12,159 about putting a space gun at the beginning of the trail, just because it 596 00:52:12,159 --> 00:52:17,280 would make no sense, right and Jeff and so Billy's like, I really 597 00:52:17,320 --> 00:52:20,599 want space guns. So I was like, we'll find a spot. We'll 598 00:52:20,639 --> 00:52:22,360 find a spot. So yeah, when we're mixed down, we're like throw 599 00:52:22,400 --> 00:52:25,960 space guns and zombies. Oh there you go. Oh that's cool. I'll 600 00:52:25,960 --> 00:52:34,199 fill listen to that. Well, it's been a running joke, but I 601 00:52:34,280 --> 00:52:36,559 mean it ended up we did it for real, and I mean it's fun. 602 00:52:36,599 --> 00:52:37,719 Billy does it on stage now, so it's a lot of fun. 603 00:52:37,880 --> 00:52:40,760 Yeah. No, that's awesome. Now, what can you tell us about 604 00:52:40,800 --> 00:52:44,519 this track the trail because we're gonna we're gonna play this in a in a 605 00:52:44,559 --> 00:52:46,199 couple of moments, and I love this song so much. And Lou you 606 00:52:46,400 --> 00:52:51,559 wrote the lyrics size sup, Yes, I wrote the lyrics. Billy is 607 00:52:51,960 --> 00:52:54,360 ninety nine percent of the music. I mostly just do the slide bits on 608 00:52:54,480 --> 00:53:01,119 that. So, Billy, you tell them because I did the first Yeah, 609 00:53:02,039 --> 00:53:07,800 did the interest the intro slide. That's me, So I did. 610 00:53:07,960 --> 00:53:14,880 I'm an actor as well. So I was on set with I sayah, 611 00:53:15,039 --> 00:53:20,840 Washington, you might you guys might know him. Yes, But so we 612 00:53:20,920 --> 00:53:24,320 did a movie called of Course of Canada, which is available everywhere, and 613 00:53:24,559 --> 00:53:27,760 we were at the rat party and then he found out I was in a 614 00:53:27,880 --> 00:53:30,840 band. He goes, hey, why don't you write a song for the 615 00:53:30,960 --> 00:53:34,280 soundtrack. I go, you know what, I already have an idea. 616 00:53:35,360 --> 00:53:37,840 Oh wow, Well, so I tell the guys. I told Lou and 617 00:53:38,360 --> 00:53:40,599 I go, man, I got this cool idea. I go, we 618 00:53:40,639 --> 00:53:45,440 got to go, you know, kind of like the Bond jovial effect. 619 00:53:45,840 --> 00:53:49,880 Yeah, because it's a Western So I'm like and I already had the idea. 620 00:53:50,039 --> 00:53:53,960 So I played it for the guys and and then uh yeah, So 621 00:53:54,119 --> 00:54:00,639 we had the melody and then we wrote it almost instantly, and then we 622 00:54:00,719 --> 00:54:07,239 went in there and then we recorded it send it to the production company, 623 00:54:07,360 --> 00:54:10,199 and then they loved it. They if you if you go and watch the 624 00:54:10,280 --> 00:54:17,000 movie, we're at the end credits, Oh wow fits beautifully. Oh very 625 00:54:17,119 --> 00:54:21,320 cool. Yeah, this song, I mean, it's an epic track. 626 00:54:21,639 --> 00:54:24,320 I just love it. Thank you. Oh yeah. We played it last 627 00:54:24,440 --> 00:54:30,719 night and the crowd immediately got their attention as soon as Aaron started belting out 628 00:54:30,719 --> 00:54:36,960 that intro. Yeah, got the most response. Now, what's the name 629 00:54:37,000 --> 00:54:42,760 of the movie again? That this is in Corsicicana Corsicana. Okay, okay, 630 00:54:43,239 --> 00:54:46,920 it's god. It's got Isaiah Washington the League. He directed it as 631 00:54:46,960 --> 00:54:52,000 well. Yeah, I think it's not everywhere you get a platforms Okay, 632 00:54:52,159 --> 00:54:54,599 okay. Yeah, it's an epic track and I love Aaron's vocal on it 633 00:54:55,960 --> 00:54:59,960 and really in the movie, so you should definitely check it out. Billy 634 00:55:00,119 --> 00:55:01,679 in the movie, he plays a really dark character, but he does an 635 00:55:01,719 --> 00:55:07,400 excellent job. Oh yeah, no, we will. I've been doing for 636 00:55:07,039 --> 00:55:12,000 almost thirty years. Oh no kidding, Oh wow, cool? What do 637 00:55:12,039 --> 00:55:14,519 you what do you like better? What do you like better? Music or 638 00:55:14,559 --> 00:55:19,800 acting? Okah, apples and oranges for me? Man, Yeah, I 639 00:55:20,000 --> 00:55:24,039 like you both. But you know, I mean the the acting gigs they 640 00:55:24,119 --> 00:55:32,599 pay more, no doubt, no doubt. Yeah, uh see you you've 641 00:55:32,639 --> 00:55:37,679 probably seen Billy in the movies and didn't realize it. He he he's been 642 00:55:37,719 --> 00:55:40,440 in Machete, he's been in a lead of Battle Angel. He's been in 643 00:55:40,519 --> 00:55:46,159 Sin City too. Oh yeah, yeah, a lot of stuff, a 644 00:55:46,199 --> 00:55:52,440 lot of stuff. I'll be damn, I'll be damn. All right, 645 00:55:52,639 --> 00:55:55,880 Well, very cool, very cool. What do you guys, uh for 646 00:55:57,400 --> 00:56:00,559 listeners who might be tuning in online? Uh in your area? Do you 647 00:56:00,599 --> 00:56:04,320 have any shows this weekend that you want to plug or anything or what? 648 00:56:04,440 --> 00:56:07,760 What do you have? What's what's up next for Love Sick Drug? Well, 649 00:56:07,800 --> 00:56:14,559 we just literally last night played with Tesla, yeah at Losing Dallas. 650 00:56:14,679 --> 00:56:20,719 So we're taking some time real quick to uh basically get the CD together and 651 00:56:20,800 --> 00:56:24,440 everything else. And then we're going to do a CD release show at some 652 00:56:24,559 --> 00:56:28,880 point and I think Billy's working on that right now, so we don't have 653 00:56:28,960 --> 00:56:31,519 it to announce yet, but it will be coming soon. Excellent. And 654 00:56:31,639 --> 00:56:37,280 then and then after that we uh will shoot about jumping on with hopefully Anita 655 00:56:38,159 --> 00:56:42,920 is available or you know, we'll be out there somehow. Yeah, yeah, 656 00:56:43,679 --> 00:56:45,280 excellent. Well you guys got some uh, you got a lot going 657 00:56:45,320 --> 00:56:49,599 on with the band. That's amazing And I love the music. I love 658 00:56:49,639 --> 00:56:51,440 this track of the trail. Like I said, we're gonna play this in 659 00:56:51,480 --> 00:56:53,880 a moment. But where should people the time go so quick, guys, 660 00:56:53,920 --> 00:56:59,000 we're already approaching the top of the hour, But where where should people go 661 00:56:59,079 --> 00:57:00,920 online? What the should they need to know about? How to find you 662 00:57:01,000 --> 00:57:04,920 online? To keep track of keep up with everything that you're doing, live 663 00:57:05,000 --> 00:57:07,760 shows, music coming out, everything, the CD release party that you got 664 00:57:07,840 --> 00:57:10,920 coming, all of that. If you go to Lovesick Drug dot com, 665 00:57:12,039 --> 00:57:16,400 that'll take you straight to our Facebook. Okay. The best place to find 666 00:57:16,519 --> 00:57:20,400 all of our links is if you go to our Instagram. It's love Sick 667 00:57:20,519 --> 00:57:25,480 Drug Band okay on Instagram, but there's a link tree link on our bios, 668 00:57:25,559 --> 00:57:30,119 so that'll take you all the different places like our band camp and Spotify 669 00:57:30,239 --> 00:57:32,719 and YouTube all that. YouTube. Definitely, we have some music videos on 670 00:57:32,840 --> 00:57:37,599 there, and we talked about the humor thing. We have a lot of 671 00:57:37,719 --> 00:57:42,960 goofy stuff. We'll do goofy promos. We have hot sauces that we sell, 672 00:57:43,159 --> 00:57:46,079 so we did some goofy promos for the hot sauces and everything else. 673 00:57:46,159 --> 00:57:51,559 So definitely there's a lot to watch on YouTube because yeah, Billy's the main 674 00:57:51,679 --> 00:57:54,480 actor there by far, I do some. Aaron does some too, so 675 00:57:54,840 --> 00:58:00,039 we all ham it up on camera a lot, excellent, excellent, And 676 00:58:00,119 --> 00:58:04,559 what about Chris will he be doing that as well. We've already recruited Chris 677 00:58:04,679 --> 00:58:10,559 in there yeah, good, excellent, excellent. Yeah, there you go, 678 00:58:12,599 --> 00:58:15,599 there you go. Uh well, thank you all three of you, 679 00:58:15,880 --> 00:58:20,039 Lou Billy, Chris. I really appreciate your joining us this morning and Love 680 00:58:20,119 --> 00:58:22,719 the band, Love Sick Drug. We will have to do this again in 681 00:58:22,760 --> 00:58:23,960 the future, especially, like I said, you guys got a lot going 682 00:58:24,000 --> 00:58:28,079 on, so we definitely want to keep up with with everything that you've got 683 00:58:28,159 --> 00:58:30,760 going. But we're going to play this track the trail. Like I said, 684 00:58:30,800 --> 00:58:34,679 this is epic, absolutely love it. But uh but guys, thank 685 00:58:34,800 --> 00:58:38,039 thank you so much for joining us this morning, unleashed, thank you, 686 00:58:39,400 --> 00:58:43,599 thank you for spinning our stuff. Man, absolutely absolutely you got it all 687 00:58:43,719 --> 00:58:47,159 right, take care guys, Bye bye bye. All right. That is 688 00:58:47,280 --> 00:58:51,880 Love Sick Drug and we're gonna spin this track the trail and then coming up 689 00:58:51,920 --> 00:58:55,039 in the third hour we have Billy Painter, Billy Painter, Joey Painter, 690 00:58:58,440 --> 00:59:01,119 Billy Painter. Yeah, we know a lot of painters. You know a 691 00:59:01,199 --> 00:59:07,320 lot of painters more ways than what Yes, yes, that's right, that's 692 00:59:07,440 --> 00:59:15,559 right. Live in the studio just like like oh manly and so that's coming 693 00:59:15,639 --> 00:59:17,480 up in the third hour, but we're going to finish off this hour with 694 00:59:17,800 --> 00:59:22,599 the trail. The band is Love Sick Drug. Check it out. This 695 00:59:22,840 --> 00:59:29,280 trail with the sun and it's rising in my eyes. I walk this trail 696 00:59:29,400 --> 00:59:36,039 and to see the sun. It's all no d emma, good enough, 697 00:59:36,760 --> 00:59:42,119 hard and stuff in my bones. I see my path. I don't walk 698 00:59:42,199 --> 00:59:44,199 in now. Oh my own