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You're listening to the Mind Over Murder
podcast. My name is Bill Thomas.

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I'm a writer, consulting, producer, and now podcaster. I am now

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trying to use my experience as the
brother of a murder victim to help other

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victims of violent crime. I'm working
on a book on the unsolved Colonial Parkway

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murders and I'm the co administrator of
the Colonial Parkway Murders Facebook group together with

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Kristin Dilley. My name is Kristin
Dilley. I'm a writer, a researcher,

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a teacher, and a victim's advocate, as well as the social media

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manager and co administrator for the Colonial
Parkway Murders Facebook page with my partner in

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crime, Bill Thomas. Welcome to
Mind Over Murder. I'm Kristin Dilley and

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I'm Bill Thomas, and welcome to
an episode that we're going to call ruminations

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with Bill and Kristen or like maybe
antifications. I don't know, Okay,

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trying to come up I'm trying to
come up with the right adjective, and

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I'm just not sure which it is, but between the two of us,

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it could be one or the either
of those words. What's the question we're

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asking today, the question that we're
talking about, it's actually two questions,

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and it came as the result of
two articles that I saw and decided to

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share with you, since because they
were in my head, it's only fair

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that they're in yours too, fair
enough. So the first article was about

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national shooter Audrey Hale and about whether
or not the manifesto that she wrote should

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be released to the public after the
behavioral analysis unit is done with it at

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Quantico. I do remember initially they
had indicated, yeah, we'll release this,

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but the article basically said, actually, we're going to maybe walk back

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on that a little bit. And
the question was should we be releasing this

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stuff for the general public to see? Of what value is there to see

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the I guess in some case rantings
or ramblings of someone like James Holmes or

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Eric Harrison, Dillan Cleebald, or
in the most recent case, Audrey Hale.

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And I'm realizing, as I'm saying
most recent case, that's not the

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most recent mass shooting, and that's
actually really sad too. Sadly what's happening

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now is there are so many mass
shootings in the United States, one after

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another, that I know both of
us get confused in terms of which one

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are we talking about. And Nashville
is not the latest mass shooting. We've

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had several mass shootings since there's been
an agreed upon definition that a mass shooting

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is someone who is shooting four or
more people. And that's happening like every

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single week here in the US and
nowhere else on the planet. And we

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have to keep coming back to that
because there are guns around the world.

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There are crazy people and disturbed people
and mentally ill people around the world,

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some of whom might be violent,
but there's nowhere else on the planet that

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we have this combination of guns and
all of these other factors which are resulting

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in a mass shooting every single week. It's crazy. The question of do

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we release these manifestos, I think
it's a valid question. I think it's

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an important question now when we use
the term manifesto. Of course, what

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I think arises to everyone's mind is
the Unibomber Manifesto, which our good friend

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Jim Fitzgerald has talked about at length, including a couple of episodes on this

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podcast. I know when you and
I were talking off air as we were

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kicking around this topic. We talked
about the value of releasing the unibomb manifesto,

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largely because it helped to catch the
guy. Let's talk about that for

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a minute, just as a reminder, the unibomber had been killing people for

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I think close to two decades,
if I'm not mistaken. From talking to

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Fits, they were still desperate to
find this person, and the FBI had

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been attempting to track him for years. The thinking was that in publishing the

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manifesto in two major newspapers, The
New York Times in the Washington Post,

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if I'm not mistaken, the idea
was that perhaps someone would recognize the language,

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which was very unique within this lengthy, kind of scholarly document with an

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anti technology slant. The hope was
someone would recognize his language, and we

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can't forget this. That's exactly what
happened. Yes, now, Fits and

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others within the FBI argued in favor
of putting out the manifesto with this goal

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in mind. Look, if we
put this out, there's a possibility that

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someone's going to recognize this language.
Happens. His sister in law and then

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her husband, Ted Kazynski's brother,
both read the manifesto after it's published in

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major newspapers, and they realize this
really sounds like the dissertation and other scholarly

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type documents that Ted Kazynski had written. And then they contacted a lawyer who

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contacted the FBI as an intermediary and
said, my clients think they know who

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might be sending out these bombs,
and people have been maimed and killed.

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So it's I think, very different
in some ways. There was an idea

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which actually worked, which we think
we might be able to identify this man

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and therefore hopefully capture him. That's
a little different from these manifestos. And

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I put air quotes around it that
we're seeing from some of these recent mass

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killers. When you look at mass
shooters, even as early as Eric Harris

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and Jill in Clebald, the Columbine
shooters, they had the Basement tapes,

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which they were actually really hoping that
those tapes would be released. They never

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have been. And I believe you
said before we went on the air they'd

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actually been destroyed, were they not? They were I'd heard about the Basement

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tapes before, which are a series
of eight millimeter tapes they were shot on

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cam quarters. Remember this is nineteen
ninety nine Little Mini Gale. Yeah,

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it sounds like a long time ago. Now. Apparently the sheriff in Colorado

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made the decision to ultimately destroy the
tapes with the support of the families who

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had lost loved ones at Columbine High
School. Coming up to speed again on

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the Basement tapes. Hadn't read about
them in a while. These two morons

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actually thought they were going to become
famous, and they even discussed on the

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tapes who's going to play them in
the movie and which filmmaker is going to

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make a movie about them. I
think the last thing we want to do

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is be playing into the hands of
these nut jobs who think this is going

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to be their way of going out
in a blaze of glory by killing a

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whole bunch of people the idea.
When I first read about the Basement tapes,

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I was appalled just all the way
around. And so you look at

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something like the Basement tapes, you
look at something like James Holmes writing James

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Holmes being the Aurora movie theater Shooter, we get a sense of what his

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writings were from Carrie Drobben's book Aurora. That also is not something I think

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that should be floating out and about
in the world. It is actually you

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can read, James Holmes. I
don't think it's really a manifesto. I

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think it's just notebooks and I looked
at the material in preparing for this broadcast,

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James Holmes, The Aurora Shooters notebook
is just filled with the ravings of

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a madman. He's just got the
same word repeated over and over again on

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certain pages, why thirty or forty
times just that word and a question mark.

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There are places where he does discuss
a bit more kind of planning of

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where he's going to lash out and
where he's going to kill people. He

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considered airports, he considered a movie
theater, and then finally he decided to

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attack a movie theater because that's much
more vulnerable, much less security. So

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there may be some benefit to law
enforcement. I'm not actually sure there's any

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public good though releasing these manifestos.
Yeah, I think that it is one

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thing if you're a psychologist or a
psychiatrist and you were looking to gain insight

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into the criminal mind, and then
absolutely the BAU would have a vested interest

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in it. Psychologists would have a
vested interest in it. But I don't

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think that it is something that needs
to be broadcast for everyone to see now

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as humans who are very invested in
true crime culturally right now in the United

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States, Are people going to be
interested in what Audrey Hale had to say

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and why she decided to shoot up
the Covenant School. Yes, probably people

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are going to be very interested.
But do they need to see a chapter

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in verse in what is very likely
the rantings of, as you said earlier,

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a mad person. I don't think
we need to see that. I

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don't think we do. Audrey Hale
is dead. She was shot to death

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by Nashville at Fulton police officers responding
to the mass shooting at the Covenant School.

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She's not going to go on trial. In some of these examples,

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like James Holmes, the Aurora shooter, he actually went on trial, and

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so these materials were introduced as part
of the legal proceeding, which is how

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they ended up in the public now
that you actually don't learn that much in

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James Holmes example, and we don't
know what's in Audrey Hale's notebooks. Apparently

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she was incredibly organized and had all
of these files and just a lot of

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material. I think that would probably
be worth as you said a moment ago,

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Kristen, law enforcement profilers, the
FBI, the Nashville Metropolitan Police Department,

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the Department of Justice, those people
studying to see what's going on with

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mass shooters of this type, And
what was Audrey Hale thinking before she made

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the decision to go in and shoot
up a school that she'd actually attended some

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years and killed both students and teachers
and administrators there. I'm not sure there's

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really much public benefit to that.
No, I don't think there is.

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Again, I think that as a
culture, we are very fascinated, sometimes

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healthfully so, with what goes on
in the minds of killers. Think that

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if the benefit is to law enforcement
and law enforcement alone, absolutely they should

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have access to it. But do
the rest of us need to know the

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murky, dark things that are happening
in the minds of the Eric Harris and

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Dylan Cleibold's of the world. I'm
going to sleep a whole lot better if

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I don't know that, I think. And as you mentioned when we were

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off the air to Kristen, some
of the experts regarding the Cleibold Harris Basement

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tapes had said they didn't want to
see those released because They also talked in

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quite a bit of depth about their
planning, what they went out and purchased

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in order to have weapons and explosives, what materials they purchased. They even

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videotaped themselves on the way to and
from the various stores where they bought these

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things. They were buying civilian items
and then working to turn those into explosive

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devices with some success. And as
you pointed out, one of the law

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enforcement expert said, this actually is
a roadmap for someone who might want to

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commit a similar crime. Yeah,
it's a blueprint for any teenage copycat that

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decides they want their ten minutes of
fame the same way that Harris and Clebald

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got theirs. I don't think there's
any reason why things like that need to

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be released to the public. Now. If you read, for example,

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Dave Cullen's Columbine, which is an
excellent book, he does offer excerpts and

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things like that, and that's fine
because that is it is all part of

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the narrative. But what I want
to see what they put out there into

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the world, released for everybody to
read it. No, not at all.

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I don't think there's value to that, and it is just It is

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just a roadmap. Like you said, it's a blueprint for the next person

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who wants to have notoriety to pick
it up and go. You know what,

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that sounds like a great idea,
Let's go. There are transcripts available

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of the Dylan Clebald Eric Harris basement
tapes, word for word what was said

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by these two individuals in the interests
of everyone's mental health, and I'm talking

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about the collective of the Big Wei
here. Yes, I don't know that

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we really need to see this stuff. Now. There may be people that

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are studying criminology psychology, they may
want access to transcripts of this series of

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eight millimeter tapes the Columbine High School
shooters made, but they don't need to

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see the tapes themselves. And I
think what the sheriff was trying to do,

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and as I mentioned, he had
the full support of the families.

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They were perfectly fine with destroying the
tapes because who wants to see those two

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losers forever boasting about what they were
about to do. They shot these tapes

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over weeks, including just shortly before
they actually committed the heinous acts that they

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brought to Columbine High School that day. As we both know, there's so

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much interest now in true crime.
There's a lot of material that tends to

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leak, so it ends up just
all over the place. And of course

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this wondrous tool, the Worldwide Web, that we all use and we're using

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as we record this podcast, it
also allows for very quick distribution of often

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extremely disturbing material that most of us
don't need to see. One of the

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things that I remember very clearly from
one of the crime cons that we went

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to in the last couple of years, I think it was New Orleans.

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They have a tendency to blend together
because they're all action packed and with a

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lot of information, but what they
do I think I think this was New

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Orleans. It was Chris Darden speaking. Was that New Orleans? It was

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a pretty amazing and I think that
was New Orleans. Yes, So I

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remember that he was doing his excellent
presentation, which really was phenomenal, a

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great speed, Yeah he is.
But I remember that in his power point

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he included very graphic, unedited crime
scene photos from the Nicole Brown Simpson and

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Ron Goldman murders, and I remember
thinking, oh, Man, and I

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never wanted to see those. I
didn't either, and at the same time,

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I didn't recall those ever being shown
publicly before. No, they weren't.

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To the best of my knowledge,
they weren't. And that's the sort

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of thing that there are people out
there who, when they learn about this

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case for the first time, they
go, oh, let's see if there

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are crime scene photos, the same
way that there are people who google the

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manson crime scene photos. And people
have contacted me and they've actually asked me

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for copies of the Colonial Parkway murders
crime scene photos which were leaked by the

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FBI about thirteen or more years ago, and I'm going to share them with

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oddball people that I've never met.
There are times when I don't know what

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to say other than no. Yeah. The number of times we've had that

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request is a little alarming. It's
like, where do you get that the

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idea that might be an actual,
okay request to make to the brother of

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a victim. I mentioned to you
at one point I was contacted by someone

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who was purporting to put together a
museum about serial killers and they wanted something

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of my sisters Alcatrazis. I think
it was Yeah, why in the world

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would you think that was an okay
thing to ask, and I've expressed some

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regret here on Mind over Murder at
different times, we actually didn't end up

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with very much of the things that
belonged to Kathy. I'm not a big

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believer that things are important, but
there are times when I think I would

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have liked a few more little momentos
that would have reminded me of Kathy.

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And I think in retrospect, we
made a bit of a mistake. We

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were in a kind of purging,
giving away, boxing and and shipping it

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off somewhere mode, mostly driven by
my parents, which I understand, but

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I have regret now that, for
example, we threw away hundreds of letters

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and cards that were sent by Kathy's
friends, many of them from the Naval

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Academy and from the Navy, and
they were lovely and they contain funny stories

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and things that made them really love
and care about Kathy. And my parents

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decided we needed to get rid of
them, I think because perhaps they felt

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that they were too painful. Now
my brothers and I are sorry, because

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we think it would be really lovely
to have those things. I'm not saying

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I'd look at them every day or
every week, but it'd be nice to

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have them in a box somewhere.
Yeah. Yeah. I think it's odd

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and sometimes disturbing the way people will
ask for things that are incredibly personal and

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often highly disturbing, and expect,
for example, to be to read the

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rantings of an obviously crazy person,
or watch these videotapes recorded by these two

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killers. And with regard to the
crime scene photos, Bill and I have

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both seen them, they are not
things that we want to see. Again,

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it's just not. I'm sure that
there are people out there who are

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like, they're interested in it,
They're invested in the case, they want

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to know more. Please believe me, you do not want to see what

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was done to these victims. You
just don't because once you see it,

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as you've said a number of times, Bill and I can say too,

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you can't unsee it. It's not
out of your head ever, It's there.

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It's there when I close my eyes, it's on the back of my

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eyelids. You can't unsee it.
For every person who reaches out and is,

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hey, can I see the crime
scene photos, it's you don't want

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to do that to yourself. You
just don't. No, And on some

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level, I think to myself.
I'm going to give you a polite answer,

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even though I don't feel like giving
you a polite answer, because for

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people to say, oh, I
want to see the crime scene photos because

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I'm interested. Are you serious?
It would be another thing if it was

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a law enforcement officer or somebody in
behavioral analysis, someone that had a legitimate

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reason to want to study the crime
scene photos. But for the most part,

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those people already have access to them. And even when you and I

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started working together, it was a
bit of a balancing act for me to

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try to figure out, Okay,
what details are appropriate for me to ask

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and what are not, And so
for the first couple of years, it

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was always me prefacing conversations with if
you don't want to answer this, you

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don't have to. But and it
You've always been very generous. All of

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the family members have been very generous
about sharing things and insights that are deeply

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personal. But it was really only
within the last year that I saw those

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crime scene photos and I wish to
god I hadn't. I know, they're

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very disturbing. You're listening to Mind
over Murder. We'll be right back after

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00:20:04,240 --> 00:20:14,720
this word from our sponsors. We're
back here at Mind over Murder. Among

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00:20:14,759 --> 00:20:18,720
the articles that you shared with me
over the last week or so as we

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were discussing putting this podcast together was
a very powerful article from The New York

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Times. It was a magazine story
from April twentieth, twenty twenty three.

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Will link to this in the show
notes. I urge all of our listeners

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to read this story, and of
course The New York Times is not behind

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a paywall, thankfully. This article
is incredibly powerful and moving. It focuses

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on three investigators who worked on the
Sandy Hook shooting in two twelve in Sandy

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Hook, Connecticut, where twenty six
people were murdered, and it's a very

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powerful article. I don't think most
of us will be able to get through

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without shedding a few tiers. Oh
yeah. But they talked about the impact

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that working that crime scene with twenty
six victims, what that was like for

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these pretty hardened professional people, but
also people with hearts and souls and minds

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that, like you said, can't
turn the images that they've seen off.

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They went home to their families and
really struggled. They mentioned that there are

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fourteen hundred and ninety five photos.
That's almost fifteen hundred photos of the crime

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scene from Sandy Hook, most of
which are so horrifying they've never been shown

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to the public, and they talked
about being obligated to show them to Eric

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Holder, who was then the Attorney
General of the United States, and a

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group of FBI agents and behavioral analysis
people. Just the reaction of those individuals,

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and these are trained law enforcement people
who've seen a lot, maybe have

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seen it all, as we have
said, many of them also had military

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experience and had seen combat. A
number of people in this article actually said

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that the crime scene photos from Sandy
Hook were worse than anything they'd ever seen,

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even in combat. The slug line
for this it's very evocative, and

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it's just two sentences. They saw
the horrific aftermath of a mass shooting.

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Should we It's a very powerful question, it is. It was an extremely

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powerful article. As you said,
I cried quite a few times quite a

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bit while reading it. It does
bring up a very interesting point. While

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we don't want to encourage the rantings
and ravings of people who just want to

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get true crime famous by releasing the
manifestos of mass shooters, should we be

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doing more to make sure that people
understand the outcome of mass shootings. There's

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a lot of angles for this.
Can we do that while still being respectful

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to the victims? I don't know. I'm not sure that you can do

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that when it's something like Sandy Hook, when you've got twenty six victims and

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most of them are children? How
do you do that? But at the

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same time to be perfectly honest.
And I remember exactly where I was when

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I heard about Sandy Hook. I
was actually in the front office at my

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school where I teach now, and
I remember thinking, if slaughtered children does

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not make this country change its stance
on gun violence, I don't know what

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will. And the answer clearly is
not bad. I'd have to agree,

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and my personal axis is always going
to bend towards respect for them. Yeah.

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I have a concern, however,
and I think you're touching on this,

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which is for us as a society. If we don't actually see the

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damage and the physical damage that's being
done by weapons of war. And I'm

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not talking about a standard handgun here, I'm talking about AR fifteen style weapons

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or the Bushmaster rifle that was used
by the shooter in Sandy Hook. If

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we don't actually see some of the
physical damage. On some level, we're

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being shielded, protected from the carnage
that's happening in these mass shootings. I

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was shocked. I remember this happening, but I'd forgotten or perhaps blocked it

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from my mind that sixteen little kids
had crowded into the bathroom, which was

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three feet by four feet, and
we're all sh to death in that completely

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conbined space. They weren't even able
to fall to the ground. The investigators

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who had to work that crime scene
for days were so horrified by what they'd

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seen and what that shooter and what
that gun did to those little children to

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the point where they weren't even recognizable
as human beings. The level of just

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shocking injury to these little, tiny
kids is something that is going to hunt

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these people, all of these investigators, the medical examiners, everyone that worked

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this case for the rest of their
lives. I'm actually wondering if there's got

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to be a way for us to
come to understand how much damage is being

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done to these victims and to us
as a society by these endless mass shootings.

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Right after the Nashville Covenant School shooting, it was either the evening of

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or the day after, the Washington
Post made what I think was a pretty

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bold step, and they produced a
piece called the Blast Effect. It shows

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what AR fifteen rounds due to the
human body when it blasts through tissue,

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bones, and organs. And they
did it in a way that's very interesting.

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They did not use crime scene photos, but they did some like three

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D modeling are every time you scrolled
up on the screen, there would be

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a picture of a just effect simile
of a human body, no features or

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anything like that, and it would
show the pattern of injuries obtained by They

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chose two people from two school shootings. They picked a child from Sandy Hook

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and they picked a student who was
killed at Parkland. They had gotten permission

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from both of these children's parents to
use the injuries that happen to their kids

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as part of this article. They
basically showed in real time, when a

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child gets hit with six rounds from
an AR fifteen, this is what happens.

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And I actually I want to quote
this thing from the Washington Post really

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because Washington Post printed a justification for
why they did this, and so I

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want to quote from them real quick. The catastrophic damage the bullets from AR

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fifteen's cause inside human bodies is rarely
made public in detail. News organizations do

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not generally publish graphic autopsy or crime
scene photos because the images could be viewed

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as dehumanizing, exploitative, and traumatizing, or could inflict further pain on the

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families of victims. As a result, the damage AR fifteen fire can due

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to a human body a great deal
more than handguns is not widely understood.

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When we set out to chronicle the
story of the our fifteen in America,

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we searched for ways to illustrate the
effect on bodies in an unflinching but respectful

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manner. We recognize this presentation may
disturb readers, but we determine the information

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it contains is crucial to the public's
knowledge, and then it goes on from

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there. I like the fact that
they did too things here that they acknowledged.

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We realize what it would do to
these families to show these crime scene

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photos, but we also acknowledge that
we have to make people aware of what

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happens when you hit the human body
with this many high velocity rounds. The

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story definitely was divisive. I had
a friend who posted it on Facebook and

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then she edited her post to say, actually, you know what, I'm

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taking this link down because I don't
want people to click on it and be

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traumatized. But I am going to
tell you why you should read it.

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So she didn't provide the link,
but she did say, here's the information.

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Here's how you can google it and
find it, but I'm not going

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to link it because it's very setting. Like she described how upset she got.

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It's an interesting conundrum, but ultimately
I think Washington Post deciding to produce

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that piece. It was upsetting,
absolutely, but it was brave and it

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was necessary too. I think the
article The Blast Effect ran in the Washington

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Post on March twenty seventh, twenty
twenty three. Before people complain that the

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Washington Post is hidden behind a paywall, this article is available for free on

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the Washington Post website. I just
reconfirm that. And the reason that they

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did that is because they want people
to see this article. Now you can

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read the material or not, but
we're going to link to it. The

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information is available, and it is
an extremely powerful and, as you said,

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Kristen, disturbing article. But I
think this information needs to be out

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there because for us to go through
one mass shooting after another. Particularly now

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we have this whole series of mass
shootings that schools and churches and synagogues and

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mosques and dance schools and just on
and on, and yet we don't ever

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see much evidence of what actually transpired
in these mass shootings. We're just seeing

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articles and we see pictures of the
first responders and ambulances and the fronts of

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buildings. We see the Uvalde Elementary
School, but we don't see inside,

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and we certainly don't see the damage
that's been done to the buildings, to

359
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the community, and most importantly to
the people. I can already anticipate because

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we get blowback whenever we talk about
guns and gun violence and mass shootings,

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and there are people who don't want
to hear it. They don't want to

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hear it from us. As a
teacher who deals every day with the disturbing

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realities that come with having guns in
the school and with mass shooting to being

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a regular thing, this is something
that is constantly on my mind. And

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as Bill is the brother of a
murder victim, we've got a lot of

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00:31:06,839 --> 00:31:11,000
credibility wrapped up in this issue.
When we talk about the idea of authentic

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reporting and reporting what is right.
We talk about ethics and true crime.

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I think that not only do we
have a right to talk about this,

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I think we have the responsibility to
talk about it as true crime podcasters,

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as journalists. Friend laughed at me
the other day, he was like,

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you're not a journalist. Okay,
fine, but I am here podcaster.

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Yeah, I am a podcaster,
and I have a forum. We have

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a forum, and we have the
right to speak about it, and more

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importantly, we have the responsibility to
speak about it. So are we going

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to get blowback for this episode?
Yeah? Probably, we always do.

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I think if anybody has the right
to speak out about it, it's people

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who live it. Within the true
crime space. We have always tried to

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be very respectful of the fact that
our listeners come from a wide variety of

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00:32:00,279 --> 00:32:04,519
backgrounds. First of all, you're
all over the country, you're all over

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00:32:04,599 --> 00:32:09,759
the world. Politically, it's the
gamut from our most conservative friends to our

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00:32:09,799 --> 00:32:15,039
most liberal friends, and lots of
stops in between. I don't even know

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00:32:15,079 --> 00:32:19,640
why I feel I need to say
this. Understand, no one's coming for

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00:32:19,759 --> 00:32:24,920
your guns. We're not proposing that
anyone take away your guns. But if

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00:32:25,000 --> 00:32:30,079
we as a country don't figure out
how to do something. We're headed down

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00:32:30,160 --> 00:32:37,319
a road here that is so excruciatingly
painful and divisive. We've got to figure

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00:32:37,319 --> 00:32:43,160
out a way for kids to be
able to go to school safely. And

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then, as I was mentioning all
those other categories, and I'm just scratching

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00:32:45,880 --> 00:32:52,359
the surface, you can't go anywhere
now without being worried that you're going to

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00:32:52,400 --> 00:32:58,039
be gunned down by a crazy person
with an automatic weapon. Let me read

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from the ap for a moment.
The US is setting a record pace for

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00:33:02,000 --> 00:33:08,079
mass killings in twenty twenty three.
We're playing the horror on a loop roughly

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00:33:08,440 --> 00:33:15,200
once a week. So far this
year, the carnage has taken eighty eight

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00:33:15,240 --> 00:33:22,640
lives in seventeen mass killings over one
hundred and eleven days, each time the

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killers wielded firearms. Only two thousand
and nine was marked by as many such

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00:33:30,319 --> 00:33:37,160
tragedies in the same period of time. Eighty eight lives seventeen mass killings in

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00:33:37,200 --> 00:33:43,839
the first hundred and eleven days of
this year. This is insane and we

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00:33:44,079 --> 00:33:49,920
can't keep doing this. We've got
to figure out something. If people want

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00:33:49,960 --> 00:33:54,400
to say that we're falling off the
Planet lefty tree huggers. That actually is

399
00:33:54,440 --> 00:34:01,440
true when it comes to me,
and I'm not embarrassed about that. But

400
00:34:01,480 --> 00:34:05,960
at the same time, we understand
a lot of the people that we work

401
00:34:05,960 --> 00:34:09,639
with in law enforcement are coming at
this from a much more conservative perspective.

402
00:34:10,480 --> 00:34:15,719
I am respectful, and I know, Kristen you are too, of our

403
00:34:15,760 --> 00:34:20,880
friends and family that are coming at
this from perhaps a more conservative, perhaps

404
00:34:20,960 --> 00:34:27,280
even pro gun point of view.
But I don't think it is bomb throwing

405
00:34:27,320 --> 00:34:30,760
in any way, shape or form
to say we have to do something together

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00:34:31,159 --> 00:34:38,639
to figure out how to address this
issue, and arming teachers isn't even a

407
00:34:38,679 --> 00:34:45,159
serious suggestion, so let's not even
bother to go there. But do think

408
00:34:45,199 --> 00:34:49,559
we need to take steps and work
together. And if people want to say

409
00:34:49,599 --> 00:34:53,320
that we're communists or whatever, quite
frankly, it probably means you don't know

410
00:34:53,320 --> 00:34:59,559
what you're talking about. All we're
saying is we think we need to do

411
00:35:00,000 --> 00:35:04,599
something, and we need to do
something now. One of the other things

412
00:35:04,639 --> 00:35:07,480
that also came up when I read
this piece, but particularly the New York

413
00:35:07,519 --> 00:35:14,639
Times piece about the incredibly brave law
enforcement personnel who had to deal with the

414
00:35:14,760 --> 00:35:20,440
carnage at Sandy Hook, we need
to be doing more as a country to

415
00:35:20,519 --> 00:35:25,679
address for the first responders and the
families victims, helping them get past the

416
00:35:25,719 --> 00:35:32,039
trauma that comes with living with something
like this. Whether it's responding to sixteen

417
00:35:32,119 --> 00:35:37,840
young children crowded into a bathroom who
have been shot to death, or whether

418
00:35:37,960 --> 00:35:43,480
it's a family member who has lost
one person in their family to gun violence,

419
00:35:44,239 --> 00:35:46,239
we still, I think, need
to be doing better as a country

420
00:35:46,440 --> 00:35:50,559
in terms of how can we support
you, how can we help you?

421
00:35:51,239 --> 00:35:54,239
This is hard stuff to live through, and Bill, I know you can

422
00:35:54,280 --> 00:35:59,639
attest to that. And I never
signed on for this. I'm not in

423
00:35:59,719 --> 00:36:02,239
law enforcement. I'm not an investigator. I'm not a cop. I have

424
00:36:02,320 --> 00:36:07,440
tremendous respect for our friends in law
enforcement that do these jobs that many of

425
00:36:07,519 --> 00:36:12,039
us wouldn't have the heart to do. Me included, I would not be

426
00:36:12,119 --> 00:36:15,480
able to do this kind of gig
now, not at all. And so

427
00:36:15,559 --> 00:36:22,320
whether it is all of us maybe
learning a little bit more about trauma response

428
00:36:22,440 --> 00:36:25,599
and how to better help people who
have been in a traumatic situation, or

429
00:36:25,639 --> 00:36:31,800
whether it's going a step bigger and
reforming healthcare in this country so that mental

430
00:36:31,800 --> 00:36:37,519
health is not stigmatized and so that
we have more options in terms of getting

431
00:36:37,599 --> 00:36:43,159
therapy or counseling or whatever the heck
else it is that you need once you've

432
00:36:43,199 --> 00:36:45,559
had to deal with this. I
think that's another step we need to take

433
00:36:45,559 --> 00:36:50,480
as a country. If we're going
to deal how this level of violence,

434
00:36:50,960 --> 00:36:54,199
we need to figure out a way
to support the people who have been impacted

435
00:36:54,199 --> 00:36:59,719
by it. That goes from me
as someone who has been a victim of

436
00:37:00,559 --> 00:37:04,360
you, who is the brother of
a murder victim. I can't think of

437
00:37:04,360 --> 00:37:08,559
a single person that I know within
the true crime space who either hasn't been

438
00:37:09,119 --> 00:37:14,760
in some way, shape or form
touched by crime. I'm not advocating that

439
00:37:14,800 --> 00:37:17,599
we all get together and sing Kumbaya
around a fire or anything like that,

440
00:37:17,760 --> 00:37:22,440
but I'm also thinking that probably wouldn't
hurt for everybody to sit down and have

441
00:37:22,559 --> 00:37:28,519
a therapy session or something like that. Altogether, it is hard to deal

442
00:37:28,559 --> 00:37:31,639
with. It is rough. The
thing that nobody tells you when you deal

443
00:37:31,679 --> 00:37:35,000
with this, And again I know
you can attest to this bill, especially

444
00:37:35,039 --> 00:37:37,440
if you don't sign up for it, is you don't suffer just one time.

445
00:37:38,320 --> 00:37:42,960
It's not something that happens and then
magically you wake up and you're better

446
00:37:43,719 --> 00:37:46,119
you deal with it over and over
again every single day. Your family's dealt

447
00:37:46,159 --> 00:37:52,320
with it for thirty five years.
I can't even imagine. As we steer

448
00:37:52,400 --> 00:37:57,360
this episode to a close, I
just want to summarize where I am,

449
00:37:57,440 --> 00:38:00,679
and then I'd like to hear Kristen
if at the same place or not.

450
00:38:01,239 --> 00:38:07,159
We've always committed by the way that
we don't have to agree on every little

451
00:38:07,239 --> 00:38:10,760
thing. I like the fact that
we have different perspectives. I'll put this

452
00:38:10,800 --> 00:38:15,800
out from my point of view.
Your mileage may vary. In thinking about

453
00:38:15,960 --> 00:38:24,039
these two issues for today's podcast,
should law enforcement be releasing manifests those of

454
00:38:24,079 --> 00:38:29,840
this type? In thinking about it, I think the answer for me is

455
00:38:30,000 --> 00:38:37,320
no. Interestingly, the related question
about whether or not we should be seeing

456
00:38:37,679 --> 00:38:45,119
more evidence of what's happening physically to
our victims in these mass shootings, as

457
00:38:45,159 --> 00:38:49,559
long as we can do this in
a way that's respectful of victims and victims

458
00:38:49,679 --> 00:38:52,559
families. And I know this is
a hard one. I actually think we

459
00:38:52,599 --> 00:38:58,960
may want to be thinking about finding
ways to allow people to see the horrific

460
00:38:59,199 --> 00:39:04,760
damage it's being done by these weapons
of war. So I'm actually leaning towards

461
00:39:05,119 --> 00:39:13,719
perhaps allowing some limited public and media
viewing of what is actually happening to these

462
00:39:13,800 --> 00:39:17,280
victims, because I think people would
be shocked, and what I hope would

463
00:39:17,320 --> 00:39:24,039
happen is they would be galvanized into
taking active steps to do something about gun

464
00:39:24,119 --> 00:39:30,679
violence here in the US. I'm
with you on I'm like ninety five percent

465
00:39:30,719 --> 00:39:36,280
of that. I do agree that. Yes, the manifestos, the rantings,

466
00:39:36,320 --> 00:39:37,679
the rabings, so whatever you want
to call it from mass shooters,

467
00:39:38,039 --> 00:39:40,840
we don't need to be putting that
out there. Are we going to be

468
00:39:40,920 --> 00:39:45,079
curious about what was Saint Audrey Hill's
NERT books? Yeah? Absolutely? But

469
00:39:45,159 --> 00:39:49,440
do we need to see it?
No. If the FBI says, hey,

470
00:39:49,480 --> 00:39:52,119
we don't want to release it because
we don't think it's a good idea,

471
00:39:52,159 --> 00:39:53,960
and I'll respect your opinion, we
probably don't need to release it.

472
00:39:54,000 --> 00:39:59,480
We don't need to see it.
The crime scene photo issue is harder because,

473
00:39:59,519 --> 00:40:01,840
as you said, it would have
to be done respectfully. I'm not

474
00:40:01,880 --> 00:40:06,599
sure what that would look like.
So I'm always a little hesitant to agree

475
00:40:06,599 --> 00:40:09,719
to something without knowing in full how
would this look. I'm all about playing

476
00:40:09,719 --> 00:40:13,440
in an organization, and I don't
like agreeing to things if I don't know

477
00:40:13,480 --> 00:40:15,599
how it's going to work out in
terms of wake up calls might be a

478
00:40:15,639 --> 00:40:21,119
good one, but the cynical part
of me is afraid and does not want

479
00:40:21,159 --> 00:40:23,920
to see what would happen if people
looked at that and we're like, I'd

480
00:40:23,920 --> 00:40:28,400
still rather have my gun, and
I know that there would be people who

481
00:40:28,440 --> 00:40:31,119
would react that way, and I
don't know if my bruised little heart can

482
00:40:31,159 --> 00:40:36,880
take that. I don't know that
I could deal with that, especially from

483
00:40:36,960 --> 00:40:40,039
people that I know and love who
are they like their guns, protective of

484
00:40:40,039 --> 00:40:43,719
their guns, and I've told them
I'm not the mean liberal here to take

485
00:40:43,760 --> 00:40:45,960
away your gun. You can have
your gun, and I'm fine with that.

486
00:40:45,480 --> 00:40:51,039
I don't know how I would feel
if someone that I really truly loved

487
00:40:51,239 --> 00:40:53,480
saw those crime scene photos and said, you know it, that doesn't matter

488
00:40:53,480 --> 00:40:57,880
to me, because it matters to
me. I find myself in a really

489
00:40:57,920 --> 00:41:02,960
weird place right there. The appropriate
it compromise might actually be articles like the

490
00:41:02,960 --> 00:41:08,840
blast Effect in the Washington Post,
which managed to be descriptive and informative without

491
00:41:08,880 --> 00:41:15,840
necessarily being horrifically graphic because they were
illustrations. Yeah, we'll recommend the New

492
00:41:15,920 --> 00:41:22,159
York Times article and the Washington Post
articles as both very much worth our listener's

493
00:41:22,280 --> 00:41:27,159
time. I would also add to
that, if you know that this is

494
00:41:27,199 --> 00:41:30,639
something that is going to greatly upset
you, then please use your own best

495
00:41:30,679 --> 00:41:35,599
discretion and don't put yourself through something
that you don't feel like you have the

496
00:41:35,639 --> 00:41:38,840
emotional capacity to handle. Right then, I definitely wish that I had waited

497
00:41:38,840 --> 00:41:43,039
a day or two before I looked
at the Washington Post article. It was

498
00:41:43,119 --> 00:41:45,880
very necessary, it was something that
I needed to see, but I didn't

499
00:41:45,920 --> 00:41:50,760
have good dreams that night. It
stayed there in the back of my head

500
00:41:51,000 --> 00:41:53,639
and all I ended up having that
night was gun related nightmares. So know

501
00:41:53,840 --> 00:42:00,119
where you're at and where you're coming
from before you embark on these particular articles,

502
00:42:00,599 --> 00:42:04,800
and if you need to use discretion, I would say air on the

503
00:42:04,840 --> 00:42:08,119
side of using discretion, I think
we should steer to a close. That's

504
00:42:08,119 --> 00:42:12,880
going to wrap it up for ruminations
with Bill and Kristen. We've got to

505
00:42:12,880 --> 00:42:16,039
come up with a better title for
this, I think. But I feel

506
00:42:16,079 --> 00:42:19,519
like this is what you would get
if you were to ask the two of

507
00:42:19,599 --> 00:42:23,079
us to coffee. We would talk
about these things. We would do it

508
00:42:23,079 --> 00:42:27,719
with a caffeinated beverage and maybe a
scone or two. But this is what

509
00:42:27,800 --> 00:42:30,400
you would get if you had Bill
and I for coffee. Hopefully this has

510
00:42:30,480 --> 00:42:36,880
at least been a slightly illuminating experience
for you. As you were saying that,

511
00:42:37,000 --> 00:42:40,320
I thought to myself, we could
change it from ruminations to disturbing thoughts

512
00:42:42,320 --> 00:42:47,480
with Kristin vill disturbing conversations with Kristin
and Bill, disturbing but necessary conversations with

513
00:42:47,559 --> 00:42:52,039
Kristin and Bill. We'll figure out
some sort of title for this, but

514
00:42:52,119 --> 00:42:54,239
we do hope that you have enjoyed
spending a little bit of time with the

515
00:42:54,280 --> 00:42:57,599
two of us today. If you
like what we're dealing with the podcast,

516
00:42:57,639 --> 00:43:00,320
please do you make sure that you
leave us a five star rating and review

517
00:43:00,559 --> 00:43:04,280
on any of your podcast platforms.
Do you check us out on social media?

518
00:43:04,360 --> 00:43:07,639
And we do still have merchandise by
the way over at Tea Public,

519
00:43:07,800 --> 00:43:10,360
Please do feel free to buy some
mind Over Murder merchandise. We love seeing

520
00:43:10,360 --> 00:43:15,320
you at Crime Con in various other
places in that march. It's going to

521
00:43:15,400 --> 00:43:19,159
do it for this episode of mind
Over Murder. We'll see you next time.

522
00:43:28,920 --> 00:43:32,960
Mind Over Murder is a production of
Absolute Zero and Another Dog Productions.

523
00:43:34,519 --> 00:43:38,480
Our executive producers are Bill Thomas and
Kristin Dilley. Our logo art is by

524
00:43:38,559 --> 00:43:45,000
Pamela Arnois. Our theme music is
by Kevin McLeod. Mind Over Murder is

525
00:43:45,000 --> 00:43:50,159
distributed in partnership with Coral Space Media. You can follow us on Facebook,

526
00:43:50,360 --> 00:43:53,519
Twitter, or Instagram. You can
also follow our page on the Colonial Parkway

527
00:43:53,599 --> 00:43:59,239
Murders on Facebook, and finally,
you can follow Bill Thomas on Twitter at

528
00:43:59,280 --> 00:44:04,440
Bill Thomas. Five six. Thank
you for listening to mind Over Murder.
