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The pain. This is the last
round of calls to five three, one

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ninety- six fifty. We'
re talking about the rebound that hurt the

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most. It was the one that
hurt the most. Five Treks one ninety

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- six fifty. I' m
one in the Linco barrels, now where

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the Caña' s house is.
There was a business there. Next door

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was Christian Montre seen coffee and there, in the two thousand twelve bounced two

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hamaquitos like twenty- one, twenty- two years of that piece out there

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because they didn' t fit into
the kind of audience that went to Paite

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' s belly. It' s
absurd and I remember I was sitting outside

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and I was talking to that gold
and people that boy and he told me

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I' m going to be very
young. It brings me here, in

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this place, here were locals who
had the age limit to let in.

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I don' t know if that' s what you' re still using,

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but there was in a moment because
there were a lot of troubled little

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faces going on and they became a
plague, at a certain moment, a

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plague for businesses going to business,
getting drunk and starting to cause trouble.

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I did, she was doing a
very good frying, good morning, good

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day to the fact look at the
rebound. The rebound is that it hurt

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me more. It was a business
in Venezuela a few years ago. I

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know eight or nine years. What
hurt me about the rebound is that I

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know and I' m sure that
at least sixty percent of those who were

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in there at a supposed private party
that wasn' t any, were much

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poorer and much uglier than me,
but where? I at least in this

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business have one like an antenna,
a sphinx sheath from Paris, there to

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in Venezuela. Oh, it'
s not okay, no, you lost

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nothing. Hey, good morning.
Give her the challenge of b damages her.

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Which one hurt the most, or
already hurt me. He gave me

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two. I' m gonna start
from next door for this larror. In

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Monaco have a party that the Fenecino
Bank jun credit is going to take.

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I got there, I got deep, not if it can' t happen.

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I told him, but why that' s a bank party. Yeah,

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but it wasn' t this private
one. Yeah, but I was

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after the bank and they wouldn'
t let me. The second was in

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sclipse, although I knew the owner
if the deceased Wando was there, exactly,

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when he was there he tells me
no, you can' t go

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in and I grabbed my cell phone
At that time I called and he came

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out because they were over there from
the discotheque. But really the instruction will

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always come out owner and that he
was clear with me. It' s

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not like that, and I let
this close ballistics. I' m not

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going to have the statue that I
want you to have the disco and I

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repeat to you that I don'
t have problems with everyone who has a

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consumer profile that wants in their business
or that I put some parameters say I

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don' t want earrings, I
don' t want watches, heads,

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pods, zero chole. He'
s got it in his head. Of

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course, the law here establishes some
boundaries. Evidently, maybe people don'

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t know, but I can put
on a line of a style of clothing

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and it has to be the same
for everyone. The problem I have when

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the guy puts him and teb and
then they decide not, not not to

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let him have but to tell you
why he won' t let you in.

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And these are absurd things that people
often don' t know, but

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they conflict with what the same law
protects you as a right and what the

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law puts you as a limit.
But I don' t have a problem

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with that. I in the particular
case OJALII, that one day someone make

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a documentary, especially of the chapter
of the Monaco discotheque, because what they

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were partner of those discotheques, that
they opened several nightclubs here in the capital,

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in all those, between nights that
I had, they always had the

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same pattern and they said it without
complex and they told you on your face

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at the door of the discotheque,
and they go around I say still and

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they have and if they are listening, they have to remember because they were.

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It was real times where much discussion
was made on that subject. Just

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as you see the bull in the
mallecon, just like the event you see,

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I never had the problem with Seba
entcen from the first time I was

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Seven Tu Seven was a disco that
tennis works Italian and in that disco I

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remember that the first time I went
was for the opening. I knew the

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manager and the security at the door. I' ve never had a problem

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and it' s going to be
a seven- year event, but Seven

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Tu is in line, it'
s coming past the vesuvius for your entrance,

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and eleven out of ten bounced.
Those who went there need to know

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that there was between the first and
second year in Seven To Seving and that

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what ended there, that after chao
chas and half chaprendí and he got well.

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I chat ended up there. Good
morning. Day, Alberto, I

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think there' s a good morning. I looked pretty terrible that I worked

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both computer or group and one day
they call me for a stand and I

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had in Lincoln drinking ben ging a
Temi you know that I ai the dress

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code was cami zafan heel shoe and
I' m out and I tell security

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look at me brother, that I
come in a stand. I work in

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the department. No, my brother
can' t come in. It'

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s barbarity. I finally had to
call the manager. It lasted zora,

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because managers never have phones in their
hands at that time. You know,

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but that sounds like you say that, I mean, that was a line

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from management and everybody that the code
should be you and nobody comes in here,

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no one who was that, that, that' s what' s

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wrong. Two days I' ll
see her cut. It happened to me

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in a discoecia that was there in
childhood, reaching the flamenta cumula, what

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you call me to say I have
a pod like that, no, no,

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no, no, it was like
it was a name I had.

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It was a sheath, a sheath
yes, steppe, but that dichoteca in

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the nineties, in the end there
was a dichoteca. It was always called

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a flamingo bar, a sheath,
that' s how Stefan was. At

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that time it was Nfan yes and
to me I had some tinder but nothing

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more was of that cream. It
was a shop of the already jovial and

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I got returned because that was a
hotel and I, seriously, I,

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really, a hotel? I'
m fine, yeah, that' s

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one of the connected, the connected. Good morning, good morning, the

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boys, the days. Hey,
Alberto, you know it hurt, but

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it got back in my soul in
Sparta they bounced me crazy and that cop

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but hey, hey why you hear, I mean, they bounced me the

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dichotheque inside. You know that one
was made from the outside and that because

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I had short pants and after living
in it, you know, who,

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Orlando Moreno, hit me with broken
shorts and in a nightgown. Good morning,

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Hi Boy, how they were good, we' re old. They

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didn' t let me go through
the glory of God. What a peck

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I was that day. But,
gentlemen, that' s not just here

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in Mexico. That' s terrible. He was in Mexico with some friends,

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but still he came up with the
idea of going to Sancletica and the

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man looked down at me. So
they can' t pass, but not

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anymore, and I, out of
shame, to make them feel bad already,

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told him they wouldn' t let
in. None. You know how

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to come up with it. He' s in Chancleta for a dichotheque.

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Here are levels ah because I have
vacation and the tourist. But in Mexico,

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in Mexico it' s terrible.
In Mexico they are very classists and

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it is true to pass to the
restaurants, that is to say they even

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the Mexicans themselves. If you see
them as being very countryy, downtown Mexicans

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are very classy. They ask you
a lot. This I know that when

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I went to Mexico in the two
thousand twenty- one we went to two

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one are called Bagatel and others remind
us of the damn name. I know

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there was that you both wanted to
have that guaranteed at the entrance, had

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to book and make as a minimum
consumption. And in both places and by

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the good one we walked a five- year- old group we entered.

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But I do remember that there were
people. There were people outside who wouldn

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' t let him in because they
didn' t have the reservation and didn

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' t want to pay the minimum
consumption. There are businesses that do that

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are the ones of a lot of
movement. There are people who are going

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to throw away, take pictures and
sometimes the bottle of water is a gas.

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That' s why there' s
a lot of disco here. They

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don' t sell small beer or
the little one the clean pa sheath is

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going to be snorting. Me,
as long as the rules are the same

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for everyone and they' re met. I have no problem exactly now what

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I do not share from that practice
that I have experienced in my own flesh

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and have had friends who have lived
and told me their experiences. I'

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ve been witnesses to other people I' ve seen it, I haven'

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t been told. What I see
as unnecessary is a lack of respect,

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because there is a long history of
tragic situations that have been given by that

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disrespectful attitude at times of great security, that is, that you don'

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t fit me in black Sometimes you
hear you don' t even know you

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' re doing that in many cases, but you do, you do,

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and we don' t all have
the same blood in our veins. There

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is another that the blood I read
much easier and to edit a case today

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00:10:03,879 --> 00:10:07,159
I can cite the case of Pria, when the tragedy of the young woman

140
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happened in the two thousand six,
the case she cited when this American rectura

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was in the tyrants or in a
number of situations that have occurred. I

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repeat, I don' t care
what everyone puts as a profile group parameter

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that they want within their business,
for example, in the business of other

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00:10:28,960 --> 00:10:33,519
friends. Whatever you want is fine. Don' t let in birds coming

145
00:10:33,679 --> 00:10:35,480
out of that q for the bar, but don' t tell him here.

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They let Maricorn in, because you' re disrespecting the person or the

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simple fact of entering that decuro gives
you a faggot card. So it'

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00:10:46,320 --> 00:11:00,240
s that disrespect that makes the right
you have completely nullified for me. Because

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00:11:00,519 --> 00:11:03,000
if I respect you, I give
you that right. I can tell you

150
00:11:03,039 --> 00:11:07,919
good people here dressed up who come
in a nightgown, who come torn pants,

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00:11:09,519 --> 00:11:11,720
we don' t let her in. But don' t tell me

152
00:11:11,759 --> 00:11:15,519
these poor bastard devils who always walk
around like a pint of debate. No,

153
00:11:15,639 --> 00:11:16,759
my love don' t tell me, so I' m going to

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00:11:18,480 --> 00:11:22,840
feel humiliated and in front of everyone. So, then, here' s

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00:11:22,840 --> 00:11:26,720
that story. Yeah, thank God, we live in a time where business

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needs bad customer, that customer to
business