1 00:00:01,120 --> 00:00:26,760 W M n h rips the nobles. I'm a liar deceiver if the twin 2 00:00:28,800 --> 00:00:47,399 oh nos are we the wont chemkay believer te believers stay and holding all the 3 00:00:47,439 --> 00:01:00,520 pa. He seems to me that off just costal. That's your heady sat 4 00:01:00,759 --> 00:01:11,640 needs falls take a can too my eyes get a glim so much it's s 5 00:01:11,920 --> 00:01:29,000 side. Have your head these thoughts cansa the people that we want snoop and 6 00:01:29,200 --> 00:01:42,719 the can'ts how we have been through in the can have my faults against you 7 00:01:42,920 --> 00:02:13,599 because then I change? Have this thought sound a needle, But how will 8 00:02:14,280 --> 00:02:25,360 feeder? Oh no, I cannot save the change my desires to fy her. 9 00:02:27,560 --> 00:02:38,960 I wish this way was not the time of her. Didn't less susy, 10 00:02:39,840 --> 00:02:53,879 I've just cost but that's just the place and need to fly. Take 11 00:02:53,960 --> 00:03:02,319 a look into my get a glass to the suicide. Back your head or 12 00:03:02,840 --> 00:03:17,120 this that's ail. Can't stand the people that only wants now and the cat 13 00:03:17,560 --> 00:03:31,319 chang how sadly have been through the can I have faults against you because they're 14 00:03:31,919 --> 00:04:20,360 not change this thought. Shut this thoughts up. We can't say I can't 15 00:04:20,439 --> 00:04:30,000 hold that wyant son and I can't shot how that only have been through, 16 00:04:32,439 --> 00:05:20,399 can put my faults against you because then chant how these thoughts out? So 17 00:05:20,560 --> 00:05:29,560 I tell I'm telling on that. So'm so like I feel a little about 18 00:05:29,680 --> 00:05:39,000 it. Maybe y'all at bed tonight, y'alla try to find a cull that, 19 00:05:42,000 --> 00:05:49,360 try to make a mind, Try to tell cause I'm so lame. 20 00:05:51,319 --> 00:06:01,839 That is no name, don't you y'all name my oh man? Because I'm 21 00:06:01,959 --> 00:06:13,480 so mad and this song mad? Don't you maid? You gotta be my 22 00:06:13,639 --> 00:06:36,519 ole man? Bots getting an empty balls, getting from my as a getting 23 00:06:36,839 --> 00:06:49,879 ring talking in the room. But don't you We'll go to show you my 24 00:06:50,240 --> 00:07:03,399 man. I'm gonna show your man because sounds so that is all? Don't 25 00:07:03,480 --> 00:07:14,759 you? For you can it be bot? Because I'm so that it so? 26 00:07:16,720 --> 00:07:55,759 Don't you You're gonna be give me back because I'm so that is so? 27 00:07:58,720 --> 00:08:50,279 Don't you? Don't you come on down to the hop not at one 28 00:08:50,360 --> 00:08:54,600 thousand Elm Street, Manchester's premiere Kraft Beer and Gourmet Pretzel Bar. Tell us 29 00:08:54,679 --> 00:08:58,200 more Trudi. We make our dough fresh every day. 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Come see the possibilities Queen City Cabinet 39 00:09:46,240 --> 00:09:56,080 Tree. Another crown sponsor of w MNH Clemento Clemington Pizzarevamily Friendly, Awesome for 40 00:09:56,399 --> 00:10:03,000 Day Night, Clemenzo, Climenton sets Abrea Poor Delivery called six O three seven 41 00:10:03,080 --> 00:10:13,759 eight two eight four five oh Mentos steets Abreastza in eighteen seventy five South Willow 42 00:10:13,799 --> 00:10:18,000 Street in Manchester, New Hampshire. Best Contails obround, come in as friends 43 00:10:18,080 --> 00:10:24,480 and leave us family. This Hour on wm NH is sponsored by CGI Business 44 00:10:24,600 --> 00:10:31,360 Solutions, located at five Dartmouth Drive in Auburn. They serve all your business 45 00:10:31,480 --> 00:10:37,679 needs including employee benefits, planning, corporate design and business administration, investments and 46 00:10:37,799 --> 00:10:43,519 wealth management and customized business insurance solutions. Their phone number is eight sixty six 47 00:10:43,799 --> 00:10:48,960 eight four one forty six hundred or on the web at CGI business Solutions dot 48 00:10:50,080 --> 00:11:37,799 com. You're listening to wh command gets sorely Matt South Coming, Welcome back 49 00:11:37,879 --> 00:11:41,440 everybody. This is Matt Connorton Unleashed as we enter our third hour on this 50 00:11:41,799 --> 00:11:46,519 Saturday afternoon. We are live from the studios of wm n H ninety five 51 00:11:46,559 --> 00:11:52,759 point three FM in glorious downtown Manchester, New Hampshire, also on Comcast Channel 52 00:11:52,799 --> 00:11:54,639 six if you're in Manchester, and hello to all of our online listeners across 53 00:11:54,639 --> 00:11:58,799 the nation and around the globe. You can go to my website Matt Connorton 54 00:11:58,840 --> 00:12:01,080 dot com for all your lives, streaming options, social media links, contact, 55 00:12:01,159 --> 00:12:05,039 infoshow archives, et cetera, et cetera. Today is Saturday, November 56 00:12:05,120 --> 00:12:11,720 twenty five, twenty twenty three, and we've got a great band in studio 57 00:12:11,840 --> 00:12:15,759 with us making their second appearance on the show. We have pretty late. 58 00:12:15,840 --> 00:12:18,559 I don't think we had all the members here with us last time, though, 59 00:12:18,600 --> 00:12:22,120 so this is this is great, And what we're gonna do is they're 60 00:12:22,159 --> 00:12:26,039 gonna play live for us. They've got a few songs and then we'll play 61 00:12:26,639 --> 00:12:28,200 we'll play a studio track and then we'll come back and we'll talk a little 62 00:12:28,200 --> 00:12:33,559 bit to everybody. So really looking forward to that, But not not much 63 00:12:33,679 --> 00:12:37,480 to say at the moment because we've got everybody set up for a live set 64 00:12:37,519 --> 00:12:41,879 here. Just trying to make sure everything is turned on because we've got the 65 00:12:41,919 --> 00:12:46,799 full band here with us. But let me pull these mics up here. 66 00:12:46,360 --> 00:12:50,200 We can kind of hear you talking a little bit, but welcome everybody. 67 00:12:50,360 --> 00:12:54,279 Hey, I don't think it was how many of you were here last time 68 00:12:54,559 --> 00:13:00,399 or it was okay, so most of the band was here on what's up? 69 00:13:03,919 --> 00:13:05,799 Let's uh now, how many songs are you gonna play for us? 70 00:13:05,960 --> 00:13:09,600 Three? Three? We get three of them? Three? All right? 71 00:13:09,720 --> 00:13:13,039 So what we'll do is no way to do a proper sound check because we're 72 00:13:13,120 --> 00:13:16,159 live, so I will kind of ride the faders as we go. I'll 73 00:13:16,200 --> 00:13:20,440 do my best to Yeah, but uh, you're gonna sound great. I 74 00:13:20,519 --> 00:13:22,720 have no uh, I have no worries. Uh So uh, ladies and 75 00:13:22,799 --> 00:13:26,480 gentlemen, pretty late, live in studio whenever you're ready to go for it. 76 00:13:26,679 --> 00:13:48,600 Okay, this song is called ninety five. He's talk back post sort 77 00:13:48,759 --> 00:13:58,639 GE's talk stalking shows, Lady tample is not for me. Let's ut great, 78 00:13:58,879 --> 00:14:09,360 Kim joos, No, you lift the dream a d u n. 79 00:14:11,720 --> 00:14:22,320 We'll like histories. So naquid nine to five? Rather sleep in stead find 80 00:14:22,440 --> 00:14:28,440 myself the sunny beats where I can rest my hands, wasting my tie, 81 00:14:31,720 --> 00:14:39,399 just wasting my time, just wasting my time, just wasting my tie. 82 00:14:58,759 --> 00:15:05,679 Gig su oh clean in the bed of this space, cause I was sting. 83 00:15:07,519 --> 00:15:13,080 Was my trying? So I go way back in his face, working 84 00:15:13,159 --> 00:15:20,279 for time, spending all the times waiting around time, get me my five 85 00:15:20,440 --> 00:15:24,120 chokes book. It's not for me to listen to the words I say? 86 00:15:24,879 --> 00:15:31,480 Did I say? Done? Glen the nine to five and rather sleeping steady 87 00:15:33,159 --> 00:15:39,759 found myself side deep chase, I can rest my luck. There's the rest 88 00:15:39,840 --> 00:15:50,519 of my time, just wasting my time, Just listen myself, Just wait 89 00:15:50,759 --> 00:16:23,399 the time. M h, very nice, pretty late, Live in a 90 00:16:23,519 --> 00:16:29,279 studio with us, all right, whenever you all are ready, you know, 91 00:16:29,759 --> 00:16:33,840 let's keep going sound great promises, right, yeah, sure, yeah, 92 00:16:33,879 --> 00:16:53,759 this next one is called promises. Oh no, I said belief. 93 00:16:56,159 --> 00:17:03,480 Oh it's a cure everything is afraid about. It would change. There's anything 94 00:17:04,240 --> 00:17:18,839 that every day Nord was never perfectly, So change our only need you wants 95 00:17:19,000 --> 00:17:26,200 a way I say your birthday. Please don't have to change because it say 96 00:17:26,519 --> 00:17:38,519 I have said, so, Baby, don't try. I'm prett I made 97 00:17:38,519 --> 00:17:45,039 a lot of promises. I couldn't keep promise me. You'll not believe. 98 00:17:45,759 --> 00:17:48,599 Oh, I'm alway's gonna need you to say to me, baby, you 99 00:17:48,720 --> 00:17:56,160 don't try every reason I made a lot of promises. I couldn't keep promise 100 00:17:56,279 --> 00:18:10,720 me. You literally, I'm always gonna need you excited me, be sided 101 00:18:10,880 --> 00:18:36,640 me, come back in all things, even to do you try and tell 102 00:18:36,799 --> 00:18:41,400 me that I'm fool. You've seen it broke into the smith fleet, So 103 00:18:41,799 --> 00:18:47,119 like sid and I say, I'm there. You've it's impossible to fix. 104 00:18:47,480 --> 00:19:00,240 Will you remain believe you would be the same? So baby, coach hi 105 00:19:00,000 --> 00:19:07,079 emprey ten. I've made a lot of purposes that fling keeps to promise me 106 00:19:07,319 --> 00:19:14,200 never Oh it's gonna need it beside of me, Baby, you don't try 107 00:19:14,880 --> 00:19:22,319 every ten you made a lot of promises, are putting geese promised me never 108 00:19:22,519 --> 00:19:47,720 lease, I'm alway's gonna need you beside me. Beside me. I swear 109 00:19:47,960 --> 00:19:56,519 I'll sivive sid do ever bees doever it tell me? So, I lot 110 00:19:56,680 --> 00:20:22,759 of a swell, sigvibes, sat heavy, heavy, it's a little set 111 00:20:22,880 --> 00:20:33,319 of leaves. Oh govin h was made about it would change. There's anything 112 00:20:33,599 --> 00:20:45,960 good, heavy, very nice, pretty late live in studio with us, 113 00:20:47,440 --> 00:20:51,279 and they're gonna do one more song and then we're gonna listen to a studio 114 00:20:51,359 --> 00:20:55,039 track. Oh by the way, Uh, the studio track that I just 115 00:20:55,160 --> 00:20:57,799 received. Google Driver is telling me I don't have access. I got a 116 00:20:59,079 --> 00:21:03,119 denial request, So I'll give you a minute to fix that. But by 117 00:21:03,119 --> 00:21:07,400 the way, the studio line is open if you have any questions or anything 118 00:21:07,440 --> 00:21:11,119 for the band. Uh. After after they're set here, we're gonna talk, 119 00:21:11,279 --> 00:21:12,759 so uh you'll be able to give us a call six O three two 120 00:21:12,839 --> 00:21:18,480 five oh six oh seven six O three two five oh six o seven. 121 00:21:18,960 --> 00:21:23,440 And of course you can always uh interact endo pine in the Facebook live chat 122 00:21:23,640 --> 00:21:26,519 as well. But the best thing to do is give us a call at 123 00:21:26,519 --> 00:21:30,519 six O three two five oh six, oh seven, Oh, and I 124 00:21:30,599 --> 00:21:33,720 should tell you too. Jenny made reference to it earlier off air, but 125 00:21:34,720 --> 00:21:37,759 just for the hell of it, at the start of today's show at nine 126 00:21:37,799 --> 00:21:41,640 am, I played, uh, I played the View from Here because I 127 00:21:41,000 --> 00:21:45,400 usually open the show with a longer song, just get people a chance to 128 00:21:45,720 --> 00:21:48,400 tune in and get online and whatnot. And by the way, I love 129 00:21:48,440 --> 00:21:53,119 that song. So but that's the song that our first guests today run like 130 00:21:53,200 --> 00:21:56,799 Thieves. They were our guests and hour one and they were commenting on how 131 00:21:56,880 --> 00:22:00,799 much they really like that song, and they were kind of they were setting 132 00:22:00,880 --> 00:22:03,680 up to play live and they found themselves kind of strumming along to it. 133 00:22:03,880 --> 00:22:07,680 So you got a you got a lot of love, and didn't I think 134 00:22:07,000 --> 00:22:11,720 Charlie from Rolling Exile says something about it too, So yeah, so you 135 00:22:11,839 --> 00:22:14,839 got some love from that. But did you did you resend that? Uh? 136 00:22:14,960 --> 00:22:17,920 Yep? I I changed the access. Okay, awesome, thank you, 137 00:22:18,039 --> 00:22:21,160 thank you? All right, and uh so we'll hear that shortly. 138 00:22:21,279 --> 00:22:23,359 But yeah, you got one more song you want to do? I mean, 139 00:22:23,480 --> 00:22:27,279 yeah, we were planting to do the View from Her Acoustic cool kind 140 00:22:27,319 --> 00:22:30,119 of broken down for you. If you guys want to hear that. Oh 141 00:22:30,160 --> 00:22:32,640 I'd love it. Yeah, absolutely, I love that song. Great, 142 00:22:32,680 --> 00:22:37,000 great song. All right, so that's yeah, it's the first time we 143 00:22:37,039 --> 00:22:41,079 did a stripped down Oh beautiful. Yeah, this is the international debut. 144 00:22:41,319 --> 00:23:11,680 Nice there these a two step back, feel this pill even feel this sad 145 00:23:11,880 --> 00:23:21,720 of if I was lost, I see you with the ocean of al me. 146 00:23:22,519 --> 00:23:33,279 You'll be there and I see and I'll gust for I'm fed up with 147 00:23:33,640 --> 00:23:44,680 face staring up me here faves founder be five, if fives zonone a bit 148 00:23:44,920 --> 00:23:57,960 fer, if fabs under p five step back from then all that food shot 149 00:23:59,640 --> 00:24:03,640 from Okay, on my own way, small statues to guess will be fir 150 00:24:07,240 --> 00:24:12,599 my broadcast, ooking in on my own self. So sick seeing on the 151 00:24:12,759 --> 00:24:44,680 taped show. The review from me by soon weren't work soon weren't so nice. 152 00:24:45,160 --> 00:25:07,200 So so I don't believe got ter same thing a second, just friding 153 00:25:07,359 --> 00:25:18,640 line. We like what you foxkeepe. You'll be be singing on my body 154 00:25:19,359 --> 00:25:30,319 found side, rapped up in sheets to cap blue you tray I when you're 155 00:25:30,359 --> 00:25:41,720 singing in the deep. And we have some suit so we have some sualon 156 00:25:41,960 --> 00:25:56,839 stood now we have some stud sol shift back from laying over vampers so throw 157 00:25:56,160 --> 00:26:06,680 from shogging along its most she I guess will be fund hide in my broadcasts 158 00:26:06,839 --> 00:26:11,359 from beginning of my own self, so sick see not a top show the 159 00:26:11,559 --> 00:26:41,200 debut from me on soon high so want soon want son once soon so from 160 00:26:41,240 --> 00:27:07,079 me w so n wso n see if back from gunning over the backs sort 161 00:27:07,200 --> 00:27:15,279 joke from troping on my own life, saw steps against we'll be fir my 162 00:27:15,440 --> 00:27:22,480 brocats from beggin of my own self, So sick sitting on the top shelf. 163 00:27:22,000 --> 00:27:34,160 Do you for me? We soon n H tone once soon, nice 164 00:27:40,480 --> 00:28:12,000 one soon nice from so nice soon nice thanks mm that was so good. 165 00:28:12,119 --> 00:28:15,720 I love it. I love it. Great job, great job. If 166 00:28:15,759 --> 00:28:18,759 you're just joining us pretty Late is here with us live in studio. We're 167 00:28:18,759 --> 00:28:22,759 going to play a studio track called Guardrail from Pretty Late, and then we're 168 00:28:22,759 --> 00:28:26,720 going to come back and we're going to talk a bit. But check this 169 00:28:26,880 --> 00:29:02,559 out, your simple moment in between the lands to play in the pond streets. 170 00:29:02,920 --> 00:29:08,119 I tend to swear win a girl through you, Suphie, I'll steal 171 00:29:10,039 --> 00:29:18,599 so it's the closer bos that's memphy. I still gods me into a god 172 00:29:18,720 --> 00:29:26,960 room got down, I because we get it out alone back home. Wizzo 173 00:29:27,519 --> 00:29:33,680 say, it makes a laugh, but there no lights. Got down. 174 00:29:33,480 --> 00:29:41,640 I'm like, I'm gonna get it all lonely back Whizzo, the Mets, 175 00:29:41,240 --> 00:30:14,240 the makes the laugher, the go. But the realiz you are symphony. 176 00:30:15,440 --> 00:30:19,799 You graduated with a good degree. Now you're waiting at home for me. 177 00:30:21,559 --> 00:30:29,039 I'm hong your nurse, certainly because at fair beat, I'll stand to the 178 00:30:29,160 --> 00:30:36,880 coast to suppose that's here in my feet. I'm still got stay to look. 179 00:30:36,960 --> 00:30:48,519 Got down. I think of ways up the week set in the basil 180 00:30:48,960 --> 00:30:56,599 my door, ex go go down along the way. You're back home now, 181 00:30:57,240 --> 00:31:44,200 Ways up. The song in the backs of my door goles she's a 182 00:31:45,559 --> 00:31:55,160 they'll step so it's the closest post that here. See a still godda too. 183 00:31:55,400 --> 00:32:07,160 I got around God damn. I think of the banks last Thursday, 184 00:32:14,440 --> 00:32:51,319 the banks, last last time. Great track. That is Guardrail. The 185 00:32:51,400 --> 00:32:54,839 band is pretty late. They are here with us live in studio. This 186 00:32:55,039 --> 00:32:59,480 is Matt Connorton Unleashed and we are live from the studios of w m n 187 00:32:59,519 --> 00:33:02,480 H ninety five point three FM and Glorious Downtown Manchester. New Hampshire also on 188 00:33:02,680 --> 00:33:06,720 Comcast channel six if you're in Manchester, and you can go to my website 189 00:33:06,759 --> 00:33:10,440 Matt connorton dot com for all the info on the show and all the different 190 00:33:10,480 --> 00:33:15,519 ways you can hear it live or of course afterward if you check out the 191 00:33:15,960 --> 00:33:20,400 podcast edition. We are here with the band Pretty Late. They've put down 192 00:33:20,440 --> 00:33:24,839 their instruments and we're gonna we're gonna talk a little bit. And let's Christine 193 00:33:24,839 --> 00:33:28,799 if we can start with you at the desk and just go around and everybody 194 00:33:29,319 --> 00:33:31,480 tell me who you are and what you do in the band and anything else 195 00:33:31,559 --> 00:33:35,799 you any other pertinence you want us to know. Sure, thanks, so 196 00:33:36,000 --> 00:33:39,680 thanks for having us met. My name is Christine. I am and one 197 00:33:39,720 --> 00:33:45,759 of the lead vocalists. I also dabble with keys, but been with the 198 00:33:45,880 --> 00:33:53,000 band for oh gosh, I want to say seven almost years now. Okay, 199 00:33:55,000 --> 00:33:59,039 we have a fun time. Excellent, excellent, And you sir. 200 00:34:00,200 --> 00:34:01,720 My name is Mike. Mike. I'm the drummer of Pretty Late, one 201 00:34:01,799 --> 00:34:07,039 of the founding members back when it was just three of us. Yeah, 202 00:34:07,720 --> 00:34:10,199 we've come a long way. We've grown a lot. This group has become 203 00:34:10,239 --> 00:34:14,480 a family, you know. Yeah, yeah, very cool. Very cool, 204 00:34:15,119 --> 00:34:20,400 all right, and you oh the money is Mike. I'm sorry, 205 00:34:20,599 --> 00:34:24,519 I was distracted the zone out a little bit. Yeah, No, my 206 00:34:24,639 --> 00:34:29,480 name is Mike. I'm one of the guitar players. I do a little 207 00:34:29,480 --> 00:34:34,000 bit thing, and I do a little bit right And you know, started 208 00:34:34,039 --> 00:34:37,960 this about ten years ago and our real our real true lineup kind of came 209 00:34:38,000 --> 00:34:42,239 back in twenty nineteen, like right before COVID. Yeah, so it was 210 00:34:42,440 --> 00:34:45,880 a challenge to getting to this so like and then that kind of the next 211 00:34:45,920 --> 00:34:47,760 stage of things, and it's kind of cool, you know what we're doing 212 00:34:47,840 --> 00:34:52,719 now because it's a little bit different from what we did we were your twenties. 213 00:34:52,920 --> 00:34:54,239 Yeah, yeah, yeah, yeah, of course, of course I 214 00:34:54,400 --> 00:34:58,760 heard quite a lot. Yes, yes, and you and I'm Rob. 215 00:34:59,039 --> 00:35:04,159 I play guitar, little vocals, songwriting. It's been definitely get go Okay. 216 00:35:04,199 --> 00:35:06,119 There just three of us, so yeah, yeah, so you're one 217 00:35:06,360 --> 00:35:09,360 of the originals. Yeah yeah, there's five of us. Yeah, excellent. 218 00:35:09,519 --> 00:35:13,320 And the bass player, Yeah, my name's Tom. I play the 219 00:35:13,360 --> 00:35:15,440 bass guitar and do a little bit of this, a little bit of that. 220 00:35:15,800 --> 00:35:17,280 But I've been in the band since twenty nineteen. I like the band. 221 00:35:17,280 --> 00:35:20,840 It's a great band. It's been a lot of fun. You do 222 00:35:21,000 --> 00:35:22,519 some too. You know, I'm a bass player and I was watching you 223 00:35:22,639 --> 00:35:27,159 and uh yeah, you do some some solos in there too. It's pretty 224 00:35:27,199 --> 00:35:30,519 cool how that. I definitely like to get adventurous with my bass playing, 225 00:35:30,639 --> 00:35:35,519 and I'm inspired by bass players who take the bass in more non traditional roles 226 00:35:35,559 --> 00:35:38,280 a lot of the time. Man, Yeah, yeah, do you because 227 00:35:38,280 --> 00:35:42,280 I was curious too, obviously you know you're you're playing acoustic in here today. 228 00:35:42,639 --> 00:35:45,199 Do you approach it the same way when you're plugged in on stage? 229 00:35:45,280 --> 00:35:47,519 Or yeah? I do relatively of my low end. For me, it's 230 00:35:47,559 --> 00:35:51,679 like really important to anchor the band like a bass player supposed to. But 231 00:35:51,760 --> 00:35:53,840 well, in between those two, I like to weave some you know, 232 00:35:53,960 --> 00:35:58,559 fun little things in there. Yeah. Yeah, I'd add something to the 233 00:35:58,639 --> 00:36:00,760 song or something that I like particular, you know, you know how it 234 00:36:00,920 --> 00:36:05,599 is, try to be tasteful, right right of course? Of course, 235 00:36:06,679 --> 00:36:10,920 Now how much so is it one full album that's out or and then you're 236 00:36:10,920 --> 00:36:14,519 working on the next one or what's what's the status of that? Ye? 237 00:36:14,760 --> 00:36:19,440 So yeah, whoever wants to go, Yeah, just three songs right now 238 00:36:20,639 --> 00:36:23,239 in on our second album and we're in the process of actually starting to do 239 00:36:23,360 --> 00:36:27,960 some more creative writing. Okay, this new album is actually going to be 240 00:36:28,000 --> 00:36:31,000 a twist. It's really going to be a big twist for all our fans 241 00:36:31,119 --> 00:36:36,199 is out there. It might be something that they wasn't expected, really, 242 00:36:36,280 --> 00:36:39,639 but we got something in the future set up for the Icy is going to 243 00:36:39,719 --> 00:36:45,599 be some amazing things. Any clue or is the twist of surprise? It's 244 00:36:45,760 --> 00:36:51,320 a wonderful surprise things and concept stages. Yeah, a lot of lots of 245 00:36:51,679 --> 00:36:59,440 a lot of poka. Well that's that's definitely a twist. Yeah, yeah, 246 00:37:00,039 --> 00:37:01,800 you guys will figure it out. But no, it's a lot of 247 00:37:01,800 --> 00:37:07,159 clay to carve away everything that. Uh. Now the studio tracks that we've 248 00:37:07,199 --> 00:37:10,760 heard, where where were these recorded? Because everything sounds really good. It 249 00:37:10,840 --> 00:37:15,679 was ugly Duck studios out of Brighton, I think they were, you know, 250 00:37:15,800 --> 00:37:20,360 they were in the Sound Museum that got closed down like that, and 251 00:37:20,400 --> 00:37:22,800 now they're somewhere. I think they're in Mercy Boulevard now. Okay, so 252 00:37:22,880 --> 00:37:28,159 everything's done in city, but you know, we're the next record is still 253 00:37:28,280 --> 00:37:31,760 kind of in the process, so we're doing you know, different engineers and 254 00:37:31,960 --> 00:37:35,960 doing the quotes and you know, kind of running around communicating with people. 255 00:37:36,079 --> 00:37:38,320 So I'm not sure who's going to record the next record, but oh okay, 256 00:37:38,440 --> 00:37:43,000 definitely a talented person we will find. Well that goes out for anybody 257 00:37:43,079 --> 00:37:47,119 else, jump on, here's your opportunity. Yeah. Well, we live 258 00:37:47,159 --> 00:37:51,079 in a time where there's so many different options in terms of how you record. 259 00:37:51,239 --> 00:37:52,559 You know, you can do it yourself. You can. I mean 260 00:37:52,840 --> 00:37:54,880 some of some of the bands we have on it's like, uh, you 261 00:37:54,960 --> 00:37:58,599 know, they're they're recording in their living room or their garage or wherever, 262 00:37:58,679 --> 00:38:00,440 and and it ends up sounding great. It's like you know, if if 263 00:38:00,480 --> 00:38:02,800 you if you really know what you're doing. But but also too, I 264 00:38:02,840 --> 00:38:06,840 mean, if you can find a find an engineer or a producer who's really 265 00:38:06,880 --> 00:38:08,679 good and who wants to work with it, you can get some great some 266 00:38:08,800 --> 00:38:13,960 great stuff. How did you the h the studio in Brighton? You said, 267 00:38:14,360 --> 00:38:16,519 yeah, how did you come to work with with that studio? Just 268 00:38:17,320 --> 00:38:21,840 you know, we just kind of jumped on Google and talked to different people 269 00:38:21,920 --> 00:38:25,440 and yeah, you saw what there was available, you know at the time. 270 00:38:25,679 --> 00:38:29,880 Yeah, just like right during the early like the first six months of 271 00:38:29,960 --> 00:38:32,199 when the COVID shutdown started, like so it was kind of weird at the 272 00:38:32,239 --> 00:38:36,000 time. Everything was weird, like it was limited. There weren't as many 273 00:38:36,079 --> 00:38:39,239 people like open and working. I think Ugly Duck Studios did a great job. 274 00:38:39,280 --> 00:38:42,039 You know, we had a good experience with them. But I think, 275 00:38:42,079 --> 00:38:44,159 you know, just for the sake of doing things different, we're going 276 00:38:44,199 --> 00:38:46,440 to probably move elsewhere next time. But they great people there. They did 277 00:38:46,440 --> 00:38:52,599 a wonderful job. Yeah. Yeah, no, absolutely, yeah. Now 278 00:38:52,800 --> 00:38:57,639 so they did they you said they closed, Uh, they just moved. 279 00:38:57,760 --> 00:39:00,760 Oh they moved Commons story of these days. Yeah. The building. It's 280 00:39:00,800 --> 00:39:05,000 in a big old mill building that's housed a lot of music. Part of 281 00:39:05,079 --> 00:39:07,920 that was their studio. Oh I gotcha. Every everybody lost when this building 282 00:39:08,000 --> 00:39:12,519 got sold, you know. Oh, okay, I got you practice spaces 283 00:39:12,679 --> 00:39:15,679 it was everything, you know. Yeah, yeah, no, that that's 284 00:39:15,960 --> 00:39:19,840 that's too bad. Now are you playing a lot of shows? Does Does 285 00:39:19,880 --> 00:39:22,719 the band play out a lot? Yeah? We we got a show coming 286 00:39:22,840 --> 00:39:29,920 up January thirteenth, Saturday in Malden, Massachusetts Brewery. We're playing with sounds 287 00:39:29,960 --> 00:39:32,760 and scenarios and the band called the Nicotines. Okay, welcome to come out 288 00:39:32,800 --> 00:39:37,599 if she can. Yeah, absolutely, a month in advances January thirteenth. 289 00:39:37,000 --> 00:39:39,760 January thirteenth, Yeah, so it's yeah, it's a lot of good stuff. 290 00:39:39,760 --> 00:39:44,559 We've been playing at the Middle East. We've been playing we have one 291 00:39:44,599 --> 00:39:47,199 coming up with twenty. Yes, we're going back to the Jungle Community Center 292 00:39:47,519 --> 00:39:55,559 and it's a sixth on board court and Summerville Day weekend. Come out and 293 00:39:55,639 --> 00:39:59,199 celebrate with us. Oh that's your birthday weekend? When is that? January 294 00:39:59,280 --> 00:40:01,639 twentieth, January? Very good. I have a show that night too, 295 00:40:02,079 --> 00:40:05,679 that's at the Jungle. Yeah. So we've been playing, like you know, 296 00:40:05,719 --> 00:40:07,199 we played the Midway, we played the Jungle, we played Middle East. 297 00:40:07,320 --> 00:40:10,679 Is like that echelon of clubs, and you know, now we're getting 298 00:40:10,679 --> 00:40:15,599 interested from like the next tier clubs in Boston. So it's it's been definitely 299 00:40:15,760 --> 00:40:19,639 interesting and you kind of you pay your due, you know, you know, 300 00:40:19,880 --> 00:40:23,000 you don't really get any attention or apply apply on an email until you 301 00:40:23,079 --> 00:40:27,880 know they see that you've been busy doing things right. Exactly, it's nice. 302 00:40:28,079 --> 00:40:34,239 Exactly. Now has the sound changed from who are who are the Original 303 00:40:34,280 --> 00:40:44,159 Three? Again? Who's Mike Mike three in the center? Yeah? The 304 00:40:44,239 --> 00:40:51,280 first Original three? I'm sorry, and that has the sound changed from from 305 00:40:51,320 --> 00:40:54,960 the original, the original version of the band. It's it's matured. It's 306 00:40:55,000 --> 00:41:00,679 definitely more mature crowd. We went from like a basement rock you know, 307 00:41:00,880 --> 00:41:05,519 with two guitars and a drummer and bass player. Yeah, you know, 308 00:41:05,719 --> 00:41:09,440 kind of that messy Toronto Punk Rocks sign that kind of had some Mendi vibes 309 00:41:09,519 --> 00:41:13,360 to it, you know, but you know, it was just three guys 310 00:41:13,400 --> 00:41:15,199 hanging out in the basement playing music back then. So it's you know, 311 00:41:15,400 --> 00:41:21,920 it's definitely now, it's kind of evolved in and it's constantly evolving. Yeah, 312 00:41:22,199 --> 00:41:24,920 just like I was saying just a minute ago off here with my bassis, 313 00:41:25,079 --> 00:41:29,719 like last NNK, just randomly, we were just doing this acoustic thing, 314 00:41:29,880 --> 00:41:32,360 just warming up and just playing around. But we actually came up with 315 00:41:32,440 --> 00:41:37,039 something that I am adding into our shows. Even if we just take a 316 00:41:37,079 --> 00:41:39,039 couple of seconds, break it down for this one second, just me and 317 00:41:39,159 --> 00:41:43,760 him just do this little ensemble, because it was amazing how we vibed with 318 00:41:43,920 --> 00:41:46,920 just two acoustic instruments. Just things like that that we can now add to 319 00:41:47,000 --> 00:41:51,599 this next album. It just might be one track that you just get some 320 00:41:51,719 --> 00:41:53,760 instrumentals, you know what I mean, we just who knows, Like, 321 00:41:54,360 --> 00:41:57,599 just wait, was that the twist? Did you just give it away? 322 00:42:00,079 --> 00:42:04,559 I thought, I thought, I gotcha. There's still seventy percent of a 323 00:42:04,639 --> 00:42:07,679 blank canvas. Yeah. Yeah, I guess we're kind of hopeful and maybe 324 00:42:07,800 --> 00:42:13,199 the next up we can really bend genres and create something really interesting and unique. 325 00:42:13,400 --> 00:42:15,360 Yeah, kind of it. It's our hope, you know what we 326 00:42:15,440 --> 00:42:20,280 wanted. That was the best way to put it. Yeah. We we 327 00:42:20,360 --> 00:42:22,039 have a lot of different musical tastes between the five of us, and so 328 00:42:22,280 --> 00:42:29,639 much musical talent just just a monthst like musical talent that's just being that can 329 00:42:29,679 --> 00:42:32,119 be unlocked. Yeah, makes sense, you know. I think the funnest 330 00:42:32,159 --> 00:42:37,159 part being probably from the outer perspective in I know, probably Tom could attest 331 00:42:37,199 --> 00:42:40,039 to this too, kind of coming into the band a little bit later, 332 00:42:40,519 --> 00:42:45,679 is you know, being friends with these guys, seeing them grow on a 333 00:42:45,760 --> 00:42:52,280 personal level, on a musical level. I think, in particularly myself, 334 00:42:52,400 --> 00:42:55,239 I loved that. You know, when I first started hanging out with these 335 00:42:55,320 --> 00:43:00,800 guys, it was you know, as friends and then doing some like vocal 336 00:43:00,920 --> 00:43:07,079 training and then kind of like immersing into it and you know, finding finding 337 00:43:07,159 --> 00:43:12,800 a sound that you know, that fit the group. So it's been it's 338 00:43:12,840 --> 00:43:15,199 been very fun over the years. Yeah, I think Mike Mike said it 339 00:43:15,280 --> 00:43:20,679 best. It's just like we formed this family of you know, of misfits. 340 00:43:20,719 --> 00:43:29,000 As I like to say, did any of the material from the original 341 00:43:29,079 --> 00:43:31,360 version of the band? Has that is that made it into this version? 342 00:43:31,599 --> 00:43:36,480 Like obviously I'm sure it sounds very different if it did. But did any 343 00:43:36,519 --> 00:43:39,280 of those songs kind of survive or into the first album? Second the first 344 00:43:39,320 --> 00:43:45,039 album that I was right, I would have to say Deceiver, Yeah, 345 00:43:46,960 --> 00:43:52,559 and didn't you guys write like half the that that's pretty much the same sound 346 00:43:52,599 --> 00:43:55,199 that it was that day we were Yeah, I mean everything changed a little 347 00:43:55,199 --> 00:43:59,960 bit, but I mean in its pure form, is it's all their Yeah, 348 00:44:00,079 --> 00:44:02,000 you know what I mean, A lot of it was written already, 349 00:44:02,079 --> 00:44:06,599 and you know, besides like a few two or three tracks that we were 350 00:44:06,639 --> 00:44:10,159 writing as we were kind of got the five of us together, I mean, 351 00:44:10,239 --> 00:44:13,679 but even still everyone went back and put their own twist on one was 352 00:44:13,719 --> 00:44:16,000 already there anyways. But so it's just kind of it's the same thing, 353 00:44:16,079 --> 00:44:21,440 but you know, it's just a different flavor. Yeah. Yeah, the 354 00:44:21,480 --> 00:44:25,320 structure was definitely there. I think the you know, the minutia of it, 355 00:44:25,400 --> 00:44:30,360 all of you know, kind of transitioning vocals from one to the other 356 00:44:31,199 --> 00:44:36,239 was a fun experience. I'm sure some days Mike wanted to pull his hairs 357 00:44:36,280 --> 00:44:44,800 out, but but it was fun. It was a fun what why why 358 00:44:44,840 --> 00:44:47,039 do you say did did Mike sing everything before you were in the band? 359 00:44:47,119 --> 00:44:51,480 Is that he did? So it was just the three of us. But 360 00:44:51,840 --> 00:44:54,719 as I gave him the name, he was the front man. Rob was 361 00:44:54,760 --> 00:44:59,159 the side vocals, you know, the second vocalist, and I would do 362 00:44:59,320 --> 00:45:01,360 background and nap lips. That's just what it was. It was just us 363 00:45:01,400 --> 00:45:04,960 three and we just went out and just had a good old time. Yeah, 364 00:45:05,079 --> 00:45:07,719 and then as you see pretty latest forms and now we have us five 365 00:45:07,840 --> 00:45:12,199 and hopefully we're just going to keep on going. The sky's the limits. 366 00:45:12,320 --> 00:45:15,280 Yeah, yeah, is it hard? Is it hard with five people in 367 00:45:15,400 --> 00:45:21,239 terms of schedules and you know, rehearsal and booking shows and everything. Challenge. 368 00:45:21,400 --> 00:45:22,960 Yeah, we're not twenty two anymore. We're not living with mom, 369 00:45:23,239 --> 00:45:27,960 you know. Yeah, we have responsibility, responsibilities, we have rand you 370 00:45:28,039 --> 00:45:30,760 know, like you know, we're in our thirties, like you know, 371 00:45:30,079 --> 00:45:36,119 there's houses and mortgages and paying back student loane. Yeah, waking up at 372 00:45:36,119 --> 00:45:39,159 four o'clock to go to my construction job and everyone's gonn else cut their own 373 00:45:39,199 --> 00:45:44,079 time, and then yeah, mom's to see family to check in on, 374 00:45:44,440 --> 00:45:47,559 you know, new babies that arrived and nephews and nieces and birthdays, so 375 00:45:49,199 --> 00:45:51,960 you know, yeah, it's definitely hard, but we try to get together 376 00:45:51,960 --> 00:45:53,800 at least once a week, and we try to play out around once a 377 00:45:53,880 --> 00:45:59,239 month, depending on what we have on our schedule. Yeah, you know, 378 00:45:59,360 --> 00:46:01,159 as things, we just kind of roll with the bunches and figure out 379 00:46:01,239 --> 00:46:06,039 what works for us best. Yeah, and communication is a really strong factor 380 00:46:06,199 --> 00:46:07,320 on that, you know what I mean, because we have to be able 381 00:46:07,320 --> 00:46:12,559 to jump on opportunities that sari as they come in. Yeah, so it's 382 00:46:12,760 --> 00:46:15,199 it's can be a struggle, but we do our best to survive it. 383 00:46:16,440 --> 00:46:19,800 Yeah. I can only think of it in one you know, I used 384 00:46:19,800 --> 00:46:21,960 to play in bands, and I can only think of one band I was 385 00:46:22,000 --> 00:46:24,360 in where we actually had five of us. But I just remember with it 386 00:46:24,519 --> 00:46:29,800 was like just just going from a band with four people to five people. 387 00:46:30,320 --> 00:46:32,960 It was a huge difference in terms of just everyone's schedules and everything it was 388 00:46:34,039 --> 00:46:37,960 a you know, it was a challenge. So yeah, I understand, 389 00:46:37,320 --> 00:46:43,760 I understand the issues that can come up with that, But yeah, what 390 00:46:44,079 --> 00:46:47,320 about I mean in terms of deciding where to record and everything. I mean, 391 00:46:47,719 --> 00:46:52,079 is that is that pretty democratic? Or do you kind of touching on 392 00:46:52,239 --> 00:46:54,639 like what Tom said earlier, It's it's in what Mike said. Honestly, 393 00:46:54,760 --> 00:47:00,280 it's kind of looking out doing a little research. You know. It's anything 394 00:47:00,320 --> 00:47:01,239 you gotta get a couple of quotes, You got to get a couple of 395 00:47:01,599 --> 00:47:06,920 different ideas, see what their backgrounds is. They might be amazing what they 396 00:47:07,039 --> 00:47:09,320 do, but does it fit with us or will lot of stuff fit with 397 00:47:09,440 --> 00:47:13,239 them? You know? And then like how Tom was saying, it's just 398 00:47:13,360 --> 00:47:16,320 trying to figure out what the next best avenue, you know, and just 399 00:47:16,400 --> 00:47:21,199 going from there. We'll always open to, you know, new ideas, 400 00:47:21,320 --> 00:47:24,159 new options, And yeah, I mean we put up a lot of research 401 00:47:24,280 --> 00:47:28,840 out me. You know, I'll bring you know, kind of a PowerPoint 402 00:47:29,320 --> 00:47:31,920 pretty much presentation to the group. We'll try to come to a COmON vote 403 00:47:32,039 --> 00:47:37,400 or you know, someone Rob Christine, Tom, Mike, Mike. They 404 00:47:37,440 --> 00:47:38,159 might say, hey, I found out that's a cool place. Why don't 405 00:47:38,159 --> 00:47:42,119 we just give a callings what they're they're asking for, yeah, you know, 406 00:47:42,559 --> 00:47:45,320 for responsibilities and money and contracts, but all that stuff like that, 407 00:47:45,519 --> 00:47:49,119 and just kind of figure out if the dates will work for us. And 408 00:47:49,159 --> 00:47:52,159 then you know, things have kind of changed a little bit too, Like 409 00:47:52,239 --> 00:47:57,440 pre COVID, like recording studio time was probably about thirty forty dollars less hour. 410 00:47:57,880 --> 00:48:00,519 Yeah you know what I mean. Yeah, Yeah, that's kind of 411 00:48:00,639 --> 00:48:06,079 changed kind a bit. Touches everything everything. Yeah, and we you know, 412 00:48:06,119 --> 00:48:07,119 we would get four and at all us for eight hundred block and now 413 00:48:07,559 --> 00:48:10,719 they're looking at like, you know, a ten hour. That's like almost 414 00:48:10,800 --> 00:48:15,360 doubled, like six fifty just for the eight hour block. You you know 415 00:48:15,400 --> 00:48:16,440 what I mean. That's that's a working day, I get it, you 416 00:48:16,519 --> 00:48:20,920 know. With the cost. Oh yeah, it's a struggle. But so 417 00:48:21,639 --> 00:48:22,719 we got to make a lot of money for our merchant, our shows and 418 00:48:22,760 --> 00:48:25,519 the streams and things like that to put forth like that because we try to 419 00:48:25,559 --> 00:48:30,639 put it spend as least money out of pocket as we can. Yeah, 420 00:48:30,840 --> 00:48:34,760 but you know, and we do it already too in all right, John, 421 00:48:34,800 --> 00:48:36,960 as much as you can, you know, being in a working band, 422 00:48:37,000 --> 00:48:39,719 when you're a bunch of you know, working individuals. It's like what, 423 00:48:40,599 --> 00:48:44,079 yeah, but we do pretty good. You know, things have gotten 424 00:48:44,119 --> 00:48:45,960 pretty serious. We do manage to make some money, use it to buy 425 00:48:46,079 --> 00:48:49,519 merch, you know, save ourselves the trouble of paying out of pocket all 426 00:48:49,559 --> 00:48:52,000 the time. We succeed in that. Mike signed us up, put us 427 00:48:52,079 --> 00:48:58,039 in for a grant nomination through like a mask cultural arts thing and we won, 428 00:48:58,119 --> 00:49:00,440 which was really great. You know, we want some money when we 429 00:49:00,519 --> 00:49:02,760 put towards new gear and stuff, like the bands becoming some kind of entity 430 00:49:02,880 --> 00:49:06,239 like you know, business, like a real working band. You know. 431 00:49:06,440 --> 00:49:08,079 Yeah, pretty cool. It's a lot, but it's fun. That'll just 432 00:49:08,119 --> 00:49:15,000 be quiet because I might be listening. Right, three dollars I made profit 433 00:49:15,079 --> 00:49:22,199 off my shirts. We don't make profit. We don't have any props. 434 00:49:22,199 --> 00:49:30,159 That's why we'll always open to donations. Going to find anything. Yeah, 435 00:49:30,239 --> 00:49:34,880 well don't worry. We'll get something for your appreciation of gratitude you donated. 436 00:49:34,920 --> 00:49:37,199 Will send you something that lets you know that you have donated, right, 437 00:49:37,360 --> 00:49:44,280 exactly, exactly. Yeah. I listened to UH satellite radio in the car 438 00:49:44,320 --> 00:49:47,000 and there's always these ads about the r S is coming for you and UH 439 00:49:47,880 --> 00:49:52,400 call Optimal Tax relief. Yeah, I don't have the jingle memorized Optima tax 440 00:49:52,480 --> 00:49:58,480 relief. But when they call you in the middle of the work day, 441 00:49:58,480 --> 00:50:00,760 it's like, hey, you know, it seems like you're broke. Want 442 00:50:00,800 --> 00:50:07,320 some money. Now? Do any of you also play in other bands or 443 00:50:07,880 --> 00:50:12,800 are you all just Uh? I'm particularly curious about Mike. Mike because every 444 00:50:12,880 --> 00:50:17,239 drummer who is on the show always has a million bands. Drummers are in 445 00:50:17,280 --> 00:50:20,280 such high depend I don't know how they do it. I don't know how 446 00:50:20,440 --> 00:50:23,360 you're kid, It's really hard to be in one, yeah, with branding 447 00:50:23,440 --> 00:50:27,440 and this and that, and you know, like it's it's it's a full 448 00:50:27,519 --> 00:50:30,480 time job. Yeah yeah, and if you're going to commit to one, 449 00:50:30,519 --> 00:50:32,000 it's great. But yeah, but like I feel like there's people that are 450 00:50:32,079 --> 00:50:36,320 like musicians and like they're they're just they can just jump in and they can 451 00:50:36,440 --> 00:50:37,920 work any type of music and whatever, and then yeah, they offer to 452 00:50:38,119 --> 00:50:40,559 other bands. And then there's people that are really passionate about one project. 453 00:50:40,599 --> 00:50:43,840 They want to get that forward going, you know what I mean. So 454 00:50:44,039 --> 00:50:47,840 everyone has their own kind of deviation between the two. Yeah, I mean 455 00:50:47,920 --> 00:50:52,280 a little bit more than the other. Yeah. Yeah, Yeah, we 456 00:50:52,360 --> 00:50:54,440 had a. I don't know if if you guys know the band Sepsis, 457 00:50:54,639 --> 00:50:59,280 Uh, they were on recently and then the drummer was on his way to 458 00:50:59,440 --> 00:51:04,280 play so show with another band that he has in Brooklyn. Yeah, yeah, 459 00:51:04,679 --> 00:51:07,519 travel like yeah, I mean I've seen a few musicians that like there's 460 00:51:07,519 --> 00:51:10,679 just a little bit above our level and it's like you're doing so much traveling. 461 00:51:12,079 --> 00:51:14,840 How do you pay for that? How do you have the time to 462 00:51:15,400 --> 00:51:19,719 do the two jobs? Right? You know? Right, because it's really 463 00:51:19,800 --> 00:51:22,440 like four jobs because you're also a musician and then you have to do your 464 00:51:22,519 --> 00:51:25,360 marketing and social media messaging. You have to be nice to your fans, 465 00:51:25,400 --> 00:51:30,239 and you have to talk to them and entertain them. And when they say 466 00:51:30,320 --> 00:51:31,480 hi to you, you have to sit down and have a conversation with them. 467 00:51:31,519 --> 00:51:37,000 You can't just walk away from right, right, So yeah, that's 468 00:51:37,079 --> 00:51:40,159 it's like you really have two extra jobs when you're a musician, you know, 469 00:51:40,320 --> 00:51:45,800 on top of your Yeah, you're you're really working three jobs just to 470 00:51:45,920 --> 00:51:49,400 play music the love of it, you know. Yeah, which we love 471 00:51:49,480 --> 00:51:55,039 talking with our fans, we do. Who does trying to bring them into 472 00:51:57,360 --> 00:52:00,639 rob to speak a little, to stay in a show if we don't encourage 473 00:52:00,679 --> 00:52:09,559 him to come out. It is it is still morning, Yeah, it 474 00:52:09,719 --> 00:52:14,960 is, you know, definitely different. Yeah. I think we got home 475 00:52:15,000 --> 00:52:19,199 around like eleven thirty after practice last night. So yeah, now who does 476 00:52:19,320 --> 00:52:22,440 uh you could because you mentioned how much work it is, like in terms 477 00:52:22,440 --> 00:52:24,320 of like social media for example, who who handles that for for you? 478 00:52:24,360 --> 00:52:28,679 Guys all do it kind of all try to do a little bit. But 479 00:52:29,159 --> 00:52:31,440 you have a team that's kind of helping us. So I have we have 480 00:52:32,679 --> 00:52:38,800 an l M s U K. There's a company out in London. They 481 00:52:38,840 --> 00:52:42,559 do a lot of our contact creation, but we we do. We provide 482 00:52:42,599 --> 00:52:46,400 all the raw material. I still do a lot of emails and reach outreach 483 00:52:46,440 --> 00:52:51,800 and stuff like that. You know, everyone else kind of chips in when 484 00:52:51,840 --> 00:52:54,519 they can. I tend to put that responsibility on myself quite a bit, 485 00:52:54,679 --> 00:52:59,480 but you know, it's just you just have to act with urgency in this 486 00:52:59,559 --> 00:53:04,239 business. So uh, it's it's definitely tough to come to to get a 487 00:53:05,119 --> 00:53:07,519 opportunity out to five people and then get an answer returned and things like that. 488 00:53:07,760 --> 00:53:12,440 So sometimes it's easier for one person delegate and kind of just to figure 489 00:53:12,480 --> 00:53:14,840 out how we're going to figure it out. And move it on. But 490 00:53:14,960 --> 00:53:17,480 these guys are getting better at getting back to me, and so I can 491 00:53:17,519 --> 00:53:21,559 get back to people like you and people like the club owners and this and 492 00:53:21,559 --> 00:53:23,320 thing like that, and people thinks, because a lot of stuff is just 493 00:53:23,400 --> 00:53:27,480 coming at us now and it's just like, wow, I gotta get a 494 00:53:27,519 --> 00:53:30,280 lot of answers out and I got to figure out this guy with five people 495 00:53:30,760 --> 00:53:32,079 to get this one person an answer, and they're looking at me, looking 496 00:53:32,119 --> 00:53:36,079 at the for like, what the hell this guy ever replied if you want 497 00:53:36,119 --> 00:53:39,480 to play or not? You yeah, yeah, So basically because that Mike's 498 00:53:39,519 --> 00:53:44,599 really the the heart behind a lot of our social media stuff. He's got 499 00:53:44,639 --> 00:53:47,199 the strategy, the mind for it. But like he said, we've outsourced 500 00:53:47,239 --> 00:53:51,360 some of that stuff for our ben and it's definitely saved some time and after 501 00:53:51,519 --> 00:53:54,519 that well worth the money spent for sure. It's it's definitely nice. It's 502 00:53:54,599 --> 00:53:58,239 nice to be able to kind of come back down to earth a little bit 503 00:53:58,519 --> 00:54:02,000 and just focus on my music and get there. So you know, it's 504 00:54:02,039 --> 00:54:05,519 just like you know, as these things grow, you know, you kind 505 00:54:05,559 --> 00:54:07,760 of know like these the brain be kind to take the life of its own, 506 00:54:08,400 --> 00:54:13,360 and you know you're just don't even know. It's just doing things on 507 00:54:13,400 --> 00:54:15,360 its own. Like it goes on like people looking at our past content, 508 00:54:15,519 --> 00:54:20,039 you know, the music itself, and that's just kind of snowballing and everything 509 00:54:20,119 --> 00:54:22,159 online. As the internet does, it starts to just kind of multiply, 510 00:54:22,519 --> 00:54:25,280 right, you know what I mean. So and then the challenge comes. 511 00:54:25,559 --> 00:54:30,039 It becomes keeping up with it exactly, and you got to feed that machine. 512 00:54:30,159 --> 00:54:31,440 And that's where we're at now. It's like, you know, it's 513 00:54:31,480 --> 00:54:37,760 moving faster, faster, faster. So yeah, yeah, absolutely, how 514 00:54:37,800 --> 00:54:42,079 many So how many songs do you have because you've got the first album and 515 00:54:42,119 --> 00:54:45,280 then you've got new you've got new stuff obviously for the album. So we've 516 00:54:45,280 --> 00:54:51,199 probably got fifteen, sixteen, maybe twenty together. Yeah, yeah, it's 517 00:54:51,199 --> 00:54:57,280 pretty We have completed ten released. We have ten released. It's our full 518 00:54:57,320 --> 00:55:01,880 album. You guys are probably getting resong epiece way next year, okay, 519 00:55:02,480 --> 00:55:07,719 and you know we're writing that. We're taking our time with that. Yeah, 520 00:55:07,800 --> 00:55:10,119 we don't. We don't want to rush out of product. You know, 521 00:55:10,199 --> 00:55:15,639 we took a long time to get like took you know, six years 522 00:55:15,679 --> 00:55:19,079 to find a lineup. Yeah, then it took four years for that lineup 523 00:55:19,119 --> 00:55:21,519 to kind of master the craft again to the studio and we still kind of 524 00:55:21,559 --> 00:55:23,679 rush that and we did it during the COVID time and it was our first 525 00:55:23,800 --> 00:55:27,880 whack at recording and all that stuff, and you know, we're kind of 526 00:55:27,960 --> 00:55:31,039 taking all the lessons we've learned for the past four and a half years and 527 00:55:31,159 --> 00:55:36,199 applying it to the second album. So what we've learned is that we're just 528 00:55:36,280 --> 00:55:38,599 gonna do it the way it needs to be done and take our time with 529 00:55:38,719 --> 00:55:42,000 it. And you know, we're gonna play our old music. We'll play 530 00:55:42,079 --> 00:55:45,599 some covers while we're out there. We might we might play unreleased songs. 531 00:55:45,039 --> 00:55:49,039 If you come out to the shows. You just you're not gonna get a 532 00:55:49,239 --> 00:55:52,880 version on Spotify for at least the year. It costs money. Yeah, 533 00:55:52,159 --> 00:55:57,360 yeah, exactly what do you guys do for for covers? We get some 534 00:55:57,440 --> 00:56:00,119 stuff, We rotate them around, you know what I mean, so that 535 00:56:00,159 --> 00:56:04,000 it's kind of like a box that keeps refilling a lot of variety in the 536 00:56:04,119 --> 00:56:07,559 genres. Like one of some of our earliest covers from when the five of 537 00:56:07,679 --> 00:56:12,760 us first got together, it was like Tennessee Whiskey by Christapleton, Valerie by 538 00:56:14,119 --> 00:56:16,280 Yeah Amy Winehouse, Yeah, and then you know, there's some rock covers, 539 00:56:16,360 --> 00:56:21,840 some pop covers we've done. Uh we did so remember when we did 540 00:56:22,760 --> 00:56:28,760 what was that funk song? We learned that Carl Carlton? Yeah, yeah, 541 00:56:29,039 --> 00:56:30,000 yeah, that was the one. Yeah. It's like we just we 542 00:56:30,159 --> 00:56:32,559 like a lot of different stuff. Yeah, it depends on the audience, 543 00:56:32,599 --> 00:56:35,360 you know, because like that's what you that's why you pick. You pick 544 00:56:35,400 --> 00:56:37,679 your covers based on who's gonna be there. I mean the other bands were 545 00:56:37,679 --> 00:56:40,880 playing shows with and say what type of stuff is gonna fit with the other 546 00:56:42,039 --> 00:56:45,199 artists more in this Yeah, that's kind of how we pick our covers, 547 00:56:45,239 --> 00:56:45,960 you know what I mean. We got a couple of covers that we just 548 00:56:46,039 --> 00:56:50,159 kind of that we can pull, you know, out of the hat, 549 00:56:50,440 --> 00:56:53,960 yeah and do that. But covers we kind of rotate them, you know 550 00:56:54,000 --> 00:56:58,280 what I mean, something new could come out well cover that yeah, you 551 00:56:58,320 --> 00:57:00,239 know. Yeah. Are any of these songs, by the way, are 552 00:57:00,280 --> 00:57:06,039 any of them kind of different live in terms of because some of them kind 553 00:57:06,039 --> 00:57:07,840 of have a vibe like I can see where live you can you can stretch 554 00:57:07,880 --> 00:57:10,559 them out a little bit, you know, maybe kind of jam a little 555 00:57:10,559 --> 00:57:14,119 bit. Do you do any of that with any of these songs or yeah, 556 00:57:14,239 --> 00:57:16,679 no, it's not exactly exactly the same thing. You want to touch 557 00:57:16,679 --> 00:57:20,440 on that a little bit. Yeah, yeah, it's always a little different 558 00:57:20,440 --> 00:57:24,800 when we play live, really tied into what the album was. Yeah, 559 00:57:24,880 --> 00:57:29,360 yeah, freedom, just screw around, maybe tackle on a man or tube, 560 00:57:29,360 --> 00:57:31,480 get someone else a will, time to breathe behind the drums or yeah, 561 00:57:32,599 --> 00:57:36,360 Tom with a nice bass all here and there. Yeah yeah, yeah, 562 00:57:36,639 --> 00:57:37,719 no doubt a lot more fun playing them. Yeah, I mean, 563 00:57:37,800 --> 00:57:42,599 so we'll sing on the other parts or add backups where they're not backups on 564 00:57:42,639 --> 00:57:47,159 the on the album, or you know, exactly the guitar. Yeah, 565 00:57:47,199 --> 00:57:51,880 the guitar slalolp might not be exact, or you know, just depending on 566 00:57:52,000 --> 00:57:54,599 how much time and the set will kind of condense things like but you know, 567 00:57:55,599 --> 00:57:59,519 if anyone's a fan of our music, they know that what we're we're 568 00:57:59,559 --> 00:58:02,199 doing like on the album, and it's not everything you can kind of translate 569 00:58:02,280 --> 00:58:06,960 that live anyways. So yeah, but we give you a pretty good pure 570 00:58:07,039 --> 00:58:08,960 form that goes back to that that reference. You know, you look at 571 00:58:08,960 --> 00:58:13,199 things through staying glass and we're there to have fun with them too. So 572 00:58:13,280 --> 00:58:16,159 it's like it's an experience for us as well, so it's always going to 573 00:58:16,199 --> 00:58:21,760 be slightly different. So that's why we love, you know, having these 574 00:58:21,800 --> 00:58:25,360 opportunities to be out there kind of with our fans, you know, connecting 575 00:58:25,400 --> 00:58:29,559 with new people, just you know, kind of being a part of the 576 00:58:29,719 --> 00:58:35,960 music industry right now. Yeah, it's very fun. Excellent, excellent, 577 00:58:36,320 --> 00:58:39,920 Well we are we are almost out of time? Where where should people go 578 00:58:40,039 --> 00:58:44,559 online? To keep up with everything that you're doing shows? Absolutely, just 579 00:58:44,639 --> 00:58:47,760 go into the pretty the Instagram pretty late, am me. You'll find us 580 00:58:47,840 --> 00:58:52,840 right there. You can go on Facebook and that's pretty late. Yep. 581 00:58:52,000 --> 00:58:57,559 Right on the Instagram, you'll see our logo with the infamous famous clock. 582 00:58:57,800 --> 00:59:02,599 Yeah you get the cub that yeah, rabbits. That Instagram has the link 583 00:59:02,679 --> 00:59:06,639 tree and then that goes links to every social so you just click the link 584 00:59:06,679 --> 00:59:09,119 in the bio and yeah, it'll bring everywhere but Facebook. We're on pretty 585 00:59:09,199 --> 00:59:12,960 much everything. Yeah, yeah, cool. You can't miss us, like 586 00:59:13,119 --> 00:59:19,480 comment and subscribe shows. Our next shows are January thirteenth and twentieth at thirteenth 587 00:59:19,559 --> 00:59:23,239 and mal Than twentieth in Summerville, Yep Faces Brewery January thirteenth, Saturday, 588 00:59:23,800 --> 00:59:29,159 and then one twenty at the Jungle. Very good, it's very good. 589 00:59:29,400 --> 00:59:30,960 Hey, where does the name come from? By the way, I might 590 00:59:30,000 --> 00:59:32,440 have asked you this last time you were here, But where does it Because 591 00:59:32,440 --> 00:59:37,239 it's a struggle to get five people to show up on is that true? 592 00:59:37,280 --> 00:59:40,519 Is that really? Very much? Pretty much everywhere? We didn't actually have 593 00:59:40,639 --> 00:59:44,679 a name. On our first show with me and Mine and Rob, we 594 00:59:44,760 --> 00:59:46,480 actually didn't have a name. Really were supposed to have been on at seven 595 00:59:46,639 --> 00:59:52,519 thirty. Remember the end, the guy kept coming out every hour on the 596 00:59:52,599 --> 00:59:54,960 hours. So do you mind going on at eight thirty? No problem? 597 00:59:55,039 --> 00:59:59,079 Do you mnd going on nine thirty? No problem? Well here comes about 598 00:59:59,119 --> 01:00:01,280 ten thirty eleven talk when we finally got on, So he was like, 599 01:00:01,400 --> 01:00:04,159 you guys got a name? No, we don't have a name, but 600 01:00:04,239 --> 01:00:07,719 we're half in the bag by this point. It's pretty late. Come on, 601 01:00:07,920 --> 01:00:09,199 we need to get the show on the road. Hey, ladies and 602 01:00:09,239 --> 01:00:15,239 gentlemen, here comes pretty late. Damn, that's great, that's cool, 603 01:00:16,760 --> 01:00:22,360 that's that's really cool. Show my bass drum exploded. I lost my bass 604 01:00:22,440 --> 01:00:30,079 d Yeah, we lost a couple of guitar strings during that show, but 605 01:00:30,920 --> 01:00:36,119 I lost the ride symbol. Let me see. I came back and I'm 606 01:00:36,159 --> 01:00:38,800 like, where's my throne, where's my ride symbol? I did get a 607 01:00:38,800 --> 01:00:52,280 free T shirt. Well that's good. Yeah for another time. Well, 608 01:00:52,679 --> 01:00:54,400 we're gonna wrap up, but thank you all five of you for being here 609 01:00:54,440 --> 01:00:57,920 today. This has been wonderful, a lot of fun. Thank you. 610 01:00:58,719 --> 01:01:02,039 Great to hear you play live the tunes and yeah, great great stuff. 611 01:01:02,039 --> 01:01:05,800 And of course for anyone who missed any part of the show today, of 612 01:01:05,840 --> 01:01:09,239 course we had we had run like thieves here the first first hour, second 613 01:01:09,239 --> 01:01:14,039 hour, we had Charlie from Rolling Exile skyping in all the way from London. 614 01:01:14,480 --> 01:01:15,679 Uh. And then to have you all here, this has been This 615 01:01:15,760 --> 01:01:19,519 has been a wonderful Saturday. If you missed any of it, of course, 616 01:01:19,920 --> 01:01:22,039 it'll be up in just a little bit at w m n hradio dot 617 01:01:22,199 --> 01:01:28,920 org and at my website Matt Connerton dot com. Also don't forget Gencoffee dot 618 01:01:29,000 --> 01:01:32,039 com. And yeah, I guess that's uh, that's gonna do it for 619 01:01:32,159 --> 01:01:36,320 us for now. So uh, we will talk at you'all next Saturday. 620 01:01:36,400 --> 01:01:38,039 We are now if you if you didn't know, if you've missed the news, 621 01:01:38,079 --> 01:01:44,599 we are now Saturdays nine am to noon here from the studios of w 622 01:01:45,039 --> 01:01:47,719 m n h uh. So we're out of here and we will talk at 623 01:01:47,800 --> 01:01:52,119 y'all next week again pretty late. Thank you again, so much, great, 624 01:01:52,199 --> 01:01:53,440 thank you very much, great stuff, all right, pleasure, all 625 01:01:53,519 --> 01:01:54,679 right, bye bye everybody,