WEBVTT

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Bland Story Studios, Kain Story a
Voice. This is Addison Peacock and you're

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listening to The Wicked Library. Warning. The Wicked Library is a horror fiction

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podcast created for a mature audience.
Our stories contain graphic descriptions of pain,

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murder, violence, blood, betrayal, and inhumanity. Monsters win, people

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die, and hope is often shattered. There is also beauty, heart,

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catharsis, and raw emotion. Fear
may be deeply personal, but we all

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share. If at any time a
story takes you to a place too dark,

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turn on the lights, press pause
or press stop, and always remember

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that, unlike in the real world, these nightmares and your participation in them,

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are under your control. Welcome to
the Wicked Library. I'm Daniel Floytech,

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and I thank you for listening.
A sincere thank you to those of

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you who are supporting the show.
Without you, this show would not be

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possible. This season, all episodes
are heard first by Patreon supporters and later

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shared with the full audience. When
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between ad free episodes, early access
to the stories, and at higher levels

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of support you'll get premiere access to
and field detective agency. Currently in production.

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That's right, Frank is coming back
and to your ears soon. You

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can support the show at Patreon dot
com forward slash Wicked Library. A lot

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of hard work and money goes into
making the Wicked Library, and I really

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do rely on this support to help
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composer and artists so that none of
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For as little as three dollars a
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you love possible at Patreon dot com
Forward slash Wicked Library. Now, let's

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get wicked with today's dark tale,
told by Addison Peacock, featuring a custom

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score by Niko Vites of the Inky
Pop prints Her drowned envy by alexis to

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bond spears of grass, all damp
with dew clung to my bare feet,

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grass so wet it feels like it
should be cold, but nothing is cold

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anymore. The dawning sun hangs swollen
in the sky, mirroring my overrighte belly,

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making my blood enameled thighs glow in
the orange light. I lacker the

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field and crimson with each step,
marching across the endless green toward the birthing

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pond, trying not to crumple in
pain. Halfway the way, so many

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women do, careful not to slip
on the ruby's slick landscape, already soggy

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and oversaturated, cutting through thick,
swampy air. I have to make it

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to the pond, birth the baby
underwater, wait for it to rise.

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His face will cut through the surface, his round baby belly will be a

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smooth little island. Only the strongest
will surface, the ones who can survive

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this new world, this wet sky
and weighty damp. There hasn't been a

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baby strong enough to float for as
long as I can remember, not since

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I was a child myself, not
a single baby born with the lungs to

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buoy them to life. I've pictured
this moment a thousand times, and now

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that it's here, I am more
certain than ever. I will be the

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one. I will know motherhood,
prove that life can persist, that this

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dampness won't drown out mankind. My
baby will mean there's a future. I

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will be the woman who ushers in
hope for humanity. So many have been

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denied, but not me. I
refuse to fail. I will not return

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without a child. I am owed
that much fruitless births are expected. And

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though the women who carried these doomed
things inside of them, who hoped for

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a child and bled and cried for
nothing, returned home in defeat, at

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least they have people to return to. I have nothing, no one.

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I have always been alone. And
here I stand at the mouth of the

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birthing pond, in the middle of
an empty pasture. I'm afraid of the

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solitude that surrounds me. Most women
say that's the worst part. But I

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am as alone anywhere else. As
I am here alone in this silent morning,

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alone in the shallow water, my
body quakes. It's coming soon.

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I am alone for the last time. Reeds bend toward me, too sodden

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to stand upright, collapsing under the
weight of the air. They look as

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if they are bowing. They bow
to my baby as it crowns, defiant

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and determined and ready to breathe.
You will live, I say, between

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cries, you are the one.
Beads of salt water drop from my brow

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and into the freshwater pond that's seen
so many should be mothers and their sweat,

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so many grieving women and their tears, so much salt and sacrifice,

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so much blood and death, and
never new life in return. But today

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is different, Today is mine.
All the breath rushes from my lungs as

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I push and contract, push and
wail into the suffocating air, that thick,

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foggy air, as heavy as glass, shattering to liquid shards against the

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force of my screams. I duck
down beneath the pond. Water lie flat

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against its silty bottom, paint it
red. Blood spools from my body,

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dissipating like smoke, rising and dancing
in the ripples of my contractions, sanguine

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flames, engulfing me until all I
am is inferno. One last scream boils

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from my mouth as bubbled chaos explodes
against the stifled air above. The baby

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is out, and I dragged myself
above the surface, gasping for breath,

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waiting for him to meet me.
Slowly he floats to the algae freckled surface,

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rising like mercury. His back breaks
through to the wet air above.

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Turned the wrong way. He doesn't
scream, he doesn't breathe. I lift

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his tiny body, heavier than it
should be. His face is slack ray,

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his eyes are swollen, and his
lips are cold. Nothing is cold

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anymore, except my son. I
try to shake him to life, but

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his head only lolls loose limp.
The baby is dead. The pond rises

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with my tears. Reeds shake behind
me, announcing that I am no longer

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alone, not even a moment to
spend with my misery. I'm going to

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bury the baby in the bank of
the pond. It's a rushed job,

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sloppy, but the intrusion jars me
with panic. I suck sounds of grief

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back into my mouth and hide.
A woman approaches, fighting her way through

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the wet canary grass. Wails like
bolts of lightning, slice through my fresh

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anguish, my sorrow overshadowed by bellowing
hope, still searing with the pain of

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a torn body, still trailing blood. I keep silent. The woman enters

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the water, unaware of my eyes
on her, and sits with her knees

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bent into herself, shoulder deep.
I don't need to see her face to

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know, even from behind, she's
unmistakable feline. Those cries that sound like

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bird's song, that hair that water
falls down her back, soft and clean,

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silky even in the dense, disgusting
air. If it wasn't for all

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this water, this constant, hovering
vapor. Feleine would have seen what everyone

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else could see. But mirrors have
long since become obsolete, two beaded with

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dewy specks of condensation to show anything
but a clouded silhouette like Feleine. I've

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never seen my own face, but
I know enough to be envious. With

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fingers that were never quite as long
and slender as hers, I've traced my

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features, lashes that don't feel rich
and lush the way hers are, Lips

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easily lost beneath my touch, not
like the plump, pink pillows that stretch

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across Pheleine's face when she smiles,
which is all the time. Besides,

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I can tell from the way people
look at me that I'm no great beauty.

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Feleine has everything, and now she
will have a baby too. It

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was always going to be her.
This baby will be the one, the

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baby born of Feleine's perfection, born
of a woman whose life has never known

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sorrow or failure or want. It
should have been me. Screams shake the

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earth for hours, and I stay
stone, still out of sight, hidden

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beneath the drooping reeds. I am
folded too, quietly, quivering from the

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pain of birth that shreds my body. But I'm too focused on this endless

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aching moment to succumb and make a
sound. Not even a whimper leaves my

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lips. I will be a mother. I just have to be patient.

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Not until the sky turns black does
Feleine deliver. Her cries halt for a

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moment, and everything is silent with
anticipation. The air, for once is

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light, made of a million angels, all holding their breath. The darkness

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of a moonless night blankets the field, the pond Felene. But when an

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unfamiliar pitch ruptures the emptiness, I
know exactly what it is. Victory Feline

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dissolves into laughter. All the stars
that hid in the black sky, wading

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with hope and worry, reveal themselves
and shine down on her. The pond

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dances in celebration under their twinkling light. She is the first mother of the

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New World. Her blood, red
as rose petals, blooms in the water,

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its feckined fragrance concealing the sharp tang
of my congealing placenta rotting in the

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marsh, unceremoniously discarded in my hurry
to hide the salt of faline sweat joins

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the sweet smell of birth blood,
earthy and rich, swallowing the vinegar stench

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of denied motherhood. I emerge through
the reeds at last, wielding the rock

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I've been gripping for what feels like
forever. I returned to town, met

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with thunderous applause. Tears streamed down, faces already beaded with moisture. Sprays

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of waterfly from clapping hands. I
hold new life in my arms. Humanity

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may yet survive because of me.
I will never be alone again because of

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him. They all watched through the
windows, too devastated by habit to hope

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as two women left for the pond. But they are used to women not

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returning, and no alarms are raised
when Feleine does not follow my arrival.

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Childbirth is perilous, even in easy
times. They might not even notice she's

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still gone. Feilene has never been
overlooked. If only she were alive to

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see it, to feel the invisibilit
that is so familiar to me. No

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one even mentions her name when they
realize she hasn't come home. They'll all

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assume she didn't make it through her
birth. So many women don't. But

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the first time she'll be ordinary.
They have no reason to think. She's

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lying at the bottom of the pond, head caved in just above her loved

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eye. Motherhood is everything I knew
it would be. The baby takes to

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latching easily, painlessly. He sleeps
through the night and rises with the sun.

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He cous and smiles like he understands
the miracle. He is. A

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month of laughter and peace, Mother
and baby, Me and him, and

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the glory of dreams come true.
For a full cycle of the moon.

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I know, unflemished joy, never
alone anymore. Now it's me and him.

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It isn't until the emptiness of a
black sky that he cries, the

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first time a moonless night blankets our
home. I try to sing to him,

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try to comfort him. I tell
him that he's mine and we will

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be together always, that I love
him and no harm will ever come,

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That he is the start of a
new world, that he is so special,

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my baby. But he does not
stop. He pulls away, shrieking

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and howling, tries to free himself
of my grasp. I offer him my

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breast, and my motherly instincts are
strong, so attuned to him, so

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natural. I was made for this. No one has to teach me a

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thing. I doubt anyone would have
anything to teach. The last generation of

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mother's is gone, unable to withstand
the wet air in old age, no

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one still living would have any experience
to share. There There, I whisper,

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maybe he is only hungry. The
pain from his suckle strikes hard.

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My milk is too hot as it
passes through me into his eager mouth.

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He sucks greedily from my body,
but it struggles to reach him, and

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he sucks harder. It feels curdled, clumpy. Pain radiates through my body

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and I pull away. Mother's milk
dribbles down his chin, But it's wrong.

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It's gray and watery, murky silt
speckled peppered with sediment. A slight

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green tint coats it like varnish.
He cries again and reaches for more.

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Though it hurts, I endure.
I cannot stand to see my prints.

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Unhappy. Grains of dirt leave my
body and tears fall from my eyes.

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Failine could never persist through this pain. I was made for motherhood. This

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is as it had to be.
I wipe algae from his chin. The

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baby does not stop. Until morning. I put the knight behind me.

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It had to have been a bad
dream, despite the linger skuld in my

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body that insists otherwise. Another month
passes, all giggles and glee. He

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is growing and becoming so strong,
a hearty baby, a survivor, a

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champion. But under the darkness of
another moonless sky, he cries again,

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screaming wailing animal sounds that pierce my
skull, unnatural sounds no baby should make.

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I try to convince myself that I'm
dreaming again, but I know that's

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not true. I try to convince
myself that there are some things new mothers

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can't be prepared for. Maybe this
is normal. But the scent of blood

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fills my nose, that sweet blood, Falen's blood, too sweet, too

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floral, And I remember the stink
of my own after birth, like rot

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and vinegar and garbage. I push
those memories away. This is my baby.

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There is nothing to worry about.
There there, I whisper. Baby

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is only hungry. He latches and
suckles, and I am incinerated. Fire

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rips through me. Everything burns.
I remember the cold lips of my firstborn

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and remember to be grateful for the
heat. Heat means he's alive, greedy

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boy, He's taken more than his
stomach can fit. Baby spits up,

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spewing cloudy gray filth from his precious
mouth, and the night pulls away from

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me. As I collapse in pain, the morning light reveals crusts of blood

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over my breast, the bed drenched
and filtered. Dead tadpoles streak the sheets,

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algae and marsh grass cling to my
body. My baby's face is smeared

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in grime and blood clots, the
cloying sweetness of decaying reeds, the copper

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tang of a weeping womb. When
the black sky night comes a third time,

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I embraced to expect it. If
such is the price of motherhood,

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I accept. The pain of pond
water feedings is torturous, but it's one

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night. I should appreciate the reminder
that water brought him safely into the world.

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It marks the miracle of his birth, a commemoration made by my own

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body. With the darkness come his
tears. I raise him to my breast,

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exhausted already from the anticipation of pain. He suckles, but I have

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nothing to give. His screams rattle
my spine, his hands grab tiny fingernails

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scraping across my skin. His face
goes red with fury at a hunger I

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can't satisfy. Soft strokes against his
downy head aren't enough to soothe him.

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Sweet melodies sung only slightly out of
key don't calm him. My voice isn't

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as beautiful as Phealine's, isn't a
voice made for singing. Herresses and lullabies

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aren't what he wants anyway. He
wants to be fed. I try again

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and again, but I am empty. He only cries harder. I know

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what he needs, and if he
can't get it from me, he'll still

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have it. Baby, will get
his water all the way across the field,

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over the wet grass, and deeper
into the mist, through the soggy

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shield of reed, back to where
we first came into each other's lives.

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Here at the pond's edge, the
fog is thick. Sheets of suspended liquid

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turn the air to glass, heavy, almost solid with moisture. The vapors

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that hover around me pick up what
little gleam the stars offer and reflect their

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light, making a mirror of the
haze. I see my reflection for the

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00:24:37.880 --> 00:24:47.000
first time. I see my own
body, my face, the baby wails

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in my arms, but I am
so struck by this revelation I barely hear

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00:24:51.240 --> 00:24:57.440
him. The figure before me is
a bit gauzy, just clear enough to

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00:24:57.480 --> 00:25:03.079
see that I am st breaking.
My lips are full and plum, purple,

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stunning. My eyes are light and
milky, unlike any I've ever seen.

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00:25:11.079 --> 00:25:15.720
My cheeks, though sunken low,
even in the darkness of the night,

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00:25:15.640 --> 00:25:22.440
a glitter like. My skin is
made of dewdrops. In the mirror

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00:25:22.480 --> 00:25:26.119
of the fog, my baby is
so much more still than when I look

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00:25:26.240 --> 00:25:32.599
down at the kicking boy in my
arm. In the mirror, he's sleeping.

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00:25:33.559 --> 00:25:41.279
He's smaller, too, like when
he was new. Baby reaches grabs

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00:25:41.319 --> 00:25:45.079
at the reflection. He smiles,
even though this is his night to cry,

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00:25:47.480 --> 00:25:52.440
a smile bigger than I've ever seen. His wails are giggles now,

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00:25:53.079 --> 00:26:00.640
and he stretches forward toward the fog
with eager little fingers. His reflection does

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00:26:00.680 --> 00:26:07.839
not mirror his impatience. Spell Bound
by my own beauty, I lean in

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00:26:07.960 --> 00:26:14.680
to inspect the blurry image more closely. He squeals with joy as my movement

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00:26:14.759 --> 00:26:21.359
brings him nearer. Even at this
distance, it is difficult to make out

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00:26:21.400 --> 00:26:26.079
the details of my face and the
gossamer glass. I step forward, too

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00:26:26.160 --> 00:26:32.400
mesmerized to notice the tangle of reeds
at my feet. Caught in the knot,

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00:26:32.440 --> 00:26:36.759
I tumble forward, shattering the mist. With the baby in my arms.

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00:26:36.759 --> 00:26:40.039
I can't use my hands to break
the fall. I will not let

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00:26:40.160 --> 00:26:45.119
him go. My arms clasp tighter
around him to shield him from the impact,

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00:26:45.279 --> 00:26:49.240
and I plunge through the surface of
the pond, down to the bottom,

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where a red stained rock waits for
me. A hollow thud drums against

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00:26:56.160 --> 00:27:02.839
my skull, and my vision goes
black as the night. Cracked bone leaks

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00:27:02.880 --> 00:27:07.200
brain fluid, blood swells, my
eye, lid shut still. I cling

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to the baby. I cling to
him until there is no strength in my

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00:27:11.400 --> 00:27:21.480
arms, until something pulls him away
and he is gone. Blood and salt

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00:27:21.599 --> 00:27:27.079
and silt fill my lungs, and
all I feel is cold. All I

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00:27:27.240 --> 00:27:37.000
hear is the sound of laughter,
layered laughter, mirrored giggles, a voice

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00:27:37.039 --> 00:27:45.519
I know, like bird song,
so much more beautiful than mine, A

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00:27:45.640 --> 00:27:55.480
harmonized blur of happy sounds, falling
farther and farther away until they vanish.

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00:27:56.000 --> 00:28:06.240
I'm left with the familiar scent of
blood and the familiar silence of solitude.

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00:28:07.000 --> 00:28:14.440
I shut my eyes in the murk
of the pond, knowing I will never

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00:28:14.960 --> 00:28:48.799
open them again. Thank you for
listening to episode number twelve oh eight.

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00:28:49.160 --> 00:28:56.000
Today's author was Alexis Dubon with her
tale Her Drowned Envy. Today's story was

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00:28:56.000 --> 00:29:00.440
told by Addison Peacock. I'm Daniel
Foytek and I've been your host today.

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00:29:00.920 --> 00:29:04.160
Our resident composer and executive producer is
Niko Vettes of the Inky Pop. Print.

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00:29:04.759 --> 00:29:08.440
Artwork for today's episode was created by
Greg Schaeffer. To find out more

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00:29:08.480 --> 00:29:14.039
about The Wicked Library and other Ninth
Story Studio shows, visit the Wickedlibrary dot

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00:29:14.079 --> 00:29:17.759
com and ninth Story dot com.
If you'd like to help keep this collection

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00:29:17.839 --> 00:29:21.880
of dark tales coming, please support
The Wicked Library on Patreon at Patreon dot

251
00:29:21.880 --> 00:29:26.119
com forward slash Wicked Library. You
can also help by leaving a five star

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00:29:26.200 --> 00:29:30.720
rating and short review in Apple podcasts. These ratings and reviews help other listeners

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00:29:30.720 --> 00:29:33.759
find the show, which helps generate
revenue to ensure no one contributing to the

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00:29:33.799 --> 00:29:38.599
show works for free. The Wicked
Library is created by Ninth Story Studios LLC.

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00:29:40.279 --> 00:29:41.839
All rights reserved.

