WEBVTT

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Hudson River Radio dot com. It
beats listening to nothing. My goodness,

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being Frank right where the only way
to be is Frank, only one and

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welcome to being Frank. We're the
only way to be is Frank. I'm

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your host, Frank Lebono, and
I'd like to thank you for joining us

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on what we like to call the
Intelligent Conversation Podcast, where no conversation is

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out of bounds and all points of
view are welcome. Now, to give

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you a little context, we go
live to tape. We try to keep

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it as live as we can.
And it's the ninth of November again a

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little bit of irrelevance because we do
archive and tell you a little bit more

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about that little later on in the
program. Well, AI, that is,

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artificial intelligence is back in the news
once again. Obviously, it's a

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story that simply will not go away. At the end of October, President

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Joe Biden issued an executive order calling
for the safe, secure, and trustworthy

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development and use of artificial intelligence.
A recent CNN report on bizarre and blatantly

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false stories suddenly appearing on ms N
claimed that this was being caused by the

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network's preference for using AI. Editors
instead of human ones, and the last

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sticking point of the SAG after strike
was resolved when media companies agreed to protect

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their members from the unauthorized use of
AI generated images, scripts, sounds,

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and the like. So joining me
once again is my go to guy on

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all things media, Fordham University professor, my colleague and frequent contributor to Being

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Frank, doctor Paul Levinson. Paul, thank you once again for joining us.

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Well, I'm really happy to be
here. Let me just say though,

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very very quickly. You know,
it's not just that we think this

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is highly intelligent conversation. Everyone in
the universe has that opinion. I just

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wanted to make that point. Thank
you, Paul. And I'm sure it's

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much to your credit because remember,
part of Being Frank is falling all over

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yourself at one point. But we
do have intelligent conversation because I have great

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guests and topics like yourself. You
know, we try to do a fresh

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show. We're up to I'm counting
we've done ninety five shows so far,

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and you've been a contributor on at
least three or four at least. We

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always appreciate your honesty and intelligent conversation. Let's jump right in. Let's go

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with President Biden. An executive order. That's a big thing. Obviously,

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it's not something that's done every day
on the safe, secure and trustworthy development

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and use of artificial intelligence. What
does it mean? Why is it important?

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Well, to start with, I
just want to dispose of some nonsense.

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And we've talked a little bit about
this before. What Biden wasn't talking

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about is the completely signed fictional idea
that somehow AI is going to get together

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and declare war on humanity and destroy
us. That's the stuff of war games

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and the Terminator movies, etc.
Etc. Great science fiction, nothing to

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do with current reality. But what
Biden was talking about is indeed what you

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just mentioned. One of the things
that he was concerned about is if you

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have AI controlling what gets displayed on
a news site like the MSN news site,

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that is a very dangerous thing.
And again not because the AI is

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evil or anything like that, but
because the AI can be hacked and manipulated

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by evil human beings to do bad
things. So anytime Lily on AI and

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you're blind to how that can be
used to distort the truth, to hurt

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people, to spread misinformation. You're
on a very very bad path, and

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we have to be very careful,
and frankly, I think too much of

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what we're doing now in the news
is relying on AI. If ever,

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there was something that the public needed
to rely on the truth of what they're

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seeing in the news, at the
very least, those decisions about what people

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see should be made by human beings, because you might find a human being

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who has bad judgment, but it's
hard to hack a human being. Let's

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talk a little bit about the MSN
situation as reported by CNN, and they

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interviewed former chief of editors, obviously
a human being, who claims that MSN

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has gone almost almost exclusively to artificial
intelligence as editors. How does that even

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work? I mean, can you
explain it? I keep thinking it over

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and I'm not sure exactly how that
would even work. Well, let's assume

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that there isn't any hacking. Even
the system without hacking give you very dangerous

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and misleading information. For example,
one of the commands that the system is

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given, let's say the input by
the human being who's ultimately in charge of

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the system, is to go out
and find a story every day about Joe

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Biden. And unless the system is
also programmed, and this is a very

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difficult thing to do to know what
is a false story and a true story,

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it might well find a very popular
story about Joe Biden falling asleep during

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some ceremony, which was one of
the stories that was highlighted in that CNN

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report. And unless there is again
a built in mechanism in the AI to

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identify and give an alert when it's
about to put a false story up there,

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we then the human viewers of these
stories become vulnerable to receiving this dangerous

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misinformation. And that's what it always
amounts to. We're still in the early

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stages of AI and this blind and
increasing reliance on AI in places where it's

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dangerous. If the AI even makes
an honest mistake, that's what's going to

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hurt us. If you think about
AI in medicine and your AI is used

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to guide surgeons, it has all
kinds of great things, but it's not

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as if human doctors walk out of
the room and turn the blind eye to

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what the AI is suggesting. You
know, maybe the AI is malfunctioning.

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They're not going to take a chance
because there could literally kill someone and what

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our society needs to realize, I
think, and what was very disturbing about

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that CNN report was we're being fed
misinformation and that might be one of the

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reasons why Joe Biden is not doing
that well in the polls, which are

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nonsense anyway, a here before an
election. But we need to be increasingly

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careful. The more we rely on
AI, the more vulnerable we are to

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the AI blindly doing something that's very
mistaken. So, Paul, in your

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mind, then the hackers must have
some plan, if you will. They

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must know how to use certain trigger
words as you mentioned something along those lines,

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to fool AI. In other words, the story themselves are not AI

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generated. There's a human i e. A hacker who is creating these stories,

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and they must have some knowledge themselves
in order to be able to word

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things so that AI is fooled.
I guess yes, for lack of a

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better word, is that accurate?
Yeah? And you know, one of

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the most common things is look for
the most popular stories, or look for

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the most provocative stories, because that's
what journalism does. You know. It

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gets back to you know, dog
bites. Man. It's a little provocative,

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but it's not unusual. Man,
bites dog that could make the front

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page. So the AIS program look
for an unusual story regarding the President of

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the United States. He fell sound
asleep at some kind of conference or wherever.

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That's a somewhat provocative story, and
it even generates evidence there's a picture

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of him asleep, because that was
false news to begin with. And the

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AI it's not that in that case, it's not that the AI was hacked.

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It's that the AI was poorly programmed
in the first place to seek out

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popular stories without having some kind of
safe god to make sure these stories are

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true. And let me just say, it's easy to see if the story

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is true. If you come across
the story that Joe Biden fell asleep at

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such and such an event, and
it looks to be true, you just

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check three or four other reliable sources. Is the New York Times reporting it,

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is even the Wall Street Journal reporting
it, is NBC reporting it,

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et cetera, et cetera. If
the story is true, it'll be multiply

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reported, and therefore no human being
would go with that story. The AI

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needs to be better programmed. Well, you know, it's interesting in that

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you would mention it because something happened
on social media a few years ago.

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It was Steve Jobs and his dying
letter, and many people said, oh,

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it's you know, the theme of
the letter was basically that money is

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great, but without feeling, without
family, et cetera, it's really nothing.

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It's it's beautiful, but looking at
on it and balance it again as

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a human being, if you will, not artificial intelligence, real intelligence,

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whatever real intelligence I do have.
It struck me it was too perfect,

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if you will, and if he
snopes it, google it, check it

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and other sources, it turned out
to be false. Now there's another one

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making there is, and they're great
sentiments. The sentiment was wonderful. And

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there's a recent one now with Einstein's
daughter, who has now released a letter

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again one of these. To me, they're just overly sentimental, overly romanticized.

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To me, I think AI is
actually making them by again knowing that,

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well, this will really appeal to
people. Oh my god, it's

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Einstein and he breaks down. Well, Ian his famous theory of relativity really

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means this, that and the other
thing. I got the exact same feeling,

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and I said, this just doesn't
feel right. It's too perfect.

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It fits within what people would like
to think instead of what's real? So

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of course I snoped it, checked
it, and of course it's not real.

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But how do we program artificial intelligence
on the other end to smell out

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a sense whatever? So something's fishing
here. It's too good to be true,

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so it can't be true, and
it isn't It wasn't. Well,

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if the AI is programmed to find
the most provocative stories, which it makes

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sense that it would be what's going
to go on the front page the most

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provocative news, as we just discussed, then you need to also program the

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AI. The more provocative it is, the more the AI needs to find

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confirmation in other sources. So that
way. Again, it's not that AI

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is like overtaking us or too hard
to control. It's a combination of things.

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First of all, we're learning to
do this. Second of all,

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people are lazy, you know,
they want to go with the easiest way

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of doing things. You know,
it's very easy to put in an AI

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program in a variety of things and
let the AI do it and you don't

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have to. You can also save
money. I'm sure that's what motivated MS

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in every network has got to make
their money, so they save money through

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AI. Wow. But I do
think it's great that this was discovered because

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I think this will teach news organizations
a lesson that they can't rely on AI,

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and especially if the AIS programmed to
find interesting and then ratcheting it up

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more and more interesting provocative stories,
because that, unfortunately feeds right into the

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most provocative stories are the ones that
are usually false, but they're provocative because

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they're so unusual because they're false.
So with that in mind, Paul,

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at some point in the chain,
does it need to be checked by a

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human being? Yes, And Facebook
has been struggling with this problem for a

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long time. And frankly, I
don't believe anything that Facebook officially says.

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You know, from time to time
you see these ludicrous ads on television that,

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oh, Facebook is trying to preserve
the social fabric of this country,

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thanks very much. Rather than spending
your millions or billions of dollars on an

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ad campaign, instead what they should
do is hire more people to look at

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what is on their system. And
this has been a problem with Facebook for

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a long time. You know,
a few years ago everybody was concerned well

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with false stories that were on Facebook, and it turned out, why are

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there's so many false stories on face
Facebook is because algorithms were determining what was

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should be on that site and what
was false and not beyond that site.

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And the algorithms were imperfect. They
always are, just like human beings are

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not perfect. But the algorithms were
even more imperfect. And they did a

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combination of allowing false stories on the
site and wrongly pulling out and censoring true

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stories because it tripped off some kind
of alert that the system was programmed to

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watch for, you know, regarding
what you would be on Facebook site.

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But the remedy for that is to
get people, not machines. Related story,

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Paul, and you mentioned Facebook and
their responsibility. There's a large lawsuit

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I believe it's being filed in California
that is claiming that Facebook deliberately as fostered

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an environment that's harmful to young people. Your thoughts on that, well,

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I didn't see that, But that
art is it's saying harmful to young people

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who are working at Facebook are harmful. No for for consumers a Facebook again,

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these algorithms and again all relative that
they target kids love this stuff.

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Nobody's checking whether it's healthy stuff or
not. It's exciting to them, so

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it goes okay. There's been a
concern, maybe now as long as ten

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years, certainly five years, about
how social media is endangering the mental health

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of adolescents and even younger kids.
And what sided is an increase in suicide

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rates. You know, these are
serious problems. Every time I've looked into

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those things, and every time I've
done some research, Unfortunately, suicide rates

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have fluctuated up and down for as
long as people have been keeping track of

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that, And I tend to think
that although what kids, and for that

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matter, everyone what they see on
social media, although that does factor into

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how they feel about themselves, usually
what goes on in real person to person

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interactions are much much more significant.
So I would have to look at this

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particular study. Maybe it is a
very well conducted, carefully controlled study,

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but I do think it's Psychologists in
general are a little too quick nowadays to

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worry about social media. And this
actually leads to another point which we probably

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don't have all that much time to
discuss. But the word addiction I think

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is often too loosely used. Addiction
is properly used when it comes to something

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like heroin or crack cocaine or alcohol, and the way that works is your

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body becomes accustomed to it, you
need more and more, and you tragically

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eventually can take so much of it
you die as a result of it.

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That's addiction. That's not the case
with any kind of communication interaction. And

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I remember, you know, years
ago, when we first started going up

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to Cape Cod, we had no
television in the house that we rented,

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and I would watch a lot of
television. And I remember I was telling

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the kids in my class in like, you know, April May, I'm

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going up to Cape Cod and they
would say, oh, Professor Levinson,

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You're going to really go crazy up
there if you have no television, because

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I would talk to them about everything
I was seeing on television. And I

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discovered very quickly when I went up
to Cape Cart I didn't care about television.

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I'm a human being. I was
more interested in other things, going

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swimming, taking walks, whatever it
was I was doing. My point being

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that interactions with social media, our
secondary interactions. They do have impact on

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us, but what really determines whether
people are anxious and depressed are the relationships

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they have with other human beings,
the full real life interactions well, it's

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continue with our AI discussion now too. And it's all relative. These things

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are all interrelated. On the SAG
after strike, which went on for a

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long time, I think, the
longest in the history of the industry,

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and the major sticking point seem to
be the use of AI generated images and

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that included voice face scripts. It's
after the chat g PC gamest I so

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don't use it. I can't even
say it. Uh, but you know,

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interestingly, and I have to point
something out and and we'll get back

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on track. But it is is
relative. A really good friend of mine

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was performing at the legendary Turning Point
in Piermont the other night and he mentioned

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how he was stuck on a song
that he was writing, kind of a

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protest song about crooked politicians, and
he was curious, so he went to

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chat thank you, Paul, and
it was just curious as to how they

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might resolve it. Uh. And
he read it and it was it was

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excellent. I mean, it was
really good, and you know, the

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audience was torn and you know,
so don't do it, don't do it.

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But the temptation was was was certainly
there, and really it worked with

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what he had led into and was
would would lead out of it was just

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that kind of missing piece, and
it was really it was really well done,

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so kind of as a tool.
He certainly made it his own,

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but it was generated not entirely by
himself. So there's an image of an

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artist using it. But sometimes the
artists get used. And this was the

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big sticking point where studios felt they, you know, they could just take

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an image and using artificial intelligence,
create their own scenarios with them, sell,

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buy, et cetera. Your thoughts, well, let me just say,

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as far as you know the story
of your friend, I remember,

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you know, fifteen twenty years ago, I was writing a story, a

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science fiction story, and you know
how it isn't writing. It's not good

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to use the same word too often
because it bothers the reader and it's lazy.

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And so whatever the word I had
used, I wanted that exact word

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and I didn't want to use it
again. And so you know what I

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did is I went online, not
AI, but I looked up synonym synonyms

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for that word. So in a
way, wasn't that AI. In otherwise

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I didn't think of what the second
word would be. I looked online for

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that word. It's a tool,
that's right. The source is a tool

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that's right when necessary, and AI
could could be a tool when necessary that's

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right. So I don't hold it
against that author that that author did that.

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Now I can't imagine seeking help through
AI if I'm writing a story.

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I like agonizing over the story of
the block ten times. I like driving

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my wife crazy. Hey, honey, what do you think of this?

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I do that, you know,
that's the way I do it. But

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you know, I wouldn't lash out
at writers who find some benefit from using

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AI. Now, as far as
the writers strike, I am delighted that

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they were able to get a decent
offer from the studios on this. Absolutely

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what the studios were originally trying to
peddle is okay, we'll pay you,

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and not that much anyway. So
they got a nice raise, but will

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the actors got a nice raise,
but the students saying, we'll pay you.

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But you know, when it comes
to AI, you know that's our

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property. Once we pay you,
we have a right to use your image.

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We can feed it into you know, an AI program and use it

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again in another movie. And I
think the actors absolutely should get paid for

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that, and they should get paid
a decent amount now fair enough, not

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as much as when they're acting in
person, because that's much more work than

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somebody it takes an AI image and
uses it. But they absolutely should get

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paid a substantial amount. I'm not
privy to what the sentiment was, so

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I don't know how much that was. Yeah, but I'm glad the actors

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are happy about that, and I
applaud that. I think that's a very

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good thing, and the actors were
right to hold fast on that. Now,

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Uh, let's talk about some of
the upsides. And you are,

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as I mentioned with my good friend
Jerry POTENTI, the foremost beatlemaniacs that I

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know. Uh you, uh,
you have your your story now and then

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an alternative reality of the Beatles and
and uh recently, let's get to the

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point. There was a song that
was built by AI around the demo tape,

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as I believe from John Lennon.
Tell us a little bit about how

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it was created, and really,
what do you think of it? Well,

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first of all, the name of
my story is It's real life.

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That's the name of the story.
The name of the Beatles dog is now

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and then now and then I have
my notes and they read them back.

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Thank you, Paul, all right, but it's a good title for an

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excellent song. Listen. I know
a lot of people are throwing this around,

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but AI has literally including Paul McCartney
at one point, like a year

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or two ago. AI has nothing
to do with this Beatles record. And

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here is what I'm getting at.
John Lennon, you know, made a

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demo. There was there were problems
with the demo. This is up Now

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and Then. That's why when the
Beatles did a great job in nineteen ninety

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five and nineteen ninety six putting the
Beatles into John Lennon's demo of Free as

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a Bird and then Real Love,
that's why they couldn't do it with Now

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and Then. Because Lennon's voice was
mixed in with the piano and parts of

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the recording the piano was loud than
his voice and there was no way to

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00:25:02.079 --> 00:25:08.519
separate his voice from the piano.
So all that happened in this recording is

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they recording engineers figured out a way
using I guess you could call it AI

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to separate the voice from the track. But this is not the first time

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that some kind of artificial thing which
we've been manipulating music for so you know,

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on the topic of John Lennon,
one of my favorite John Lennon songs,

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he actually didn't like it, but
I love it. It's only love,

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I get how and I see you
walk by mile just this is a

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great song. I love that song. Lennon heard the recording of it and

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thought his voice didn't sound good.
He was never happy with his voice.

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00:25:56.720 --> 00:26:02.519
That was just one of his,
you know, his personality traits. And

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so George Martin, a genius producer, says, I tell you what,

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00:26:06.960 --> 00:26:11.640
let me bring you back into the
studio and we will record you on another

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00:26:11.920 --> 00:26:18.079
track singing the same part. So
we'll have you two. John Lennon's singing

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00:26:18.119 --> 00:26:22.119
in unison. And by the way, this is something that Les Paul had

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developed like ten years earlier, doing
harmony to yourself. No human being can

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do harmony to him or herself.
No human being can sing in unison to

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him or herself. Obviously only a
technology could do that. So that was

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00:26:36.400 --> 00:26:42.279
a very primitive but ryand technique.
I think that is no different than principle

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00:26:44.079 --> 00:26:49.599
than what Paul McCartney and the other
people who worked on this original demo did

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with now and then and by the
way. I think it's a beautiful song.

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00:26:56.480 --> 00:26:59.200
What do you think of it?
I think it's great, And you

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know, I have to say I'm
surprised. I've seen some criticisms of it.

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I saw some last last out at
the lyrics. Okay, look,

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it's not you know, A Day
in the Life, it's not Strawberry Fields.

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00:27:12.000 --> 00:27:15.519
You know, it's not the best
of you John Lennon songs. But

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I just was sinking, it's only
love. I get high when I see

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00:27:18.599 --> 00:27:22.279
you walk by. My, oh
my, Are those great lyrics? No,

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00:27:22.400 --> 00:27:26.400
it's the whole thing together. So
I thought the lyrics were good enough.

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I think the melody is haunting and
effective. And here's where I think

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McCartney also came in. He did
a great job, putting in a new

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00:27:37.720 --> 00:27:41.839
bass, putting in an additional guitar
part they already had George Harrison. It

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was very poignant. I mean I
was moved to tears when I first heard

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00:27:45.799 --> 00:27:49.920
it and saw the video. I
mean, they put together so many parts,

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00:27:51.319 --> 00:27:55.720
and you know, including a guitar
part that George Harrison put in in

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00:27:55.839 --> 00:27:59.880
nineteen ninety six. But again,
they didn't think Lennon's voice was strong and

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to put it out as a record, so they worked really hard on it.

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And it's not the best song the
Beatles ever did, but it's not

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the worst song. You know.
I like it a lot, you know,

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better than Paul McCartney's you know,
Maxwell's Silver Hammer, or or even

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John Lennon's Happiness is a Warm Gun. I mean, is that a great

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00:28:23.559 --> 00:28:27.799
It's all right. It's a little
frankly stupid, nobvious, So you know,

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it's a middle of the road in
between the Beatles best and worst.

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But since it's the Beatles, I
think it's a great addition to their openers.

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Oh well, you take a break. When we come back, I

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00:28:45.799 --> 00:28:51.839
put your professorial media professorial head on
once again, and we'll talk a little

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00:28:51.839 --> 00:28:55.279
bit about the First Amendments. And
I know you are an expert in addition

331
00:28:55.680 --> 00:28:59.279
on the First Amendment. And it
keeps popping up with the current trial in

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00:28:59.359 --> 00:29:03.759
New York with the gag order with
former President Donald Trump, who claims he

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00:29:03.839 --> 00:29:08.200
has a right to say what he
feels, and the judge pushes back and

334
00:29:08.240 --> 00:29:11.759
says, well, maybe not.
I want to get your feelings on that.

335
00:29:12.119 --> 00:29:15.960
We're going to take a quick break. My very special guest tonight is

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00:29:17.000 --> 00:29:22.359
my colleague and Fordham University media professor, doctor Paul Levinson. I'm your host,

337
00:29:22.400 --> 00:29:25.880
Frank Lebaro. This is Being Frank. We're the only way to be

338
00:29:26.319 --> 00:29:30.440
is Frank, and we'll be right
back with some more intelligent conversation right after

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00:29:30.480 --> 00:29:36.880
these breed messages. Please don't go
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340
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Podcasts, iHeart, Spotify, or
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350
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Com. Welcome back to Being Frank, The Intelligent Conversation podcast. Thanks for

351
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sticking with us. I'm your host, Frank Lebuono. You know we bring

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our audience a fresh topic every week, premiering on Thursday nights. We stream

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But you can catch Being Frank anywhere
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356
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357
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358
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That's Hudson Riverradio dot com. Just click

359
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on the Being Frank site and you're
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360
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please consider subscribing to the podcast.
If you really like us, share Being

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Frank with your family and friends.
A very special guest, frequent contributor and

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00:31:41.720 --> 00:31:48.359
media expert Fordham University professor doctor Paul
Levinson. Paul, before the commercial break,

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00:31:48.359 --> 00:31:52.119
we teased a little bit back in
the news, just for a change,

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00:31:52.200 --> 00:31:57.880
former President Donald Trump, but once
again arguing the point where he has

365
00:31:57.920 --> 00:32:05.160
been given again order by the judge
in his case in New York. After

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00:32:05.240 --> 00:32:10.160
making certain threats and accusations against the
judge and his staff, Trump pushes back

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00:32:10.200 --> 00:32:16.440
and says he has a First Amendment
right to speak his mind. Who's correct

368
00:32:16.440 --> 00:32:22.359
here? Well, unsurprisingly, Trump
isn't correct. And let me broaden this

369
00:32:22.400 --> 00:32:25.720
discussion a little bit. You know, we've talked about this half a dozen

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00:32:25.839 --> 00:32:32.319
times in the past couple of years. I always take pains to point out

371
00:32:32.880 --> 00:32:37.920
that, even though I'm pretty much
of an absolutist regarding the First Amendment,

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00:32:37.799 --> 00:32:45.039
the First Amendment does not protect speech
that leads to criminality. It does not

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00:32:45.400 --> 00:32:51.839
protect a bunch of people who are
communicating for us at any distance about how

374
00:32:51.880 --> 00:32:58.160
to murder someone or rob a bank
or any of those crimes. So,

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00:32:58.279 --> 00:33:00.319
actually, before we even get to
Trump, let me just say that,

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00:33:00.400 --> 00:33:06.559
on a lot of campuses, and
thank goodness, not on Fordham University's campus,

377
00:33:06.880 --> 00:33:10.519
but on a lot of campuses like
Cornell University, Jewish students have been

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00:33:10.680 --> 00:33:20.400
subject to all kinds of harassment and
death threats by people who are opposing Israel.

379
00:33:20.720 --> 00:33:24.640
They are entitled to their views.
They're entitled to criticize Israel as much

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00:33:24.960 --> 00:33:30.759
as they want. What they're not
entitled to do is call for the death

381
00:33:30.880 --> 00:33:37.279
or in any way hurting any other
human being, including Jewish students on campus.

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00:33:37.680 --> 00:33:42.880
And I haven't been up at Cornell
myself, but I understand that some

383
00:33:42.920 --> 00:33:49.720
of the professors there have been supporting
those students who have been making those statements.

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00:33:50.160 --> 00:33:53.079
So, you know, the statements
that Jewish people should be hurt,

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00:33:53.480 --> 00:33:59.240
you know, and even worse than
hurt. So the First Amendment is not

386
00:33:59.319 --> 00:34:02.920
a license to commit a crime.
Now, going to Trump, the reason

387
00:34:02.960 --> 00:34:07.639
that the gag order was imposed,
and Trump has been well advised about this.

388
00:34:08.159 --> 00:34:15.400
It is very important in a trial
where there are going to be a

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00:34:15.559 --> 00:34:19.199
jury, or even if there's not
a jury, there are going to be

390
00:34:19.719 --> 00:34:27.960
various witnesses, the potential witnesses,
that the judge, that people who work

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00:34:28.000 --> 00:34:35.320
for the judge are in any way
impugned publicly, because that could create a

392
00:34:35.400 --> 00:34:40.719
prejudice against what they're doing in the
courtroom. This started hundreds of years ago,

393
00:34:42.039 --> 00:34:46.159
goes back to actually British law before
there even was the United States.

394
00:34:46.320 --> 00:34:52.159
It's a very profound, almost ancient
part of law. Trump thinks he can

395
00:34:52.199 --> 00:34:55.840
shoot his mouth off, it doesn't
matter, you know, whether he's on

396
00:34:57.000 --> 00:35:01.280
trial or not. And he has
apparently yet to learn or learn completely,

397
00:35:01.800 --> 00:35:06.280
or maybe he's learned it, but
he doesn't care. He thinks it's like

398
00:35:06.360 --> 00:35:10.880
twenty sixteen and he can say whatever
he wants about anyone. But it's not

399
00:35:10.920 --> 00:35:17.880
twenty sixteen. And he is now
indicted in a variety of criminal situations,

400
00:35:19.199 --> 00:35:25.440
and he's also a defendant in a
civil trial where there are still criminal penalties

401
00:35:25.760 --> 00:35:32.079
if you violate the code of conduct
that all courtrooms adhere to. And that's

402
00:35:32.159 --> 00:35:37.400
why Trump is completely wrong. He
does not have a First Amendment right to

403
00:35:37.480 --> 00:35:42.840
go against the rule of law in
a courtroom. He has no right to

404
00:35:42.960 --> 00:35:49.199
undermine the judicial system in his own
trial. Well, when does free speech

405
00:35:49.320 --> 00:35:55.360
become libelous? Is there is there
a distinct line that someone like I know

406
00:35:55.360 --> 00:36:00.400
you talked about inciting violence short of
that. Is there a distinction because there

407
00:36:00.440 --> 00:36:05.119
is such a thing, why you
libeled me? Well, well, I

408
00:36:05.719 --> 00:36:08.320
was my opinion. I'm entitled to
my opinion. When do we cross that

409
00:36:08.440 --> 00:36:14.119
line? Okay? The First Amendment
really doesn't address that. That's again a

410
00:36:14.159 --> 00:36:21.639
civil matter. And if someone defames
someone, either in writing or in speech,

411
00:36:22.199 --> 00:36:29.119
then the person who feels he or
she was defamed has the right to

412
00:36:29.199 --> 00:36:32.119
sue that person, and that also
has worked out, usually in a court

413
00:36:32.159 --> 00:36:37.119
of law, in order for a
judgment of either libel or slander, depending

414
00:36:37.159 --> 00:36:40.519
upon whether it's speech or writing,
so or just call it defamation. In

415
00:36:40.639 --> 00:36:45.719
order for a judgment like that to
be sustained, it has to be shown

416
00:36:45.840 --> 00:36:51.960
that the person who made the communication
A knew the communication was false, and

417
00:36:52.039 --> 00:36:58.079
B was doing it deliberately to hurt
that person, And if that can be

418
00:36:58.199 --> 00:37:01.800
proven in a civil court of law, than that person who made that statement

419
00:37:01.840 --> 00:37:07.119
again not thrown in prison. It's
a civil matter, but that person can

420
00:37:07.159 --> 00:37:10.800
be fined a lot of money.
Always enlightening, Paul, tell us,

421
00:37:12.079 --> 00:37:15.599
what's the latest with your radio play? It's real life? See I got

422
00:37:15.679 --> 00:37:22.519
back on track. What's the latest
with your radio play? An alternative Beatles

423
00:37:22.559 --> 00:37:25.960
story? Tell us what's going on? Okay, Well, the latest is

424
00:37:27.280 --> 00:37:32.119
I have expanded it into a short
novel. It's about fifty thousand words.

425
00:37:32.840 --> 00:37:37.440
I'm pretty sure I'm finished with it. The last time we spoke was maybe

426
00:37:37.440 --> 00:37:42.320
about forty thousand words. But now
I feel I think it's pretty much finished.

427
00:37:42.639 --> 00:37:45.119
So now I have to decide what
to do. And you know,

428
00:37:45.440 --> 00:37:51.320
there are a whole realm of choices
that any writer faces nowadays. Do I

429
00:37:51.360 --> 00:37:54.880
want to go with the big traditional
publisher. There are advantages and disadvantages to

430
00:37:54.960 --> 00:37:59.440
that. Do I want to go
with a small niche publisher. I'll get

431
00:37:59.480 --> 00:38:04.480
much more attention, but probably it
won't reach as many people. And so

432
00:38:04.519 --> 00:38:08.440
there are all kinds of possibilities.
And now, of course that the strike

433
00:38:08.599 --> 00:38:14.239
is over, I'm also interested in
seeing this made into a movie, maybe

434
00:38:14.239 --> 00:38:21.079
a short television series. And I'm
just getting nothing but good responses from people

435
00:38:21.079 --> 00:38:25.199
who have read the story. So
you know, it was written and published

436
00:38:25.199 --> 00:38:30.960
in January twenty twenty two. It's
won a major award, the Mary Shelley

437
00:38:30.000 --> 00:38:35.239
Award. It was a finalist for
another award, the Sidewise Award for Alternate

438
00:38:35.320 --> 00:38:39.719
History. The radio play is attracting
increasing attention, got some good reviews,

439
00:38:40.159 --> 00:38:45.280
and as far as I'm concerned,
in my arrogant way, the sky's the

440
00:38:45.360 --> 00:38:49.719
limit when it comes to this.
And I'll tell you just one other interesting

441
00:38:49.800 --> 00:38:53.280
thing. The day before I felt
that the novel was finished, it was

442
00:38:53.360 --> 00:38:58.920
just a couple of days ago the
Now and Then record came out, and

443
00:38:58.960 --> 00:39:01.199
I said, of course, know
about that. I knew that there was

444
00:39:01.239 --> 00:39:06.679
a big time, and I said
that I don't kiss me margin of my

445
00:39:06.800 --> 00:39:10.679
notes. That's why I put it
into the novel. So the novel is

446
00:39:10.760 --> 00:39:15.639
that current. That's great. Yeah, So I'm very excited about it and

447
00:39:15.639 --> 00:39:21.000
we'll see what happens. And I
appreciate all the publicity you've been giving to

448
00:39:21.079 --> 00:39:23.000
it. Thank you. Well,
you know why, because you deserve it,

449
00:39:23.400 --> 00:39:27.920
you do. It's just great.
You truly are a renaissance man.

450
00:39:27.960 --> 00:39:30.519
Who was one of my students the
other night, I said, oh,

451
00:39:30.559 --> 00:39:32.280
you're going to interview to Professor Levinson. I said, oh, yeah,

452
00:39:32.320 --> 00:39:37.199
he's kind of a regular on being
Frank, so hopefully she tuned in and

453
00:39:37.280 --> 00:39:40.440
checked us out this evening. Paul. Of course, I always want to

454
00:39:40.480 --> 00:39:45.480
thank you for being Frank and your
intelligent conversation are always welcome back here.

455
00:39:45.039 --> 00:39:49.599
Thank you. This was a great
conversation on a variety of important topics.

456
00:39:49.599 --> 00:39:54.559
So great that I'm here. You
can count on me anytime. We can

457
00:39:54.679 --> 00:40:01.280
roll you and I for poor students, And of course we offer a special

458
00:40:01.360 --> 00:40:06.079
thanks to our listeners who take the
time to give us a voice in their

459
00:40:06.159 --> 00:40:09.400
lives. Remember we offer a fresh
topic every week, and you catch us

460
00:40:09.440 --> 00:40:14.719
wherever and whenever you get your favorite
podcast. You can find us on Apple,

461
00:40:15.239 --> 00:40:19.400
Spotify, iHeartRadio, Speaker, and
all the others. You can also

462
00:40:19.599 --> 00:40:23.360
check us out on the Hudson River
Radio Facebook page. Like us, leave

463
00:40:23.400 --> 00:40:27.719
us a comment too. We also
ask that you can share. Can you

464
00:40:27.800 --> 00:40:31.400
consider sharing being Frank with the others? Remember you can go to Hudson Riverradio

465
00:40:31.480 --> 00:40:36.440
dot com and find us. I
got a little slogan for you. You

466
00:40:36.519 --> 00:40:40.639
know it comes from Maya Angelou.
You can't use up creativity. The more

467
00:40:40.679 --> 00:40:45.719
you use, the more you have. We certainly hope so well. I

468
00:40:45.760 --> 00:40:49.599
have a special treat for you.
You know my I call the mailman or

469
00:40:49.679 --> 00:40:53.119
engineer Neil Richter. Well, he's
another renaissance man. Not only does he

470
00:40:53.239 --> 00:40:59.239
keep us streaming, he also happens
to be an extraordinary drummer, often sitting

471
00:40:59.239 --> 00:41:02.519
in with the bag Daddy Olds.
And he just had a very interesting experience

472
00:41:02.679 --> 00:41:07.880
playing, not running, playing at
the New York City Marathon. He's going

473
00:41:07.960 --> 00:41:10.519
to join us, tell us a
little bit about that, and introduce a

474
00:41:10.559 --> 00:41:14.719
song he has for us to close
the evening. Go ahead, Neil,

475
00:41:15.000 --> 00:41:16.760
Hi, thank you, Frank,
and hello everybody. And oh you're you're

476
00:41:16.760 --> 00:41:22.519
you're much too kind with your your
introduction there but a renaissance. Man.

477
00:41:22.679 --> 00:41:24.800
I've been called a lot of things, but never that. But I like

478
00:41:24.880 --> 00:41:31.320
it. But yeah, yeah,
it was over the past weekend the New

479
00:41:31.400 --> 00:41:38.280
York Marathon, you know, which
is an annual event. The organizers of

480
00:41:38.320 --> 00:41:44.519
the event, what they do is
they they invite you know, a whole

481
00:41:44.519 --> 00:41:49.760
bunch of different bands to play along
the route of of the of the race,

482
00:41:50.280 --> 00:41:52.280
you know, every you know,
number of blocks or whatever. So

483
00:41:52.559 --> 00:41:57.360
it goes on. There's you know, music going on throughout the whole thing,

484
00:41:58.079 --> 00:42:01.639
and it really turns the event into
a real, a real block party,

485
00:42:01.639 --> 00:42:06.960
a real, a real everybody's just
happy and cheering on the runners and

486
00:42:07.320 --> 00:42:13.320
you know, groove into the music
and it's a real, a really upbeat

487
00:42:13.559 --> 00:42:16.639
and fun event. And uh,
I've done it a few times now,

488
00:42:16.719 --> 00:42:21.000
I haven't in a few years,
so this was the first time back.

489
00:42:21.159 --> 00:42:23.199
And indeed it is a marathon to
play it too. But I was gonna

490
00:42:23.199 --> 00:42:25.440
say, it's kind of a marathon
for you as well. You had played

491
00:42:25.480 --> 00:42:30.000
quite a few hours. It goes
on for a number of hours, and

492
00:42:30.119 --> 00:42:32.960
uh, you ain't no kid no
more either, you like all I'll speak

493
00:42:34.000 --> 00:42:37.239
for Paul, he's laughing. They
can't see us on zoom, but but

494
00:42:37.320 --> 00:42:39.039
I could tell. I could assure
you he's smiling. We're a little gray

495
00:42:39.039 --> 00:42:43.679
in the long in the tooth,
gray and the beard. So it was

496
00:42:43.679 --> 00:42:46.840
hard. It gave me a workout, no pun, no wait, pun

497
00:42:46.920 --> 00:42:50.840
intended, it gave me a run
for my money. But it was,

498
00:42:50.880 --> 00:42:53.239
it was, it was. It
was a blast. And and uh,

499
00:42:53.400 --> 00:42:58.960
you know, we didn't have enough
material really to play all that long,

500
00:42:59.000 --> 00:43:01.719
so we were just making things up, playing you know, standards and you

501
00:43:01.719 --> 00:43:06.639
know songs we all knew anyway,
and people were just having a great time.

502
00:43:06.679 --> 00:43:09.719
And it really, it really felt
good to bring all of New York

503
00:43:09.800 --> 00:43:15.360
together. It felt like and uh, I'll be honest, that was one

504
00:43:15.360 --> 00:43:19.960
of the biggest audiences I've ever played. There were there were thousands of people.

505
00:43:20.000 --> 00:43:23.679
They were all running by, but
it did for a while they heard

506
00:43:23.760 --> 00:43:28.719
some right, No, it was, it was. It was just a

507
00:43:28.760 --> 00:43:30.920
real, uh, real blast.
I really enjoyed it. You were with

508
00:43:31.039 --> 00:43:35.559
Ken Rowl and the bag daddy Os
one of my favorite I love just even

509
00:43:35.599 --> 00:43:38.159
saying that The bag Daddios so clever. You guys are so damn clever.

510
00:43:38.519 --> 00:43:43.360
I love it. And and you
picked a song that's kind of appropriate for

511
00:43:43.599 --> 00:43:45.840
uh uh for the marathon. Will
tell a little bit about the song,

512
00:43:45.960 --> 00:43:49.679
introduce it, and we'll say good
night. Okay. Yeah, the song,

513
00:43:49.920 --> 00:43:53.000
appropriately enough is called Welcome to New
York, and we did we played

514
00:43:53.000 --> 00:43:57.280
it a few times because we had
a you know, rotating audience, so

515
00:43:57.320 --> 00:44:02.159
it didn't it didn't get but it
was appropriate because there we were in New

516
00:44:02.280 --> 00:44:06.719
York. And of course it's there's
a lot of tongue in cheek, you

517
00:44:06.719 --> 00:44:10.360
know, it's it's a funny song, but most of Ken's lyrics are very

518
00:44:10.559 --> 00:44:15.199
very witty, very clever. And
oh and one thing I do want to

519
00:44:15.280 --> 00:44:20.360
mention because I got the date and
I don't know anything more about it,

520
00:44:20.400 --> 00:44:24.679
but the annual blank Fest, which
takes place here in Rockland County in Naiak,

521
00:44:25.840 --> 00:44:30.039
right on Main Street at the Hudson
House, will be on Sunday,

522
00:44:30.400 --> 00:44:34.920
December seventeenth, So mark your calendar. The bag Daddys will be there.

523
00:44:34.960 --> 00:44:37.880
I don't know who else is on
the on the bill. It goes all

524
00:44:37.960 --> 00:44:39.920
day. You know, Frank,
you've been there, so and again it's

525
00:44:39.920 --> 00:44:44.760
just a it's just a big all
day party right around the hall. It's

526
00:44:44.800 --> 00:44:47.880
a week before Christmas, so or
it's the first or the weekend right before

527
00:44:49.039 --> 00:44:52.639
Christmas, so I think in this
case it actually is about a week anyway,

528
00:44:52.679 --> 00:44:55.760
it's a good time and for a
good cause. You bring a blanket.

529
00:44:55.920 --> 00:45:00.840
There's no admission for it fee,
there's no cover charge, no money.

530
00:45:00.119 --> 00:45:04.360
You bring a blanket as long as
it's clean, it could be used

531
00:45:04.519 --> 00:45:10.719
new and and we donated and then
a team fans out on Christmas Eve throughout

532
00:45:10.800 --> 00:45:16.400
Lower Manhattan mostly and distribute distributes them
to homeless people, which is I think

533
00:45:16.920 --> 00:45:21.559
it's a it's a brilliant concept.
There's no middleman. It's right to the

534
00:45:21.559 --> 00:45:27.079
people who need it to keep warm
during the winter and win win situations.

535
00:45:27.159 --> 00:45:30.280
Great music all day long. Highly
recommend it. It's the Hudson House and

536
00:45:30.360 --> 00:45:34.920
I bring a blanket, makes you
feel good. You know you got great

537
00:45:35.000 --> 00:45:39.400
music. You're doing something nice for
somebody that's around the holidays. That sounds

538
00:45:39.679 --> 00:45:44.000
damn good to me. Yeah.
And and uh, there there are I

539
00:45:44.079 --> 00:45:47.400
mean, aside from the world famous
bag Daddy, there there are some name

540
00:45:47.800 --> 00:45:52.719
no name acts that do come.
I don't know who's going to be on

541
00:45:52.880 --> 00:45:55.679
there this year. I haven't heard
what the what the roster is, but

542
00:45:55.920 --> 00:46:00.400
there's the album there well that there's
a know I'll be there. You'll be

543
00:46:00.440 --> 00:46:07.000
at the autograph table. It's Frank
Blank confessed December. Neil, thanks so

544
00:46:07.119 --> 00:46:10.559
much. Thank you that that guy
up there is he's Neil Richter. I

545
00:46:10.599 --> 00:46:15.199
want to thank Paul Levinson, our
guest. I'm Frank Lamaro, and of

546
00:46:15.199 --> 00:46:19.320
course I want to thank you for
listening. And we'll catch you on the

547
00:46:19.360 --> 00:46:25.719
next being. Frank, thanks again. Welcome to New Joy. Look up

548
00:46:25.800 --> 00:46:47.800
to John God, John, Johnny, good God. My last night on

549
00:46:47.920 --> 00:46:54.400
the subway and I told the cops, Old, I get on out,

550
00:46:57.239 --> 00:47:01.920
got last guy. I'm not going
along. I'm gonna see but a blowing

551
00:47:02.000 --> 00:47:07.119
up the past talk undred much,
explain that one today to give away conduct

552
00:47:07.880 --> 00:47:15.360
and the lay a top break much
have today to across the street. Welcome

553
00:47:15.400 --> 00:47:22.880
to new Shun, Welcome to where
John, Welcome to the Gun, Welcome

554
00:47:22.920 --> 00:47:29.760
to the Dave, John, Welcome
to very, Welcome to that Collard,

555
00:47:30.000 --> 00:47:39.599
Welcome to new Con. Welcome to
the John. Oh, let's lock the

556
00:47:39.679 --> 00:47:45.599
springtime? What is go takes the
la season? The slaughter is just because

557
00:47:45.840 --> 00:47:51.440
you don't have to have a reason. You know what one last week pass

558
00:47:51.519 --> 00:47:57.800
grab off had the new Stone well
arena. Hold up, we sad black,

559
00:47:57.920 --> 00:48:07.360
my too, dam listen to two
hours show We very Grandma to take

560
00:48:07.519 --> 00:48:14.159
a job. Welcome to this job. Welcome to their John, Welcome to

561
00:48:14.199 --> 00:48:21.679
the JOD. Welcome to their John, Welcome to the Yon, Welcome to

562
00:48:21.840 --> 00:48:31.719
their job. Welcome to name job. Welcome to the jod. The boy

563
00:48:31.840 --> 00:48:40.039
authority stakes and the sewers explode badcast
with you all when your car gets time.

564
00:48:40.400 --> 00:49:07.960
I love it, Yeah, just
like old loves it. It was

565
00:49:07.119 --> 00:49:12.360
back up to the bridge. Try
to see the same guy fumbing change each

566
00:49:12.480 --> 00:49:17.119
day since nineteen eight. Recent I
heard the whole thing tolls again that the

567
00:49:17.199 --> 00:49:22.119
man just got a raised. Then
back at school, cap and the pot

568
00:49:22.239 --> 00:49:28.639
holes on up in the place.
They'll touch your hair and they'll find you

569
00:49:28.840 --> 00:49:37.639
there. There's no place like it
anywhere. Welcome to the John, Welcome

570
00:49:37.679 --> 00:49:45.199
to them John, Welcome to the
John. Welcome to the John, Welcome

571
00:49:45.239 --> 00:49:52.480
to the God. When to the
John. Welcome to you John, w

572
00:49:52.800 --> 00:50:02.199
to the John, Welcome to y
Wing to the I'm I'm look at us

573
00:50:02.360 --> 00:50:29.199
John, I love you or love
you? Welcome to dog Hudson River Radio

574
00:50:29.440 --> 00:50:30.159
dot Com m

