Welcome back to Raised by Giants, and welcome everyone in the chat, moderators
and members out there. Thank you very much for tuning in, even though
it's a little later of a show that we normally do, but it's worth
it doing it later this evening because we have with us tonight, the creator
of Adapt twenty to thirty channel on YouTube discussing energetic changes on Earth as a
sun repeats his four hundred year cycle of low activity affecting global crop production,
the economy, and every one on our planet, with a timeline of what
you can expect from now to twenty thirty as society reset. So warm,
welcome back to the show, David Dubayang, thanks so much for coming on.
Brother. How are you doing doing well? It's been a busy three
and a half weeks trying to dive into history through Croatia and then up into
Italy and then back over here to Taiwan with a different set of eyes,
specifically looking for the event and trying to tie in timelines rewritten history, the
historical records of why some places were abandoned, and with the archaeologists that I'd
spoken to, it seems that you can definitively find these time periods, but
they're not exactly sure from one district to phase to another exactly which decade it
occurred. But it's in the record everywhere. Now that you look, from
the oil paintings to the lithographs to the stone carvings. It doesn't matter that
historical accounts, the Nautical museum and the port records and everywhere you look.
It seems that it's detached. But the dots are enough out there that if
you start to look for them, you can find certain groupings of these dots
that point to different timelines. And that's what the whole last three and a
half weeks was about. From Croatia into Italy, was trying to at least
scrape together enough information about the event coming this year in October of twenty twenty
four, about what would happen if the tides were two to three to possibly
five times higher for just a week before and a week after coming into October
twenty third of twenty twenty four this year. How would that disrupt our society?
So that was my whole journey, and that's why Rider and myself are
sitting here today talking. I wanted to discuss a little bit of it in
some of my findings. Well, we're rapidly approaching that twenty thirty mark here
in a few years. You're gonna have to change that, Bio Dave.
You know, what does happen when we hit twenty thirty? I mean,
your channel is a dot of twenty thirty. What happens when it is twenty
thirty, if all of this is still around and things having gone completely and
utterly into catastrophe, Because there's always a possibility, right that everything turns out
fine. I don't know, maybe I'm just wishful thinking or hopeful thinking there,
but there's always that possibility there is, And I'm just gonna quit the
channel and say I totally had gotten it wrong. So I don't even believe
my own reality anymore at that point, and I don't have to probably check
myself into some sanatorium to try to revamped my mind into whatever I built for
myself as awakened. Reality is definitely distorted. But if you do look out
at it, it seems that the elitists are getting us to do exactly that
build the reality for them. And these last set of economic meetings here with
the WEF they're very clean on their playbook moving out, it's going to be
a very rapid fashion in the way that your arm's going to be twisted,
or society's arms are going to be twisted. But you can already see the
amount of pushback is causing them some duress already that not everybody's going to go
quietly into the night. So is it built around us and our compliance and
are building their reality for them? But now there seems to be like you
know, a call, you know, a wrench dropped into the jet engine
there because it doesn't seem that their plans are going smoothly. So well,
they moved all out brute force, but generally through history of what you realize
is all out brute force just never works because as soon it's easy to do
a soft and visible prison, but once you go to the brute force mechanism
because you've run out of options, people quickly awake, and it seems that
then there's ten times more pushback than the soft, illusionary route for control.
I mean, here's what I'm saying. Okay, so nothing is really built
to last, not even our society, right. I mean, you buy
something, it breaks very quickly and you have to buy a new one.
I mean, that's consumerism one oh one. If people want to know more
about that, they should look into the light bulb Conspiracy. There's a fantastic
documentary made on that in twenty ten. But anyway, my point is that
the only things that seem to last are impliances and tools from decades ago.
Right. Those refrigerators from the sixties and seventies are going to outlast us all
day. Right. So now let's say now you walk into an antique store
today. All of that stuff still works. It's all very usable because it's
mostly manual things that cranks and presses, and they're all built very well.
Now here's what I'm getting at. If you were to let's just say,
let's fast forward one hundred years into the future. Let's say that me and
you, Dave were anyone that's listening to this, just hops in a time
machine and travels one hundred years into the future. What do you think would
be in those antique stores the same stuff that's in it too this very day,
or the stuff that's being made today. Depends what type of quality of
things you purchase today. Because me personally, I do two roots at this
juncture. I either buy a high quality Japanese made like handsoft or you know
things that I you know, I have the farm, or I go to
a state sales and I get the antiques from a state sales, or you
can spend the money which costs quite a bit more to get something of durable
quality today. But the world we live in today is not made for buying
a lot of high quality things because it's so absurdly expensive compared to you know,
if you go into tractor supply or some kind of I don't know,
there's probably those stores near you. Everything's made in China. The tools are
made to get like one or two projects done just around the house, then
you know it's going to break, versus getting something that has like a lifetime
guarantee on like a Craftsman wrench set or some sort of you know, ratchet
sets or something like this that's going to be incredibly durable where you get lifetime
warranties with it, but then you're going to pay three or five times more
than just the junk coming out. So there's two options now, and what
I think would be in the future would be the copper pipes that are still
here from right now. Yes, you know, one thing that's surprising is
the amount of copper piping that I saw in Europe still, and that's another
thing you're doing. We've gone pretty much to packs and plastic and disposables,
but you know, going in, we stayed in a fair few nice airbnbs
because being off season and shoulder season. You know, you get everything at
a third of the price right now, but it's a little chillier. You
know, everything's not green and vegetative and pretty with all the flowers and the
balconies and everything, but it's still pretty rad because you're in old Europe and
old I mean incredibly old Croatia. But I noticed the copper piping was everywhere,
and again, you know the benefits of copper piping throughout time immemorial disease
control on all these things, and those durables will still be around. The
things that we might make today in terms of durability, like that craftsman set
that's going to cost you five times more, or some kind of tough tools,
those will still be here. But as a general rule, I can't
say maybe five percent of the stuff that's currently made today versus ninety five percent
of the stuff that was made fifty years ago. I'm looking around. So
I'm sitting in a kitchen slash office here, and I'm looking at the durability
of things going. Hm, no other light bulbs will work because they're all
meant to burn out after a certain time. And this whole thing, and
I'm going to say another thing kind of on that goes with this. Everything
in Europe has switched to LED lighting one hundred percent. But the thing was
when I would get ready to line up photos that I had that blink blink
blink, blink, blink blink every time we were taking photos. So the
forcing of us to go away from regular bulbs, not the curly cue cfl
bulbs, but just what you would consider a regular incandescent bulb, very soft,
very pleasing, very soothing. When you have that light in your home,
like a Tesla bulb you see in coffee shops, whether you can see
the lines coming out, you can turn it up or down, very much
like the sun. When you turn up the electrical frequency or charge a flow
into the sun, it glows brighter, just like it does with these light
bulbs I'm looking at here in a coffee shop where you can then turn it
down or up. That's a Brooklyn current, turning up the frequency and the
elect you know, the electrical connectivity, electromagnetism of the sun, or you
turn it down and it dims and invisibly noticeable. But that is one thing
that really freaked me out was the blinking of the LEDs that was really visible
anytime I held up my phone camera. Not so much visible in my SLR
camera when I was shooting further afield. I have a telephoto lens. When
I was like looking up at the steeple tops or you know, some kind
of ether harvesting, you know, domes and balls on top of cathedrals and
things not visible then, but the phone picked up all the blinking LEDs.
So those things are meant to break at a certain number of hours too.
Like I can't even see our light bulbs, you know, I go to
State sales. I'll get light bulbs from like the nineteen fifties that still screw
into the socket. You know, it's crazy. Even in the nineteen fifties
there were preppers everywhere. They'd buy like a thousand light bulbs, and you
go in and get a hundred light bulbs in a box. Still that totally
work. Of just like soft white light from ge and those are still around,
but none of these LEDs will be around. Nothing. But that's really
the disruption in the sleep patterns too, is what I noticed, because I
only have a couple LEDs in my house, but over there in Europe one
hundred percent is so everywhere you go, every room you turn on, everywhere
you try to, even the night lights that you know you turn on before
you're getting ready to go to bed, they're all blinking the whole time.
And it's just really a disruptive light frequency zone around in Europe right now.
So I was trying to go somewhere with a point with that of something not
being left, but bricks probably will be left, you know, maybe some
stone something like that, but nothing else. We have a maybe that's the
reason that when we approach twenty thirty at whoever started manufacturing at that time and
doing this understood that we were at the end of the age and that it
would be not worth the time, effort, money, capital input to allow
people to keep anything because it was all going to break anyway. So give
them, you know, less quality products. Yeah, and it's interesting too
that you bring up this copper piping as well, because you know, copper
is the most one of the most conductive elements that we have on the earth,
and that it's all PVC pipe now, and they made people switch to
PVC pipe, and that makes you question, like why why did they do
that? You know, and PVC pipe is made out of plastics, all
the plastics that are in our food, plastics that is in our water.
You know, it's it's disrupting our body. But I really think that and
this is going to lead into your research that you're doing at the moment.
I really don't think people understand how finite our society is. Right, Literally,
everything can be gone in the matter of minutes, one flip of the
switch. The Internet goes down. We're screwed. We're literally screwed. Everything
has been digitized, documents, records, money, banks, books, grocery
stores, post office, you know. And I understand and why they did
that. It's for efficiency and getting things done quicker. But the problem comes
in when you've built your entire system on top of that, right, you
know, nothing, nothing's going to last if the Internet goes down. This
generation literally has nothing. And the people that think that they're making a difference
on the Internet, while they aren't. If they can just be erased,
right and in one hundred years in the future, no one would even know
that we exist it And that is a very high possibility. I mean,
think about it. What has the last twenty three years been about. It's
been about the Internet. It's how everyone communicates, It's how people get their
voice out there through social media. You create content. That's what this show
is, That's what your show is, and that's what a lot of people's
lives revolve around. Is the Internet. Take that away. We got nothing.
And I guarantee in a hundred years, if everything, if the Internet
was to go down, everything was you just get wiped. In one hundred
years, it'll be like we didn't even exist. And you look at the
quality of home building today too. These homes are not built for one hundred
years of durability. You know, homes that were build in the nineteen fifties.
Yeah, but you look at today's just prefab construction, slap up a
bunch of homes with like two feet between each other, with the yards with
their low maintenance, and you have your fee and somebody else knows your yard
for you. Like those kind of buildings will fall down in you know,
forty years, because I'd seen the most interesting documentary about what would happen after
a nuclear war, and not the point, the nuclear war point, but
what it was talking about after humanity quit inhabiting cities. Within three hundred years,
there would be nothing left except the most girthy of what you consider like
super structures holding up eight lane highways and foundations of buildings. Even the aluminum
would have corroded, the glass would have shattered, and after a thousand years
there's absolutely zero, zero trace of humanity. What would you be finding a
quote unquote unquote Megalists would just be like that an eight lane highway, you
know, concrete superstructure that was holding it up. We'd look at it and
go, there's no carving, so no markings. We don't know when the
era was, but we know it was big. Look at the substrate that
they poured into this thing, and that's kind of where you know, the
archaeologists would be at. You know, they'd probably be trying to compare us
our concrete with Roman concrete and be like, why was the Roman concrete so
much more durable? We're looking at something from three thousand years ago? You
know, you're a thousand years in the future, so you're looking at something
three thousand years prior, which is much higher quality on the on the durability
than this new substrate stuff. What happened, they'd evolved in society, so
even concrete, our current concrete is not even made to last. Think about
the Roman concrete. You know. I went around a couple of colosseums,
and here's a really interesting one for you. There was a city called Verona
v Rna, and they have a full colisseum in there. They used to
see it thirty thousand people. The thing is, it's smaller than the original
one, which is another full floor taller or another archway, you know,
much taller, and the base of it is at least double the width of
the base of the stones. So what was told to me was they could
not replicate the technology in the Roman era to build what they had found as
their own cultural layer previously. So you got to realize the ancient Romans when
they went cruising around, they were finding different layers beneath them as well that
they were reinhabiting or refinding. But some of the stuff was so big,
like part of a coliseum. We always attribute the Romans the Roman colisseum.
Well, that's small stuff in comparison and Rome. They had to dig their
colisseum out. Like if you find a lot of the older photos, I
encourage you to look at Rome and go into ancient Rome image gallery, say
eighteen fifty, eighteen eighty or something. You find a whole bunch of images
of Rome where they're actually digging the mud out from around the colisseum, like
it is nowhere remotely flat what we see in today's images where there's little vestpus
cruising around. It was mud twenty feet deep up through that thing. And
then they were digging out a huge, huge amount of Rome. As we
understand, it was covered in twenty feet of mud, and then we're up
in Verona. Also for them, the ancient Romans quote unquote that had the
best technology, best concrete, best engineering, best aqueducts, best everything,
and they could not replicate the previous society before them of building on the girth
and the size. They were like, well, this is way out of
our this is the complexities too big, the stones are too big. It's
way outside of our you know, our realms of being able. We'll just
make it smaller but same, same, but different. And you know the
old ones stand. There's one part of the wall on the old one that
stands outside the new one, and it's just mind blowing to look at the
size of the old one, like that's a previous reset society that built that
first one. We Romans replicated the second ones, and uh, you know
one point to that is another thing that was noticeable because once you go and
you start cruising around the museums, you're going to come into a lot of
statues that were damaged. And I was asking the curator there. I was
like, you know, I know, they did a lot of purposeful damage
to these statues, Like what was it? Why did they go on?
You know, Christian era begins, Pisces begins. You know, they moved
out of aries. They moved into Pisces with the birth of Christ. The
fish. Before it was aries, the ram, the lamb, and prior
to that it was tourists, the bulls. There's a lot of bull iconography
everywhere, but the one thing moving from areas into Pisces. I was like,
why were the Christians so destructive on everything? And he's like, I
don't know, it seems like they were trying to just break away the entire
old world because it was a new world, so they were trying to destroy
everything of the old world. And my light bulb came on. I'm like,
that's exactly right, because we just moved out of Pisces into Aquarius,
and then look what's happening in just five years of the destruction of the old
world. So it seems like when we enter into a new age, the
old age is destroyed on purpose, whether it be stone or whether it be
digital, or whether it be what paper mache, I don't care. They
destroy everything of the vestige of the old world to usher in the new world,
the new energy, and all things from the old time for a better
term, are destroyed because they want you to know that you're in a new
era. Because those statues all had the same damage to them. They ripped
off the noses and before if you didn't know this, like any kind of
large marble statues that would have been from Greece or Rome had crystals in the
eyes, whether it would have been sapphires and some of the more ornate kind
of what you consider emperor type palace things or to regular what you considered just
like crystals of you know, white crystals, but each set of statues had
eyes that literally glowed from crystals being inserted in the eyes. And they would
rip off the noses, gouge out the eyes, rip off the head,
cut off the hands, ship as much as they could, off of the
clothing that would be you know, it look like a wavy clothing off that
and then just throw it off to the side. It took them several centuries
to do that, but they definitely had removed or tried to destroy and remove
vestiges of the old world as we moved into Pice, and it wasn't like
Christian era and the Christian you know what you consider you know, you're going
to test better than me. Around three hundred a d or so is when
Christianity really solidified itself. So between that zero mark era all the way until
three hundred e D. Christianity wasn't fully where you understand it is today with
the Church and all this thing. But for those three hundred years, it
was just a destruction fest. And when I look now from Pisces into Aquarius,
we just moved in there December of twenty twenty, oh man, there's
been a lot of damage so far to our society in just five years.
But it's all digital, so it's going to be way easier to destroy than
a bunch of stone with crystal eyes. Yes, I think that that is
the real conspiracy. They make things not durable, they make things not the
last, they turn everything digital. And all of my work has been done
on the internet right my channel, my podcast, my documentary jfk X on
Prime by the way, it's all on the Internet, and it can be
taken away very easily if by some chance the Internet gets wiped. There wouldn't
be any physical evidence to prove any of the work that we've done. Right
now, people would say, oh, well, make sure everything is backed
up onto a hard drive, and I do that right. But here's the
thing, Dave, that I don't think people are really thinking about. Who's
to say that in the future people will even be able to use a USB
drive or a Type C connector We've seen how fast our technology has went.
It used to be floppy disk to store your information on, and now no
one has a floppy disk drive. Floppy disk drives are completely obsolete, So
why do we believe that in the future USB drives won't be obsolete. So
that means even if someone finds your hard drive in the future, they aren't
even going to be able to figure out a way to use it or getting
in the information off of it, which I think is the case for a
lot of these lost civilizations. My theory is that they were using a technology
that we have absolutely no idea about or how to figure it out because it
was so different than ours. So even if we were to find something,
let's say, from a couple of thousand or however long you think the last
advanced civilization was, even if we have something that resembles what we you have
now, can we figure out how to use it? Which then really makes
me think about I don't want to change really change the topic here at all.
I want to keep on this topic, but it makes me think about
like these these UFOs, right, and the technology that we've supposedly reverse engineered
from extraterrestrials, and these people talking about a crash retrieval, right. I
think the crash retrieval narrative is a giant misnomer. I don't think that the
crash retrieval means that anybody witnessed something falling out of the sky or they saw
it on radar, so then they immediately went to it to retrieve it and
get the technology to try and reverse engineer it. Crash retrieval. All right,
I guess I'll I'll give you an example. Let's say that me and
you, Dave. I'm given a lot of examples, but me and you
Dave, we went to Afghanistan, right, we decided to do an archaeological
dig. Right, we do the archaeological dig, we find some sort of
craft, we find something that we have absolutely no idea about that would be
considered a crash retrieval. The crash retrieval doesn't depict an amount of time that
has been here. So I think when people are, you know, talking
about these crash retrieval stuff, it's not what it actually seems like that it
is. I think that a lot of this stuff we have just dug up
and we have found from ancient civilizations. And that's one of the interesting things
that Bob Blazar talked about as well. I don't believe Bob Blazar's story,
but it's a possibility that he was shown some things and he said that he
was under the impression that at least one of them would dug up, which
then brings into a whole other line of thought. But back to people thinking
that the technology that we have now is still going to be a valuable thing
in the future. I don't think that it is a USB drive that we
have now is not going to be able. It's not going to be still
the same thing in two to three hundred years in the future. I remember
floppy discs. I remember my first floppy disc was sixty four K. Sixty
four K that was big. You were able to put a couple documents on
it, you know, like before you'd have to walk around with two huge
thick books like this thick like you know how much those are weigh five eight
pounds, or you could carry it around this little floppy thing. I remember,
we're only talking about what you consider today like Microsoft Word documents, you
know. And even then it wasn't MS word that took too much. It
was more just like a notepad. So yeah, those readers are gone.
I mean some people collect that kind of stuff, like Atari games and floppy
disk readers, but I mean there's probably only one in a million people who
still have one of those that can access that technology. Because like your crash
retrieval for an example of finding advanced ether harvesting equipment that is still visible in
the way you can say like cathedrals and churches and spires and this sort of
thing. For me the equivalent of finding an old engine block in the middle
of the forest somewhere. The wheels are gone, there's no frame on the
car. It's just you found an engine block that's been stripped. There's no
valves, nothing, You just found an engine block, and you know it
was significant to do something to dry. There was another purpose for it,
and you knew it was to create power to do something. And that's kind
of where we sit with this whole ether harvesting tartaria technology. Because one thing
I did see in the cathedrals that I noticed and not everywhere, a couple
places and then also was being actively stripped out of Croatia and a place called
Shabbinic was there's this copper copper it's probably about two to three inches thick running
down the floors and then up each of the So let's say it's an eight
sided dome cathedral that you're going into, like the copper a good two to
three inches wide. I don't know. I couldn't see the thickness of it,
but it was running up and then up to the center and then up
into wherever the spire was that was coming down. I've seen it in a
couple of places where it was still very visible in Italy and they didn't take
it out of the flooring or up on the sides of the walls going up
to the top of the you know, the top of the dome and the
cathedrals there. But in Shavinic they were actually chipping it out of the wall,
like you could see where the whole chipping mark had gone up where somebody
had come in with like brute force to chip it and rip it out,
but before they had a chance to like smooth it back over. And this
was in where was it? This is in split No, it was in
Zagreb, excuse me. But they had ripped it out of the wall,
but they hadn't refaced the wall, so they left the gouage marks which were
like, you know, a good six to eight inches wide something like that
at that v where you could sit there were getting down into it. So
it makes me question was it a square of copper that was running or was
it a V because the chip out marks all were v's going up all the
different sides of this one cathedral that we went into, and then it was
also being refaced from the outside. But the amount of like scaffolding and stuff
was just mind blowing, how much scaffolding they had to put up. And
I was like, do you think that you think they built that back then?
Look at the scaffolding just to repair it today. And the immensity of
the scaffolding was anything that you could see with a twenty year or thirty floor
building. I'm like, Nah, they didn't build that, they repaired it.
And that was the whole story. The running theme of everything is they
just kept walking in and finding finding previous settlements that were abandoned. Like here's
a good one for you. You know, Paulmnova, the one star Ford
city that essentially a bunch of images about. I'm trying to bring that up
right now. That was an abandoned city. The people in the Protectorate of
Venice at the time was actually paying people to come up to live there.
Now here's the story. This star Ford city is built in it starts construction
in fifteen ninety eight, they finished raising this city fifty foot into the air
from a flat plane it's two point nine miles around, just on the edge
of the walls thirty feet tall. So I did some rough calculations because I
brought a ruler with me, so I measured the bricks when I was out
there. So they needed roughly seven hundred and fifty million bricks, and then
it was two layers, so we're actually looking at one point five billion bricks.
And they were supposed to bring this in bricks manufactured elsewhere, transported in
there, and using let's say a billion bricks will keep it at even billion.
And they built that entire city in thirty years. But then on the
outside of the brick layering, they had facing stones that were cut at a
perfect forty five degree angle, and they needed about seventy five million of those.
So we're supposed to believe the historical record is they came in and it
was a flat plane, like a think about going into like Kansas, completely
flat, and they said, you know what, that's not going to be
good enough. Yeah, there it is. That's not going to be good
enough. Let's just raise fifty feet into the air and we'll fill it in
with earth. But it's actually a substrate that I have some pictures of behind
the walls that were broken apart in one single area that people are leaving clues.
They always have to leave you the truth. So if you look deep
enough, you're going to find the truth somewhere in the site. So they
raised this whole city up fifty feet two point nine miles around on the inner
city. You're what you're looking at is the full construction of supposedly that furthest
outer ring there was constructed by Napoleon in the eighteen hundred. So it went
through three different constructive eras. The first era went from like fifteen ninety eight
to sixteen thirty or so. And that's interesting because that was the beginning of
the monitum minimum and everything ceased for one hundred and twenty one hundred and thirty
years. But within that first thirty years they were able to move a billion
bricks, build wall two point nine miles around thirty feet tall, put facing
stones on it, and then upraise and lift the city full fifty feet and
do that entire earthwork fifty feet deep. So we're talking about cubic miles of
earth moving. And then I asked the curator, I said, well,
where'd y'all get the bricks from, because I'm looking at a lot of bricks
out here on the wall. You know, I walked around. There's a
huge amount of bricks and it was so high, proud and ivy. Oh
look the construction we did. I said, well, by my estimation because
I measured some of the bricks, you needed almost a billion brick You needed
one point five billion bricks. Just on the outer surface. You need seven
hundred and fifty million bricks. Where did you get all the bricks from?
Because I don't see any brick kilns around. Oh, we brought them up
from all these places. So she named like three or four places. And
I was like, well, what's the average amount of bricks that you could
put on a wagon at that time in the sixteen hundreds, Like what's the
weight on the You know, you couldn't put a ton on a wagon at
that time. I mean you would need multiple bulls or multiple horses in the
you know, the energy in for the energy out e ro OEI is,
We're going to be just blown off the charts trying to move a literal ton
of something. And then you know it's like, well, how many broken
wagon wheels are there laying around, because I would expect to see tens of
thousands of broken wagon wheels if you're going to be moving that much weight all
over the place, like you should have like a Himalayan side, you know,
mountain of broken wagon wheels laying around, especially when you went to do
the unloading and something tilted off to the side and broke both hubs or spokes.
I mean I should see like one hundred thousands broken spokes somewhere. There
are millions of broken spokes if there's that much moving of brick going on.
So just the sheer amount of volume. And then I did a calculation by
using some rough online stuff here to get the calculation of three thousand cubic meters
of something that you know what concrete for a better term, to be able
to put the bricks together, you know, so we're talking about cubic three
foot by three foot by three foot one cubic meter. You needed three thousand
cubic meters just for the for the concrete mix in between that. I'm like,
you know, just dump trucks that we do today. That would take
thousands of those dump trucks of what we do today, Like who's mixing that?
Where was the mixing facility. Where's your line pits? Like, how
did they mix all that? This place is so Christine. There's like really
nothing left of the construction era. So the reason I'm telling you all this
is, after all the construction was done, you think it would be like
the most massive commerce ridden, you know, just at the center of business,
because you need that much material, that much goods coming back and forth.
You need that much you know, feed to be brought in for all
the horses and bulls, and you need all the food for all the workers,
and the housing and this and that, and and then by sixteen forty
they can't get anybody to live there. So in Venice they were asking and
giving prisoners free homes that were pre built up in this city to go live
up there because they couldn't get anybody to live there. Now, you know,
the stories are just so like fanciful. And then some people I talked
to that actually live in the city were like, no, they the Romans
found this and they just kind of walked into it. It was already built.
Well, that's the theory with a lot of the these structures is no
one really knows where they came from, how they were there. When you
asked the historians, they'll be like, well, previous people just came in
and it was already here. I would share my screen with you, wrider,
but I don't know how to share the screen here. You go down
to present and then hit a screen share. Oh, I see that,
okay, and then whatever you share will you can share your entire screen where
you can just share pictures certain pictures at the time. It's kind of confusing.
It's not like zoom zooms a little different. But yeah, if you
want to share the entire screen, it a little window will pop up and
it'll say chrome tab, window tab or entire screen. You can just do
it window by window belt While you're figuring that out. This other photo that
you sent me, I think is really interesting because this looks like it was
like they're trying to build like a fortress, like and I don't think that
these things around it are like mountains. I think that there are actual structures
that somebody built. And if you hit the sheriff thing and it'll pop up
on my end and well, I'll just go through your slides. I can
explain this one easily. Now. This is in the Nautical Museum and you
know, you read the reviews online about going into the Venice Nautical Museum.
They're like, oh, that's a dusty old thing. They haven't curated this
thing and the things from like the nineteen eighties, they haven't updated anything.
I'm like, that's that's where I'm going, because they didn't hide anything yet.
So there's this series of probably twenty of these and what it is.
It's what the Italian Navy and the Italian military controlled as bastions along the coast.
And there's it's a three D. It's actually three D. It's on
the wall pops out. They did a three D of it. So from
sixteen ninety two, this is is Isola siate Fortes de Corfu and they'll show
you I know, I mean in the year of sixteen ninety two. So
they go through all the physical ports that they owned and controlled during that time,
and they're all star forwards, every single one of them. And you
look at the size of this thing that's like two kilometers long or you know,
a little over a mile point two across that peninsula there. So you
can go and find these same areas today. And I encourage you to do
the matchups because mainly they stripped away a lot of the star forward and they
turned them into these new quote unquote shipping container ports. Now they use the
base of it, of course, because it's already built. What they do
strip out is the actual formations of it. But that was a terraformed land
there, and then offshore also that island that's been terraformed a little bit.
But I have a of these images here, but I thought this was a
real good one to show you that even back in the late sixteen hundreds.
You know, you're looking at how long would this take to construct? First,
and it looks like it's been there for quite some time because the city
is built and nestled within that. So you know, the time era of
this fortification being built is not, in my opinion, the same time era
that the city that exists within there was built. The fortifications were first those
who came after found it and it was abandoned, and then they started to
build in what we consider that you know, haphazard, non grid laid out
just city because they found what they found. Okay, hey man, this
place is a little better repaired than the rest. Why don't we start living
here first? Then we'll kind of worked through it as we moved through the
decades here, because that seemed to be the running theme, is this previous
builder society one step back, and I would say that collapse of this build
our society. It was thirty five hundred years ago. Because another thing that,
you know, talking to an archaeologist over in Verona, really very well
spoken, just incredibly knowledgeable curator there. I forget her name, but she
was so nice to stick with with me through the museum because we got there
first thing, it was like nine am and nobody was there. The first
person didn't pop in till ten. So we were the only two, me
and my wife in the museum walking around there. So the curator is with
us that you know, she took us to in the Ambithal area and then
I was asking about Denisovans and she's like, we don't have any Dnisavi insights
here. But then they had this huge timeline on the wall and it was
very clearly marked where the electromagnetic excursions that happened, because they had thirty six
thousand years and then it came down and then they had twenty four thousand years,
then they had twelve thousand years, and then suddenly, you know,
the younger dry is impact. And once I said, hey, you have
the younger dryas did Mark hated here at twelve thousand, five hundred years that
right away she knew that I knew something. So I ask her, you
know, you don't have any from twelve thousand, five hundred years to eight
thousand, five hundred years you have zero, And she's like, yeah,
we don't have anything. It's called the Barren period. And I was like,
okay, So the Barren period like nothing, zero, not even a
single artifact from twelve thousand, five hundred up until eight thousand, five hundred
and some of the most lash vardant crop areas of what you consider northern Italy
now wine fields, wheat whatever. Nothing zero. And suddenly around eighty five
hundred years ago she said that they became suddenly independent tribes just popped out of
nowhere, and you know, they only had written or no, sorry,
they only had oral languages which they passed down through you know, their traditions.
And then suddenly, she says, around seven thousand years ago, the
Sumerians come up and pop in and start to give them written language and then
start to help them with agriculture so for fifteen hundred years they lived as independent
tribes for a better term, or independent peoples up in northern Italy up there,
and then suddenly I don't know what they were doing. They don't know
what they were doing either, just a hunter gatherers or whatever. And then
the Sumerians pop in and give them all this tech, all this agriculture knowledge,
and within like less than a thousand years, they went from full nomadic
peoples into massive city building like the Great Change. Their timelines seemed to be
like just strangely off as well. And then the collapse periods definitely are the
thirty five hundred year period, the seven thousand year period, and then there's
smaller collapses within that of something on the fourth out or the four hundred year
and then the two thousand year change of ages. So somewhere in there there's
a looping of overlapping collapse periods. Some are greater than others, but for
sure that era, I'm going to go out on a limb and say this
fortification building was thirty five hundred years old, so you think that the fortification,
Now, what would be the reason for the fortification of this part of
land? I mean obviously you know scavengers and invaders and people that would want
to you know, take from you, you know, barbaric like people.
But would the serve any other purpose other than to keep people out. Well,
we don't know if the capability for electrical generation, not on hydro but
using you know, any time. But like the pyramids sit on top of
aquifers, and then you know, widen Cliff Tower with Tesla using also was
on top of an aquifer. So there seems to be something with directed water
through canals that's also an integral part of ethereal electricity and wireless transmission of power.
Now we don't know if there are metals encapsulated in this or what the
substrate was with in that that could generate. Now maybe we're looking at a
giant power station for that part of the peninsula. We just don't know.
The tech is so old and the building and the earthworks are so old that
what's been stripped off of there for new building materials. Okay, So these
people come in, they find an uninhabited city that's mainly wrecked from a reset
floods, it could be waves. Whatever they need to rebuild. So the
first thing they're going to do is they're not going to go out and manufacture
bricks. They're going to strip stuff off of the hills and the fortifications that
are really close to them. That's what And this is a recurring theme too.
It's a lot of stuff was stripped off of the existing earthworks to use
to build the city inside. So think about the water usage. Yeah,
it's a great way, okay, but what's the real purpose Are you going
to tell me you're just going to do that much work to cut off,
you know, a two mile journey of a boat going through there. They
could just go around that little peninsula, that small little island, like you
know, in an extra hour or two. So why would you do that
much work? You know that the well they're carving water canals to save on
transit time. Dude, you talking about an extra hour going around the tip
of that thing. Come on, I don't believe that. Did we we
had boats back then there, we were seafaring people, right, Nor did
we have we not discovered boats by this point? Oh? Absolutely, they're
finding all kind of inland boats. And that was another recurring theme too,
was because I asked the curator everywhere everywhere I went, I don't care what
place I went to. I was like, are there any stories and themes
of waves or wave damage or kind of really high tides for you know,
small periods that would have disrupted you know, sea commerce or have destroyed or
at least you know, inundated the coastal areas as some cities. And the
answer was yes, yes, yes, and yes again and again and again.
And there are several more than a handful of ports that were completely abandoned
across northern Italy. The start, he goes, well, the river stopped
running through, so they abandoned the port. But now these ports are like,
you know, half a mile inland, and I'm like, get,
I get it. If it was a water port up the Amazon, I
get it, if the river changes course, But this is a seaport.
It really shouldn't matter that much. If the river coming from a mountain somewhere
changes course, you're on the sea, it really shouldn't matter too much,
you know. But to have the excuses of well, the river change course
and then everything infilled. And that's why all these ports are uniform level of
probably you know, half a mile inland all along the line there, like
what happened to that what pushed all that earth in there? What caused that?
Like subsistence perhaps, or you know, land raising perhaps, I mean,
what causes that? In the old port of Rome too, If you
go down on the west side and you go from Rome directly west out to
the coast, you'll find some old lithographs of these giant and I mean just
magnificently giant pre Greek ports out there. One is a perfect octagon, but
that thing's like a mile and a half inland now. But then it was
from an octagon into a half moon into a larger half moon with like you
know, one hundred foot tall statues standing there at the port entrance, and
all that's gone, and the only thing left of it now is the it's
the octagon. I did a full video on that one, and you can
still see vestiges using Google Earth of the furthest largest outer port rings that are
underwater now completely one hundred percent underwater. And then that middle court ring area
has disappeared because they put an airport there. But the last little bit of
the octagon is still visible. It's a lake in itself, and it's an
archaeologically. You have to buy a ticket to go in and see it.
But that whole area too, you know, that follows right along with the
inundation of So you're telling me that here's the thing too, when you're looking
at today's measurements, the octagon shape of that lake is still visible, and
you can see the causeway that connects to the center part, but then the
outer rings are still underwater out in the ocean. We're talking something that was
built thousands of years ago that was at least a mile deep as a port
when you come in through like what we do today with our ports, good
rival that, but you're talking three thousand and thirty five hundred years ago when
a port, when you start to make the entry, coming past the break
wall and the causeways there, that still sends you another more than a mile
inland before you finally reached the disembarkation point. I mean, that is a
lot of stone and you know, buildings and earthwork to put together, you
know, supposedly is a you know, inferior and prehistoric peoples almost is the
way that they try to teach us in history that anything prior to you know,
five hundred years ago, they were living in mud huts some kind of
thing. But you go back and the only they'll give it to the Greek
in Roman, yeah had some temples, yeah, and they had this temple
of Jupiter or whatever. But they never talk about the port construction because it's
so vast. It rivals anything we've done today. And again these building construction
of the old of the old amphitheaters or the colosseums. Excuse me, right,
it rivals if they're putting if the smallest ones that were reconstructed that they
couldn't build to the previous like girth and giantness of the of the builders of
the previous reset still sat thirty thousand people. That's what our colosseums and you
know things seaked today. Apparently the large one that was built prior could set
up to one hundred thousand people, So that rivals any of our stadiums that
we have today for playoff games. You know, you're looking at orders of
magnitude larger. But that's not supposed to exist in the historical past. That's
the recurring theme is everything that shouldn't exist in the past exists in the past,
and we never talk about it. And what's the timeline for the reset
and why did it reach That's the whole thing. Why did it reset every
single time? Why are we finding we've gone from largeness too smaller, too
smaller, to less to less, you know, to more inferior, more
inferior less. I guess missing a word there. It's early in the morning
anyway, No, I think I appreciate you for being here. It definitely
is super early light where you are, and it's dark where I am.
But I wanted to share this image because I found this image very interesting that
you sent me. What's going on in this picture? Well, this is
the coat of arms for the city of Palmanova, that star forth that you
showed me. This is the coat of arms for their city. Yeah.
The double headed eagle at the top left is Austrian. Yeah, originally from
Austria. Now that's another thing. Anywhere that this fingerprint of the builders has
gone contains an eagle, double headed eagle, at least in Europe. And
then you pointed out rightly so that you know that has moved over to America
with a single eagle. But where the fingerprint of the old builders and the
old knowledge remains, it's a double headed eagle. And I didn't find it
everywhere. I only found in some places, so obviously you know it's a
sign. Also, well, it's interesting because the original double headed eagle you
can track back to samer And you said that the Samerians came to that where
the star Forar was located and basically gave them agriculture, right, so maybe
they adopted this schedule as well, along with the other things that they showed
them. Very interesting, And I talked to my friend Paul Knight that does
a lot of research into Yanis. His channel on YouTube is the Black Sheep
Researcher, and he's talking about Yanis being this double headed entity. And Yannis
is like the god of like everything. He's the god of archways, he's
the god of doorways, is the god of keys, and he's always symbolized
with two heads or three heads. And that's immediately when I looked at this
image, I was like that it's Yannis right there at the top. And
then how that's been carried over into the United States with the one headed eagle.
It's just really fascinating and really interesting the symbolism here, and this one
has a crown over its head. Hey, I don't know, very interesting.
And you got this chimera thing down here. What is that like the
body of a lion? And then I was talking to you about the Book
of Ezekiel earlier, when we were discussing, you know, Ezekiel seeing the
being coming down from the sky. I think it had five heads. I
believe, one of an ox, one of an eagle, one of a
lion, and a few other animals. But you got a lying body here
in a double headed egel. I don't know what it means, but it's
interesting. And I would say one thing, I have a new and this
came to be in a church, a cathedral of all things. So I
was looking for the answers, like, I just can't figure this thing out.
Why is this The cross that you're looking at is the galactic cross?
They encoded that in the religion so we would not forget it when we came
to this new turning coming from Pisces to Aquarius. Like the best way to
encode messages is into religion itself. So I know a lot of people are
going to have a difficult time, you know, with a lot of the
research I'm going to be putting out. But what we're looking at, the
reason the cross is there is this reference time of the returning of Christ and
the returning of the Christ's consciousness. A they're talking about the Brooklyn current and
the physical change of energetic flow through our solar system that's going to bring in
heightened awareness to the human being. And you know, you consider Christ consciousness
at a higher level of higher vibrating, more understanding in the interwovenness of all
complex life and energies that exist within dimensionality, as well as how we are
connected through spirit back to Creator, like we've lost that we went through the
dark ages, that is coming back again. So in the literal sense,
if you're looking about an energy transmutation as we're moving through space, you know,
astrology explains through those different zodiac signs that move every two thousand years.
We just moved into another. We just moved into Aquarius. And it's interesting
that the biblical references we're all talking about the return of Christ right as we
exit Pisces, which was the beginning at the birth of Christ into Aquarius right
now, and that cross you're seeing there is not a crucifixion cross. That
is the galactic cross that we are moving into another galactic cross, and in
a time of disruption in sues once again I have a couple, you know,
oil paintings form the fourteen hundreds where Christ is not on the cross.
His head is laying exactly in the center of that and looks like the old
Rosia Crusrian cross, but his halo is so gigantic. I've never seen a
halo coming off of, you know, a divinity figure like that square right
in the middle of the cross. So there's a lot of things that were
encoded in biblical paintings because you have to realize how powerful the Church was at
that time. They were going to burn Copernicus alive for saying that the sun
was the center of our solar system. So to encode this knowledge, which
was being passed down through quote unquote secret societies, had to be done in
a biblical contextual way. So when I'm looking at saints, they're not saints.
They are the planets, and they put the different configurations. It's no
different than us looking at like a solar system scope model, where the planets
would reside in the heavens on their orbits in different times of the year.
Well, all you have to do is just take the planets and turn them
into saints and put them in that same rotation and you can find, you
know, different alignments too. And when you see the halos glowing on the
heads of a lot of these saints, or Mary and Baby Jesus and things.
Mary's always depicted this yellow clothing with the glowing you know, or around
the head that's the Sun, and the Baby Jesus that's the Sun protecting us
the Earth with the electromagnetic field. Now it's interesting because sometimes you see Mary
super glowing and the Earth is not glowing and it's kind of tipped on the
side like this and a distress state. But then other times Baby Jesus has
a glowing halo and Mary has a glowing halo and they're holding each other and
they're in symbiosis with the two magnetic fields matching. And then you can look
on the outside and you can see where Jupiter, sat On, Uriness,
and Neptune are represented by the staff, which would be the planets themselves.
And then also you can see the Saturnian rings very clean. Once you start
to see it, you're like, that's not a halo, man, those
are rings. They knew what Saturn looked like way back then. Then you
start to take a whole different look at the encoding of paintings on how they
were representing not only orbital flows, but the energetic electromagnetic effects between those planetary
bodies and also disruptions in that that caused distress on Earth rate here. And
you know a lot of people are going to have a very difficult time and
very big problem that are super dogmatic about the decoding of these paintings because that,
in my opinion, is the only way you could have hidden this information
is in plain sight. That's the only way it could be done. And
it had to be done under the guys and the rules of the church,
So everything had to be in a biblical text, So how would you disguise
it? But it's all there for it. Once you start to see it,
you can't unsee it. It's very difficult to unsee once you see it.
Well, this double headed eagle right here has the crown on the top
of all that. They have crowns on top of their heads and then one
big crown over top of them. I mean that could be depicted as the
corona of the Sun as well. And the crown of thorns on Jesus can
be depicted as the corona around the sun halo can be depicted as the corona
around the sun. You know, it's sun god worship. Yeah, what
about the filaments coming off the sun? If you had, you know,
a highly electrified state, and you had like, you know, twenty thirty
filaments coming off the sun that were visible from our planet, then that would
be the crown of Thorns, would it not? That's right? And I
have a few other pictures that you sent me the one to present here you
sent this one. What is this here? This looks like a Ufo dune
taking pictures of UFOs are there and then shining his beam onto something, onto
the boat abducting people brow. Yeah, these are the Venetian coins here.
So when you see the lion is referenced down to the bottom left. Again,
that is a very very clean piece of iconography. Now, I am
wondering if it was the time of Leo, which takes us back to,
you know, the time of the construction of the Sphinx and a lot of
the things that were Now is it that time there referencing or is it the
old stories of the time of the beginning that they understood these energetic changes were
happening at the time of Leo. Because if you go Leo Taurus areas Pisces
Aquarius, and you're way back at the other side of the galactic cross at
that point. Now, this energetic thing is another common theme of out of
these what you consider old buildings or you know, temples of there seems to
be some energy, magic energy redirected. Now, you know, you could
take it a million ways. Was it mirrors, was it plasma? What
was it? What was the the machinery used to generate that type of soul
you know for a better term, glowing beams to come out of this.
But you see this in many a place, you know, and it comes
out, it's coming out. The oil paintings also from the fourteen hundreds have
this a lot. The ones in the sixteen hundreds do not. So I
noticed a couple of things when you're rolling back into the late thirteen hundreds.
In the early fourteen to mid fifteen hundreds, there is a lot of pre
and post cataclysmic damage showed. Like you might see somewhere there's perfect archways and
everything's well capped, and then the next set those archways are broken. There's
trees growing out of the top of them, and it's looked like people just
wandered by and then just like, hey, there's a city here, we'll
take it. So you're seeing cleanly pre cataclysm and post cataclysm in that one
hundred and fifty year period of paintings. But a lot of that pre cataclysmic
stuff has a huge amount of these kind of rays coming out of the temple
buildings and I can't explain it. I I just thought it was a cool
shot to take. And it's an impression of a coin that was issued in
Venice, and I don't have the date of issuance. I'm sure it was
in the late fifteen hundreds. Though. If you showed those to a ufologist
Dave, they say it's proof of extraterrestrians. Bro Man, lion man,
he knew it. Well. It's interesting too because of the lion people.
Some researchers believe that the sphinx in Egypt was a lion and that it was
originally pointed at Leo, which would make sense, it would. Yeah,
you have a couple more shots. I know. I sent you a few
more, and once you do that, I'll roll into a couple of my
own slides here too. Yes, we got but this energetic theme the ancients
seem to have some sort of technology that would allow them to resonate this sort
of Yeah, and again this is Coronelli. He's the most famous cartographer.
He did both celestial globes and terrestrial globes both, and for me, man
the celestial globes are dynamite because they show the energy flows on them, and
not only this one, but for some reason, when the Earth passes through
and hits into somewhere along this line of where we sit in the heavens,
there's look at those current flows coming out of that so cleanly you can't describe
any other way than that's an amplified current flow along the line somewhere today we
will call that a Brooklyn current. But the convergence of three Brooklyn currents represented
in a map from the early sixteen or late fifteen hundreds on a celestial globe
is quite interesting for me. Like they're understanding of plasma physics and energetic ropes
across the universe here and our wider galaxy is just mind blowing, Like where
do they get that knowledge from? Like this is encoded information that was there
in plain sight for all to see. It was a mythical, fanciful note
wasn't They were representing the current in different regions of space as we moved through,
so they knew where the energetics would change as the Earth passed through this
and our movement around the galaxy. So somebody had the knowledge that passed it
to them and they were hiding it in playing sight well through their mythical schools
as well. Well, that's my you know, my other question about these
maps that are you know, depicting other land masses. Uh, you know,
Asia being one giant land mass. And I'm sure you have a few
slides that you're going to share of the maps. I don't have the screenshots
of the maps, but how did they know what everything look like? You
know? How did they? I mean, how were those maps originally drawn?
Like were they Was it just based off of memory? Because I'm guessing
that's how a lot of the original maps were, especially of the United States.
Whenever you know, people first came over, they would go back to
England and like draw what they saw. You know. Also, these are
these like drawings from memory, Like what's going on? Did they have some
sort of flight capabilities that they were able to see it from the sky,
which then brings in a whole other realm of questioning some of those answers.
I don't have answers for those questions. I just don't have answers for So
let me see if I can share a screen for you quick. I'm going
to try to continue on with that. Let me see. I'm just gonna
share the screen here, select to tab to share. I'm gonna select a
window, I guess, but I'm on. Let me see the Venice Museum.
Okay, Actually I want to share this. See if I can share
this with you? Are you seeing anything yet? There? You got to
hit share and then it'll pop up on the bottom of my screen and then
I can bring it on to the here it is, yep, okay,
So I want to share Are you seeing a globe here? Here? What's
on this screen is a bunch of small, small pictures you can probably click
on. Yeah, I don't want those or what I really want. I
want to share you the the larger picture that I'm in my open image viewer
right now. So let me see if I can try one more time with
you here. I used to use zoom with this, so forgive me,
everybody out there, I'm learning the tech right here. Let me hit the
preset. Maybe it's slides. Have no slides, it would be sure a
screen, and then you can if you have it already, the photo that
you want to share already opened on your desktop or your laptop, then you
click it. If you did, then you click window on the second time
across from and then you click it in or whatever it is that you want
to share. Okay, it's not letting you do that again. Let me
just scare the entire screen now, let me see here. Yeah, just
not let me pull up that screen which is interesting? Why not? It's
allowing me to Let me try. Let me try to do it this way
and see if I can share. Let me try that one more time.
I'm gonna get down to my globes and we can move through the globes here.
Can you just click on what I make the image larger of whatever it
is you want? Yeah, I'm just trying to see what this does here.
All right? Did you see the globe pop up big? Now again?
No? They're all small still? Damn? Okay, why is that?
Why can't I all right, I'm trying to let me see if I
can share here. Oh, I'm just unable to share anything off the screen
with my photo thing. There are you able to pull up a couple of
those globes that I sent you with Tartaria and that those those structures below that,
let's see if I got them on the I'm just unable to share my
photo screen with you. That's kind of crazy why I can't but try and
pull some up here. I got the the Sundial one I got. You
sent me a few links. Oh, those were just links of globes that
were Do you want to pull those up? Yeah, you could do.
I thought it'd sent you some some link or some actual Tartaria images from the
globes that were I see. That was another recurring theme too, was these
globebes that are in the museums, these large ones, they're probably like four
feet wide, done late late fifteen hundreds, early sixteen hundreds. They have
Baja disconnected from California, they have Tartaria, and they have Japan as one
continuous island. So for me, this is a very near post ice age
map. These are not current maps that we're looking at, their source maps
that were sent down. Like I have, you know, six hundred plus
photos of just the globes that I took of all these different kind of globes.
There were several of them. Now, one of the ones that I
thought was a watermark on the bottom. It was the part of the Perires
map that we understand is the sea Kings map. Here's one of the globes.
Yeah, that's the celestial globe there again. Now they show the head
of Medusa and they also show you know, the current flows that are moving
around in the solar you know, through the the spiral arm of our galaxy.
And how they look at these, you know, because when you're looking
at this, they were trying to depict to you an energetic frequency of animals
that they understood at that time, and the interplay of these energies based on
like how a bull and a horse might interact or a bear and a horse
might interact together. So you have to look at it in a different sense
of just that itself. The hemisphere of there, there was always a phoenix
and it was always right next to the Brooklyn currents and the Pisces fish.
So what's interesting is that for me is in the Pisces fish you'll see the
Brooklyn current, but then right below that there's a phoenix. So as you're
transitting if you would and you were following the zodiac around as soon as we
transited through the pisces Ara and that cease, then boom we get the phoenix,
which is always what is the phoenix? That's always a harbinger of reset.
You know, it's interesting, Dave, because I've put a phoenix in
the background of the thumbnail of this video. What a coincidence? Ah,
Okay, this is off Anautical Museum. Here is this is Tartaria, and
this is the flag of Tartaria that they would fly on their ships. Now
I'm trying to clean up some photos because photographing oil paintings is a different ballgame
in itself because there's so much reflectivity, so you always have to be at
like an angle to get it. But some of these battle paintings, you
know, we're twenty foot long oil paintings, so to try to grab you
know, battle scenes of ships in between this that and the other of star
forts in this it takes a fair minute to clean that up. So this
flag that you're seeing here is the actual Tartarian flag, but that is also
in fourteen hundred oil paintings when they had naval battles that ships were flying this
flag right here. And you'll also see that long streamer one that I sent
you, the long red streamer one that is also a depiction of Tartaria and
their flag. Like if you do Google image search, you'll find Tartaria the
flag, or you'll find the mythical animal, well that mythical animals on that
like battle flag. That long pennant one. Yeah, you got the long
pennant below it, and I sent you the one image that it was also
just the red image the pennant itself and thank you. Coffee time. That's
right, I gotta have coffee. You gotta fuel up and I got it
on me too, super late. Yeah. What I'm gonna try to do
is I'm gonna pop back up with my skypeins. If I can't send you
a couple images live like hopefully I can post edit this when I put it
up on my channel here for you. All Right, there we are.
Let's see I can send you something here out of my I found one of
them. Yeah, you'll find that coin again too. I'm gonna send you
with a coin is another big one with the lions on the coin. That's
a that's a huge one and whatever it is, that mythical lion that's represented
in so many places and spaces. You know that that's the big thing is
why is it so front and center of a mythical creature on things that when
they're supposed to be so realist at the time, You know, it doesn't
make sense for me. But I'm going to send you a quick Tartaria image.
Take a look at that one. Is this the one that you're sending?
Different one? Yeah? Let me look here. Yeah, that's it.
So that's Tartaria image Like this is on the Coronelly globes. Now,
Coronelly did man dozens of globes, and mainly he was pulling from source maps
almost eight hundred images of just these globes. The Coronelly image at the very
bottom where Antarctica should be not discovered in the in the late fifteen early sixteen
hundreds. He has that exact one piece from the period reefs map plugged into
the exact spot rate under South America. But the rest of Antarctica is blank
because they didn't have a source map for it. Whatever it was, he
was able to scrape that map and plug it into the correct position below South
America. So for me, at first I thought it was a watermark,
like, oh, man, like, who the hell, let'spill some water
on this thing and damage the globe because it looked like a squiggly watermark on
the bottom. And then I saw the original in the humidity controlled you know,
glass encapsulation area, and sure enough, that same squiggly line was there,
and I'm like, you know what, let me take a closer look
at that. So again going through trying to get photoshop, you know,
and you know, change the contrast, so things pop out, and you
know, it's going to take a fair hundred hours of trying to work with
photos here to get them clean enough to really like this is what, Like,
masks didn't hidden in this place? Where were these globes? Where were
these globes on? They're in in the museum in Venice And the cartographer's name
is Coronelli and he's the most famous photographer or sorry, excuse me, cartographer
in Italy. How big were these? Were they really big? Cold?
You walk all around them or was there? Yeah, they're about four feet
across. Wow. Yeah, and they actually have a mountain that's on the
floor. So they're in in uh not a they're on some sort of like
metal spindle that moves around, and then they have the latitude and longitude on
those iron bars that are coming down onto the wood on the floor there.
And when do they say that these were created early sixteen hundreds? Wow?
So what do they think about Tartaria and this or Tartar? I think Tartar
is the was the original name for it. They what do they say that
it was? They don't. They never even realize it as being something significant
or special to even look at. It's just part of what was like for
us, we're like, don't therery other's everything on the map. For them,
they're like they had battles with this kingdom or they traded with it at
some time in the past. So for them, it's just all right,
Phoenicians cool, like it really doesn't stick out in their whole time frame of
things. For us in the West, it does something different here in America
and Australia and the research of Thetaria it seems to be like this mystical kingdom
thing that is just like hidden in history. But over in places like Venice,
they just it's part of what was in their trading partners and what was
in their sea battles for battle over you know, port facilities and kingdoms of
times past. It is what it is now. Just for the audience that
are that's listening. You took these photos, right, you didn't. Yeah,
these were all my own photos. That's right. You didn't take things
operate Internet or any of that nonsense. This isn't from Google. You were
actually there. You actually took the photos of these globes. Oh yeah.
And here's the thing. Like, I was a real tall guy. You
got to realize that this thing is encapsulating like a five and that five foot
tall glass box, humidity controlled, and this is the top of the globe.
So I mean I'm standing there going away like this, like trying to
take my camera, standing on my tippy toes, trying to get this thing
to focus in on the top of the globe, you know. And I
noticed that right away with Tartaria, and I was like, oh, what
else is up there? Too? So I took a few more shots at
the tops of the globes too, because some of those older source maps show
some islands up in the Arctic, but I don't see that on these globes
here. You know, I got to see what I can do with the
resolution and what I can do with the the contrast, But just as a
quick visual glimpse, you know, I just don't see that kind of four
islands that are you know half you know, pizza shapes, that sandwich together
that we've seen some of those, you know maps that show four giant islands
in the middle of the Arctic, Like, that's not on these globes.
But I do think these are a far older globe because if you're looking far
over to the east, you see what appears to be as Japan is one
giant island, not a set of islands disconnected with sea level rise. So
you know, you're looking at some of these maps, I do believe were
when sea levels were far far lower than they are today. So you know,
put me a time on that when Japan was one contiguous, solid island.
Yeah, I think it was. It was just important for me to
mention that that you actually took these photos because whenever you're searching online for a
lot of this stuff, you don't know what's been edited, you don't know
what's been photoshopped. They could just be photoshopping in Tartaria name into a lot
of these old maps. You know, you never really know. But this
is legit. You seen this with your own eyes. This is a picture
now you took it, says Tartaria on it. Yeah. That what's interesting
is below the tar look at that the structures there. Those are not mountains.
So the depictions of mountains are cleanly they're very different. Those are structures
structures. So what are those things anyway? Do you think? I mean,
they look tpe like ish, But then how do you know the placement
of where these structures actually are? And if you don't have an aerial view
of it? That's my thing of this, like how do you know the
layout of this map? I don't know. It's awful. It's pretty suspicious,
Like how would you know the placement of where are these all these trees
are and where these supposed what you're seeing are structures if you don't have a
topographical look at it. A lot of unknowns in history, it does seem
here. I'm going to send you some Baja California maps here that are disconnected.
Here, I'm sending you three images right now, and see what you
if you can pull these up. Because another thing that's quite interesting is in
the center of the United States and what we consider like the Mississippian cultures.
They have a giant image of what looks like a giant stonehenge. And then
I found another globe online as you say that that matched up. But the
area that looks like a very clean stonehenge that's depicted in this globe which I
took the images myself. That there's a later rendition of another cartographer about maybe
fifty years later. I forget his name was something like that in the middle
of along the Mississippi River. But it's very it just looks like a circle
with like three things coming out of It's not you know, nearly as dense
of the thing. So pop these images open, and I really I am
surprised at what I had found in these images. Also, I just sent
them to you on Skype to see those three come through. Yeah, really
quickly before I get these, uh get these pulled up? Uh comment on
this coin here really quickly. Yeah. Again, this is a mythical coin
venice issue. So what is it with this chimera slash lion mythical beasts that
everybody was so in tune with, or worshiped or found as a source of
wealth and control and power. Because it's represented in the coat of arms,
and if anybody studies heraldry out there, you'll understand about that. But it's
front ends center of the control, center of the seas of the Adriatic and
the overland roots and the wealth and the power and the trade of Venice,
which also I can't believe the stories of the construction of Venice. They're saying
that they were running from roders, and you know, they went out and
pounded a bunch of sticks in the ground, and they put stone layers to
two layers deep, and then they built all these cathedrals in the city on
top of just what we consider sticks in the water. Okay, well,
some of these poles from trees were seventy five feet long that went down through
the mud layer and then hit the clay layer at the bottom. And they
said that there's million, tens of millions of these poles that had been pounded
in and then they put dual layers of rock as they're like substrate, and
then they built on top of that with an outer casing set of stones to
prevent water damage from wave action. Now, if you've ever been to Venice,
that things like form my long by a mile wide with some of the
largest cathedrals in Italy, and it's supposed to be all built on top of
what you consider trees with you know, like a pencil shape dug and slammed
down into the clay below. And I'm like, are you kidding me?
Really, that's the story that if it is, If it true, they
do find when they, you know, repair some buildings that these things have
been pounded in, but they fossilized, like somehow the minerals had been replaced
for these trees that were fully slammed down into the through the mud into the
clay had somehow turned into fossilized rock hardened. And I'm like, this is
not a new building thing, if it is. And they do find when
they repair buildings this type of thing, but then it's all wrapped in metal
to keep those so they don't move back and forth. So the entire set
of whatever, uh you know, trees were rammed down in through the mud
layer down to the clay layer. We're all connected by a metal lattice,
double stone layers on top outer facing stones, and then they built on top
of that. That is not our construction. That is construction from far long
ago. Where technology was eclipsing anything that we have today. You can't tell
me that you went out into to see some miles four miles out off the
coast and decided to start pounding ten foot long, seventy five foot long logs
into the ocean and then put substrate on top of them and then build an
entire city. And I'm not talking a city. I am talking one of
the greatest cities on the planet. And the largest cathedrals on our planet sit
on top of sticks, basically, is what they're telling you. As the
story, all built in a few hundred years. Impossible, absolutely impossible to
believe when you see it. Impossible. But I'll leave it there, man,
And that's why I said this mythical. This mythical, I don't know.
Here's the pictures of the other globes you just sent. Okay, what
do you see there? I see Baja California disconnected from California. So we
are talking long ago. Yep. That's what it looks like. Yep.
Now, if you go to the next one that's a little bit wider,
that encapsulates all of America. There, if you take a look at there's
the next one that shows but that part Aboujac California, the center of the
United States, and Florida. The Florida coastline looks pretty similar to what it
is today. But you'll notice for those of you who follow rivers that the
river as we know as the Mississippi's coming out in the wrong place and Florida's
much wider, also going out toward the Bahamas. Now, can these be
geographical errors, You know, it's a high possibility, but this maps were
put to death if they if they faked the figure that was. That was
one thing that a lot of people didn't want to be cartographers because if you
made mistakes, you were put to death. So you know that being part
of your job description. You mess it up, you fake it. There's
wrong thing, you know, because entire navies and entire empires were built on
them understanding where things were, trade routes, armies, movement of goods.
Uh. You know, entire societies and civilizations were built on the correctness of
the details of these maps. It almost looks like the entire West coast,
like there's like a river running through separating in the entire it would be California
or again in Washington. Yeah, the yukatamp Peninsula is also a little bit
quirky. Espaniola. When you go down to you know, down to where
like Puerto Rico is and Dominican Republic, et cetera, Cuba, that all
looks very much larger than it is today, meaning sea levels were lower.
And then if you look in the middle of the Mississippi Valley, there you
see that giant thing that looks like a stonehenge for a better term. But
the Mississippi River exits through Texas out into the Gulf of Mexico. See if
I can zoom in on this a little bit, Oh there you go,
yeah, right in the center there, So Mississippi River's coming out in the
wrong place. Now, to get a river that wrong, that's like a
pilot not knowing how to read a compass, right. I wish I could.
These were sharp enough to where you could really be able to read it.
Yeah, I guess I could do. And again I'm trying to clean
it up. But I think if I, you know, get the contrast
boosted a little bit, some of the writing might be a little more visible.
And again, like I said, I got so many of these images,
I might have actually zoomed in on the writing there and another image or
so neu Veau. Mexico's interesting. I was talking to Branton on my program
and I gave him this map and he goes, yeah, man, all
the mountains seemed to match up in the correct position. Because he lives out
in Utah, so he was saying, yeah, you can see the mountain
ranges that I recognize here as well. H And it says New Guadalajara and
Guadalhara, Mexico and Guadalajare And then he got the Stonehenge type of thing right
there, and then off to the right or to the east. What we're
looking at is somebody who made a series of maps when the sea level was
far lower and the land contours were different. That part of what you're looking
at there is now sandwiched against California. So what kind of earth change would
be required to take that disconnected land mass and smash it against That's where the
fault line is. So if you look at the New Madrid or in the
San Andrea's fault, that's where that piece is now sandwiches up against California.
That's where break off. Yeah, yeah, that's where it breaks off,
or where it reconnected like San Andreas fault. Right, there is that reconnection
slash disconnection spot. So this gives validity to massive earth change somewhere along the
way, asteroid impact, natural disaster. Your guess is as good as mine.
Yeah, I mean there's several several people have theories. I think there's
another one. Do we already look at this one? This is a third
one that you sent. Yeah, because I was looking a little bit further
south on that and you can clearly see that big line of mountains there would
be the Himalayan Mountains. And what I was hoping to zoom in on is
the far east there where you see the latitude, you know, demarcation there
with that piece of metal going across the globe to zoom in where Japan is,
because it shows it as a contiguous island and Taiwan's much much larger than
it is today. Also, so if you go into the what you can
see the islands of the east. Yeah, I'll go a little more east
on that, pull that thing over to it, and now there's your little
tepe section there trying to get it over non mop poplar or whatever that is.
Yeah, So you're looking at Japan, right, there, so you
can see the Korean peninsula comes down and there's a lot more land mass there
at the bottom of the Korean peninsula. Now with that Jju Island that's totally
water separated, but it looks like, you know, there's a teeth bunch
of teeth islands coming off of southern Korea down to Jju Island. That's that's
two hundred or some feet lower sea level. And then if you look at
Japan, obviously it's more of one contiguous island than it is a bunch of
separated islands. Yeah, and here's an interesting one. Look at Taiwan right
there. The size of Taiwan is five to thirty percent larger than it is
today. That's really interesting. Yeah, So this is a this is a
series of maps with sea level I'm going to say approximately two hundred foot,
maybe not full four hundred foot because of what I started to look down where
like Indonesia was at the full glaciation, that was one gigantic land mass from
Thailand all the way down through Indonesia there was like no water separation. But
in this series of maps there's some water separation. So I'm going to say
sea levels is probably about two hundred foot lower than they are today based on
this map. So how far back in history doing we need to go where
sea levels were two hundred feet lower? And this just blows everything out of
the water that we understand in terms of like their technology and understanding of mathematics
to be able to create maps of this some you know, prior than six
thousand years. So do you think that the entire globe they referred to it
as Tartaria? Do you think that were definitely not m I'm curious how they
thought the kingdoms that inhabited these areas were referred to. I'm just curious because
it seems like it's got Tartaria on all the maps, so you would think
that it would be all referred to as like the entire globe would be referred
to as Tartaria, just like some people believe that Atlantis wasn't just one singular
city like it was the entire earth, Like the entire earth was called Olympics.
Did you look at the dollar dominance today? Everywhere you go you can
find a US dollar And could you go back to that map one second.
I remember when we were talking, Ransom told me something about that map.
If you could pop that one back up again, please, yes, just
circon boom. Here we are so global civilization. Yeah. Now, if
you could zoom in on where it's had Tartaria to the west. There,
you'll see the Caspian Sea. Okay, hold on to me get it out
the west of the buildings there. Yeah. Can you zoom in a tiny
bit more to where it says Caspia a lake that's right there in the center.
There's a lake, right, Okay, Now go go west a little
bit. Okay, that's that's the Caspian Sea right there. So what don't
you see next to it? The Black Sea is not there. The depression
didn't fill in, so this is pre flood like, it didn't flood yet,
the Black Sea area. This is something that's far older. You know,
you're looking at the Black Sea flooding they say come in around eight thousand
years ago. That before that, there was no Black Sea prior to say,
eight thousand years prior, because some sort of flood came in, some
sort of land subsistence happened. And this is where you find a lot in
the Kalkadean. You know, a lot of their societies forty feet underwater.
You found that thing that looks like the Millennium falcon that was underwater too in
the Black Sea some forty fifty feet deep something like that that they equate to
that create the Black Sea in these maps series here. So how far back
with eight thousand years you know, I mean, what is going on with
our history here? Full it display out in front of you. But we
have ice age you know, Middle ice Age maps here or something or coming
out of the ice Age when the floods were occurring. But it didn't get
to that point yet. So if sea levels were two hundred or two hundred
and fifty feet lower, the Black Sea wouldn't be there yet because the water
hadn't risen past that you know breakpoint where it started flowing into that depression area
there. Only at the end when when the ice was melting more and the
sea levels were rising, did it breach that natural barrier and then started filling
in. And you know, like water, once it starts flowing, it
just broke and filled in that whole area. But we are not seeing the
Black Sea over there anywhere. But put a date on that for me,
before the Black Sea flooded, meaning that it was pre flood you know what.
They say that that millennium falcon that you just commented about, They say
that that was naturally forming, that it was not man made. That erosion
and nature created that weird step formation of the millennium falcon under the sea.
It's unbelievable. But this moves up the date, if you're correct, This
moves up the date of a big flood to way more recent than what is
commonly accepted. Again, it is what it is. You just seeing what
I saw too. I'm just trying to make sense of it because nothing makes
sense, Like none of this map makes sense in terms of sea levels and
how much land it is now comparatively because you know, we can look at
Google Earth or any kind of topography and there's kind of there's different kinds of
software is where you can remove water and get to different levels, so and
people can do that back and forth. People like to study, you know,
the full glaciation four hundred foot lower, you know, water levels across
the oceans during full glaciation, and their software you can run it up and
then you can see the time it was comparatively to how high the water had
been like the reflooding. Can you imagine how cataclysm that would have been.
Could you got to think full blown glaciation is ninety percent of the time on
our planet. So for I'll be generous and say eighty thousand years the ice
sheets were forming, and a good fifty thousand years of solid time, everything
was stabilized. Sea levels were four hundred feet lower than they were now for
fifty thousand years. Imagine what kind of societies and civilizations could evolve along the
coastlines in fifty thousand years. I mean, look what we've done in ten
thousand or five thousand or even less. Comparently, you know, a courting
corner to our history. So what did they do during fifty thousand years of
time, Well, they would have built along the seasides as well, and
then suddenly sea levels rise four hundred feet. And I would really like to
take a look at the Navy maps where they imaged every single inch of the
ocean bottoms. I'm sure there's vast cities across huge swallows of our you know,
what would have been a four hundred foot depth across the ocean right now?
What's the name of that. I think it's in China. It's either
Trainer or a japan underneath to see where those those statues are Yonaguni Island or
not that one. It might be that one. I don't know what.
I have to look it up at. That's that one was on this map.
If you swing way east, go way east on the map east of
Taiwan, you'll see those islands out there you're referring to. Yeah, I
keep going even further east. Yeah, right there, could go go south
a little bit, okay, So you're looking at Japan right there, close
in, so you need to go a little bit south of Japan. You're
gonna be looking between Taiwan and Japan, and uh yeah, go a little
a little one further south, a little fur the south because you're at the
Korean peninsula right now. So you go a little further south forgetting how far
I am? Okay, okay, right, there's Taiwan. Now, if
you go a little bit north and east of Taiwan, those are what where
the Yonaguni Island site is. But it's not that big today. It's a
little squirrely island out in the middle of nowhere. But these are vast A
little bit more west now, a little more south. You're right in the
center there. Yeah, and just go south from there. Okay, little
more south, little more south, okay, a little more south there you
go stop there. So Taiwan is that bigger island, and that's far larger
than it is today. You look at today's Taiwan and that whole jutting out
piece to the west isn't there. But you know, it's interesting how you
talk about the millennium falcon because during the full blown glaciation, Taiwan and China
were connected by land, there was no water, and apparently there's temples in
the channel there now that resembles something very similar to the millennium falcon that was
discovered in the Black Sea. Right in the channel there between Taiwan and mainland
China. There's also one temple that used to snag and still does snag a
lot of fishing nets. That's how they knew something was on the bottom there,
and they sent sonar equipment down and it looks very similar to that kind
of backgrounded shape with the pincers and that sort of thing, just like the
millennium falcon. Have we looked at a reef system that's definitely not there in
northern Taiwan. But then as soon as you jut to the east, there's
your Yoonaguni Island, and all that stuff is far larger than it is today,
like I mean massively much larger than it is today. You can barely
even discern it as a dot on the map, the Yonaguny island today.
But look, that's a huge island in comparison. So that site at Yonaguny
was one hundred and twenty five feet depth in the water. So if ice
or this map was levels of two hundred foot lower water levels, then of
course they could have constructed something like that and it would have been one hundred
foot above the water or seventy five foot above water. There's your site.
I don't think we've mapped all of the ocean floor. There's no way that
we've done that correct. I don't know. The Navy had been on a
tangent there in the nineteen eighties and nineties to go map out, and apparently
every square inch of the of the ocean bottom has been mapped by the navy
US Navy. That's why I'm always wondering, like, what did they find
in terms of cities at the four hundred foot level just before the continental shelf
drops off humans are humans would have done the exact same thing. We would
have built on the coast because there would have been fished, there would have
been trade, there would have been ships, there would have been rivers,
the would have been freshwater, that'd have been everything. So take New York
City and put it four hundred feet underwater and then let tidle actions scrape at
it for the eight thousand years, and then what's going to be left what
we got now? Yeah? Right, But I mean there's there's a lot
of symbolism and a lot of information about that New York is going to be
hit with giant tied away, Same with California, same with a lot of
these cities as well. But all hearsay in all speculation. But before I
let you go here, Dave, do you think this may be a different
kind of topic, but it's definitely related. Do you think in the future
humans will still be humans or do you think that it will be something else?
Like named something else? Will we be so modified through genetic alterations,
robotics and AI that future people on the planet will effectively no longer be human
and be called something different. Galacto cosmic rays with a decreased magnetic field will
also change us. It wouldn't have to be exclusively augmented human. But think
about their history. There's always been multiple safety and species living and coexisting together.
And if you look at the timeline where the Denisovans, the Neanderthals and
now US Homo Safei and Sapien and then we're going to change again. So
it seems about what every thirty thousand years that we get into a new specie
of US. Now, galacto cosmic rays would be a huge part of that
because Robert Felix, who I knew before he passed, talked about the evolutionary
leaps. So when we got into these giant cosmic ray bombardment events with a
very low magnetic field around the Sun that allowed more cosmic rays in, that
also created massive biblical floods at the same time because of the cloud nucleation,
the cloud building because of cosmic rays. And then if we did have an
augmented human, like the World Economic Forum crowd talks about, that Sapian specie
would be here, which still have the remaining Sasquatch DNA lineage that would still
be here with us. You know, we have reports of pigmies and that
sort of thing, a very small three foot tall humanoids or human species through
Indonesia and other parts in forests and deep forests around the world. So even
currently, if you look at it, there's probably four different specie of hominid
on the planet, bipedal hominids. So if we were to add in an
augmented human, that'd be another one, and then if we got galactic cosmic
rade changes, we ourselves would bend. And I think we are at the
last of what you consider homo sapien sapien, that we are into an event
of specie change again. And this is why a lot of things that we're
seeing across the planet are taking place for continuity of specie, continuity of government,
continuity of economy, like whatever's inbound. Based on just the past cycles
and understanding those, we are definitely at the cusp of something great and grandiose
and gigantically civilization and specie changing at our dost. We're not even out of
doorst We're in the process of walking through it now. The intensity level to
the point where society doesn't function anymore, we're getting very close to that day
by day, and you see how the world starts to spin, and how
governments you're reacting so much differently and causing so much chaos and disruption as a
smoke screen and a screen of fuzz so they can do things behind the scenes
so you won't notice like something's getting very close where timelines are sped up.
So back to your original question the beginning of the program, what happens when
we come to twenty thirty then, well we'll be deep into something where they'll
be far less food production, Valentine. As our COVID talked about, when
we come down to the minimum amount of food production on the planet for this
cycle, it'll be at twenty twenty eight. And as we see right now,
we're going to come into this magnetic anomaly in twenty twenty four, and
as our planet swings out in front of the Sun in April of twenty twenty
five, there's nothing to protect us. Everything in the entire Solar System is
behind us, gravitationally pulling whatever space debris into us directly into the face of
our planet for about four to five months from April probably through August, before
we swing back around the Sun again for some protection. So think about the
commentary bombardment, and even if it's small spaker rocks by the millions coming in,
that's going to freak a lot of people out seeing continuous shooting stars,
daylight concussion, bull lides, and maybe using some ground strike stuff. To
the point where everybody in every city, every day you wake up and look
up, you're going to hear something or see something come flying in through our
atmosphere. That is difficult to control a society at that point. Like,
that's why I call it the event. This is it, this coming up.
I think this is all moving toward preparation for higher tides in and out
of this October twenty third, twenty twenty four event a week before and a
week after. If we get these much higher tides, because it was explained
to me the Foregas giant they line up. Yeah, if they have the
extra gravitational interplay and an electromagnetic looping interplay of just one single moon, that'll
give us two moons of a gravitational effect. Like how would having two moons
bend our tides that in itself enough would be enough to disrupt us for years
into the future. To have tides two to three times higher coming in and
going out for two weeks would disrupt everything. Not only would the water go
low and much lower on the tie, on the low tide, where some
channels might be impassable, but that you know, coming back in and going
much further in, and perhaps those that just a few days rate at that
electromagnetic disruption, maybe tides are five times higher. Just tidal action. Forget
the breaking of bridges or conduits or pipelines, or earthquakes or landslides or you
know, sinkholes forming, forget all that. Just talk about tides only.
And then we have the fuzz as we come around, as I call it
the fuzz, after the inner looping of that magnetic field, we start to
pull away from that, but we get in front of the Sun and then
it's Earth the Sun. All the gravitational bodies in the entire Solar system looped
into a very tight clumping in one quadrant. So they're going to pull everything
directly into the face of our planet. That's a society disruptor in itself.
So after that twenty twenty five event, I could see why Valentine as Zarkovia
was talking about, we're going to have very limited food production that governments need
to stockpile. This is back in twenty eighteen when she was talking about this,
she was like ten years like, we need to get ready right now
for food production declines, and you need to start preparing for the twenty twenty
eight food disruptions across the planet. Now that all fits cleanly into a timeline
of something happens with our global shipping, something happens that spooks the entire society
where everybody just quits working and nothing's functional. At that point, economies aren't
working, so we're back to like an aggreg arian society. And this is
why she believe is that at least electromagnetically, our jet streams are going to
disrupt enough where we can't grow food even if we want to on the commercial
level today. So this is what's kind of inbound and doing all the research
here. I'm trying to put a timeline to it, and I think it's
pretty close to previous timelines of disruption through the calendars here, so I'll leave
it there. Yeah, I'm trying to look up really quickly because Time magazine
they there's like this whole thing where Mark Zuckerberg is building a underground bunker.
Have you heard about this. Yeah, he's not the only one. Hold
on sure really quickly before I let you go. Okay, this is Time
magazine. Mark Zuckerberg is reportedly building an underground bunker in Hawaii. I thought
that this was just a rumor, But Time magazine is reporting on it must
be real, right, I don't know, but uh yeah, building on
as a state which island, it is not? A CEO. Mark Zuckerberg
and his wife, co founder and co CEO of Chen Zuckerberg planning a build
a five thousand square foot underground shelter on their Hawaii ranch, which is its
own energy and food supplies. According to a Wired investigation published earlier this month.
The plan is that the shelter door will be made of metal and filled
with concrete, common in bunkers and bomb shelters. The news outlet reporting and
exclusive article citing planning documents and interviews, and to figure out where this bad
boy is, Yeah, what if they weld him in there? You know,
like, yeah, those doors work, right, but if they get
welded shut from the outside or whatever, do you're stuck. They're probably not
going to tell you where where exactly it's going on. I'm sure if you
did a little research, you could figure out what property. Yeah, there's
a bunch of bunker builders down in New Zealand also, so think about that
once the initial population collapse happens, like in Hawaii, you know, there'd
just be tens of thousands of people on the island left. They're not going
to be able to sustain like I think. You know, Maui when I
was living and working out there was like two hundred thousand people. And this
is back in the nineties. But according to just to traditions and stories passed
down, the average carrying capacity for Maui was about twenty thousand people just living
and working there naturally, what they could farm, what they could get from
the ocean, about twenty to thirty thousand max. Maximum at any time in
the history in the past. That's all the people that were inhabiting the islands.
There was not like hundreds of thousands of people on the island. The
only reason is because we can bring ships in. If that carrying capacity knocked
back down to like twenty thousand people, and it'll probably even go lower because
nobody's used to farming and fishing on their own except a few guys out there
and a few families. I'd probably go down sub ten thousand people. And
at that point, you know, if you had weapons and you have your
own security forces and whatever, and you pop back out, then you're going
to survive. Nobody's going to really mess with you. They're worried about survival
themselves, and nobody's coming out there either. After that, I guess that
would be a cutoff zone for fifty to one hundred years. How would you
get back out to Hawaii if everything got disrupted to the point of disruption we're
talking about Hawaii, You'd have to sail out there yourself, and that's the
only people that would arrive out there. There'd be no more airplanes, there'll
be no more ships. And would that be a strategic location though? Would
that would be kind of strategic right to where no one could really get to
you? Yep. And if you're at a higher elevation and you're on a
dormant and volcanic island, and you're at a higher elevation, so even if
there were waves that were five hundred foot tall, it wouldn't hit you because
you know those islands mono Kea and Mauna Loa more than ten thousand feet hale
akala, you know, pushing ten thousand feet, so there's some higher elevations
that even if it had some bigger waves that wouldn't get up there. What
the height of his elevation of his ranch is, I'm sure it's not beachside.
Yeah, I'm sure it's not either. I'm sure he's sure. He's
definitely out there. But Dave, thanks so much for coming on. Always
a fascinating conversation, Always an honor to have you on, brother. Did
you let people know if they would like to figure out more about your work?
I got your link in the description, of course, and I'm sure
people already know where to find you, but just for those that don't,
where can they find you? Yeah? I'm focused on a Patreon channel now
because I could see the diminishment of views and reach out on YouTube. It's
getting less and less every day, So I'm pushing over onto Patreon, where
I'm doing a lot of exclusive content like dissecting a huge amount of this stuff.
Join me over there. That's Patreon Forward Slash Adapt twenty thirty and the
many Ice Age Conversations podcast. You know, the YouTube reach is really getting
throttled down, especially now that the World Economic Forum is talking about we need
to cut in anybody who had disinformation about the climate. Just our conversation talking
about the globes and how things are not with the timelines and sea levels.
That would be considered into the climate misinformation category because it doesn't follow the established
narratives of sea level rise. Yeah, but Dave, we got Tartaria in
this video. The algorithms love Tartaria. I guarantee you whenever you put this
video on your channel, if you do and you label it like Tartaria,
mud flood, whatever, you're going to get thousands and thousands and thousands of
views just by the title of tartaria or mudflood, I promise. Just trying
to push that stuff to do. They must want everybody out there confused in
history, and that's exactly what it is. But I promise you if the
first video that you drop, if you cut it up in the sections you
label a Tartaria mudflood, It'll probably be your most viewed video in your Oh
perfect. Yeah, I need to get the wraw thing and I want to
cut this up and yeah, I don't be on the adapt to twenty thirty
channel. Also Bitchoot, which is crazy because sometimes when I this is the
funniest thing on the metrics, I'll put a video up on bitchoot and I'll
get fifty percent of the views that I get on YouTube. But you got
to realize that bitchoot probably has one hundredth of their reach of you YouTube.
So you know, if I get twenty thousand views on a video on YouTube,
I'll get ten thousand views on bitch you. I'm like, wait a
minute, Like, it doesn't work like that. You know, it doesn't
work like that on bitchoo, man, you know the reach is far less.
And uh you know Brighte on TV. Also with my atoms, I
have my program every other Friday two pm. And I got my channel over
and bright Tion as well. So you know, it's just a world striking
for those who producing true knowledge. They don't want a lot of things out
there because people are going to get too prepared. They want less of a
population of the smaller populations easier to control, and the more distracted and bombarded
with confusing messages you are, the more they're able to prepare for continuity of
everything behind the scenes because you're not in their way. Just remember that,
yep, And that's gonna get nothing but worse and this year, I believe.
But Dave again, thanks so much for coming on honor and a privilege,
and thanks everyone that was here in the chat. Really appreciate you,
guys. Candace, Sherry, Joshure, good to see you, guys,
and anybody else that was here, Big Lebowski, good to see you.
Good to see you, Rebecca, anybody else that contributed to amazing conversations in
the chat. Really appreciate you, guys. Please be sure to hit the
thumbs up button, healthy channel and algorithm share subscribe, hit the bal icon
as well for notifications, and check out my documentary JFKX on Amazon Prime.
If you're outside of the country you're not in the United States, you can
get it on a Vimeo. All the links are in the description and if
you have two B I think two B is in Australia in Canada, it's
also on to B as well, so if you're in a country that you
can't get it on Amazon, you can watch it on to be Thanks so
much for being here everyone, and we'll see you guys next time. Suck
it out.