WEBVTT 1 00:00:00.280 --> 00:00:06.599 Astounding tales of the public Domain with Fathom alone, Stories of our future from 2 00:00:06.599 --> 00:00:12.320 the distant past, enhanced audio performances from the Golden Age of science fiction, 3 00:00:12.800 --> 00:00:18.239 featuring tales by Paul Anderson, Marion Zimmer, Bradley, Robert E. Howard, 4 00:00:18.760 --> 00:00:24.440 Ray Bradbury and Moore. Tune into astounding tales of the public domain with 5 00:00:24.559 --> 00:00:46.320 Fathom Alone at weirding Waymedia dot com. Weirdinga redially hate pign light and shire 6 00:00:47.399 --> 00:00:55.280 Realism, surrealism, impressionism, ends stories and interest in the artblow a predienton 7 00:00:55.560 --> 00:01:00.439 to the bizarre. And this place is nothing if it isn't bizarre. There's 8 00:01:00.479 --> 00:01:06.120 no admission, no requirement of membership, only a strong and abiding belief in 9 00:01:06.120 --> 00:01:10.239 the dark at the top of the stairs or things that go bump in the 10 00:01:10.359 --> 00:01:12.840 night, the name of the place that you would come in. You're actually 11 00:01:12.879 --> 00:01:23.879 definitely out of the rain. There's the night. Good Welcome back art lovers 12 00:01:23.879 --> 00:01:27.640 to Midnight Viewing the Night Gallery Podcast. I'm Father Malone and with me here 13 00:01:27.640 --> 00:01:33.400 in the gallery our Bollywood Cinema Club's Chris Dashu. When I was cutting my 14 00:01:33.519 --> 00:01:38.799 birthday cake when I was four years old, I cut my finger. Mom 15 00:01:38.000 --> 00:01:42.519 and the life and Times of Captain Barney Miller's mister Mike White. I'm going 16 00:01:42.599 --> 00:01:47.519 to go to another planet where there are people just oh man, all right, 17 00:01:47.879 --> 00:01:53.000 more beautiful depending on who you are. It's all in the I of 18 00:01:53.120 --> 00:02:00.599 the Beholder. We are discussing Season two, episode fourteen. This aired on 19 00:02:00.719 --> 00:02:05.480 December the twenty ninth, nineteen seventy one. Happy New Year, everybody. 20 00:02:05.599 --> 00:02:08.960 This one is broken into three segments. Those are the Different Ones. Tell 21 00:02:09.120 --> 00:02:15.919 David Dot dot dot and Lagoda's heads item number one over there. It could 22 00:02:15.960 --> 00:02:22.000 be a gentleman sitting in an electric chair, but it isn't what it depicts. 23 00:02:22.159 --> 00:02:28.800 Isn't a sense a method of execution that we humans reserve for other humans 24 00:02:29.000 --> 00:02:32.120 who happened to be dissimilar to us. You're about to look under that hood 25 00:02:32.960 --> 00:02:38.360 and meet firsthand one of the Different Ones. Tonight's first excursion into the realm 26 00:02:38.759 --> 00:02:44.199 of the unusual. The Different Ones was written by Rod Serling and directed by 27 00:02:44.319 --> 00:02:47.520 John Meredith Lucas. It stars Dana Andrews, who, from what I hear 28 00:02:49.240 --> 00:02:55.759 said, Prunes gave him the ruins. Also stars God Damn Muses, Monica 29 00:02:55.840 --> 00:03:00.759 Lewis, and John Corcus. This is the tale of a father's decision on 30 00:03:00.800 --> 00:03:06.000 whether or not to shoot his deformed son into space. What do you think, 31 00:03:06.039 --> 00:03:10.759 Mike, I was waiting when you said his decision to shoot his deformed 32 00:03:10.800 --> 00:03:19.039 son in Uh. Did I see the twist coming a mile away? Yeah? 33 00:03:19.360 --> 00:03:23.759 Was it satisfying though? Yeah? It still was were the make of 34 00:03:23.080 --> 00:03:28.520 effects? Okay? Yeah? I mean that kid looked horrific. I don't 35 00:03:28.520 --> 00:03:31.800 know what was going on with him. He looked like bat Boy or right 36 00:03:31.879 --> 00:03:35.960 on, Yeah, good call bat Boy, Joe. I don't know if 37 00:03:36.000 --> 00:03:38.759 you guys know, but according to Weekly World News, bat Boy has joined 38 00:03:38.840 --> 00:03:42.439 up. So oh, okay, join yeah, army, Hey, you 39 00:03:42.479 --> 00:03:46.639 gotta put those wings to good you somehow did bat Boy have wings? Had? 40 00:03:46.960 --> 00:03:50.560 Can you imagine the damage? I assumed he had small wings on his 41 00:03:50.599 --> 00:03:55.840 back? Fair enough? Oh okay? Uh? Yeah. I enjoyed this 42 00:03:55.879 --> 00:04:00.199 one. I thought it moved along pretty quickly. It didn't keep us waiting 43 00:04:00.240 --> 00:04:04.240 around for a while. I did like the how this was in the future. 44 00:04:04.520 --> 00:04:08.439 I think I saw someplace that this was turn of the century, but 45 00:04:08.520 --> 00:04:12.639 then I didn't realize which century. So I was kind of happy with all 46 00:04:12.680 --> 00:04:16.959 the teles screens and all these modern gadgets that they have I like that. 47 00:04:18.040 --> 00:04:20.920 Like, I don't know about you guys, but I don't use the phone, 48 00:04:21.439 --> 00:04:26.279 and this is the only time that actually communicate with people where I actually 49 00:04:26.279 --> 00:04:30.800 see their faces. It's pretty rare. So it's not the everyday thing that 50 00:04:30.839 --> 00:04:35.040 they predicted and possibly promised that we would have in the year two thousand. 51 00:04:35.959 --> 00:04:41.319 What about you, Chris. It's a blackout sketch that's ten minutes long. 52 00:04:42.439 --> 00:04:46.160 I mean, isn't it two minutes long? Oh? Sorry, sorry I 53 00:04:46.000 --> 00:04:48.680 was I was off by half. Yeah, I mean it's a blackout sketch. 54 00:04:48.800 --> 00:04:55.319 It's I of the Beholder. It's fine. I think it's fine. 55 00:04:56.160 --> 00:05:00.720 Dana Andrews plays a bad father. I don't know how else to put it, 56 00:05:00.800 --> 00:05:04.120 but like, well, my son is ugly, I must send him 57 00:05:04.120 --> 00:05:10.720 to the moon, like all right, better than sure, Like I guess 58 00:05:10.720 --> 00:05:14.680 so, I guess so I thought they were I thought they were going to 59 00:05:14.800 --> 00:05:17.079 keep that hood on a lot longer, a lot longer, right, I 60 00:05:17.120 --> 00:05:23.720 don't. Oh my god, the makeup effects are just grotesque, grotesquely you 61 00:05:23.759 --> 00:05:26.560 know what he looks like? What were those things the underwater things that were 62 00:05:26.600 --> 00:05:30.199 like the flintstones, and they were like the underwater jetsins you know I'm talking 63 00:05:30.199 --> 00:05:32.959 about. He looks like one of those I know you're talking they're the weird 64 00:05:33.000 --> 00:05:35.120 thing on top of their head. He has this, Yeah, he looks 65 00:05:35.120 --> 00:05:39.120 like he is a He has like weird like protrusions that come out of the 66 00:05:39.120 --> 00:05:43.120 top of his head. It's gross, it's weird. Don't be mean to 67 00:05:43.120 --> 00:05:49.959 someone who looks different. Come on, like what bubble guppies? Okay, 68 00:05:50.160 --> 00:05:55.639 okay, it's fine. What did you think father Loane? I was wondering 69 00:05:56.240 --> 00:06:00.759 why, as malformed as he is, he chose to war the bestag over 70 00:06:00.839 --> 00:06:04.800 his head while at home. That was an interesting move, right. Also, 71 00:06:05.360 --> 00:06:10.920 he's so malformed, he's just too malformed to live on his own. 72 00:06:11.120 --> 00:06:16.480 What's funny is the decision for Dana Andrews to finally seek help comes because of 73 00:06:16.639 --> 00:06:24.759 taunting children outside chanting nan yak, you're ugly, and he gives this speech 74 00:06:24.800 --> 00:06:28.480 about how I chase them away, but they come back, and I worry. 75 00:06:28.600 --> 00:06:30.879 I worry about what happens when I'm not. How about you soundproof the 76 00:06:30.920 --> 00:06:35.920 fucking house or not. You don't even need to to expend any money here. 77 00:06:36.199 --> 00:06:42.000 Go talk to those children's parents and say your children are monsters, and 78 00:06:42.040 --> 00:06:46.279 then that might go away. The makeup send my child to the Moon is 79 00:06:46.319 --> 00:06:49.959 the appropriate response to my child being bullied is to send them far away where 80 00:06:49.959 --> 00:06:54.439 they've never been. I heard that's the best. The best thing you can 81 00:06:54.439 --> 00:06:58.480 do as a parent is shun your child. This reminds me of that film 82 00:06:58.480 --> 00:07:00.959 Trick or Tree, where a group of parents decide that they're no longer going 83 00:07:01.040 --> 00:07:03.519 to deal with their handicapped children, so they put him in a bus and 84 00:07:03.560 --> 00:07:06.639 have it driven off of a cliff. It's kind of the same thing here. 85 00:07:06.759 --> 00:07:10.040 The makeup. I like the makeup. I think it's really this is 86 00:07:10.160 --> 00:07:14.680 nineteen seventy one on a television show that we know. We know the budgets, 87 00:07:14.839 --> 00:07:16.600 we know their schedules, so I thought the makeup is actually pretty effective. 88 00:07:16.639 --> 00:07:20.079 And they they recreated the makeup of a lot at the end with the 89 00:07:20.079 --> 00:07:24.120 different characters, which I thought was really effective. However, at the same 90 00:07:24.160 --> 00:07:28.959 time, it campt reminding me of Lee Bowery. Young Fellows remember Lee Bowery. 91 00:07:29.000 --> 00:07:32.279 It's boy George's mentors and used to do this makeup. Lee Bowery was 92 00:07:32.319 --> 00:07:35.680 bald and would do a black splotch on the top of his head and then 93 00:07:35.720 --> 00:07:41.360 the different like pools of black going down his face. That was his makeup 94 00:07:41.399 --> 00:07:44.360 thing, and that's all. I think. They turned it into a play 95 00:07:44.399 --> 00:07:46.600 a few years ago called Taboo by a few I mean like a decade or 96 00:07:46.639 --> 00:07:48.920 two year ago. Anyway, I agree with you, Mike. I thought 97 00:07:48.920 --> 00:07:53.920 the production design on this one was pretty great because we're in the future. 98 00:07:53.959 --> 00:07:59.360 But they're just slight variations, Like he has the televisual you know, communication 99 00:07:59.439 --> 00:08:03.360 devices chair that seems very lived in, and there's a screen and a little 100 00:08:03.680 --> 00:08:07.959 it all seemed very ergonomic and I like that a lot. Also, apparently 101 00:08:09.000 --> 00:08:13.639 you can just call the government and talk about the you call the deformed Children's 102 00:08:13.680 --> 00:08:22.120 branch. It's urban the urban issues that have urban problems. Chevy Chase has 103 00:08:22.319 --> 00:08:26.040 urban problems. It's like his deformed son. I don't I guess, yeah, 104 00:08:26.079 --> 00:08:28.600 only people in the cities have. But here's the question that I have 105 00:08:30.279 --> 00:08:33.559 his kids not deformed? No, he's a mutant, right, yeah, 106 00:08:33.679 --> 00:08:37.480 this is no, but but no, no, but but no, no, 107 00:08:37.559 --> 00:08:41.720 that's still not the case. Because a planet of these people exist where 108 00:08:41.759 --> 00:08:45.360 they all look like that. We don't know that. This is a reason. 109 00:08:45.879 --> 00:08:50.399 Did he just happen? Yeah? Did he just happen? To come 110 00:08:50.440 --> 00:08:56.720 out looking exactly like an alien. Just was Dan Andrews' wife getting bonked by 111 00:08:56.799 --> 00:09:00.799 Ete? That's the question that that's a good point because there a human coming 112 00:09:00.840 --> 00:09:03.720 back. Was this some sort of exchange program we were unaware of? Right, 113 00:09:03.799 --> 00:09:07.240 they impregnated one of ours and we impregnated one of theirs, Like that's 114 00:09:07.399 --> 00:09:11.240 could have been. But they don't really give us time to breathe on it. 115 00:09:11.240 --> 00:09:13.799 They make us seem like it's you know, like I of the Beholder, 116 00:09:15.000 --> 00:09:18.240 you know, And honestly, what the makeup reminds me of? I 117 00:09:18.360 --> 00:09:20.480 kept thinking and thinking, so I had to pull it up and see proto 118 00:09:20.480 --> 00:09:26.679 Odo from Star Trek Deep Space nine. I mean, like, if you 119 00:09:26.759 --> 00:09:30.159 have the thing that's on top of his head actually just cover his face and 120 00:09:30.279 --> 00:09:33.960 that like weird scar tissue, then it would look like Odo because they do 121 00:09:33.000 --> 00:09:37.279 the thing with his nose where they kind of smooth the nose into the face. 122 00:09:37.399 --> 00:09:39.919 So oh, I think I'm the makeup's good. The makeup is not 123 00:09:39.960 --> 00:09:43.279 my issue with this. It's just like, are you thinking anyone's going to 124 00:09:43.320 --> 00:09:48.559 be surprised by the twist? That's my question. It's just a weird story 125 00:09:48.639 --> 00:09:50.559 to tell. If you're not going to just remake eye of the beholder. 126 00:09:50.879 --> 00:09:56.279 It's a weird story to tell in that it isn't just this, it's the 127 00:09:56.320 --> 00:09:58.519 story of this father and son and they don't understand why this kid is such 128 00:09:58.519 --> 00:10:03.320 a weird And then we find out there are aliens involved. There's this government 129 00:10:03.799 --> 00:10:09.559 bureaucracy part of it, and this moral decision of this father. Well, 130 00:10:09.799 --> 00:10:11.759 I guess I'll have to kill him. Oh wait, there's a chance they 131 00:10:11.799 --> 00:10:16.480 can shoot him into space. Well let's do that instead, because my initial 132 00:10:16.480 --> 00:10:20.399 decision was your decision, government, but to end his life, and end 133 00:10:20.399 --> 00:10:22.600 his life for what reason? By the way, he seemed like an asshole, 134 00:10:24.000 --> 00:10:26.639 the kid. It seemed like a whining prick, and I did not 135 00:10:26.759 --> 00:10:31.519 like him. They could have spent some of these twenty two minutes, by 136 00:10:31.559 --> 00:10:35.919 the way, twenty two minutes, yes, but it's patted out with nine 137 00:10:35.159 --> 00:10:41.879 minutes of footage from NASA and silent thank you and Fahrenheit four fifty one. 138 00:10:43.360 --> 00:10:48.840 One. Thank you so much money for that stuff. The NASA footage is 139 00:10:48.039 --> 00:10:52.960 interminable, it's beautiful. I loved watching it. Not going to complain ultimately, 140 00:10:54.240 --> 00:10:58.840 but you know that for no good reason there show that that prides itself 141 00:10:58.840 --> 00:11:03.080 on having little segments that can just fill in gaps. They've padded this out 142 00:11:03.080 --> 00:11:05.840 with stock footage. It was very unusual. They paid a lot for it. 143 00:11:05.960 --> 00:11:09.279 I guarantee you that. I mean, it's like they showed all of 144 00:11:09.320 --> 00:11:13.600 it, like all they paid for They showed all of it. There's so 145 00:11:13.679 --> 00:11:16.159 much of it, Like you don't need to establish eight times over what's going 146 00:11:16.200 --> 00:11:18.679 on. We get it. We get it. I mean, I'm with 147 00:11:18.720 --> 00:11:24.960 you. It looks really nice, which I appreciate. But to what end 148 00:11:24.080 --> 00:11:28.519 is always my question? Well, they're trying to set mood. No, 149 00:11:28.960 --> 00:11:33.399 yeah, patting it. They are setting mood remarkably the music and the visuals 150 00:11:33.480 --> 00:11:35.879 kind of hold up. But at the same time, we know what you're 151 00:11:35.879 --> 00:11:41.159 doing. Don't do that now, gentlemen. Right, all they had to 152 00:11:41.200 --> 00:11:46.919 do was just play the sound of the engines whirring and deem Andrews looking up 153 00:11:46.000 --> 00:11:50.879 and that was beautiful. Right. It honestly stands out more because they show 154 00:11:50.960 --> 00:11:54.879 the footage and you know, it's just stock footage, like even in seventy 155 00:11:54.919 --> 00:11:56.080 one. It's not like someone's like, oh, that's they filmed that. 156 00:11:56.080 --> 00:12:01.039 It's like that's NASA, Like, yeah, they didn't do anything to disguise 157 00:12:01.080 --> 00:12:05.000 it. There was no like cross cutting or like dissolving or whatever. It's 158 00:12:05.200 --> 00:12:07.679 like, here's one whole scene that we got from NASA. Here's another whole 159 00:12:07.720 --> 00:12:11.279 scene we got from that. Now, gentlemen, All this season, I've 160 00:12:11.279 --> 00:12:16.799 been trying to highlight some of the Night Gallery family in front of and behind 161 00:12:16.840 --> 00:12:20.000 the scenes. In this case, it's in front of or auditory anyway. 162 00:12:20.080 --> 00:12:22.759 This is a sound when when our lead character finally returns to his homeworld that 163 00:12:22.759 --> 00:12:26.120 he didn't realize it was his homeworld to begin with. We hear this. 164 00:12:30.639 --> 00:12:35.080 It's a synthesizer sweep plugged into a guitar amp with heavy tremolo, not vibrato. 165 00:12:35.159 --> 00:12:39.200 That's a rookie mistake. This one was created by Oliver Nelson, who 166 00:12:39.200 --> 00:12:41.919 did a lot of the music on Night Gallery, and this is just some 167 00:12:43.000 --> 00:12:46.919 of the stock sound effects he made. It would eventually be picked up and 168 00:12:46.000 --> 00:12:50.919 children of the seventies will recognize it instantly as the sound of Steve Austin's Bionic 169 00:12:52.039 --> 00:12:56.759 Eye. This got recycled into The six Million Dollar Man. They eventually had 170 00:12:56.759 --> 00:13:00.639 their own sound designer who did a bunch of effects on his own. The 171 00:13:00.720 --> 00:13:03.480 end of the sound of the jumping evidently is a metal ruler on the side 172 00:13:03.480 --> 00:13:07.799 of a table found that out anyway, I don't know the name of this 173 00:13:07.879 --> 00:13:11.080 sound effect particularly, but we know Oliver Nelson created it and it's it's lovely 174 00:13:11.120 --> 00:13:15.039 and I just wanted to give it it's do you should give it a name? 175 00:13:15.679 --> 00:13:18.799 It's bionic I at this point, which is kind of sad because it 176 00:13:18.879 --> 00:13:22.080 was created for a horror television series, so we should call it like a 177 00:13:22.200 --> 00:13:24.759 radar. I'm going to call it the different One. How about that? 178 00:13:26.600 --> 00:13:28.159 It reminds me of like a radar painting, you know what I mean? 179 00:13:28.200 --> 00:13:31.840 Like yeah, Like it's like a yeah, it's a great one. Yeah, 180 00:13:31.919 --> 00:13:37.840 I could see aquamand summoning. You could probably stick it into any genre 181 00:13:37.879 --> 00:13:41.320 and really get away with it. But you know, it was nice to 182 00:13:41.399 --> 00:13:46.080 hear here. Jealousy is what we normally pay grade, and jealousy provides the 183 00:13:46.159 --> 00:13:52.080 springboard of this particular painting. It offers up the bottom line of what can 184 00:13:52.120 --> 00:13:56.960 happen to human beings when trust is wiped out by suspicion. At this point, 185 00:13:56.960 --> 00:14:01.000 it ceases to be just a kind of titillating tale of human comedy. 186 00:14:01.039 --> 00:14:05.679 It becomes what it is a horror story. Our painting is called Tell David. 187 00:14:07.679 --> 00:14:11.720 All right. Our next segment is called Tell David. This was written 188 00:14:11.720 --> 00:14:16.120 by Generald Sandford, based on a short story by Penelope Wallace, and directed 189 00:14:16.120 --> 00:14:22.759 by vip Here at the Night Gallery mister Jeff Corey. This one stars Sandra 190 00:14:22.879 --> 00:14:26.519 d Jenny Sullivan, Jan Shatan, and Castle Thunder makes an appearance in here 191 00:14:26.559 --> 00:14:30.919 speaking of sound. This one is the story of a jealousy prone wife and 192 00:14:30.960 --> 00:14:35.320 the young couple she accidentally encounters, a couple whose husband looks suspiciously like her 193 00:14:35.360 --> 00:14:41.279 own husband, only with a mustache. Chris, what do you think of 194 00:14:41.279 --> 00:14:45.200 this one? Father Malone? I want you to keep in touch because we'll 195 00:14:45.240 --> 00:14:50.919 think of something. Well, that's what this reminded me of. This reminded 196 00:14:50.960 --> 00:14:56.879 me of that episode ten, segment two of the second season of this show, 197 00:14:56.919 --> 00:15:03.440 the Alex Cord episode segment it. I get the story that they're telling, 198 00:15:03.759 --> 00:15:05.559 but they tell you what they're going to do. By the end of 199 00:15:05.559 --> 00:15:09.399 it, all I could think was, what's what am I supposed to gain 200 00:15:09.519 --> 00:15:13.519 from this as an audience member? Because the story plays out the way you 201 00:15:13.559 --> 00:15:20.000 said it would and it's not I it's not particularly entertaining. The acting's fine, 202 00:15:20.039 --> 00:15:24.600 it's fine. It's not like that Alex cord One in quality wise, 203 00:15:24.639 --> 00:15:28.840 it's much better than that. But yeah, yeah, great, Yeah. 204 00:15:28.879 --> 00:15:33.440 The thing about the thing of characters not recognizing someone else even though it's the 205 00:15:33.480 --> 00:15:37.480 actor playing the same like a different person, but it's the same actor. 206 00:15:37.799 --> 00:15:41.279 You have to explain that otherwise the audience is going to ask whether or not 207 00:15:41.320 --> 00:15:48.279 all the characters in the scene are fucking crazy because he looks like her husband 208 00:15:48.440 --> 00:15:52.840 hard stop period, because it's the same actor, he has facial hair, 209 00:15:54.080 --> 00:15:58.279 and yet they're just whatever. Oh, I guess it's for the audience's benefit. 210 00:15:58.399 --> 00:16:00.879 I don't know. It's a poor choice that gets in the way of 211 00:16:00.919 --> 00:16:06.240 ah otherwise mediocre segment. I liked this. I liked the idea of it. 212 00:16:06.320 --> 00:16:08.840 I like that she takes a wrong turn and suddenly ends up in what 213 00:16:10.039 --> 00:16:11.919 was it the distant year of nineteen eighty nine? I think it was, 214 00:16:14.000 --> 00:16:19.159 and there's only one brand of cigarettes. Oh boy. I will admit that 215 00:16:19.240 --> 00:16:23.039 I didn't actually realize it was the same actor playing both roles at first, 216 00:16:23.159 --> 00:16:27.000 so she came on me, Sandra D I think this might be the first 217 00:16:27.039 --> 00:16:30.919 time I've actually seen sander Die. I mostly know her from the song from 218 00:16:32.000 --> 00:16:36.039 Greece, so that was kind of nice to see why they would sing about 219 00:16:36.039 --> 00:16:42.360 her because she's very pretty. Her jealousy comes very sudden and it's very strong. 220 00:16:42.440 --> 00:16:47.639 And then I kept waiting and please remind me if this happens or not. 221 00:16:48.279 --> 00:16:55.159 I kept thinking that when she finds her husband with right, I thought 222 00:16:55.159 --> 00:16:57.360 for sure. I thought for sure the nanny thank you. I thought for 223 00:16:57.399 --> 00:17:02.240 sure it'd be like we were just rehearsing a scene from a plate or something 224 00:17:02.279 --> 00:17:07.519 like that, some sort of like explanation like the ironic turn, you know, 225 00:17:07.720 --> 00:17:11.720 is what I was really hoping for. But didn't get it though. 226 00:17:11.839 --> 00:17:17.039 And if anything, Yeah, if anything, I'd be jealous of that aunt 227 00:17:17.200 --> 00:17:22.640 because she was really smoking hot. Yeah. I also like how the aunt 228 00:17:22.680 --> 00:17:26.720 has the most distinct last name and she's like some something Blessington. It's like, 229 00:17:26.839 --> 00:17:29.559 why are you questioning this? When she tells her husband, he's like, 230 00:17:29.599 --> 00:17:33.400 I don't believe any of this. Is like okay, fine, Well 231 00:17:33.480 --> 00:17:37.000 what's funny is she makes no effort to change the future here, right, 232 00:17:37.039 --> 00:17:44.720 She just she gets that gun immediately. She's like, she doesn't miss it, 233 00:17:45.240 --> 00:17:52.599 so she keeps getting confirmations of the fact that she has interacted with her 234 00:17:52.640 --> 00:17:56.799 son. But yeah, as I said, does nothing at all to act 235 00:17:56.839 --> 00:18:03.240 on that at all. And this one confounded me, honestly, because I 236 00:18:03.279 --> 00:18:07.799 wasn't joying it until she gets home and we see the husband. And then 237 00:18:08.759 --> 00:18:11.799 if this is the sun, the sun has a picture of the mother, 238 00:18:12.000 --> 00:18:17.400 then he would recognize her and she her first words out of her mouth should 239 00:18:17.400 --> 00:18:19.599 have been, oh, my god, you look exactly like my husband. 240 00:18:19.680 --> 00:18:26.359 That's my point that houses knowing how well one another look like anything else. 241 00:18:26.519 --> 00:18:30.920 I'm startled if I meet another human being who resembles one of my partners in 242 00:18:30.960 --> 00:18:33.240 any way, you know what I mean. So to have someone who is 243 00:18:33.359 --> 00:18:38.759 so obviously him is absurd. I liked his GPS machine. Hey, look 244 00:18:38.799 --> 00:18:45.000 at that for Precians. That was kind of cool. That was awesome. 245 00:18:45.119 --> 00:18:48.559 I mean, that's kind of what they looked like when they first started. 246 00:18:49.119 --> 00:18:53.720 I like her aversion to the music. I liked her aversion to the music. 247 00:18:53.839 --> 00:18:59.160 What is this? What is this wrecket? What is this? It's 248 00:18:59.200 --> 00:19:04.920 called electronic music. I wanted to say, effects your kids will get it. 249 00:19:06.000 --> 00:19:08.079 Your kids will get it. All of David's equipment, by the way, 250 00:19:08.400 --> 00:19:14.880 looked as impressive and just as scientifically sound as anything found on Ghost Adventures. 251 00:19:15.160 --> 00:19:18.519 Oh hey, in fact, now I take it back. This stuff 252 00:19:18.519 --> 00:19:22.839 actually looks good. Double. I gotta cut on my hand. Yeah, 253 00:19:22.880 --> 00:19:26.400 you mentioned it at the top, Chris. Oh, look, the kid 254 00:19:26.440 --> 00:19:30.359 cut his hand. She's not even like doing that. She knows. He 255 00:19:30.559 --> 00:19:33.400 mentions that he's cut his hand, and now she's witnessing it happen, and 256 00:19:33.519 --> 00:19:41.640 doesn't bother to intervene when his son cut cuts himself. No, I just 257 00:19:41.640 --> 00:19:44.400 don't know what the story. I know what the story they're telling is. 258 00:19:44.440 --> 00:19:48.000 I just don't understand the motives behind any of it. Is this a character 259 00:19:48.160 --> 00:19:53.200 piece? I guess the moral is don't let jealousy overcome you, because it 260 00:19:53.279 --> 00:20:00.119 can drive you to murder. But the jealousy that the Sun is describing to 261 00:20:00.200 --> 00:20:03.920 her is an unfounded jealousy. The jealousy she encounters is real, Like, 262 00:20:04.279 --> 00:20:08.160 it isn't even a moment, There's no moment where the character thinks to herself 263 00:20:08.200 --> 00:20:11.359 like, well, I can change that, Like I can get over the 264 00:20:11.480 --> 00:20:15.400 jealousy thing because I know it's not real. Now oh it is real, 265 00:20:15.799 --> 00:20:19.559 and now I have to kill that. There's no even considerations it drives me 266 00:20:19.599 --> 00:20:22.000 crazy. Sandra D. By the way, again, I'm with you. 267 00:20:22.079 --> 00:20:26.240 Mike had never seen her actually on screen, only to her from that goddamn 268 00:20:26.319 --> 00:20:29.200 song. She's really beautiful. In the first note I wrote was Wow, 269 00:20:29.240 --> 00:20:33.519 Sandra D's great, Like, she's really solid in this even though she's given 270 00:20:33.920 --> 00:20:40.160 crazy directions that she doesn't recognize the sun that you know anyway. For me, 271 00:20:40.359 --> 00:20:44.319 the one of the biggest bizarre decisions that the episode makes is they have 272 00:20:44.440 --> 00:20:48.160 her go back. Normally in these kinds of stories, like they go once 273 00:20:48.480 --> 00:20:52.000 and it's like, oh, I was walking in the rain and then I 274 00:20:52.039 --> 00:20:55.319 came upon this house and it's like, yep, and that's exactly what happens 275 00:20:55.359 --> 00:20:59.839 here. But then it's like, come on back for another hangout, and 276 00:21:00.279 --> 00:21:06.119 she does, which means she can just go visit him. I guess whenever 277 00:21:06.160 --> 00:21:10.880 she wanted too, So like it makes no sense why she does what she 278 00:21:10.960 --> 00:21:14.640 does knowing that she can just go and visit him too at any point, 279 00:21:15.000 --> 00:21:18.160 Like it's it. I mentioned that Alex Cord episode not because of the similar 280 00:21:18.240 --> 00:21:25.240 tone but also the similar waste of time because I don't I didn't understand there 281 00:21:25.240 --> 00:21:27.079 what they were going for, and I don't understand here what they're going for, 282 00:21:27.440 --> 00:21:32.200 because yeah, is it is this woman overcome by jealousy? Sure, 283 00:21:32.279 --> 00:21:37.480 but man, honestly, how have we not mentioned the weirdest scene in this 284 00:21:37.640 --> 00:21:44.440 entire segment when she comes home from her son's place and the husband is screaming 285 00:21:44.480 --> 00:21:48.200 at her in an old lady mask. How has no one mentioned this yet? 286 00:21:48.240 --> 00:21:52.960 It's like it's upsetting and bizarre. And I guess he's making fun of 287 00:21:53.000 --> 00:21:57.759 her, is what we're led to believe, but it's like it's so bizarre 288 00:21:57.880 --> 00:22:00.599 just initially, and then I mean, I think all the way through its 289 00:22:00.720 --> 00:22:06.119 was are but what the fuck? Yeah? They because they hadn't established that 290 00:22:06.160 --> 00:22:11.799 she was a jealous shrew and it, Yeah, I don't buy it because 291 00:22:11.799 --> 00:22:15.440 it comes out of nowhere. And that scene was so upsetting that I didn't 292 00:22:15.480 --> 00:22:19.160 even really make the connection that, you know, I like, I realized, 293 00:22:19.200 --> 00:22:23.480 oh, he's supposed to be being her, but that I was like, 294 00:22:23.559 --> 00:22:27.079 this doesn't make any sense because she hasn't exhibited any of this behavior. 295 00:22:27.240 --> 00:22:32.519 And then when the jealousy comes up later on, it's too far removed from 296 00:22:32.559 --> 00:22:36.079 it. There's not enough closeness there to be like, oh, okay, 297 00:22:36.160 --> 00:22:38.279 yeah, she is really jealous, like there should have been something there, 298 00:22:38.720 --> 00:22:44.920 because I mean, I've got friends that have or had jealous spouses and they 299 00:22:44.920 --> 00:22:48.599 were freaking nuts and it wasn't just nuts like at one time there would be 300 00:22:48.720 --> 00:22:52.480 nuts all the time, but Sanderde seems like a very normal, well adjusted 301 00:22:52.559 --> 00:22:56.200 person. And then at the end, after she ends up killing him, 302 00:22:56.240 --> 00:22:59.880 I'm like, Okay, well, now do the next logical thing, which 303 00:22:59.880 --> 00:23:03.160 is I'm going to escape into the future so they can't prosecute me for my 304 00:23:03.279 --> 00:23:07.519 crime. But no, she just why didn't she do that? It would 305 00:23:07.519 --> 00:23:11.440 have been too interesting, would have made too much sense. Absolutely, I 306 00:23:11.440 --> 00:23:15.920 don't know, like narratively would have jelled right, and it narratively would have 307 00:23:15.000 --> 00:23:19.160 jelled in a way that this just ends up feeling like it's just spinning its 308 00:23:19.160 --> 00:23:22.839 wheels. It's treading water, Like I don't get what the point is. 309 00:23:22.920 --> 00:23:26.000 Ultimately, Look, this is because she just does exactly what they say that 310 00:23:26.039 --> 00:23:29.319 they're going to do, Like, what's the point. The story's point of 311 00:23:29.400 --> 00:23:32.279 view is that this has faded and it's going to happen, and it's a 312 00:23:32.359 --> 00:23:36.880 quirk that she happened to be allowed to have an interaction with her future son 313 00:23:37.240 --> 00:23:38.880 and see that he's going to be okay, by the way, So she 314 00:23:38.960 --> 00:23:42.799 does go back that second time, and before that when she's there the first 315 00:23:42.799 --> 00:23:47.799 time, and she's noticing all this bizarre future equipment, and they give her 316 00:23:47.799 --> 00:23:51.160 the cigarettes which on it on the front, by the way, say no 317 00:23:51.519 --> 00:23:53.440 tar, no nothing. In fact, this is good for you, and 318 00:23:53.799 --> 00:23:57.359 this is weird, and then turns it over. She turns it over and 319 00:23:57.400 --> 00:24:00.279 the date is right there. It says nineteen eighty nine. It's and it's 320 00:24:00.279 --> 00:24:04.519 not. She didn't have to like look at the tiny letter. It's pretty 321 00:24:04.559 --> 00:24:08.200 bold. When she goes back the second time, Okay, we get that 322 00:24:08.240 --> 00:24:11.440 she's not gonna make the connection that this is her son yet, but wouldn't 323 00:24:11.440 --> 00:24:15.079 you be like, can you show me that machine again? How does that 324 00:24:15.160 --> 00:24:18.279 work? That's so weird? Can I see those cigarettes again? Hey? 325 00:24:18.319 --> 00:24:21.680 Look at that thing? What does this do? Why does why is there 326 00:24:21.720 --> 00:24:26.119 a screen on your phone? Like just a human being would have these questions 327 00:24:26.160 --> 00:24:29.640 also in the future. Apparently free love is the thing. Did seem that 328 00:24:29.960 --> 00:24:34.039 I get? Right? Yeah, that's definitely some polyamory going on. And 329 00:24:34.160 --> 00:24:37.640 again it's like it's used in this weird spot where it's like, well, 330 00:24:37.680 --> 00:24:41.880 you don't get upset when you're when your husband kisses another woman. And she's 331 00:24:41.880 --> 00:24:45.079 like, yeah, no, one gives a fuck, And it's like, 332 00:24:45.319 --> 00:24:48.039 what the fuck does that have to do with anything? Like I get what 333 00:24:48.079 --> 00:24:53.240 you're driving app but like, okay, Rod Serling, I guess that was 334 00:24:53.400 --> 00:25:00.720 his envisionment of the future is just sex and GPS machines, raw and cigarettes 335 00:25:00.759 --> 00:25:04.759 that don't give you a chance. He was, really, that's the one 336 00:25:04.799 --> 00:25:08.880 thing I could see him. Yeah, it's the Pacific cigarettes. Ride is 337 00:25:10.000 --> 00:25:12.960 really excited about. We've gotten all the other gadgets, but still none of 338 00:25:14.000 --> 00:25:15.480 that. I guess, you know, so we switched a bathing. I 339 00:25:15.559 --> 00:25:25.000 suppose also there are not Yeah, there's no free love people talk about him, 340 00:25:25.119 --> 00:25:29.240 or at least there are not enough revolver drawers and desks these days. 341 00:25:29.799 --> 00:25:32.799 Seems to be that there used to be every desk had a revolver in a 342 00:25:32.880 --> 00:25:36.720 drawer. Very convenient. Here they could have by the way, they could 343 00:25:36.720 --> 00:25:40.160 have frontloaded. And when she tries to use the phone in the first scene, 344 00:25:40.200 --> 00:25:41.319 she's all, I just want to call and let my husband know where 345 00:25:41.359 --> 00:25:45.519 I am. That was the perfect time to say, I'm going to call 346 00:25:45.599 --> 00:25:49.279 my house because my husband better be there because he's I'm you know, like 347 00:25:49.400 --> 00:25:52.680 put in the jealousy right from the get go, Like were they worried that 348 00:25:52.680 --> 00:25:56.000 we were going to like her as a character, Like, it's so much 349 00:25:56.039 --> 00:25:59.240 better that she kills him and then kills herself in prison after she knows you 350 00:25:59.400 --> 00:26:03.039 can happen. Does nothing to change that fact anyway. There was a nice 351 00:26:03.039 --> 00:26:06.400 focus dissolve into a solarization here, Jeff Corey threw. And there are a 352 00:26:06.400 --> 00:26:10.039 couple of nice little camera tricks that I really appreciated here. Jeff Cory is 353 00:26:10.039 --> 00:26:12.599 getting more and more confident as a filmmaker here on that guy. It's nice 354 00:26:12.599 --> 00:26:17.079 to see the progressional. They just need to give him a better script to 355 00:26:17.079 --> 00:26:19.960 direct, right. This is a double it's a two for this episode, 356 00:26:19.960 --> 00:26:26.160 gentleman, because this next episode also features a particular sound effect. This one 357 00:26:26.480 --> 00:26:29.279 here it is it's the next one takes place in a jungle, so naturally 358 00:26:29.319 --> 00:26:36.200 you're gonna hear oh, and it's featured quite a bit in that that's a 359 00:26:36.279 --> 00:26:41.039 Kuka Bara. The track is just called Kuka Barra that first made its debut 360 00:26:41.160 --> 00:26:47.240 in nineteen thirty eight in a Tarzan cereal and then was immediately followed with Appearances 361 00:26:47.240 --> 00:26:52.799 and Wizard of Oz and literally everything since then taking place in a jungle. 362 00:26:52.000 --> 00:26:56.599 Interesting fact, of course, is that a kuka bara is a native to 363 00:26:56.640 --> 00:27:00.359 Australia. Where does it sit, Father Malone? It sits in the old 364 00:27:00.440 --> 00:27:04.079 gum tree, Mary, Mary, King of the bushes. See everybody laugh, 365 00:27:04.240 --> 00:27:10.599 kukabara laugh, coucabara gay, his life must be anyway. I don't 366 00:27:10.680 --> 00:27:15.039 understand why the kukerber shows up everywhere but Australia. The noise is so distinctive. 367 00:27:15.160 --> 00:27:18.799 I guess it's because it sounds like a monkey, right. It sounds 368 00:27:18.000 --> 00:27:22.200 enough like a foreign animal. Is it a monkey? Is it a bird? 369 00:27:22.319 --> 00:27:25.519 I don't know. It sounds like it's laughing at us. It's a 370 00:27:25.680 --> 00:27:30.119 great it's a great jungle sound. That's the best superhero that hasn't Is it 371 00:27:30.119 --> 00:27:34.640 a monkey? Is it a bird? It's monkey bird man. That's the 372 00:27:34.680 --> 00:27:40.079 thing. Like, I guarantee you play that for ten people and half of 373 00:27:40.119 --> 00:27:42.680 the people might think it's a monkey. Oh yeah, right, I think 374 00:27:42.720 --> 00:27:45.480 I did for many years, honestly. Yeah. But hey, we're in 375 00:27:45.480 --> 00:27:52.000 the jungle. I number three in the night Gallery. You'll probably recognize this 376 00:27:52.119 --> 00:27:56.160 quaint figurine the dead eyes and the son lips, a kind of thing that 377 00:27:56.359 --> 00:28:02.000 usually in fast nightmares, and what happens to be precisely what it is, 378 00:28:02.559 --> 00:28:12.799 a nightmare of the first order. It's titled Lagoda's Heads. Indeed we are 379 00:28:12.960 --> 00:28:18.640 in this segment called Lagoda's Heads. Written by Robert Block, author of Psycho 380 00:28:18.000 --> 00:28:23.839 Robert Block, from a short story by August Derlat directed by my favorite Jena 381 00:28:23.960 --> 00:28:27.200 Zuark. All three of them should have known better. This one stars Patrick 382 00:28:27.279 --> 00:28:33.599 McNee, Brock Peters, Denise Nicholas, and Tim Matheson and a terrible mustache. 383 00:28:33.839 --> 00:28:37.160 It's the tale of an explorer who escorts an American in search of his 384 00:28:37.240 --> 00:28:40.920 brother in the darkest jungles of Africa. I was really worried at the outset 385 00:28:40.960 --> 00:28:44.519 on this one, guys, but I think this was a respectful presentation as 386 00:28:44.559 --> 00:28:51.480 respectful a presentation as possible while still requiring Starfleet Admiral Cartwright to speak in Pigeon 387 00:28:51.559 --> 00:28:53.920 English while wearing a dashiki, which I think of this one, Mike, 388 00:29:00.119 --> 00:29:03.640 Yeah, anything that has brock Peters in it, I'm pretty happy with. 389 00:29:03.839 --> 00:29:10.160 But mostly just when he's on screen. Denise Nicholas, she looked so familiar, 390 00:29:10.240 --> 00:29:12.039 And then I went back and I looked at her filmography and yeah, 391 00:29:12.079 --> 00:29:15.279 I've seen a bunch of stuff that she was in. I want to say 392 00:29:15.279 --> 00:29:18.880 she was in Uptown Saturday night, I'm pretty sure. Or yeah, let's 393 00:29:18.920 --> 00:29:23.559 do it again, one of those of the Cosby Potier films. But yeah 394 00:29:23.599 --> 00:29:27.319 again, did I see the twist coming? Yeah? Yeah, I sure 395 00:29:27.359 --> 00:29:30.799 did. Did I want to see more of those heads? And did I 396 00:29:30.839 --> 00:29:33.880 want to see them talk and do other kind of cool things? I sure 397 00:29:33.920 --> 00:29:37.440 did it. That didn't really get to see that one, but at least 398 00:29:37.440 --> 00:29:41.559 I got to see a very young Roger E. Moseley with kind of a 399 00:29:41.599 --> 00:29:45.799 bad accent come in and tell them that that Lakota or Lagoda has died. 400 00:29:45.920 --> 00:29:49.559 So it was kind of neat. And then yeah, Tim Matheson and that 401 00:29:51.119 --> 00:29:56.680 ridiculous mustache. I didn't even recognize him at first until I heard his voice. 402 00:29:56.720 --> 00:30:00.839 But yeah, it was okay again. And I feel like this one 403 00:30:00.880 --> 00:30:03.319 went on for a little too long. How long was this one? Was 404 00:30:03.319 --> 00:30:07.839 this another twenty? Yeah? This one was right. This has been an 405 00:30:07.839 --> 00:30:14.359 episode of with mediocrity. It's fine, I mean yeah, like Mike said, 406 00:30:14.359 --> 00:30:18.519 the twist can be seen from orbit for fuck's sake, Like I for 407 00:30:18.079 --> 00:30:22.440 let me put this way. For an episode segment called Lagoda's Heads, there 408 00:30:22.599 --> 00:30:26.880 is not enough head here, enough of the heads doing stuff. The heads 409 00:30:26.880 --> 00:30:30.799 of Lagoda's heads are not present enough to call it Lagoda's Heads. And the 410 00:30:30.880 --> 00:30:34.559 question then becomes, how did the heads kill him? Uh? They summoned 411 00:30:34.599 --> 00:30:37.720 forces or they chewed him up themselves. I don't know. Maybe they came 412 00:30:37.759 --> 00:30:47.640 off the mob the second The second answer came off the log exactly the Tim 413 00:30:47.640 --> 00:30:49.880 burtonization of them. Yeah, what about you, father? What do you 414 00:30:49.920 --> 00:30:53.640 think? I think having a shrunken head nook is important when you're buying a 415 00:30:53.680 --> 00:31:00.599 new home. Does it come with or without the stick? Is the stick 416 00:31:00.640 --> 00:31:07.000 concluded? I would assume so, otherwise it's just a nut. I like 417 00:31:07.119 --> 00:31:10.759 that they go, they arrived. It's always great to see Patrick McNee, 418 00:31:10.799 --> 00:31:15.640 by the way, you know John Steed. But they go into the hut 419 00:31:15.680 --> 00:31:21.359 to talk to a Lagoda, and Lagoda clearly speaks English. But for some 420 00:31:21.400 --> 00:31:25.440 reason, Tim Mathison keeps talking to Patrick McNee as if he's a translator. 421 00:31:25.920 --> 00:31:29.799 Ask him about my brother, like I think he heard you just then he'll 422 00:31:29.799 --> 00:31:33.839 probably answer you if he so chooses. Also late in the episode, Tim 423 00:31:33.880 --> 00:31:37.680 Mathison exclaims at one point, and most people would have said, my god, 424 00:31:37.720 --> 00:31:41.880 he says, mother of Satan. It was I had to relind you 425 00:31:45.480 --> 00:31:51.319 it'd be a good by the way, it's dumb bala, just the word. 426 00:31:51.519 --> 00:31:53.839 I kept waiting for Chunky to come running out because they had dumb bala 427 00:31:53.880 --> 00:31:57.079 while they were, you know, talking to the heads. I don't know, 428 00:31:57.640 --> 00:32:00.640 not enough. There weren't enough of the heads. I was intrigued by 429 00:32:00.680 --> 00:32:04.160 the heads. I was hoping one of the heads would come to life, 430 00:32:04.200 --> 00:32:09.240 just one of them, at least one. Why it's called it's called lagatas 431 00:32:09.279 --> 00:32:14.480 fucking head show. The thing to go to his head's wind machine is what 432 00:32:14.519 --> 00:32:19.119 we get. Just like they all just sort of vibrate a little and hears 433 00:32:19.160 --> 00:32:23.559 some sounds and somebody's just shaking it off screen, just oh, they're moving. 434 00:32:23.920 --> 00:32:27.920 The actor you mentioned Mike earlier, who comes in to tell them that 435 00:32:28.039 --> 00:32:30.880 Legot is dad, and you're saying, he's doing a really weird accent. 436 00:32:30.960 --> 00:32:35.160 Like all I could think was like you could just see him bristling against this 437 00:32:35.440 --> 00:32:40.160 bullshit native dialogue that they all three of our sort of principal leads have been 438 00:32:40.440 --> 00:32:45.359 saddled with just rankling at it, like, can I just speak in a 439 00:32:45.359 --> 00:32:49.759 full sentence like, yeah, by the way, what year was this? 440 00:32:49.880 --> 00:32:52.240 Was? This supposed to be the two is a century because it could have 441 00:32:52.279 --> 00:32:54.240 been really any time. It might have been nineteen seventy one for all we 442 00:32:54.359 --> 00:32:59.880 knew. Yeah, I wanted to say round this time, Rogerie mostly was 443 00:33:00.079 --> 00:33:06.400 doing the mac where he was a African nationalist, so much different character and 444 00:33:06.559 --> 00:33:08.759 something. I think, Yeah, he just seemed like uninterested and you just 445 00:33:08.799 --> 00:33:13.599 wanted I'm saying the words. Here are the words, right, this is 446 00:33:13.640 --> 00:33:16.680 what you wanted? And good for him? Yeah, that where's my check? 447 00:33:17.680 --> 00:33:22.000 I hope everyone got paid? Because you know, you're right, Chris, 448 00:33:22.079 --> 00:33:25.759 this is It's not terrible, it's just there. This entire episode was 449 00:33:25.799 --> 00:33:31.039 just kind of there, which I suppose is better than a bad episode. 450 00:33:31.119 --> 00:33:36.920 But still, this is an episode that began with the boy who predicted her 451 00:33:36.960 --> 00:33:42.400 earthquakes, and we need to be shooting higher folks. It's not enough. 452 00:33:43.279 --> 00:33:47.519 It's not enough that Sandra d is gonna die after killing her. It's just 453 00:33:47.599 --> 00:33:53.400 not She's gonna kill herself. Don't forget she's straight up. They go, 454 00:33:53.440 --> 00:33:58.839 oh, you're gonna kill yourself, By the way, like great, just 455 00:34:00.160 --> 00:34:04.039 first like sort of time travel plump. I've ever seen, honestly where the 456 00:34:04.119 --> 00:34:08.679 characters are uninterested at all in changing their face. I know, the future, 457 00:34:08.760 --> 00:34:13.559 who fucking they see and everything's just like, well that's weird, Like 458 00:34:13.639 --> 00:34:15.639 it doesn't affect her. You know. He gives the message, but the 459 00:34:15.639 --> 00:34:20.000 message had already been given, that was faded as well. It's like this 460 00:34:20.039 --> 00:34:22.159 segment is so good. We're talking about the other segment while talking about this 461 00:34:22.199 --> 00:34:30.719 one sent nothing Burger like August Derleth's stories are varied Father Malone, you know 462 00:34:30.760 --> 00:34:35.800 that because I know you've looked into his I mean it's varied stuff, right 463 00:34:35.840 --> 00:34:39.400 like, but it's a lot of horror or horror adjacent. Whatever this is 464 00:34:39.400 --> 00:34:44.280 is not that well. It's supposed to be a supernatural tale, but we 465 00:34:44.320 --> 00:34:47.559 don't see anything happen at all. We don't even get to see all we 466 00:34:47.599 --> 00:34:52.280 know Denise Nicholas just killed him, like and just put his head there anyway. 467 00:34:52.360 --> 00:34:53.639 He's like, who knows, Oh, yeah, the head's killed him 468 00:34:53.760 --> 00:34:55.960 or I just did it? And who gives a ship Like it would have 469 00:34:57.000 --> 00:34:59.639 been good had she said, well, no, it was me, I 470 00:34:59.719 --> 00:35:02.559 killed your brother. There's nothing you can do about it because I got these 471 00:35:02.559 --> 00:35:06.639 heads now, baby, that would have been great. Yeah. Instead it 472 00:35:06.679 --> 00:35:08.559 was like, oh, I know he killed by did he killer? We 473 00:35:08.599 --> 00:35:12.840 don't get any of that information to get those headstocking. Come on, they 474 00:35:12.960 --> 00:35:17.400 got mouths unstitched. Man, It's fine. This episode is better than some 475 00:35:17.599 --> 00:35:22.039 of them this season, which is not saying much, but it's saying more 476 00:35:22.199 --> 00:35:24.880 than you would think it's saying enough. Yeah, I agree it is. 477 00:35:25.679 --> 00:35:29.559 You use the word nothing burger. I don't tend to use that too often, 478 00:35:29.599 --> 00:35:32.119 but I would say this is all that and no bag of chips. 479 00:35:32.440 --> 00:35:35.880 Well, we're going to play a preview of the next episode and when we 480 00:35:36.119 --> 00:35:40.760 right back to wrap things up for the what a culturist amongst you, Here's 481 00:35:40.760 --> 00:35:45.000 a dandy, a lady who plants things and then steps back and watches them 482 00:35:45.159 --> 00:35:51.039 grow roses, rhoda, dundron, tulips, and things never before to be 483 00:35:51.119 --> 00:35:55.320 fun coming out of the ground. Just put in the subject of this painting 484 00:35:55.400 --> 00:36:05.280 has green fingers. Funeral hallmark, you might call it. Example. This 485 00:36:05.440 --> 00:36:10.239 item here the somber silence of shrouds, the gray, unhappy light of a 486 00:36:10.320 --> 00:36:15.159 sunless dawn, and the horse drawn casket. Very much in keeping with the 487 00:36:15.280 --> 00:36:25.519 motif of this place the title of the painting Funeral. We don't ask you 488 00:36:25.599 --> 00:36:31.400 to believe this particular painting death's head hovering over juke box, but it does 489 00:36:31.519 --> 00:36:37.840 point up the all inclusive quality of the occult. Dando Inspectors can be found 490 00:36:37.880 --> 00:36:42.159 not only in holden houses, but in places you'd least expect to find them, 491 00:36:42.920 --> 00:36:46.639 places like this. Our painting is called the Tune in Dan's Cafe. 492 00:36:49.400 --> 00:36:51.880 That's right on the next midnight viewing, we'll be taking a look at season 493 00:36:51.920 --> 00:36:57.079 two, episode fifteen that's broken into three segments, Green Fingers, the Funeral, 494 00:36:57.480 --> 00:37:00.320 the Tune in Dan's Cafe. Till then, where can people find you? 495 00:37:00.519 --> 00:37:05.119 Chris Stash you weirdingweightmedia dot com is where you can find all the things 496 00:37:05.199 --> 00:37:08.599 that I work on, which are varied in their variety. How about you, 497 00:37:08.719 --> 00:37:15.079 Mike. In the immortal words of Patrick Swayzy, Ditto, I third 498 00:37:15.280 --> 00:37:20.880 that all right now, as ladies and gentlemen, Until then, we'll see 499 00:37:20.920 --> 00:37:23.119 in the next episode. Thank you all for joining us here at midnight viewing. 500 00:37:23.280 --> 00:37:24.840 The gallery is now flowed