WEBVTT

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Welcome to Garden Wall record a nostalgic
time corpsule. I'm no spoiler book Club

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of the original Over the Garden Wall. Thank dam are your creepy curators.

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I am shocking Shelby, I am
chilling Charlie, and I'm hell led through

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the mist by the milk line.
All that was lost is repealed, long

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by gone, burdens mere echoes of
a scream. But where have we come?

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And where shall we? If dreams
can't come true, then why not

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pree Hello dumplings, Hello you little
dumpling, Hello dumplings. We're a bunch

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of jolly dumples recording a podcast.
Tra a lot t here's a The smurf

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is up on you, boy,
to get out of here. Yeah,

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he's only like three apples high,
grey, could he be you better beware

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the smurf is outside, boy.
You're right this morn. So this is

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the final episode of garden Will recall
everyone I know. I'll this you most

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of all, John Crops. Does
that mean we're not gonna be friends anymore

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after this? Or I have no
idea. It depends how this episode goes.

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So before we get into the final
two episodes of Over the garden Wall.

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It appears that we have some fan
mail brought to us, perhaps by

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talking carrier pigeon I suppose, of
course, or carrying talker pigeons. Might

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it might also have been a male
man who might have been a werewolf.

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Oh that's a that's a throwback.
Yeah, yeah, that's a look back.

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I know, right. I can
recall the first electronic mail I believe

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that we've we've received. This is
from m Pound. She hurt and says,

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hey, gang, medium time listener, first time emailer. I love

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that that Turner phrase. Medium time
over the garden Wall is my favorite cartoon

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bar none, and I was so
excited to see the series pop up in

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my feed. The show means so
much to me on so many levels,

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and I take every opportunity to gush
about it. I'm always going to remember

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watching the series with a few friends
in high school and that jaw dropping twist

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toward the end of the show's run. I wonder what that'll be m I

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think it was the first time a
cartoon genuinely blew me away. My favorite

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fall pastime is to sit my friends
down and watch them watch the show.

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For the first time. I watched
it with my that's kind of the whole

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essence of this podcast. Watched the
episode, I just watched their facial expressions

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exactly. That's what we did with
Alexa with Gravity Falls. Yes, absolutely,

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I watched it with my partner on
our first date, deep in the

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pandemic and seeing the reaction to the
art the characters that everything was amazing and

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yes, this is one of their
favorites now too. We went as Worton

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Beatrice for Halloween last year. Nice
great episode about the pilot. I absolutely

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love everything y'all do and can't wait
to hear your discussion about the series from

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M thank you, M, thank
you. So this one comes from a

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pd piranha plant or perhaps meaty parana
implant. That's a good spooky name.

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That's a very good, good one. Yeah. Hello, Charlie, Ella

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and Shelby. Longtime listener, first
time emailer. I never got to email

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during Mystery Shack look Back due to
not being part of the original Gravity Falls

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fandom. I had no gripping or
mundane tales of the time because I'm just

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not one to be part of fandoms. However, thanks to over the Garden

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Wall airing entirely in one week,
I'd say the non fandom viewers recollection of

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the time is equally as important as
the fandom perspective. Throughout my first viewing

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of episodes one and two, I
wasn't quite sure what the extent of how

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things could get for Whorton Greg.
At the time, Cartoon Network was pushing

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boundaries on what it could show,
and I wasn't sure if this was expected

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to be a teen show, much
like regular show, which was regular for

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the network. I might say so. I was on the edge for a

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lot of the time, thinking what
if the boys get injured or are they

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throw in a jump scare? Well
they might. It was quite a roller

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coaster of emotions when I first saw
them, the same feeling you get watching

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ducklings cross a busy road. I
don't know if that's what people who weren't

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aware of the context of the time
feel seeing the show. I hope they

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do. I make it a tradition
to introduce someone new to the show every

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November. Now on to the main
point of the email. I wish to

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be a carrot when I die,
But not just any carrot, no,

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A classical purple one from before the
Orange Nosaw Dutch Royal family had carrots made

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orange for them. I'll be a
sight to behold. Whoever digs me up?

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Which vegetable would you be? Sincerely, meaty piranha implant. Hmmm,

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well this is a very good question, implant. Thank you for your email.

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Which vegetable would I be when I
die? Yeah, it's a classic

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question. You get it at every
job interview, of course. Yeah,

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it's almost a cliche at this point. But what vegetable do you see yourself

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as in five years? I hope
I live for longer than five years.

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I want to I would, judging
by my hair, I would probably be

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broccoli. I would want to be
broccolini. But I am small and round,

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so I think I'm a spaghetti squash. Spaghetti squash kind of sounds like

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your name, it does. That's
a yump, Yeah, little Betty Betty

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Squashler. Yeah. Oh man,
Okay, I don't know why this came

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to my mind, but I feel
like I'm gonna be corn corn. I

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love it. So I guess now
that we all know, Now we all

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know what vegetables are going to be
when we enter that that that good night.

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Yeah, it's time to actually go
into the unknown. So is that

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where is that where different rabel are
headed in the final episode. Yes,

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I guess so, yeah, ready
to go into the unknown? No,

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no, but let's do it anyway. That's the ninth episode of Over the

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Garden Wall, premiered on November seventh, twenty fourteen, on the Cartoon Network.

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It was a whole network, just
the Cottoons. I know. It's

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notably it's the only episode that is
a script driven instead of board driven.

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So it is written by Cole Sanchez, Bertjon Amelia Lavari, Tom Herpitch,

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and Patrick McHale, and it is
storyboarded by Cole Sanchez, Vinuen and Zach

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Gorman. Cole Sanchez was also a
director on Adventure Time, a bord artist

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on Flatjack, and a supervising producer
on Summer Camp Islands. This episode apparently,

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yeah, all right, so let's
just watch it then. Goodbye,

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Thank you, old Lady Daniels,
goodbye Gregory, and please don't call me

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old lady. Yes, sir,
young man. So that was really weird.

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Did we watch the Right to show? The animation looked similar, Yeah,

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but it wasn't really about anything like, you know, whimsical or old

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timey or anything like that. I
do think that poetry with clarinet is pretty

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whimsical. That's true, that's true. The episode opens with electric guitar.

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Yeah, wait a minute, what's
going on here? Waited on a cassette

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tape beautiful? That song is the
Fight is Over, sung by series creator

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Pat McHale. I know there's some
you know, anachronistic stuff in over the

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Garden Wall, but I mean this
is like seventies or eighties. What's going

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on here? Yeah, all of
the lighting in the backgrounds is artificial and

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electric. Yeah, it's a lot
more blue, and there's a there's a

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yeah, because it's very very candle
lit in the unknown, so it's very

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orange and here every single house has
a blue glow coming out of it,

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implying they are all watching TV right
even on Halloween. And the music in

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this one is based on sitcom stings
instead of on the music of the Baltics

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or whatever. Yeah, there's some
really great little pratfall just like noises,

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like when the egg falls over and
just goes were And I wonder if the

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episode being script driven is to make
it feel more like modern cartoons. That

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makes a lot of sense to me. But there are a lot of bird

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driven modern cartoons as well. It
depends on then, but it's definitely I

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mean, there weren't script driven cartoons
at the time. Oh yeah, yeah,

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I see. Yeah, the movie, which is a modern invention.

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Yeah yeah. This one does feel
more like more like a sitcom or a

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TV show than it does a cartoon, especially because it's about well it it

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is apparently a prequel episode is a
flashback because the end of the last episode

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we had the reveal that Greg has
apparently made a deal with the Beast,

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was walking off with the beast,
and then Work just passed out and was

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caught by a man or fish and
Beatrice. But after all that, we

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didn't I didn't really see what happened. And now we're flashing back to work

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having made a cassette recording of poetry
and clarinet for Sarah, the character that

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we heard about back in Lullaby and
Frogland, like the girl that he has

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a crush on, and you know, of course it's a very sit comy

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sort of story. From there,
where a lot of the other the other

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kids at school like planted I and
Sarah's jacket, and then he has to

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get the tape back before he gets
embarrassed and they hear it and they laugh

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and laugh and laugh and laugh and
laugh. And who voices voice is Sarah.

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Sarah is voiced by Emily Brundage,
who was apparently well one. She

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sings a song called Jinky in the
Scooby Doop movie A just one singular one

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and two. She voices the title
character and did a bunch of songs for

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a series called Pubertina, which none
of us have heard of. I don't

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know what Pubertina is other than it
being a fantastic drag name. Okay,

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I pulled it up. It is
from the smash wiki. Okay. Shut

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Up Cartoons was a smash YouTube channel
that featured original animated content. Uh huh,

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created as part of Google's unsuccessful YouTube
original channel initiative. I love the

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wiki wiki had to specify, Yeah, this thing crashed and burned. Pubertina

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was the second cartoon to air on
shut Up Cartoons. I I feel like

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it failed because the that's a very
mean, uh cartoon name. That's a

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very like production company name. It
says, Join Pubertina as she tackles the

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giant pile of mishaps, embarrassment,
and acne. That is puberty every Wednesday

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right here on shut Up Cartoons,
created by Emily Brundage. In fact,

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Oh interesting, Wow, Okay,
so it's brace face meant big mouth,

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yeah meets shut up later. There
we go, shut Up La. We

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also finally finally meet the iconic,
the stallion, the man, the myth,

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the legend, Jason Thunderberger. Let's
give a hand for him because he

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is an absolute specimen of masculinity of
the Chad walks in such a Chad mister

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steelo girl. Yeah. Absolutely.
He's apparently designed based on Patrick McHale's high

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school senior portrait photo. Not on
purpose, he was. He was drawn

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with a suit just you know,
on the storyboards, and as Pat was

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coloring it in, he's like,
oh, maybe I can make the suit

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green like the one I wore in
high school. Wait a second, that's

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my haircut for my school. Oh
and Vine Neuen is one of the board

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artists on this episode was also one
of the inspirations for worts personality. As

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Pat says in the art book,
I remember I being particularly notorious in college

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for accidentally blurting out something insulting,
then digging in deeper and deeper a hole

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for himself as he tried to talk
his way out of it. It was

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strangely endearing. Actually, this is
a fun one. It's very fun.

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I like, we get the origins
of a lot of things we fight.

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I mean, the outfit primarily right
at the beginning, Yeah, yeah,

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he cuts the trim off a very
erect Santa hat. I said it was

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stored with corn starch and is now
stiff as a board, right, And

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I pointed out that Wort is a
pubescent boy, so sometimes you know that

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happens to your Santa hat and it's
normal, Yeah, just part of growing

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up. But and then the the
cloak is from like an old Civil war

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costume, civil war nurse outfit,
and I love that the that the other

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kids are like, so, are
you just like some kind of gnome?

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Like what is it? I don't
know, And he doesn't know. But

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then when he's when he dresses himself
and he puts the fan on to swish

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his cape, He's like, yes, yes. So Pat Mcheal points out

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that that moment where his cape is
swishing in the wind is called back to

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at the end when Wort finally actually
becomes the hero and walks off into the

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snow to find Greg when we cut
back to the unknown, so call forward

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then yeah, well calls back and
for yes, whoa whoa Yes, Sir

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Jason Frenderberger sounds like he's in pain
all the time. It's fantastic. Yeah,

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Cole sam Jays does the funniest mouth
breather voice. Oh he worns you're

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at Oh what's going on? And
like, no one but Wert sees him

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as like anything remotely threatening or to
be taken seriously, Like he he fails

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to startle Sarah when they're walking into
the graveyard and she just comforts him on

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his fail to like, Oh,
you tried your best, You did your

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best. It's okay. Yeah.
I love that. The whole interaction between

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the two, Worre is like,
no, he's gonna steal my girl,

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and Sarah's just like it's okay,
buddy, you're doing your best, Like

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there is no romantic tension at all. Yeah, it does. It kind

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of reminds me of like the Inconvenience
thing, or like any Gravity Falls episode

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with the teens where it's like or
even like any uh like Steve Universe episodes

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where Lars would try to interact with
the cool teenagers in that show where like

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you have a character who is so
like in their own head and so like

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debilitatingly anxious all the time about social
acceptance, and then the second you see

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like from outside of their own perspective, everyone's just like, oh yeah,

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like it's whatever. We're They're like, they're just normal, Like they're just

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normal people like this. There's a
character who sees them as this like unattainable

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like institution socially, and then they're
just like, oh, yeah, that's

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cool, you can hang out with
us. Like they're they're excited to see

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where at the party, and they
when they see them at the graveyard,

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they're like, yeah, come on, come hang out. Like they the

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idea that they are, you know, this cartoonish like click is entirely in

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words head and I think that's really
funny and also really like touching and really

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true. Okay, so we've just
got in an image of Pubertina, and

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we also found out what her nickname
is. If you scroll, that's I

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00:17:03.680 --> 00:17:07.599
don't like that. I don't like
that at all. I'm sorry. What

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would you shortened puper Tina to obviously
pubes? Yeah, the wiki says she's

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nicknamed Pubes by most of the characters, and that's all. And I don't

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00:17:18.799 --> 00:17:22.359
like it. That feels like nobody
on the show likes her. That's just

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mean. I mean it's from shut
Up cartoons, So I guess you're right,

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we should shut up. My chickens
are screaming as loud as they can

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out suck. They don't like Pubert. They don't like Pubes as a nickname

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either. That's not in the recording. Part of me hopes it is.

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So I'm like, I'm like Pubertina, I'm like Pubes. Most people seem

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to like word, even though they
may lightly tease him sometimes. But where

208
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interprets this as just being an utter
pariah, it reminds me of a buller

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00:17:59.160 --> 00:18:02.400
hat guy. Yeah, ye hey, hey goop cool gool binder, Hey

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00:18:02.400 --> 00:18:07.000
you want to hang out after school? They all hated be Yeah, that's

211
00:18:07.039 --> 00:18:14.799
pretty pretty much like you see,
how just how truly truly like warped Wort's

212
00:18:14.880 --> 00:18:18.440
view of the situation is because we've
heard him, you know, saying all

213
00:18:18.480 --> 00:18:22.200
this dramatic poetry stuff before, but
out of context, and now it's put

214
00:18:22.279 --> 00:18:29.240
in context where basically, like he
accidentally fumbles, like talking to his crush

215
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at a party and then he just
launches into oh is the Dove never to

216
00:18:33.519 --> 00:18:37.119
meet the Sea for Watch of the
Odious Mountain? And it's like, dude,

217
00:18:37.960 --> 00:18:44.240
not that serious, but same when
I was in high school. Yeah,

218
00:18:44.279 --> 00:18:47.920
exactly, that's true. That is
very like how it feels when you're

219
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that age. But we have like
this outside perspective and through the lens of

220
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a cartoon you can really see like
how fundamentally absurd most anxiety is and thunder

221
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birth, how under Berkeley observed absurd
most anxiety is absorb absord Yeah, how

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00:19:06.079 --> 00:19:18.599
fonder Berkeley absword most anxieties one take. I also love all of the background

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character costumes. It's yes, someone
with just a pizza around their or face.

224
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Yeah. Wonderful spreadsheet of all of
the different costumes in the art in

225
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the art book, Yeah, which
is linked to the description page one FI

226
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four. I love the guy who's
dressed as this cartoon duck who has the

227
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cartoon duck on his shirt for context
to what the mask is supposed to pay.

228
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Well, yeah, because Nitkross said, we were trying to design homemade

229
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looking costumes. I remember as a
kid, everyone would have those plastic costumes

230
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that you'd buy at the supermarket a
Darth Vader plastic mask and a smock that

231
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said Darth Vader on it. I
hated those things, so there, Yeah,

232
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there's there's one of those with the
cartoon duck, and then another just

233
00:19:55.920 --> 00:20:00.920
as Frankenstein's Monster, with a smock
with Frankenstein's Monster on it. I would

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say the most important reveal in this
whole episode is that the entire main conflict

235
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of the series, the boys being
lost, is all a cops fault,

236
00:20:08.559 --> 00:20:12.599
that's true, or a talking cop
car. No, they didn't bother showing

237
00:20:12.720 --> 00:20:18.880
us the faces of the police officers
because they're not people, but the chase

238
00:20:18.960 --> 00:20:22.920
them over this garden, this garden
wall. Yeah, they're harassing kids all

239
00:20:23.039 --> 00:20:27.079
night and then taking way too long
to say just getting happy Halloween. But

240
00:20:27.160 --> 00:20:30.720
yeah, the whole thing is the
cops fault because Greg and Wurt are in

241
00:20:30.759 --> 00:20:34.000
the cemetery. Why are they in
the cemetery, Well, it's what Greg

242
00:20:34.039 --> 00:20:37.519
believes is a frog hunt. Greg
is also I feel like we talk a

243
00:20:37.519 --> 00:20:41.319
lot about Greg being the MVP of
every episode, and it's still true,

244
00:20:41.319 --> 00:20:45.079
although it's a very work focused one. But we get iconic moments such as

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00:20:45.799 --> 00:20:48.240
please don't call the old lady.
Yes, sir, young man. And

246
00:20:49.200 --> 00:20:53.920
just before we'd enters the Halloween party, there's these two kids standing in front

247
00:20:53.920 --> 00:21:00.240
of the house talking about stickball,
sick and ball games besides base ball.

248
00:21:00.279 --> 00:21:02.839
Yeah, baseball is not the only
stick of ball game. There's one old

249
00:21:02.839 --> 00:21:04.960
cat, too old cat? Yeah, and he lists one old cat and

250
00:21:06.039 --> 00:21:11.079
two old cat And so Greg has
overheard this and what we saw back in

251
00:21:11.279 --> 00:21:15.599
the school episode, Greg attempting to
play this is attempt to play the game,

252
00:21:15.880 --> 00:21:21.119
to reconstruct the game from only its
title, right, So it's a

253
00:21:21.119 --> 00:21:23.000
call back at call forward situation.
How do you play too old cat?

254
00:21:23.079 --> 00:21:27.839
I stip come on speaks for itself. You find two old cats, No,

255
00:21:29.000 --> 00:21:32.799
but not not a too old cat. That cat's too old. Is

256
00:21:32.839 --> 00:21:33.880
that a real game? Is it
a real game? I guess it is

257
00:21:33.920 --> 00:21:38.240
a real game. Let's look it
up old cat or cat ball? Uh

258
00:21:38.319 --> 00:21:44.480
huh? Were bat and ball safe
haven games played in North America? So

259
00:21:44.519 --> 00:21:48.079
it's a it pregates baseball. Yeah, there's a lot of a little kind

260
00:21:48.079 --> 00:21:52.480
of it's like a mix of a
callback and a call forward, like setting

261
00:21:52.599 --> 00:21:56.559
up what previously was like a strange
out of context thing that now has context

262
00:21:57.200 --> 00:22:03.240
in this this backstory episode, like
we see how Greg got the rock facked

263
00:22:03.519 --> 00:22:07.759
rock from old Lady Dan or young
man Daniel, sorry, young man Daniel's

264
00:22:07.920 --> 00:22:14.200
yard, and we also we get
the exploitation of why we're dressed that way,

265
00:22:14.240 --> 00:22:17.440
but also why Greg is dressed that
way, why he has an upside

266
00:22:17.440 --> 00:22:21.079
down teapot on his head. He
is stressed as an elephant course, I

267
00:22:21.119 --> 00:22:25.720
mean obviously you see his trunk.
Yeah, and this there was going to

268
00:22:25.759 --> 00:22:30.240
be kind of a set up slash
payoff for that way back in episode one.

269
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It was a line that got cut
when Wert tells Greg like, oh

270
00:22:33.039 --> 00:22:34.400
no, that was a bad plan. I told you to forget that plan.

271
00:22:34.559 --> 00:22:40.480
Greg was going to say an elephant
never forgets. But that line was

272
00:22:40.519 --> 00:22:42.240
cut for time, I assume.
But I think it would have been really

273
00:22:42.240 --> 00:22:47.599
funny, because that's all it's a
It functions without the context, and then

274
00:22:47.640 --> 00:22:52.880
with the context it's even funnier.
And not only is Greg in the cemetery

275
00:22:52.000 --> 00:22:57.279
for a frog hunt, but Wort
is there because Sarah is there, and

276
00:22:57.319 --> 00:23:00.480
why is Sarah there for you know, ine appropriate drinks? You know,

277
00:23:00.559 --> 00:23:04.279
nothing illegal or anything like, yeah, stuff that's not illegal. I love

278
00:23:04.359 --> 00:23:08.240
that long and I love that we'ren't
like either doesn't get it or is playing

279
00:23:08.240 --> 00:23:11.039
along. He's just oh like juice. I mean, he definitely doesn't get

280
00:23:11.079 --> 00:23:15.559
it. When Greg and Wert enter
the graveyard though, when they're hiding behind

281
00:23:15.559 --> 00:23:19.480
the gravestones to spy on Sarah and
Jason Vouderberker and the rest of them,

282
00:23:19.960 --> 00:23:26.759
one of the gravestones actually has the
name Quincy Endicott written on it aka the

283
00:23:26.880 --> 00:23:33.039
eccentric rich guy from the episode Mad
Love What, and the gravestone next to

284
00:23:33.119 --> 00:23:37.960
it you cannot read, but it
is in a distinctly French Rococo style,

285
00:23:38.400 --> 00:23:47.200
which implies which implies that that would
be Mago Gras gravestone Ella the Quincy Endicott

286
00:23:47.319 --> 00:23:52.519
gravestone. And the fact that we
see they travel into the unknown by drowning

287
00:23:53.079 --> 00:23:57.960
seems to imply a lot of what
we've already kind of been theorizing about.

288
00:24:00.119 --> 00:24:03.759
These children are dead or somewhere between
life and death or are they in a

289
00:24:03.839 --> 00:24:11.279
coma the whole time, much like
Ash catch Him before them. Yes,

290
00:24:11.640 --> 00:24:15.759
indeed we're Finn from Adventure time depending
on who you ask, but yeah,

291
00:24:15.400 --> 00:24:19.759
it certainly would make a lot of
sense given all the Dante's Inferno type stuff

292
00:24:19.799 --> 00:24:23.960
we've been seeing thus far in the
show. They head over the garden wall

293
00:24:25.079 --> 00:24:27.960
immediately almost get hit by a train, and then they fall into freezing water.

294
00:24:29.240 --> 00:24:32.480
The old black train, The old
black train. What about that old

295
00:24:32.519 --> 00:24:36.920
black train? I hear it a
comet? Yeah. Yeah. After that,

296
00:24:37.000 --> 00:24:42.480
we get wort and dirt. Yeah, otp, this is my my

297
00:24:42.720 --> 00:24:48.559
I call it otport. Did you
do wort? We meet the rest of

298
00:24:48.559 --> 00:24:53.400
Beatrice's family. Yeah, oh no, they're all blue birds. They're all

299
00:24:53.400 --> 00:24:57.920
snuggling wort to keep him warm in
a tree, in a tree, and

300
00:24:59.079 --> 00:25:03.039
uh yeah, Beatrice, this mom
is the only one that speaks. She's

301
00:25:03.039 --> 00:25:08.000
played by Shirley Jones, famously from
Oklahoma and the Partridge Family and the music

302
00:25:08.119 --> 00:25:15.160
band Partridge Family. No, they're
blue yeah Partridges. And they're not in

303
00:25:15.160 --> 00:25:21.160
a pear tree. They're in an
ad wood tree. That's true. They

304
00:25:21.279 --> 00:25:26.480
twist your expectations and that's that.
At the beach, this is the bethtub.

305
00:25:30.680 --> 00:25:33.799
Yeah. After that, he goes
into the unknown with the with the

306
00:25:33.920 --> 00:25:38.680
hero callback cape thing to the unknown
for real, this time forres and finally

307
00:25:38.720 --> 00:25:42.440
having his ARC moment of admitting that
he was never any good to his brother

308
00:25:42.519 --> 00:25:48.759
alive because He's also still really mean
in this flashback, and we get a

309
00:25:48.799 --> 00:25:52.920
little more info about their family.
Uh. He goes off about you know,

310
00:25:52.000 --> 00:25:56.279
once again, you've ruined my life. You and your dad always trying

311
00:25:56.319 --> 00:25:59.960
to get me to joint marching band. Yeah wait, you will play Clara.

312
00:26:00.000 --> 00:26:04.799
Yeah, also get him closer to
Sarah. Like, like Greg pointed

313
00:26:04.880 --> 00:26:07.680
out, it's like, wait,
if you were if you want to hang

314
00:26:07.720 --> 00:26:11.720
out with someone, if you want
to hang out with the mascot and you

315
00:26:11.759 --> 00:26:15.000
play clarinet, why wouldn't you want
to join? I mean it's again,

316
00:26:15.039 --> 00:26:19.559
it's just showing how how abs were
anxiety tends to be. Yeah, that's

317
00:26:19.640 --> 00:26:26.319
to play against your interests a lot
of the time thunders were. Yeah.

318
00:26:26.400 --> 00:26:30.880
Yes, I just love how Greg's
brain works, like it's very much like

319
00:26:30.039 --> 00:26:33.519
a b This is what you need
to do, Like you want to hang

320
00:26:33.599 --> 00:26:37.200
out with Sarah, play the clarinet, join the marching band. He is

321
00:26:37.319 --> 00:26:42.960
unspoiled by all of the uh garbage
that an adult brain will give you.

322
00:26:44.119 --> 00:26:48.880
Sometimes my brain just gives me garbage. Uh huh yeah yeah, mostly just

323
00:26:48.920 --> 00:26:52.599
my brain telling me to eat my
dirt. Yeah, let's all have a

324
00:26:52.680 --> 00:26:56.039
quick snack break with some dirt.
When when we come back, we'll cover

325
00:26:56.440 --> 00:27:03.200
the final episode Over the Garden Well, Sunday. Was it a Sunday?

326
00:27:03.920 --> 00:27:11.440
No, it wasn't. Oh it's
a Friday. Came wayward, so little

327
00:27:11.440 --> 00:27:22.440
wander through the dup darkness. There
is a light for the lost, Stand

328
00:27:22.559 --> 00:27:40.960
them salt and feisally for godtin when
you submit to the soul, love the

329
00:27:41.440 --> 00:27:47.720
ar So considering the last step,
the previous episode was called Into the Unknown,

330
00:27:47.759 --> 00:27:51.720
I wonder what this episode is called? What could it be? It

331
00:27:51.720 --> 00:27:56.359
could be anything. It's a final
episode. It's like the final chapter of

332
00:27:56.440 --> 00:28:00.039
this story. Do you what's it
called. It's kind of like the end

333
00:28:00.079 --> 00:28:03.880
of this very long podcast journey.
Actually, yeah, a little bit,

334
00:28:04.119 --> 00:28:08.559
a little bit, and then it
will be left to just go out into

335
00:28:10.240 --> 00:28:15.480
some kind of uh, well unknown
I guess, or unknown well where it

336
00:28:15.599 --> 00:28:19.079
is dressed as some kind of gnome
as we learned, but he's not sure

337
00:28:19.119 --> 00:28:22.880
if he's a gnome, so he's
which makes it unknown. He's he's wearing

338
00:28:22.920 --> 00:28:27.640
an unknome costume. Yeah. So
that's the tenth and final episode of Over

339
00:28:27.640 --> 00:28:30.519
the Garden Wall. Oh yeah,
when did it premiere? Oh? November

340
00:28:30.519 --> 00:28:33.680
seventh, twenty fourteen. On a
Little station. You might have heard of

341
00:28:33.759 --> 00:28:37.960
that from that, you know,
Ted Turner himself, the Cartoon Network.

342
00:28:37.400 --> 00:28:44.160
Ohleodore Turner? How'd you get him? Turner? Yeah, Theodor Turner and

343
00:28:44.200 --> 00:28:48.079
the Worst David? Who is it? Who is it? Written and storyboarded

344
00:28:48.119 --> 00:28:49.920
by the Well I was written a
story word by Natasha leg Rey, Jim

345
00:28:49.960 --> 00:28:55.920
Campbell and Tom herpitch. Of course, of course, of course, of

346
00:28:56.000 --> 00:29:00.400
course. Do you want to watch
it? No? Yeah? Wait,

347
00:29:00.440 --> 00:29:03.240
no, Ellie, you don't want
to. It's two against one, so

348
00:29:03.400 --> 00:29:07.359
yeah, I'll watch, Okay,
Google, I believe in democracy, weird

349
00:29:07.519 --> 00:29:17.079
energy in this episode. I love
it, though. Are you ready to

350
00:29:17.279 --> 00:29:30.200
see too Darkness? Are you?
Are you? So? We just finished

351
00:29:30.599 --> 00:29:34.400
watching Over the Garden Wall. Wait, I think you're a little ahead.

352
00:29:34.799 --> 00:29:37.240
I'm still on the credits. Well, the credits is when it's over,

353
00:29:37.359 --> 00:29:41.200
Ella, Well, we still had
to see a rock go down first.

354
00:29:41.599 --> 00:29:45.000
Yeah, you said something before the
rock even went down. The rock went

355
00:29:45.079 --> 00:29:48.880
down, and you know what that
means? That Dad at that dad at

356
00:29:48.960 --> 00:29:56.440
that cartoon cartoons. I would have
to do that with the cartoon cartoon Cartoonoon.

357
00:29:56.920 --> 00:30:03.920
Welcome to Cartoon Cardoon. Fridays,
I'm TVs. The I'm TV's that

358
00:30:03.039 --> 00:30:07.519
was a good joke that we made
years ago. Yeah, so we just

359
00:30:07.720 --> 00:30:14.400
finished Over the Garden Wall. The
Rock went down, The rock went down,

360
00:30:15.519 --> 00:30:19.079
The rock went down. I love
this finelle. It's amazing. It

361
00:30:19.200 --> 00:30:25.759
really really is amazing. In the
art book they talk about how everyone who

362
00:30:25.799 --> 00:30:30.079
boarded this episode had to do like
a billion revisions because they kept retooling it.

363
00:30:30.319 --> 00:30:33.319
Yeah, it makes a lot of
sense. It's pretty tight. So

364
00:30:34.200 --> 00:30:37.240
do you want to read this bit
about the three acts? Show me?

365
00:30:37.319 --> 00:30:41.799
All right? So the episode could
be divided into three acts, each with

366
00:30:41.960 --> 00:30:47.400
individual color palettes. The first was
mostly white, the second black, whereas

367
00:30:47.440 --> 00:30:51.039
the third is colorful. Pat McHale, the show's creator. Set in the

368
00:30:51.160 --> 00:30:53.519
art of Over the Garden Wall book, the lighting in the second act is

369
00:30:53.559 --> 00:30:57.119
meant to feel like a stage.
That reference to the stage and opera is

370
00:30:57.119 --> 00:31:03.359
a parent throughout, and is even
more apparent through the evident talent of Samuel

371
00:31:03.440 --> 00:31:07.920
Ramie, who portrays the Beast.
Samuel Ramie was a star of the American

372
00:31:07.960 --> 00:31:11.079
opera, and it shows through his
operatic way of singing. Him when he

373
00:31:11.200 --> 00:31:15.000
sings come Wayward Souls, I just
want to like lay like my neck and

374
00:31:15.200 --> 00:31:19.279
back on his vocal cords, to
get like a to get like a massage

375
00:31:19.319 --> 00:31:23.079
chair kind of effect out of his
dibrata. It's actually how he performs it

376
00:31:23.920 --> 00:31:29.279
on a massage chair, on a
massage That's nice, that's very convenient.

377
00:31:36.799 --> 00:31:38.359
Now I want to get a message. Can we just all get massage.

378
00:31:38.440 --> 00:31:44.279
Let's go get a massage after this. I would love on my shoulders.

379
00:31:44.319 --> 00:31:48.200
I have all of all of the
tension I've ever had in my life is

380
00:31:48.200 --> 00:31:52.000
still in my shoulders. Shelby con
the US money to get massages over at

381
00:31:52.000 --> 00:31:56.839
patreon dot com, slash mystery Shag. We're just gonna We're gonna be honest

382
00:31:56.880 --> 00:32:02.960
here, We're gonna use the money
to get massages here. Here, you're

383
00:32:04.039 --> 00:32:07.720
here. I really love the sheer
amount of operatic influences that this show does

384
00:32:07.839 --> 00:32:12.880
take. Oh yeah, it's like
kind of mind blowing to me because a

385
00:32:12.880 --> 00:32:15.599
lot of people do say that opera
is a dying art, but it's not.

386
00:32:15.960 --> 00:32:19.839
And the fact that it does live
on and things like over the Garden

387
00:32:19.880 --> 00:32:22.480
Wall where they mirror like not only
the structure of it, but they like

388
00:32:22.680 --> 00:32:27.680
mirror other operas like Canceling, Gretel
and every It's just it's really cool to

389
00:32:27.720 --> 00:32:30.440
me the way that this show is
done maybe a dying art, but this

390
00:32:30.480 --> 00:32:35.880
episode is about dying. That's true. There's a lot of tech and I

391
00:32:35.920 --> 00:32:38.880
love the first kind of set piece
of the episode. Amalia Lavari says it

392
00:32:38.920 --> 00:32:42.599
best in the art book, saying, so much of the humor in the

393
00:32:42.640 --> 00:32:45.519
series comes from Greg's fearlessness. The
points of suspense and actual fear. The

394
00:32:45.559 --> 00:32:49.839
stakes come out of his courage,
but also his obliviousness. One of my

395
00:32:49.880 --> 00:32:52.319
favorite scenes is his encounter with the
Beast because of how casually a child can

396
00:32:52.359 --> 00:32:57.160
answer degrees of evil, the degree
to which the Beast is sinister doesn't register

397
00:32:57.200 --> 00:33:00.680
with Greg because his worldview doesn't make
room for that caliber of ill intent.

398
00:33:00.119 --> 00:33:05.240
Being able to take a character like
that into an actually dangerous situation was really

399
00:33:05.319 --> 00:33:07.559
challenging and really thrilling. We wanted
to be true to his character, and

400
00:33:07.599 --> 00:33:10.480
we wanted to be true to the
impulses that he has, which tend to

401
00:33:10.519 --> 00:33:15.240
vacillate between being really funny and kind
of terrifying. Because he has this this

402
00:33:15.359 --> 00:33:21.240
series of challenges that the Beast puts
before Greg, and Greg, you know,

403
00:33:21.359 --> 00:33:25.480
aces all of them by finding these
creative white milk. The cape as

404
00:33:25.519 --> 00:33:30.799
red as flood Slipper is cold,
Yeah, pretty much, because he has

405
00:33:30.839 --> 00:33:37.839
this inventiveness that really only his perspective
could give as as as a child.

406
00:33:37.839 --> 00:33:45.680
And it's so interesting how the Beast
talks to him because he's not like actively

407
00:33:45.720 --> 00:33:47.680
threatening, Like it's like the Beast
still understands that this as a child,

408
00:33:49.160 --> 00:33:52.640
and he is using him for his
own ends, but not in a way

409
00:33:52.680 --> 00:34:00.000
that makes Greg feel uncomfortable. Greg
feels like he's winning, is winning always,

410
00:34:00.519 --> 00:34:02.799
no way he's dying. But even
as he's dying, as he's being

411
00:34:02.839 --> 00:34:06.759
transformed into an adle wood tree,
he tells where like I did and I

412
00:34:06.839 --> 00:34:13.320
beat the beast, because that's how
that whole scene went down. We also

413
00:34:13.360 --> 00:34:16.159
get to reveal yeah, soiling green
is people. The adle wood trees that

414
00:34:16.239 --> 00:34:22.400
the Woodsman has been chopping up to
fuel the lantern solent green are soiling green

415
00:34:22.880 --> 00:34:27.719
and that's people. Well they're more
brown. Well, I got leaves on

416
00:34:27.800 --> 00:34:31.159
him, brown leaves, well,
multiicolored leaves. It's fall, turning turning

417
00:34:31.199 --> 00:34:37.199
into winter though turning into winter.
Yes, this episode also kind of transitions

418
00:34:37.280 --> 00:34:40.760
us from an autumn scenery to a
winter scenery. He was also eating some

419
00:34:40.840 --> 00:34:46.599
leaves earlier. It's my favorite line
in the whole episode. I was just

420
00:34:46.599 --> 00:34:54.519
eating some leaves as he's dying.
U and Work reunites with Beatrice in this

421
00:34:54.559 --> 00:34:58.719
episode, and we get the song
one is a Bird, which I think

422
00:34:58.800 --> 00:35:01.920
is also sung by a Shirley Jones. Yes, sure is. I think

423
00:35:01.920 --> 00:35:06.519
we heard a little instrumental of it
in the previous episode and maybe some episodes

424
00:35:06.639 --> 00:35:10.280
prior. It's kind of been like
Beatrice's motif because Beatrice is a bird.

425
00:35:12.199 --> 00:35:15.400
Yeah, she's the one, the
titular one. She is the one.

426
00:35:15.719 --> 00:35:20.840
And Word is the guy. Yeah, he is the guy. I'm the

427
00:35:20.880 --> 00:35:24.840
guy, the real guy. And
I say, we go in, we

428
00:35:24.920 --> 00:35:29.840
beat this unwinnable level and we get
to the other side. We're untold riches

429
00:35:29.880 --> 00:35:35.119
in a bounty fit for ten kings
awaits us. Oh, he's definitely the

430
00:35:35.159 --> 00:35:37.480
guy. But yeah, I love
how they calling back to that quote.

431
00:35:37.480 --> 00:35:42.559
It's really interesting because I never thought
about the way the color palette does distinctly

432
00:35:43.199 --> 00:35:45.880
change in the three acts. Yeah, and lighting it like a stage I

433
00:35:45.920 --> 00:35:51.400
never thought about too, because the
lantern like lights it in this void like

434
00:35:51.519 --> 00:35:54.480
a stage light. And like I
guess it's like the transfer between one and

435
00:35:54.519 --> 00:35:59.320
the other is when it goes from
the silhouette of the white into the black,

436
00:35:59.519 --> 00:36:01.559
and then this luette of the black
with the white in it, Like

437
00:36:01.599 --> 00:36:06.400
that's the transfer from one to the
other, which is very and yang thing.

438
00:36:06.719 --> 00:36:12.480
Yeah, yeahhh, this just's so
good. It's so good. There's

439
00:36:12.519 --> 00:36:15.480
the one background when the Woodsman is
walking and it's like you see, it's

440
00:36:15.519 --> 00:36:20.039
kind of a sunset where there's still
like color hitting the trees in the sky,

441
00:36:20.239 --> 00:36:23.239
but everything else is white and gray, and just like that's I love

442
00:36:23.320 --> 00:36:28.079
this shit. Aren't white and gray? The main character's name you're thinking of

443
00:36:28.119 --> 00:36:35.079
Gandalf Wiret and Greg. That's Gandalf
the gan off the wort, off the

444
00:36:35.119 --> 00:36:38.039
wort and off the Greg, get
off the wort and gan off the Greg.

445
00:36:38.239 --> 00:36:47.280
Yes. So the operatic music that
accompanies Dying Greg, Oh my god,

446
00:36:47.320 --> 00:36:52.400
it's the funniest and saddest thing in
the world is a cover of his

447
00:36:52.559 --> 00:36:57.760
of his hit track Potatoes and Molasses
in Latin, sung by a child choir,

448
00:36:58.320 --> 00:37:00.480
sung slowly and dramatically. I think
that's Colin Deine sing. I think

449
00:37:00.480 --> 00:37:04.039
it's yeah, I think it's a
single. It's a single voice. It's

450
00:37:04.079 --> 00:37:07.679
just calling, but like there's a
choir that comes in with a oh oh,

451
00:37:07.199 --> 00:37:15.039
tiny Seed, that's true. Yes, uh, performed by Colin Dean

452
00:37:15.239 --> 00:37:20.760
and the Unknown Children's Square and then
yeah, Greg kind of steps back to

453
00:37:20.800 --> 00:37:28.800
it. Ladies and gentlemen, the
Unknown Children's choir, Tiny Seed, aren't

454
00:37:28.800 --> 00:37:32.480
they wonderful? Aren't they wonderful?
Folks? Now I am going to die?

455
00:37:36.639 --> 00:37:40.280
And the frog looks so sad and
cold with his little crossed legs when

456
00:37:40.320 --> 00:37:47.039
he's leaning up against the tree.
With the art book says that the frog's

457
00:37:47.119 --> 00:37:52.639
expressions are supposed to be the key
into how Greg is feeling. Yeah,

458
00:37:52.639 --> 00:37:55.440
I think I think that stays pretty
consistent throughout, but here, especially in

459
00:37:55.480 --> 00:38:01.480
a similar manner to Cami and Street
Fighter Watch Street Fighter. For Mystery Shack

460
00:38:01.559 --> 00:38:07.039
Look Back, we called Kylie Minogue
John Claude Van Dam's emotional interpreter because his

461
00:38:07.119 --> 00:38:12.440
acting is so bad we don't know
what we're supposed to feel when he performs

462
00:38:12.519 --> 00:38:15.840
until Kylie reacted to it right.
And in this case, Greg has an

463
00:38:15.840 --> 00:38:21.559
excuse on account if he's being transformed
into a tree. That was the case

464
00:38:21.639 --> 00:38:25.159
for j C in that fing probably
also getting kind of a kind of an

465
00:38:25.199 --> 00:38:30.960
Et and Elliott vibe of like,
yeah, I can picture the frog frog

466
00:38:30.559 --> 00:38:35.880
like pasty white, washed up on
a riverbank, like dying, like et

467
00:38:36.199 --> 00:38:39.119
frogs are just like yeah, well
or et is just like frogs. They're

468
00:38:39.159 --> 00:38:43.360
slimy, they sound like a chainsmoker, that kind of thing. They get

469
00:38:43.400 --> 00:38:47.280
everywhere, they get everywhere, they
get everywhere. So we get to see

470
00:38:49.119 --> 00:38:52.719
the beast very briefly. We get
to see the beast's true form. It's

471
00:38:52.800 --> 00:38:59.760
real bad. Don't like looking at
it. I don't either. It's to

472
00:38:59.840 --> 00:39:04.639
avoke trip to phobia. But it's
only like, not all of him is

473
00:39:04.639 --> 00:39:08.840
on frame at once. We got
a quick glimpse each like section of him

474
00:39:08.840 --> 00:39:15.039
has only a frame. He's made
of a bunch of crying faces. Yeah,

475
00:39:15.119 --> 00:39:17.920
which makes sense. If he himself
is made of the Ata wood,

476
00:39:19.000 --> 00:39:24.159
then he's made of lost souls,
wayward souls, in fact, wayward souls.

477
00:39:24.239 --> 00:39:28.639
Yeah. They came to him,
him eat them, and then him

478
00:39:28.679 --> 00:39:36.320
eat them Ella eat them souls,
and that's not good. And and the

479
00:39:36.679 --> 00:39:40.400
woodsman didn't know he was helping the
beast eat them souls. No, if

480
00:39:40.440 --> 00:39:45.599
he had known, he never would
have agreed to their whole arrangement. Oh

481
00:39:45.679 --> 00:39:47.119
yes, the background that I really
like is in the art book. It's

482
00:39:47.159 --> 00:39:52.000
on page one sixty eight. Yes, yes, And I love that the

483
00:39:52.119 --> 00:39:57.440
Woodsman like exits, you know,
stage left to have a boss battle with

484
00:39:57.480 --> 00:40:00.280
the beast that we don't see,
just so that Work can come in and

485
00:40:00.360 --> 00:40:05.000
have a private conversation with Greg.
Yeah. Oh, and we get Greg's

486
00:40:05.079 --> 00:40:09.320
like this really really fascinating insight.
I think it too, like Greg's whole

487
00:40:09.360 --> 00:40:14.719
character this whole time, because he
reveals in the previous episode we saw that

488
00:40:14.760 --> 00:40:17.480
he got the rock facts rock from
young Man Daniel's garden, but here he

489
00:40:17.519 --> 00:40:22.199
reveals that he actually stole it,
that he is a stealer and that is

490
00:40:22.239 --> 00:40:28.360
a rock fact, and like the
realization that he's been carrying that guilt with

491
00:40:28.440 --> 00:40:32.000
him like the whole time, and
that everything that Wurtz said has only been

492
00:40:32.039 --> 00:40:36.000
like implanting that further and further in
his head, that like, this is

493
00:40:36.079 --> 00:40:39.119
all your fault. You have done
something terrible and now it has killed us.

494
00:40:39.400 --> 00:40:45.360
Yeah, is heartbreaking, just like
the way a child brain puts those

495
00:40:45.360 --> 00:40:47.840
pieces together even though they don't make
sense right. And it's tragic for Word

496
00:40:47.840 --> 00:40:51.880
as well, because he's only just
now realized the error of how he's been

497
00:40:51.880 --> 00:40:54.800
interacting with with Greg this whole time. And here's Greg saying, yeah,

498
00:40:54.840 --> 00:40:58.559
you were right all along. You
know, I am a screw up and

499
00:40:58.639 --> 00:41:01.920
I should just be left here.
And the word of the first episode might

500
00:41:01.960 --> 00:41:06.760
have just left the word of episode
one might have just left him there.

501
00:41:07.079 --> 00:41:09.320
Yeah, and now and now it's
it's all he wants to do is bring

502
00:41:09.360 --> 00:41:13.400
his brother home, and this is
the one time that he can't because he's

503
00:41:13.400 --> 00:41:15.960
turning into a tree and dying,
which is you know, who can't relate

504
00:41:15.000 --> 00:41:20.639
to that? Yeah? I can
relate deeply though, to the kind of

505
00:41:20.679 --> 00:41:27.880
to what I interpret from the whole
Beast and Lantern situation. I started to

506
00:41:27.920 --> 00:41:32.239
see it as a really apt like
analogy or metaphor could be read for obsessive

507
00:41:32.239 --> 00:41:38.480
compulsive disorder, where the Beast is
essentially a representation of OCD because he has

508
00:41:39.039 --> 00:41:45.400
convinced to the Woodsman that he needs
to do this task repeatedly forever, or

509
00:41:45.480 --> 00:41:50.760
else his daughter will die, his
daughter's soul will be extinguished. He implants

510
00:41:50.800 --> 00:41:54.960
these like terrible, terrible ideas into
the Woodsman's head and says, you have

511
00:41:55.000 --> 00:41:59.920
to do X, Y Z or
else this will happen, which is a

512
00:42:00.079 --> 00:42:04.119
course complete nonsense. But Work is
the only one who realizes that from his

513
00:42:04.159 --> 00:42:07.280
outside perspective, because he just says, wait, that's dumb, because the

514
00:42:07.320 --> 00:42:12.360
whole, you know, the essence
of OCD is that fulfilling your compulsion never

515
00:42:12.480 --> 00:42:16.079
actually helps the thing you think it's
helping. It only feeds the OCD more

516
00:42:16.159 --> 00:42:21.800
it is the beast's soul in the
lantern. You are only serving itself.

517
00:42:21.960 --> 00:42:25.239
It's not actually doing what it says
it's doing. Yeah, and even Wort

518
00:42:25.239 --> 00:42:30.119
says, like, you just have
some obsession with keeping this lantern. It's

519
00:42:30.159 --> 00:42:31.840
almost like it's your soul. And
he's like, what, no, no,

520
00:42:31.960 --> 00:42:37.079
it's your soul. Shut up.
Yeah, yeah, I love work

521
00:42:37.159 --> 00:42:40.039
failing at his badass line it's like
are you ready to see true darkness?

522
00:42:40.039 --> 00:42:45.239
And where it's like are you?
Are you? But then he does he

523
00:42:45.280 --> 00:42:49.079
actually does get a pretty bad ass
moment where he goes to blow out the

524
00:42:49.159 --> 00:42:52.440
lantern and then just kind of goesh, yeah I thought so, and then

525
00:42:52.480 --> 00:42:54.880
he just puts it down by the
woodsman and is like, yeah, this

526
00:42:55.000 --> 00:43:00.679
is your fight, not mine.
That's that's genuinely like just satisfying moment for

527
00:43:00.760 --> 00:43:06.639
him. And apparently the Woodsman's daughter
was just still in the house. Apparently

528
00:43:06.639 --> 00:43:09.320
you just forgot to look at his
house, right, which I mean I

529
00:43:09.320 --> 00:43:12.920
think I initially thought like, oh, that's such a cop out. It

530
00:43:12.960 --> 00:43:17.199
should be like about accepting grief and
stuff. But it's through the OCD lens.

531
00:43:17.239 --> 00:43:20.360
It does make a lot of sense
because a lot of times the thing

532
00:43:20.400 --> 00:43:23.920
that you think is wrong isn't even
actually wrong in the first place. Like

533
00:43:23.960 --> 00:43:29.119
there's actually a no problem and you
have completely invented it. She's like,

534
00:43:29.199 --> 00:43:30.440
yo, Dad, where you bit? Yeah, you haven't been here in

535
00:43:30.480 --> 00:43:34.920
like a few months. What's up? Well, I thought, yeah,

536
00:43:34.960 --> 00:43:37.840
although didn't the cut did the comics
give an explanation of that? Yeah,

537
00:43:37.960 --> 00:43:42.960
she just no, that's it.
He just didn't see her in the house.

538
00:43:43.519 --> 00:43:45.960
Oh well, she probably was like
out, so okay. So as

539
00:43:46.000 --> 00:43:51.840
a kid, I was always like
super paranoid that the rapture was gonna happen,

540
00:43:52.119 --> 00:43:54.880
and it was a completely interrational thing. No, I'm so sorry.

541
00:43:54.960 --> 00:44:00.440
Yeah, And so like my terror
was anytime I could not get in contact

542
00:44:00.440 --> 00:44:05.159
with my friends or my family like
happened and you were left behind exactly.

543
00:44:05.480 --> 00:44:07.400
So I feel like it's probably that
kind of scenario, like she was literally

544
00:44:07.440 --> 00:44:12.599
just out getting bred. He didn't
know where or why why would you tell

545
00:44:12.599 --> 00:44:16.320
a kid about that because Christianity's freaked. But yeah, no, I assume

546
00:44:16.360 --> 00:44:20.719
that that's what it was. Like
there was just like no note was left,

547
00:44:20.920 --> 00:44:23.679
and so he just started spiraling too, my daughter is gone, like

548
00:44:23.719 --> 00:44:30.599
because he has oct exactly and he
well he also I feel like he's like,

549
00:44:30.639 --> 00:44:34.639
well, I don't know, life
EXPECTANCYE in this time period is like

550
00:44:35.559 --> 00:44:39.920
what thirty, So she's probably dead. I mean, like in a hypothetical

551
00:44:39.960 --> 00:44:44.880
situation, like it could have been
that there was a storm that separated them

552
00:44:45.039 --> 00:44:47.119
and he went to go look for
her, and that was his entrance into

553
00:44:47.119 --> 00:44:52.519
the unknown, was that he got
like he had a near death experience looking

554
00:44:52.559 --> 00:44:55.480
for his daughter. Right. We
do know all this because there is a

555
00:44:55.480 --> 00:45:01.880
comic about it. Yeah, my
story better than just she was just in

556
00:45:01.880 --> 00:45:06.239
the house and he forgot to look. Yeah, it was something like that.

557
00:45:06.320 --> 00:45:08.119
I could I could go look real
quick if y'all want. Yeah,

558
00:45:08.199 --> 00:45:12.920
chrack, chrack, based where's my
daughter? Did you check inside the house?

559
00:45:13.280 --> 00:45:17.239
Oh no, I didn't. Sorry, whole things circumvented. Oh wait,

560
00:45:17.360 --> 00:45:20.639
no, I mean he's she's in
the lantern. No, No,

561
00:45:20.719 --> 00:45:23.559
you're right, she was in the
house. She was in the house.

562
00:45:23.800 --> 00:45:30.199
Can't No, I like big boots
and I cannot lie all right one sick

563
00:45:30.280 --> 00:45:32.679
y'all. In the meantime, I
will point out that when we venture into

564
00:45:32.840 --> 00:45:37.000
the real world again, when we're
back safe at the hospital, there is

565
00:45:37.079 --> 00:45:45.079
a wide shot of the city and
for seemingly no reason, it's the same

566
00:45:45.119 --> 00:45:50.519
city as the town and the show
Clarence, which was another cartoon network show.

567
00:45:50.760 --> 00:45:53.039
Reason is that there was a lot
of work put into this episode and

568
00:45:53.079 --> 00:45:59.039
it's safe that they tried to reuse
the background. Yeah, it's just fascinating

569
00:45:59.079 --> 00:46:00.800
how like it is, because there's
like, you know, there's a very

570
00:46:00.800 --> 00:46:06.440
specific bowling Alley sign or it's like, you know, they're using a very

571
00:46:06.559 --> 00:46:10.880
non generic looking city background, so
you know, it's it's what It's kind

572
00:46:10.880 --> 00:46:15.679
of like one of those Pixar theory
things, where like Tixart will reuse assets

573
00:46:15.719 --> 00:46:22.079
because movies are expensive and they have
everything in like a CG backlot to pick

574
00:46:22.119 --> 00:46:25.760
and reuse, and then people interpret
that as a shared universe thing. But

575
00:46:25.800 --> 00:46:30.360
I do think it would be really
funny if something as like grim as Over

576
00:46:30.360 --> 00:46:34.039
the Garden Wall existed in the same
universe as Clarence, which is an incredibly

577
00:46:34.119 --> 00:46:37.599
lighthearted show. Well, it doesn't
exist in a separate world. So that

578
00:46:37.719 --> 00:46:42.800
means if Clarence were to drown,
I mean also separate time period, right,

579
00:46:42.840 --> 00:46:46.719
because Clarence is a takes place in
the modern day and this is apparently

580
00:46:46.719 --> 00:46:51.760
the seventies or eighties or something.
Yeah. So, yeah, she was

581
00:46:52.079 --> 00:46:58.679
told to not go out because he
was afraid she would get hurt. She

582
00:46:58.760 --> 00:47:01.719
does make me wicked. Yeah,
no, well he's yes, very paranoid

583
00:47:01.760 --> 00:47:05.800
that something bad is gonna happen to
her because of what happened to his wife.

584
00:47:05.840 --> 00:47:12.440
Okay, so she goes out anyway, he goes looking for her and

585
00:47:13.159 --> 00:47:16.000
runs into the beast. She did
run into the beast prior to that,

586
00:47:16.119 --> 00:47:21.039
so you'd think, oh, maybe
the beast got her. But she comes

587
00:47:21.079 --> 00:47:25.239
back and says, you were right
about the beast, but I made it

588
00:47:25.360 --> 00:47:30.400
home safe and sound, didn't I. So next time I go into the

589
00:47:30.400 --> 00:47:32.119
woods at night, we don't have
to be afraid of him, do you

590
00:47:32.159 --> 00:47:37.159
see? We just and he is
not at that so I think maybe you're

591
00:47:37.239 --> 00:47:43.280
right about that OCD thing exactly.
That whole line that she says about we

592
00:47:43.320 --> 00:47:45.440
can go out and not be afraid
is like that is the antidote, that

593
00:47:45.559 --> 00:47:51.679
is the antithesis of what Ozdi tells
you. But it also could be interpreted

594
00:47:51.679 --> 00:47:54.159
since she did run into the beast
and he cannot find her that maybe she

595
00:47:54.360 --> 00:48:00.320
isn't in her house proper. Maybe
she's being kept somewhere pocket dimension house.

596
00:48:00.760 --> 00:48:05.519
Yeah, that looks like her house. Or maybe yeah, she ran into

597
00:48:05.559 --> 00:48:07.320
the beasts. She got away,
and he saw the beasts they were ships

598
00:48:07.320 --> 00:48:12.719
passing in the night. Yeah.
I like the the unknowning of of Greg

599
00:48:12.719 --> 00:48:16.400
and Wurt In the end, Greg's
good boy haircut is very good. Greg's

600
00:48:16.440 --> 00:48:21.679
good boy haircut. Yeah, Like
they clean him up and they give him

601
00:48:21.559 --> 00:48:27.199
a brescious hair He looks so fancy
and his pajamas and his grippy socks.

602
00:48:27.440 --> 00:48:31.239
What what a sweet beans? And
he's wearing a Sarah's top hat or the

603
00:48:31.280 --> 00:48:36.039
frog is yeah, well, Jason
Funderberger is Yeah, I only get the

604
00:48:36.119 --> 00:48:40.719
name of the of of our frog, Jason Frog. No, no,

605
00:48:40.519 --> 00:48:46.440
no, no, not your frog, hour not you Jason Funderberger, Jason

606
00:48:46.480 --> 00:48:51.880
Vanderberger by frog. And I don't
know if this is confirmed, but I

607
00:48:51.920 --> 00:48:55.280
think I think I've seen in order
to distinguish, I think I've seen Jason

608
00:48:55.320 --> 00:49:00.239
Funderberger the frog's name spelled with like
a different letter like a you and intead

609
00:49:00.239 --> 00:49:06.599
of an E somewhere, instead of
Jason Voderberger the pathetic man, it would

610
00:49:06.679 --> 00:49:09.559
just be how Greg thinks it spelled. Okay, yeah, there you go.

611
00:49:09.840 --> 00:49:13.840
We also get something that I find
really interesting of like, you know,

612
00:49:14.280 --> 00:49:19.719
the closing narration starts of like was
it all a dream or whatever?

613
00:49:19.920 --> 00:49:25.320
Something something, But when Greg is
showing off the frog to everybody, he

614
00:49:25.440 --> 00:49:30.960
shakes the frog and the bell that
is still in the frog's tummy glows the

615
00:49:31.039 --> 00:49:36.840
ringing of the bell, And I
think that's really interesting because I love,

616
00:49:37.000 --> 00:49:39.039
you know, anytime there's a little
hint of like, okay, maybe it

617
00:49:39.079 --> 00:49:45.199
did really happen, like it isn't
just Wizard of Oz esque and you were

618
00:49:45.199 --> 00:49:52.880
there and you were there, you
weren't there Jason Vanderberger. Yeah, No,

619
00:49:53.400 --> 00:49:58.400
it's it's hinted to have been real. I would say, right,

620
00:49:58.480 --> 00:50:00.800
I mean, that's kind of hard
to dispe Yeah. But then there's the

621
00:50:01.079 --> 00:50:04.599
I don't know. I liked that
there's not really a clear answer because there's

622
00:50:04.599 --> 00:50:08.079
that, and there's also the tombstones
from the previous episode with Quincy Endicott's name

623
00:50:08.159 --> 00:50:14.119
on it, which is also pretty
indisputable. I don't know, did we

624
00:50:14.199 --> 00:50:19.039
have any theories back then gang as
to what was going on? I was

625
00:50:19.199 --> 00:50:23.760
just watching it with rapt attention,
being like, what is what is happening

626
00:50:24.000 --> 00:50:30.480
here? Yeah? But I had
gotten into it two years after it premiered,

627
00:50:30.719 --> 00:50:34.000
right, Yeah, I had seen
it. I was pretty involved in

628
00:50:34.039 --> 00:50:37.599
the Gravity Falls fandom on Tumblr,
so I had seen it discussed a lot.

629
00:50:37.719 --> 00:50:43.599
So I had seen Purgatory mentioned and
kind of went into the series knowing

630
00:50:43.679 --> 00:50:46.480
that was an interpretation of form.
Nah. Yeah, I think that because

631
00:50:46.519 --> 00:50:51.360
of how quickly the episodes were released, because it was a mini series,

632
00:50:51.400 --> 00:50:53.480
there wasn't time for speculation. Yeah, it's very much in the moment of

633
00:50:53.519 --> 00:50:58.000
Gravity Falls, where this was released
all in a week, and Gravity Falls

634
00:50:58.039 --> 00:51:01.960
was released, you know, painfully
slowly. So then the speculation comes on

635
00:51:02.039 --> 00:51:07.199
the Overall series. What is it
about? What are the themes? Where

636
00:51:07.239 --> 00:51:12.639
are they? The over the Garden
Wall. Yeah, overall is a shortened

637
00:51:12.719 --> 00:51:16.440
nickname for over the Garden Wall.
My favorite thing of the world. Yeah,

638
00:51:16.719 --> 00:51:23.239
overall. I love overalls, like
wearing overalls. Yeah, yeah,

639
00:51:23.400 --> 00:51:29.639
you've dressed Greg over the Garden,
Greg over the gardenals. I need to

640
00:51:29.679 --> 00:51:32.480
make some of those some just like
overalls with over the Garden Wall characters.

641
00:51:32.679 --> 00:51:37.039
Yeah, I think that's why these
last two or maybe just the last episode

642
00:51:37.079 --> 00:51:40.519
like fuels the speculation the most because
that's, you know, people viewed it

643
00:51:40.559 --> 00:51:45.039
as a pretty much a completed piece, whereas instead of going from week to

644
00:51:45.079 --> 00:51:49.360
week, I'll say one of my
favorite things is that if you do watch

645
00:51:49.519 --> 00:51:52.599
the last episode and then go back
and watch the first episode, as I

646
00:51:52.760 --> 00:51:55.199
usually do with shows like I usually
go back and watch the first episode after

647
00:51:55.239 --> 00:51:59.360
I finished the last one. Yeah, it's a circle. Like everything that

648
00:51:59.440 --> 00:52:05.639
happens in that first rhyme, Yeah, it kind of like it reflects back

649
00:52:05.960 --> 00:52:08.880
on that first episode really beautifully.
It's just right great because we see the

650
00:52:09.280 --> 00:52:14.840
old mill again. He goes back
to the house and tries to refuel the

651
00:52:14.920 --> 00:52:22.880
lantern as we hear the reprise of
Into the Unknown now with the full chorus.

652
00:52:22.519 --> 00:52:25.880
We do see, yes, the
the images from the first episode,

653
00:52:27.000 --> 00:52:32.159
except more hopeful and optimistic this time. So instead of Quincy Endicott looking frightened

654
00:52:32.800 --> 00:52:39.760
at a dim portrait of Marguerite Gray, a well lit portrait of Quincy Endicott

655
00:52:39.840 --> 00:52:44.599
is admired by Marguerite Gray, all
of them with man with bread, the

656
00:52:44.639 --> 00:52:50.519
horse, Yeah, and then we
see Langtree and Jimmy Brown at the circus.

657
00:52:51.519 --> 00:52:58.480
It was me. We see Beatrice
and her family turned back into humans

658
00:52:58.519 --> 00:53:01.000
because had the scissors the whole time
and didn't say because he was mad,

659
00:53:01.119 --> 00:53:06.400
which makes sense. And we see
them reunited with the dog. The dog,

660
00:53:06.880 --> 00:53:09.719
the dog who is not the beast. The dog is not the best

661
00:53:10.000 --> 00:53:15.559
your beautiful eyes Beatrice's dog or is
now she stole it? And the mill

662
00:53:15.840 --> 00:53:22.159
was Beatrice's family's house because in the
first episode there's a lot of bluebird imagery

663
00:53:22.199 --> 00:53:24.559
I believe in the in the house. Oh he stole her, that's whose

664
00:53:24.599 --> 00:53:28.159
house he stole, I believe,
So why do you do that? The

665
00:53:28.320 --> 00:53:30.760
fixed back up? Thank you?
And then of course one of the vignettes

666
00:53:30.800 --> 00:53:36.639
in the first episode is Greg picking
up the rock, Greg stealing the rock

667
00:53:36.679 --> 00:53:42.239
from young man Daniel's yard, and
the last image is Greg putting it back.

668
00:53:42.400 --> 00:53:49.119
Yes, which is just I love
this show. I love symmetry so

669
00:53:49.320 --> 00:53:55.960
much. It's like poetry rhymes every
stand. Hey, this podcast is kind

670
00:53:55.960 --> 00:54:00.840
of over, isn't it over?
In the garden wall? You know it's

671
00:54:00.880 --> 00:54:09.119
really spooky, is podcasts ending?
Yeah? This podcast is dead dead,

672
00:54:13.960 --> 00:54:19.880
But anything we have to say before
we go before we mosey on out of

673
00:54:19.920 --> 00:54:23.920
here and clean up all these cobwebs
and things and lock her up for the

674
00:54:23.960 --> 00:54:29.440
season. Any final thoughts on Over
the Garden Wall or podcast. I just

675
00:54:29.559 --> 00:54:31.320
I just think that's one of the
most perfect pieces of media just as a

676
00:54:31.400 --> 00:54:37.800
whole. It's not long enough to
have developed any flaws, which is beautiful.

677
00:54:37.880 --> 00:54:42.960
Well, that's true. They do
talk in the art book about we

678
00:54:43.079 --> 00:54:47.760
never learn the mysteries of the Black
Turtles, and they talk about how in

679
00:54:47.800 --> 00:54:53.880
a lot of cultures there is this
idea of doing an imperfect stitch on purpose

680
00:54:54.159 --> 00:55:00.679
on a pass of clothing, and
they describe the the lack of solution to

681
00:55:00.719 --> 00:55:04.880
the black Turtle's mystery as that right, and that's why it's perfect. If

682
00:55:04.880 --> 00:55:07.880
it had every question answered, it
wouldn't be as exciting to think about to

683
00:55:07.000 --> 00:55:09.519
this day. And I think same
with gravity Falls. There are questions that

684
00:55:09.639 --> 00:55:15.519
gravity Falls never answered intentionally to keep
it alive, keep you talking, keep

685
00:55:15.559 --> 00:55:22.280
you thinking about it forever mm hm, forever clever. If you yes,

686
00:55:22.320 --> 00:55:30.840
you like tomatoes, if you like
to talk to tomatoes, boom. If

687
00:55:30.840 --> 00:55:34.840
you want to find more episodes of
this podcast, go to our host network

688
00:55:35.079 --> 00:55:38.559
Pipe dreampodcasts dot com, where you
can find other shows like Escape from valt

689
00:55:38.559 --> 00:55:44.679
Disney, How did This not get
made? Come on Fuqua pods and pod

690
00:55:44.800 --> 00:55:50.280
made you specially where they talk about
veggie till talk to tomatoes t veggie tit.

691
00:55:50.440 --> 00:55:52.159
Well, I don't know if they
how tomatoes. They should get my

692
00:55:52.239 --> 00:55:55.360
wife on it so they can talk
to it to talk to tomatoes. That

693
00:55:55.440 --> 00:56:00.599
is true, You're right, because
they like to talk to tomat Yes,

694
00:56:00.639 --> 00:56:02.079
well, you're on pipetreon podcast dot
com. You can find a link to

695
00:56:02.119 --> 00:56:06.400
our show's social media is our Discord
server and our Patreon Patreon dot com.

696
00:56:06.440 --> 00:56:07.920
Slash Mystery Shack. I don't know
if you know this, but I wasting

697
00:56:08.000 --> 00:56:13.519
podcasts actually costs money, so if
you want to send us money through Patreon,

698
00:56:13.840 --> 00:56:16.639
we can continue to this podcast doesn't
disappear one day. You can read

699
00:56:16.679 --> 00:56:22.159
the over the Garden Wall art book
at the link in the description and David

700
00:56:22.119 --> 00:56:25.519
go to sleep. David, you're
not supposed to be listening to this.

701
00:56:25.719 --> 00:56:32.920
David's as love, May you go
the way of Bob Jpek. You can

702
00:56:34.039 --> 00:56:37.400
check out our merg shore crowdmate dot
com, slash collection slash Mystery Shack look

703
00:56:37.440 --> 00:56:40.639
Back and what better gift than the
gift of a Mystery Shack look backshirt.

704
00:56:40.960 --> 00:56:45.960
That's true, It's true. Contact
us at Mystery Shack look Back at gmail

705
00:56:45.039 --> 00:56:50.519
dot com. Thank you to Simmon
the dim BULBB two hyphen zero for our

706
00:56:50.519 --> 00:56:54.880
intro instrumental And uh, I have
something to plug. I mean we should

707
00:56:54.920 --> 00:56:59.119
all say our twitters and such.
You're right, so this is the last

708
00:56:59.119 --> 00:57:01.920
episode of a Garden. I don't
know that, well, maybe not Twitter

709
00:57:02.079 --> 00:57:06.920
still exists. Yeah, I start
us off, Charlie, what do you

710
00:57:06.960 --> 00:57:09.920
have to plug? I have a
new show now that now that this podcast

711
00:57:10.000 --> 00:57:15.000
is over, I'm constantly scheming,
constantly working, constantly rubbing your hands together,

712
00:57:15.159 --> 00:57:20.719
sinisterly. I like to challenge myself
and do something different than what I

713
00:57:20.760 --> 00:57:24.800
did last So a lot of people
know me for an improv show, after

714
00:57:24.920 --> 00:57:30.039
which I made a comic do.
I worked at a Renaissance fair, I

715
00:57:30.199 --> 00:57:35.079
produced a play for MAGFest. Yeah. So, now that I'm done with

716
00:57:35.119 --> 00:57:39.320
this podcast, I thought it was
the time to bring back the abridged series.

717
00:57:40.320 --> 00:57:45.960
They will Never Die. It's real
and it'll never die. I created

718
00:57:46.039 --> 00:57:52.119
a series kind of based on what
I learned to find interesting about myself through

719
00:57:52.159 --> 00:57:59.760
this podcast and other sources. During
the pines Quest episode where I got to

720
00:58:00.119 --> 00:58:01.760
dump about Zelda, it occurred to
me that, oh, this is not

721
00:58:01.880 --> 00:58:07.920
a past obsession for my childhood.
This is something I'm still very much actively

722
00:58:07.039 --> 00:58:13.679
passionate about. So I have a
new show called Well Abridged Me Princess,

723
00:58:14.119 --> 00:58:19.440
which can be found on well abridge
meprincess dot tumblr dot com. It is

724
00:58:19.599 --> 00:58:23.039
a comedy dub of the nineteen eighty
nine Legend of Zelda cartoon, with me

725
00:58:23.199 --> 00:58:29.719
as the voice of Link and Zelda
Ella co writes it. Yeah, Shelby

726
00:58:30.199 --> 00:58:37.360
voices rite. I'm really proud of
it. I'm for once just focusing on

727
00:58:38.079 --> 00:58:42.920
me and what I think I'd like
to make instead of what I think would

728
00:58:43.000 --> 00:58:46.920
get money or attention or articles written
about it. Please check it out.

729
00:58:46.960 --> 00:58:52.039
I'm really proud. Well, I
guess I'll plug my Instagram at drone without

730
00:58:52.079 --> 00:58:57.840
ref It's the same as Twitter,
whatever Twitter becomes in this wild, messed

731
00:58:57.880 --> 00:59:04.119
up universe of hours. And yeah, you can check out my art and

732
00:59:04.159 --> 00:59:07.800
my animation and all that sort of
good stuff there. You can also,

733
00:59:07.239 --> 00:59:14.039
I did just do a guest spot
on pod Major Special. You can check

734
00:59:14.119 --> 00:59:16.559
that out as well, we've done
guest spots on most of the Pipe Dream

735
00:59:16.599 --> 00:59:21.760
podcast. At this point, I
would say, all right, you could

736
00:59:21.800 --> 00:59:23.960
check us out on Escape from Walt
Disney. Come on for hooko pods and

737
00:59:24.239 --> 00:59:27.559
how did this not get made?
So yeah, basically all of them,

738
00:59:27.800 --> 00:59:31.639
all the currently running ones. Yeah. Yes, So my handle on just

739
00:59:31.679 --> 00:59:37.320
about every platform is at Shelby Sessler, just my name, my website Shelbysesler

740
00:59:37.360 --> 00:59:42.440
dot com. And right now on
YouTube, I'm working on a couple of

741
00:59:42.440 --> 00:59:45.960
owl House related things, specifically a
prequel series. I'm working with an artist

742
00:59:46.400 --> 00:59:52.880
named moon Meg, and so those
will be released on Shelbeanie voiceover Shelbeanie vo

743
00:59:53.400 --> 00:59:58.519
on YouTube. Nice. So,
signing up for the final time for the

744
00:59:58.559 --> 01:00:05.599
foreseeable future, I'm shooking Showy,
and I'm chilling Charlie at this point more

745
01:00:05.599 --> 01:00:09.639
of a winter chill. Just had
a chilling chilling. It has been my

746
01:00:09.800 --> 01:00:22.639
extreme honor to have been l snare
wolves. We brought it back. How

747
01:00:22.679 --> 01:00:34.960
the gentle winds beacons through the leaves, uses honor colors, full dancing in

748
01:00:35.000 --> 01:00:50.920
a swirl of golden memois, loveliest
yes of wootsman. The time has come

749
01:00:51.000 --> 01:00:57.199
once again. Indeed, the moon
cloths fall above. It must be time

750
01:00:57.280 --> 01:01:01.159
to thank the patroots for keeping the
lantern fuel as I toil in the depths

751
01:01:01.159 --> 01:01:07.599
of the forest. Our dearest,
gratitude to Diddy Drift, Todd Diddy Buttons,

752
01:01:07.760 --> 01:01:13.920
add on with joy, sit and
an m easy snake, Oven friendly

753
01:01:14.039 --> 01:01:19.920
local Geek, Hope, he Salinas, Jamie Belts, May, Oliver,

754
01:01:20.079 --> 01:01:27.039
Pluto, Tuneo Series, Richard Scanling, Rowe Davis, Samantha Endley, Spencer,

755
01:01:27.159 --> 01:01:31.440
Neil Campbell, Vnilin, Zuko Haiti, Purana, plant b Calusota,

756
01:01:32.000 --> 01:01:39.440
David Cancel, Gwynn Prime, Calphen, Dossie Junior, bra Jesse, Marie

757
01:01:39.559 --> 01:01:47.599
McDougall, Rhyme Favor, Mamportin de
Wambortin, Elizabeth Newenfeld, Stephen Patrick,

758
01:01:47.719 --> 01:01:52.679
Mulholland, Stooling, Jubilation, Axel
and roll for Arcana. Be sure to

759
01:01:52.760 --> 01:01:59.280
keep that lantern lit. Woodsman,
pray you don't disappoint me, help me

760
01:01:59.480 --> 01:02:05.000
carry my endless burden through the night. And Patreon not God slash mystery shack

