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Welcome to Wine Soundtrack USA. You
can listen to the passion with which producers

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narrate their winery and their world.
In thirty answers discover their stories, personalities,

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and passions. Hello, friends and
listeners of Wine's Soundtrack. This is

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Alison Levine and today I'm sitting in
the Healdsburg tasting room of Idlewild Wines with

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Sam billbro owner and wine maker.
Sam. Welcome to Wine's Soundtrack and tell

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us a little bit about Idlewild.
Thanks so much for having me. Austin

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So, Idlewild is a Piedmontese focused
brand. I started in twenty twelve,

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assuming I was creating an expensive hobby
because who's going to buy our Nason Dolceto

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and whatnot from California? And eleven
years later now I'm still just trying to

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figure out how to keep up.
Yeah, obviously pretty popular and delicious wines.

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So now you're located, you're tasting
rooms in Healdsburg. Where are you

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sourcing your fruit from? And is
it and talk about you know, vineyards

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you owe and what you manage and
where they are. So starting back twenty

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twelve, was sourced from a vineyard
called Fox Hill in central Mendicino County,

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where there are plantings that ranged back
to the early nineties of these Piede Montese

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vitals, plus many other Italian grapes. By twenty fourteen I was managing Fox

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Hill and overseeing the overall operation,
and then in twenty and eighteen started sourcing.

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After grafting to my own property now
which is in the Yorkville Highlands called

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Lost Hills Ranch, high elevation less
than twenty miles from the ocean, shists

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and quartz and sandstone, old lifted
seabed sandstone soils. And then in the

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last few years have developed a new
property hired by a wonderful client of mine

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who has a seventy acre vineyard,
and we've now grafted oh shoot fifty of

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the seventy acres, and now there
are forty six different varieties, mostly Italians,

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spread across seven acres. Complete experimental
vineyard, but beautiful and with some

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things like Timarasso and Pella Virga and
neeta that are the first in the US.

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Wow. I mean, you can
barely find Nichetta in pumont day and

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now it's here. That's pretty exciting. So what is your total case production?

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Friedwald I generally am somewhere in the
six to eight thousand case range.

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It's a hard question to answer based
off of having had COVID and then drought

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years all at once, but you
know that's the range, and that's kind

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of a happy place where I can
keep production extremely hands on but also make

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enough to, especially with our blends, satisfy the thirst day. I guess

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you would say that's out there,
and so for the first that's out there?

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What markets are you in? I'm
distributed, I should time. I

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don't all this distributed. It in
give or take twenty states and three different

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export countries, but predominantly the two
big ones are new or in California,

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which is pretty standard. But those
we do have several others that do really

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well for us, like Illinois and
Ohio and Minnesota, and some are a

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little off the normal beating track,
but that do great. Wow, Italian

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grapes from California in the Midwest.
I love it. So I know that

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you are. You grew up in
this industry. You are not a first

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generation, But I'm wondering, what
is your first memory relevant to wine?

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First memory relevant to wine has to
be asking my dad when I was who

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founded and ran married to sellers and
would love he would have us sit down

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and taste blends with him. So
I was sitting and tasting and blend with

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him when he was putting together his
old vine. Read kind of the housewine

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that he made. Well, it's
actually a tie between sitting and tasting and

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blend with him. When I was
probably five and asking him why did he

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want me to taste it? And
his answer was because you're five and you'll

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be honest, or just getting to
go and walk in the venue and to

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them and hang out in the cellar. I mean, we would that was

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the our time with him, and
so I just grew up doing that and

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that felt like very very normal.
So as you got older and became more

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of a wine drinker and more interested
in what would you say is one of

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the most memorable wines you drank?
And what was that occasion? I mean,

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the most memorable story is I think
realizing why I loved wine. For

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me, I loved childhood with my
dad and my brothers, loved having a

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you know, Italian sausage and homeade, Italian sausage and tomato sauce, and

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gardens and sellers and vineyards and all
the rest that was in blue collar vineyards

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at that which went. We were
actually out there sweating and working with hard

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ad. That was wonderful, but
I sure as hell was like, see

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you later. I'm not going to
do that. That's way too much work

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because I never quite had the same
connection. I didn't know it for me,

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and so you know, I think
the memorable wine in the end,

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I didn't even know who the producer
was. I never checked it him.

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It was the first time a sales
rep when I was in the restaurant industry,

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parting me of Barbaresco. I was
just working at the bar and I

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got to sit on tastings and had
a Barbaresco and suddenly lights flash and everything

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made sense. And that's why this
whole peat Monty's journey. There have been

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plenty of other bottles along the way, but you know that one single taste

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changed the course for me. Yeah. Absolutely. And I know that I've

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been up visiting at your property,
and I know you describe it as finding

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your alps up there, so I
know it's a pretty special place. If

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we come into your home, what
kind of wines would we find in your

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cellar? Is it all Italian or
do you have a smattering of other things?

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It completely shifts and always shifts.
The only consistent thing is generally Italian,

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a good amount of Italian. But
that's not to say there won't be

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Champagne or Burgundier arone in the in
the little wine fridge, but I don't.

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Actually, the only thing I would
say I ever buy and really planned

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to hold onto is is uh,
you know, Nebula based wines. The

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rest off fine, and I don't
buy that many, to be honest.

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I love places like Chambers Street in
New York where you can buy a wine

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that's aged and delicious, and I
don't have to be the one who's being

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patient. Right, So, basically, you don't have a lot of wine

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in storage because you drink it all. So is there a particular wine you

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drink recently in the last couple of
days that really stood out? And what

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was it? It's a funny time
for you to ask that, because I've

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actually been taking a little break from
drinking as much wine. I've been trying

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to remember that a good balance in
this industry is also key to keeping a

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great palate. And so it's a
funny, funny time to answer that in

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that way, but I was let
me think really quick, that's a good

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question. Actually, just yesterday we
had a importer who we have our wine

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shop next door to the Odawall tasting
room in the wine shops called Chub Brutto.

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We do mostly all Italian imports,
some other import wines as well,

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and tons of fun for us because
it's the outlet to explore the things we

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love to explore and then share that
with everyone, and it gives great context

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to why we do what we do
at Idlewild. And one of my favorite

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import books is naturally called The Piedmont
Guy, and The Piedmont Guy represents just

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amazing hard to find Piedmontese producers and
they brought in a new to their book

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producer from Coluso down at the base
of the Alps in northern Piedmont, Alto

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Pimonte, and the producer was called
Jaco Jacometti Bruno, I believe, and

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it was perhaps the best air blue
I've ever had, and all of us

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were kind of just shocked and floored, so talking about getting into the geky

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little corn in the world. But
that's the stuff we love and get excited

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about. Well, I'm curious about
something. You're working with a lot of

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different grapes, all from northern Italy, from Piedmont region. You grew up

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in the wine industry. Do you
think there's a such thing as a perfect

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variety? No, no, no, I think there are perfect I don't

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even know if there's a perfect wine
for a perfect momentum. I think there

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are certain things that are great from
certain places. There are certain things that

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pair certainly well. But at the
end of the day, what someone loves

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and makes them smile, which is
completely subjective and separate to the person,

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is what matters more than the rest
of it. There's there's no basis past

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that. I've always said, I
don't you know. We can get as

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fancy as you want. But at
the same time, if someone loves cabernet

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and likes to eat fish, who
gives a ship, that's what they should

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do absolutely well. So so it
is a subjective thing. So I'm curious.

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What's your opinion on wine critics and
scores. That's a loaded question.

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I've always felt like critics and scores
were a great basis point, a great

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place to learn from. But I
always really encourage people to use that as

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as exactly that as a basis point, I think I think relying on another

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person for something that is subjective eventually
leads to not doing the work yourself to

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keep learning. And I always and
even now I will anytime I'm going on

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Chamber Streets website to buy an older
bottle because I'm excited that for a special

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occasion, I will look on Chances
Robinson's or Antonio Glone's website for a vintage

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chart and read their reviews. I
do love to look at those just out

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of curiosity, but past that,
I think it's more important for people to

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take that curiosity into their own hands
and go explore. Yeah. So as

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a wine drinker, quick answer,
red white or rose? All still are

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sparkling both. Okay, it's pretty
easy. I know a good wine drinker

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drinks everything. So you make a
variety of wines. And you were talking

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a little bit about you know how
there isn't a perfect you know, things

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work together, especially when it comes
to food and wine. How do you

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approach food and wine pairing? Are
there rules you follow or are there certain

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tips you can share or is it
sort of a come what may, certainly

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come what may? But then there
are just things that work, you know,

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and I think that comes from again
back to curiosity and having the love

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of that exact interaction of food and
wine. Um. That's just what's what

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I love so much in the Italian
side of food and wine is this kind

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of beautiful bit of like the food
sometimes has some sort of pushed edge,

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like call it spice in southern Italy, or or a little forward rich you

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know, salumi fat, or a
little bit of briny cfunk from something like

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botarga. And then there's wines that
have the opposite edge, or you know,

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a counterpoint edge that actually make that
become more whole. That's that's the

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basis, you know. And one
for me that I love is that clean

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bitterness that is so commonly found in
Italian whites or lighter crunchy or Italian reds

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where it's less it's acid driven,
but there's a clean bitterness. And then

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you can have things that are like
cleanly bitter, like arugula and radiquio salads

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or um, you know, the
hard to pair with, you know,

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vegetables like artichokes, asparagus. I
love where those kind of complimentary pieces fit

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together and become better. I've never
really thought about that. But the bitterness

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of the wine with the bitter foods, you know, because everyone always says,

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well, if you're going to have
asparagus, you have to have gruner.

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But let's go any Italian white.
I like that. So for somebody

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who hasn't had the pleasure to taste
your wines yet, what do you think

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they're missing out on? I mean, I'm biased, but I think the

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wines are damn good. I'll vouch
for that. No, I think I

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think whether it's my wines or wines
like mine from California, if you're not

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trying people who are exploring the spectrum
of what can be had here, I

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think you're missing out on the fact
that wine is diverse. Wine is a

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huge spectrum. I love peanut noir, and I love chardonnay, but and

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I love cabernet. But why do
we have so much of our acreage planted

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as so few grapes. I think
that's a disservice to the greater history and

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culture of wine. I think like
wineries like mine and friends who would do

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similar things really are the ones helping
to show that the spectrum is where there's

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just more to be had. And
you know, I think I've used the

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word a few times, that word
curiosity, Like the joy of the search

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is so much more fun than and
you can still have all the comforts of

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an old favorite even with its new
variety. And that's that's really interesting to

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me. So, if space aliens
were to land on your property right now,

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which of your wines would you want
to welcome them with? I mean,

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on one hand, there it's got
to be make a sparkling wine.

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A whole series of blends called florin
fauna and one of them sparkling, and

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you always want to gree with sparkling
in many ways. That's a great move,

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that's what you greeted me with.
Yes. True. On the other

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hand, I mean, aliens are
kind of weird maybe, and so I

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might choose like the weirdest out there
wine I make that doesn't have a lot

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of context for fun, like something
like you know, um, bone dry

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and this is new yet at least, but bone dry still briqueto that is

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like light light red and flowers in
a glass, you know, And that

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way, maybe it's just something they
don't know of any context that it would

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be fun to play things like that
too. Oh my God like you just

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speak my language. So so you
know you're working with unique varieties for this

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region. I mean, people are
not as familiar with it the way they

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are with other grapes, and we
know. I mean, twenty twenty three

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is an anomaly in a way because
we've gotten so much rain. It's pretty

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harvest. So I think you're in
pretty good shape. But I'm curious,

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aside from the atmospheric storms of late, do you see more variation from vintage

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to vintage or more commonality or is
it? Is it small variation or grandiose?

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Interesting question. I think that what
we're seeing is not necessarily what we're

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I look at that and where I'm
approaching that is not so much as what

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are we seeing with the years,
But it's proving the point of what I

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think I've already been doing Idlewild and
many other producers. So I don't want

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to take any credit because it's common, but not nearly common enough. Are

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you farming for soil health? Are
you planting varieties that are have some level

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of drought tolerance? Are you planting
varieties or grafting varieties in places where they

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naturally should exist. If you do
those things, you don't see the variations.

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They don't show as much. If
you're making sure that there's organic matter

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in your soil and you are helping
the vines to have deep roots, they

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are more resilient. And if you're
not planting chardonnay in a desert landscape where

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it's going to thirsty variety in a
thirsty zone, you don't get affected by

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the drought as much. I think
we're proving the point that smart farming and

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planting less for marketing reasons, but
more for what works from a environment mental

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perspective will yield over the long term
better wines and less variation that we don't

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want to see. So are there
any signs or predictors that you look for

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at any given time in the season, And we'll kind of tell you what

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a what a vintage is going to
give you. Interesting again, because I

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mean, twenty twenty three is a
great example. We've seen more water than

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we've seen in years and years and
years and years, which is honestly very

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wonderful. There's zero concern because we
need it period, but sure that's going

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to lead to a certain type of
spring where there's more should be more explosive

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green growth. With human conditions,
so there's more mildew pressure, but none

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of that really means anything until we
get to the point of fruit set because

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it's all elastic, and so it
really depends on what it still happens in

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front of us. We just have
our starting too in a season like this,

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have some perception of what's coming,
but we don't know until it happens,

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and then we don't know until that
unfolds. Once we get to a

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fruit set, we're in a less
elastic timeline of the year where it's more

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regulated just by total days and degree. So the only the only thing that

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will then affect us as having some
massive heat wave that comes or having an

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extremely long length of cold weather let's
say in midsummer. Those are all pretty

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zone to zone naturally going to happen. So you know, it's elastic,

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it's not formed. There's too many
variables to say that we can predict it.

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I think it goes back to the
prior question, are you farming to

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have a healthy sight and healthy soil, then there will be less effects that

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you then have to worry about from
there. Yeah, and I can see

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what you mean that you can't really
look ahead and predict because anything can happen

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at any time. I mean,
it can it rained yesterday and you could

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have a heat spike tomorrow. You
just don't know until it happens. But

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I'm curious if you've established any since
you can't predict the web other, have

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you established any rituals that you like
to do at the beginning of harvest,

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the at the end of harvest,
throughout harvest, anything with your team or

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just you yourself. I wouldn't say
rituals. That's an interesting question again.

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Um, you know, I think
I think that I hope and I think

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that we've developed a team here with
the whether it's the people we contract with

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in vineyards or the seller team,
which is really just me and one more

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Mike plus in terms of harvest,
I think the hope is that we're all

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just living in the moments. There's
less of this ritualistic thing of like marking

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the day is like each day is
great. We live in a in a

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beautiful area, we do something we
love. To me, there's no difference

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between the day that bud break happens
or the day that or harvest. It's

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all a wonderful time and to live
in that moment is more interesting, I

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think than marking rituals. So since
you live in that moment and you're you

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know, living in your vineyards and
spending all this time, you know,

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we know we always hear about winemakers
that talk to their wine or play music

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to it, and I'm curious walking
through your vines, um, what sort

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of communication do you have with your
vines? Do you talk to them?

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Do you have to criticize them at
times or encourage them? Or is it

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not quite as much like I talk
to my vines. I want to make

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some dumb joke, like you know, I whisper sweeten things to them in

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the desks. No, and they
listen. They're in love exactly, No,

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I think. I think at the
end of the day, as much

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as I have completely romantic side to
me, I also have a very logical

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side to me. And I think
coming to things with a romanticism and then

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being really pragmatic leads to really good
decision making. And so I'm not out

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there talking to the vines. I'm
more spending time with them, so to

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speak, so I can see what
they're you know, location feels like,

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and that goes back to them making
sure that you're in my case grafting,

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not planting, but because we've done
that in several vineyards, on grafting varieties

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that make sense in specific locations,
so you have healthy soils. You're following

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everything. You're following a very practical, sustainable organic model in the vineyard.

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When it comes to the grapes coming
into the winery, do you think you

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have to talk to them at that
point in the barrel? Is there music

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that you play or is there any
sort of communication with the wine itself?

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Less verbal? We play a lot
of music and it's always different. I

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think I think there is something to
be said about whether it's in the vineyard

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in the winery, a happy environment
where there is a joyous feeling and a

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feeling of life. You know,
in the end, we are interconnected,

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whether it's people to people or organisms
to organisms, and creating a happy,

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healthy place does lead to things working. And so I think it's more about

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creating that environment through you know,
turning their music. I've been happening,

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good time, making sure that you
stopped to have a nice lunch in the

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middle of harvest and smile and celebrate
those whether or not, it's because the

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the you know, the fermenting easts
or the east that are doing fermentation are

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directly impacted or were then in a
happier place. So we do our work

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a little bit better. Something there
happens, and I think that's more of

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the piece. So we've talked all
about wine and you as a winemaker,

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but I'm going to jump out off
that topic a little bit more about you

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as as as a person. And
I'm curious you said that, you know,

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you grew up in the wine industry, you grew up in the vineyard

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with your dad, but wine hadn't
grabbed you. So what did you want

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to when you were a little boy? What did you want to be when

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you grew up? Well, as
a let's see, a little boy,

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I don't really know. I don't
have a direct recollection. And me at

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that point, I was pretty much
I mean, even as a little kid.

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My dad was one of my best
friends, and I just he called

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me his little clone, you know, and we were really tight, and

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similarly with my brothers, we all
were, and so we spent a lot

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of time in that way. So
I, in one hand, it's not

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funny that I'm back doing similar things
so he did. But I never really

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saw it as like, that's what
I want to do. It's just it

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was more live a life like he
lived. And then when I got to

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college, I worked. I worked
several different jobs and I had four different

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majors, and then I dropped out
because I was having more fun playing in

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a crappy punk band and working at
dive bars. So you know, it

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was never linear, and I don't
think I ever landed on one thing.

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I think that does maybe go back
to your prior question about like I brought

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up being romantic, Like that's where
the romanticism comes in, is falling in

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love with something. So I never
had really fallen in love with something enough

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to want to do it. And
tell this And you said you weren't in

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a crappy punk band, But do
you have a favorite singer group today?

302
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Are they punk? I have many, many favorites. But one of the

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bands that I often go back to
and probably have listened to the longest overall

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is The Clash. And if you
could have the Clash come here and taste

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your wine, which of your wines
would you want to share with them?

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That's that's funny. I think I'd
probably go to the corner store. And

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get some really cheap beer because that
seems more their speed. But if it

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were one of the wines, I
probably pour something kind of you know,

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something like maybe the air Volution like
we're doing here right now. It was

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a little something different, a little
something fun, a little something playful.

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So when you're not working, how
do you spend your free time? I

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have a two wonderful kids who are
twelve and eleven, and I spend every

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minute I can with them, and
the night's there with their mom. I

314
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tend to try to cook and relax
and rest because I'm pretty busy between all

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those other friends. And I'm curious
when you're planning a romantic evening, what

316
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sort of wines make for that romantic
evening? What? What? What do

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you sets a mood and will make
that whole evening? Just on another level?

318
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God, I guess I'm not good
at this part of it. I

319
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mean, it's maybe why I'm still
halftime a single guy. But no,

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I um, I don't as I
love wine. I love all of this

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we're talking about, but again,
I don't think of wine that way.

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It's it's more of a direct connection
for me, I would say, more

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important than wine would be setting.
You know, if you want a romantic

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night, cook something homemade and delicious
and go sit out in the beautiful setting

325
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in the middle of nowhere. That's
romantic. Or go have an awesome experience

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like call your first date, going
to hike up a mountain. That's more

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interesting. Um then, and I
think this, it's funny. I love

328
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making wine. I'm we're talking about
this. The thing that I do is

329
00:24:04.319 --> 00:24:07.279
a business. And then I'm going
to say something almost anti that. But

330
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you know, at the end of
the day, it's a beverage in a

331
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bottle, and if what you have
close by, it's the moment that matters.

332
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Of what you have close by as
a the ingredients for a gintana have

333
00:24:19.759 --> 00:24:22.960
it great, it doesn't, I
don't. I think this edifice we put

334
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on wine is sometimes actually it's downfall
where it becomes. This bottle is so

335
00:24:27.119 --> 00:24:32.720
special, it has weight before you
even open it. To me, that

336
00:24:32.799 --> 00:24:36.839
almost detracts from the joy of what
it really is, which is something to

337
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enhance the moment you're actually in,
so separate from wine A question. We

338
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won't talk about wine now now.
But I'm curious when you look back at

339
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you, you know, your life
and your career. I mean, a

340
00:24:48.119 --> 00:24:51.839
lot of people give us advice over
the years, and I'm sure your dad

341
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gave you a lot of advice,
both as a father and as as a

342
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winemaker. And I'm curious, is
there a piece of advice he gave you,

343
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or perhaps it was someone else that
you carry with you through your life

344
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and how you choose to approach life
or approach work. I think, actually,

345
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what comes to my mind maybe is
my brother Jake. Remember getting into

346
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high school. He's six years older
than me. He's off to college,

347
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and he and I were really close
as kids, as I was with my

348
00:25:26.240 --> 00:25:30.119
older brother Scott, two older brothers. They fought like hell. I was

349
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close with both of them. But
you know, I remember Jake saying something

350
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along the lines of, don't have
a cool card and just be who you

351
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are. Don't try to go be
one of the cool kids, because that

352
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won't make you happy. And I
think that I've always done that. I

353
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never cared about being right in the
mainstream. And I think, you know,

354
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looking at what I do for work, here's definitely going against the green

355
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in a lot of ways. But
or playing in a punk band rather than

356
00:25:59.559 --> 00:26:03.240
playing in a pop band, I'm
like to just do what makes you feel

357
00:26:03.240 --> 00:26:07.920
alive. That that sentiment is what
it came through from Jake, who's actually

358
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I have had him on wine soundtrack
in the past, So I think it's

359
00:26:12.039 --> 00:26:15.240
kind of interesting. I think that's
great advice in something that everyone should follow.

360
00:26:15.279 --> 00:26:18.119
But I think it's there's a sort
of irony in it because you are

361
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one of the cool kids now with
the grapes that you do and the style

362
00:26:21.880 --> 00:26:23.440
of the wines that you make,
so you know, without even trying,

363
00:26:23.480 --> 00:26:29.960
you've become one of the cool kids. I'm curious when you look back at

364
00:26:30.000 --> 00:26:33.319
your life and your children cannot be
the answer, but what would you say

365
00:26:33.440 --> 00:26:40.279
is one of your proudest achievements to
date? I know your children, No,

366
00:26:40.279 --> 00:26:44.200
no, actually it means to be
honest, I think your children things

367
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you love, but I don't actually
think of them as being something I should

368
00:26:45.400 --> 00:26:48.160
be proud of. I mean,
I'm proud of them and for who they

369
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are. But I think that's a
funny thing. People always answer like,

370
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I'm certainly very proud of the fact
that Idlewild has gotten to where it is,

371
00:27:00.960 --> 00:27:03.319
but I think it's those things are
easy and the end of the day,

372
00:27:03.319 --> 00:27:07.920
you know, like I I'm proud
of the fact that my brothers and

373
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I went through losing our dad and
stayed with him, and he died in

374
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my arms, and we got to
give him the send off he deserved and

375
00:27:18.400 --> 00:27:19.759
with a ton of love around him. That's a hard thing to do.

376
00:27:21.119 --> 00:27:22.559
I'm more proud of something like that, and the rest I'm more proud of

377
00:27:22.559 --> 00:27:26.759
the fact that, you know,
my kids, mom and I have become

378
00:27:26.960 --> 00:27:32.440
close friends and can be joyous in
a situation we didn't think we were going

379
00:27:32.480 --> 00:27:37.319
to be in when we got divorced. And on the same time, I'm

380
00:27:37.359 --> 00:27:41.519
proud of putting skis on my feet
and climbing up a mountain and then skiing

381
00:27:41.519 --> 00:27:45.680
down it, like those things matter
more. So We're sitting at a table

382
00:27:45.720 --> 00:27:48.240
now when we have a few of
your bottles on the table, and I'm

383
00:27:48.279 --> 00:27:51.720
curious, there's an empty seat next
to you, who from any walk of

384
00:27:51.759 --> 00:27:55.319
life, living or deceased would you
like to be sharing a bottle with,

385
00:27:56.559 --> 00:28:00.119
introducing them or yeah, to idle
world, Well, he had out all

386
00:28:00.160 --> 00:28:03.599
before he died, but my dad, he's he's a number one person.

387
00:28:03.599 --> 00:28:06.799
I would love to have a chance
to just have another glass on winefmer,

388
00:28:06.839 --> 00:28:08.759
just give on the phone to talk
to him. So I want you to

389
00:28:08.799 --> 00:28:15.480
complete this sentence for me, A
table without wine is like meat without salt.

390
00:28:18.640 --> 00:28:23.759
You've done a great job. We're
almost done. So you know you

391
00:28:23.799 --> 00:28:27.720
were talking about you're talking about UM
when we spoke earlier, and you talked

392
00:28:27.720 --> 00:28:32.960
about how if if you're good to
your soil and your environment and you're watching

393
00:28:33.000 --> 00:28:36.440
everything for your grapes, that they
will thrive no matter you know, sort

394
00:28:36.480 --> 00:28:41.119
of what climatic issues come about.
So I'm curious how you look at climate

395
00:28:41.200 --> 00:28:45.519
change and you think we'll be drinking
wine and making wine and three hundred years

396
00:28:45.599 --> 00:28:52.559
or five hundred years, I am
in the end, I'm an internal I'm

397
00:28:52.559 --> 00:28:55.920
an optimist. In the end,
I'm banking on the word I was gonna

398
00:28:55.920 --> 00:29:04.599
say each from the optimist. And
we've created something very scary as humans,

399
00:29:04.880 --> 00:29:08.359
um, something I don't think we
know what's going to look like in the

400
00:29:08.400 --> 00:29:14.799
future. But I also do trust
that if people as a whole, in

401
00:29:14.920 --> 00:29:18.920
society as a whole, chooses to
do what it takes, we're full of

402
00:29:18.079 --> 00:29:23.200
ingenuity and we have so much capability. And just read the other day about

403
00:29:23.240 --> 00:29:30.440
someone who invented a way to to
um basically filter carbon out of the air

404
00:29:30.480 --> 00:29:33.559
and turn it into sodium byicarbonate,
which can then be put back into soil

405
00:29:33.640 --> 00:29:40.359
and water. Wow. Um,
there are mushrooms that can digest and breakdown

406
00:29:41.359 --> 00:29:47.519
hydrocarbons and all sorts of offshoots of
gas products and oil. We have the

407
00:29:47.599 --> 00:29:52.559
capability, So yeah, we should. If we're not drinking wine in three

408
00:29:52.599 --> 00:29:57.640
hundred years, we've certainly screwed up. So um. On the off chance

409
00:29:57.720 --> 00:30:02.000
that we, you know, to
go to a deserted island because you know

410
00:30:02.680 --> 00:30:04.240
world was ending, what three wines
would you want to take with you?

411
00:30:06.680 --> 00:30:11.960
Good question? Again, I would
probably say, I'm gonna alter your question

412
00:30:11.000 --> 00:30:15.960
and turn one of them into a
Gintonic because tastes get in the sun.

413
00:30:18.839 --> 00:30:23.720
I would then don't have a specific
but I would absolutely have a either a

414
00:30:23.920 --> 00:30:30.799
delicious like weighted white like a or
a sparkling like a Champagne or a shablie

415
00:30:30.880 --> 00:30:33.599
something in that camp. I don't
really care what it is specifically. And

416
00:30:33.640 --> 00:30:37.319
then of course I'd have some wine
made from the Nebula grape in the red

417
00:30:37.319 --> 00:30:42.599
format. Fair enough, So um, it's time to play our little game

418
00:30:42.640 --> 00:30:45.799
in the world finished, and that's
pairing wine with music. So this is

419
00:30:45.799 --> 00:30:49.039
a way, you know, music, wine makes you feel a certain way.

420
00:30:49.359 --> 00:30:52.680
Music makes you a certain way.
I feel a certain way. So

421
00:30:52.720 --> 00:30:56.319
I want you to kind of pair
some of your wines with music. So

422
00:30:56.920 --> 00:31:00.720
we started with your sparkling Flora and
Fauna, which is a blend, Well,

423
00:31:00.880 --> 00:31:03.279
tell us about that one. Sure, it's an non vintage blend of

424
00:31:03.839 --> 00:31:11.400
basically early picked rose material um mostly
from a couple of different benches than blended

425
00:31:11.400 --> 00:31:17.640
together of Nebuolo Delceto barbara um.
And then instead of using adding sugar and

426
00:31:17.759 --> 00:31:23.240
yeast to create the secondary fermentation and
bottle um, I used fermenting our nace

427
00:31:23.319 --> 00:31:27.480
the following year and added at a
rate that would get me to the desired

428
00:31:27.519 --> 00:31:32.640
pressure. And so that's you know, technically called the method of cestrao um.

429
00:31:33.279 --> 00:31:37.960
And yeah, and what music would
you listen to? M That one's

430
00:31:38.000 --> 00:31:45.160
pretty fun um I aside of me
that loves some old really like fun pop

431
00:31:45.359 --> 00:31:49.799
and even poppy like soul in motown. You know, I mean, what

432
00:31:49.839 --> 00:31:52.400
comes to mind. It might not
be the song, but something like I

433
00:31:52.480 --> 00:31:56.839
want you back from Jackson five.
Just have a good time, okay,

434
00:31:56.160 --> 00:32:02.720
And we were we've been sipping the
Evoluche the twenty twenty two Voluche. Well,

435
00:32:02.759 --> 00:32:07.720
I did mention that, you know, I maybe poured this one for

436
00:32:07.759 --> 00:32:10.119
the Clash if they came through.
So let's just go to my hairite song

437
00:32:10.200 --> 00:32:15.279
by them and say straight to Hell
by the Clash. Okay, um,

438
00:32:15.200 --> 00:32:20.319
let's see you have you said that
you're going to be coming out with tim

439
00:32:20.319 --> 00:32:24.039
a Rosso That wine is still becoming
what it is, so it's hard to

440
00:32:24.079 --> 00:32:29.559
answer. It's like, uh,
it's like prescribing the genre someone who's still

441
00:32:29.599 --> 00:32:31.039
just learning how to listen. Well, then we'll skip, We'll move on

442
00:32:31.039 --> 00:32:35.599
to something you have. Um My, one of my favorites of yours is

443
00:32:35.599 --> 00:32:42.359
your green Elino. Green Elino's um
pretty fun and playful with its kind of

444
00:32:42.359 --> 00:32:45.680
really forward floral fruit, but then
it's also got some structure behind it.

445
00:32:45.319 --> 00:32:50.519
Um. So I might want to, you know, play at something that's

446
00:32:50.640 --> 00:32:54.799
um got a little bit of pop
but also as like a pretty strong baseline.

447
00:32:55.039 --> 00:33:04.519
Um Um, what would that be? That's like question? Actually,

448
00:33:04.559 --> 00:33:07.759
like maybe some I can't think of
a particular song, or maybe something by

449
00:33:07.799 --> 00:33:13.160
someone like LCD sound System. Okay, and then we'll do one more,

450
00:33:13.279 --> 00:33:16.200
and that's of course Nebula because that
is the the endbulon. I know not

451
00:33:16.319 --> 00:33:21.319
every Nebula is the same, so
let's focus on your Nebulo. I think

452
00:33:21.400 --> 00:33:22.559
Nebula puts me in a different place, and the rest of it does as

453
00:33:22.640 --> 00:33:27.480
much as like, there's a side
of Nebula that is very much a band

454
00:33:27.519 --> 00:33:30.079
like the Clash for me, because
it's like the gritty edges and all of

455
00:33:30.119 --> 00:33:34.400
the thoughtfulness, you know, So
it goes to bands like that, but

456
00:33:34.839 --> 00:33:39.440
that's not where I feel when I'm
when I'm drinking it, Nebule is almost

457
00:33:39.480 --> 00:33:44.519
this like sweet, sad, melancholic
wine in a way in a way that

458
00:33:44.559 --> 00:33:47.480
I love. It's it's gorgeous,
but it's like it's brooding. So it

459
00:33:47.480 --> 00:33:52.279
makes me think of someone like Gregory
Allen Azikov, some really great like kind

460
00:33:52.319 --> 00:33:59.440
of pretty folk, or maybe even
someone like Bonnevair. H. Yeah,

461
00:33:59.480 --> 00:34:04.599
I think that's right. Go your
descriptor of Nebiolo is just gorgeous. So,

462
00:34:04.799 --> 00:34:08.400
Sam, you have survived and you
have been wonderful. I have two

463
00:34:08.519 --> 00:34:13.039
final questions. It is a two
part question. So the first question is

464
00:34:13.280 --> 00:34:16.440
where in the world, what wine
region is the top of your bucket list

465
00:34:16.440 --> 00:34:22.320
to come visit or to go visit
so twofold, it's always Piedmont because I

466
00:34:22.320 --> 00:34:24.320
always want to go for more and
I want to go to every piece I

467
00:34:24.360 --> 00:34:31.119
haven't seen. But outside of that, I really really want to get up

468
00:34:31.119 --> 00:34:35.800
on Anna. I have not seen
Sicily at all, So Sicily is an

469
00:34:35.880 --> 00:34:37.960
entire island in province, but specifically
to climb up the mountain and be on

470
00:34:38.000 --> 00:34:44.639
Anna. And the last question is
if people want to come and visit you,

471
00:34:44.960 --> 00:34:47.440
how can they find you? Where
can they find you? And what

472
00:34:47.559 --> 00:34:52.400
will they find? So the most
you know, preparate ways if you're visiting

473
00:34:52.480 --> 00:34:59.480
wine country is to come to the
tasting room. You will find. One

474
00:34:59.519 --> 00:35:04.039
of the things I love that we
do is we don't have this ceremonious tiny

475
00:35:04.119 --> 00:35:07.119
plate of you know, three pieces
of prisciutto and a fermented blueberry to serve

476
00:35:07.199 --> 00:35:13.199
with our wines. We have a
big mounting plate of the best purshutto left

477
00:35:13.199 --> 00:35:16.320
of them, that from the only
closed circuit farm that to make pursuto off

478
00:35:16.320 --> 00:35:20.800
their own property in Italy, you
know, And so get a great product,

479
00:35:20.880 --> 00:35:22.280
tell you exactly what it is with
all the details, and then give

480
00:35:22.280 --> 00:35:24.719
a generous serving of it, and
then put it next to the wines.

481
00:35:24.760 --> 00:35:29.440
That it loves to be near um. I love that. That's how we

482
00:35:29.480 --> 00:35:31.119
do what we do. So that's
that's why to come to the taste room.

483
00:35:31.159 --> 00:35:37.039
But if you aren't lucky enough to
come to wine Country in California and

484
00:35:37.079 --> 00:35:39.920
do that, then, uh,
lots of retailers have the wines. There's

485
00:35:39.920 --> 00:35:43.360
a website, there's lots of way
to get to us, just if nothing

486
00:35:43.400 --> 00:35:46.719
else, and an email to in
Out of Wild Wines and find us fantastic.

487
00:35:46.800 --> 00:35:52.480
So if you come to Healsburg when
you need a break from Pino and

488
00:35:52.519 --> 00:35:55.039
Shard, which are beautiful and you
should never need a great break from it.

489
00:35:55.119 --> 00:35:59.880
But right off the square is the
tasting room. Here you will have

490
00:36:00.159 --> 00:36:02.199
a special treat. I'm excited to
go taste wine. Sam. Thank you

491
00:36:02.280 --> 00:36:05.639
so much for joining us on Wine
Soundtrack. I hope you had fun.

492
00:36:06.000 --> 00:36:09.320
I didn't. Thank you all well. Cheers. Thanks for listening to a

493
00:36:09.320 --> 00:36:15.159
new episode of Wine Soundtrack USA.
For details and updates, visit our website

494
00:36:15.400 --> 00:36:19.400
Wine soundtrack dot com.

