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the digital channels or radio beckons, eager to enthrall you with its mesmerizing cadence
and develop you with a symphony of boundless auditories. Won dude, w m
n H rip the dobles, who I said, tell me swelly going on
shout? They really got me in my song and never he even when I'm
gone, probably put my mixtape on. Who what a hell of a line?
No evil to me. If my apple had an eye, no die,
she the one that would pick like a case. She gonna break them
at the bottom of this switch balling know you gotta go to work the horning.
Then that pain five in the morning like Tom but you know that the
morning. Excuse me when I said, nade, I do that for it's
every days. It was just me. I need to find what's all purpose.
And now we're looking deeper than the surface. Hosket and nervous. All
the times that we heard this, I ain't even trying to be perfect.
That's what the verdict i'd really no, but I'm working. I'm working because
I know you deserve it. Now a player, I don't push no more.
Rather have late nights at the grocery store and free. But let us
off. You will not and it's time see your lady. The fuck you
bye. I don't want to be a player because I found you dark days
you the light? What what I do? She a bossier boss? What
times to take a picture for the cam to remind you? I don't want
to be a player because I found you dark gaze with the light. Woe?
What I do? She a bossible boss? What's times to take a
picture for the cam to remind you? Let me have to go forget her
about your boyfriend? I was hoping maybe you can be my girlfriend? He
no good. Feel you need a real man, just to tell you the
truth. That's how I feel you. I don't want to be a player
no more. Put in the smile on your face means much more. Come
in my eye. You can see what's in the store. Gotta show you
the way you've been here before. Let me tell it to you like this,
like this, only one that I need fucking savage in the baby.
I ain't gotta hide it. Let me tell it to you like this.
You're the only one that I need for a savage in the baby. I
ain't gotta hide it. I don't want to be a player because I found
you in the dark days in the light. But what I do you about
some of the boss? What stops to take a pig for the camp to
remind you? Take a pig for the camp to remind you? This enough
bottone? You want never speak on what you see nowhod you said too much,
designed to go for a little ride. You're not coming back. You've
seen way too much. You're not coming back. You said way too much.
Mother left you when you were ten. Father you have enough. I
seen him him My trouble not took you away. You left to know one
on judgment to You're not coming back. You seen way too much. You're
not coming you said way still watch you don't call me back. I want
you got your say. It's got to bag if it it's you that it's
bad. A percy a muscle priece wegive merse These begin a percy a muscle
peece forgive mirth twa begain a mercy on muscle tece begain make peace. Begin
man, cow mercy a muscle this we give me peace. Begin man.
You're not calling back. You're not coming back. You're not calling back round.
Get your head off of the ground. Sing a song with a new
sound. Turn around, don't move too fast. This melody his sputues last
hillluja, saying hillluja. Welcome milen. Someone floks, take a step and
move those shoots. The train rolls on from here. I know I didn't
send sing hi heluja. We will sing high heluja. Need to see so
let the water ahead. Your face dripped back to a bed of face.
Turn around, don't move too fast. This melody is spilled to last.
Say see Pillelujah, hallelujah. We will sing hallelulia. We will say,
we will sing Hallelujah, Hallelujah, hallelujah. Okay, we will. We
will say, we will see, we will say we will see, we
will say we will sah. I do love that song. That is sing
hallelujah, and that is Tom Russo. Jenny is here, of course,
at the news table, back this week after after not being here last week.
Welcome back, thank you, thank you. I'm glad I traveled back
before the chaos. Yes, yes, before the massive tech outage everybody about
Southwest I saw a funny post about them because they're using a Commodore sixty four.
Their systems are running right. Yes, well, very good, very
good. And of course today is Saturday, June twentieth, twenty twenty four.
Thank you to our first guests we had on of course day to attend
in the first hour and second hour purging Sin and we also of course did
the world radio premiere of not a Player, the newest single from our friend
Hope the Rapper and joining us right now live in studio, Tom Russo returns
for I think was this your third time on the show, Tom, I
believe it is. Yes, yes, you've got your guitar and plugged into
a little amp. Pretty sure. I'm going to get a robe pretty soon,
like you're going to get a members a members zone. Oh yes,
yes, a member's only jacket. Yes, absolutely, you're all plugged in
and ready to go. Do you want to play something and then we'll talk
a bit and maybe, uh, I know, we have a we we
had a experiment that we might even attempt on the program. But I'm curious
to hear you play that I haven't heard you play with an electric before.
Yeah, I'm kind of getting used to it a little bit. I've been
playing acoustic for a long time, so it's a little different. So I'll
try this, might kind of skip some parts and do it how I want.
But you won't know, We won't know. The difference. Rights tough
this time of year. They close a highway down and they don't want the
town. I've been fighting a second gear for fifteen miles or so, trying
to beat the anglish. And I know every town worth passing through. But
what good does no one do with no one to show it to. I've
grown child of traveling alone, tired of traveling alone. I've drawne tied the
traveling alone. Won't you ride with me? I've drowne tied to traveling alone,
tired of traveling alone, tired of traveling alone. Won't you ride with
me? Won't you ride? Won't you ride? And I quard talking to
myself and listen to the radio. A long long time ago, so high,
I didn't know myself, just looking for a day to come when I'll
be free. So high the street girls wouldn't take my pay. They said,
come back on a better day, and they just walked away. And
I've grown tired of traveling alone, tiede of traveling let alone. I've gone
tied the traveling alone. Won't you ride with me? I'm gone tied the
traveling alone, tired of traveling alone, tired of traveling alone? Won't you
ride with me? Won't you ride? Won't you ride? Mountains Ulf?
This time of year, they shut the highway down and they don't warn the
town. And I've been fighting second year for fifteen miles or so, trying
to beat the angry snow. And I know every time worth passing through.
But what good does no one do with no one to show it to.
I've gone tired of traveling alone, tired of traveling alone. I've gone tired
of traveling alone. Won't you ride with me? And I've gone tired of
traveling a long tired of traveling alone. I've gone tired of traveling alone.
Won't you ride with me? Won't you ride? Hmmm? I love it?
I love it? That is great. That's one of yours. Oh
no, I wish I was. Oh no, who who does that?
That's Jason isbel Oh? Okay? Yes, so I kind of skipped the
bridge. I played one of his songs on the show a long time ago.
Have I formed me up? And you did a song called have I
Done Enough? Or have I Done Enough? Or something really good song?
Yeah? Yeah, I like him a lot. No, that's uh,
that's great. If you're just joining us. Tom Russo is here with us
live in studio. I don't know if you wanted to try to write something
live or we don't have a lot of people in the chat room at the
moment unfortunately, so I don't know if you wanted to. But I'll play
this. I'll play another one. You playing, yeah, yeah, whatever
you want to do. Yeah, it's kind of good one here, here
we go. All right. There's a bottle on the dress and by your
ring, and it's empty. So right now I don't feel a thing.
Come tomorrow, when I wake up on the floor, I'll be a wolver
by noon. That's a difference between whiskey and you. Come tomorrow. I
can walk in in the store, it ain't a problem. They'll always sell
me more. But your forgiveness, well, that's something I can't buy in
a thing I can do. That's the difference between whiskey and you. Wan's
a devil, and one keeps driving me insane at times. I wonder evmble
the same, and wan's a lie. It tries to hide me from my
pain. One's a lone gone bit the truth. That's the difference between whiskey
and you. I've got a problem, bud in what you might think.
Will I drink because I'm lonesome? And I'm lonesome because I drink? But
if I don't break out and hit it on ahead that it's a difference between
whiskey and you. One's a devil and one keeps driving me in sane At
times, I wonder if they moved the same, and one's alive trying to
hide me from my pain. One's alone gone a bit of truth. That's
a difference between whiskey and you. Oh that was beautiful, beautiful, well
done, Thank you? Now what uh is that yours? No? I
wish I could say that's Chris Stapleton, which, oh, I can't do
anything close to him. Somebody else had played I think it was Do you
know Taylor Hughes, he's been on the show. I think he played a
Chris Stapleton song when he was here too. Yeah, Like I just get
inspired by people that are really good and yeah, yeah, I can't do
it half as well. No, that sounded great to do everything my own
way. No, I love your voice in a school here you play the
electric Yeah, thank you. That's that's really good. That was a good
idea. Glad you brought the MP Yeah, it's a little bit more,
you know. And I know your rock and roll really well. I'm all
kinds of stuff. Yeah, I gotta kick it up and not right right
if you're just joining us. Tom Russo is here with us live in studio
playing some tunes. And now what have you been up to? Have you
been recording new music since the last time you were on Do you have a
you have a new album or what have you? I'm actually I have quite
a bit of stuff ready to go, probably enough to you know, ten
fifteen song album, So I'm pretty much ready to do that. Yeah,
and I'm gonna I want to write some new stuff and but yeah, that's
kind of my mission right now. Now will you be when you go to
record? Are you gonna do? Who did you work with or where did
you record with the other the previous Oh so like Mike Clark and Amherst,
like I'll probably do a lot of stuff. I want to get better at
doing my own stuff and recording, like so I can take it there and
be like halfway there. Let's yeah. Yeah, but yeah, I do
a lot with Mike Clark Clark Creative. How you doing, Mike, if
you're listening, is that where you did? Uh? Like should I be
Afraid? And sing Hallelujah and everything? Should I Be Afraid was Pete Pelloquin,
which is from Roots of Creation. He does a lot of work with
them, and then all the other stuff I've done with Mike, okay,
and Should I be Afraid? Was that song that I wrote in that one
day. I don't know if you knew the story of that, right,
I remember you talking about that, Well, tell us a story again.
I just kind of set a mission to actually had studio time like the next
day with Pete, and I kind of wrote the song the night before.
Yeah, maybe wrote the bridge on my lunch break and and that's when it
ended up being so Yeah, but I wanted to challenge myself just to make
myself do that. It's like, oh, I already have studio time before
I even know what I'm going to do. Yeah, and this song.
Of course, it's got a bug out yeah at the end of it,
which is a cool surprise because when we played it on the show before,
I remember saying, you know, it's like you don't you don't see that
coming. It's a twist and yet it fits well. I remember somebody called
in and it was Yeah, it was Mike Doyle. He called in and
he was and he was complimenting you on it. Yeah, yeah, definitely,
I'd say play that one if you like. Yeah, yeah, let's
do that. I actually have it. Uh, I've got it ready to
go because this is also another one of my favorites. So let's give this
a listen and then we'll come back and Tom will play with us, and
we'll play some more and we'll talk some more and all that good stuff.
If you are just joining us, Tom Russo is here with us live in
studio, and this is where's bug Out from? By the way, is
he from? Is he local? I think he's now in Keen like I
worked with him before, But I think he's from Exeter. Oh okay,
gotcha, gotcha you know that region? Yeah, yeah, all right,
let's give this a listen. This is really really good. This is called
Should I be afraid? Featuring bug out and this is Tom Russo tell you
all of I'm not a perfect man. I'm hard to understand these days.
It's taking most of me. What's left, It's hard to see now it's
time to sink or say I'm not afraid to start again. Some saying I'm
wasting time. But it's only mind here what you are making up your mind?
I decide that a live. Should I be afraid what I do not
know? I left the sun shine is dance with my soul? Should I
see, oh, everything I hold? Everything I left the sun shine?
A shiny is where rock go now the realest spills. We all have a
difference. I'm not a perfect man. Just be the best I can stick.
It's taking most of me, what's left, it's hard to see today.
Should I be afraid what I do not know? I'm left the sun
shine in dance with my soul. Should I be afraid? Everything I know?
Let us shine shins? Whereas you know what hard? Time? So
much yark is before the sun rise and can't hide for ever for the field
like it's hard to find trying to keep focus to see opus A been noticing
my age catching up in the eyes and my hopes are tried, the hopeless
moment is gone, going up with the corn before the storm is all when
they approval the sest of raminded when they came to amonger proness in mind search
of predumbance, and we'd mean in the silence home that is should I be
afraid? That's Tom Russo featuring Bockouts and then something else started playing. Sorry
about that, but yeah, great track, Tom, I love that.
Thank you and I got a really positive response to the last time we played
it when you were on the show with us. If you are just joining
us on this Saturday morning, Jenny and I are here with Tom Russo live
in studio. Hey, is is bug Out ever come and perform that live
with you now? Actually I almost thought about today telling him to come here.
Oh that would have been cool. Yeah we should. Yeah, we'll
do that in the future. It would be fun. I'd love that.
Yeah. Yeah, we've had people and we've had people rap live on the
show, like Cody Pope and Byron g They've been on a few times and
and they'll they'll do a lot on bug Out was in Granite State. Was
his band Okay, which I think they're all kind of related or not related,
but in the same game people. Yeah, yeah, so I think,
like even today when I saw you had Hope on, I'm pretty sure
they know each other pretty well. Yeah, yeah, most likely. Well
Hope the rapper too. I mean, he's very good at networking, so
he's yeah, he probably knows everybody. Yeah right, yeah, yeah,
you want to play you want to play something for us? Yeah? Play
a cover song? Why not? All right, here we go, close
your eyes and I'll kiss you tomorrow. I'll miss you, remember, I'll
always be true. And then well i'm away. I'll ride home every day
and I'll send on my loving to you. I'll pretend that I'm kissing the
live side, missing and I pray that my dreams will come true. And
then well, I'm awaed. I'll ride home every day just to send all
my loving to you, all my loving. I will send to you all
my loving darling. I'll be true, all my loving. I will send
to you all my loving darling. I'll be true all my loving, all
my love, my loving. I will send to you very nice, very
nice. That's a different take on that, Yeah, probably the wrong one.
No, I like it. I like it. You could just say
that wasn't very good. No, No, it was cool. Last night
on Retrospectrum radio show that I'm a co host on on Friday nights from my
eight to eleven, Polly See the host, he played McCartney doing let It
Be at Live Aid. Oh wow, because it's like the fortieth anniversary of
Live Aid and or thirty ninth anniversary, I should say. And it was
interesting because when McCartney played that, you know, just him and the piano,
and then he had a few people come out and sing backups, like
David Bowie. But but you know, but he really kind of does it
differently, you know, when he's just sitting there, you know, he's
very loose with it and he's kind of playing with it all the time,
like I mean, and Paulie See he didn't like the way McCartney did it,
But I thought it was cool. I liked it. I thought you
know, it was because he never he had had a us to actually play
it out with the Beatles, right because they never, you know, they
broke up before they had a chance to go on tour or anything and play
that live. But uh, but I liked his take on it. No,
I think it's cool to, you know, take songs like that and
kind of put your own what's your own spin on it? You know.
I mean probably most of the time I put my own spin. It's just
I don't know all the chords, right, I just adapt them to how
I do it. Yeah, yeah, but no, I I like,
I played that song, you know, and it's hard still to do like
and you design people, Well, it's not really hard, but you remind
people like it's like, that's a simple song. But he sings it right,
Yeah, when I sung myself in town, you know, but when
it comes up to the high part, yeah, yeah, yeah, it's
a pretty high note. I actually sang that once at a vocal recital.
Oh you did. Yeah, I didn't do it very well probably, but
I want to try it again. No, come on, I do not.
I do not. It was a long time ago. But now so
the electric do you do you play that live usually? Or have you only
just started to do this? So I got a bunch of these these Fender
Telecaster acoustica. I think it's called Okay, but it's kind of a hybrid
like half acoustic, you know. So I haven't done this yet, but
if the difference that sound if I wanted to kick it down, Yeah,
so I can get a dirty sound like yeah. So, but I've been
playing that acoustic for you know, twenty something years, so it's really weird
for me to get used to this. But right this is probably only in
the last like three months. Oh no, kidding, Yeah, so I'm
really trying it out. Yeah. No, it sounds great. It sounds
great. It gives a little more uh, it just gives a little more
soul, I think. Yeah, are there songs that you play on that
that you don't play on the acoustic because they just work better on that.
No, I kind of play everything on everything, but it's it's it took
me a bit to get used to. The strings are a little different,
right like so, and you know, with the acoustic, I'm used to
just kind of beating on it, and this this I kind of have to
be a little bit more precise. Yeah that makes sense. Yeah, I
don't know if you can sing this one's love rescue me, come fold the
speed to me, raise me up, and do let me fall. No
man is mine and to me my own hands and prison me love, Raise
to me. Many strangers have I met on the road to my regret.
Many lost who seek to find them selves and me. They asked me to
reveal the very thoughts they would conceal. Love redsking me in the sun in
the sky makes a shadow of you and I stretching out to the song in
the sea. Yeah, I'm here without a name, in the palace of
my shame, love Ray. Excuse me cha la lah cha la lah ja,
la lah Ja, la lah ja, la lah ja la lah Yeah,
with that name in the Palace of my sh I said, really,
excuse me. Mm, that was really good. I was tempted to come
in on the sha LaaS, but I didn't. I'm gonna tell you,
I wrote all the time, I'll be more impressive. That was you should
man. Yeah, yeah, I thought about it for a second, but
I skip. All the verses get meshed into each other, Like, so
do people ever notice, like when you play live, does anyone ever come
up to you and say, I noticed you played that like way different than
than the original? Yeah? Yeah, And sometimes I just take they think
they give it to me as a compliment. Yeah, Like, but for
the most part, it's probably like, well, I just don't want to
keep the verses arranged, right. No, I think it's cool because it
makes it It makes it more interesting, you know, right, to just
I just kind of still do it however I want. Yeah, then nobody
can tell me I'm doing it wrong. Really, yeah, Well, because
I think it's more interesting. You know, if I'm hearing a song that
I've heard a lot, you know, and obviously you played a couple of
things that I wasn't you know that I hadn't heard or hadn't heard enough to
remember who they were. But if I'm hearing something I've heard a lot,
I think it's cool to hear a different take on it. You know.
It's kind of like how I've always felt about like cover bands, you know,
they they try to play things exactly like they sound when the original artists,
because that's what people seem to want. You just trapping yourself. Really
yeah, to me, it's like, I know how the original goes,
I want to hear your interpretation of it, you know, right, and
if you miss a note, like uh, I did have one lady that
was really mad at me one time, really for turn the page. Apparently
I screwed up a lot of those lyrics, oh, you know, versus
here I go or there I go, and she's like, you're singing it
all wrong. She was pretty mad about it. Wow. Oh she did
not punch me. But that's good. You know that type of thing,
you know. Yeah, yeah, I go, you know, because I'll
kind of bumping that up really Yeah, that one. I'm curious. Now,
Yeah, let's do it. I do want to hear it. Yeah.
Oh oh, I was gonna say, if you can't find it,
we can probably dig through those dig through those seat cushions. I bet there's
picks in there. If you're just joining us. Oh, I bet this's
a million. If you're just joining us. Tom Russo is here with us
live in studio, might as well do it. Yeah, No, I
want to hear it now. Definitely. All a long, lonely highway east
of Omaha. You can listen to the engine morning How is one long song?
You can think about the woman, the girl you knew the night before.
Your thoughts will soon be wandering. We they always do. You're riding
sixteen hours, there's nothing much to do, don't feel much like traveling.
You wish the trip was through here. I am on the road again.
There, I am up on the stage. There I go playing star again.
There I go turn the page. Walking to restaurum strung eye from the
road. You feel the eyes upon you. Here's a shaking off the cold.
You pretend it doesn't bother you, but you just want to explode.
So many times you can hear him talking, all the times you can't.
It's the same. More cliche. Is that a woman or a man you
always fear live numbers. You don't tell me. Here I am on the
road again. There I am up on the stage. There I go on
the stage. Gain There I go turn the page. Later in the evening,
if you lie awaken bad with the echo from the amplifiers ringing in your
hand, you smoke about seven hundred and sixty five cigarettes, you forget what
she said? What? Here I am on the road again. There I
am up on the stage. There I go playing star. There I go
turn the page. There I go turn the page. There I go turn
the page. Oh I love it, Thank you. That is my favorite
version of turning the page that I've heard for real. Really, that was
really cool. That was really really good. Bumping everything up like you just
gotta bump bumping. It's like dazzling stuff. You know, No that was
amazing. That was amazing, and I certainly like it better than Metallica's version.
Oh, of course I didn't like Metallica's versions. I just have to
keep the beat. O. I don't have anybody in my band just other
than me. No, but that was that was really good and I didn't
notice any wrong lyrics. Oh, well, we could go back and study
it, and we could. I could show you like. Uh. But
so speaking of that, and by the way, you have an invitation in
the chat room here. But first I want to mention so Dan Fallon from
the band Run Like Thieves. They've been on the show Jenny and I went
and saw them and conquered not long ago. A great, great band,
and Dan is amazing. But he was saying that means you did a good
job if someone is mad regarding the woman who is mad. So there you
go, there you go. But Dan also said, Matt, can you
tell Tom that this Sunday night and and next from six to eight pm,
I'm hosting an open mic at Keys Piano Bar, and Grill would love to
have him featured at the next one. And oh and uh. Dan also
said, like like Tom Petty, Oh, it's like Tom Petty meets Bob
Seeger love it. If you'd like to hear another, Yeah, we can,
I think we can. We can do one more. Yeah, if
you want to do it. But anyway, Yeah, so I wanted to
make sure I pass along that invitation for you. Yeah, yeah, I'll
do it. If you're just joining us. We have Tom Russo live in
studio with us on this Saturday morning. This is you inspired me because I
like to so excellent? Will I team do? I saw your face,
cut my lifeline, wind flood in through space, I saw Nangel, I
saw my fate. I can only thank god it was not too late.
Over oceans A flooded away and I wished only things are better than today.
I falled, loot, then angel down through the gates. I can only
thank god it was not to lay. I can only thank god it was
not to lay. Sing a little song aloneliness, sing one to make me
smile another round for everyone. I'm here for a little while. Now she's
with me everywhere did I go? She took my lifeline, she took it
to go. I saw Nagel, I saw my feet, and I can
only thank God that it was not too late. Well done, sir,
well done. Tom Russo here with us live in studio. By the way,
Dan Fallon says he's the real deal, and Isaac Banks says he is
rocking it so very good. Very I like to think that the great thing
is like I really my whole life really don't know what I'm doing. Like
so I kind of half know what I'm doing, but I feel if you
can do it with heart, Yeah, yep, those people will make those
comments. There you go, there you go. Absolutely, we're just about
out of time. Tom, You got any shows? Just you play anywhere
this weekend? You want people to know about this time? Because oh,
like I felt very bad, like you asked me, I felt like pretty
unprofessionally. Yeah, I said, what do you got going on? That's
it? I don't know. Yeah, just yeah, just give us a
couple of worry. July twenty seventh, Blue Bear, Francis Town, New
Hampshire, Okay, up by the crotch of Mountain, all right. August
eighth, Hampshire Hills in Milford, Okay, come on down. August twenty
fourth, Blue Bear in Francis Town. August twenty fifth, Stella Blue and
Nashalla. All right. Yeah, so you got some some summer shows coming.
I made all these up and you might be I don't know, plan
and you might be a peer at an open mic. It sounds like you
have an infestation to do that from h our friend. Now message me the
information and i'll uh, I'll be there. Very good, very good?
Does lip sync? I don't know, but well he knows now. Oh,
it's all lip syncing this whole show. Oh, Dan says, A
great show. Matt and Jenny, thank you so much. Dan, Thank
you. Jenny. You want to plug your website before you go. You've
been very busy. I do. I have to get up on the website
actually, jencoffee dot com j E N N C O F f e y
dot com. You can also find my email there and if you want to
be on maccron It and Unleashed, I am now booking August, So give
me a holler. Yes. Yes, And Tom, we should probably spell
your last name for people who are looking to keep up with everything that you're
doing. Yes, R O U S S E A U. Wonderful.
This has been great, Tom. I appreciate you coming in. Thanks for
bringing the electric That was a cool. That was very cool. That's going
to be mad you know, no, no, of course not no.
That was great and uh well, actually we got to go. But if
you miss any part of today's show, it will be up in just a
little bit at wmnhradio dot org and in my website Matt Connorton dot com.
Thank you again to our friend Hope the wrapper for the World Radio premiere.
I think this was week six, and let's see, of course day to
attend, wonderful as always and purging sin and of course Tom Russo, and
we'll leave you with a little bit of I love this track to greet.
The Sun Studio version of this play us out as we say, all right,
thanks Tom, Thanks everybody. We'll talk to y'all. Talk to y'all
next week. Bye bye. Don't see anything in from me. H.
I see what I want to sing, I hear what I hear done.
Hold on, I'm still singing the sing old song, dreaming the same old
dream till it comes back, or and it's nothing that I haven't seen.
I've been haunted by the same old dream comes to take my hand and night,
I pray the Lord he has my life. I'm still going down the
same room telling stories. I've all already took and I'm waiting here for me.
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