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They serve all your business 18 00:01:40,359 --> 00:01:46,519 needs including employee benefits, planning, corporate design and business administration, investments and 19 00:01:46,599 --> 00:01:52,319 wealth management and customized business insurance solutions. Their phone number is eight sixty six 20 00:01:52,560 --> 00:01:57,560 eighty four to one forty six hundred, or on the web at CGI business 21 00:01:57,560 --> 00:02:05,640 Solutions dot com. Behold the harmony of airwaves as you immerse yourself in the 22 00:02:05,719 --> 00:02:12,520 captivating frequencies of w MNHLP, the sonic heartbeats of Manchester transcending through the ether 23 00:02:12,680 --> 00:02:16,639 at ninety five point three megahertz frequency modulation or transmissions emanate from the zenith of 24 00:02:16,759 --> 00:02:21,680 one thousand doll streets to ensure into the hearts of our creative realm at one 25 00:02:21,800 --> 00:02:25,960 nineteen Canal Street, where innovation and sound collage. They're the impro moder of 26 00:02:27,039 --> 00:02:30,800 Manchester Public Television Service in the venerable City of Manchester, New Hampshire, USA. 27 00:02:31,199 --> 00:02:36,680 Enrich your auditory journey with the depth of our license to WESDENSPT. Your 28 00:02:36,719 --> 00:02:42,639 missives did WMNH ninety five three at gmail dot com or traverse the virtual corridors 29 00:02:42,680 --> 00:02:46,800 of wmnhradio dot org. Engage with our sonic vibrations by communing with us through 30 00:02:46,800 --> 00:02:53,159 the digital channels or radio beckons, eager to enthrall you with its mesmerizing cadence 31 00:02:53,159 --> 00:03:00,240 and develop you with a symphony of boundless auditories. Won dude, w m 32 00:03:00,360 --> 00:03:15,680 n H rip the dobles, who I said, tell me swelly going on 33 00:03:16,080 --> 00:03:21,039 shout? They really got me in my song and never he even when I'm 34 00:03:21,120 --> 00:03:25,879 gone, probably put my mixtape on. Who what a hell of a line? 35 00:03:27,080 --> 00:03:30,240 No evil to me. If my apple had an eye, no die, 36 00:03:30,800 --> 00:03:32,439 she the one that would pick like a case. She gonna break them 37 00:03:32,479 --> 00:03:38,360 at the bottom of this switch balling know you gotta go to work the horning. 38 00:03:38,800 --> 00:03:43,919 Then that pain five in the morning like Tom but you know that the 39 00:03:44,080 --> 00:03:47,479 morning. Excuse me when I said, nade, I do that for it's 40 00:03:47,520 --> 00:03:52,639 every days. It was just me. I need to find what's all purpose. 41 00:03:52,719 --> 00:03:55,280 And now we're looking deeper than the surface. Hosket and nervous. All 42 00:03:55,360 --> 00:03:59,680 the times that we heard this, I ain't even trying to be perfect. 43 00:04:00,039 --> 00:04:02,599 That's what the verdict i'd really no, but I'm working. I'm working because 44 00:04:02,599 --> 00:04:06,639 I know you deserve it. Now a player, I don't push no more. 45 00:04:06,919 --> 00:04:11,759 Rather have late nights at the grocery store and free. But let us 46 00:04:11,800 --> 00:04:15,000 off. You will not and it's time see your lady. The fuck you 47 00:04:15,159 --> 00:04:18,360 bye. I don't want to be a player because I found you dark days 48 00:04:18,399 --> 00:04:21,639 you the light? What what I do? She a bossier boss? What 49 00:04:21,920 --> 00:04:26,920 times to take a picture for the cam to remind you? I don't want 50 00:04:26,959 --> 00:04:30,399 to be a player because I found you dark gaze with the light. Woe? 51 00:04:30,439 --> 00:04:33,279 What I do? She a bossible boss? What's times to take a 52 00:04:33,319 --> 00:04:36,839 picture for the cam to remind you? Let me have to go forget her 53 00:04:36,839 --> 00:04:41,720 about your boyfriend? I was hoping maybe you can be my girlfriend? He 54 00:04:41,879 --> 00:04:45,000 no good. Feel you need a real man, just to tell you the 55 00:04:45,079 --> 00:04:47,160 truth. That's how I feel you. I don't want to be a player 56 00:04:47,439 --> 00:04:50,920 no more. Put in the smile on your face means much more. Come 57 00:04:51,000 --> 00:04:55,000 in my eye. You can see what's in the store. Gotta show you 58 00:04:55,160 --> 00:04:58,360 the way you've been here before. Let me tell it to you like this, 59 00:04:58,759 --> 00:05:03,959 like this, only one that I need fucking savage in the baby. 60 00:05:04,040 --> 00:05:08,600 I ain't gotta hide it. Let me tell it to you like this. 61 00:05:09,480 --> 00:05:15,319 You're the only one that I need for a savage in the baby. I 62 00:05:15,319 --> 00:05:18,360 ain't gotta hide it. I don't want to be a player because I found 63 00:05:18,439 --> 00:05:23,120 you in the dark days in the light. But what I do you about 64 00:05:23,160 --> 00:05:26,439 some of the boss? What stops to take a pig for the camp to 65 00:05:26,560 --> 00:05:35,399 remind you? Take a pig for the camp to remind you? This enough 66 00:05:35,639 --> 00:05:47,600 bottone? You want never speak on what you see nowhod you said too much, 67 00:05:50,480 --> 00:06:02,279 designed to go for a little ride. You're not coming back. You've 68 00:06:02,319 --> 00:06:15,959 seen way too much. You're not coming back. You said way too much. 69 00:06:20,000 --> 00:06:28,000 Mother left you when you were ten. Father you have enough. I 70 00:06:28,319 --> 00:06:36,879 seen him him My trouble not took you away. You left to know one 71 00:06:38,040 --> 00:06:54,000 on judgment to You're not coming back. You seen way too much. You're 72 00:06:54,079 --> 00:07:20,240 not coming you said way still watch you don't call me back. I want 73 00:07:20,360 --> 00:07:31,160 you got your say. It's got to bag if it it's you that it's 74 00:07:31,360 --> 00:08:28,519 bad. A percy a muscle priece wegive merse These begin a percy a muscle 75 00:08:30,319 --> 00:08:43,360 peece forgive mirth twa begain a mercy on muscle tece begain make peace. Begin 76 00:08:43,840 --> 00:08:54,679 man, cow mercy a muscle this we give me peace. Begin man. 77 00:09:01,840 --> 00:09:13,519 You're not calling back. You're not coming back. You're not calling back round. 78 00:09:46,120 --> 00:09:52,799 Get your head off of the ground. Sing a song with a new 79 00:09:52,120 --> 00:10:01,840 sound. Turn around, don't move too fast. This melody his sputues last 80 00:10:05,000 --> 00:10:24,039 hillluja, saying hillluja. Welcome milen. Someone floks, take a step and 81 00:10:24,480 --> 00:10:31,279 move those shoots. The train rolls on from here. I know I didn't 82 00:10:31,480 --> 00:11:09,320 send sing hi heluja. We will sing high heluja. Need to see so 83 00:11:09,600 --> 00:11:16,879 let the water ahead. Your face dripped back to a bed of face. 84 00:11:16,879 --> 00:11:24,320 Turn around, don't move too fast. This melody is spilled to last. 85 00:11:24,720 --> 00:11:50,320 Say see Pillelujah, hallelujah. We will sing hallelulia. We will say, 86 00:11:52,360 --> 00:12:09,120 we will sing Hallelujah, Hallelujah, hallelujah. Okay, we will. We 87 00:12:09,360 --> 00:12:31,080 will say, we will see, we will say we will see, we 88 00:12:31,279 --> 00:12:50,840 will say we will sah. I do love that song. That is sing 89 00:12:50,919 --> 00:12:54,600 hallelujah, and that is Tom Russo. Jenny is here, of course, 90 00:12:54,679 --> 00:12:58,399 at the news table, back this week after after not being here last week. 91 00:12:58,440 --> 00:13:01,440 Welcome back, thank you, thank you. I'm glad I traveled back 92 00:13:01,519 --> 00:13:09,360 before the chaos. Yes, yes, before the massive tech outage everybody about 93 00:13:09,440 --> 00:13:13,720 Southwest I saw a funny post about them because they're using a Commodore sixty four. 94 00:13:13,799 --> 00:13:16,639 Their systems are running right. Yes, well, very good, very 95 00:13:16,679 --> 00:13:20,799 good. And of course today is Saturday, June twentieth, twenty twenty four. 96 00:13:20,320 --> 00:13:24,159 Thank you to our first guests we had on of course day to attend 97 00:13:24,159 --> 00:13:28,840 in the first hour and second hour purging Sin and we also of course did 98 00:13:28,840 --> 00:13:31,559 the world radio premiere of not a Player, the newest single from our friend 99 00:13:31,639 --> 00:13:37,919 Hope the Rapper and joining us right now live in studio, Tom Russo returns 100 00:13:37,000 --> 00:13:39,759 for I think was this your third time on the show, Tom, I 101 00:13:39,840 --> 00:13:43,919 believe it is. Yes, yes, you've got your guitar and plugged into 102 00:13:43,919 --> 00:13:46,679 a little amp. Pretty sure. I'm going to get a robe pretty soon, 103 00:13:46,879 --> 00:13:48,519 like you're going to get a members a members zone. Oh yes, 104 00:13:48,639 --> 00:13:54,120 yes, a member's only jacket. Yes, absolutely, you're all plugged in 105 00:13:54,159 --> 00:13:56,759 and ready to go. Do you want to play something and then we'll talk 106 00:13:56,799 --> 00:13:58,639 a bit and maybe, uh, I know, we have a we we 107 00:13:58,720 --> 00:14:03,120 had a experiment that we might even attempt on the program. But I'm curious 108 00:14:03,120 --> 00:14:05,559 to hear you play that I haven't heard you play with an electric before. 109 00:14:05,960 --> 00:14:07,600 Yeah, I'm kind of getting used to it a little bit. I've been 110 00:14:07,679 --> 00:14:13,480 playing acoustic for a long time, so it's a little different. So I'll 111 00:14:13,519 --> 00:14:18,039 try this, might kind of skip some parts and do it how I want. 112 00:14:18,120 --> 00:14:35,440 But you won't know, We won't know. The difference. Rights tough 113 00:14:35,639 --> 00:14:46,360 this time of year. They close a highway down and they don't want the 114 00:14:46,519 --> 00:15:00,799 town. I've been fighting a second gear for fifteen miles or so, trying 115 00:15:00,840 --> 00:15:11,000 to beat the anglish. And I know every town worth passing through. But 116 00:15:11,200 --> 00:15:24,159 what good does no one do with no one to show it to. I've 117 00:15:24,240 --> 00:15:33,480 grown child of traveling alone, tired of traveling alone. I've drawne tied the 118 00:15:33,679 --> 00:15:41,720 traveling alone. Won't you ride with me? I've drowne tied to traveling alone, 119 00:15:43,639 --> 00:15:52,480 tired of traveling alone, tired of traveling alone. Won't you ride with 120 00:15:52,759 --> 00:16:06,639 me? Won't you ride? Won't you ride? And I quard talking to 121 00:16:07,000 --> 00:16:19,720 myself and listen to the radio. A long long time ago, so high, 122 00:16:19,960 --> 00:16:30,639 I didn't know myself, just looking for a day to come when I'll 123 00:16:30,679 --> 00:16:41,720 be free. So high the street girls wouldn't take my pay. They said, 124 00:16:41,840 --> 00:16:52,480 come back on a better day, and they just walked away. And 125 00:16:52,679 --> 00:17:02,320 I've grown tired of traveling alone, tiede of traveling let alone. I've gone 126 00:17:02,559 --> 00:17:11,119 tied the traveling alone. Won't you ride with me? I'm gone tied the 127 00:17:11,319 --> 00:17:21,240 traveling alone, tired of traveling alone, tired of traveling alone? Won't you 128 00:17:21,880 --> 00:17:34,720 ride with me? Won't you ride? Won't you ride? Mountains Ulf? 129 00:17:36,319 --> 00:17:45,960 This time of year, they shut the highway down and they don't warn the 130 00:17:45,079 --> 00:18:00,680 town. And I've been fighting second year for fifteen miles or so, trying 131 00:18:00,759 --> 00:18:10,480 to beat the angry snow. And I know every time worth passing through. 132 00:18:11,880 --> 00:18:17,640 But what good does no one do with no one to show it to. 133 00:18:22,920 --> 00:18:32,839 I've gone tired of traveling alone, tired of traveling alone. I've gone tired 134 00:18:33,079 --> 00:18:40,680 of traveling alone. Won't you ride with me? And I've gone tired of 135 00:18:40,920 --> 00:18:48,400 traveling a long tired of traveling alone. I've gone tired of traveling alone. 136 00:18:49,160 --> 00:19:03,400 Won't you ride with me? Won't you ride? Hmmm? I love it? 137 00:19:03,599 --> 00:19:07,240 I love it? That is great. That's one of yours. Oh 138 00:19:07,359 --> 00:19:10,319 no, I wish I was. Oh no, who who does that? 139 00:19:10,799 --> 00:19:15,319 That's Jason isbel Oh? Okay? Yes, so I kind of skipped the 140 00:19:15,359 --> 00:19:18,759 bridge. I played one of his songs on the show a long time ago. 141 00:19:21,279 --> 00:19:23,400 Have I formed me up? And you did a song called have I 142 00:19:23,440 --> 00:19:27,440 Done Enough? Or have I Done Enough? Or something really good song? 143 00:19:27,599 --> 00:19:30,640 Yeah? Yeah, I like him a lot. No, that's uh, 144 00:19:30,079 --> 00:19:33,880 that's great. If you're just joining us. Tom Russo is here with us 145 00:19:33,279 --> 00:19:37,720 live in studio. I don't know if you wanted to try to write something 146 00:19:37,839 --> 00:19:41,200 live or we don't have a lot of people in the chat room at the 147 00:19:41,279 --> 00:19:45,799 moment unfortunately, so I don't know if you wanted to. But I'll play 148 00:19:45,839 --> 00:19:48,559 this. I'll play another one. You playing, yeah, yeah, whatever 149 00:19:48,559 --> 00:19:49,400 you want to do. Yeah, it's kind of good one here, here 150 00:19:49,480 --> 00:20:11,920 we go. All right. There's a bottle on the dress and by your 151 00:20:11,240 --> 00:20:19,039 ring, and it's empty. So right now I don't feel a thing. 152 00:20:21,799 --> 00:20:30,240 Come tomorrow, when I wake up on the floor, I'll be a wolver 153 00:20:33,000 --> 00:20:53,559 by noon. That's a difference between whiskey and you. Come tomorrow. I 154 00:20:53,680 --> 00:21:03,119 can walk in in the store, it ain't a problem. They'll always sell 155 00:21:03,240 --> 00:21:15,160 me more. But your forgiveness, well, that's something I can't buy in 156 00:21:15,319 --> 00:21:34,480 a thing I can do. That's the difference between whiskey and you. Wan's 157 00:21:34,519 --> 00:21:48,279 a devil, and one keeps driving me insane at times. I wonder evmble 158 00:21:48,839 --> 00:21:57,400 the same, and wan's a lie. It tries to hide me from my 159 00:21:57,640 --> 00:22:11,079 pain. One's a lone gone bit the truth. That's the difference between whiskey 160 00:22:11,920 --> 00:22:33,680 and you. I've got a problem, bud in what you might think. 161 00:22:34,519 --> 00:22:41,960 Will I drink because I'm lonesome? And I'm lonesome because I drink? But 162 00:22:42,079 --> 00:23:02,039 if I don't break out and hit it on ahead that it's a difference between 163 00:23:02,240 --> 00:23:14,880 whiskey and you. One's a devil and one keeps driving me in sane At 164 00:23:15,079 --> 00:23:27,559 times, I wonder if they moved the same, and one's alive trying to 165 00:23:27,839 --> 00:23:41,240 hide me from my pain. One's alone gone a bit of truth. That's 166 00:23:41,319 --> 00:23:56,599 a difference between whiskey and you. Oh that was beautiful, beautiful, well 167 00:23:56,680 --> 00:24:00,440 done, Thank you? Now what uh is that yours? No? I 168 00:24:00,480 --> 00:24:06,480 wish I could say that's Chris Stapleton, which, oh, I can't do 169 00:24:06,599 --> 00:24:10,039 anything close to him. Somebody else had played I think it was Do you 170 00:24:10,079 --> 00:24:14,039 know Taylor Hughes, he's been on the show. I think he played a 171 00:24:14,119 --> 00:24:15,920 Chris Stapleton song when he was here too. Yeah, Like I just get 172 00:24:17,000 --> 00:24:19,319 inspired by people that are really good and yeah, yeah, I can't do 173 00:24:19,400 --> 00:24:22,759 it half as well. No, that sounded great to do everything my own 174 00:24:22,799 --> 00:24:26,119 way. No, I love your voice in a school here you play the 175 00:24:26,200 --> 00:24:27,960 electric Yeah, thank you. That's that's really good. That was a good 176 00:24:27,960 --> 00:24:30,279 idea. Glad you brought the MP Yeah, it's a little bit more, 177 00:24:30,599 --> 00:24:33,960 you know. And I know your rock and roll really well. I'm all 178 00:24:34,079 --> 00:24:37,279 kinds of stuff. Yeah, I gotta kick it up and not right right 179 00:24:40,759 --> 00:24:44,200 if you're just joining us. Tom Russo is here with us live in studio 180 00:24:45,160 --> 00:24:48,920 playing some tunes. And now what have you been up to? Have you 181 00:24:48,039 --> 00:24:51,519 been recording new music since the last time you were on Do you have a 182 00:24:51,720 --> 00:24:55,039 you have a new album or what have you? I'm actually I have quite 183 00:24:55,079 --> 00:24:59,319 a bit of stuff ready to go, probably enough to you know, ten 184 00:24:59,440 --> 00:25:04,599 fifteen song album, So I'm pretty much ready to do that. Yeah, 185 00:25:07,200 --> 00:25:11,240 and I'm gonna I want to write some new stuff and but yeah, that's 186 00:25:11,519 --> 00:25:14,680 kind of my mission right now. Now will you be when you go to 187 00:25:14,759 --> 00:25:17,640 record? Are you gonna do? Who did you work with or where did 188 00:25:17,680 --> 00:25:22,160 you record with the other the previous Oh so like Mike Clark and Amherst, 189 00:25:22,319 --> 00:25:26,000 like I'll probably do a lot of stuff. I want to get better at 190 00:25:26,079 --> 00:25:30,000 doing my own stuff and recording, like so I can take it there and 191 00:25:30,119 --> 00:25:33,799 be like halfway there. Let's yeah. Yeah, but yeah, I do 192 00:25:33,880 --> 00:25:37,759 a lot with Mike Clark Clark Creative. How you doing, Mike, if 193 00:25:37,799 --> 00:25:41,839 you're listening, is that where you did? Uh? Like should I be 194 00:25:41,880 --> 00:25:45,920 Afraid? And sing Hallelujah and everything? Should I Be Afraid was Pete Pelloquin, 195 00:25:47,039 --> 00:25:49,839 which is from Roots of Creation. He does a lot of work with 196 00:25:49,920 --> 00:25:55,519 them, and then all the other stuff I've done with Mike, okay, 197 00:25:56,119 --> 00:25:59,680 and Should I be Afraid? Was that song that I wrote in that one 198 00:25:59,799 --> 00:26:00,799 day. I don't know if you knew the story of that, right, 199 00:26:00,839 --> 00:26:03,119 I remember you talking about that, Well, tell us a story again. 200 00:26:04,039 --> 00:26:10,640 I just kind of set a mission to actually had studio time like the next 201 00:26:10,720 --> 00:26:15,400 day with Pete, and I kind of wrote the song the night before. 202 00:26:15,759 --> 00:26:22,960 Yeah, maybe wrote the bridge on my lunch break and and that's when it 203 00:26:22,400 --> 00:26:26,640 ended up being so Yeah, but I wanted to challenge myself just to make 204 00:26:26,720 --> 00:26:30,440 myself do that. It's like, oh, I already have studio time before 205 00:26:30,480 --> 00:26:34,720 I even know what I'm going to do. Yeah, and this song. 206 00:26:34,799 --> 00:26:38,200 Of course, it's got a bug out yeah at the end of it, 207 00:26:38,720 --> 00:26:41,839 which is a cool surprise because when we played it on the show before, 208 00:26:41,839 --> 00:26:45,200 I remember saying, you know, it's like you don't you don't see that 209 00:26:45,319 --> 00:26:48,240 coming. It's a twist and yet it fits well. I remember somebody called 210 00:26:48,279 --> 00:26:51,880 in and it was Yeah, it was Mike Doyle. He called in and 211 00:26:51,960 --> 00:26:53,920 he was and he was complimenting you on it. Yeah, yeah, definitely, 212 00:26:53,960 --> 00:26:56,119 I'd say play that one if you like. Yeah, yeah, let's 213 00:26:56,119 --> 00:26:59,759 do that. I actually have it. Uh, I've got it ready to 214 00:26:59,839 --> 00:27:03,079 go because this is also another one of my favorites. So let's give this 215 00:27:03,200 --> 00:27:07,599 a listen and then we'll come back and Tom will play with us, and 216 00:27:07,960 --> 00:27:10,680 we'll play some more and we'll talk some more and all that good stuff. 217 00:27:10,920 --> 00:27:14,920 If you are just joining us, Tom Russo is here with us live in 218 00:27:15,359 --> 00:27:18,559 studio, and this is where's bug Out from? By the way, is 219 00:27:18,599 --> 00:27:22,519 he from? Is he local? I think he's now in Keen like I 220 00:27:22,640 --> 00:27:26,359 worked with him before, But I think he's from Exeter. Oh okay, 221 00:27:26,480 --> 00:27:30,279 gotcha, gotcha you know that region? Yeah, yeah, all right, 222 00:27:30,720 --> 00:27:33,039 let's give this a listen. This is really really good. This is called 223 00:27:33,119 --> 00:27:56,480 Should I be afraid? Featuring bug out and this is Tom Russo tell you 224 00:27:56,920 --> 00:28:07,160 all of I'm not a perfect man. I'm hard to understand these days. 225 00:28:10,400 --> 00:28:19,079 It's taking most of me. What's left, It's hard to see now it's 226 00:28:19,279 --> 00:28:30,680 time to sink or say I'm not afraid to start again. Some saying I'm 227 00:28:30,799 --> 00:28:41,599 wasting time. But it's only mind here what you are making up your mind? 228 00:28:42,279 --> 00:28:59,279 I decide that a live. Should I be afraid what I do not 229 00:28:59,599 --> 00:29:15,160 know? I left the sun shine is dance with my soul? Should I 230 00:29:15,359 --> 00:29:27,839 see, oh, everything I hold? Everything I left the sun shine? 231 00:29:27,920 --> 00:30:07,799 A shiny is where rock go now the realest spills. We all have a 232 00:30:08,160 --> 00:30:18,759 difference. I'm not a perfect man. Just be the best I can stick. 233 00:30:22,119 --> 00:30:26,559 It's taking most of me, what's left, it's hard to see today. 234 00:30:33,799 --> 00:30:47,319 Should I be afraid what I do not know? I'm left the sun 235 00:30:47,480 --> 00:31:04,440 shine in dance with my soul. Should I be afraid? Everything I know? 236 00:31:10,039 --> 00:31:44,640 Let us shine shins? Whereas you know what hard? Time? So 237 00:31:44,799 --> 00:31:48,480 much yark is before the sun rise and can't hide for ever for the field 238 00:31:48,640 --> 00:31:52,599 like it's hard to find trying to keep focus to see opus A been noticing 239 00:31:52,720 --> 00:31:56,240 my age catching up in the eyes and my hopes are tried, the hopeless 240 00:31:56,279 --> 00:32:00,400 moment is gone, going up with the corn before the storm is all when 241 00:32:00,440 --> 00:32:04,599 they approval the sest of raminded when they came to amonger proness in mind search 242 00:32:04,680 --> 00:32:10,440 of predumbance, and we'd mean in the silence home that is should I be 243 00:32:10,519 --> 00:32:15,759 afraid? That's Tom Russo featuring Bockouts and then something else started playing. Sorry 244 00:32:15,759 --> 00:32:19,559 about that, but yeah, great track, Tom, I love that. 245 00:32:19,880 --> 00:32:22,079 Thank you and I got a really positive response to the last time we played 246 00:32:22,119 --> 00:32:24,400 it when you were on the show with us. If you are just joining 247 00:32:24,519 --> 00:32:29,519 us on this Saturday morning, Jenny and I are here with Tom Russo live 248 00:32:29,599 --> 00:32:32,440 in studio. Hey, is is bug Out ever come and perform that live 249 00:32:32,519 --> 00:32:37,400 with you now? Actually I almost thought about today telling him to come here. 250 00:32:37,559 --> 00:32:39,279 Oh that would have been cool. Yeah we should. Yeah, we'll 251 00:32:39,279 --> 00:32:42,759 do that in the future. It would be fun. I'd love that. 252 00:32:42,880 --> 00:32:45,000 Yeah. Yeah, we've had people and we've had people rap live on the 253 00:32:45,039 --> 00:32:49,599 show, like Cody Pope and Byron g They've been on a few times and 254 00:32:49,799 --> 00:32:52,680 and they'll they'll do a lot on bug Out was in Granite State. Was 255 00:32:52,759 --> 00:32:58,680 his band Okay, which I think they're all kind of related or not related, 256 00:32:58,759 --> 00:33:02,319 but in the same game people. Yeah, yeah, so I think, 257 00:33:02,680 --> 00:33:07,039 like even today when I saw you had Hope on, I'm pretty sure 258 00:33:07,119 --> 00:33:09,319 they know each other pretty well. Yeah, yeah, most likely. Well 259 00:33:09,400 --> 00:33:13,680 Hope the rapper too. I mean, he's very good at networking, so 260 00:33:13,839 --> 00:33:17,680 he's yeah, he probably knows everybody. Yeah right, yeah, yeah, 261 00:33:17,680 --> 00:33:21,279 you want to play you want to play something for us? Yeah? Play 262 00:33:21,359 --> 00:33:31,640 a cover song? Why not? All right, here we go, close 263 00:33:31,720 --> 00:33:43,119 your eyes and I'll kiss you tomorrow. I'll miss you, remember, I'll 264 00:33:43,160 --> 00:33:53,839 always be true. And then well i'm away. I'll ride home every day 265 00:33:55,720 --> 00:34:08,440 and I'll send on my loving to you. I'll pretend that I'm kissing the 266 00:34:08,719 --> 00:34:20,960 live side, missing and I pray that my dreams will come true. And 267 00:34:21,119 --> 00:34:30,519 then well, I'm awaed. I'll ride home every day just to send all 268 00:34:30,760 --> 00:34:45,639 my loving to you, all my loving. I will send to you all 269 00:34:45,800 --> 00:35:30,079 my loving darling. I'll be true, all my loving. I will send 270 00:35:30,440 --> 00:35:45,559 to you all my loving darling. I'll be true all my loving, all 271 00:35:45,840 --> 00:36:06,000 my love, my loving. I will send to you very nice, very 272 00:36:06,079 --> 00:36:08,760 nice. That's a different take on that, Yeah, probably the wrong one. 273 00:36:10,760 --> 00:36:14,639 No, I like it. I like it. You could just say 274 00:36:14,920 --> 00:36:19,599 that wasn't very good. No, No, it was cool. Last night 275 00:36:19,679 --> 00:36:22,800 on Retrospectrum radio show that I'm a co host on on Friday nights from my 276 00:36:22,880 --> 00:36:27,519 eight to eleven, Polly See the host, he played McCartney doing let It 277 00:36:27,639 --> 00:36:30,000 Be at Live Aid. Oh wow, because it's like the fortieth anniversary of 278 00:36:30,079 --> 00:36:36,159 Live Aid and or thirty ninth anniversary, I should say. And it was 279 00:36:36,239 --> 00:36:38,159 interesting because when McCartney played that, you know, just him and the piano, 280 00:36:38,239 --> 00:36:40,679 and then he had a few people come out and sing backups, like 281 00:36:40,760 --> 00:36:44,599 David Bowie. But but you know, but he really kind of does it 282 00:36:44,679 --> 00:36:46,400 differently, you know, when he's just sitting there, you know, he's 283 00:36:46,519 --> 00:36:49,800 very loose with it and he's kind of playing with it all the time, 284 00:36:49,960 --> 00:36:54,119 like I mean, and Paulie See he didn't like the way McCartney did it, 285 00:36:54,199 --> 00:36:57,519 But I thought it was cool. I liked it. I thought you 286 00:36:57,599 --> 00:37:00,920 know, it was because he never he had had a us to actually play 287 00:37:00,920 --> 00:37:02,400 it out with the Beatles, right because they never, you know, they 288 00:37:02,480 --> 00:37:06,639 broke up before they had a chance to go on tour or anything and play 289 00:37:06,679 --> 00:37:08,440 that live. But uh, but I liked his take on it. No, 290 00:37:08,760 --> 00:37:12,280 I think it's cool to, you know, take songs like that and 291 00:37:12,400 --> 00:37:14,880 kind of put your own what's your own spin on it? You know. 292 00:37:15,480 --> 00:37:16,800 I mean probably most of the time I put my own spin. It's just 293 00:37:16,880 --> 00:37:21,880 I don't know all the chords, right, I just adapt them to how 294 00:37:22,000 --> 00:37:25,000 I do it. Yeah, yeah, but no, I I like, 295 00:37:25,079 --> 00:37:30,320 I played that song, you know, and it's hard still to do like 296 00:37:30,480 --> 00:37:32,400 and you design people, Well, it's not really hard, but you remind 297 00:37:32,440 --> 00:37:36,840 people like it's like, that's a simple song. But he sings it right, 298 00:37:37,159 --> 00:37:40,599 Yeah, when I sung myself in town, you know, but when 299 00:37:40,639 --> 00:37:45,079 it comes up to the high part, yeah, yeah, yeah, it's 300 00:37:45,079 --> 00:37:49,639 a pretty high note. I actually sang that once at a vocal recital. 301 00:37:50,320 --> 00:37:52,880 Oh you did. Yeah, I didn't do it very well probably, but 302 00:37:52,920 --> 00:37:55,679 I want to try it again. No, come on, I do not. 303 00:37:58,400 --> 00:38:00,920 I do not. It was a long time ago. But now so 304 00:38:01,360 --> 00:38:06,360 the electric do you do you play that live usually? Or have you only 305 00:38:06,519 --> 00:38:10,239 just started to do this? So I got a bunch of these these Fender 306 00:38:10,400 --> 00:38:15,239 Telecaster acoustica. I think it's called Okay, but it's kind of a hybrid 307 00:38:15,559 --> 00:38:20,360 like half acoustic, you know. So I haven't done this yet, but 308 00:38:20,599 --> 00:38:24,000 if the difference that sound if I wanted to kick it down, Yeah, 309 00:38:28,559 --> 00:38:31,920 so I can get a dirty sound like yeah. So, but I've been 310 00:38:32,000 --> 00:38:37,320 playing that acoustic for you know, twenty something years, so it's really weird 311 00:38:37,400 --> 00:38:39,039 for me to get used to this. But right this is probably only in 312 00:38:39,119 --> 00:38:43,039 the last like three months. Oh no, kidding, Yeah, so I'm 313 00:38:44,159 --> 00:38:46,159 really trying it out. Yeah. No, it sounds great. It sounds 314 00:38:46,239 --> 00:38:51,480 great. It gives a little more uh, it just gives a little more 315 00:38:51,519 --> 00:38:54,000 soul, I think. Yeah, are there songs that you play on that 316 00:38:54,199 --> 00:38:59,119 that you don't play on the acoustic because they just work better on that. 317 00:38:59,519 --> 00:39:04,119 No, I kind of play everything on everything, but it's it's it took 318 00:39:04,159 --> 00:39:06,760 me a bit to get used to. The strings are a little different, 319 00:39:06,960 --> 00:39:09,159 right like so, and you know, with the acoustic, I'm used to 320 00:39:09,280 --> 00:39:13,559 just kind of beating on it, and this this I kind of have to 321 00:39:13,639 --> 00:39:16,960 be a little bit more precise. Yeah that makes sense. Yeah, I 322 00:39:16,960 --> 00:39:30,360 don't know if you can sing this one's love rescue me, come fold the 323 00:39:30,880 --> 00:39:44,800 speed to me, raise me up, and do let me fall. No 324 00:39:45,199 --> 00:39:57,800 man is mine and to me my own hands and prison me love, Raise 325 00:39:59,480 --> 00:40:12,039 to me. Many strangers have I met on the road to my regret. 326 00:40:14,599 --> 00:40:27,239 Many lost who seek to find them selves and me. They asked me to 327 00:40:27,519 --> 00:40:46,719 reveal the very thoughts they would conceal. Love redsking me in the sun in 328 00:40:46,840 --> 00:41:00,159 the sky makes a shadow of you and I stretching out to the song in 329 00:41:00,280 --> 00:41:14,039 the sea. Yeah, I'm here without a name, in the palace of 330 00:41:14,320 --> 00:41:32,599 my shame, love Ray. Excuse me cha la lah cha la lah ja, 331 00:41:32,760 --> 00:41:47,159 la lah Ja, la lah ja, la lah ja la lah Yeah, 332 00:41:50,519 --> 00:42:04,679 with that name in the Palace of my sh I said, really, 333 00:42:06,039 --> 00:42:17,159 excuse me. Mm, that was really good. I was tempted to come 334 00:42:17,199 --> 00:42:20,400 in on the sha LaaS, but I didn't. I'm gonna tell you, 335 00:42:20,480 --> 00:42:23,440 I wrote all the time, I'll be more impressive. That was you should 336 00:42:23,559 --> 00:42:27,800 man. Yeah, yeah, I thought about it for a second, but 337 00:42:28,239 --> 00:42:34,559 I skip. All the verses get meshed into each other, Like, so 338 00:42:34,719 --> 00:42:37,360 do people ever notice, like when you play live, does anyone ever come 339 00:42:37,440 --> 00:42:39,800 up to you and say, I noticed you played that like way different than 340 00:42:40,039 --> 00:42:46,320 than the original? Yeah? Yeah, And sometimes I just take they think 341 00:42:46,440 --> 00:42:50,360 they give it to me as a compliment. Yeah, Like, but for 342 00:42:50,440 --> 00:42:52,719 the most part, it's probably like, well, I just don't want to 343 00:42:52,800 --> 00:42:57,519 keep the verses arranged, right. No, I think it's cool because it 344 00:42:57,599 --> 00:43:00,719 makes it It makes it more interesting, you know, right, to just 345 00:43:00,599 --> 00:43:05,000 I just kind of still do it however I want. Yeah, then nobody 346 00:43:05,039 --> 00:43:07,039 can tell me I'm doing it wrong. Really, yeah, Well, because 347 00:43:07,079 --> 00:43:09,559 I think it's more interesting. You know, if I'm hearing a song that 348 00:43:09,599 --> 00:43:13,360 I've heard a lot, you know, and obviously you played a couple of 349 00:43:13,400 --> 00:43:15,360 things that I wasn't you know that I hadn't heard or hadn't heard enough to 350 00:43:15,599 --> 00:43:19,519 remember who they were. But if I'm hearing something I've heard a lot, 351 00:43:19,599 --> 00:43:22,320 I think it's cool to hear a different take on it. You know. 352 00:43:22,719 --> 00:43:25,480 It's kind of like how I've always felt about like cover bands, you know, 353 00:43:25,599 --> 00:43:31,760 they they try to play things exactly like they sound when the original artists, 354 00:43:31,760 --> 00:43:36,119 because that's what people seem to want. You just trapping yourself. Really 355 00:43:36,320 --> 00:43:38,519 yeah, to me, it's like, I know how the original goes, 356 00:43:38,599 --> 00:43:42,280 I want to hear your interpretation of it, you know, right, and 357 00:43:42,360 --> 00:43:45,519 if you miss a note, like uh, I did have one lady that 358 00:43:45,719 --> 00:43:49,599 was really mad at me one time, really for turn the page. Apparently 359 00:43:49,679 --> 00:43:52,360 I screwed up a lot of those lyrics, oh, you know, versus 360 00:43:53,079 --> 00:43:55,920 here I go or there I go, and she's like, you're singing it 361 00:43:57,000 --> 00:44:02,039 all wrong. She was pretty mad about it. Wow. Oh she did 362 00:44:02,079 --> 00:44:06,840 not punch me. But that's good. You know that type of thing, 363 00:44:06,920 --> 00:44:09,920 you know. Yeah, yeah, I go, you know, because I'll 364 00:44:09,960 --> 00:44:15,079 kind of bumping that up really Yeah, that one. I'm curious. Now, 365 00:44:15,280 --> 00:44:15,800 Yeah, let's do it. I do want to hear it. Yeah. 366 00:44:17,079 --> 00:44:23,639 Oh oh, I was gonna say, if you can't find it, 367 00:44:23,719 --> 00:44:28,280 we can probably dig through those dig through those seat cushions. I bet there's 368 00:44:28,320 --> 00:44:30,679 picks in there. If you're just joining us. Oh, I bet this's 369 00:44:30,679 --> 00:44:34,599 a million. If you're just joining us. Tom Russo is here with us 370 00:44:34,679 --> 00:44:38,000 live in studio, might as well do it. Yeah, No, I 371 00:44:38,079 --> 00:45:06,800 want to hear it now. Definitely. All a long, lonely highway east 372 00:45:06,840 --> 00:45:14,239 of Omaha. You can listen to the engine morning How is one long song? 373 00:45:15,400 --> 00:45:21,960 You can think about the woman, the girl you knew the night before. 374 00:45:27,840 --> 00:45:34,719 Your thoughts will soon be wandering. We they always do. You're riding 375 00:45:35,199 --> 00:45:42,559 sixteen hours, there's nothing much to do, don't feel much like traveling. 376 00:45:43,280 --> 00:45:55,599 You wish the trip was through here. I am on the road again. 377 00:45:58,320 --> 00:46:08,079 There, I am up on the stage. There I go playing star again. 378 00:46:09,679 --> 00:46:30,400 There I go turn the page. Walking to restaurum strung eye from the 379 00:46:30,599 --> 00:46:37,599 road. You feel the eyes upon you. Here's a shaking off the cold. 380 00:46:38,079 --> 00:46:44,159 You pretend it doesn't bother you, but you just want to explode. 381 00:46:51,559 --> 00:46:57,159 So many times you can hear him talking, all the times you can't. 382 00:46:57,920 --> 00:47:04,400 It's the same. More cliche. Is that a woman or a man you 383 00:47:04,639 --> 00:47:19,880 always fear live numbers. You don't tell me. Here I am on the 384 00:47:20,039 --> 00:47:30,920 road again. There I am up on the stage. There I go on 385 00:47:31,119 --> 00:47:59,159 the stage. Gain There I go turn the page. Later in the evening, 386 00:48:00,599 --> 00:48:08,400 if you lie awaken bad with the echo from the amplifiers ringing in your 387 00:48:08,599 --> 00:48:16,119 hand, you smoke about seven hundred and sixty five cigarettes, you forget what 388 00:48:16,320 --> 00:48:32,559 she said? What? Here I am on the road again. There I 389 00:48:32,800 --> 00:48:46,320 am up on the stage. There I go playing star. There I go 390 00:48:49,440 --> 00:49:05,440 turn the page. There I go turn the page. There I go turn 391 00:49:05,599 --> 00:49:24,159 the page. Oh I love it, Thank you. That is my favorite 392 00:49:24,239 --> 00:49:28,039 version of turning the page that I've heard for real. Really, that was 393 00:49:28,159 --> 00:49:31,360 really cool. That was really really good. Bumping everything up like you just 394 00:49:31,440 --> 00:49:36,920 gotta bump bumping. It's like dazzling stuff. You know, No that was 395 00:49:37,000 --> 00:49:39,360 amazing. That was amazing, and I certainly like it better than Metallica's version. 396 00:49:39,519 --> 00:49:43,440 Oh, of course I didn't like Metallica's versions. I just have to 397 00:49:43,519 --> 00:49:45,239 keep the beat. O. I don't have anybody in my band just other 398 00:49:45,360 --> 00:49:47,440 than me. No, but that was that was really good and I didn't 399 00:49:47,480 --> 00:49:52,719 notice any wrong lyrics. Oh, well, we could go back and study 400 00:49:52,760 --> 00:49:55,239 it, and we could. I could show you like. Uh. But 401 00:49:55,880 --> 00:49:59,639 so speaking of that, and by the way, you have an invitation in 402 00:49:59,719 --> 00:50:04,000 the chat room here. But first I want to mention so Dan Fallon from 403 00:50:04,039 --> 00:50:06,519 the band Run Like Thieves. They've been on the show Jenny and I went 404 00:50:06,559 --> 00:50:08,679 and saw them and conquered not long ago. A great, great band, 405 00:50:08,760 --> 00:50:14,559 and Dan is amazing. But he was saying that means you did a good 406 00:50:14,599 --> 00:50:17,960 job if someone is mad regarding the woman who is mad. So there you 407 00:50:19,039 --> 00:50:23,039 go, there you go. But Dan also said, Matt, can you 408 00:50:23,119 --> 00:50:28,840 tell Tom that this Sunday night and and next from six to eight pm, 409 00:50:28,920 --> 00:50:32,880 I'm hosting an open mic at Keys Piano Bar, and Grill would love to 410 00:50:32,920 --> 00:50:42,960 have him featured at the next one. And oh and uh. Dan also 411 00:50:43,039 --> 00:50:46,159 said, like like Tom Petty, Oh, it's like Tom Petty meets Bob 412 00:50:46,239 --> 00:50:53,320 Seeger love it. If you'd like to hear another, Yeah, we can, 413 00:50:53,440 --> 00:50:55,679 I think we can. We can do one more. Yeah, if 414 00:50:55,719 --> 00:51:00,559 you want to do it. But anyway, Yeah, so I wanted to 415 00:51:00,599 --> 00:51:05,679 make sure I pass along that invitation for you. Yeah, yeah, I'll 416 00:51:05,719 --> 00:51:07,519 do it. If you're just joining us. We have Tom Russo live in 417 00:51:07,559 --> 00:51:12,679 studio with us on this Saturday morning. This is you inspired me because I 418 00:51:12,840 --> 00:51:35,320 like to so excellent? Will I team do? I saw your face, 419 00:51:39,840 --> 00:51:59,880 cut my lifeline, wind flood in through space, I saw Nangel, I 420 00:52:00,719 --> 00:52:13,320 saw my fate. I can only thank god it was not too late. 421 00:52:24,800 --> 00:52:45,840 Over oceans A flooded away and I wished only things are better than today. 422 00:52:51,880 --> 00:53:07,000 I falled, loot, then angel down through the gates. I can only 423 00:53:07,360 --> 00:53:16,159 thank god it was not to lay. I can only thank god it was 424 00:53:16,360 --> 00:53:29,920 not to lay. Sing a little song aloneliness, sing one to make me 425 00:53:30,199 --> 00:53:45,320 smile another round for everyone. I'm here for a little while. Now she's 426 00:53:45,480 --> 00:54:04,440 with me everywhere did I go? She took my lifeline, she took it 427 00:54:05,159 --> 00:54:24,039 to go. I saw Nagel, I saw my feet, and I can 428 00:54:24,320 --> 00:54:42,960 only thank God that it was not too late. Well done, sir, 429 00:54:43,079 --> 00:54:45,760 well done. Tom Russo here with us live in studio. By the way, 430 00:54:46,079 --> 00:54:52,199 Dan Fallon says he's the real deal, and Isaac Banks says he is 431 00:54:52,480 --> 00:54:58,719 rocking it so very good. Very I like to think that the great thing 432 00:54:58,880 --> 00:55:02,639 is like I really my whole life really don't know what I'm doing. Like 433 00:55:04,440 --> 00:55:07,960 so I kind of half know what I'm doing, but I feel if you 434 00:55:07,039 --> 00:55:10,199 can do it with heart, Yeah, yep, those people will make those 435 00:55:10,280 --> 00:55:14,639 comments. There you go, there you go. Absolutely, we're just about 436 00:55:14,679 --> 00:55:17,480 out of time. Tom, You got any shows? Just you play anywhere 437 00:55:17,519 --> 00:55:21,239 this weekend? You want people to know about this time? Because oh, 438 00:55:21,679 --> 00:55:23,880 like I felt very bad, like you asked me, I felt like pretty 439 00:55:24,360 --> 00:55:28,159 unprofessionally. Yeah, I said, what do you got going on? That's 440 00:55:28,199 --> 00:55:30,440 it? I don't know. Yeah, just yeah, just give us a 441 00:55:30,480 --> 00:55:34,840 couple of worry. July twenty seventh, Blue Bear, Francis Town, New 442 00:55:34,880 --> 00:55:38,719 Hampshire, Okay, up by the crotch of Mountain, all right. August 443 00:55:38,760 --> 00:55:45,320 eighth, Hampshire Hills in Milford, Okay, come on down. August twenty 444 00:55:45,360 --> 00:55:51,000 fourth, Blue Bear in Francis Town. August twenty fifth, Stella Blue and 445 00:55:51,079 --> 00:55:54,639 Nashalla. All right. Yeah, so you got some some summer shows coming. 446 00:55:54,800 --> 00:55:58,039 I made all these up and you might be I don't know, plan 447 00:55:59,199 --> 00:56:01,679 and you might be a peer at an open mic. It sounds like you 448 00:56:01,719 --> 00:56:05,760 have an infestation to do that from h our friend. Now message me the 449 00:56:05,840 --> 00:56:08,000 information and i'll uh, I'll be there. Very good, very good? 450 00:56:08,000 --> 00:56:13,119 Does lip sync? I don't know, but well he knows now. Oh, 451 00:56:13,199 --> 00:56:15,320 it's all lip syncing this whole show. Oh, Dan says, A 452 00:56:15,440 --> 00:56:19,320 great show. Matt and Jenny, thank you so much. Dan, Thank 453 00:56:19,360 --> 00:56:21,960 you. Jenny. You want to plug your website before you go. You've 454 00:56:22,000 --> 00:56:24,360 been very busy. I do. I have to get up on the website 455 00:56:24,440 --> 00:56:29,199 actually, jencoffee dot com j E N N C O F f e y 456 00:56:29,679 --> 00:56:31,880 dot com. You can also find my email there and if you want to 457 00:56:31,920 --> 00:56:36,840 be on maccron It and Unleashed, I am now booking August, So give 458 00:56:36,880 --> 00:56:40,000 me a holler. Yes. Yes, And Tom, we should probably spell 459 00:56:40,079 --> 00:56:43,960 your last name for people who are looking to keep up with everything that you're 460 00:56:44,039 --> 00:56:49,440 doing. Yes, R O U S S E A U. Wonderful. 461 00:56:49,920 --> 00:56:52,000 This has been great, Tom. I appreciate you coming in. Thanks for 462 00:56:52,039 --> 00:56:53,840 bringing the electric That was a cool. That was very cool. That's going 463 00:56:53,920 --> 00:56:57,079 to be mad you know, no, no, of course not no. 464 00:56:57,199 --> 00:57:00,400 That was great and uh well, actually we got to go. But if 465 00:57:00,440 --> 00:57:01,480 you miss any part of today's show, it will be up in just a 466 00:57:01,519 --> 00:57:06,920 little bit at wmnhradio dot org and in my website Matt Connorton dot com. 467 00:57:07,119 --> 00:57:10,159 Thank you again to our friend Hope the wrapper for the World Radio premiere. 468 00:57:10,199 --> 00:57:14,519 I think this was week six, and let's see, of course day to 469 00:57:14,599 --> 00:57:19,559 attend, wonderful as always and purging sin and of course Tom Russo, and 470 00:57:19,679 --> 00:57:22,039 we'll leave you with a little bit of I love this track to greet. 471 00:57:22,119 --> 00:57:28,920 The Sun Studio version of this play us out as we say, all right, 472 00:57:28,960 --> 00:57:30,480 thanks Tom, Thanks everybody. We'll talk to y'all. Talk to y'all 473 00:57:30,559 --> 00:58:00,280 next week. Bye bye. Don't see anything in from me. H. 474 00:58:01,320 --> 00:58:16,679 I see what I want to sing, I hear what I hear done. 475 00:58:17,599 --> 00:58:30,920 Hold on, I'm still singing the sing old song, dreaming the same old 476 00:58:31,039 --> 00:58:47,280 dream till it comes back, or and it's nothing that I haven't seen. 477 00:58:51,360 --> 00:59:00,480 I've been haunted by the same old dream comes to take my hand and night, 478 00:59:04,360 --> 00:59:13,039 I pray the Lord he has my life. I'm still going down the 479 00:59:13,159 --> 00:59:25,159 same room telling stories. I've all already took and I'm waiting here for me. 480 00:59:28,480 --> 00:59:35,280 This Hour on WMNH is sponsored by CGI Business Solutions, located at five 481 00:59:35,440 --> 00:59:40,079 Dartmouth Drive in Auburn. They serve all your business needs including employee benefits, 482 00:59:40,159 --> 00:59:46,280 planning, corporate design and business administration, investments and wealth management, and customized 483 00:59:46,320 --> 00:59:52,039 business insurance solutions. Their phone number is eight sixty six eight four to one 484 00:59:52,480 --> 00:59:57,599 forty six hundred, or on the web at CGI business Solutions dot com.