H Hello, everybody, welcome to Sam. Is it coming home? We've
been there before, Like I mean, I want to believe I partly spain.
I'm gonna just absolutely requisent this. This is the thing that this is
the first time I've said the words it's coming home on you know, the
podcast during this particular tournament, and normally that thought creeps in ironically slightly earlier.
It's weird this time there's been like no compared to the last couple of
tournament where England did really well, there's been like no atmosphere of positivity because
it's not been good performances everyone, but we keep winning and now inexplicably we're
in a final and for the first time in the actual final, you have
to go, well, I guess maybe it could come home. I mean,
we haven't never running joke where it's like we're gonna win a tournament by
being absolutely We're just gonna ship house our way to a trophy. Yeah,
by being rubbish and somehow sneaking through. And if it's gonna happen anyway,
that would be the most England way to do it. So, as said,
that's your first It's coming home mentioned on you know, the podcast during
this thing, essentially right at the last possible moment, so we'll see.
No, you're not here for that. You're here for that's not metal,
your weekly rock and heavy metal podcast. As you can hear, Sam Dignun
is here. My name is Paren Haish. We have got a you know,
an old fashioned hypelas sustems that we end up one of these in a
while. But you know, we've got news, we've got questions, we've
got the releases, of course we also have We have both been at shows
this week. You were at a massive one. I was at a smaller
one. I would argue as of you know, comparable significance perhaps, but
my one will lead us quite smoothly into the start of the news, so
you may go first, Sam, which means that, yeah, we're about
to talk about akadaka. The ACDC show arrived to Wembley Stadium, wasn't it
this this past week? Which I don't know. It feels like it should
be a big event because they haven't played here in however long. Obviously there
was COVID, there was the fact that Brian was out of the band for
a while, and you know, any a CDC show at this stage I
think is kind of tinged with a bit of like, you know, could
it be the last one. I'm very much hoping that this particular one you're
going to talk about is not the last one, because I still want to
get my turn. But ac DC played Elliott was also that Elliot's not here
will today, But I know that Elliot was also at this particular show.
He said. Basically, Brian Johnson, old ACDC rock and trusted in use
to convey that same information more more detailed. Yeah, so that is like
if you were to really boil it down to its essentials, that is the
perfect way to sum it up. I mean, for me, I've never
seen ac DC before, so I was like, this is why I had
to get tickets. Yeah, this I had very nice seats near near the
stage, so it was in sort of a prime perfect position to enjoy a
sort of in a bit our ac DC rock show. And like, I
think the best working sum up, like the magic that ACDC cast over me
that night is back in Black is one of those songs, right, that's
it's everywhere, isn't it? Like, Yeah, are you ever going to
put that song on out of choice? Necessarily? Now unless you're gonna listen
to that album in full. Not really, you know, it's not a
song that that necessarily I ever expected to excite me in a way. Ever
again, they played it second and I shoud fuck here and star punching the
air, pumping along to the riff. I was like, that's the power
that like that that this gig had on me. I mean the open with
If you Want Blood, Like, I'm looking at this setlist and there are
so many stages to it you can point out, but yeah, if we're
going chronologically open him with, is is If you Want Blood a deep cut?
Technically I don't know. I don't think it's a big single from that
time, but it's a classic song. But when they don't pull out super
often what I sort of get a rad cool choice of opener and then,
as you say, arguably the biggest song right afterwards. Yeah, I don't
care who you are, You're in rock Heaven at that point, Like that's
it. So like the one thing you can probably hold against a CS this
point is Brian Johnson is shot. He is struggling, like he's given it,
he's given it his all. He like no lack of effort on his
part. He's there to entertain, isn't he, But like he is there
to lead you through the sing alongs and kind of just like be a folk
point angish young right. Fuck me, that dude is like he's leaving a
bit of himself on that stage every night, like he's playing like he's like
the last gig he's ever gonna play. Like every so like no one has
ever rocked harder than Angstong doing his little like hopping down the ego ramp during
like cranking out a guitar solo. It was like just the coolest guy.
But yeah, this was just like, oh yeah, just classic rocks after
classic rock song even again, like some of the newer stuff they just they
like they're like two cuts off the newest album, which sounded like totally fine
in that Cetus demon Fires quite early on was like a sort of cool one.
But like when five so Une you hear that opening rift of Thunderstruck.
There were just so many moments for that set where it just like, this
is the best thing ever. This is what rock and roll is all about.
Like the stage, they didn't go overboarding it, you know, big
screens they had yeah anymore, right, but yeah, it was a bit
more minimal by by a CDC standards, and it was very much like it
was almost like Angers Young was the show and a lot of points him just
like running about the stage, ripping out his solos, cranking out those those
riffs and but like when you hear those songs, like I just I didn't
like the songs, just do the talking. Even again with Brian Johnson being
absolutely knackered, I was singing along to everything. I didn't mind him him
being it like he could you know, he was able to, you know,
get the chorus for Dirty's Dungeons, We're going to everyone. He would
go dirty and everyone else would go back done dirt cheap, like that's all
you needed. It was like him being like imperfect live didn't really matter anymore.
I know. Apparently said there was some sound issues depending on where you
were in the stadium. Yeah, I can't comment on that. What I
was in the seating near the stage sounded incredible, sounded so fucking one of
the loudest shows ever been too. Where I was like the one they that
the moment that the beginning of If You Want Blood came in, I was
like, oh, thank god, I've got ear plugs in because this is
like it sounded like some gigs do and I don't have a plugging. It
was that loud. I was so like, couldn't really knock that. But
for me, it was just kind of like, oh, yeah, Thunderstruck,
you know, shoot to Thrill, into Sin City, into rock and
roll Train, Dirty's dungejits with that middle sex and the set where I was
just kind of like, yeah, cool, keep the hits coming. Yeah,
like this this set list, like I said, you know, having
already got out the way you've mentioned back in black, Thunderstruck, whatever.
Going from the tenth song of the set onwards, I'm just gonna read it,
Shoot to Thrill, sin City, rock and Roll Train, Dirty D's
done, dirt, cheap, high voltage, riff raff, you shoot me
all night long, Highway to Hell, whole lot of Rosie, Let there
be rock and an encore of TNT And for those about to resalute you,
I wasn't at this gig, and that just reading that gives me like some
some strange feelings, you know, unbelievable. Just more than half of the
set, Yeah, like high Retell Well, they had lot that's where they
bust out all the pyro like of all the songs you're gonna put out for
yeah, get the fire is shoot out the stage for that, I will
say, let them be Rock did have a very very very long guitar solo
coming out the end of it. There was a bit ware he goes onto
because the ego ramped down to like a little bit in the middle, like
he goes with that, He goes to the platform that rises up as he's
playing his so elevator on the stage and then the confetti Killner's go up and
I was like, oh, great, the solo is nearly done. That
was a really like I'm like, I'm gonna let ang this young dudes realm
so And that was out the halfway point of the solo and I was like,
what he is? He's given like it all with his solo, And
I was like, you know what, if I hadn't had the best time,
I would be I would be like, ah, you didn't need to
do something that long. But then they come out and you know, fucking
TNT starts and the cloud just going oh for those about to rock. That's
that was the big show stop a moment where they had cannons rise out the
back of the stage. So when he does the whole the twin one gun
salute bit, cannons are shooting off. There's cannons in like behind the stage
so near the audience that going off, so like for like an end of
the set. They go big on for those about to rock, and I
mean, what a song to end it on it like fucking huge and then
fireworks all above Wembley. It just it is one of those well like I've
never seen ACDC. This was the perfect show for me, toadc. It
is up there with my gigs of the year right now, just as kind
of like there are things you could pick apart on it, but for me,
I was so caught up in the moment of like watching one of the
most timeless bands player just unbelievably good set list for the most part, most
of the bands sound incredible. Brian Johnson is doing what he has to do
to get these songs sung by everyone else. Just an incredible experience and I
hope everyone like like it did. Gether went on the Sunday night as well,
like came away feeling a similar kind of like we might have acc around
much longer, like and like making the memories of that it was. It
was really something incredible. Yeah, it feels like the big return of people
like talking about a CD really kicked off with Power Trip Festival. Yeah,
and we were looking at like that set list and being like, oh my
god, you know they're fucking playing riff raffle all this stuff and it's great
to see you know, some of those songs in that set as well.
Yeah, very very jealous, indeed, very very different occasion is what I
was at over the weekend where I went to one of the final dates of
Palm Reader tour in the UK. They have just done a tour of about
four or five dates maybe in different cities in the UK, leading up to
a festival that's happening right now, actually a two thousand Trees festival, I
said. I went along to the Manchester date of that tour. I felt
a real sense of like obligation to go and see Palm Reader one last time,
because you know, I've always really liked Palm Reader. I'm not a
die hard fan necessarily, but I did feel like, you know, this
is a band who have been such a constant, consistent presence in the UK
music scene for almost the entire time that I've been like, you know,
conscious of it and a part of it, and they've given so much and
I really felt like, kind of, you know, I should go and
see him off in in that kind of way. I'm not going to two
thousand trees, so this is the moment to to to do it. I
only caught the last couple of songs of Mastiff who were supporting because I was
watching the end of the England Penalty shoot out. Sorry sorry fellas, but
yeah, palm reader they'd played. I think I sold out Underworld like a
couple of nights before I was. I was I was going to go to
that, but I was just so burnt out from Outbreak and ac DC and
all that that I was. I was like, yeah, I ain't got
it in me. Yeah, but you know obviously that I imagine that must
have been the really big one for like Atmosphere. You know, seeing that
band sell out of any like that would have been amazing. I think their
their base of power, so to speak. They've definitely got their firmest following
kind of further south Manchester, you know, not sold out, but you
know, seeing the people there really give the band their dues, Like,
I don't think i'd ever seen Palm Reader headline before, to be honest,
I only supports and festivals. So there was something really quite nice about like
entering a room where everybody there is there to see Palm Reader. You mentioned
from the last time you saw them that they got like a seven piece,
yet now I didn't realize that, you know, literally got Matt from Heck
was one of the I don't think he was when I saw them with Fries,
but like, yeah, it was definitely Matt from Heck playing guitar from
them. And also I think is it Joe from Black Peaks the guitar is
who is? Also he was there. I think he'd been there for a
yeah, yeah, because he's in that band Vour that we can talk about
in a minute. But the seven Peace Light of Water, say, I
was like, there's a guy from Black Pigs, there's a guy from Heck.
It's like they're collecting the defunct fucking you know obviously Palm Reader about to
join them. Yeah, but there was. It was a weird supergroup vibe
going on there, you know, and I hadn't seen them since pre COVID
times, which also meant I'd never seen them doing any of the sleepless stuff,
and they seemed to hold you know, a kind of a pride in
that material that was also reflected, you know, in the audience. Willow
and Hold Release in particularly got two of the biggest, like you know,
sing along crowd reactions. It's it's been a funny, you know, last
week in the UK with the election result and everything, and you know,
not not to get political or Maine, but I think for a lot of
people like ourselves, it's a kind of weird mixed feeling about kind of you
know, who is currently now in power. Maybe the first sense of like
genuine joy or relief I had is Josh going this song is for the Tories.
It's called Stay Down, and it was like, damn, you know,
your your entire band's lifespan that was That was the climate, you know,
and just what a strange bittersweeter aligning of those things, you know,
kind of coming to an end at the same time. The first time really
i'd seen Palm Reader do what you'd, I guess call like a career spanning
set list, you know, because they did like a fan request thing for
for this final time where they put out things saying like, people, please
vote for songs you want, you want in the set list. All right,
that's cool. That's probably why it was a nice, nice mix.
Yeah, because there were songs from you know Everything, basically songs from you
know, the first ep An album. It was seeing and believing are two
different things, and spineless and Josh at one point was like, we've not
done these songs in so long. They're mental, I'm tired. It was
I watched the fire chase my tongue and stacks, which I was particularly pleased
about from the second album, which we spoke about on Album Club. But
also it was one of those interesting sensations of that you sometimes get when they
were playing the Braille material. I was naturally thinking back to you like the
last times I'd seen part Reader, were them playing those songs as they were
new and they were at that time. There was that kind of rush of
interest and kind of praise towards Parme Reader at that time to you know,
now seeing Swarm as the first song of the encore and that being the most
obvious get everyone to sing along, and yeah, it was really nice.
The members, obviously, particularly Josh, as the kind of the mouthpiece,
of course, you know, not like an you know and over the top
way, but clearly taking in the emotion of you know, the occasion thanking
the crowd an awful lot, and as I said, I imagine I was
probably at one of the kind of less I don't know, particularly grand occasions
of the particular run I suppose today, you know, the Davis podcast goes
out. Obviously it's two thousand trees. Whether you are they're currently or not.
I really hope their final you know, outing at that particular festival really
wraps up everything of kind of in this last tour of the last however,
he is their band, even in a nice little bow for them. I
did mention, of course, that my gig story would lead us into the
beginning of the news on this particular hypo of last because musically we are going
to talk about the band Vowo, who, as I mentioned, is a
band, a new band that is formed of members of various bands in the
UK. I think most notably from a T and M perspective is it contains
members of Black Peaks and Palm Reader as well. It is Josh, the
singer of Palm Reader who is fronting the band we also have Joe who I
was suspected were playing in Palm Reader, the guitarist from Black Peaks, Liam
who was that the drummer from Black Peaks. I think it was, Yes,
Yeah, yeah, I think. And you know, we've been talking
about it for a while, I guess because we've been talking on the Black
Peak side. You know, Will has had his various kind of bands going
on, and there's been kind of like what are the other guy is gonna
do? And people have mentioned, oh, yeah, they're in this band
Vour, but we haven't actually had any significant you know, music to really
go and at this point so I was kind of waiting for this. But
this last week they released their first EP, which is called Apricity, which
contains a couple of singles that I guess had been released prior, but you
know, fully wrapped up in a release here. And you know, as
said, this is a band formed of you know, kind of some TNM
alumni I suppose not literally in terms of the podcast, but you know,
bands that we care about. So and I'm sure a lot of you guys
obviously who've again mentioned and recommended this band do as well. So let's talk
about this EP. And what we think of it. The first thing that
I felt was, you know, you press play on it immediately got Josh
really like split in his throat the way he does in Palm Read. But
you know, Palm Reader were going this way on the last record. It
makes sense when again you think of members of Black Peaks in here as well,
leaning in a more kind of progressive, polished direction than the kind of
you know, scuzzier hardcore of certainly where that some of those bands started off.
Yeah, I mean I hear planning, so it was kind of like,
oh, yeah, this is like I don't like downplay it, but
it was what you were in my head would imagine a fusion of Black Peaks
and Palm Reader together something like it is that kind of like slightly post rock
post metal leaning where Part Reader were going. I think it's maybe less.
It's there's a slight different approach to it. I think that there's a little
bit more of the kind of earlier post hardcore than say what was going on
with Part Reader on Sleepless. It almost feels like a kind of like halfway
point between the slightly more stabby, aggressive hardcore bits with the really polished,
prog leaning stuff, But yeah, I can't say I was like massively shocked
when I play on this. Yeah, I felt similar in terms of more
of being kind of in the kind of melodic post hardcore lane, yeah,
than like Palm Reader or you know, Black Peaks. Palm Reader were like
a hardcore band who kind of developed melody, whereas this feels like specifically post
hardcore, you know. And it's great to hear Josh's voice on it,
but particularly obviously right after having lost Palm Reader, you know, this exact
weakness comes out, that very distinct tone that his clean voice has. It
was like, oh cool, you know, we're not We're not losing that
for some signific period of time. It's like literally right now you can hear
it somewhere else. And the song Shroud really, you know, it puts
him kind of front and center. His melodies, I think are actually the
parts of the songs that kind of hold you know, your attention for for
for the most part throughout them. That song, you know, it's a
bit of a kind of a you know, a post metal sort of element
as well in terms of how it builds up. But by the end of
that track, he's like become like a legit rock singer. You know,
I was like, Wow, I think on his front he feels like the
one he's like because him as a vocals he leveled up across Palm Reader.
Yeah. Like like even when you go back to the deb album that there
were mostly sung on that, but it was very rough and kind of like
primitive, forming him as as a singer, and and that singing was one
of the things that really grew across Palmary. And here you can really see
it kind of him like take flight as a melodic, clean vocalist. Like
and again when he does let rip on those screams, it's still like he's
got such a like visceral primal like like intense screen, but hearing just that
like like halfway like croon, but that's a bit more like kind of throats
ready he's got like as a vocalist, hearing that really kind of blossom into
something bigger. It's really cool. Yeah, I think musically it was,
uh, you know, this is not necessarily what I'm asking for like on
a first EP, but definitely this landing and that kind of proggy post hardcore
direction. I think it lacks a little bit of the instrumental flare that you
know, both Black Peaks, if you've got someone like Joe in the band
and you know, Palm Reader by the end, by the time of you
know, Sleepless, certainly kind of had I think, you know, if
this kind of you know, quite clean, quite polished, you know,
vaguely post metally whatever post hardcore was like really my bread and butter. I
can I can totally see why someone would be like really enamored with it.
For me, it's it's slightly falling a little bit into that kind of like
in between area of like trying to be heavy, trying to be catchy,
trying to be proggy. It's kind of and it just feels like kind of
smoothened out. You know, this isn't as like jagged and kind of for
me attention grabbing as you know, their prior bands. The song in the
Wake of Failure has kind of a more destructive kind of heavy rift, but
then again steps back into that kind of just very melodic post hardcore template.
The last track has a bit of that kind of sort of death tonesy stomp
or something good course on that track. Yeah, but yeah, Josh I
found to be like the the star part of this where the music behind him
has you know, kind of a at this stage slightly generic kind of modern
proggy, post hardcorechine on it. I mean, that's the thing is that
there's obviously there's so many sort of like this particular thing is a cult kind
of sound, but it is like quite a well well served kind of yeah,
cult sound. I'm happy to lap it up. I think, as
like a sort of first taste EP, this is a really good kind of
proof of concept to me, and I think there are definitely things they can
iron out that I think on a full length they can either balance or kind
of explore more fully. But as a sort of just like a little sort
of like first taste EP, I'm very happy with what I got here.
Yeah, I think it decently promising for sure, you know. Again,
for the first release from this from this new band, I think it maybe
you know, suggests that their sound just wholly selfishly personally, it maybe won't
be so geared to me as you know, either Black Peaks or Palm Reader
were because of where they're kind of leaning. But that's fine then, Like
I said, there is a there is promise there that I hope kind of
you know, does become more than this. They've also along with this,
they've announced that they're doing doing their first headline show in London on December sixth
venue called the Lower Third, which I've never heard of that venue in my
life? Is that me being out of touch because I don't live in the
city. It's what they've read. There's sony venues that are like renamed to
something else that But are you know they're playing two Thousand Trees along obviously with
Palm Reader this weekend, so certainly in terms of you know, one of
those bands hanging over the bat and to the other obviously Black Peaks involved as
well. You know, we do wish them well and we'll keep tabs on
you know how that kind of grows. So let's get into the rest of
this hyperblast news round up, and from some exciting new music we go to
something which I saw someone tweet what a terrible day to have ears referring to
this particular thing. Eistnein Kills have teared up with Real Big Fish to cover
a song you may have heard of called Walking on Sunshine. And let's be
clear here, right me and you really like Ice nine Kills their last two
albums the Horror Wood records, I think are quite fabulous. I don't like
Real big Fish, but I don't really listen to you know, that kind
of scar so whatever. Listening to this is the closest I've gotten to understanding
Elliott's position on Ice nine Kills, because again, I love this band.
I love their you know, their current original material. I'm not changing that
standpoint at the moment. But I did look at this as a collection of
words and went, oh, like something conjured to make a very particularly,
a very particular type of person very upset. I mean, I quite like
Real big Fish. You know, I couldn't believe they've never covered Walking on
Sunshine before I was sure they had, and I was like, the not,
that's because I mean they've covered every other song and added trumpets to it,
and you know that some one's got trumpets itself. So I mean,
as covers go, I don't like. I don't think this is the worst
thing ever I understand is it's so like I'm not gonna definite because it is
so like perfectly tuned to just grate on someone, and just like because it
is, you barely get Iceline Kills from this. Let's be real there's a
couple of like bits where the guitars go a little faster, but it's mainly
the Scar. I can feel where it lines up with I mean, for
a star Ice nine Kills. You know, way back when, back in
the two thousands. They do have some of their roots in car Yeah,
yes, Scar, but so I'm not necessarily surprised that they would even do
something like this and team up with someone like real big Fish. And you
know, the song Walking on Sunshine, there's some kind of connection there with
American Psycho or whatever. They're bringing something around, but I mean the original
song Walking on Sunshine, Right, you know, a man currently wearing a
triptocon shirt speaks. I don't have any affinity for that song, right,
I'm not slagging it off, but it is a song that is just based
around, you know, being relentless, relentlessly chirpy to you know, sell
gavescon fucking you know, pills or whatever. But and then you go,
okay, let's take that song and translate it to the most relentlessly chirpy kind
of rock music, which is scar punk. And again, the the over
the top flamboyance of Ice nine Kills work for me when they're doing their like
evil dead songs or whatever, but applying that through a scar punk filter to
a song that is already about a maximum level of chirpiness that I can kind
of tolerate. And it's kind of a nightmare. No, no, I
get it. Like you said, like it is designed to bring some people's
down. Yeah, I said, Kills a band I'm quite fond of.
But I won't be spinning this one again. Let's put it that way.
This balanced that out. Wolf Brigade. I've got a new album out.
It's called Life Knife Death that's out on Not a Blade Records. It's coming
out on September the thirteenth, and they've released a two minute leads off single
from that called Disarm or Be Destroyed, and it just it does everything I
want Wolf Brigade to do. It's crusty, it's fast, it's melodic,
it's angry, bloody. Love that band that brought me right back down to
miserable Earth. So into the rest of the news, this is, I
don't know it a headline I like, but also a story you can't make
too much light out of. But basically, if we're continuing our various you
know, installments of beef Watch. I just think it's a mad collection of
words that Surge Tanki and here of system of a Down, of course,
has been beefing for the last couple of weeks with Imagine Dragons, the most
hated pop rock band in the world, the band who are widely recognized as
taking Nickelback's crown as like the most like slightly performatively hated on even though amdain
Drags absolutely deserve what Nickelback maybe didn't. But yeah, Sirche Tankian and Imagine
Dragons have been uh trading words in the press for the last couple of weeks.
It is over serious shit. The you know, kind of short version
of it is basically, Imagine Dragons were going to be playing a show in
Azerbaijan. Surge Tankian issued a kind of plea for them to not do that
due to, you know, problems with the kind of dictatorial regime over there.
Imagine Dragons went and did it anyway, and it just I just love
this particular quote that it is to come out with after they did that,
Sirchechankien says, I don't respect them as human beings. Fuck their art.
They're not good human beings as far as i'm concert. And that's about his
brutal statement I've ever heard from anyone. Yeah, like not mincing words.
They're in the slightest Yeah. No, So there you go the aura.
But if you're keeping track of your lists of like opponents music World Search Tankian,
imagine dragons not fans of each other. This is a story that is
quite wonderful. Travis Kelsey and his brother Jason Kelsey, who are I'll be
real with you, Sam, Their people I've not heard of prior to you
know, this kind of last year. I understand that they are famous footballman,
but I am not an American sports fan, so it doesn't mean anything
to me. But Jason Travis Kelsey has of course been everywhere in the news
is last year because he is dating the most famous dictator in the world,
that being. But apparently the two of them have got like a brewery a
beer company together. Uh. They a couple of days ago kind of unveiled
the logo for their upcoming beverage, and it's a logo that is incredibly similar
to a certain stinky death metal band known as Sanguy super Bark the stinkiest death
metal No but it's not just that the logo is familiar, it's it's the
joke they put with it. Yeah, it's pronounced Gary's beer. Here's the
thing with this, Yeah, because there was also, like coincidentally, there
was a thing this past week about Jojo c you are has like ripped off
the tool like penis wrench logo for so much and as I put that,
and there are loads of cases like that going back years, right where like
you know, Justice Bieber is using a net profond anything like that, right,
But the very specific nicheness of this combined with the fact that they very
much acknowledge it and it seems to be a very friendly like thing, and
of course the link here becomes, you know, the degrees of Sangue sugar
Bog. Does Taylor Swift at least recognize the logo or know who Sanguy sugar
Bog are through the business endeavors of her her current boyfriend. I mean,
we can only hope that this this is like Taylor Swift discovering Sangue Sugar Bog
is not is no longer an impossible dream, and they are literally one degree
removed. It's so fascinating. I mean, like, I mean it just
goes. He does like he's appeared in Rest and stuff. He he has
an affinity for for low brow art, we shall say, and and like
stuff like that. So I want to be shocked that he might actually be
a fan of sang with Sugar Bog one of them like probably like yeah,
like fuck it like cool, cool thing for the band to kind of like
get get acknowledgment of. And if Taylor still has to hear a sing with
Sugar Bog song, then amazing. That will be the next era that she
can't fucking stop putting that album. So the next time another female pop stars
threatening the number one spot on the charts, She's gonna come out with her
new era, the toilet Era. She will be toilet Swift. It will
be absolutely brilliant. But yeah, that's that's a link Marmozettes for everyone who
has been staring at the wall wondering when Marmozett's going to be a band again
for the past what like five years or whatever? Your your latest kind of
piece of the trail dropped this last week because they posted on Instagram a picture
of them and they have said, we have just signed a new record deal
with Network Music. Now Marmosettes. As we said, I feel like I've
heard this headline like a good two or three times over the again the past
five years or so. But surely if they've gone, hey we've signed a
record deal, that does mean that you don't sign a record deal unless you've
got a record to sell, right, Yeah, this fills out the first
actual concrete like there's been no rumblings of all that they've been in a room
jamming together and yeah, oh you know we're going to come back at some
point, and that this is the first of like, hey, we've got
a deal, so there should be new music coming at some point. When
that will be who knows, but this is at least something concrete to go
on. Yeah. I'm going to say, maybe this will come back to
bite me or whatever, but I'm going to say, you know, if
they've signed this new record deal and they've made move to announce and everything in
the next year, twelve months from twelve months, so by next July,
we'll have had new Marmoseets music. That's what I'm going to say right now.
So there's this that's reasonable. I was going to say by the end
of this year, I was going to be like even more optimist, but
yeah, that that could be possible. I'm just giving them, you know,
I'm giving them the conservative time frame. Within the next year, you're
going to get new marms. That's music I reckon. So there you go.
There's your time frame and a whole bunch of tour news. We're going
to start off over the other side of the Atlantic. But one of the
just you know, kind of interesting sensations of the last howevery years to do
this podcast is we love Creeper here. They are one of, if not
our very favorite British band of the past handful of years. A lot of
you guys who listen to us, who are in other parts of the world,
your chances to see Creeper have been kind of more you had to grab
them while they're there, compared to us who have you know, I've seen
them fucking gajillion times. Your current opportunity to do that over in the US
auld be over in the US affair bit recently obviously did that Black Felt Brides
tour, but they are going to be supporting Twin Temple, which is one
of those funny things where it's like that obviously in the UK would be the
opposite would yeah, exactly, But they're supporting Twin Temple. Over in the
US, it should be noted that Twin Temple are supporting Till Linderman on his
solo shows. This is they've they've made pains to declare it's not the Till
Linderman shows and not on that package, it's the off date tour headline shows
that Twin Temple are doing that Creeper are going along with. But you know,
I think that slightly complicates what dates you might be looking at. You're
on the poster, but you can see on the poster which ones are,
you know, the kind of Till Linderman dates, which ones are. Just
then if you are in the US, you might be able to see Creeper
with Twin Temple. Again, just an interesting kind of billing order for us
on this side. Over here, we over here have Papa Roach are doing
a big old show at the London Wembley Arena in February twenty twenty five where
they're going to be celebrating infest in full. I know there was a little
bit of polar for this last week about dynamic pricing ticket business for that as
usual, this stage like same as always, but you know, if you
are able to you know, sell your limbs to be a cockroach or whatever,
then there you are. That is there again more UK torn This one
is it feels niche to my interests, but it's a kind of an interesting
thing. Queen's Reich have anow. I didn't even know they were doing this.
Apparently they've been doing this in the US, but they're bringing it over
here now. Queen's Reich are doing a tour of early year stuff or basically,
they're playing their first EP and the first album, The Warning in their
entirety. They're gonna be supported by Night Demon on this, who are a
very good band but are also the go to support band for any like old
heavy metal show at this stage. That's happening in February in the UK.
This just feels slightly bizarre to me because Queen's Reich have one real breakout like
name recognition album for people outside of you know, eighties heavy metal circles,
which is Operation Mine Crime. Even beyond their you know, like, the
first album is not their most successful widely acclaimed album by any means, so
I was like quite surprised to see that they were doing this. But it's
there like most pure early eighties heavy metalshit so I guess they're you know,
winging it and doing it. So there you go. That is there,
uh beefier stuff. Dying Fetus have announced a big old tour with a big
old bunch of death cor ACKs supporting them. They are bringing Chelsea Grin,
Despised Icon and Vitriol, who are in fairness more on the kind of death
side of things. But that is coming around Europe and the UK in November
and December, and certainly you know Chelsea Grinn. You know, I have
enjoyed I've got nothing gel and I quite like them, I having liked them
in a long time, but I have a fondness for some of the material.
But goes off like yeah, Dying Feet and Despised Icon together in particular
tasty absolute beat downs to slightly your teeth out your face center, isn't it.
Yeah, that is a stinky sort of pairing that I am all about.
I think I'm going to because I've not seen Dying Fits headline, but
we've Despised I who don't come around super often. That's really good, just
kind of like like I say, yeah, brevery beat down, Yeah,
it's going to be the most stinking of bri show of the year. Dying
Fetus I saw beginning of last year. I think it was when they had
that big tour with Frozen Soul and everyone with them Despites Icon. I saw
the Damnation before last and I think that was the last time they were in
the UK. So yeah, great combination of stuff. They're hopping over to
the US for your death metal needs six feet under of announced co headline tour
with Nil, which has if you are plodding to the US death metal twitters
and kind of and take some hilarious back and forth of like which band is
following, you know what I mean. But big stuff going on there and
some quite sad news that worm Rots have parted ways with their drummer Vjesh,
who worm Rots have been touring for the past couple of years, you know,
since they're around the release they're critically acclaimed out of hiss they are.
They're longtime vocalist left the band and they've been touring with I think it's named
Gabrielle Gupko, the guy who's been doing the live vocals for worm Rot for
some while, but he's never been installed as like a recording member of the
band currently, so it's technically two members. And then now Vijsh has gone
as well, so worm Rot is currently in an official capacity down to a
one member show without being the guitarist Rasued but also Vish. You know,
when we have spoken about worm Rot live in the last couple of years,
you know, with the Napalm show earlier this year, a lot of people
raved him. A lot of people were talking about specifically how fucking crazy is
to watch on the drums. So, I mean, you know, whatever's
gone on here, apparently they're on you know, it's mutually you know,
agreed or whatever, but certainly some fuck I mean, you know, grindcore
and extreme met in general is demanding music to play on the drums. So
to be even up for contention in worm Rot, you've got to be a
good fucking drummer. But it will take a pretty unbelievable drummer to be able
to match what that guy achieved in that time in the band, because yeah,
we were all talking about I'm like, wow, Like one of the
drumming spectacles you could see is watching that guy and Josh Hommy of Queens of
Stone Age kind of double pronged piece of news. Here. Very bizarrely,
he announced that Queens of stone Age were going to be the first band to
play in the underground Parisian Catacombs, the famous catacombs where you know, fucking
thousands of you know people must have been you know, later resto over the
years. I didn't even know. Obviously, they must have strict kind of
measures in terms of like you know, around kind of places of human burial
or whatever, what kind of things you can do in there. But he
said that apparently they've been working it for a long time to get Queens of
Stowage to be the first band to play in the Parisian Catacombs. And he
said they be doing that in about a week's time. But then a couple
years, a couple of days later, Queens are turns to actually cancel the
rest of their European tour so that Josh can fly back to the US and
get some emergency surgery. So you know, no details of what that is,
but obviously, you know, hope that whatever that is kind of you
know, go as well and the dudes, all right, but yeah,
what a weird story that Queens of stone Age were maybe maybe they'll reschedule it,
gonna become the first band playing the Parisian catacombs. What about like some
bands now going to try and like rush in to beat them to it whilst
like the phone get him on the channel. Yeah, I you know,
I love Queens of the Stone Age and there is a morbid element to their
music, but they're not the first band that was sprung to mind. He
gone, yeah, play in the catacombs amongst all the skeletons in my head.
You know, it's got to be Spectral Voice or like Virkalak or someone
like. You know that the bands who their entire esthetic is about just like
is a crypt Yeah, piles of skulls and bones and channel houses. Who
would you have playing the underground catacombs of Paris? I mean like I was
going to think like one of those kind of like death metal bands that probably
I'd love Creeper to do it, just because kids like having fun in in
in the crypts. Like, yeah, Spectral Voice would be the way.
All right, questions We haven't had questions in quite which we've been really busy,
but we've got a handful here from the that's not of focus group,
So thank you. To everybody who came through it and gave us what you
got, kicking us off today, Suan O'Brien says, Frank Carter getting his
necklace stolen whilst crowdsurfing at Download got me thinking, do you agree anything you
take with you into a mosh pit slash crowdsurfing you have to be comfortable with
taking the risk of losing Albeit this scenario was a scumbag feeth rather than falling
out of the pocket. But I see friends taking phones into pit all the
time and then a surprise when they lose them. Surely this is a known
risk before you jump in. I mean it's a tough because, like I
would say, yeah, you do have to be fed. Like you're going
into a rowdy like crowd it's will be quite tightly packed in. Stuff's gonna
be flying about that if you're taking something out, you need to be fed.
They're like, you need to keep hold of that or if it go,
if it gets not at your hand, that that part of that is
on you for not taking care of it. I mean, I have my
little bag that I keep on my things. Enough I'm going into the crowd
or sometimes I'll even if so shows I might ask a friend to hold on
to it to avoid that situation. I mean, there's always a risk of
like some dickheads gonna try and nick it. That that that that that actually
like you shouldn't tell someone that that that's on them for bringing their phone and
if some dickhead's gonna steal it. But with anything you are, there there
is with so many. It's just that general risk of your going into a
down the front of a gig. There are risks with that that you just
have to take into account. Yeah, I mean the the fevering thing.
I mean, that's never happened to me at you know, a festival or
anything, but you hear there's always reports of from it. It's happened to
Yeah, they always get you know, announcements from a festival whatever. They'll
be like, you know, phone fevers are known to be targeting this festival.
You know, please be aware and have your you know, eyes on
your on your stuff. Again, it never happened to me, But maybe
this is me showing my my amateur crimine criminal knowledge. But i'd imagine,
you know, if I was a pitpocket, it'll be probably easier to steal
someone's phone out of their back pocket when they're like walking through the food vendors
or something, rather than flying around at mass speed and a tornado of limbs
and stuff. And obviously things can maybe fly at your pocket that stage,
but it feels like the you know, again, very very gonna have some
ninja moves to be pulling that thing off myself. You know, Like I
if I am a gig, you know, like a normal show inside somewhere,
I'll probably be wearing, you know, like my my jeans I normally
wear. If I'm an outdoor festival in the sun, i might be wearing
some kind of you know, cargo shorts or something. Either way, I've
normally got some pretty good pockets on me to make sure that normally got jeans
on, so if someone's going through my pockets, I can feel it or
stuff's not going to fall out of those projects. Yeah, make sure stuff
is tightly packed in. Yeah, I mean I can understand why. You
know, if I if I went into a pit and I have my phone
in my pocket again, I wouldn't be like holding it in my hand flailing
it around, but I forgot the phone deep in my pocket. Where else
can I put it? You know? But if I could. If I'm
not with someone, maybe I go hold my phone a moment and then it
was you know, flew out or stole or whatever. Like, yeah,
I would be bummed about that, but I don't know, I wouldn't be
specifically annoyed at the idea of the pit for you know, kind of bringing
out. It's just kind of one of those chances. But I mean I
have more I'm more concerned about, you know, like in terms of what
I'm more likely to lose. It's things like again like ear plugs and stuff
like that, that fucking fly out and you've got to catch them. And
if that thing goes in a pit, and especially if it's like a grassy
field or something, yeah, that's gone. It's fucked, it's gone.
But yeah, I mean, glasses is a concern. I don't wear glasses,
but I have the people who do have to, especially if they go
into like a you know, a violent pit. Let's be like right,
take those off for the moment, and maybe that I'll impair you know,
the vision within the pit. But it's a sacrifice you you make whatever,
Yeah, be sensible. I suppose, like you know, I will normally
have you know, like a basic wallet, phone, whatever, but I'm
not taking you know, huge amounts of stuff in there. Yeah, and
just like you know, make sure your ship is packed in tight and if
it goes, and it goes, and I think you have license to be
bummed that something goes, but you just got to make sure that you're being
sensible and you know, again packing your stuff in. Yeah, I think
that's that. No one's wrong to annoyal whaten. Something happens, But I
think you have to, like, like I said, with anything you would
like, it's the same as risking injury going into a pit. You are
taking that risk and you've kind of got to be prepared for that. I'm
not sure you have to, you know, like it and accept it,
but these are of those things that, like, it's just a factor to
consider. Yes, Martin James Davidson asked, do you guys have any audio
related bucket list sits or sounds you would like to do? I was recently
in Bergen and experienced a couple of black packer grails, even had a chat
with Gal. Yeah. I mean this question took me a couple of reads
to kind of get what it was getting for. But I'm presuming it basically
means like you know, sort of metal or you know, muticous musical sort
of tourist destinations or things you would specifically like to go. Again the usage
of the word sound here, like I'm trying to think of like something to
hear in a specific environment. Maybe like seeing a band in a certain location
could be interesting. But I mean, you know, you've you've named the
obvious one for myself in terms of like, you know, doing the Norway
black metal experience, going around all those kind of places which I have you
know, currently yet to do. It certainly feels like and it's inevitability.
But Sam, any kind of you know, places that you or even things
you have done, the places you'd really like to just go to see that
are related to what we did here, I mean like not really there was
nothing that really in the close I could think of is. I mean,
I'm going to Tokyo in a few months, and I do just want to
go to Tower Records, like as like one of those like massive like multi
story record stores that has everything you could ever fucking want. Like I am
quite exited to go experience that kind of like this like huge mega complex of
a record store that that just seems like a kind of exciting cor thing to
do in terms of places to visit at are somewhat related to what we do.
Yeah, I think you know, we've spoken before about kind of like
bucket list festivals you want to do, and I think that's not exactly like
that is more obvious one, Yeah, not exactly what the question is going
for. But like Beyond the Gates in Norway takes place in things called Greek
Hall, which is like a huge venue where like actually doubled up as like
a place where some of those bands recorded their records, like Mayhem recorded dynisteries
of Don Satana's in that venue and stuff like that. But for me,
again, it's it's kind of like, you know, I love going to
see places, but it's not often. I have a slightly more holistic view
of it in terms of like, you know, my my main interest obviously
our music, and you know, horror and film, and you know history
as well, and a lot of the things those they kind of tie in
together, you know, like for example, like somewhere like Transylvania, right,
you know, eas Eastern Europe, Central Europe, those kind of areas,
the folklore and the history feeds into the art that has been made about
the place, whether that be music, whether that be you know, movies,
yeah, whatever. And again places that I you know, have similar
thoughts about, you know, places like like Rome, places like you know,
you know, Salem, Massachusetts, whatever, that kind of whole New
England coast era. I would love to go. I'd love to go to
like Athens and go to some of the metal kind of record stores and stuff
around there where like basically anywhere where Rotten Christ the kind of like the Greek
black metal spots during the nightty stuff like that would be cool. And again
with Athens you also go, yeah, and there's also all this history that
you know, helps kind of holistically figure into that. For me. I
mean, the the one specific location that does jump to mine is and this
is in this country, so I've got to do it at some point.
But the black sab of House, right you know, the yeah, of
course, Yeah, that's that's an obvious way. Yeah. You obviously Whenever,
like do metal bands from outside of the UK tour in the UK,
they always go and take their photo with that and I'm like, I've never
been there. It's it's in the Midlands. Somewhere, but I should I
should say the American Football House, shouldn't I really? Oh yeah, there
you go, like like so that is one specificication I would very much like
to, you know, go and do the little pose in front of But
I think for me, it's again, it's more like general regions and areas
that kind of have helped inspire, like you know, the music that has
come out of there and the art that's come out of there, which I
mean, you know, this might sound funny to some of you who are
like living in Sheffield or whatever. It's just like you know, your backyard.
But like I like, whenever I go to Yorkshire, I always end
up listening to like my Dye Bride and Paradise Lost, and you know,
kind of it's the it's it's the moors there, you know, and it's
you know, intertwined with the kind of wider lineage of like Gothic literature and
writing and horror and stuff, and that is the kind of soundtrack to it.
So if I was to put that like further afield, like you know,
obviously I'd love to go to New Orleans and see all the cool stuff
there, and my soundtrack would be you know, acid bath and crowbar,
swampy shit, yeah and all that stuff, and you know, you know
the Pacific Northwest in the USA, and you know, I'd be listening to
Agaloc and Walls in the Throne Room and it all kind of holistically again,
kind of ties in together. But yeah, there are definitely a few places
I would like to see, but I think it is more again kind of
just normal traveling stuff seeing you know, places and regions and what they culturally
have to offer. But I also have a very specific sonic kind of soundtrack
to some of those things. And then Tyler Ballard asks what I thought was
a very good question, what is the saddest that you have been over a
venue closing? There's not actually been that many like venues that I hold super
dearly to me that have closed. The Peer in Kingston was always one that
or that was like a great little like dive bar venue. It was on
the back like axtional pub which is also attached to a strip club, so
that that's the kind of like class establishment it was. But I went some
really cool gigs there. Boardline like that was that name in a while,
Yeah, that like I like Boardline as the venue I want some really cool
gigs there, but there's not been many that I kind of go like,
ah, that's you know that venue that like now I know there will be
a holder of it, of people who will say, like the story,
Yeah, we are of the kind of post a story. Yes, that's
the one that always gets mentioned for particularly people in London. Yeah, it's
it's the it's the go to one for that because of like the history there.
I haven't really had any for that, so probably would say like the
Peer in Kingston was one that like that was a real bumble and that closed.
Yeah, I mean the historia is one that you know, maybe this
is making certain people out there feel old, but like I don't even know
exactly where in London the estoria was, you know, because it's just completely
before it was gone by the time I was going to gigs. Yeah.
Yeah, So and that's you know, the housey and one I've heard so
much about. But with that ever actually being a feature in my life,
there were two venues that sprung to my me that I've just just thinking of
ones that you know, places that I did go at least you know,
more than a handful of times that I don't think are there anymore. One
the slightly lesser of the two, just in terms of my thinking about it,
is there was a place in Plymouth, which again where I when I
lived in Cornwall and the only gigs I could go to where you know,
if I got the bus at to Plymouth or whatever, it was a place
called the White Rabbit that I wasn't sure if it closed down, but I
think it did close down. But I went to a few gigs there.
I saw like Berry Tomorrow there and stuff like that. That then other venues
in the city just started getting everything else instead, so I think it closed.
But the one that I have that kind of like you know what many
people have for the estoria, which is basically they walk past the place where
it was and it no longer is there, and they go, oh,
remember when is the Sound Control in Manchester? Is that closed? Now?
Yeah? It literally it doesn't exist, like the building is gone it is,
which again the Sound Control. I would share that sentiment. When I
was University of Maninsester, I went to a bunch of cool shows there right
yeah, because it was as a venue literally right outside Oxford Road station in
Manchester, so you just dipped out in there. It was. And yeah,
when I was like the first couple of years of me going to shows
in Manchester, which was when I was in New UNI kind of around the
area, the Sound Control was probably the venue I went to the most during
the first couple of years, where again all the kind of small few hundred
cap extreme metal shows and hardcore shows and stuff. I went to a bunch
of hardcool dayers and shit like that. Yeah, like was the go to
for that, and even like the I don't know if you ever experienced this,
but there was like multiple rooms in the Sound Control. I mean I
went to all three different rooms at various points. Yeah. There was like
a weird basement bit which I only ever went into once when I saw Mellakesch
in there. It was like a weird black metal day thing happening in that.
That was a hard headline by Dead Hearts I saw in there. Yeah,
but there was like a really cold under you know, underground bit.
There was the upstoors upsets room, which was the main room where I saw
again everything, but it was also the weird little foyer which normally was the
main room, but very occasionally it was like a tiny stage in the corner
where someone would play, and the first time I ever saw Milk Teeth was
playing that weird little like middle room in control time I ever saw Baby Godzilla
was in that room and the bar where like Johnny goes out one down and
comes up for another one. And that was another first time I was gonna
like because the tinal stage in the corner, but that they they had the
drums on that stage and then the rest of them were, you know everywhere
in that in that little foyer room, like, yeah, cooling. That's
a shame actually, like I've not been managed to properly for so long that
I've never hadn't thought to go past it. In Yeah, I didn't know
it had gone. It's like a good number of years ago at this one,
a good five or six years ago they knocked down the building and they've
replaced it with it. I think it's like student accommodation for the UNI.
But it's one of tho things about particularly because again the sound control, the
main room which you went to the most was the upstairs one, and it's
like before they'd even built the replacement there, it was like the physical space
in the air where I knew I'd see all those shows were literally just like
air. You know, there was nothing there anymore. It was so weird.
And obviously it's right outside the station. I do walk past it every
single time I've come out of lots of roads, and I do go,
ah, the sound control. I loved seeing municipal waste in there and stuff
like that. So that's the one, the sound control in Manchester. So
there you go. Thank you very much for the questions. We will you
know, bring that back sooner rather than later, Patreon supporters. This coming
week, for the past like a couple of weeks, I've been in the
stages of like planning and kind of scrambling planning, like lots of different like
simultaneously running things that we are you know, working on and are gonna take
shape immediately. This coming week, Weird you and just Horror and myself and
Sam we are going to talk about maybe like the biggest currently going horror franchise
that we haven't already spoken about. Last time there was one of these movies
out, we did get like requests to do it, and we didn't get
round to it. But you know, now there is another one out,
and now there are three of them out. It feels like it's the largest
we can feasibly do and fit them one thing, So now it's the time
to do it. A Quiet Place is what I'm talking about. Of Course,
the new movie came out a couple of weeks ago, but we are
also due going back to talk about, you know, the first movie and
the kind of I'm we have to do it and it will be interesting,
but I'm also kind of slightly tentative about it because it's it feels like it's
one of the most divisive, slightly infuriating conversations just people warring about what they
think about the Quiet Place movie. It's it's like the most inoffensive movies for
people to get like really up in arms about. But like there is a
really entrenched divide over the Quiet Place movies that we have to talk about.
Yeah, like I have my thought I've aught watched the second one. Yeah,
I've thoughts on them, but we will all save that frohm we go
deep. Yeah, but that is you know, going to be coming up
to the Patreon for you the people who give that little bit extra to hear
those horror shows as well this coming week. And as I said, musically,
you know the specials there are a couple of things that are like the
wheels are turning to get those out in the in the next kind of a
few weeks. Currently, there is still, of course the massive SEPULTURER Special
that I think, you know, it's taken the people there a little wild
to actually digest it all and go through it all because it was so weighty.
But you know, we've been getting some very nice compliments from people about
that particular special, which you know, not to be arrogant, but I'd
like to say they deserve because it's big. There's a lot of stuff that
goes on in it, so if you want to hear you know, big
Deep dives into the classic years of Sepulture, the massive undertaking that is an
album like Brutes and all the cultural layers to it and stuff. You can
go find that currently still along with all of the other band specials that we've
done obviously, most recently an excellent fire Nails and you Ams coming out soon.
Yeah, so thank you very much everybody choose to do that. That's
a Patreon dot com slash that's not metal. And we are going to finish
off to day's show with the release round up for the twelfth of July.
Like I said, July is not necessarily the biggest release period, but we
have got a couple of you know, kind of I think more upcoming names.
This week. We've got maybe the most sort of notable in that regard
is Speed, who have got their album only One Mode. Speed have become
again in the last few months have kind of joined the likes of some of
the more kind of buzzy, you know, interest from a lot of different
areas hardcore bands currently around, So that album is there to go on for
you to make your decision on. There is also Graphic Nature, who are
more in that kind of slightly you know, metalcore, leaning into a bit
of new metal whatever sort of flavors. Their record, Who Are You When
No One Is Watching is out full on, you know, commercial metalcore.
In Heart's week, we've got their album Incarnation. Realized they were still going
there, Well they are, and there's a song with Winston McCall that I
heard that is on that particular album, because they're there local, aren't they
elsewhere? We have one of these bands that I've kind of find a little
bit hard to describe it, but it's kind of like, you know,
heavy distorted guitar like pop rock. I suppose the home team got a record,
The Crucible of Life. Speaking of the big established legends, the one
this week is of course Elliott's favorite band, mister big Back with their album
ten and mister Bigger calling it a day soon, so this will be the
last studio album opportunity. You have to hear you, mister big in your
kind of alternative rock, you know, kind of spheres, webbed wing.
Who you want to go to this week they've got volume three. And then
when we move into the underground, there is a band where Wolves with a
record called Die for Us, who are a band who genuine I think that
I read their like in their press release they were like, our aim is
to release ten albums in ten years, and I think they've they've gone past
the halfway point at this point in time. They've been very productive, but
just very aggressive, you know death metal, Cissy Spacek, the Noisy,
you know experimental grind band name of course lifted from Carrie herself. Their album
Diaphanous is out for some French shockingly black metal. You can have Seth with
their album Lefrance des Morditz old school you know DSBM now turned more sort of
like heavy sludgey gothic doom band Forgotten Tomb. I've got the new album Night
Floating totein Gott, who are a band who I believe started off as a
Celtic Frost cover band before starting to make original music. But their album their
name comes from a Frost track, but there Ecord be on the Veil is
out from Hell's Headbangers. I think for a second, more deathmatic. You
can have Scale a Fall that's like Scale a tool, but with an h
in there within corrosive continuums and an EP which know what this is, but
it's an EP that I believe is like music from a film project or something
that they're also making. Maybe it's what he filmed that the Capitol Riots who
knows King Hit one Oh have gotten. I think it's an EP called Under
the Black Rainbow. So that is a lot. Thank you very much for
listening, thank you for being with us here as always, and we will
be back next week for more of this business. And again, everything,
like I said, in terms of all the other stuff that we've got going
on, is coming to you very soon, So cheers very much. It's
coming home. Bye bye,