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Welcome to Great Detectives of Old Time
Radio from Boise, Idaho. This is

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your host, Adam Graham. If
you have a comment, email it to

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me Box thirteen at Great Detectives dot
net. Follow us on Twitter at Radio

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Detectives, and check us out on
Instagram, Instagram, dot com, slash

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00:00:51,520 --> 00:00:56,439
Great Detectives and if you are enjoying
this podcast, please follow us using your

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favorite podcast software. Today is our
four thousand and fiftieth episode special and we're

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celebrating with an episode of Screen Gild
Theater featuring Brian don Levy. The original

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airdate on this one is me the
first of nineteen forty four and the title

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is I'm Not to Remember. Lady
Esther presents the Screen Gild players. The

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Lady Ester screen Gild play Tonight and
Night to Remember the Starling Players. This

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is the seal Down. This is
Brian down Levy to Night. Lady Esther

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presents the Screen Guild players in Columbia
Pictures comedy of Murder and Blackmail in Greenwich

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Village, A Night to Remember.
It stars Brian Dunlevy as Jeoffrey Troy and

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Lucille Ball as his wife Nancy.
The Lady Esther screen Guild players in a

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night to remember. The address was
thirty nine Gay Street, New York.

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I had a strange feeling about the
place right from the start. First the

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scream and then, Jeff, Jeff, something crawling across the floor. Thirty

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nine Gay Street, New York.
You know, an artist might call that

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Greenwich Village. A social worker might
call it the slums. Sure. I

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pointed all that out to Nancy,
but she was sort of sensitive, I

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guess, because you see, she'd
rented the place without even asking me.

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And well, anyway, you know
how women are now, Jeff, I've

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said it all before many times,
and I'll say it again. If you're

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going to write a novel about Greenwich
Village, then you ought to live in

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Greenwich Village, you funny man.
Quite frankly, I didn't like number thirty

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nine Gay Street. I don't think
you would have liked it either. One

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of those musty old brownstone fronts they'd
cut up into small apartments. And when

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we went up the steps that night
and entered the hall, our landlord wasn't

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exactly enjoyed to see. I wasn't
expecting you, missus, try and not

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till Thursday. Well, I thought, as long as the apartment was vacant.

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You see, my husband as a
writer, and he's very anxious to

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get to work. Yes, we'll
be glad to pay her for the three

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extra days. Oh no, no, no, no, no, it

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isn't that. No. No.
You see, I haven't had the lights

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turned on, and the apartment isn't
cleaned yet. And I mean perhaps of

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you to stay at the hotel tonight. Tomorrow. I could have everything ready.

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Oh, but our furniture is on
the way from Connecticut. It ought

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to be here in an hour or
so. I guess we'll just have to

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Jeff, what was that? Well, it wasn't the six o'clock whistle If

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it came from downstairs, missus,
try, I assure you it's nothing at

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all. Mister Turner, it happens
again. What happened down in the basement?

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That thing, whatever it is,
it crawled across my feet. You

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go to my apartment and wait for
me there, Yes, yes, say

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what achieve me? Oh you mustn't
mind her, mister Troy. She's my

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janitor, you see, an excellent
work, as strong as an ox.

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But when she works in the basement
she gets hallucinations. That's absurd. Isn't

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it. Yeah, yeah, silly. Well, if you'll lend us some

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candles, mister Turner, we'll have
a look at our little nest. Come

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along, Nancy, Let you and
me go up. Huh, Jeff,

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it isn't up, it's down.
Well, then let's go down and see

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our look down. I forgot to
tell you it's the basement apartment. It

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didn't look so bad. I had
a candle light. The living room was

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pretty fair size, one door opening
on the street and another opening on the

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hall. And the bedroom had a
door that opened right on a garden.

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That's what I had. Nancy so
excited. Oh, just imagine darling a

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garden right outside your bedroom in the
heart of New York. Why we can

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even have a victory? Good soil
too, lots of iron in it.

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How do you know? Well,
isn't that a horseshoe lying there? Jeff?

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If you found a lucky piece,
pick it up where all I wear

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it? You just hold it tight. Make a wish? Oh, okay,

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I've made it. Would you wish? Well? While we're waiting for

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our furniture, I wish we could
find a restaurant where they still have some

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steaks. Cute name for a restaurant. Polly's stable must be a good place

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to put on the feedbag. You
fun, amen house everything well, a

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martinis a swell, but I need
some toast toast? What kind? Why

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to rise? Oh, it doesn't
matter. I just want to stick it

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under the leg of this table.
Look, Jeff, while you ordered dinner,

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I'll go and phone the cleaners about
our drapes. Well, I'm pretty

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hungry and so we could be back
soon. Huh. And two shakes of

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a dry martini. Hey, listen, Dolly, it made me the river.

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It's gosh. That's in the next
booth, early nine, the base

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for the part you heard me.
That's all thirty nine Gay Street, the

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basement apartment. Oh gee, Jeff, Jeff, Well, I was in

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the telephone booth. I oh,
excuse me. I didn't realize the waitress

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was still here. She isn't the
waitress. She owns the giant. Darling.

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Meet Polly, Polly, Meet Darling, Hello darling. How do you

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do now? Nancy? You were
saying, did you see that man at

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the bar with the hair growing down
his bard in the scar on his chin.

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Well, I heard him threatening someone
in the next booth, telling him

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to meet him in our apartment.
Well, I couldn't meet in the telephone

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booth, so I guess if they
want our apartment? I distinctly heard him

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say, thirty nine Street, the
basement apartment, thirty nine Gay Street.

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Yes, do you know the place? Oh? Sure, I live there

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myself on the second floor. Oh
you do well? And maybe you know

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who? Yes? Maybe we're awful
busy tonight, see you later, folks.

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Enjoy your dinner, Jeff, she
acted so strangely. What's it all

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about? Okay, better find out
I'm going over and have a talk with

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that guy. No, Jeff,
don't well, now you just wait there,

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Nancy, Hi, you pell?
I'm not your pall and keep their

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hands to yourself. Hey, hey, just a minute, who do you

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think you're shoving? I don't like
it. No, maybe I like this

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better? Ye ye, Jeff Darling, open your eyes. Speak to me.

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Is that guy still here? No, he's gone, he ran out.

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Okay, honey, what do we
talk about? My hero? Now

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you'll need two steaks. Won't be
your stomach, I won't be your eye.

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Huh, Home sweet home, And
there's no place on earth I'd rather

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not be, Jeff, it's off
were dark in here. Yeah, lucky,

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we bought these extra candles there were
that gives us some light. But

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don't you understand I left the candle
it when we went out to dinner.

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Oh well, it's blown out.
Any little draft could do ou what's the

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matter? Oh? My foot a
stuff? Mate? Hey, look it's

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a darn horse shoe, my lucky
piece. No less, that's odd.

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What's it doing on the floor you
put on the windowsill? See that's right?

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How did it get on the Jeff, listen to hear that noise?

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Sounds like water running in the bathroom. I'd better have a look. Hey,

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not without me? All right,
all right here, put the candle

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down on the floor. That's it, steady though it was being ad Nancy,

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look from the candle moving. Gosh, Hey, what's so funny.

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Look it's a turtle. It must
have come in from the garden. You

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put the candle right down on its
back. Hey, I'll bet that's what's

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been scaring missus salder too. Come
on, now, let's have a look

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at that bathroom here all Nancy.
You see there's some water running out of

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the tub. That's what I mean. Where did the water come from?

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Well, we didn't fill that tub. That's right, we didn't. Oh,

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I know that guy from the restaurant
came in here to take a bath,

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but he was very modest, so
he blew out the candle and he

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pitched horseshoes to drive himself off.
You funny man. Oh, well,

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there's no use getting all upset,
Nancy. Who's sir? Maybe he's back

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again, Jet, don't go,
don't worry. I don't love a rniture

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here. Oh it's just the furniture. Yeah, imagine being scared by an

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overstuffed chair. It was quiet enough
the rest of that night, but in

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the morning things really started to happen. First of all, the police woke

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us up, sorry to get you
folks out of bed, but the neighbors

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complained, fella lying in your garden
without any clothes in our garden. Well

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he's got a nerve. But going
out there and get him out of there,

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wake him up, Well I wish
I could. It happens to be

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dead. And then later when they
had us look at the courts, Nancy

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had to go and bloort, Why
Jeff, Jeff, it's the man.

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You had a fight within the restaurant
last night. Now just let me get

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this straight, mister Troy, about
this exchange blows last night, Inspector,

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there wasn't any exchange. Only two
blows were struck. He struck my husband

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and my husband struck the floor.
No, Nancy pushed them once, didn't

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I what's one little push? You
didn't murder him, did you? O

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me say, Inspector, I got
a little dope for you. The guy's

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name was Coughlin. Lewis Coughlin had
an apartment up on the third floor.

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Who told you that? Oh,
you wouldn't guess in a million years.

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Remember during prohibition this place was a
speakeasy, Joe's Place. It was called

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Joe had a partner, Eddie Turner. Yeah, that's right. Remember we

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grilled him and when Joe disappeared,
well, little Eddy's still around. In

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fact, he's a landlord. That's
joint. That's interesting, Inspector Hankin.

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My name is Lingol. I have
an apartment in this building. That's right,

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Chief, I got his name on
the list. I want you to

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know, sir, if I can
help in any way, Thank you,

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mister Lingle. We may call on
you. I'm in the phone book the

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Lingle Arts Studios any time at all, inspector, any time at all,

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Inspector, if you don't mind my
putting in a world at all. Mister

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Troy, Well, I think you
should have questioned him after that conversation.

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My wife overheard. You should question
everyone in this house, mister Troy.

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Remember you live here too. Oh
that's silly. Jeff isn't the murderer is

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type? Didn't say he was man
bawling. Let's go up and look at

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Kaufman's apartment. Wait a minute,
inspector, just look at these books.

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Murdering the Laundry, Murder in the
Air, Murdering the Subway. Must be

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a couple of dozen of them.
Somebody got murder on the brain. Mister

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Troy. You said you were a
novelist. You didn't buy chance? You

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bet? I wrote every one of
them. Murder Mysteries by Jeffrey Yord.

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That's my name spelled backwards. T
R O Y y O RT. You

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get it. Yes, didn't you
write a book called Murder in Prison?

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I sure did. How'd you like, an inspector, Well, I thought

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it was the kind of a detective
story that knits nits. Oh, you

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mean all the clues fall into one
place? No? I mean nits k

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n I t s you spell that
backwards, took and I and mister Hankins,

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you're not a detective critic. Well, I guess that made me pretty

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mad, made me want to show
the inspector up. So while Nancy was

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throwing some breakfast together, I sort
of wandered through the halls looking for clues.

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That was how I ran into Polly, you know, the girl we

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met the night before. Well,
one thing led to another, and then

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she asked me in to have some
coffee, and that's when it happened.

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I noticed a letter lying on the
coffee table, and quite casually I read

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the address to mister Andrew Brule five
oh seven West twelfth. Only Polly seemed

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to get upset and she made a
grab for the letter, but I got

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it first, and just to tease
her, you know, just for a

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gag. There we are sort of
wrestling for it, and I guess she

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has her arms around me, when
all of a sudden Nancy shows up.

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Excuse me, I didn't mean to
win to rock. Oh that's all right,

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sweet, We were just kidding around, yes, over this letter.

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Well, when you get through playing
post office, mister Troy, your break

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fist is ready, say I think
she's mad. Let her go and he

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cleaning. Nancy. Oh Nancy,
wait a minute, you stay away from

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me, you you blue beer.
Oh Nancy, you're not jealous, darling.

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That's silly. You're never jealous.
I suppose, of course, I'm

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not about when you're saying me that
roast. You aren't jealous. Oh no,

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just snad enough to car that's arling. I am not. You are

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mad enough to call, say,
mister Troy, I want to speak to

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you. Now, look what you've
done. Let's get down to your partner,

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folks. A few more questions I'd
like to ask, mister Troy.

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Did you ever see this horseshoe before? Oh? Sure, that's my lucky

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piece. Wasn't so lucky for Lewis
Kaufman? What do you mean? I

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mean there's gride noto on it,
and these fans of hair from the dead

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man's head. Wait a minute,
are you saying that this horseshoe was the

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murder weapon? Now you're getting hot, and I do mean heart most say

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cheap. We check the fingerprints and
out horseshoe. There, he's all right.

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Who's yours? Oh okay, try
get your hat and coat. Wait

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a minute, he hasn't done anything. He wouldn't hurt a fly. Jeff,

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Darling, don't go. You haven't
even had your breakfast. That's all

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right, baby, don't you worry. I had a cup of coffee upstairs

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with Polly. Oh with Polly.
Take him along, Inspector, and I

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hope he gets light. Lady Esther
has presided Act one of A Night to

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Remember, starring Lucille Ball and Brian
Dunlevy. In just a moment, we

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will hear the Lady Esther screen Guild
players in act two. But first a

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word from our hostess, Lady Esther. Every time I see the rush when

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you spring bonnets, I think how
much wise are those women would be to

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get themselves a new spring face.
I can almost hear you say that's not

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00:17:03,759 --> 00:17:07,759
so easy, but it is.
Do you realize that the face powder you

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00:17:07,880 --> 00:17:12,200
use can either make your skin look
old, dry and lifeless, or it

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00:17:12,240 --> 00:17:17,319
can do just the reverse. It
can make your skin look so radiantly fresh

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00:17:17,359 --> 00:17:22,160
and alive that people instinctively turn to
look at you. Lady Ester. Face

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00:17:22,200 --> 00:17:26,839
powder is made altogether differently from other
powders. It is deliberately planned to make

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00:17:26,880 --> 00:17:30,720
your skin look more youthful, smoother, more appealing, and one thing more

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00:17:32,200 --> 00:17:36,279
to keep you more attractive for hours
and hours. You see, my lady

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00:17:36,400 --> 00:17:41,240
ester Face powder isn't mixed in the
usual way. It's blown by twin hurricanes,

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00:17:41,960 --> 00:17:45,400
blown with such terrific force that all
the tiny particles of color and powder

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00:17:45,440 --> 00:17:52,519
are merged into a smooth, velvety
blending. This method transforms lady ester face

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00:17:52,559 --> 00:17:56,680
powder, transforms it from the ordinary
powdery particles that blow right off into a

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00:17:56,759 --> 00:18:02,160
delicate film of beauty that clings to
your face for hours. You will feel

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00:18:02,200 --> 00:18:06,319
and see the difference the instant your
puff touches your face. You'll see how

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00:18:06,359 --> 00:18:11,039
wonderfully smooth your skin becomes, how
little lines and blemishes disappear. Try a

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00:18:11,119 --> 00:18:15,440
lady as to face powder and look
more youthful, more glamorous, not just

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00:18:15,599 --> 00:18:33,799
for minutes, but for hours and
hours. Lady Esther presents the second act

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00:18:33,839 --> 00:18:38,000
of A Night to Remember, starring
Brian don Levy as Jeff Troy and Lucie

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00:18:38,000 --> 00:18:55,799
your Ball as his wife, Nancy. Jeff continues our story. Well,

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00:18:56,079 --> 00:18:59,960
they kept me down at headquarters all
that day, but then some new developer

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00:19:00,000 --> 00:19:03,279
and turns up so that evening they
let me go. Nothing else happened till

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00:19:03,359 --> 00:19:14,160
late that night. I guess I
must have been sleeping pretty soundly when Jip

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00:19:15,319 --> 00:19:21,359
Jip wak up. There's somebody in
this apartment. I can hear him walking

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00:19:21,400 --> 00:19:29,000
around. Well, tell let me
sit down in this apartment. Hear that

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00:19:29,079 --> 00:19:33,519
sound. I wish I didn't.
Don't go out there. You might get

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00:19:33,599 --> 00:19:36,680
killed. Yeah, I know,
but if I just stay here and listen,

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00:19:36,880 --> 00:19:41,559
I'll die of fright. Your golf
bag is standing here in the corner.

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00:19:41,000 --> 00:19:44,559
Maybe you can hit him with a
golf club. I don't know.

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00:19:45,200 --> 00:19:48,640
I could never hit a ball.
Oh well we'll try it. Come on,

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00:19:51,160 --> 00:19:53,200
there he is, Jip. I
can see him outline against the window.

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00:19:53,559 --> 00:20:00,599
Were Okay, don't move now,
I've got you. Oh dear,

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00:20:03,559 --> 00:20:06,000
sure you got him, only didn't
know about it. Now he's gone.

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00:20:06,119 --> 00:20:07,680
This is no time to argue.
Nancy. Turn on a light. Okay,

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00:20:08,279 --> 00:20:11,839
hey, Nancy. Look, he
dropped his knife and knocked over the

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00:20:11,880 --> 00:20:14,920
screen. If men weren't so clumsy, they hey, honey, this isn't

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00:20:14,920 --> 00:20:17,720
our screen. I know. Mister
Turner Lennard to me to cover the window

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00:20:17,759 --> 00:20:21,160
lard rapes got back. Well,
there must be something about this screen.

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00:20:21,240 --> 00:20:25,359
That. Sure, there it is. He was scraping something off with that

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00:20:25,480 --> 00:20:30,880
knife, see it. Nancy's something
oh seven West twelfth Street. That first

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00:20:30,960 --> 00:20:36,039
number looks like it might be a
five five seven West twelve. Hey,

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00:20:36,119 --> 00:20:40,240
that sounds familiar. I wonder where
I wait a minute, I know five

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00:20:40,319 --> 00:20:44,599
oh seven West twelfth. That was
what was on Polly's letter, the one

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00:20:44,640 --> 00:20:48,799
she had to wrestle you for.
And the name was Brule Andrew Brule,

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00:20:48,960 --> 00:20:52,440
and somebody didn't want us to know
it. Well, it wasn't Polly.

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00:20:52,480 --> 00:20:53,920
It was a man. Yeah,
and it wasn't Turner. He's not that

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00:20:53,920 --> 00:21:02,920
big. Listen who's that? Will
ask? Yes, who's there? It's

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00:21:02,960 --> 00:21:04,359
me, mister Lingle. I heard
a noise. I thought there might be

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00:21:04,400 --> 00:21:08,799
some trouble. Can I be of
any help? Well, if you find

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00:21:08,839 --> 00:21:14,359
a stray heart in your throat,
it's mine. It's all right, mister

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00:21:14,440 --> 00:21:18,599
Lingle. Everything's under control. Thank
you. Oh that's fine. Oh good

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00:21:18,680 --> 00:21:22,519
night, Such a nice man,
always wanting to help. Well, lad

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00:21:22,519 --> 00:21:26,920
doesn't answer the question of mister Brule. Say, Nancy, call me a

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00:21:26,000 --> 00:21:29,480
cab with you. I'm going in
and put some clothes on it. Yeah,

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00:21:29,519 --> 00:21:33,160
it's after one o'clock. Well,
if mister Brule is a respectable guy.

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00:21:33,200 --> 00:21:34,640
He'll be home in the sleep and
I'm going to wake him up.

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00:21:34,680 --> 00:21:40,599
Oh that's well, except for one
slight mistake. Mistake. Yes, we're

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00:21:40,680 --> 00:21:52,759
going to wake him up. Yes, what is it? Oh? Good

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00:21:52,759 --> 00:21:56,960
evening, madam. I'm sorry to
disturb you, but it's very urgent that

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00:21:56,079 --> 00:22:00,119
I see mister Brule. Ain't no
mister Brule here evening? Its morning,

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00:22:00,119 --> 00:22:04,480
and you ought to be ashamed.
Good night, m cute kid, Jeff,

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00:22:04,480 --> 00:22:08,119
are you sure you had the right
address? Absolutely positive? You know,

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00:22:08,240 --> 00:22:11,400
Nancy, it's funny his mail should
be sent to a place where he

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00:22:11,400 --> 00:22:15,920
doesn't even live. I think we
ought to check with a post office,

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00:22:15,920 --> 00:22:18,880
you know, darling. Not tonight. Well, no, I guess it

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00:22:18,920 --> 00:22:33,039
can wait for morning. Here's the
clerk. Now, I'll go ahead,

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00:22:33,119 --> 00:22:38,240
Jeff. Ask him. My name
is Brule, Andrew Brule, five h

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00:22:38,359 --> 00:22:42,359
seven West twelve. I haven't been
getting my mail lately. Would you please

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00:22:42,440 --> 00:22:47,279
check and see if there's something wrong? Why, mister Brule? You gave

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00:22:47,359 --> 00:22:51,440
us instructions over a year ago to
hold all mail in general delivery, don't

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00:22:51,440 --> 00:22:56,240
you remember? Oh he's so absent
minded? Who's that? So? Sometimes

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00:22:56,240 --> 00:23:00,680
even forgets he's married. Well,
let certainly clears things up for me,

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00:23:02,599 --> 00:23:07,160
does mister Brule? I guess you
just forgot you. You called up here

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00:23:07,160 --> 00:23:11,079
about an hour ago. I did. Surely you asked if anyone had tried

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00:23:11,119 --> 00:23:15,000
to pick up your mail. Solid
kind of worry. Oh, he's just

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00:23:15,039 --> 00:23:18,200
the worrying type. Come along here, the rub is waiting. Come on,

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00:23:18,359 --> 00:23:21,599
Yes, so well, thanks,
old man, much obliged. Not

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00:23:21,720 --> 00:23:26,000
at all, mister Brule. Don't
Jeff, what do you think? H

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00:23:26,640 --> 00:23:30,160
I think mister Brule is worrying too. It's pretty clear now, Nancy.

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00:23:30,200 --> 00:23:33,559
He's mixed up in this murder some
way, and he knows that we've gotten

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00:23:33,559 --> 00:23:37,559
a line on him. Hell,
next thing, I guess he'll come after

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00:23:37,680 --> 00:23:41,960
us. Jeff, what do we
do? What can we do? Just

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00:23:41,039 --> 00:23:56,720
sit type and wait and when he
comes, we'll Jeff, what time is

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00:23:56,720 --> 00:24:02,880
it now? Just a few minutes
to midnight? Midnight? M hm?

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00:24:03,680 --> 00:24:07,440
Say what are you so scared about. We've got all the lights on.

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00:24:07,599 --> 00:24:11,400
I've got my trusty mid iron here
and hey, hey the lights. Who

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00:24:11,440 --> 00:24:18,599
turned those lights off? Not me? And it must have been the fuse

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00:24:18,680 --> 00:24:26,440
boxes out there in the hall.
Jeff, there's something coming through the door.

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00:24:27,200 --> 00:24:32,759
Steady nose, steady Nancy. All
right, you whoever you are,

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00:24:32,880 --> 00:24:37,480
better give up. I got you, covered him, I got him,

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00:24:38,039 --> 00:24:41,480
I Nancy, I got him.
Give me a hand with it. Yeah,

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00:24:41,480 --> 00:24:45,599
I saw them with something, Nancy, cheer anything. I'm happy daring

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00:24:47,400 --> 00:24:49,400
take that to a nasty man.
I'll teach you to hurt Jeff. I'll

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00:24:49,440 --> 00:24:56,079
teach you to Hey, Hey,
what hit me? Jeff? Hits you?

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00:24:56,720 --> 00:24:59,839
Oh? Darlly, I'm sorry.
It's so dark in here? Maybe,

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00:25:00,240 --> 00:25:03,799
but I can see stars. Hey, the murderer? Why did he

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00:25:03,880 --> 00:25:07,079
go? I don't know that was
a Georg Jeff. He must have gone

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00:25:07,079 --> 00:25:14,680
out. Hey, listen, police
whistles. How did the cops get here?

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00:25:14,720 --> 00:25:18,079
How do you think I call him
this afternoon? Look the lights are

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00:25:18,119 --> 00:25:19,559
on again. I must have fixed
the fud? Say, did you call

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00:25:19,599 --> 00:25:23,720
the cops or the electricians? Nice
work, missus, Troy. We nabbed

302
00:25:23,759 --> 00:25:29,039
him, all right. Who wasn't
Inspector mister Andrew Brule alias mister Lingle,

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00:25:29,279 --> 00:25:32,720
Mister Lingle who lives upstairs, the
one who wanted to help? Oh?

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00:25:32,799 --> 00:25:36,279
That was affront, like his art
studios were just affront for his blackmailing,

305
00:25:36,440 --> 00:25:40,359
blackmailing. Sure he was collecting from
every person in this house, and they

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00:25:40,359 --> 00:25:42,640
didn't know that brul and Lingle were
one of the same. But how could

307
00:25:42,680 --> 00:25:47,279
he blackmail all these people? Oh, easy enough, just get something on

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00:25:47,319 --> 00:25:49,759
them that might embarrass them. Funny
the things that people will try to hide.

309
00:25:51,119 --> 00:25:53,240
Since he only spoke over the phone
to them, they never guessed who

310
00:25:53,240 --> 00:25:56,640
he was. Yeah, but what
about Kaufman? Why was he killed?

311
00:25:56,799 --> 00:26:00,519
Well, I guess Kaufman was the
only one who suspect to the truth,

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00:26:00,599 --> 00:26:03,720
and when he insisted on having a
showdown, Lingle had to kill him to

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00:26:03,799 --> 00:26:10,519
keep him quiet. Well, I
guess that's that case, Inspector. I

314
00:26:10,640 --> 00:26:14,079
sure am glad. I was in
on the finish finishes right, mister Troy,

315
00:26:14,319 --> 00:26:18,079
only it might have been yours.
We just took this knife off Lingle.

316
00:26:18,599 --> 00:26:25,680
Pretty mean looking, isn't it.
I mean he was going to missus

317
00:26:25,720 --> 00:26:30,200
Troy's He's fainted. Oh dear,
oh dear, Jeff, open your eyes.

318
00:26:30,960 --> 00:26:33,759
Darling get up, Please, get
up. You've got to get up,

319
00:26:33,839 --> 00:26:52,079
jif you got your good suit on. Thank you Lucille Ball and Brian

320
00:26:52,160 --> 00:26:56,720
don Levy for the most entertaining a
half hour. Well we ought to thank

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00:26:56,759 --> 00:27:00,680
you, mister Bradley, because it's
really been fun. All of us appreciate

322
00:27:00,720 --> 00:27:04,279
an invitation to play here because we
know what wonderful work is being done by

323
00:27:04,279 --> 00:27:08,319
the Motion Picture Relief Fund in its
country house in Clinic, a work made

324
00:27:08,319 --> 00:27:12,559
possible by these radio broadcasts. Brian
don Levy will be back in a moment,

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00:27:12,839 --> 00:27:17,559
but first, a word from one
of America's foremost beauty authorities, Lady

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00:27:17,680 --> 00:27:22,440
Esther. Thank you miss Ball.
Ladies, if you've ever watched an artist

327
00:27:22,480 --> 00:27:26,279
paint a portrait, you know he
can make his subject look younger or older

328
00:27:26,480 --> 00:27:30,319
just by the way he tones her
skin. Think about that, because you

329
00:27:30,440 --> 00:27:33,279
do exactly the same thing with your
face powder. You make your face look

330
00:27:33,319 --> 00:27:38,559
younger or older. Any artist studying
my nine different shades of Lady Esther face

331
00:27:38,599 --> 00:27:45,119
powder recognizes them at once as young
skin tones. I proved what a difference

332
00:27:45,119 --> 00:27:48,359
they make in an experiment the other
day. At a dinner party, a

333
00:27:48,400 --> 00:27:52,440
woman I'd never seen before was seated
opposite me. She looked rather middle aged,

334
00:27:52,559 --> 00:27:56,240
rather plain, and didn't attract much
attention. After dinner, I struck

335
00:27:56,279 --> 00:28:00,279
up a conversation with her, knowing
my interest in beauty, She confided that

336
00:28:00,319 --> 00:28:03,920
she hated her drag plain look,
but it's my age, She said,

337
00:28:03,960 --> 00:28:07,200
what can I do? Well,
we went into a dressing room and I

338
00:28:07,240 --> 00:28:11,759
removed her hard, caky makeup that
made her face look so dry. Instead,

339
00:28:11,799 --> 00:28:15,279
I applied my own shade of Lady
ester face powder, which fortunately was

340
00:28:15,319 --> 00:28:19,640
her shade too. She looked and
looked. She was simply enchanted. Her

341
00:28:19,640 --> 00:28:26,000
face did seem altogether different, so
radiant, so smooth, with almost a

342
00:28:26,000 --> 00:28:30,480
little girl freshness. It's all due, I explained to the different way Lady

343
00:28:30,559 --> 00:28:34,079
ester face powder is made. It's
blown by twin hurricanes to give it those

344
00:28:34,160 --> 00:28:38,480
young, translucent shades, that velvety
texture, and to keep it clinging to

345
00:28:38,519 --> 00:28:44,160
your skin for hours. Perhaps you'd
like to try an experiment on your face,

346
00:28:44,640 --> 00:28:47,720
So why not get a box of
Lady Ester Face powder to night?

347
00:28:57,160 --> 00:29:02,079
And now kill Again is banned on, Thank you, mister Ball. People

348
00:29:02,079 --> 00:29:07,079
are beginning to wonder how they will
fair post war. They're asking, will

349
00:29:07,200 --> 00:29:15,079
high incomes continue? Will there be
jobs for all? Well, seriously,

350
00:29:15,160 --> 00:29:21,200
nobody knows, but we all know
this money invested now in war bonds is

351
00:29:21,240 --> 00:29:26,480
the best way you can safeguard your
post war security. For every three dollars

352
00:29:26,480 --> 00:29:30,200
you invest now in war bonds,
you get four dollars at maturity and in

353
00:29:30,240 --> 00:29:34,240
an emergency, your bonds can be
converted into cash anytime. So isn't the

354
00:29:34,240 --> 00:29:40,039
plain good sense to buy all you
can put every cent you can spare into

355
00:29:40,160 --> 00:29:56,000
safe, profitable, patriotic war bonds. Next week, the Lady uster Spring

356
00:29:56,000 --> 00:30:02,240
Guild players will present Dark Angel.
It will starve Donald Chris Merle Oberon and

357
00:30:02,559 --> 00:30:07,079
Ronald Coleman. Be sure to listen. The seal Ball appears through the courtesy

358
00:30:07,119 --> 00:30:11,119
of Metro Golden Mayor, producers of
White Clips of Dover. Bryan dun Levy

359
00:30:11,119 --> 00:30:15,559
appears through the courtesy of Paramount producers
of The Hitler Gang. Music on the

360
00:30:15,640 --> 00:30:21,200
night's program was arranged and conducted by
Wilburhatch. To try Lady Esther for purpose

361
00:30:21,279 --> 00:30:25,720
face cream. Just get the smallest
sized jar. Later you can get the

362
00:30:25,759 --> 00:30:30,440
economic a large jar and keep refilling
the small one for convenience. This is

363
00:30:30,480 --> 00:30:34,640
Truman Bradley speaking for Lady Esther,
saying thank you and good night everyone.

364
00:30:36,599 --> 00:31:00,519
This will see me as the Columbia
Broadcasting System. Welcome back. Well,

365
00:31:00,559 --> 00:31:07,400
this is actually the first time in
sixteen years of old time radio podcasting that

366
00:31:07,519 --> 00:31:12,960
I've recorded an episode featuring Lucille Ball. I think I may have recorded an

367
00:31:14,119 --> 00:31:18,839
app extra featuring her, but unless
I did something during the war, and

368
00:31:18,319 --> 00:31:25,119
the podcasts not any recent conflict,
I've never had her on the podcast,

369
00:31:25,200 --> 00:31:27,720
so it's a trait to have her, even though I don't think this was

370
00:31:27,759 --> 00:31:33,400
a role that really allaned her a
whole lot. I did watch the movie

371
00:31:33,480 --> 00:31:37,839
beforehand, and I won't go into
too many details, but in many cases

372
00:31:37,880 --> 00:31:44,160
it was an okay film. It
starred Brian A. Hearn and Loretta Young

373
00:31:44,400 --> 00:31:48,319
in the roles that were played by
Brian Don Levy and Lucille Ball in this

374
00:31:48,400 --> 00:31:55,039
particular adaptation. It had a good
premise, It meandered a little bit,

375
00:31:55,319 --> 00:31:59,880
and I think the radio story is
a bit more compact. The story was

376
00:32:00,200 --> 00:32:07,960
interesting. It featured Sidney Tollier not
playing Charlie Chen but playing the police officer.

377
00:32:07,279 --> 00:32:14,079
Also had a really different style of
comedy, went for a lot more

378
00:32:14,119 --> 00:32:19,119
of a subtle feel, which when
you think about all of the screwball comedies,

379
00:32:19,279 --> 00:32:25,319
really makes this a bit unique for
a detective film. But part of

380
00:32:25,519 --> 00:32:34,279
what it was doing was poking fun
at the conventions of the amateur sleuth story

381
00:32:34,480 --> 00:32:40,680
by having mundane ordinary things happening,
and in particular by having the police be

382
00:32:40,839 --> 00:32:47,599
competent. They had one moment in
the movie where Jeff, the Mystery Rider,

383
00:32:47,920 --> 00:32:54,039
tells of an encounter with a suspicious
person and demanded the police bring her

384
00:32:54,079 --> 00:33:00,759
in. However, an officer had
already arrested her to bring her in for

385
00:33:00,880 --> 00:33:06,720
questioning, and immediately brought her in, which is a parody on the idea

386
00:33:06,839 --> 00:33:12,079
where the amateur sleuth tells the police
to bring someone in for questioning and the

387
00:33:12,160 --> 00:33:15,359
police are just waiting on pins and
kneels for the amateur sleuth to say,

388
00:33:15,519 --> 00:33:19,519
oh, yeah, you've got to
bring this person in to be questioned.

389
00:33:19,559 --> 00:33:23,400
And that's the sort of humor that
tended to predominate. And the plot,

390
00:33:23,440 --> 00:33:28,559
as I said, was pretty involved. It got simplified a lot. I

391
00:33:28,599 --> 00:33:34,920
almost wonder if it was too simplified. I did the Green Guild Theater version

392
00:33:35,079 --> 00:33:38,960
of it because it featured Bryan don
Levy and we also get to hear a

393
00:33:38,960 --> 00:33:45,000
little bit of Lucille Ball. But
there is a lux Radio theater version and

394
00:33:45,119 --> 00:33:49,079
we may end up playing that eventually, which may fill it out a bit

395
00:33:49,119 --> 00:33:51,960
more. Now, one thing I
will say about this, if you are

396
00:33:52,000 --> 00:33:58,200
interested in finding it, you want
to be sure that you look for nineteen

397
00:33:58,359 --> 00:34:04,880
forty two film to remember. If
you do a search for a not to

398
00:34:04,960 --> 00:34:07,800
remember on its own, you end
up coming up with a nineteen fifty eight

399
00:34:07,880 --> 00:34:14,679
film that's about the sinking of the
Titanic. So ironically, this film is

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00:34:14,719 --> 00:34:19,840
the forgotten not to remember. Well, now it's time to thank our Patreon

401
00:34:20,000 --> 00:34:24,960
supporter of the day, and thank
you to John, Patreon supporter since October

402
00:34:25,199 --> 00:34:30,360
of twenty seventeen, currently supporting us
at the rookie level of two dollars or

403
00:34:30,400 --> 00:34:35,559
more per month. Thank you so
much for your support, John, And

404
00:34:35,679 --> 00:34:38,280
that will do it for today.
If you are enjoying this podcast, I

405
00:34:38,440 --> 00:34:44,480
encourage you to follow us using your
favorite podcast software. We'll be back tomorrow

406
00:34:44,800 --> 00:34:53,440
with an episode of Sam Spade where
Yeah right, so that's I read You're

407
00:34:53,480 --> 00:34:59,800
in Cleveland. Yeah, well Cleveland's
game as our loss. I liked you.

408
00:35:00,000 --> 00:35:02,199
Maybe they had a hot spell in
claymood. Huh he never bothered me.

409
00:35:02,559 --> 00:35:07,280
Yeah, you ought to be used
to that by Now let's talk about

410
00:35:07,320 --> 00:35:09,480
you. Stay. How is dines
please eat? Yeah? So I noticed

411
00:35:09,800 --> 00:35:15,400
your life bottom yea, I am
depending it all the time. Regular ways

412
00:35:15,400 --> 00:35:20,360
are unders now. I was staying
sure, sure, yeah, yeah,

413
00:35:20,440 --> 00:35:23,239
making a little deal. Yeah,
who waits? Fine corns on rye,

414
00:35:24,320 --> 00:35:30,760
that's one corn? Are you?
The cup blasted it up? So you

415
00:35:30,880 --> 00:35:32,679
said right this week? That's all
right here? No, no, no,

416
00:35:34,000 --> 00:35:35,920
I'll fix it up. So only
thick I get it. I said,

417
00:35:35,960 --> 00:35:37,280
wait's all right now? How about
a cup of carp here? And

418
00:35:37,280 --> 00:35:40,440
I'm all at Denny. Yeah,
I said you were going off duty.

419
00:35:40,719 --> 00:35:44,800
Yeah, I know, I'm just
finishing up a couple of orders. Are

420
00:35:44,800 --> 00:35:49,159
you here, I'll get my never
mind the heck, come on, Dunny,

421
00:35:49,400 --> 00:35:52,119
I'm hopped out front. I hate
to getting wrong with the tops.

422
00:35:52,199 --> 00:35:55,400
Yeah, okay, let's coup a
boss. I already told the boys get

423
00:35:55,440 --> 00:36:00,599
going, sir, just stay there
and enjoy your family. Yeah, so

424
00:36:00,840 --> 00:36:07,679
on a waiter of course, of
the guy who called me a white faced

425
00:36:07,719 --> 00:36:13,320
young kid sweating with his black tip
under his left bend. They walked outside

426
00:36:13,360 --> 00:36:15,079
and got into a car park in
front of the restaurant of all things,

427
00:36:15,079 --> 00:36:20,320
a limousine or deliveried shoulder. I
watched through the front doors that pulled away,

428
00:36:20,320 --> 00:36:22,840
picked up the Lisa's number, and
called the deparmit of motivating the car

429
00:36:22,960 --> 00:36:27,039
along a mic Sheldon. None of
the voters of the North Beach section of

430
00:36:27,199 --> 00:36:30,239
Uncle Mike, a white head,
jolly faced gentleman of dulbious means and still

431
00:36:30,320 --> 00:36:35,159
more dulbious methods, who had something
to do with politics. What he had

432
00:36:35,199 --> 00:36:37,239
to do with a weasel like Freddie
Mulloy, much as a poor waiter boy

433
00:36:37,239 --> 00:36:42,000
at Barney's, was something to frinder. I cidled back in my book and

434
00:36:42,039 --> 00:36:45,079
attack the corn beef on wheat my
head teeth. Instead of going all the

435
00:36:45,119 --> 00:36:49,239
way through the sandwich, which is
the way I like it, struck something

436
00:36:49,320 --> 00:36:52,039
firm and unyielding. I falls in
between the lettuce and the bread of wax

437
00:36:52,079 --> 00:36:57,400
paper envelope. In so I was
a fifty dollar bill and a small photograph

438
00:36:57,400 --> 00:37:01,239
of a blonde Then either waiter had
spilled great words in the corner. I

439
00:37:01,239 --> 00:37:05,800
hope you'll be with us then.
In the meantime, do send your comments

440
00:37:05,840 --> 00:37:10,480
to Box thirteen at Great Detectives dot
net, follow us on Twitter at Radio

441
00:37:10,519 --> 00:37:15,960
Detectives, and check us out on
Instagram, Instagram, dot com slash Great

442
00:37:15,960 --> 00:37:22,599
Detectives from Boise, Idaho. This
is your host, Adam graham Son and off
