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Two plus years that I've been hosting
The Fourth Hour and really honored to be

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here, really glad to have this
opportunity and love speaking to you guys.

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It's one of the best podcasts and
audience experiences that I've had, is being

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here with you guys. And I
want to do something a little different today.

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Because we've covered so many of the
elite texts, I want to go

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back to what I really started getting
into when it comes to all this stuff

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many many years ago, which is
Hollywood. And we're not going to just

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do the old Hollywood analysis of the
occultists and all this kind of stuff that's

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well known now. I think,
and you know, I was blogging on

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this ten twelve years ago and then
wrote my first book in twenty sixteen on

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esoteric Hollywood. But what about something
easy where it's useful for the audience to

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recommend films to their friends and family
to wake them up and believe it or

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not. I think that the elite
have the perspective that they do like to

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demonstrate rate what they're up to.
They don't. They do like to show

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us ahead of time what's going on
fiction, and that predictive programming element is

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really important for how the elite run
things and how they prepare us for things,

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and they warm us up, they
kind of condition us to the things

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that are coming down the pipeline.
So Hollywood and pop culture in the music

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industry, all of it together as
part of mass media, plays a key

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role in this preparation phase. And
a lot of the analysts and psychological warfare

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experts and the sociologists and the public
opinion experts, the burns is the lip

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mons. They've talked about the role
of Hollywood and all this. So what

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are ten movies? The top ten
movies that openly display and expose the big

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conspiracy, the new world order,
the technocratic takeover in all of its fastest

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and components. So I've chosen ten
that I think are the best. I

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think I've written extensively on every one
of these. If you're looking for a

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series of movies to watch with your
friends and family, not all these are

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appropriate for friends and all members of
the family, I'll note, by the

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way, and in fact, the
first one that I've chosen is not appropriate

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for everybody. In fact, i'd
be let's say, I watch out,

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don't show it to your kids,
but mature adults can understand that Kubrick was,

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whatever his motives, whatever you think
of him as a filmmaker, he

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was definitely showing us a lot of
what was really going on and how the

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world has really run through most of
his films. In fact, four of

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his films make it to my top
ten list. And this is not any

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specific order, but the first movie
I recommend for understanding is the nineteen ninety

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nine controversial expose you could say as
White Shut. Now, this film was

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lampooned at the time, the critics
didn't like it, a lot of people

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didn't understand it, and it is
a bizarre film. But in Ie Watch

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Shut, we have contemporaneous with the
actual marital problems of Tom Cruise and Nicole

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Kimman at the time, a movie
that portrays their marital problems as they embark

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upon this bizarre surrealist journey. We
could say, particularly the main character,

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Tom Cruise, that is, who
believes himself to be amongst the power league.

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He thinks, well, I'm a
really successful, wealthy doctor, upper

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class in New York. My wife's
involved in the art socialite sphere, and

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he has a lot of hubrists and
pride, and yet he realizes that his

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marriage is falling apart and that his
wife apparently is not satisfied with him.

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This causes him to kind of go
into a panic, and he's then tempted

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to engage in marital infidelity, and
we see a lot of this kind of

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kicking off from this original Christmas party
they're having, right. This leads him

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then on this long sort of mental
journey, a psychological journey into basically what

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amounts to the real power structure.
So he goes down this last of seeking

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what he thinks his first sexual fulfillment
outside of his marriage, and then this

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leads him to a large estate outside
of you know, the central hub of

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New York, and he finds out
that there's actually a sex cult at this

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estate and it seems to be very
wealthy, powerful British elites running this sex

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cult. And he's confronted and called
out in front of everybody when when he

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stumbles into this rabbit hole, and
this leads him then to realize that he's

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not actually at the top of the
totem pole. There's a higher level superstructure

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above him and they're into some really
dark Epstein style stuff. Now Kubrick was

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selling telling us that a long time
ago, that's what was going on with

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you know, the darker side of
this when it gets into things like the

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Adrina Chrome that Jim Cavezel was talking
about, and I mean that's not even

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that's even further than what's pictured in
this film. But in this film we

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have something like a kind of a
high level elite sex cult. You see

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the head of the cult. They're
sitting underneath the double Headed Eagle, which

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suggests some kind of high level secret
society, a cult sort of perhaps Ordo

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ab Kyo something maybe chrole in going
on here. And Tom Cruise again inadvertent,

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sort of stumbles into this thinking that
he's going to you know, get

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the upper hand, or he's going
to attain a new status, or he's

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just really curious. He wants to
find out what's going on. So he's

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tempted right to engage in this ceremony
outside of his marital relations here in this

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big secret society sex cult. And
they say, well, we're actually we're

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gonna kill you because you have gone
against what's allowed. And as you know,

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I'm not going to spoil the whole
movie. You've probably seen it,

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but one of these supermodels from the
very beginning who he saved. And by

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the way, there's a bunch of
very beautiful supermodel women in this sex cult.

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And that's interesting because we know that
in terms of Nyeguard and a lot

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of these figures connected Epstein, they
actually did recruit and utilize a lot of

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supermodels. So it's very, very
curious here that Kuber was telling this,

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telling us this in nineteen ninety nine. But anyway, Tom Cruise basically realizes

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that he's going to be put to
death. This colt has all the powers

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of an intelligence agency at their disposal, which again Kubrick is probably telling us

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something there, because Tom Cruise ends
up being followed, he ends up getting

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threatened, and the supermodel who he
saved at the beginning, she actually dies

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for him, believe it or not. Actually, I think actually Alex had

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her on. The actress that played
that role. She came on maybe five

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or six years agoing in for us. I remember that interview and she basically

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said, yeah, everything that Kuber's
talking about in this film is real.

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Of course, Vivian Kubrick has come
on Alex's show as well several times,

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so I recommend eiswhite shut as an
overall analysis of Hey, look, Hollywood

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was telling us in movies all of
this Epstein Nieguard stuff back in nineteen ninety

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nine. And believe it not that
there's actually a lot of films prior to

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Oswhite Shut that are very similar to
Eiswait Shut, old black and white movies

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like Eye of the Devil with Donald
Pleasance, right, that was actually telling

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us something very similar. Next,
let's move on to another Kubert film that

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I think is a extremely revelatory that
a lot of people didn't initially think was

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that revelatory. But now it's been
so dissected and so analyzed on YouTube,

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and I have a whole mini documentary
that's gotten quite a few views analyzing it

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on YouTube, as well as many
other YouTubers. And that's Stephen King's novel

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The Shining, made into a film
in nineteen eighty by Stanley Kubert. And

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this movie has been dissected into oblivion
just like two thousand and one has.

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But what's fascinating about it is that
it doesn't in my view, this is

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my interpretation. You can disagree,
but I don't ultimately think that it's about

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a haunted hotel. I think that
it is in part about that, but

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it's also about something much deeper,
which is about American society and Americanism as

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a whole. And the reason that's
relevant is that we find out this hotel

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is actually haunted because it was at
one point the location where the jet set

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used to hang out. All the
best people were told by the hotel manager

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royalty, the elites, those who
were successful, so to speak, in

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a worldly sense in life, and
the main character, of course, Jack

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Torrence, is attempted. He's constantly
sort of tempted throughout the film in his

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mind to think, if I'm going
to get amongst the elite to become a

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great writer, which is his desire, right, I'm going to have to

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dispense with the things that hold me
back, right, And eventually he realizes

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that that's Danny and Wendy, my
wife, Wendy. Right. He says,

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I gotta get rid of Wendy.
Wendy's holding me back. And there's

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a lot of interesting elements that people
have picked apart including myself, such as

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Wendy's interest in witchcraft. That's not
really apparently clearer right away, but if

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you go back and you watch the
film, you'll notice that Shelley Davallo is

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actually reading in the very early sequences
a lot of books on witchcrafts. She's

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shown holding and studying witchcraft, so
she's interested in the esoteric. In the

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occult, she has stacks of witchcraft
books, which I think suggests perhaps Jack

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also was reading his books again,
because he's also a literary figure who eventually

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becomes demonically possessed. And as we
know, this becomes more and more apparent

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as the film progresses, and I
think there is an argument to be made

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that Jack might have actually even abused
Danny. Now that's not I mean beyond

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physical abuse. And I say that
because there's a recurring theme in a lot

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of Kubert films about child trafficking,
underage abuse, this kind of stuff.

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It actually comes up quite a bit, right, I mean, Kubert did

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Lolita, it comes up in Barry
Lyndon, it comes up in Eyswight Shut.

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So the lely Sobieski character that I
didn't mention in Eyswit Shut, she's

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actually apparently being human. She's human
trafficked, you could say, because she's

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at the costume store when Bill Harford
is trying to get his costume for the

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sex cult event. And she's obviously
an underaged person who I think we're supposed

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to She whispers to Bill Harford,
for example, that you need an ermine

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cloak if you're going to be hanging
out with royalty. But Jack, of

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course, as we said, is
eventually demonically possessed, and he ends up

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sort of trapped in a victim of
this hotel. But there's a lot of

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sub themes and motifs throughout the movie
that make it clear that it's not just

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a critique of, you know,
a crazy writer trying to achieve elite status.

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It's about the dream or the promise
of the American idea of you can

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make it amongst the elite if you're
willing to sacrifice at all. And the

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criticism here is that that includes in
Jack's mind, right, he goes crazy

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trying to make it into the elite, to the point where he's ready to

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sacrifice his wife and kids. He's
so insane, right, That's really I

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think what the film is about.
By the way, in the movie,

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they're actually watching a movie called Summer
of forty two, which is about pedophilic

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relationships. So Shelley, Daval and
Danny are actually watching that movie at one

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point was really bizarre. It's not
really appropriate for a child, right.

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And then the movie ends, of
course with Jack doing the mathamet pose as

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above so below, where he's immortalized
amongst the individuals at the hotel. So

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we see him in a nineteen twenty
one photograph, right, telling us that

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essentially he's not only was he possessed, he's basically condemned to be that one

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of these haunting phantasms of this this
hotel. But I think that it's also

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an allegory for America and how America
in a sense, if it has abandoned

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its original principles, right, basic
moral principles value, America can become a

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haunted, possessed overlook hotel, you
see, because you know that it isn't

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it, I think built on an
Indian burial ground, all this kind of

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stuff, right, So I think
that's what that's actually about. Next,

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I would say the the movie two
thousand and one, even though it's been

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dissected a million times, this would
be my number three film, and it's

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relevant because really the whole Arthur C. Clark storyline of two thousand and one,

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two and ten, and three thousand
and one, that whole trilogy is

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about the evolutionary ascent of man to
become a transhumanist god. Literally, it's

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about the apotheosis of man. And
we know that because of because Arthur C.

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Clark was hanging out with a lot
of the esoterica cult circles. Arthur

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C. Clark was into a kind
of Luciferianism, you could say, and

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he did believe that technology would be
the means by which humanity would become gods.

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And so if you think about two
thousand and one, I'm sure everybody's

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seen it. If you go back
and watch it, you'll notice that the

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evolutionary process where the apes discover technology
and dominance who technology when one ape hits

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the other guy on the head with
a bone. This then leads to the

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next phase of human development, which
we fast forward to being in space and

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the conquering of space and Bowman being
sent out to investigate these strange signals that

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are coming from various space locations,
and then we get the next phase of

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evolution, which is man versus AI, right, Bowman versus how and who

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will win? Well, it turns
out, of course Bowman wins that battle,

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and so he becomes a godfigure.
He steps outside of when he goes

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through the portal or whatever, he
steps out of the time and space universe

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into the next dimension and is reborn
as Starchild. And in the story,

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Starchild nukes Earth because it's time to
store over right, it's a it's a

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depopulation narrative right in the novel.
In Clark's version, Kubert changes that,

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but it is a completely Luciferian expose. And when we come back in varying

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ways and capacities, and we were
talking about two thousand and one of Space

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Odyssey from nineteen sixty eight from Kubert
again. And the thing about Space Odyssey

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is that although I don't agree with
the overall philosophy that's being presented in the

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movie, it's relevant because it's giving
us an insight into the attitude and the

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perspective of the elite. And I
do think that it has a lot of

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these sort of esoteric and alchemical sub
themes going on. It's about not just

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evolution, but man's ascent into apotheosis
in the elite perspective of how that occurs

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via technology. Because as the series
progresses on beyond the first movie, I

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would actually recommend if you watch the
second movie with Roy Scheider twenty and ten.

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It's about the Cold War ending so
that we get a world government,

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believe it or not. So out
of the Cold War dialectics comes the synthesis

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of the New World Order, and
the New World Order in that movie is

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presented as sending fourth humans into the
cosmos to see the cosmos so that we

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can become gods of the universe basically. And in three thousand, in the

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third installment of Arthur C. Clark, it actually has Howl and bowmen be

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coming together and a kind of transhumanist
entity known as Hallman and Man becomes God.

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Right. So that's that's what the
series is ultimately about. But it's

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all predicated not just on Darwinism,
but on a mystical Darwinian apotheosis where conflict

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thesis, antithesis, synthesis leads to
the apotheosis of transhumanism. That's actually what

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the whole movie and the series is
about if you pay attention to it,

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And that also leads into another quasi
transhumanist film. My fourth choice when it

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comes to the top ten movies that
display and illustrate the New World Order and

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the revelation of the method predicted programming
is the Major's trilogy, which begins in

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nineteen ninety nine. I'm sure everybody's
seen the Matrix trilogy, but did you

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pay attention to a lot of the
gnostic Neo Gnostic sub themes, to the

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Platonism, to the esoteric idea that
Neo this individual who is we later find

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out the ninth or tenth right version
of Neo I don't remember exactly, but

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it's something like that, right.
There have been several other NEOs that were

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the one, but the tenth instantiation
or whatever it is of Neo is the

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final one because he's actually going to
break the pattern, break the matrix.

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And so initially it's about whether we're
determined, predestined to be part of this

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scheme, this sort of computer program
that is that doesn't allow for free will.

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And you have this architect character to
this Great Architect, which is again

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kind of a Masonic idea that God
is this architect, this grand architect of

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the universe, and that Neo breaks
out of this because he's supposedly determined to

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only have a couple options in this
choice at the end between uh, you

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know, coming after the Great Architect
or you know, saving trinity right,

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And so initially it's about free will
and choice, and then as the series

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expands on, it becomes about synthetic
virtual realities. It becomes about a future

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dystopia where you know, we've been
imprisoned by this AI. And there's a

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lesser known series called The Animatrix where
it turns out that the AI was actually

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able to take over through this weird
cryptocurrency that it invented. I'm not saying

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that's bitcoin. I'm a supporter of
bitcoin, but I just thought it's funny

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that it engages in atmospheric geo engineering
spraying the AI in the Animatrix series,

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and so that's part of the storyline
that's not in the mainline movies. But

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there's a lot of a lot of
predictive programming in the Matrix series, so

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it's definitely worth watching. But the
basic philosophy here is gnasticism and platonism,

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and so we're just harkening back to
these ancient systems of philosophy that I think

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it hit really well for audiences in
the nineties because that's right when the Internet

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was starting to get really popular,
and then there was a lot of hacker

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movies in the nineteen nineties. And
so even though there is a way you

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could read the Matrix as a kind
of a narrative where we are awakened,

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where we wake up to reality,
ultimately it's also kind of a a nastic

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presentation which doesn't really wake us up. So it's both revealing and concealing.

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I would say when it comes to
the Matrix trilogy, because you can use

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it as an analogy for where we
are in the world, that it seems

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like we exist in a Matrix system
where you know, we can't get ahead.

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It's gamed against us as individuals,
as normal people, you can't rise

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up. It's a super megacorp control
structure. That's what we see here in

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the first one. Well we find
out that actually it's much deeper than it

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being some kind of socio political economic
control structure. The oppression in the Matrix

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story is actually all of reality being
an illusion, being in a prison.

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The idea that all reality is a
prison again is an ancient Platonic slash gnostic

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view, And I know that Nasticism
and Platonism are not identical, but that's

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where I would disagree. I don't
think that all reality is inherently evil or

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some kind of a prison. But
we are existing in a fallen reality,

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and we are and you could say, underneath the dominance of fallen angelic entities.

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Right, and so in that sense
it's partly true. So you could

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read Agent Smith as you know,
something like a Satan figure, and you

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could read Neo as a kind of
a christ like figure. Again with limitations

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here, and so the red pill
and the Blue pill then symbolize the bluepill

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staying in MPC, staying in Ormy, staying believing Biden and this kind of

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stuff, right, whereas the red
pill is waking up to it's really going

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on, that reality is controlled,
that reality is we're lied to about reality

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on a massive scale. I'm not
saying everything's a lot, but a lot

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of what we are told in mainline
education and in mainline churches and all this

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kind of stuff is not true.
It's a lie. It's part of the

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matrix system. And so really the
only way out of this is a type

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of religious conversion. And so I
think we could we could read that element

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of the matrix properly and correctly.
The next movie I would say, in

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my list coming to the top ten, here is I guess this would be

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one, two, three, four, this fifth one would be a network,

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and I just covered network. We
just talked about it fairly recently on

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one of the fourth Hours with you
guys. And this is the satirical film

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from nineteen seventy six which you think
is about I was. I was glad

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to go back and watch it.
I had never seen the whole thing until

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fairly recently. In terms of paying
a lot of it ten I think I

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saw how many years ago and I
fell asleep, not because it's bad,

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it's just watching it late at night. So I watched it intently and paid

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attention, and I was amazed at
the depth of this movie. This film

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has so much in it, and
it is quasi satirical because the Carnival Barker

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media character who Howard Beale, who
starts to because this network is dying,

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he wants ratings, and he starts
to just sort of rant. So we

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get kind of the the first notions
of modern media of it being about CULTI

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personality, and it being about infotainment, which I don't necessarily have a problem

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with that, but it's it's it's
clearly showing that the future of media will

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be about transitioning out of the boring
old figures that you know, the Walter

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cronkites that sit there and tell you
that you should believe in the new world

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order, and it will be transitioning
into these sort of loud, crazy figures,

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right. And it even has reality
TV in this. In this movie,

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they actually started reality TV show about
a communist cell in the movie,

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which is pretty wild, right.
This is this is the nineteen seventies.

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Somebody had done reality This is years
before MTV and road Rules and you know

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all that kind of stuff. So
here we have this prediction of reality TV

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and this really famous. There's actually
a few famous speeches in the movie,

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and you see the sequence here that
they're showing. That's of course the most

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famous one that we talked about a
couple of fourth hours back, and it's

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this sort of socio economic Darwinian corporate
control. The metaphysics of corporatism basically is

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the purpose of this speech. We'll
talk about that when we come back on

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the fourth hour of the Alex Jones
sho I'm your guest host, Jay Dire

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Jay as analysis don't go anywhere and
head over to the M four A store.

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When when this show ends excellent products
that are over there. I have

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quite a few in my bathroom.
In fact, the roll calcium two pace,

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I'm a big fan of that.
We have some of the other supplements

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and nutritional aids that Alex offers,
and we're big fans of those, So

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I definitely recommend getting those, and
also the t shirts and the books and

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00:23:15.519 --> 00:23:18.079
all the other offers that are over
there to support the inful war keep this

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show going. And we were talking
about Network, the nineteen seventy six film,

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which is a great satire of mass
media in many ways, very predictive

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because it shows the control of mass
media in all forms on the minds of

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the public. And now the public
can really be swayed in this in a

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mob mentality, so speak. And
the Howard Buell character ultimately tries to step

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up against the system, against the
matrix, you could say, and he's

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immediately shot down by this figure who
we find out is actually a sort of

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a black Rock Vanguard sort of character
who has this giant, you know,

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hedge fund conglomerate is buying the Network, and the Network says to Howard Beale,

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we run you and control you.
You know, you don't have this

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freedom. You don't. You're the
creation of us, and we can destroy

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you at any moment. And so
Howard Beale, who kind of sees himself

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as this quasi prophet, quasi religious
figure, is realizing, oh no,

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I'm actually a creation of this entity. And that that weird sequence there where

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he's being lectured at by the big
Black Rock ceo there right, he finds

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out that this figure is sort of
a god figure to him, and it's

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a very religious sort of a sequence, and Beal actually says, I've seen

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the face of God speaking of this
CEO corporate figure. And so it's not

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about truth, it's not even about
ratings. It's about what the megacorp wants,

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and they control and destroy Howard Beale
at will. So that there's a

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lot really profound truth, especially in
that corporate metaphysic sequence, as it's sometimes

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called the Metaphysics of Corporatism or whatever. It's a great film and it's full

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of a lot of really profound trees
and predictive elements. As they said the

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reality show in there, that it's
just wild. All the stuff that's in

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that movie I highly recommend if you've
never seen it. In it, but

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it's great for showing the absurdity and
the reality of corporate media control. The

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next movie I would say that's great
in the top ten list for waking up

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your friends and family, which pretty
much everybody can watch, is the nineteen

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eighty eight classic from John Carpenter.
They Live. They Live as one of

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the best conspiracy movies. That's pretty
accurate now, depending on how literal you

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want to read it. You could
read They Live as a story about aliens,

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or you could read They Live as
a story about again mass media control

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in the New World Order. It's
not perfect. There's a couple areas of

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the film that I think are kind
of silly that I would disagree with,

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But They Live as a story,
it's kind of a carto. In his

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satirical story, you could say of
sort of a drifter Roddy Roddy Piper and

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John Nada. He sort of wanders
into La looking for work and he ends

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up staying at a homeless encampment and
finding a construction job. And while he's

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staying at this homeless encampment looking for
work, he hears this signal that's broadcast

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from a local church that comes through
on a TV TV show and they hijack

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the signal and they say everything that
you've been being told a lie, and

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there's a corporate system that's controlling you, and we're being controlled by our desires

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and by consumerism and all this stuff. And then the signal goes away because

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they they lose the signal. So
this begins him questioning and he figures out

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that it's coming from this church nearby. And this church it turns out as

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manufacturing these glasses that allow you to
when you put them on, see what's

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really going on. You can see
through the signal that's being broadcast that controls

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your perception of reality. And so
this leads to a kind of a burgeoning

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rebellion and revolution. Yeah, there's
the signal as they're watching it, that's

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that's breaking through the TV screen,
through the advertisements and the consumerism, and

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this leads to this sort of under
undercurrent a revolution against the system. And

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as soon as this starts to build, the system, here's finds out about

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it and they send basically a giant
police state killed dozer to come through and

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just destroy the entire homeless encampment.
Right, this sends Roddy Roddy Piper,

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John Nada on the run and they
reconfigure and they try to again build this

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revolution against the system, and it
turns out it's not what they thought it

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was. It's not just a corporate
control. It turns out there's these sort

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of alien beings that appear as humans, but they're all they're the sort of

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off world demonic parasite that is leaching
on everyone and controlling everyone through this signal

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that they're admitting from a control tower, from a satellite on the top of

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a media building. So again a
lot of allegories, a lot of parallels

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there that the corporate control the consumers, society. It's all about conform,

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consume, obey, watch, be
quiet, stay asleep right exactly, keeping

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you in the matrix, so to
speak. And again it gets really wild.

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It turns into a battle with the
alien entities and these off world things.

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And the idea is, well,
if I can control, if I

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can destroy the signal that they're emitting, then I can get rid of them.

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So it's a great allegory, it's
a great it's a great film overall.

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Highly recommend watching They Live if you've
never seen it. The next movie

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I would recommend in my list of
the top ten conspiracy movies that show us

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what's really going on in the world
would be Clockwork Orange. Once again,

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Kubert makes the list again, and
this one is really important because this is

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based on Anthony Burgess's novel, which
he also has another dystopian novel, by

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the way, called The Wanting Seed, and that might be relevant if you're

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not familiar with that dystopia nor story
for what's going on the world. I

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won't say what it's all about,
but but it's about a lot of what's

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going on. It's it's an element
of the dystopia that not many people have

379
00:29:21.759 --> 00:29:25.599
talked about. For example, in
nineteen eighty four doesn't talk about the Skittles

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rainbow element of the dystopia that we're
going into, but The Wanting Seed does,

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00:29:30.079 --> 00:29:33.319
Brave New World does, by the
way. But a Clockwork Orange is

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00:29:33.359 --> 00:29:40.960
interesting because it's a dystopian novel or
in the movie presentation is not really about

383
00:29:41.079 --> 00:29:42.319
what you first think it's gonna be. You think it's about, Okay,

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there's these drugs, these these gangsters
that are running around New York, these

385
00:29:48.559 --> 00:29:55.559
wildly British street folk, and you
think, okay, so this is gonna

386
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be about a gang and no,
it turns out when Alex is arrested,

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he's put into a medical psycho psychiatric
rehabilitation program. And so the first act

388
00:30:08.839 --> 00:30:12.759
of the movie is about you know, the gang stuff and the havoc that

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they're wreaking, and then the rest
of the film turns into basically an mk

390
00:30:17.839 --> 00:30:22.960
ultra rehabilitation skinner box. The rest
of the movie is basically Alex in a

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00:30:22.039 --> 00:30:30.160
skinner box undergoing IMCA ultra mind control
conditioning. And the best sequence in the

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00:30:30.160 --> 00:30:34.200
whole film that explains the purpose of
all this is when one of the social

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scientists psychiatric guys gets up there and
he says that the whole purpose of all

394
00:30:38.400 --> 00:30:45.519
of this is to take all of
these inmates as an experiment, to recondition

395
00:30:45.640 --> 00:30:53.880
them, to emasculate them, and
turn them into completely obedient, subservient creatures

396
00:30:53.880 --> 00:31:00.440
of the system, to basically break
them in and to turn them into soy

397
00:31:00.519 --> 00:31:10.000
bugman. Basically, so the prison
system is the test tube for what they

398
00:31:10.039 --> 00:31:14.880
call in the movie the Ludovico method, which is this method of reimprinting you

399
00:31:15.480 --> 00:31:22.279
through trauma based mind control and drugs
to make you into a completely obedient,

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submissive soy man. And in the
film, it's if I recall, it's

401
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it's been many years since I've watched. I did an essay on this many

402
00:31:30.480 --> 00:31:34.680
years ago, but it's basically effective. In the case of Alex Right,

403
00:31:34.680 --> 00:31:38.799
he eventually gets rehability, or he
gets conditioned, so to speak, into

404
00:31:38.880 --> 00:31:45.599
being this sort of docile, vegetable
right, and then after that we see

405
00:31:45.680 --> 00:31:49.079
him maybe having a dream of a
fantasy of engaging in his base or desires.

406
00:31:49.119 --> 00:31:55.720
But ultimately it seems like the Ludovico
method is effective in creating this docile

407
00:31:55.839 --> 00:32:00.319
mind controlled public and that's eventually what
they want. So this is a very

408
00:32:00.319 --> 00:32:07.319
profound dystopian message that movie message that
I think ultimately is about m Kiltra And

409
00:32:07.359 --> 00:32:12.720
I think Burgess probably knew what Tavistock
Clinic and what the doctors were up to

410
00:32:12.960 --> 00:32:16.400
because that had a big, big
role in the UK. It wasn't just

411
00:32:16.480 --> 00:32:21.119
America, it was kind of a
global thing. Turns out im cult was

412
00:32:21.160 --> 00:32:23.480
everywhere. So when we come back, we'll finish up the last few movies

413
00:32:23.519 --> 00:32:27.640
that are the top ten conspiracy films
of all gear, going through the top

414
00:32:27.680 --> 00:32:30.559
ten conspiracy movies of all time that
show us how the world really works.

415
00:32:30.599 --> 00:32:35.640
They were telling us all along in
so many films what's actually going on in

416
00:32:35.680 --> 00:32:38.400
the world. And movies are a
great way to wake up your friends and

417
00:32:38.480 --> 00:32:43.400
family that don't know about this stuff
or kind of maybe just now kind of

418
00:32:43.440 --> 00:32:45.039
waking up and figuring out what's going
on. You can go back and show

419
00:32:45.079 --> 00:32:47.160
them, Hey, a lot of
these old movies that you grew up with,

420
00:32:47.200 --> 00:32:50.240
that you that you saw when you
were a kid, you know,

421
00:32:50.319 --> 00:32:52.839
they were actually telling you a lot
of the stuff if you paid attention.

422
00:32:52.480 --> 00:32:55.759
And I want to remind you too
that for our audience. In terms of

423
00:32:55.799 --> 00:33:00.200
movies, we'll be doing a live
event in Hollywood very with Jamie Kennedy.

424
00:33:00.319 --> 00:33:05.200
If you've seen the Jamie Kennedy Experiment, if you've seen Malibou's Most Wanted,

425
00:33:05.240 --> 00:33:09.119
if you've seen you know, Scream, so many great movies, and I

426
00:33:09.119 --> 00:33:13.799
think Jamie was in what a might
be one of the funniest TV shows of

427
00:33:13.839 --> 00:33:17.559
all time. Jamie Kennedy Experiment is
genius and a lot of interesting psychology if

428
00:33:17.599 --> 00:33:20.759
you watch that show too, It's
not just a comedy show. There's a

429
00:33:20.759 --> 00:33:25.799
lot of interesting psychological studies you could
do on the basis of how people react

430
00:33:25.799 --> 00:33:30.559
to a lot of those scenarios.
And if you go to my Twitter,

431
00:33:30.119 --> 00:33:34.440
the very top of my Twitter,
you'll see a pin tweet that got a

432
00:33:34.440 --> 00:33:37.279
lot of views, and then writer
underneath that you'll see the event bright link

433
00:33:37.319 --> 00:33:40.599
you can get right there. Go
to that. It's on my Twitter.

434
00:33:40.599 --> 00:33:44.880
It's at the very top. Jaydy
are on Twitter. And you can get

435
00:33:44.920 --> 00:33:51.720
tickets to our event July six at
the Value Reliction Museum. They're in Van

436
00:33:51.880 --> 00:33:55.720
Nye, right outside of Los Angeles
or in Los Angeles area in Malibu area,

437
00:33:57.160 --> 00:34:00.039
Ish area, So get your tickets
there at event Bryan and We'll be

438
00:34:00.079 --> 00:34:05.240
doing a five hour event where we
cover Hollywood, We cover movies, me

439
00:34:05.279 --> 00:34:07.440
and my wife. I do a
lot of comedic stuff and doing a lot

440
00:34:07.480 --> 00:34:13.159
of impressions. We have an hour
and a half on film analysis that Jamie

441
00:34:13.159 --> 00:34:16.960
does. I do an hour and
a half on my book Film Symbolism and

442
00:34:19.960 --> 00:34:22.440
Philosophy, So I'll be talking about
this book. You can come get your

443
00:34:22.440 --> 00:34:25.960
book signed, book signing, all
of that, and then Jamie Kennedy'll be

444
00:34:27.000 --> 00:34:31.159
doing a stand up for about twenty
or thirty minutes as the headliner of the

445
00:34:31.159 --> 00:34:35.719
show towards the end. So go
get your tickets at the event bright link.

446
00:34:35.760 --> 00:34:37.559
It's also on every post on my
website. You can find the links

447
00:34:37.559 --> 00:34:42.480
there to get the tickets. July
six in Hollywood. Be sure and come

448
00:34:42.480 --> 00:34:45.639
on out. Now. We were
talking about these movies that tell us everything.

449
00:34:45.079 --> 00:34:49.400
Clockwork Orange was a classic. Let's
get the next one, Conspiracy Theory

450
00:34:49.880 --> 00:34:53.480
nineteen ninety seven, Richard Donner mel
Gibson movie. Of course, Mel is

451
00:34:53.480 --> 00:34:59.199
in quite a few conspiracy ish conspiracy
themed movies, but this one is one

452
00:34:59.199 --> 00:35:02.159
of the classics. Edge of Darkness
is another Mel Gibson conspiracy movie that a

453
00:35:02.159 --> 00:35:06.280
lot of people overlook a lot of
interesting things going on in that But the

454
00:35:06.320 --> 00:35:08.280
reason I chose Conspiracy there is not
just the title of it, but in

455
00:35:08.320 --> 00:35:10.719
my own life. This was one
of the first movies I watched. It

456
00:35:10.760 --> 00:35:15.480
came out in nineteen ninety seven.
I remember seeing it at the theater.

457
00:35:15.599 --> 00:35:20.440
That was kind of my first exposure
to conspiracy culture. I know X Files

458
00:35:20.480 --> 00:35:23.320
had kind of just got going on
Fox back in the mid to late nineties.

459
00:35:23.360 --> 00:35:27.280
I didn't really watch TV back then. I was in high school,

460
00:35:27.280 --> 00:35:30.679
so I didn't care about TV.
It cared about girls, and I remember

461
00:35:30.719 --> 00:35:32.920
going to the movie. I did
like movies, and I remember going and

462
00:35:32.960 --> 00:35:36.719
thinking about this was pretty crazy.
I wonder how much of this stuff that

463
00:35:36.800 --> 00:35:39.880
crazy Jerry, the conspiracy theorist talks
about is actually correct. And if you

464
00:35:39.920 --> 00:35:43.760
watched the movie, quite a bit
of what he said was correg He got

465
00:35:43.800 --> 00:35:47.559
some things wrong because he ran a
little conspiracy newsletter if you remember in the

466
00:35:47.599 --> 00:35:52.239
film. But it turns out,
and I'm not spoiling too much if you've

467
00:35:52.320 --> 00:35:55.960
never seen it, it turns out
that Jerry was actually a subject of mk

468
00:35:57.159 --> 00:36:02.599
Ultra and Patrick Stewart Captain Piccard content
to call. He plays the handler to

469
00:36:02.760 --> 00:36:07.079
Jerry. So he's actually Jerry's CIA
handler who was mind controlling him to create

470
00:36:07.119 --> 00:36:10.960
a program to assassin and they were
they were using him as a private,

471
00:36:12.039 --> 00:36:16.039
secret corporate assassin group. That was
they could be used for hires. So

472
00:36:16.079 --> 00:36:20.440
it wasn't really even the CIA.
It was people who had gone on from

473
00:36:20.480 --> 00:36:24.960
the CIA to create a private corporate
intelligence network of private assassins that would then

474
00:36:25.079 --> 00:36:30.559
go and kill politicians and right.
And so the story was of course that

475
00:36:30.719 --> 00:36:34.280
mel Gibson was supposed to kill Julia
Robert's dad, who was a high level

476
00:36:34.320 --> 00:36:38.960
politician. And it turns out that
most of his paranoia was true and a

477
00:36:39.119 --> 00:36:43.800
huge part of the narratives about m
K Ultra, And if you go back

478
00:36:43.800 --> 00:36:47.159
and watch it, it's amazing how
much of him Cultra and how much accuracy

479
00:36:47.320 --> 00:36:52.400
was packed into that film. And
you know, Mel Gibson has done some

480
00:36:52.440 --> 00:36:55.079
of the best work in terms of
putting out good messages in Hollywood, and

481
00:36:55.519 --> 00:36:59.800
people have dug up actually old clips
from around this time of the mid to

482
00:37:00.239 --> 00:37:05.079
nineties when Mel was actually saying how
dark Hollywood was even back then. So

483
00:37:05.480 --> 00:37:09.159
super duper mega red pill based Mel
way ahead of time when it comes to

484
00:37:09.320 --> 00:37:15.000
talking about the esoteric, occult,
satanic elements even back then, and so

485
00:37:15.039 --> 00:37:20.320
I highly recommend if you've never watched
Conspiracy there go back and watch it and

486
00:37:20.440 --> 00:37:23.960
you'll you'll be pleasantly surprised. It
holds up pretty well, and especially the

487
00:37:24.159 --> 00:37:28.159
conspiracy stuff. So so much of
this has actually come out in a blow

488
00:37:28.239 --> 00:37:34.639
away next movie. You can't pass
up another nineties film. I remember when

489
00:37:34.639 --> 00:37:37.760
this came out. I wasn't super
into it, just because I didn't know

490
00:37:37.880 --> 00:37:45.039
much about the JFK assassination and I
was only I was only about maybe twelve

491
00:37:45.159 --> 00:37:47.960
versus I mean I was I was
just now hitting you know, like high

492
00:37:49.000 --> 00:37:52.639
school era starting freshman high school or
something. But and that's the nineteen ninety

493
00:37:52.639 --> 00:37:59.880
one Oliver Stone film JFK, which
turns out was based on multiple different authors.

494
00:38:00.000 --> 00:38:02.119
Stood I think Alex has had most
of these authors on over the years.

495
00:38:02.360 --> 00:38:07.880
He's had Jim Mars on. I
think Jim Mars's book was played a

496
00:38:07.960 --> 00:38:13.440
key role in Oliver Stone. I
think Jim Mars consulted in part on the

497
00:38:13.480 --> 00:38:19.320
screenplay with Oliver Stone. I know
that Colonel Fletcher Proudi's book Secret Team played

498
00:38:19.360 --> 00:38:24.400
a part of a role in this
film. That's a classic. And I

499
00:38:24.480 --> 00:38:30.159
know that I think Mark Lane's book
also played a role. So a lot

500
00:38:30.159 --> 00:38:34.159
of a lot of the classic kind
of JFK writers in early phase conspiracy people

501
00:38:34.639 --> 00:38:38.239
did have a role in helping Oliver
Stone to put this together. And there

502
00:38:38.280 --> 00:38:44.559
was there was sort of a golden
period in the eighties and nineties when you

503
00:38:44.559 --> 00:38:46.880
could still get a lot of these
kinds of movies made. And so I

504
00:38:46.920 --> 00:38:51.840
think, you know, Oliver Stone
deserves props for for getting that done.

505
00:38:51.880 --> 00:38:55.840
And Alex has had Shaun Stone on
many times. I've had done many podcasting

506
00:38:55.880 --> 00:38:59.719
shows and hung out with Shawn Stone, and you know, he knows a

507
00:38:59.760 --> 00:39:01.280
lot about this stuff, and the
Hollywood stuff too that we've talked about.

508
00:39:01.360 --> 00:39:05.400
So I would say go back and
watch JFK and you'll notice how much of

509
00:39:05.440 --> 00:39:10.480
that old generation conspiracy stuff actually comes
through in the story. We find out

510
00:39:10.559 --> 00:39:15.920
the Mafia elements, we find out
the CIA elements. And that's important because

511
00:39:15.960 --> 00:39:19.360
a lot of this has now come
to The Four, not just with Tucker

512
00:39:19.880 --> 00:39:27.480
covering the CIA relationship to the JFK
assassination, but now RFK rising in popularity

513
00:39:27.519 --> 00:39:30.559
and getting out there and talking about
a lot of these issues and basically saying,

514
00:39:30.840 --> 00:39:36.079
yeah, the CIA was it was
crucial in the assassination of my older

515
00:39:36.079 --> 00:39:38.320
family members. Yeah, exactly.
So go back and watch Oliver Stone and

516
00:39:38.400 --> 00:39:42.400
JFK, and I think you'll notice
that a lot of other Oliver Stone films

517
00:39:42.480 --> 00:39:45.280
also have, you know, conspiracy
themes here and there. But I think

518
00:39:45.480 --> 00:39:52.079
JFK comes to The Four as the
most conspiratorial of his films and probably the

519
00:39:52.159 --> 00:39:57.280
closest to pretty much what went on
right that day. I think it's pretty

520
00:39:57.280 --> 00:40:00.960
clear that you have people like E. Howard Hunt. Alex in fact,

521
00:40:00.119 --> 00:40:05.519
years ago, went and got a
deathbed interview with E. Howard Hunt before

522
00:40:05.519 --> 00:40:07.840
he passed away saying yes, I
had a key role in that, and

523
00:40:07.880 --> 00:40:10.559
I think at that time Alex was
the only person covered that. Maybe Rolling

524
00:40:10.599 --> 00:40:14.360
Stone did a piece on it,
but Alex has an old interview with E.

525
00:40:14.400 --> 00:40:15.599
Howard Hunt. You guys should try
to dig that up. It's it's

526
00:40:15.599 --> 00:40:19.320
a classic because you say, yeah, it was us, we did it.

527
00:40:19.400 --> 00:40:21.079
See I did it. I had
a key role in that, as

528
00:40:21.119 --> 00:40:24.960
well as other factors. Mafia played
a role too, So huge admissions there

529
00:40:25.039 --> 00:40:30.679
from E. Howard Hunt back in
the day. Next film, I would

530
00:40:30.719 --> 00:40:35.559
say, that's really important. This
is would round out the tenth of my

531
00:40:35.639 --> 00:40:40.800
top ten conspiracy movies would be the
old old old movie Metropolis from Fritz Lang

532
00:40:40.880 --> 00:40:45.159
nineteen twenty seven film. Now,
it's going to be a little difficult to

533
00:40:45.159 --> 00:40:49.360
watch if you've never watched this film. There are actually some versions that people

534
00:40:49.400 --> 00:40:52.559
have made on YouTube which have sound, and this is an old silent film

535
00:40:52.639 --> 00:40:58.119
basically, and they've added music and
there's colorized versions. And so it's about

536
00:40:58.119 --> 00:41:00.000
a three hour movie, so two
and a half too, something like that

537
00:41:00.280 --> 00:41:02.639
too, forty five, So it's
going to take a lot of time and

538
00:41:02.639 --> 00:41:07.800
effort. It's not an easy it's
very different I'll say that, but there's

539
00:41:07.840 --> 00:41:13.400
a lot of really profound futurist elements
in this, including the prediction of the

540
00:41:13.559 --> 00:41:17.079
rise of AI sex bots and how
that would be used to control the city.

541
00:41:17.760 --> 00:41:23.719
The social spheric might even be destroyed
by the implementation of AI and sex

542
00:41:23.800 --> 00:41:29.880
bots. That's actually what this nineteen
twenty seven movie is about, amazing,

543
00:41:29.960 --> 00:41:36.320
amazing prophetic elements, and this is
probably one of the most profound future presentations

544
00:41:36.360 --> 00:41:39.440
that we've ever seen. In fact, when they create the AI, she

545
00:41:39.679 --> 00:41:45.920
is created by a mad scientist sitting
there underneath an inverted pentagram, and the

546
00:41:45.000 --> 00:41:52.599
idea in the film is that this
will actually be a satanic ritual process which

547
00:41:52.639 --> 00:41:58.000
will bring about the AI, which
will then bring about the apocalypse and the

548
00:41:58.000 --> 00:42:04.719
destruction of society. The film actually
has a lot of references to Babylon,

549
00:42:05.039 --> 00:42:07.960
you know, the horror city of
the Book of Revelation and all this kind

550
00:42:07.960 --> 00:42:10.199
of stuff. That's all in the
film from nineteen twenty seven, and it

551
00:42:10.280 --> 00:42:16.159
predicted again that it would actually be
transhumanism that would bring about the collapse of

552
00:42:16.239 --> 00:42:19.559
society. And so in the film
they really I'm not well, don't spoil

553
00:42:19.599 --> 00:42:22.039
it, but they realized that hey, maybe This isn't a good idea to

554
00:42:22.239 --> 00:42:27.199
release, you know, AI sexpots
on the population, that it might end

555
00:42:27.280 --> 00:42:30.239
up in an apocalypse. So I
hope you wholly enjoyed this. There it

556
00:42:30.360 --> 00:42:35.360
is, there's that great sequence there
where she's seated at the base of an

557
00:42:35.360 --> 00:42:40.840
inverted pyramid, where the science basically
dark alchemical science is actually a Satanic endeavor

558
00:42:40.880 --> 00:42:46.599
to invert nature and turn it into
something dark or control. If you would

559
00:42:46.960 --> 00:42:51.960
like deeper analyses, my books actually
have full on analyses of all these films

560
00:42:51.960 --> 00:42:53.440
that we've covered today. You can
go to my website, jameson aalyses dot

561
00:42:53.440 --> 00:42:54.920
com in the shop and get signed
copies