Two plus years that I've been hosting The Fourth Hour and really honored to be
here, really glad to have this opportunity and love speaking to you guys.
It's one of the best podcasts and audience experiences that I've had, is being
here with you guys. And I want to do something a little different today.
Because we've covered so many of the elite texts, I want to go
back to what I really started getting into when it comes to all this stuff
many many years ago, which is Hollywood. And we're not going to just
do the old Hollywood analysis of the occultists and all this kind of stuff that's
well known now. I think, and you know, I was blogging on
this ten twelve years ago and then wrote my first book in twenty sixteen on
esoteric Hollywood. But what about something easy where it's useful for the audience to
recommend films to their friends and family to wake them up and believe it or
not. I think that the elite have the perspective that they do like to
demonstrate rate what they're up to. They don't. They do like to show
us ahead of time what's going on fiction, and that predictive programming element is
really important for how the elite run things and how they prepare us for things,
and they warm us up, they kind of condition us to the things
that are coming down the pipeline. So Hollywood and pop culture in the music
industry, all of it together as part of mass media, plays a key
role in this preparation phase. And a lot of the analysts and psychological warfare
experts and the sociologists and the public opinion experts, the burns is the lip
mons. They've talked about the role of Hollywood and all this. So what
are ten movies? The top ten movies that openly display and expose the big
conspiracy, the new world order, the technocratic takeover in all of its fastest
and components. So I've chosen ten that I think are the best. I
think I've written extensively on every one of these. If you're looking for a
series of movies to watch with your friends and family, not all these are
appropriate for friends and all members of the family, I'll note, by the
way, and in fact, the first one that I've chosen is not appropriate
for everybody. In fact, i'd be let's say, I watch out,
don't show it to your kids, but mature adults can understand that Kubrick was,
whatever his motives, whatever you think of him as a filmmaker, he
was definitely showing us a lot of what was really going on and how the
world has really run through most of his films. In fact, four of
his films make it to my top ten list. And this is not any
specific order, but the first movie I recommend for understanding is the nineteen ninety
nine controversial expose you could say as White Shut. Now, this film was
lampooned at the time, the critics didn't like it, a lot of people
didn't understand it, and it is a bizarre film. But in Ie Watch
Shut, we have contemporaneous with the actual marital problems of Tom Cruise and Nicole
Kimman at the time, a movie that portrays their marital problems as they embark
upon this bizarre surrealist journey. We could say, particularly the main character,
Tom Cruise, that is, who believes himself to be amongst the power league.
He thinks, well, I'm a really successful, wealthy doctor, upper
class in New York. My wife's involved in the art socialite sphere, and
he has a lot of hubrists and pride, and yet he realizes that his
marriage is falling apart and that his wife apparently is not satisfied with him.
This causes him to kind of go into a panic, and he's then tempted
to engage in marital infidelity, and we see a lot of this kind of
kicking off from this original Christmas party they're having, right. This leads him
then on this long sort of mental journey, a psychological journey into basically what
amounts to the real power structure. So he goes down this last of seeking
what he thinks his first sexual fulfillment outside of his marriage, and then this
leads him to a large estate outside of you know, the central hub of
New York, and he finds out that there's actually a sex cult at this
estate and it seems to be very wealthy, powerful British elites running this sex
cult. And he's confronted and called out in front of everybody when when he
stumbles into this rabbit hole, and this leads him then to realize that he's
not actually at the top of the totem pole. There's a higher level superstructure
above him and they're into some really dark Epstein style stuff. Now Kubrick was
selling telling us that a long time ago, that's what was going on with
you know, the darker side of this when it gets into things like the
Adrina Chrome that Jim Cavezel was talking about, and I mean that's not even
that's even further than what's pictured in this film. But in this film we
have something like a kind of a high level elite sex cult. You see
the head of the cult. They're sitting underneath the double Headed Eagle, which
suggests some kind of high level secret society, a cult sort of perhaps Ordo
ab Kyo something maybe chrole in going on here. And Tom Cruise again inadvertent,
sort of stumbles into this thinking that he's going to you know, get
the upper hand, or he's going to attain a new status, or he's
just really curious. He wants to find out what's going on. So he's
tempted right to engage in this ceremony outside of his marital relations here in this
big secret society sex cult. And they say, well, we're actually we're
gonna kill you because you have gone against what's allowed. And as you know,
I'm not going to spoil the whole movie. You've probably seen it,
but one of these supermodels from the very beginning who he saved. And by
the way, there's a bunch of very beautiful supermodel women in this sex cult.
And that's interesting because we know that in terms of Nyeguard and a lot
of these figures connected Epstein, they actually did recruit and utilize a lot of
supermodels. So it's very, very curious here that Kuber was telling this,
telling us this in nineteen ninety nine. But anyway, Tom Cruise basically realizes
that he's going to be put to death. This colt has all the powers
of an intelligence agency at their disposal, which again Kubrick is probably telling us
something there, because Tom Cruise ends up being followed, he ends up getting
threatened, and the supermodel who he saved at the beginning, she actually dies
for him, believe it or not. Actually, I think actually Alex had
her on. The actress that played that role. She came on maybe five
or six years agoing in for us. I remember that interview and she basically
said, yeah, everything that Kuber's talking about in this film is real.
Of course, Vivian Kubrick has come on Alex's show as well several times,
so I recommend eiswhite shut as an overall analysis of Hey, look, Hollywood
was telling us in movies all of this Epstein Nieguard stuff back in nineteen ninety
nine. And believe it not that there's actually a lot of films prior to
Oswhite Shut that are very similar to Eiswait Shut, old black and white movies
like Eye of the Devil with Donald Pleasance, right, that was actually telling
us something very similar. Next, let's move on to another Kubert film that
I think is a extremely revelatory that a lot of people didn't initially think was
that revelatory. But now it's been so dissected and so analyzed on YouTube,
and I have a whole mini documentary that's gotten quite a few views analyzing it
on YouTube, as well as many other YouTubers. And that's Stephen King's novel
The Shining, made into a film in nineteen eighty by Stanley Kubert. And
this movie has been dissected into oblivion just like two thousand and one has.
But what's fascinating about it is that it doesn't in my view, this is
my interpretation. You can disagree, but I don't ultimately think that it's about
a haunted hotel. I think that it is in part about that, but
it's also about something much deeper, which is about American society and Americanism as
a whole. And the reason that's relevant is that we find out this hotel
is actually haunted because it was at one point the location where the jet set
used to hang out. All the best people were told by the hotel manager
royalty, the elites, those who were successful, so to speak, in
a worldly sense in life, and the main character, of course, Jack
Torrence, is attempted. He's constantly sort of tempted throughout the film in his
mind to think, if I'm going to get amongst the elite to become a
great writer, which is his desire, right, I'm going to have to
dispense with the things that hold me back, right, And eventually he realizes
that that's Danny and Wendy, my wife, Wendy. Right. He says,
I gotta get rid of Wendy. Wendy's holding me back. And there's
a lot of interesting elements that people have picked apart including myself, such as
Wendy's interest in witchcraft. That's not really apparently clearer right away, but if
you go back and you watch the film, you'll notice that Shelley Davallo is
actually reading in the very early sequences a lot of books on witchcrafts. She's
shown holding and studying witchcraft, so she's interested in the esoteric. In the
occult, she has stacks of witchcraft books, which I think suggests perhaps Jack
also was reading his books again, because he's also a literary figure who eventually
becomes demonically possessed. And as we know, this becomes more and more apparent
as the film progresses, and I think there is an argument to be made
that Jack might have actually even abused Danny. Now that's not I mean beyond
physical abuse. And I say that because there's a recurring theme in a lot
of Kubert films about child trafficking, underage abuse, this kind of stuff.
It actually comes up quite a bit, right, I mean, Kubert did
Lolita, it comes up in Barry Lyndon, it comes up in Eyswight Shut.
So the lely Sobieski character that I didn't mention in Eyswit Shut, she's
actually apparently being human. She's human trafficked, you could say, because she's
at the costume store when Bill Harford is trying to get his costume for the
sex cult event. And she's obviously an underaged person who I think we're supposed
to She whispers to Bill Harford, for example, that you need an ermine
cloak if you're going to be hanging out with royalty. But Jack, of
course, as we said, is eventually demonically possessed, and he ends up
sort of trapped in a victim of this hotel. But there's a lot of
sub themes and motifs throughout the movie that make it clear that it's not just
a critique of, you know, a crazy writer trying to achieve elite status.
It's about the dream or the promise of the American idea of you can
make it amongst the elite if you're willing to sacrifice at all. And the
criticism here is that that includes in Jack's mind, right, he goes crazy
trying to make it into the elite, to the point where he's ready to
sacrifice his wife and kids. He's so insane, right, That's really I
think what the film is about. By the way, in the movie,
they're actually watching a movie called Summer of forty two, which is about pedophilic
relationships. So Shelley, Daval and Danny are actually watching that movie at one
point was really bizarre. It's not really appropriate for a child, right.
And then the movie ends, of course with Jack doing the mathamet pose as
above so below, where he's immortalized amongst the individuals at the hotel. So
we see him in a nineteen twenty one photograph, right, telling us that
essentially he's not only was he possessed, he's basically condemned to be that one
of these haunting phantasms of this this hotel. But I think that it's also
an allegory for America and how America in a sense, if it has abandoned
its original principles, right, basic moral principles value, America can become a
haunted, possessed overlook hotel, you see, because you know that it isn't
it, I think built on an Indian burial ground, all this kind of
stuff, right, So I think that's what that's actually about. Next,
I would say the the movie two thousand and one, even though it's been
dissected a million times, this would be my number three film, and it's
relevant because really the whole Arthur C. Clark storyline of two thousand and one,
two and ten, and three thousand and one, that whole trilogy is
about the evolutionary ascent of man to become a transhumanist god. Literally, it's
about the apotheosis of man. And we know that because of because Arthur C.
Clark was hanging out with a lot of the esoterica cult circles. Arthur
C. Clark was into a kind of Luciferianism, you could say, and
he did believe that technology would be the means by which humanity would become gods.
And so if you think about two thousand and one, I'm sure everybody's
seen it. If you go back and watch it, you'll notice that the
evolutionary process where the apes discover technology and dominance who technology when one ape hits
the other guy on the head with a bone. This then leads to the
next phase of human development, which we fast forward to being in space and
the conquering of space and Bowman being sent out to investigate these strange signals that
are coming from various space locations, and then we get the next phase of
evolution, which is man versus AI, right, Bowman versus how and who
will win? Well, it turns out, of course Bowman wins that battle,
and so he becomes a godfigure. He steps outside of when he goes
through the portal or whatever, he steps out of the time and space universe
into the next dimension and is reborn as Starchild. And in the story,
Starchild nukes Earth because it's time to store over right, it's a it's a
depopulation narrative right in the novel. In Clark's version, Kubert changes that,
but it is a completely Luciferian expose. And when we come back in varying
ways and capacities, and we were talking about two thousand and one of Space
Odyssey from nineteen sixty eight from Kubert again. And the thing about Space Odyssey
is that although I don't agree with the overall philosophy that's being presented in the
movie, it's relevant because it's giving us an insight into the attitude and the
perspective of the elite. And I do think that it has a lot of
these sort of esoteric and alchemical sub themes going on. It's about not just
evolution, but man's ascent into apotheosis in the elite perspective of how that occurs
via technology. Because as the series progresses on beyond the first movie, I
would actually recommend if you watch the second movie with Roy Scheider twenty and ten.
It's about the Cold War ending so that we get a world government,
believe it or not. So out of the Cold War dialectics comes the synthesis
of the New World Order, and the New World Order in that movie is
presented as sending fourth humans into the cosmos to see the cosmos so that we
can become gods of the universe basically. And in three thousand, in the
third installment of Arthur C. Clark, it actually has Howl and bowmen be
coming together and a kind of transhumanist entity known as Hallman and Man becomes God.
Right. So that's that's what the series is ultimately about. But it's
all predicated not just on Darwinism, but on a mystical Darwinian apotheosis where conflict
thesis, antithesis, synthesis leads to the apotheosis of transhumanism. That's actually what
the whole movie and the series is about if you pay attention to it,
And that also leads into another quasi transhumanist film. My fourth choice when it
comes to the top ten movies that display and illustrate the New World Order and
the revelation of the method predicted programming is the Major's trilogy, which begins in
nineteen ninety nine. I'm sure everybody's seen the Matrix trilogy, but did you
pay attention to a lot of the gnostic Neo Gnostic sub themes, to the
Platonism, to the esoteric idea that Neo this individual who is we later find
out the ninth or tenth right version of Neo I don't remember exactly, but
it's something like that, right. There have been several other NEOs that were
the one, but the tenth instantiation or whatever it is of Neo is the
final one because he's actually going to break the pattern, break the matrix.
And so initially it's about whether we're determined, predestined to be part of this
scheme, this sort of computer program that is that doesn't allow for free will.
And you have this architect character to this Great Architect, which is again
kind of a Masonic idea that God is this architect, this grand architect of
the universe, and that Neo breaks out of this because he's supposedly determined to
only have a couple options in this choice at the end between uh, you
know, coming after the Great Architect or you know, saving trinity right,
And so initially it's about free will and choice, and then as the series
expands on, it becomes about synthetic virtual realities. It becomes about a future
dystopia where you know, we've been imprisoned by this AI. And there's a
lesser known series called The Animatrix where it turns out that the AI was actually
able to take over through this weird cryptocurrency that it invented. I'm not saying
that's bitcoin. I'm a supporter of bitcoin, but I just thought it's funny
that it engages in atmospheric geo engineering spraying the AI in the Animatrix series,
and so that's part of the storyline that's not in the mainline movies. But
there's a lot of a lot of predictive programming in the Matrix series, so
it's definitely worth watching. But the basic philosophy here is gnasticism and platonism,
and so we're just harkening back to these ancient systems of philosophy that I think
it hit really well for audiences in the nineties because that's right when the Internet
was starting to get really popular, and then there was a lot of hacker
movies in the nineteen nineties. And so even though there is a way you
could read the Matrix as a kind of a narrative where we are awakened,
where we wake up to reality, ultimately it's also kind of a a nastic
presentation which doesn't really wake us up. So it's both revealing and concealing.
I would say when it comes to the Matrix trilogy, because you can use
it as an analogy for where we are in the world, that it seems
like we exist in a Matrix system where you know, we can't get ahead.
It's gamed against us as individuals, as normal people, you can't rise
up. It's a super megacorp control structure. That's what we see here in
the first one. Well we find out that actually it's much deeper than it
being some kind of socio political economic control structure. The oppression in the Matrix
story is actually all of reality being an illusion, being in a prison.
The idea that all reality is a prison again is an ancient Platonic slash gnostic
view, And I know that Nasticism and Platonism are not identical, but that's
where I would disagree. I don't think that all reality is inherently evil or
some kind of a prison. But we are existing in a fallen reality,
and we are and you could say, underneath the dominance of fallen angelic entities.
Right, and so in that sense it's partly true. So you could
read Agent Smith as you know, something like a Satan figure, and you
could read Neo as a kind of a christ like figure. Again with limitations
here, and so the red pill and the Blue pill then symbolize the bluepill
staying in MPC, staying in Ormy, staying believing Biden and this kind of
stuff, right, whereas the red pill is waking up to it's really going
on, that reality is controlled, that reality is we're lied to about reality
on a massive scale. I'm not saying everything's a lot, but a lot
of what we are told in mainline education and in mainline churches and all this
kind of stuff is not true. It's a lie. It's part of the
matrix system. And so really the only way out of this is a type
of religious conversion. And so I think we could we could read that element
of the matrix properly and correctly. The next movie I would say, in
my list coming to the top ten, here is I guess this would be
one, two, three, four, this fifth one would be a network,
and I just covered network. We just talked about it fairly recently on
one of the fourth Hours with you guys. And this is the satirical film
from nineteen seventy six which you think is about I was. I was glad
to go back and watch it. I had never seen the whole thing until
fairly recently. In terms of paying a lot of it ten I think I
saw how many years ago and I fell asleep, not because it's bad,
it's just watching it late at night. So I watched it intently and paid
attention, and I was amazed at the depth of this movie. This film
has so much in it, and it is quasi satirical because the Carnival Barker
media character who Howard Beale, who starts to because this network is dying,
he wants ratings, and he starts to just sort of rant. So we
get kind of the the first notions of modern media of it being about CULTI
personality, and it being about infotainment, which I don't necessarily have a problem
with that, but it's it's it's clearly showing that the future of media will
be about transitioning out of the boring old figures that you know, the Walter
cronkites that sit there and tell you that you should believe in the new world
order, and it will be transitioning into these sort of loud, crazy figures,
right. And it even has reality TV in this. In this movie,
they actually started reality TV show about a communist cell in the movie,
which is pretty wild, right. This is this is the nineteen seventies.
Somebody had done reality This is years before MTV and road Rules and you know
all that kind of stuff. So here we have this prediction of reality TV
and this really famous. There's actually a few famous speeches in the movie,
and you see the sequence here that they're showing. That's of course the most
famous one that we talked about a couple of fourth hours back, and it's
this sort of socio economic Darwinian corporate control. The metaphysics of corporatism basically is
the purpose of this speech. We'll talk about that when we come back on
the fourth hour of the Alex Jones sho I'm your guest host, Jay Dire
Jay as analysis don't go anywhere and head over to the M four A store.
When when this show ends excellent products that are over there. I have
quite a few in my bathroom. In fact, the roll calcium two pace,
I'm a big fan of that. We have some of the other supplements
and nutritional aids that Alex offers, and we're big fans of those, So
I definitely recommend getting those, and also the t shirts and the books and
all the other offers that are over there to support the inful war keep this
show going. And we were talking about Network, the nineteen seventy six film,
which is a great satire of mass media in many ways, very predictive
because it shows the control of mass media in all forms on the minds of
the public. And now the public can really be swayed in this in a
mob mentality, so speak. And the Howard Buell character ultimately tries to step
up against the system, against the matrix, you could say, and he's
immediately shot down by this figure who we find out is actually a sort of
a black Rock Vanguard sort of character who has this giant, you know,
hedge fund conglomerate is buying the Network, and the Network says to Howard Beale,
we run you and control you. You know, you don't have this
freedom. You don't. You're the creation of us, and we can destroy
you at any moment. And so Howard Beale, who kind of sees himself
as this quasi prophet, quasi religious figure, is realizing, oh no,
I'm actually a creation of this entity. And that that weird sequence there where
he's being lectured at by the big Black Rock ceo there right, he finds
out that this figure is sort of a god figure to him, and it's
a very religious sort of a sequence, and Beal actually says, I've seen
the face of God speaking of this CEO corporate figure. And so it's not
about truth, it's not even about ratings. It's about what the megacorp wants,
and they control and destroy Howard Beale at will. So that there's a
lot really profound truth, especially in that corporate metaphysic sequence, as it's sometimes
called the Metaphysics of Corporatism or whatever. It's a great film and it's full
of a lot of really profound trees and predictive elements. As they said the
reality show in there, that it's just wild. All the stuff that's in
that movie I highly recommend if you've never seen it. In it, but
it's great for showing the absurdity and the reality of corporate media control. The
next movie I would say that's great in the top ten list for waking up
your friends and family, which pretty much everybody can watch, is the nineteen
eighty eight classic from John Carpenter. They Live. They Live as one of
the best conspiracy movies. That's pretty accurate now, depending on how literal you
want to read it. You could read They Live as a story about aliens,
or you could read They Live as a story about again mass media control
in the New World Order. It's not perfect. There's a couple areas of
the film that I think are kind of silly that I would disagree with,
But They Live as a story, it's kind of a carto. In his
satirical story, you could say of sort of a drifter Roddy Roddy Piper and
John Nada. He sort of wanders into La looking for work and he ends
up staying at a homeless encampment and finding a construction job. And while he's
staying at this homeless encampment looking for work, he hears this signal that's broadcast
from a local church that comes through on a TV TV show and they hijack
the signal and they say everything that you've been being told a lie, and
there's a corporate system that's controlling you, and we're being controlled by our desires
and by consumerism and all this stuff. And then the signal goes away because
they they lose the signal. So this begins him questioning and he figures out
that it's coming from this church nearby. And this church it turns out as
manufacturing these glasses that allow you to when you put them on, see what's
really going on. You can see through the signal that's being broadcast that controls
your perception of reality. And so this leads to a kind of a burgeoning
rebellion and revolution. Yeah, there's the signal as they're watching it, that's
that's breaking through the TV screen, through the advertisements and the consumerism, and
this leads to this sort of under undercurrent a revolution against the system. And
as soon as this starts to build, the system, here's finds out about
it and they send basically a giant police state killed dozer to come through and
just destroy the entire homeless encampment. Right, this sends Roddy Roddy Piper,
John Nada on the run and they reconfigure and they try to again build this
revolution against the system, and it turns out it's not what they thought it
was. It's not just a corporate control. It turns out there's these sort
of alien beings that appear as humans, but they're all they're the sort of
off world demonic parasite that is leaching on everyone and controlling everyone through this signal
that they're admitting from a control tower, from a satellite on the top of
a media building. So again a lot of allegories, a lot of parallels
there that the corporate control the consumers, society. It's all about conform,
consume, obey, watch, be quiet, stay asleep right exactly, keeping
you in the matrix, so to speak. And again it gets really wild.
It turns into a battle with the alien entities and these off world things.
And the idea is, well, if I can control, if I
can destroy the signal that they're emitting, then I can get rid of them.
So it's a great allegory, it's a great it's a great film overall.
Highly recommend watching They Live if you've never seen it. The next movie
I would recommend in my list of the top ten conspiracy movies that show us
what's really going on in the world would be Clockwork Orange. Once again,
Kubert makes the list again, and this one is really important because this is
based on Anthony Burgess's novel, which he also has another dystopian novel, by
the way, called The Wanting Seed, and that might be relevant if you're
not familiar with that dystopia nor story for what's going on the world. I
won't say what it's all about, but but it's about a lot of what's
going on. It's it's an element of the dystopia that not many people have
talked about. For example, in nineteen eighty four doesn't talk about the Skittles
rainbow element of the dystopia that we're going into, but The Wanting Seed does,
Brave New World does, by the way. But a Clockwork Orange is
interesting because it's a dystopian novel or in the movie presentation is not really about
what you first think it's gonna be. You think it's about, Okay,
there's these drugs, these these gangsters that are running around New York, these
wildly British street folk, and you think, okay, so this is gonna
be about a gang and no, it turns out when Alex is arrested,
he's put into a medical psycho psychiatric rehabilitation program. And so the first act
of the movie is about you know, the gang stuff and the havoc that
they're wreaking, and then the rest of the film turns into basically an mk
ultra rehabilitation skinner box. The rest of the movie is basically Alex in a
skinner box undergoing IMCA ultra mind control conditioning. And the best sequence in the
whole film that explains the purpose of all this is when one of the social
scientists psychiatric guys gets up there and he says that the whole purpose of all
of this is to take all of these inmates as an experiment, to recondition
them, to emasculate them, and turn them into completely obedient, subservient creatures
of the system, to basically break them in and to turn them into soy
bugman. Basically, so the prison system is the test tube for what they
call in the movie the Ludovico method, which is this method of reimprinting you
through trauma based mind control and drugs to make you into a completely obedient,
submissive soy man. And in the film, it's if I recall, it's
it's been many years since I've watched. I did an essay on this many
years ago, but it's basically effective. In the case of Alex Right,
he eventually gets rehability, or he gets conditioned, so to speak, into
being this sort of docile, vegetable right, and then after that we see
him maybe having a dream of a fantasy of engaging in his base or desires.
But ultimately it seems like the Ludovico method is effective in creating this docile
mind controlled public and that's eventually what they want. So this is a very
profound dystopian message that movie message that I think ultimately is about m Kiltra And
I think Burgess probably knew what Tavistock Clinic and what the doctors were up to
because that had a big, big role in the UK. It wasn't just
America, it was kind of a global thing. Turns out im cult was
everywhere. So when we come back, we'll finish up the last few movies
that are the top ten conspiracy films of all gear, going through the top
ten conspiracy movies of all time that show us how the world really works.
They were telling us all along in so many films what's actually going on in
the world. And movies are a great way to wake up your friends and
family that don't know about this stuff or kind of maybe just now kind of
waking up and figuring out what's going on. You can go back and show
them, Hey, a lot of these old movies that you grew up with,
that you that you saw when you were a kid, you know,
they were actually telling you a lot of the stuff if you paid attention.
And I want to remind you too that for our audience. In terms of
movies, we'll be doing a live event in Hollywood very with Jamie Kennedy.
If you've seen the Jamie Kennedy Experiment, if you've seen Malibou's Most Wanted,
if you've seen you know, Scream, so many great movies, and I
think Jamie was in what a might be one of the funniest TV shows of
all time. Jamie Kennedy Experiment is genius and a lot of interesting psychology if
you watch that show too, It's not just a comedy show. There's a
lot of interesting psychological studies you could do on the basis of how people react
to a lot of those scenarios. And if you go to my Twitter,
the very top of my Twitter, you'll see a pin tweet that got a
lot of views, and then writer underneath that you'll see the event bright link
you can get right there. Go to that. It's on my Twitter.
It's at the very top. Jaydy are on Twitter. And you can get
tickets to our event July six at the Value Reliction Museum. They're in Van
Nye, right outside of Los Angeles or in Los Angeles area in Malibu area,
Ish area, So get your tickets there at event Bryan and We'll be
doing a five hour event where we cover Hollywood, We cover movies, me
and my wife. I do a lot of comedic stuff and doing a lot
of impressions. We have an hour and a half on film analysis that Jamie
does. I do an hour and a half on my book Film Symbolism and
Philosophy, So I'll be talking about this book. You can come get your
book signed, book signing, all of that, and then Jamie Kennedy'll be
doing a stand up for about twenty or thirty minutes as the headliner of the
show towards the end. So go get your tickets at the event bright link.
It's also on every post on my website. You can find the links
there to get the tickets. July six in Hollywood. Be sure and come
on out. Now. We were talking about these movies that tell us everything.
Clockwork Orange was a classic. Let's get the next one, Conspiracy Theory
nineteen ninety seven, Richard Donner mel Gibson movie. Of course, Mel is
in quite a few conspiracy ish conspiracy themed movies, but this one is one
of the classics. Edge of Darkness is another Mel Gibson conspiracy movie that a
lot of people overlook a lot of interesting things going on in that But the
reason I chose Conspiracy there is not just the title of it, but in
my own life. This was one of the first movies I watched. It
came out in nineteen ninety seven. I remember seeing it at the theater.
That was kind of my first exposure to conspiracy culture. I know X Files
had kind of just got going on Fox back in the mid to late nineties.
I didn't really watch TV back then. I was in high school,
so I didn't care about TV. It cared about girls, and I remember
going to the movie. I did like movies, and I remember going and
thinking about this was pretty crazy. I wonder how much of this stuff that
crazy Jerry, the conspiracy theorist talks about is actually correct. And if you
watched the movie, quite a bit of what he said was correg He got
some things wrong because he ran a little conspiracy newsletter if you remember in the
film. But it turns out, and I'm not spoiling too much if you've
never seen it, it turns out that Jerry was actually a subject of mk
Ultra and Patrick Stewart Captain Piccard content to call. He plays the handler to
Jerry. So he's actually Jerry's CIA handler who was mind controlling him to create
a program to assassin and they were they were using him as a private,
secret corporate assassin group. That was they could be used for hires. So
it wasn't really even the CIA. It was people who had gone on from
the CIA to create a private corporate intelligence network of private assassins that would then
go and kill politicians and right. And so the story was of course that
mel Gibson was supposed to kill Julia Robert's dad, who was a high level
politician. And it turns out that most of his paranoia was true and a
huge part of the narratives about m K Ultra, And if you go back
and watch it, it's amazing how much of him Cultra and how much accuracy
was packed into that film. And you know, Mel Gibson has done some
of the best work in terms of putting out good messages in Hollywood, and
people have dug up actually old clips from around this time of the mid to
nineties when Mel was actually saying how dark Hollywood was even back then. So
super duper mega red pill based Mel way ahead of time when it comes to
talking about the esoteric, occult, satanic elements even back then, and so
I highly recommend if you've never watched Conspiracy there go back and watch it and
you'll you'll be pleasantly surprised. It holds up pretty well, and especially the
conspiracy stuff. So so much of this has actually come out in a blow
away next movie. You can't pass up another nineties film. I remember when
this came out. I wasn't super into it, just because I didn't know
much about the JFK assassination and I was only I was only about maybe twelve
versus I mean I was I was just now hitting you know, like high
school era starting freshman high school or something. But and that's the nineteen ninety
one Oliver Stone film JFK, which turns out was based on multiple different authors.
Stood I think Alex has had most of these authors on over the years.
He's had Jim Mars on. I think Jim Mars's book was played a
key role in Oliver Stone. I think Jim Mars consulted in part on the
screenplay with Oliver Stone. I know that Colonel Fletcher Proudi's book Secret Team played
a part of a role in this film. That's a classic. And I
know that I think Mark Lane's book also played a role. So a lot
of a lot of the classic kind of JFK writers in early phase conspiracy people
did have a role in helping Oliver Stone to put this together. And there
was there was sort of a golden period in the eighties and nineties when you
could still get a lot of these kinds of movies made. And so I
think, you know, Oliver Stone deserves props for for getting that done.
And Alex has had Shaun Stone on many times. I've had done many podcasting
shows and hung out with Shawn Stone, and you know, he knows a
lot about this stuff, and the Hollywood stuff too that we've talked about.
So I would say go back and watch JFK and you'll notice how much of
that old generation conspiracy stuff actually comes through in the story. We find out
the Mafia elements, we find out the CIA elements. And that's important because
a lot of this has now come to The Four, not just with Tucker
covering the CIA relationship to the JFK assassination, but now RFK rising in popularity
and getting out there and talking about a lot of these issues and basically saying,
yeah, the CIA was it was crucial in the assassination of my older
family members. Yeah, exactly. So go back and watch Oliver Stone and
JFK, and I think you'll notice that a lot of other Oliver Stone films
also have, you know, conspiracy themes here and there. But I think
JFK comes to The Four as the most conspiratorial of his films and probably the
closest to pretty much what went on right that day. I think it's pretty
clear that you have people like E. Howard Hunt. Alex in fact,
years ago, went and got a deathbed interview with E. Howard Hunt before
he passed away saying yes, I had a key role in that, and
I think at that time Alex was the only person covered that. Maybe Rolling
Stone did a piece on it, but Alex has an old interview with E.
Howard Hunt. You guys should try to dig that up. It's it's
a classic because you say, yeah, it was us, we did it.
See I did it. I had a key role in that, as
well as other factors. Mafia played a role too, So huge admissions there
from E. Howard Hunt back in the day. Next film, I would
say, that's really important. This is would round out the tenth of my
top ten conspiracy movies would be the old old old movie Metropolis from Fritz Lang
nineteen twenty seven film. Now, it's going to be a little difficult to
watch if you've never watched this film. There are actually some versions that people
have made on YouTube which have sound, and this is an old silent film
basically, and they've added music and there's colorized versions. And so it's about
a three hour movie, so two and a half too, something like that
too, forty five, So it's going to take a lot of time and
effort. It's not an easy it's very different I'll say that, but there's
a lot of really profound futurist elements in this, including the prediction of the
rise of AI sex bots and how that would be used to control the city.
The social spheric might even be destroyed by the implementation of AI and sex
bots. That's actually what this nineteen twenty seven movie is about, amazing,
amazing prophetic elements, and this is probably one of the most profound future presentations
that we've ever seen. In fact, when they create the AI, she
is created by a mad scientist sitting there underneath an inverted pentagram, and the
idea in the film is that this will actually be a satanic ritual process which
will bring about the AI, which will then bring about the apocalypse and the
destruction of society. The film actually has a lot of references to Babylon,
you know, the horror city of the Book of Revelation and all this kind
of stuff. That's all in the film from nineteen twenty seven, and it
predicted again that it would actually be transhumanism that would bring about the collapse of
society. And so in the film they really I'm not well, don't spoil
it, but they realized that hey, maybe This isn't a good idea to
release, you know, AI sexpots on the population, that it might end
up in an apocalypse. So I hope you wholly enjoyed this. There it
is, there's that great sequence there where she's seated at the base of an
inverted pyramid, where the science basically dark alchemical science is actually a Satanic endeavor
to invert nature and turn it into something dark or control. If you would
like deeper analyses, my books actually have full on analyses of all these films
that we've covered today. You can go to my website, jameson aalyses dot
com in the shop and get signed copies