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Welcome to garden Wall. Recall a
nostalgic time corpsule and no spoiler book club

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of the original over the garden Wall. Thank jam your creepy curators. I

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am shocking Shelby, I am chilling
Charlie, and I'm hell led through the

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mist by the milk lide. All
was lost, his reed long by gone,

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burnens near echoes of the scream.
But where have we come? And

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where shall we? If dreams can't
come true, then why not? So?

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Yeah, the summer is over,
gang, We finished Gravity Falls old

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crap. Yeah, and that was
amazing. As Dipper's note said at the

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end, we will see you next
summer when there is more Gravity Falls content

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to talk about the vinyls coming out. Excited for that, But for right

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now our Gravity Falls auditory museum thing. We were kind of thinking about closing

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it for the fall, to be
honest, like most most kind of themed

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places, you know, like the
kind of seasonal right, well, actually

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most themed places don't close for the
fall. Ella, what shall be you?

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You heard of this? I mean, you know, every once in

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a while, for a little bit
of a money grab, they'll theme it.

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Yeah, I mean, like that's
what capitalism has given us, But

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I think we're allowed to do it
too. Are you saying that that this

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could be lucrative? It could be
so lucrative pulling behind the curtain here.

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The reason we're doing this is it
was a Patriot stretch call. So oh

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so it's already been lucrative, actually
already made the money. We just have

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to do it now. The question
is how do you turn a gravity Falls

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museum into a Halloween attraction? Like? What is a Halloween version of Gravity

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Falls? Well, I think we
should take, you know, inspiration from

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the greats, right, like like
not Scary Farm before Us or Boogy Boogie's

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Big Fruit Boogie Bath. I don't
think Disney attraction. Last time I checked

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it was. I love the re
theming for it. I mean like it

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is an adult party. So yeah, I want to cover of the ok

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Boogie song with just a lot of
faults. Yeah, Santa Claus, I'm

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really it's scared that's sucking boogies.
Whole thing. He's made of worms and

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he says frue he does. All
I could think is the like bootoo,

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you and you and you and you. It's Halloween and it is a summer

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tradition for many to rewatch Gravity Falls, and a lot of that same group

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does have a Halloween tradition. That's
true because there is a mini series on

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Cartoon Network that captures some of the
same mystery twelve year old vibes. You

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know, mystery twelve year old vibes. Yeah, yeah, genre genre now

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it is, that's true. Netflix's
biggest show is Mysteriouss. Mister Tines.

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We are covering the twenty fourteen Cartoon
Network mini series over the Garden Wall woo

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per Patreon request. Thank you to
everyone who's supported. Thank you. And

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I've placed just a bunch of pumpkins
all over the place. We got,

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yeah, the Japa melons for upper
Jackal lanterns, and we got like,

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yeah, you put like rats in
the walls and cobwebs. Oh those were

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there. Wow, this place is
in bad shape. We did get Darlene

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to throw a couple extra ones up
for us. Did she get birth right

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here in our in our museum,
Yeah, amazing to a bunch of spiders.

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Also, our docins are now scare
actors. I guess that's right.

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We hired them to play like,
you know, a bunch of universal monsters

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and crap like that. They're all
working here now. Of course, obviously

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to delegate, I can't coordinate all
that. We had a lot of docents

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by the end. Yeah, then, I mean we're not We're not experts

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on scare acting. Really. I
mean, the idea of jumping out at

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someone with a chainsaw out of nowhere, Yeah, thats not scary farm or

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that kind of attraction doesn't feel like
our sort of jurisdiction. So I've gotten

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Agatha Vile to train the docents on
how to not Yeah, she's kind of

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a head scare actor here she is. Oh my gosh, I go hello,

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early working. Wait a minute,
okay, I mean you got a

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lot of people to scare it.
You must be running yourself ragged. Are

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you all right? What happened to
the chainsaw? Wait a minute? God,

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damn it? Do you need help? I'm putting it down. Okay,

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it looks it looks really heavy.
Shelf up there, let's go stay

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there. Well, yeah, okay, can shift to jumping out at people.

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That's a rather large knife, all
right. Listen. I didn't want

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to get in trouble with my roommate
again, Okay, fair enough, So

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I tried to turn Cherry into a
were wolf, but that kind of went

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backwards. I don't want to get
into that. So I had borrowed my

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roommate's fiance's weapon, big knife,
the great knife. Can you describe it

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for us or for our audience?
Most of you probably know my roommates engaged

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to a version of Pyramidhead, not
the one from Syan Hill to congratulations to

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the happy couple. I know,
right, So she lives with the great

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granddaughter of a villain from the Little
Mermaid cartoon, and she's engaged to pyramid

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Head. It's Halloween all year round
there. It sounds like we could not

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have hired a better person to train
these scharacters. All right, thank you

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for saying that you got you borrowed
pyramid Head's knife, a great knife.

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Listen, airstanced for ten years.
I didn't use my arms for ten years.

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That thing is heavier than the looks. But you got the leg string

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you lift with your legs. Egg. Can you maybe, like Hacky sack

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the knife at the guests. Maybe? I don't know. I can't feel

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my arms anymore. I will say, if you drag it behind you and

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run real fast, it'll probably make
some sparks on the pavement. Ooh,

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that would be spooky. Oh no, that's absolutely what I was doing in

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Ohio, and then I had to
drag it over all though I ever heard

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to the mystery shack. Because airplanes
won't allow that type of weaponry on board.

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What I wonder, why not?
What is wrong with this country where

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you can't even take a several hundred
pound knife onto a plane anymore. It's

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not because it's a weapon. It's
mostly because we won't be able to get

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off the ground. He'll probably be
here to collect it by the end of

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the specials. So oh, that
would be fun. If Pyramid had showed

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up. I wonder what Pyramid had
thinks of the show. I'll just leave

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it by the bookcase. Well,
don't worry. I guess that we're very

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experienced with Pyramid related you know,
entities. We've got this Cherry's up back

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treating some of the newbies. By
that, do you mean biting them and

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turning them into wear wolves? Because
that looks like that's what's happening. You

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know. I didn't think this through
very well, did I. It's scary.

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I just hope it's reversible. There's
no wear wolves in your show,

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is well? There are now.
Yeah, I guess I'm gonna say,

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are they now part dog part were
wolf, which like diminishes the wolf's capacity

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and they're more like what sort of
like a husky? What breed is Cherry?

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Oh, she's an absolute mutt,
but that mutt includes muppet muppet,

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that's what mutt is short for.
I think. So you have werewolf muppet

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crab experiments. That sounds perfect,
but you've experimented on Cherry. She was

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my first crab experiment. Okay,
you turned a crab into a dog.

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It didn't really go well. I
was using a mitten crab. Have you

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ever seen? Those are very fuzzies. So I thought able with a muppet

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and then Cherry was born. You
know what, I think the the muppet

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ness really shows through in the eyes. I mean, Cherry, you have

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beautiful eyes. That's a good joke. What if you told a big scary

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dog then it had beautiful eyes,
wouldn't that be weird? That's from the

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first episode. We probably like we
did last time, just go over what

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our goals are with this podcast and
cover the the air pilot, not totally

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not asbery is the gravity falls pilot. You're right, actually, unaired pilot

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is just what the gravity falls fans
call the pilot, but not all pilots

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are on air. This was fully
aired. I saw the whole series.

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I had no idea if there was
an unaired pilot, And now you're telling

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me there was an aired pilot pilot. It's been on YouTube since twenty fifteen.

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Yeah, something like that. I'm
very tired. I mean, you

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just dragged a knife several states over. It's like a final fantasy weapon.

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Who take ten or go watch Cherry
take care of them? And we got

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the museum from here. If you'd
like, all right, I'll go out

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back. Can I bring you guys
anything? Maybe like some Wolves band if

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you have it. I think that
would help you. I would love some

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kisses from Cherry you want, I
don't think right, bad time for that.

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I'll make some lemonade or maybe some
raspberry tea, and then I'll figure

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out a cure so her kisses are
safe. All right? That good?

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I'll train your whatever they're called back
there. I guess they're now your pack,

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your muppet peck of wear cherries exactly. We got a regular muppets haunted

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mansion here. Well take care,
Agatha. Thank you for all your help

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around the Garden Wall recall. I
will say one more thing. Potatoes and

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molasses taste awful together. But potato
pancakes, all right, cousin molasses wait,

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cherry drop him, drop him?
Good girl, I gotta go.

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She's eating someone. I gotta go. Bye bye. Oh that Agatha Vial.

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Alright. So, like with mister
Shack, look back. Before we

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can really get into aisode one of
the series proper, we have to.

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You know, we wouldn't really be
doing a justice without talking about the story

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before the story in this episode zero
talking about the original pilot. It's on

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the Cartoon Network YouTube, so if
you would like to watch along when we

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cut on over to it, there
will be a link in the description.

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I would like to before we get
into it, give a bit of history,

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thanks to the Over the Garden Wall
art book. Quick rundown of It

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is basically that back in two thousand
and six, Tom of the Unknown was

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originally pitched to Cartoon Network by the
pilots writer and director and the series creator

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Patrick McHale. It was pitched to
Cartoon Network with a show bible that was

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constructed with all this like aged looking
paper and all these intricate like paper cuts

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and illustrations, and it really had
the It instantly gave you like the vibe

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of what this show's going to be
like. It was super super like mysterious

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and ancient looking and rustic and woodsy
and all that good stuff. And I'm

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not going to read directly from the
book about what that original premise was.

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The story revolves around two half brothers, Gregory and Walter, who accidentally bored

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a train destined for the afterlife.
W yes Walter after the conductor removes his

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face to reveal a skeleton. Gregory
and Walter jump from the train. In

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mid journey, they wander into a
forest where they encounter a devil named Old

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Scratch, who tricks Gregory into a
faustian deal. And you know how much

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I love those Scratch promises to return
them home if they read a book of

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forgotten stories, the Tone of the
Unknown. If the duo fail, they'll

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be whisked away to quote live in
the Dark Kingdom forever. There are Walter

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many plot details there. I am
glad they simplified, simplified when it became

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a series. There's way less going
on than that. The decision for it

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to become a mini series came after
this pilot was even made, so it

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was imagined as a full series,
and Network never would have a mini series

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about that scary train, not that
we can find anywhere except Pirate Age.

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There's no record that they ever have
had a mini series about a train.

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They called it scary train or so. I think there's no way to tell

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at this point. Yeah, prove
it. You can't. Walter initially protests,

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but he adds his signature to the
contract when he realizes Gregory has already

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signed in blood Old Scratch, then
grabs the book and tears out all the

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pages, flinging them into the air
as otherworldly winds carry the sheets to the

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far corners of the Land of the
in between, the floating pages reminiscent of

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autumn leaves or Slenderman pages. The
episodes follow Gregory and Walter as they track

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down the pages, with with with
events from the stories coming to life in

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unexpected ways. So that was kind
of the initial idea of the through line

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of the series, is that they
have to track down all the pages of

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the book, and each time they
find a page, they're going to live

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out whatever story that is. And
it is coded in all of this like

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old Like you said, it's like
a mare kana of like it's a mixture

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of a bunch of different things that
we equate in our head as old timey

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animation. Because yeah, in the
Over the Garden Wall series, there's a

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little Alice comedies, there's a little
fleisher, there's a little wind in the

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willows, there's a little like the
backgrounds are like Pinocchio. It's like that

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that early nineteen thirties style, like
early Mickey Mouse, Betty Boop Alice kind

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of things. There's like some nineteen
twenties animation, in some nineteen fifties animation.

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It's a nice melting pot of anything
that feels vaguely old timy. It's

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really it's like the scene in the
scene in Snow White where she's running through

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the forest and everything has a scary
face, and that's the background design philosophy.

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It's described by Mikhail as the place
between life and death, dreams and

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reality. Culturally, it is a
mixture of American folklore, classic fairy tales,

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ghost stories, and dreamland. The
landscape is never ending and always changing,

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but usually as the feel of either
Colonial to Victorian New England or a

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German countryside, which are like like
like you see saying that, like,

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oh, yeah, you know,
it's around that range. That's a huge

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range. Basically that means that it's
grim fairy tales and also Ichabod Crane.

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Yeah, that's a good point actually
about Ichabod because the Wind in the Willows

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and Ichabod the Headless Horsemen, those
cartoons were paired together in the Adventures of

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Ichabod and Mister Toad was the Disney
film that connected those stories. And this

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is really this is literally just what
if those fused? What if those fused?

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But then there's also German stuff like
snow White, and there's also early

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animation stuff like Betty Boop or the
Alice comedies. Yeah, it's just and

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then the the landscapes are based on
stock photos of New England in the Fall,

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as well as yes, colonial and
German architecture. Oh maybe maybe mister

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Toad doesn't need to fuse with Ichabod
because on the Mister Toad Ride you go

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to Hell. Toad just goes to
Hell. Well that is kind of exactly

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what's happening here. Yeah, mister
Toad goes to Hell. The series The

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Headless Horseman is there, and he
is basically the promise. I mean,

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there are a lot of people that
draw like parallels between this and Dante's Inferno,

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and you're at because I've read Dante's
Inferno twice over. The garden Wall

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is like the Bible and Dante's Inferno
and Purgatory and lost and every possible like

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allegorical thing this could be. It
is, but the Time of Unknown is

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very specifically a refuge for lost stories. And there are some ways that this

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specific short touches on that that I
really want to talk about after we watch

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it. So when this was pitched
in two thousand and six, Cartoon Network

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wanted it to be a film instead
of a series, which Michael did not

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agree with, and so decided to
focus on the second pitch that he had

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called Space Planet while he worked on
Flapjack, a show that a guy named

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Alex worked on I think as well. Was also on that show a couple

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people, and that's why Pat McHale
voices one of the Hench Maniacs in the

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Weird Mageddon arc. But he ended
up scrapping that pilot as well because they

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wanted to pare down the pilot he
was developing by like four minutes. He

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was like, I wouldn't know what
to cut, so he just scrapped it.

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He became the creative director on Adventure
Time, a little show you might

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have heard of, and he actually
imported the character Bemo from Space Planet,

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which I didn't know until I read
this book that Jemo was just straight up

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a character that was going to be
in his other shows. I love that

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so much, and that's very telling
it as well. The combination of that

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and the fact that he was also
one of the forces behind the character the

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Lyitch, who was like just a
straight up, deathly serious villain on this

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comedy show. Yeah, the fact
that he came up with both Bemo and

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the Litch kind of tells you everything
you need to know about Over the Garden

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Wall. Yeah. I mean that's
like, that's Greg and the majority of

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the darkness pretty much. Yeah.
And then in twenty twelve, six years

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after this original pitch Bible, he
created an updated pitch Bible that reflects the

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pilot that we are about to watch, the Tone of the Unknown. Harvest

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Melody is a short film slash pilot
written and directed by Pat McHale. It

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premiered on September ninth, twenty thirteen, at the La Shorts Fest and at

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various festivals throughout the year. I
feel like that kind of tells you the

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Cartoon Network already recognized that this was
like a big deal. That like they

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rather than dumping it, you know, into some internal project or putting it

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online. Not that you know,
putting pilots online is a completely valid way

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of doing it, but you know, premiering at film festivals a pilot for

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a cartoon on Cartoon Network might be
unprecedented. I don't actually know, but

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that feels like it signals that this
is something big. Yeah, I mean

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like they recognized the brilliance of what
its potential had. Yep. It also

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definitely functions on its own as a
short film, which we'll get into right

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00:19:02.519 --> 00:19:19.039
after we watch it, so let's
all check it out. So that that

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gave me chills. Honestly, Like
I forgot how good this? Oh?

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00:19:22.480 --> 00:19:27.200
I love that so much. John
Crops, who's a man made out of

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crops sort of the character of the
day despite it being you know, a

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one episode of fair this pilot.
But yeah, but you can assume that

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00:19:37.799 --> 00:19:41.799
like his story gets wrapped up.
Yeah, he is voiced by blues singer,

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00:19:42.000 --> 00:19:48.559
or rather blues country blues, vaudeville
blues Calypso Hokum singer C. W.

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00:19:48.680 --> 00:19:52.599
Stone King, who looks exactly like
how you'd picture him. Yeah,

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00:19:52.599 --> 00:19:59.480
he looks exactly like John Cropp.
And the music for that was done by

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00:19:59.519 --> 00:20:06.640
the Blast Company formerly the Petrovic Blasting
Company. They're a Los Angeles nouveau folk

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00:20:07.359 --> 00:20:12.359
band influenced by the music of the
Balkans and New Orleans Dixie, although they

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00:20:12.480 --> 00:20:15.759
lean a little more into the New
Orleans stuff in their ere ye. Well

253
00:20:17.079 --> 00:20:22.079
for this one, particularly because it's
all very uh like Antebellum South, is

254
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that the era it is a very
like music Man esque era that early nineteen

255
00:20:26.240 --> 00:20:30.400
tens. Oh. I was going
to place it as that one BoJack episode

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00:20:30.880 --> 00:20:34.039
They've got trouble out here in the
Unknown, I mean, like down to

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the like kiss behind the Hat,
which happens in a lot of middle school

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00:20:37.799 --> 00:20:44.799
productions of The music Man and his
bow Tie Spins. Yeah, it should

259
00:20:44.799 --> 00:20:48.240
have. My main takeaway from all
of this is that, and this applies

260
00:20:48.279 --> 00:20:51.839
to the series as well. Also, the Blasting Company did the music for

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the entire series. But my takeaway
from this and the series as a whole

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00:20:56.720 --> 00:21:00.880
is that Gregory is the most well
written child character I have ever seen in

263
00:21:00.079 --> 00:21:06.680
media. I think I think that's
true because like the first thing they do

264
00:21:06.720 --> 00:21:11.079
with him here that really strikes me
is like he runs off and you just

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hear him scream, and so Wort
and their friend Beatrice of course rushed to

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see what the problem is. And
he's eating an apple and he's happy,

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but he's screaming like he's in pain, and he's like Greg, Greg,

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00:21:27.839 --> 00:21:36.519
Greg, Greg, are you what's
well? Why are you screaming? Because

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look what I've found. That's such
a kid thing. And also just getting

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00:21:40.440 --> 00:21:44.960
fixated on like a particular thing like
we're that day reminds me of a Max

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and Ruby how Ruby or no.
Max will always say a particular word or

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phrase and will repeat it throughout the
episode like that's where his mind is.

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And today Greg wants to ride a
goose like that's what he's talking about.

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He's like, ynh, there's no
geese around here. Like he's such a

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He's such a kid. And I
regret to infour of you that Colin Dean

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00:22:02.960 --> 00:22:07.759
is seventeen now, oh my god, not still a baby. You're lying

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00:22:07.799 --> 00:22:11.799
to me though, you're lying because
I'm not that old. I'd be fine

278
00:22:11.839 --> 00:22:18.759
with it if I were. But
it's not true. He's so like specific

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00:22:18.960 --> 00:22:22.279
in how he's written. I would
compare him to someone like I don't know,

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like DW from Arthur and it was
just who fears on obnoxious, But

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like Greg, it never feels that
way, like he he gets on the

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character's nerves, but I feel like
he never gets on your and er.

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It's like I've met people who who
he gets on the nerves of, but

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one thing they get in the performance
that usually is kind of glossed over with

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00:22:42.279 --> 00:22:45.480
child voice, acting like they don't
want it, but it makes them sound

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00:22:45.519 --> 00:22:49.599
so much more like kids is the
he doesn't always do it, but his

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00:22:49.799 --> 00:22:56.880
sentences are not paced correctly, like
he doesn't know when to breathe. Yeah,

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00:22:56.880 --> 00:23:00.799
Like I remember I was watching something
about uh with the behind the scenes

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00:23:00.799 --> 00:23:03.240
of Up and the kid who voices
Uh Russell the boy scout, there was

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like there were scenes where they had
to be out of breath, so they

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00:23:06.039 --> 00:23:07.279
had him like run around the booth
a bunch of times. He came back.

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He's like, I'll feed him,
I'll give him the food for him.

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I'll lock him. I'll change his
newspapers. I will. I was

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great for those listening. It's a
if you ever have to voice a child

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00:23:18.400 --> 00:23:22.200
character, taking a breath in the
middle of a sentence does way more than

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00:23:22.640 --> 00:23:26.920
anything with your voice. If I
were to just if I ready to just

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00:23:26.960 --> 00:23:30.519
talk like this like this, children
don't know when to breathe. They're not

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00:23:30.680 --> 00:23:33.920
used to running out of breath yet, so they're never prepared for it.

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00:23:34.279 --> 00:23:38.000
Yeah, and the way he's written
feels to me like watching someone else babysit

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00:23:38.039 --> 00:23:41.720
a kid, where it's like,
if it were me having to look after

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00:23:41.759 --> 00:23:45.720
the kid, I probably would be
a little more like troubled. But because

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00:23:45.720 --> 00:23:52.759
I'm just observing, it's funny.
There's something so pure about the way he's

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00:23:52.799 --> 00:23:56.440
written, because like, yeah,
with d W, DW was written to

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00:23:56.519 --> 00:24:00.079
be like that devious little sister.
There is nothing d There's not a single

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00:24:00.160 --> 00:24:06.720
devious bone in Greg's body. Greg
is like self sacrificing but kind and sweet

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00:24:06.880 --> 00:24:11.480
and just and just a kid.
Yet it never it never feels overly wholesome

307
00:24:11.559 --> 00:24:15.839
or like unrealistically wholesome. He feels
like a kid, just feels like a

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00:24:15.920 --> 00:24:22.599
kid who was raised who's being raised
right like who has parents and Elijah Wood

309
00:24:22.720 --> 00:24:26.000
voices were and usually Oh my god, I hate celebrity voice acting. Because

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00:24:26.000 --> 00:24:30.759
Elijah Wood did star and potentially the
biggest film trilogy of all time. He

311
00:24:30.799 --> 00:24:36.359
plays Frodo Baggins in the Lord of
the Rings films. He's a really legitimately

312
00:24:36.400 --> 00:24:40.240
good voice actor that is excellently cast
in this role. It is just his

313
00:24:40.319 --> 00:24:42.720
normal voice. If you watch him
in interviews, that's how he sounds,

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00:24:44.000 --> 00:24:48.079
but it's way more of the case. I hear people go that was Elijah

315
00:24:48.119 --> 00:24:52.599
Wood, Then oh, Elijah Woods
in this I should check it out.

316
00:24:52.759 --> 00:24:56.640
Yeah, because in Lord of the
Rings he's doing the accent the whole time.

317
00:24:56.799 --> 00:25:02.000
I kind of hate the prodo voice. The wide eyed British child's voice

318
00:25:02.039 --> 00:25:07.200
sounds so weird coming out of this
nineteen year old man. Sam Sam,

319
00:25:07.240 --> 00:25:11.079
look over here. I'm like,
eh, I can't carry the tone of

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00:25:11.119 --> 00:25:15.799
the unknown, Greg, I can
carry you. I got really into Lord

321
00:25:15.839 --> 00:25:21.799
of the Rings last summer, and
I would watch interviews with Elijah Wood and

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00:25:21.839 --> 00:25:25.839
hearing him talk in his normal voice, I was like, why you talk

323
00:25:25.920 --> 00:25:30.079
about Lord of the Rings word?
What do you know? Are you saying

324
00:25:30.119 --> 00:25:33.920
that? Wouldn't be really into Lord
of the rings. I'm just saying,

325
00:25:33.960 --> 00:25:37.400
I was expecting Frodo to be talking
about his role in the movies, not

326
00:25:37.559 --> 00:25:41.839
Wort talking about how he likes them. Yeah, the drawings in Tone of

327
00:25:41.839 --> 00:25:45.359
the Unknown are a lot less tied
down than they are in Over the Garden

328
00:25:45.359 --> 00:25:48.160
Wall Proper, And I love that, Like, there's so many weird that

329
00:25:48.240 --> 00:25:52.599
you only really notice in comparison with
the series proper. But there's so many

330
00:25:52.640 --> 00:25:56.640
weird angles on words, face and
weird expressions. And when he they get

331
00:25:56.680 --> 00:26:02.839
the vegetable car from John Crops and
be A Tris Goods were into licking like

332
00:26:02.920 --> 00:26:06.039
the cucumber Wheel, and there's just
this drawing of him with his tongue out.

333
00:26:06.079 --> 00:26:11.880
It's really stupid looking. So in
this pilot, Beatrice is voiced by

334
00:26:11.240 --> 00:26:15.640
Natasha Lazio who he's best known for
playing one of the lead roles of Another

335
00:26:15.680 --> 00:26:22.680
period along with Jason Ritter. But
I actually first heard of her when I

336
00:26:22.799 --> 00:26:26.759
was making Ace Attorney anime at Bridge
and Lara from the Frog, Kiss and

337
00:26:26.839 --> 00:26:33.839
Gals podcast confessed that the voice that
she was doing for me was an impression

338
00:26:33.880 --> 00:26:38.640
of Natasha Laziero from another period.
So I was very excited when I found

339
00:26:38.839 --> 00:26:49.279
this tangentially garravity Falls related thing had
a voice acting performance from someone who referenced

340
00:26:49.279 --> 00:26:53.680
it for a voice acting performance since
something I made. Yeah, also acted

341
00:26:53.720 --> 00:26:59.880
alongside Jason Ritter in another period,
right, Yes, and then well the

342
00:27:00.000 --> 00:27:03.920
connections will continue later on. Yes, I love love love tone of the

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00:27:04.039 --> 00:27:08.240
unknown. It's great. It would
be really stupid if you didn't accept because

344
00:27:08.279 --> 00:27:12.920
this was this was before Cuphead was
finished. There was no one trying to

345
00:27:14.240 --> 00:27:18.079
aim to all of human history happened
before Cuphead was finished. Yes, that's

346
00:27:18.119 --> 00:27:19.960
true. But that's good though,
because they were specifically avoiding crunch. I

347
00:27:21.000 --> 00:27:22.799
don't mean to insult cup that,
I mean to praise it. Yes,

348
00:27:22.839 --> 00:27:26.920
it took ten years to make,
but prior to that, nothing was really

349
00:27:26.160 --> 00:27:33.759
doing this kind of Betty Boop sort
of look outside of like little vignettes and

350
00:27:33.000 --> 00:27:38.519
moments. And of course there was
an inspiration to the look of My Life

351
00:27:38.559 --> 00:27:41.400
is a teenage Robot, but not
to this extent. Yeah. Well,

352
00:27:41.400 --> 00:27:44.920
and also that was focusing on like
the art deco of it all, and

353
00:27:44.920 --> 00:27:48.839
this is blending it with like the
German and colonial stuff they can but more

354
00:27:48.880 --> 00:27:53.039
before it. Yeah, the movement
is very Fleischer, but the drawings are

355
00:27:53.240 --> 00:28:00.920
very paintings in your Grandma's house slash
Wind in the Willows, taking things that

356
00:28:00.319 --> 00:28:07.119
in other cartoons are there as a
bit stylistic reference that and this is now

357
00:28:07.200 --> 00:28:11.880
just the thesis of the entire show. Visually listening to the Blessing Companies music

358
00:28:11.119 --> 00:28:17.839
and looking at these this backgrounds that
are styled after Disney layouts from the forties

359
00:28:17.880 --> 00:28:22.039
by background painter Nick Cross. Nick
Cross and hearing the I just got to

360
00:28:22.039 --> 00:28:26.720
play you a clip of John Craft's
voice, because he's clearly not a voice

361
00:28:26.759 --> 00:28:30.039
actor. He's clearly a blues singer, and his diction when he's speaking is

362
00:28:30.079 --> 00:28:36.559
not good. But it doesn't feel
like you're meeting a cartoon old farmer.

363
00:28:36.640 --> 00:28:41.160
It feels like you're meeting a real
old guitar playing farmer. What are you

364
00:28:41.319 --> 00:28:47.039
folks doing out here in the middle
of nowhere listening to Paul jon Kropps singing

365
00:28:47.119 --> 00:28:52.720
his sad songs to himself and Nick
Cross really leaned into the handmade feel of

366
00:28:52.759 --> 00:28:56.279
it. I think in some of
the backgrounds you can even see pencil sketches

367
00:28:56.319 --> 00:29:00.920
of like underneath. Yeah, there's
and obviously it all is very hand painted.

368
00:29:00.839 --> 00:29:06.200
There's imperfections in the backgrounds to make
them look hand painted, to give

369
00:29:06.240 --> 00:29:11.640
that sort of forties Disney Pinocchio feel. Yes, as well as the soft

370
00:29:11.640 --> 00:29:15.680
focus, which I love, love, love, love love. There's a

371
00:29:15.759 --> 00:29:19.759
vasoline on the lens kind of look
to the corners that they I think in

372
00:29:19.839 --> 00:29:22.920
the show proper, I don't know
if they do. I think they swap

373
00:29:22.960 --> 00:29:26.240
it out for like a vignette effect, whereas yeah, darker on the corners,

374
00:29:26.519 --> 00:29:30.880
which I love. Again, that's
a throwback to just the way that

375
00:29:30.920 --> 00:29:36.519
cartoons were presented, like in that
era, to Nickelodeon's Yeah you put it,

376
00:29:36.599 --> 00:29:38.720
you would look at the center of
a cartoon. You didn't those corners

377
00:29:38.720 --> 00:29:44.000
didn't even exist. You kids,
in your cartoons have a corners. You

378
00:29:44.039 --> 00:29:47.839
see John Crops lift up his skirts
slightly to see his ankles, and he

379
00:29:47.880 --> 00:29:56.839
winks at you, and that's the
cartoon, the song he sings and usually

380
00:29:56.759 --> 00:30:10.039
only can be you and no one
else for me, And you know it.

381
00:30:10.319 --> 00:30:14.279
That is legitimately a lost story,
right, because the thesis of Tom

382
00:30:14.359 --> 00:30:17.279
of the Unknown is that they are
meeting the lost stories that are contained in

383
00:30:17.359 --> 00:30:21.039
the tone. Yeah, that is
a It was a pretty popular song from

384
00:30:21.079 --> 00:30:26.960
the nineteen aughts. It was featured
in the Wizard of Oz stage musical,

385
00:30:26.920 --> 00:30:32.519
and it did not stand the test
of time. It's not one of those

386
00:30:33.440 --> 00:30:37.160
turn of the century classics your grandparents
would listen or great grandparents I guess sorry,

387
00:30:37.480 --> 00:30:41.599
would listen to. You know,
if you google it, the first

388
00:30:41.599 --> 00:30:45.480
couple of results are relating to the
Blasting Company or ton of the Unknown,

389
00:30:45.640 --> 00:30:53.039
so they legitimately found a lost story
and interspersed those into the narrative as the

390
00:30:53.119 --> 00:30:59.559
musical numbers and the Yeah, I
love this so much. This whole thing

391
00:30:59.599 --> 00:31:03.240
is so brilliant, like just a
gorgeous piece of media. I remember,

392
00:31:03.799 --> 00:31:08.079
prior to seeing this, just at
the beginning, all of the promo stuff

393
00:31:08.240 --> 00:31:12.759
for Over the Garden Wall had clips
from Tome of the Unknown in it that

394
00:31:12.880 --> 00:31:17.640
never showed up in there, so
I was always wondering where the watermelon car

395
00:31:17.680 --> 00:31:19.799
came from. It is a lost
story in itself, and of course saw

396
00:31:19.839 --> 00:31:23.240
the best clips on the theme song
are from the Unaired Pilot. You never

397
00:31:23.319 --> 00:31:29.480
got to say, that's so uh, you know, it became a story,

398
00:31:29.880 --> 00:31:33.839
that's that's hilarious. I didn't even
know that because in real time fandom,

399
00:31:33.920 --> 00:31:38.200
we when we were about to do
One Night for Halloween, dubbing all

400
00:31:38.240 --> 00:31:41.200
ten episodes of Over the Garden Wall
in succession. By the way, the

401
00:31:41.200 --> 00:31:45.319
episodes are eleven minute long. The
whole show is the length of a movie.

402
00:31:45.480 --> 00:31:53.160
Just just watch it. Yeah,
it's one hbox four Now we laughed,

403
00:31:53.160 --> 00:31:57.200
so we don't start crying in real
Tay foundo. We dubbed Tom of

404
00:31:57.240 --> 00:32:01.799
the Unknown to use it to make
a trailer for the Over the Garden Wall

405
00:32:01.799 --> 00:32:07.759
stream because you can't really make trailers
for improvised things. Yeah, right right.

406
00:32:07.240 --> 00:32:10.240
We decided we'd get the cast that
was going to be in the Over

407
00:32:10.279 --> 00:32:14.480
the Garden Wall stream to dub Tom
of the Unknown, just so we could

408
00:32:14.480 --> 00:32:16.319
play clips at the end. I
believe it's in our summer window. That

409
00:32:16.359 --> 00:32:22.480
would makes sense. Yeah. So
apparently the pilot was storyboarded solo by Pat

410
00:32:22.519 --> 00:32:27.640
McHale, which explains why there are
so many hilarious drugs that it's that it's

411
00:32:27.680 --> 00:32:31.279
all done by one person, just
blitzing through this nine minute pilot. But

412
00:32:31.359 --> 00:32:36.559
from a story boarding perspective, I'm
very excited for the series proper, because

413
00:32:36.759 --> 00:32:42.240
I believe there are different board artists
on every episode, a lot of whom

414
00:32:42.799 --> 00:32:47.440
are famous in their own right for
their cartoons. So we'll see a lot

415
00:32:47.440 --> 00:32:52.440
of familiar names pop up in that
category, and we'll see a lot of

416
00:32:52.480 --> 00:33:00.279
returning dosins here to be to be
trained as scare performers. Yeah, they

417
00:33:00.319 --> 00:33:07.480
get turned back to humans now and
we can wolves. That's not too bad.

418
00:33:07.920 --> 00:33:14.319
Wolves. Scare wolves is so so
extra because werewolves are already scary.

419
00:33:14.359 --> 00:33:16.200
You don't need to make a Halloween
version of that name. And now I'm

420
00:33:16.240 --> 00:33:21.160
obsessed with it and I'm going to
use it in something itselfing and bouncing around

421
00:33:21.200 --> 00:33:22.720
my head the whole time. I
just wasn't sure when to fit it in.

422
00:33:23.240 --> 00:33:27.119
I'm obsessed with it. I'm gonna
I'm just gonna write that down on

423
00:33:27.160 --> 00:33:30.160
a piece of paper and use it
in something besides this podcast official. Okay,

424
00:33:31.359 --> 00:33:37.680
scare wolves. They're like werewolves,
but scary for Halloween. The werewolves

425
00:33:37.680 --> 00:33:44.559
are being retheved to scare wolves.
Ello. Yeah. I always, whenever

426
00:33:44.720 --> 00:33:49.039
looking at the animation for this,
I always thought about those like Victorian greeting

427
00:33:49.119 --> 00:33:53.279
cards. Yes, yes, like
those Victorian Christmas cards. Yeah, And

428
00:33:53.319 --> 00:33:57.799
that's what I was saying about paintings
in your your grandma's house, because there

429
00:33:57.920 --> 00:34:02.799
is there is influence from early nineteen
hundreds animation. But then there's also influence

430
00:34:02.880 --> 00:34:09.000
from late eighteen hundreds paintings, right, So it's like if a Betty Boop

431
00:34:09.199 --> 00:34:14.039
type or a Wind in the Willows
type were somehow looney tunes back in actioning

432
00:34:14.159 --> 00:34:19.039
around classical Turn of the century art, it's, yeah, like paintings of

433
00:34:20.360 --> 00:34:27.440
autumn landscapes. And then the colonial
architecture is from the seventeen hundreds and sixteen

434
00:34:27.519 --> 00:34:32.159
hundreds, but then the German Hansel
and Gretel type architecture is from like the

435
00:34:32.239 --> 00:34:37.199
eleven hundreds. Yeah, I mean
it's also well it's INCREDI I guess,

436
00:34:37.519 --> 00:34:39.039
yeah, now you mentioned it.
It's incredibly hansl and Gretel. It's just

437
00:34:39.079 --> 00:34:43.000
two kids wandering around. Oh yeah, I mean, and that's where the

438
00:34:43.760 --> 00:34:46.840
German influence comes from, as well
as snow White. Oh yeah, well

439
00:34:46.960 --> 00:34:52.800
yeah, it's that and Pinocchio is
also all those stories are like, don't

440
00:34:52.920 --> 00:34:57.039
be bad, or you'll get eaten
by something in the forest. Kids.

441
00:34:57.239 --> 00:35:00.840
So the interesting thing about all those
German fairy tales is they started from a

442
00:35:00.840 --> 00:35:07.199
matriarchal standpoint and then were translated into
a patriarchal I could I could go.

443
00:35:07.440 --> 00:35:14.519
This is one of my so originally, all of those stories, all of

444
00:35:14.519 --> 00:35:17.039
those fairy tales that we know,
have been filtered so many times through so

445
00:35:17.079 --> 00:35:22.599
many different things, filtered through translators
from German, filtered through the Grim Brothers,

446
00:35:22.599 --> 00:35:24.679
from other people, and those stories
were told from other people to the

447
00:35:24.719 --> 00:35:29.960
Grim Brothers. But they started out
as a way for little old ladies to

448
00:35:30.039 --> 00:35:35.000
walk around the countryside spreading new laws
because not everybody was literate, so they

449
00:35:35.000 --> 00:35:37.519
would basically put up the laws.
The little old ladies would get together and

450
00:35:37.559 --> 00:35:39.800
be like, oh, well,
how are we gonna tell this to the

451
00:35:39.840 --> 00:35:44.599
people. Oh, we'll tell a
story about a little girl who's walking through

452
00:35:44.639 --> 00:35:51.000
the woods and a stranger is talking
to her and it scared a scared Yeah,

453
00:35:51.039 --> 00:35:58.159
so it's like, what happened to
him? He died? So yeah.

454
00:35:58.239 --> 00:36:02.039
All of these stories were like stories
about laws trying to keep people safe

455
00:36:02.159 --> 00:36:07.239
and protected, and then they've been
filtered through so many different things. These

456
00:36:07.280 --> 00:36:09.519
people are so stupid, How are
we going to keep them from dying?

457
00:36:09.800 --> 00:36:14.079
How are we going to keep them
from dying? They like hearing stories,

458
00:36:14.480 --> 00:36:17.400
Ay, what's your story? And
they all tell them stories and they'll apply

459
00:36:17.480 --> 00:36:21.920
it to their life. And that's
what I hope to accomplish with the rest

460
00:36:21.960 --> 00:36:24.000
of this podcast. I hope to
live. You know, we tell ourselves

461
00:36:24.000 --> 00:36:28.000
stories in order to live, some
say, but others say we tell ourselves

462
00:36:28.039 --> 00:36:31.840
stories in order to not die.
And those are different. Those are very

463
00:36:31.840 --> 00:36:37.280
different stories. I prefer the not
die stories to the live stories personally,

464
00:36:37.360 --> 00:36:40.519
they're way more entertaining. Now,
don't you go diet. Now, there's

465
00:36:40.559 --> 00:36:44.559
so many ways to do it,
but you shouldn't do any of them.

466
00:36:44.840 --> 00:36:50.280
There are several different ways you can
die. Avoid them. Was that just

467
00:36:50.360 --> 00:36:54.079
the old world German version of the
DARE program? Yeah? Absolutely, those

468
00:36:54.079 --> 00:36:58.079
were. There are so many ways
for you to die. We're gonna describe

469
00:36:58.119 --> 00:37:04.559
them in detail. You didn't reimagine
absolutely any German folk tale as an anti

470
00:37:04.639 --> 00:37:08.480
drugs PSA like Little Red diding Hood
wandering through the woods, but here comes

471
00:37:08.800 --> 00:37:14.119
the big Bad Wolf. Hey kid, you want to try some flowers.

472
00:37:15.079 --> 00:37:19.400
I've never seen flowers like these.
You see that that big bad wolf.

473
00:37:19.440 --> 00:37:22.320
That big bad Wolf's gonna try to
offer some drugs, But don't let them

474
00:37:22.320 --> 00:37:27.119
do it to your kids. Despite
being a fellow canine, there is no

475
00:37:27.199 --> 00:37:30.639
relation between mcruff and the Big Bad
Wolf. I actually grew up on the

476
00:37:30.679 --> 00:37:35.280
same street as the Big Bad Wolf, and then I narked on him and

477
00:37:35.320 --> 00:37:38.079
that started me down my path.
We got caught in the same bust,

478
00:37:38.159 --> 00:37:42.480
but they gave me a deal if
I read it out on a Big Bad

479
00:37:42.559 --> 00:37:50.719
Wolf. McGruff is the Tim Allen
of cautionary dog characters. Yes, and

480
00:37:50.800 --> 00:37:55.079
he has beautiful eyes. We tried
to get McGruff as a scary actor,

481
00:37:55.119 --> 00:38:00.079
but he was the care wolf.
He said, I don't do scary stories.

482
00:38:00.119 --> 00:38:01.519
Okay, So I'm excited for the
rest of the show. It's gonna

483
00:38:01.559 --> 00:38:06.000
be a lot of cool docents,
a lot of great storyboard artists to talk

484
00:38:06.039 --> 00:38:08.039
about, a lot of great vas
talk about, and great actors. And

485
00:38:08.559 --> 00:38:13.400
if you want to find more episodes
of this podcast or the podcast it's a

486
00:38:13.400 --> 00:38:15.519
spinoff of, on the same feed, Mystery Shack Look Back, go to

487
00:38:15.559 --> 00:38:20.880
our host network, pipe Dreampodcasts dot
com, where you can find other shows

488
00:38:21.039 --> 00:38:24.400
like Escape from Valt Disney, which
features Agatha Vile. How did this not

489
00:38:24.480 --> 00:38:30.400
get made? Come on Fuhukua pods
and pod made you special revisiting VeggieTales.

490
00:38:30.119 --> 00:38:34.840
I don't think John Crops is there
though. There you can find a link

491
00:38:34.880 --> 00:38:39.519
to our show's social media's discord server
and our Patreon Patreon dot com slash Mystery

492
00:38:39.559 --> 00:38:43.159
Shack. Three dollars will get you
a shout at the end of episodes.

493
00:38:43.199 --> 00:38:47.519
Five dollars we'll get you into a
channel where you can watch Totally Unknown with

494
00:38:47.639 --> 00:38:52.599
us on the day that this is
being released. Yeah, and for forty

495
00:38:52.599 --> 00:38:55.199
dollars you could get an art or
voice commission from one of us. Yeah.

496
00:38:55.280 --> 00:39:00.920
You, I'm gonna draw you as
a Betty Boop type. You know

497
00:39:00.079 --> 00:39:04.239
I have a Christopher Lloyd in my
back pocket. You want you want me

498
00:39:04.320 --> 00:39:06.639
to? I wonder why that.
I wonder where that'll come at. That

499
00:39:06.719 --> 00:39:09.079
might come into play a lot in
this podcast. Actually, yeah, you

500
00:39:09.079 --> 00:39:13.719
could check out our merch store at
crowdmad dot com slash Collections, slash mystery

501
00:39:13.719 --> 00:39:16.480
Shack look Back. I guess you
know, since I'm making the cover art

502
00:39:16.519 --> 00:39:21.119
for this, I'll probably add some
stuff for garden Wall recall as well.

503
00:39:21.400 --> 00:39:23.559
You can contact us at Mystery Shack
look Back at gmail dot com, send

504
00:39:23.639 --> 00:39:29.639
us your thoughts on this pilot or
over the garden Wall in general. Thank

505
00:39:29.679 --> 00:39:35.079
you to Simmon the dim Bulb V
two hyphen zero for making our instrumental to

506
00:39:35.119 --> 00:39:37.840
our intro song. Well, I
I would love to talk more about Tone

507
00:39:37.840 --> 00:39:42.679
of the Unknown, but I actually
have to go play a show in the

508
00:39:42.719 --> 00:39:45.159
big vegetable city. It's kind of
a big deal. It's a big gig

509
00:39:45.199 --> 00:39:49.679
for me. Actually it's a it's
a good get and I have to rehearse.

510
00:39:50.239 --> 00:39:52.840
But I guess I could. I
could do that right now, play

511
00:39:52.920 --> 00:40:00.559
us out with that. I never
dream ud come a day when I find

512
00:40:00.880 --> 00:40:13.320
myself far from yours. Now that
I am, I can hardly stand not

513
00:40:13.480 --> 00:40:23.079
to be New York Suite Southern Shoes. Send me a page from old Georgia,

514
00:40:24.800 --> 00:40:34.519
down where the Savana flows. If
I could have won Bye of Georgia,

515
00:40:36.519 --> 00:40:46.599
I would feel right here at home. I miss the shady orans walking

516
00:40:46.960 --> 00:40:57.639
with you by my side. Just
send me one page from Georgia, just

517
00:40:57.840 --> 00:41:05.880
so I know, yo, be
mind. I hope then you won't forget

518
00:41:05.920 --> 00:41:15.639
me before my rotally is back to
you through the wind to maybury the whole

519
00:41:15.639 --> 00:41:22.719
world to its knees. The spring
show return with its fruit. The wind

520
00:41:22.840 --> 00:41:32.840
here is ready for winter. It
seems to turn everything blue. So just

521
00:41:34.000 --> 00:41:50.239
send me, send me one lape
just as sweet sunny peace. Oh hey

522
00:41:50.320 --> 00:41:53.360
y'all, ella here, I hope
you enjoyed this first adventure over the garden

523
00:41:53.400 --> 00:41:58.599
Wall, stay tuned for more,
and until then, here is the thinking

524
00:41:58.880 --> 00:42:05.079
of the patron. Thank you so
much to Daddy Driftwood, Elizabeth Newenfeldt Adam

525
00:42:05.159 --> 00:42:08.639
with two a's, A D and
an M, Easy Snake Oven, Friendly

526
00:42:08.679 --> 00:42:15.119
local Geek, Hope, Hugh Selinas, Jamie Belts, May, Oliver Pluto,

527
00:42:15.480 --> 00:42:20.880
Juno Series, Richard Scanland, Roe
Davis, Samantha Angley, Spencer,

528
00:42:21.000 --> 00:42:24.519
Neil Campbell, Vanillan, Zuocker,
p De Piranha, Plant B Calusota,

529
00:42:24.800 --> 00:42:30.760
David Gansel, Daddy Buttons, Delphine
Dussy, Gwen Prime, Jesse, Marie

530
00:42:30.840 --> 00:42:36.000
MacDougall, Junior, Bruh, Mumbleteen, d Wompleteen, Ryan Faber, Stephen

531
00:42:36.079 --> 00:42:39.760
Patrick, Mulholland and Sterling Jubilation Axel. Help us keep the lights on in

532
00:42:39.800 --> 00:42:45.320
this podcast museum whatever this is at
patreon dot com, Slash Mystery Shack

