The entire world was shocked when the President of the United States was assassinated in
Dallas, Texas, on November twenty second, nineteen sixty three. President Kennedy
died at one pm Central Standard Time. Much of the world has wondered what
really happened that day. Countless conspiracy theories have sprung up in an attempt to
understand what really happened to President Kennedy. Was that the CIA, the mob,
Malone assassin who exactly killed JFK? If I didn't shoot anybody know the
baler never know the truth fact what occurred? My motives JFKX Solving the Crime
of the Century is an investigation into these events. The film answers the most
basic questions about what really happened on that day. You will discover the truth
behind one of the most traumatic events in world his You will see the assassination
of jfk with new eyes as the realization of the truth is revealed. Jfk
X Solving the Crime of the Century will unbuild the truth behind the events of
November twenty second, nineteen sixty three, like no film has ever done before.
Everybody Jay Wider Hear Reality Check. Thanks for watching subscribing and everything.
I went to the Disclosure Fest. That's why I haven't done anything for a
while because kind of took it out of me, and I said, you
do a pretty good job. There's two over two thousand people there, really
good speakers, and one of the things that I really liked about it was
it was really trying to achieve kind of a high degree of intellectual inquiry.
There was three lectures on alchemy, which I've never seen even one. I
mean the BS alchemy, like spiritual alchemy, but real alchemy, and one
of them was mine, and I was at a packed house. Wasn't an
empty seat. People were struggling to find a seat, and there were stand
ups in the back because there are no seats, and so it really went
really well. I hope they do it again. And went a lot better
than a lot of the conferences I've been to lately. And it was very
encouraging, I have to say, very encouraging. And anyway, so as
you guys all know, JAF has been out on Prime now since July eleventh
is when it came out. It's doing really well and I'm really happy with
it. And so I brought thought because we're approaching the sixtieth anniversary, which
I believe is tomorrow or know the day after tomorrow. Yeah, the day
after tomorrow. I thought I'd bring my fellow filmmaker writer Lee back in to
discuss the updates on the JFK stuff and how our film seems to be causing
quite a wake, which I did not expect. To be honest with you,
I did not expect. I thought it would kind of fly under the
radar, make a big hit, but I didn't expect a reaction like we're
getting hey right, or how you doing? How's it going? Jay?
Thanks for having me on really appreciate it. And the sixtieth anniversary coming up
is incredible. I've never seen so much JFK stuff in my life. It's
unbelievable. Hulu is making a docu series, Paramount made a series, National
Geographic made a series, and it makes you wonder why for the sixtieth anniversary,
right, they didn't do this for the fiftieth anniversary or the fortieth.
They didn't do anything writer for the first thirty years at all. Nothing You
would occasionally see maybe a half hour thing about oh so sad and or the
Kennedy was a crook. That was, but that was really what was going
on in the late seventies and eighties. It was all that Kennedy was a
womanizer and Kennedy was a criminal. That's what you saw. You didn't not
see anything else because they were in massive cover up. And then Ali Ristone,
almost thirty years after these assinas, you put out his great film JFK
and then you started to see a little bit more coming up, but really
not much. Not much in the fiftieth dinnistry. I kind of wondered what
was going to happen. So I watched ten years ago to see if they're
going to like have a big celebration, and it was just Dudsville. There
was nothing. Nobody talked. Oh, the fifty Dinni version was a seminal
moment in American history. Nothing. And then I, because I perused film
productions, what's going on in the film world. So when right before we
began the production of JFKX, I looked at the what was in production for
all the studios and there was nothing. Okay, there wasn't any films at
all. In or June of this year, there were nothing in production.
And then I noticed in late July, about two weeks after our film,
I noticed that all of a sudden, paramount decides to do the thing.
Who decides to do something, National Geo decides to do something all of sudden.
I've seen all and there, and they're fast productions. These are not
These are you know, usually takes a year to do a documentary, but
these are not. These are productions that are starting in July or August that
are being put out in November, which is incredibly fast. I mean they
must have a huge crew, as you know, you would need five or
six editors to do that, but you did in the same time period.
And so I believe that week through a huge we thought it was a small
pebble turned out to be a gigantic rock into the pond, caused gigantic waves
going in all directions that nobody anticipated. It just came out of the blue.
Nobody anticipated what we were going to say in the film, that the
whole friggin thing is a fake, and nobody expected that, and they scrambled
because for some reason, they would rather have us think that it's real that
have us think that it's a fake. They would rather have us think that
the CIA in an nefarious conspiracy is behind the assassination, although nobody ever says
how or why this is. They just say it, and you think the
CIA would thankfully say, oh, see, we didn't have anything to do
with it. These guys just proved that we had nothing away in the clear.
But no, it can't because they're too embedded in this fake reality that
they've created. And I'll bet you there's even agents who watch are filmed and
still can't believe what they're seeing. Oh, I guarantee it. And it's
interesting because you would think that the fiftieth anniversary would be something more than the
sixtieth anniversary, which then brings into question why the sixtieth anniversary doesn't really make
any sense in all of the propaganda sy people Whenever they say, oh,
the CIA assassinated Kennedy, and then you ask them who in the CIA was
it, they don't have any idea. They just blanket at all with the
CIA, And all of the documentaries has come out so far has just been
there to instill the propaganda that's been going on for years and years and years.
I mean, one of them brings on some of the witnesses that was
there that day. I'll go one step further. It's more than that they
are purposely clouding up what we're saying in jfkacts. It's on purpose. The
trailers are immediately the first thing you hit with is three shots. I heard
free shots that day. All of a sudden, witnesses that heard shots are
coming for even though before they struggling to find anyone who heard three shots.
But here's the thing. The witness at at nat Geo is bringing forth who
says, oh, I heard three shots. He's the guy that planted the
bullet on the limousine is now coming forth. Oh, Paul, come on,
He's got to be the most discredited person in the whole investigation, right,
No, I mean he manipulated evidence, he planted evidence. This is
their main witness. This guy should be prosecuted. He won't because he's eighty
three years old. But I mean he should be prosecuted, but he isn't.
He's now held as a hero because it enforces their parent narra narrative.
And and and that's why JFKA actually is such a powerful film, because it
absolutely snaps their propaganda narrative in half and they can't put it back together.
And so what they're doing is they're just clouding and obtuskating the entire landscape and
hoping that it gets through. But you know what, it's already gotten through.
There's nothing they can do. There's so many people who seen it already
that it's already gotten through. And it's going to become a major aspect of
this whole thing in the next two or three years. Yeah, I guarantee
it's sometime in the future when people come in and steal other people's work because
it seems to be the thing to do. And you've seen it several times
with your other documentaries, you know, a Cubric's Odyssey. You know people
that's like blowing up on TikTok right now, and they have no idea where
that came from, and they have no idea that you created that theory.
And you put all that stuff together in your documentaries, right And another thing
that was interesting is I was watching the Hulu the other day and I have
it ad Hulu. I don't have enough money to have ad free Hulu,
so I have to watch through all that. And that's a whole other story.
With the amount of ads and of propaganda that are within the ads,
is incredible. It's like they're just wanting sickness and wanting disease and just pushing
that nonsense on you. Twenty four seven. I tend to just mute it.
But I saw the trailer for the docuseries on Hulu. I think it's
called Diaries of Diaries of something. I can't remember the name of it,
but it almost looked identical to the trailer that I put together and the trailer
that I edited for our documentary JFKX. I was like, what is this?
What are they doing right now? Well, because they're not creative.
What they do is they've been given an assignment. Okay, this documentary came
out, and we want you to do everything you can to obfuscate it with
your documentary. They said, well, can we see this documentary that you're
talking about and these are just NPCs, you know, and they see it,
they sit and they go, oh wow, wow, that's different.
Let's let's let's do that. I mean, because we can't really come up
with anything originally, so let's just do that. Because if that film is
that effective and we want ours to be even more effective, we'll just steal
everything from that film and put it into ours. And make it the opposite
though of it. So it's very clever with what they do. And you're
right. That's the thing that you know, and I'll have to accept is
that in ten years, they're all going to be talking about this, but
they're not gonna be mentioning us. And that's okay, because the whole point
of films like this is to put a meme into society. We don't need
to take credit. We need to put the meme in there. We need
to get the worm in there, the mind worm that's working its way through
the whole thought process. And so you know, I'm perfectly fine with TikTok
having seven thousand videos about how Cubic fake the moon landing using all of my
footage. You see all of my effects and everything, and and I'm fine
with it because the meme guy out there, it's driving everybody crazy, the
same people I want to drive crazy. And that's what I want to have
with this film. And I fully expect that in five years there will be
five thousand TikTok videos. But ce squib and all the stuff that we have
in our video, and look at as they all faked this out. Nobody's
reacting to the gunshots and and how can they not be reacting when it's a
gigantic gun that goes off and so loud it'll pierce your ear drum, so
you don't put your hands over your ears. And we just asked the questions
that nobody else has ever asked, and they can't stand that. And want
to say something here which's going to wax a little bit spiritual, But I
just want to say this because it's super important. This is way off,
and it's gonna sound like a gigantic digression, but it's going to point back
to why this film is a hit right now. It may out of Evan
and say ten years ago. In my book The Call On Across the Hindai,
we show that the solar system oscillates up and down across the plane of
the of the galaxy, and the major source of etheric energy is the center
of the galaxy. But as we oscillate through the plane of the galaxy,
we crossed the place where all the matter is at the very center of the
equator. And when we pass there, that's when we go into the Caliyuga
because there's more etheric energy coming in because it's being blocked by this plane of
matter and that that stupefies us and we become really stupid. And for the
last three thousand years we've been in the Cali Yuga. But we're now coming
off the top of this mass of stuff that's stopping the etheric energy from coming
in, and we're now getting hit with this etheric energy, and we're all
being woken up at once, and every day we're going to get more and
more woke, and more and more woken awake, now more and more awake.
We don't want people more woke, Jae. We don't want to woke.
Woke is the opposite awake, And so that is why suddenly a whole
bunches of theories. I'm sure you keep aware of what's going on. Suddenly
all of these mysteries about the universe are suddenly kind of falling away. We're
starting to like, oh, wait a minute, it's not so mysterious.
This is there really isn't what we thought was a fantasy is not really a
fantasy, or what we thought was a fantasy really is a fantasy. We're
getting it. We're starting to kind of figure everything out, and there's like
this meeting of minds on the Internet where we're all comparing notes that well you
didn't think of that part, and then we said, oh yeah, what
about this? And that's what's going on here, SOS. We're coming off
and coming into the etheric energy when more time, after three thousand years of
darkness, suddenly the old tricks that they played on us in the Coli Yuga
are becoming a parent that they're just tricks. They're just vicious tricks by magicians
in the age of darkness, and everything was so dark and cloudy we didn't
see it. And now and I think JFKX actually is one of the first
films coming out that's showing us how we can rethink the past and show that
the past is not what we think it is. It's really a vast dark
manipulation allowed because these etheric energies which power us, we're being denied to us
just by circumstances where we were or travels through the plane of the of the
outer edge of the galaxy. And this is always encoded in the cross of
Hyndei and my work. And I really think that I really think that we're
going into really good times. I really do. I think the times are
I think even what's going on in Israel right now, how the whole world
is saying. And I don't want to get political, because you know,
I don't take sides. It's like I don't think sides in boxing or football
games or anything. I don't take any sides. I don't care, and
I don't take any sides there. But you can see that the whole world
is saying, no, we're not doing that anymore. Yes, we did
that for a long time. What you're doing those people, We did that
for a long time, and everybody did it. But no, the whole
world say, no, we're not doing that anymore. And you can just
feel a whole new pressure being put upon people who are doing aggressive actions and
killing people, and you can kind of see that we're done with it.
We are just done with it. We're not going to put up with it.
And as much as I support the people of Israel, Israel's on the
edge of become a high state and they better watch out, because it's a
whole different age right now, and we're not looking at the world in the
same way, just as we're not looking at the Kennedy assassination in the way
that they want us to look at Yeah, it's interesting too with the war.
I mean, it might be because we're not directly involved, and that's
why people are like, no, that's not you know, that's not so
much worry about it. But if there's a terrorist attack or some kind of
attack on the United States, then people would be all for it, you
know. I mean looking nine to eleven. Nine to eleven went directly according
to exactly what they wanted to happen. You know, everyone was all together,
everyone all of a sudden became patriots. Whenever nine to eleven happened,
everyone had an American flag. Even people in California, the most liberal state
in the United States, had American flights. I was there in California.
I went to a coffee shop and a very liberal towent had we support the
troops on over the coffee shop, which I support the troops, although I
don't want them to die. I want to support them so they don't die.
And you know, I wented to get a cup of coffee and I
just like lost my shit. You know. It was like two weeks after
nine eleven said you people are all being manipulated, and then I could see
that it wasn't all I was doing was crazy if I didn't get out of
there. But so, yeah, you're right, they could turn on and
turn off the patriot thing anytime they want. I think that it's not gonna
work anymore like that. I think that's old school, and I think,
you know, not for everybody, But there's enough of us on our side
that are going to go now, you're not gonna pull the switch and get
me to do what you want. And so I you know, I'm actually
quite optimistic about what's going on right now. I think that there's a lot
of knowledge coming forth that is being accepted which just ten fifteen years ago was
not even considered. And I got most of what I'm telling you from the
conference I just went to went to. I listened to the languaging of people
and how they talk, and the languaging and the acceptance of ideas that were
radical just a few years ago are now being accepted. I saw it every
single lecture that I went to that they were using radical concepts from twenty years
ago that are now being accepted as completely as the truth, which they are,
and that that means that we're actually we're elevating ourselves up into a new
kind of consciousness now I have no doubt about after going to the conference,
and I think jfk X it's success is also part of that. And if
you read the comments like an Amazon Prime or the other outlets that have it,
you can see that, oh I never saw this before, I never
thought of this. You can see there. They're they're entertaining ideas and concepts
that absolutely never would have thought of before. And I think this is all
part of this changing of the of the time and and the uh, well,
it's not it's not only that, it's not another regurgitation. We're just
not recycling all the old information now we do have. I mean, the
first act is a lot of the official story and a lot of the background,
but the bulk of the film is something that people have never heard before,
you know. So I think that that's what is really propelling it forward
because it's something completely different. I don't think that these other documentaries and these
other big, high production documentaries are going to do anything because it's just the
same thing. We've reinforcing, the exact same narrative that's been there for a
really long time. And then we bust through the doors. We kick those
doors wide open. And then we present something that people have never heard before.
And I think that that is really intriguing for people. Yeah, that's
funny you say that, because I was at the conference and I talked to
Jimmy Church who hasn't had me on a show yet, to talk about this,
Jimmy Jammie, and I said, he said, wow, man,
your film I watched. I started watching it, and you know, I
got about twenty minutes and I said, oh, no, this is just
another JFK film And I don't know if I'm going to continue. And I
said, no, it's Jay's film. It must be good. I'm gonna
hang on. He said, I got to the thirty minute mark and I
was just about to turn it off because it's just the same old thing.
I've heard it all, see FBI, Secret Service, Oswald, hiding in
the theater, the whole thing. Although he said he didn't know about Tippett.
I'd forgotten about Tippett. And then he said, then the second half
started, and he said, holy shit. He said, that was like,
what the hell? He said, within five minutes of the second half
starting, he couldn't get out of his chair. It was like phones are
ringing. He's ignoring it. You know, everybody coming in. He's like,
no, no, no, get away from me. I gotta watch
this, and he said it was amazing, and so he said the second
and the third half of the film were absolutely incredible. But you know,
the thing is, we didn't have to do the first half the way we
did it because there's so many people that are younger than say forty, who
really don't know the details, and so he's not going to mean it.
The second half is not going to mean anything if they don't have the details
of the first third, and so you know, we had to kind of
bite the bullet and do it that way. And you know, it's the
way you have to do it. I don't think it would have worked any
other way. I don't think it would have either. And that was the
reaction that I was trying to get, and that was my thought process of
editing and directing the entire movie that his reaction and what you just said is
exactly what I wanted everyone to kind of experience. That was all done on
purpose. On Yan. You know, well, you know in old school
filmmaking, you know, if you I watched a lot of old films and
because of comparing the new films and in the old days because we had a
longer attention span, because the internet didn't shave it off and all that,
it took a lot longer for a film to get gone right, So,
you know, it would take like The Shining as an example, perfect example,
it takes full hour for The Shining to get going. It just doesn't
get going until the hour almost exactly one hour mark. And that used to
be, you know, regular in films and documentaries. We would take an
hour of setup and then you would have the last forty five minutes to be
this great you know, oh he puts it all up. Now we're finishing
it all off. And we kind of went old school a little bit with
this film. We said, no, we're to take the time for the
set up. You know, we did do an hour, we did a
half hour, but we did it the old school way where we just did
it and we set it up. And I really think it works, I
really do. I think that young filmmakers could learn a lot watching our film.
I really do. And I just saw The Shining in theaters in a
theater up in Wyoming. They played it for a couple of weekends and it
is completely different on the big screen, like your eyes are glued to that
entire movie. It's not like watching it on a TV or watching it on
your phone or downloading it on whatever. But watching it on the big screen
was a completely different experience. I didn't take my eyes off the screen one
time, and that just shows you how incredible of a filmmaker Stanley Cubriic was.
And it was just incredible. I didn't check my phone, didn't check
my watch, nothing. It was just glue. And I had seen it
over a hundred times at least, and that was probably on the big screen.
Never on the big screen. It was and I saw some things that
are going to be in our next film that I would never have seen watching
it on a regular TV. So it's true because you know, I watched
two thousand and one A Space, Ozzy, Clockwork, RDS, Doctor Strangelove
and Barry Linden and The Shining all on the big screen. Never watched it
on the television. I remember the first time, especially in two thousand and
one, that I watched it after seeing it me twenty times on the big,
huge cinerama screens, and then I watched it on TV and I was
like, whoa, what a downer, you know, like a little tiny
postcard could barely see it. And you know, all the great effects that
Cuba could put in there are just worth the same. And Kubrick made it
for the big screen. I mean he would tell you that right out,
and you know, I think the same thing is just to the side.
But one of Stanley's the greatest projects that he never made was a film about
Napoleon and his good friend Rually. Scott has now taken up the banner and
made Napoleon and it's unfortunately it's on the small screen. But my god,
the clips that I've seen from this film, this shit film should be released
on the big screen. This is this is really Scott at the top of
his game, even though he's eighty five years old, proving you actually can
make a good film after you're sixty. I don't know if it's a good
film, but I mean, visually, that is the most stupendous film I've
seen visually in quite a while. Yeah, And is it not being released
in theaters? I thought it was being released for a couple of days in
the Apple TV. Maybe they should. I mean, he's got joking Phoenix
and it's really Scott and it's Napoleon and Stanley Kubrick's lost film and everything rolling
for it. You know, yeah, I like Ridley Scott as a director.
I was just watched Prometheus again the other day. Amazingly directed film,
the camera working, that is amazing. But unfortunately the next film really sucked,
the next Alien film. He should have just done a sequel to Prometheus
and the Prometheus too, because Prometheus was lost there for sure. But I'll
tell you what his first his first film is The Duellist and it's one of
the most strikingly visual films ever made. His second film is Alien, one
of the most incredible horror films ever made. His third film is Blade Runner,
one of the most visually striking films ever made. And his fourth film
was Legend. Again unbelievable. And these his first four films are more amazing
than any other filmmaker's for the first four films ever. And so the guy
just you know Legend with Heath Ledger, right, Eith Ledger was in Legend
film, not Tom Cruise, Tom Cruise twenty one years old. Yeah,
but you know it's still a really good film. No, it was,
who was it is? The guy that played uh, the guy that played
the devil. He was a really good British actor. I can't remember his
name, but anyway, Uh, anyway, it's a great film. So
I'm I'm a huge really Scott fan. I thought The Kingdom of Heaven was
one of the greatest period pieces of all time. Gladiator great film, so
I'm really looking forward to it. I'm a big fan of Napoleon because you
see Napoleon. People don't realize that. And this is why I think why
Kubrick was interested in Napoleon. Napoleon really began funding a secret group of savants
to investigate the mysteries of our planet. And you know, he went to
Egypt and had a big experience in the Pyramid, which I hope they show
in the movie. And he was the first guy to begin studying Egypt and
ordering his savants to study Egypt. And I believe, and I know Walter
Bosley believes this, that Napoleon set off a series of things that continue to
this day. And NASA's part of this, and the air flying machines of
California in the late eighteen eighties are part of this, and and Jack Parsons
is part of this, and this is I call it Operation X. It's
a secret project being funded by elites to investigate and find out everything that's going
on on a planet Earth. And Napoleon was the guy that really kicked us
off. And we'll see if they're smart through to add some of that in.
I don't know, we'll ever know. Speaking of NASA in the san
advanced technology, there's some people that believe that that is the reason why JFK
was assassinated was because of he knew the secrets to some advanced technology the government
was working on, which I mean, there is a lot of really interesting
information surrounding James Forrestall and JFK, but I think that it's been completely blown
out of proportion. And there is some evidence and some proof that JFK was
going to share some advanced radar systems with Russia, but that being what it
is, it's then now turned into UFOs and technology whenever in highly advanced technology.
When it originally was jf just wanting to share some advanced military air force
radar system with Russia, and then it's snowballed into he was aware of UFOs
and advanced technology. What do you think of all that well, I mean
out I did that three years ago. I did my move On lecture where
I came out with all this. So he went to Germany with Forrestall in
nineteen forty five, and they did visit the same base as that Joseph Ferrell
talks about, and they probably saw the high German technology. And he got
confiscated and of course the paper clip and all that. And he came back
and a Forrest All was in charge of all that. He became the first
Secretary of Defense. Of course, he got thrown out a window right after
he got visited by Lyndon Bay and Johnston. And so I mean, I
do believe that because if you read Kennedy's writings and his speeches, he really
was concerned about the environment. He really was concerned about peace. And you
know, he was generally a good guy. Wasn't a great guy. He's
had many flaws, but he was generally a good guy. And I think
that he was going to I think that he forced NASA to go to the
Moon by the end of the nineteen sixties, knowing they fully could not do
it with the technology they had, because Berner von Brown had debriefed him and
told him that they needed a missile the size of the Empire state building to
get to the moon. There's no way they could build that. And so
he knew they couldn't get to the moon with the technology they had, but
he knew that they were going to the moon with the technology they were hiding.
So he did that to force them at their hand. They didn't appreciate
it, and he, you know, Kennedy marked up one more enemy that
he had on his gigantic list of enemies. And so they and it was
my thesis that they did not want to show the world, and they had
good reasons the Cold War. Why did you want to show the Russians your
advanced technology? You know, you don't want to do that. That violates
rules of war. So they decided to hire Stanley Kubrick, and they brought
him in after seeing what he had done in Doctor Strangelove with the B two,
the B fifty two bomber and the landscapes over Siberia, and they said,
you know, because they actually thought that that plane was flying over Siberia
in Doctor Strangelove. And they came and said, where did you get the
B fifty two? He said, I didn't have A B fifty, just
a model we made and we flew it over a front screen projection that we
shot over Alaska makes it look like Siberia and they're like completely blown away a
by the whole thing. And for sure they hired him, and we know
the Air Force is involved heavily in all this, so that's you know,
it's kind of the precursor to our film in a way, because it was
just another enemy that Kennedy had made and he, you know, I'm sure
he really pissed off Berner von Braun and James Webb and all the people are
in NASA, and James Webb he quit NASSA like right after the last I
think it was right after Apollo thirteen or fourteen. He's quit right in the
middle of the Polo program, like I don't want anything to do with this
stuff, you know, I want out of here. And we now know
that, you know, was shot in the hangar in Leads, England,
about forty minutes north of where Stanley lived, and everybody wondered where they if
they shot this thing. There's no stage on Earth big enough. And then
we discovered that actually Buzz Aldrey and Neil Armstrong had been seen in nineteen sixty
early nineteen sixty eight. At this leads a blimp hangar, which is this
gigantic building which, by the way, is now being used for movie production.
They shot the entire Batman series Christopher Nolden series there at that sound stage
now, and it looks like Kubrick was the first person to use that as
a sound stage. And so you know, we now know that the Kennedy
and cubric are kind of inextrictly linked in this weird way. Kennedy instigating what
he thought was going to be freedom for technology by making NASA do something they
couldn't do, and then NASA flipping the whole thing on the whole world by
hiring Kubrick to do it when you can't even shoot film on the Moon because
it all be flocked. So you know, but is the idea and the
thought behind the something in the JFK files has something to do with some advanced
technology enough to keep it from the American public. I don't know. I
don't know about that. I don't think that it would be like people in
the community. People in the community have already known about all this stuff.
We've been talking about it for twenty thirty years. Who cares if there's something
to do with advanced technology in the JFK finals, doesn't make any sense show
like two years ago talking about it. So we've been talking about this for
a lot time. Yeah, it plays a small aspect of the JFK files,
but it doesn't play I don't any aspect of the JFK assassination because there
was no JFK assassination. So you know, everybody can run and hide and
you know, go go hide behind the cheese or whatever you want to do,
but you know you're not going to get away from it. You know
you can, you can optu skate and put fucking clouds all over the issue.
But the fact of the matter is is that we have in our film
Show the Whole World, the Clearest, the Bruder film. That's the film
that Abraham's Pewter shot of a JFK assassination on November twenty second, nineteen sixty
three, that the world has ever seen. We ran it through that high
tech. It got ran through that high technology, and you cannot deny what
you see in the film. That's the problem is that now a very very
pixelated, grainy film has now been cleared up, so you're looking through a
pane of glass now, and looking through the pane of glass, you can
see everything. You can see the strange object that's on Kennedy's head, that's
a fixed there by him seconds before the so called assassination. You can see
the strange movements of Jackie, the strange movements of John Connolly in his life,
the strange movements of the driver and secret service agent. They're all looking
at Kennedy before he shot. The entire car outside of Jackie Kennedy is looking
right at JFK seconds before he shot. How do they know that he's got
about to be shot? How do they know that? Because they know it
because he just put the thing on his head. That's how they know it.
They're waiting for it to go off. And these these things think,
these things cannot be denied. And like I said before, very soon,
very soon, a special effects artist, a film director, a cinematographer,
an actor, somebody in Hollywood is going to see our film and go that's
a squid absolutely, And that's something that they would want to keep from the
American public. That would be devastating to everyone in the United States, right.
Yeah, And that's why they're covering it up. And they can't cover
up our films. Too late, Jeanie got out of the bottle set to
do the second thing, which is make a whole bunch of other films saying
the same old crap that we've been hearing for sixty years, and they're just
repeating it. And we put enough of these out, then it will obfuscate
this guy, uh, these guys' films and and make sure this never gets
up. But it's too late. See again, they don't understand the world
we're living in. They're living in this old age. They don't understand what's
going on. We're skinny under the elephant. You know, when you're when
you're when you do a keto, you know, martial arts, a keto,
Japanese martial arts. What you want to do is you want your opponent
to be bigger than you, because if the opponent's bigger than you, you
use their weight against them. As they come down on you, you dodge
it, you know, you push them this way. You don't ever have
to hit anybody or anything. You just have to use their weight. And
that's what we're doing here. They're so big and so large that they can't
fight straight now against somebody who's small and fast, and that's what's going on
here. We're small and fast and secretive, and we got in under the
radar. And I predicted it's going to be very difficult for films like that
one to ever get under the radar again, which is why we're never going
to make another film like that one. And when we really owe it to
the first thirty minutes of the film, we really do. Really, they
don't watch the second thirty minutes. The guys watch, Oh yeah, it's
another JFKA push it through, right, That's right, That's exactly what I
think happened. I think so too, I really do. LA We always
depend on it, yeah, which is incredible. And also Hollywood right now,
Hollywood has just gone down hill so quickly. There's been very few good
films. We just got off of that writer strike, which I think is
a huge psychological op to get to just move AI into the position of these
writers and have these AI to write all of these movies. There's already a
movie that's coming out that's completely written by Brightburn too, is going to be
completely written by AI. And then we had an actor strike. I don't
know what's going on with the actor strike. It might have already been over,
but the actors strike is over. The writer's strike is still going on.
If the writers win, they lose. I hate to say that's what
it is. I don't know if the writers haven't thought this through or whatever.
So what's going on here is the old entire movie industry got screwed completely.
They got convinced in twenty twelve. Twenty eleven actually is when they got
convinced that the only avenue forward is streaming. I know, I was there
and they all these people with money, they went, oh my god,
streaming is the only way to go. And all these hundreds of millions of
dollars poured into streaming, into Amazon and Prime and Guya and all them are
paramount, and everybody was starting their own streaming, and and I'm looking at
this landscape and going, this cannot work. And then I noticed while I
was at Guaya that one of our most persistent problems was that somebody, you
know, we'd have a dollar ninety nine for a month, your first month
special, right, So people would join for buck ninety nine and they would
literally watch everything in a month. They would sit there and be the winner,
probably when we haven't much to do, and they would just all January,
they would watch every show all day long, watch every single show on
Gaya all day long. And then when thinking of they call up cancel it.
And so we just gave away, you know, six million dollars worth
of content for abut ninety nine. And this happened all the time, and
I said, this cannot work, this cannot work. But the State Street
and Black Rock and all these big companies sold this that this was the way
to go. And so what Hollywood did was before streaming, they had theater
DVD is how they went, theater DVD, cable network. He had four
different incomes coming in. Now today there's hardly any theater going on at all.
Great films like what's the film about that Alien Invasion? They came out
a couple of months ago on Hulu and No One Will Save You? Yeah,
No One Will Save You. Should have been on theaters. That was
an amazing film, incredible, probably the best film of the year. Yeah,
I should have been in theaters, but they didn't put it out.
So so now we only have good films even coming out in theaters. So
it comes out on. There's no DVD's going to come out of it.
You won't read over buy a DVD. It will never go to cable because
it's on who Luk. We got the deals on it, and it will
never go to network. So it's going to stick on streaming for the rest
of its existence, and it's never going to be seen by a wider audience,
and so it's never going to make its money. It doesn't have enough
revenue stream to make it. But that's not the problem. The problem is
this. If I'm a production company and I have this problem, so I
know what I'm talking about. If I have a production company and I have
my films out on a streaming network, and I go to that streaming network
and see, can I see the details of my film my films? Can
I see how many people watch for how long? What should they cut off
at? So I can see what they don't like about my films? All
sorts of invaluable information. Right is inside these statistics? Right they should be
giving the filmmakers so they become better filmmakers. But they won't give it to
you. Why because they'll have to tell you how much it really made and
then they have to pay you more for the next one. I have to
pay more for that one for that one, because if they give you the
statistics, it turns out that you've got one hundred thousand more views than they're
saying. They're just obfuscating everything by saying, oh, well, this wasn't
a full watch and there's only ten minutes, and that's what they're doing,
by the way, but they're not giving those statistics out. So if the
writers win, they win their strike, then Hulu and Amazon and Prime I
mean Netflix will all have to give up their books. If they give up
their books, they're gonna find out that they're not making as much as they're
claiming. They're not making as much as they're claiming, and then the investors
are going to see that, and then they're only gonna pull their money out.
So if the writers win, they lose, because if the writers win,
they're going to put not put them out of business, but really hurt
the books on Amazon, Netflix and all the streaming services. But more importantly,
the investors are going to realize I'm not talking about black Rock and State
Street, they already know what's going on. I'm talked about guys like me
who invests in stuff like that. The small time guys, we're gonna pull
out because we're seeing it's all a lie, it can't make its money,
and it's all going to fall apart at that point, at which I don't
know where it's going to go. I don't believe it's the end. I
believe it's just a remaking of the entire business model. But we are in
it right now. There's no way to back out of it, and they
can't go back to DVDs, They can't go back to any of it.
So I think where it's going to end is that there's either a really wealthy
person's going to put together an aggregate network where we can make a little bit
of money on our films, or we're just gonna have to go it alone.
And I don't know how that's gonna go. And I've had a lot
of money on DVDs. Who's a super lucrative market, And I could say
what I wanted. That's what was so great about it. I could put
out DVDs and I could talk about subjects that we're not allowed that are now
allowed, but we're allowed then and get away with it. And that's why
they destroyed the DVD market because there's too much freedom in that market and the
film that we're getting the return back all of those DVDs that they could ever
get on streaming or even dealing with another distributor. So well, I think
the problem is is an oversaturation of the market. It's not sustainable. Exactly
like what you were talking about with the free trials. They'll give a free
trial of a dollar ninety nine and then they watch all the content and then
the company's response to that is to create more content, and then the content
gets crappier and crappier because they're just trying to push stuff out all the time.
And we're going to see a lot of mergers between a lot of these
streaming services I predict in the future. I mean, we already seen Paramount
and Showtime merge together basically, so I think that a lot of these companies
are going to have to merge together. And Disney already owns Disney Plus and
Hulu, so they could literally just merge those two together and have one ultimate
streaming service there. Paramount and Showtime is already together, So I think that
that's what is going to happen. And I think that the model in the
beginning, was like the Netflix model was good because they didn't have any of
their original content on there. They were just putting other movies on the platform
so people could view and stream. And then they got into the whole original
content thing, and now they have so many different original content stuff that is
just buried within the Netflix algorithm that have one season that never get another season,
you know. And yeah, we had that same thing a guy at
we were you know, we we put out a little bit of content of
our own and other people's content, and then as things started ramping up after
about four years, all we concentrated on was our own content, and you
know, it was a limited amount of subject matter that you could do it
no matter how much I told people that we can't keep doing this, you
can't keep squeezing the monkey, because it's eventually going to go dry. You
know, it started going dry. And that's what's going on with everybody.
What they really need a ratorium on all production. And Disney's doing this with
Marvel, by the way, they completely stopped Marvel, stopping everything, which
is a good thing because you guys really suck at what you're doing. And
then and then put a chicken in and make a day. Well, they
need to hire rioters. You don't hire people because of who they are,
what they look like. You hire people because of their talent. I mean,
my god, really, I remember when I was trying to be a
young man. I was a writer and I went to a famous rider and
I said, you know, I'm a young guy. What you suggest I
do to become a good writer? And I was fully expecting him to tell
me, you know, make sure you die a frama sentence the right way,
and make sure you get your conjunctions and your adjectives right. And I
expecting something like that. I turned around. He said, go have sex,
Go get in a fight, Go join the merchant Marines, go out
and travel the world, get your ass kicked in, get it robbed,
go out in the jungle, get bit by mosquitoes. And I was like
what, And then I realized, Oh, he's telling me that the only
way I can be a good rider is to go out and get a bunch
of experience in life, and then I'll become a good writer. And that's
what I did. I went out and got a bunch of experience in life.
But these people today, they don't have that they're not going out and
because I'm so coddled that their parents are, you know, the airplane helicopter
parents are not letting their kids go out and actually get their butts kicked in,
fall down off a mountain like I did you fall off a tree,
go out and get an animal chasing you in the woods, or any of
those things, because they're so coddled. So, you know, I don't
think we're going to have the good writers anymore. But if there are good
writers, they probably don't want to work in Hollywood anymore. That's the other
thing is your generation doesn't isn't even all that interested in working for these big
corporations and making the big money. They'd rather make their own stuff on their
own terms, which is the way I was always in my life too.
So I totally understand that. And so I think they're going to lose all
the good talent because a good writer can stay interested it on the film.
You can make a film on his own. Now he can get the equipment
and it's a good writer, it's going to be a good film. So
they don't even need the rest of the world. So I think Hollywood is
dead. I really do. I think it's going to turn into something else.
But the old concepts of and AI is really going to change things.
Man. I saw at this conference I was at. I saw video generated
AI voice too video AI. I mean literally, okay, I want to
take that same scene that was in this movie or has changed the actors of
this and that right, And it was like whoa, I saw the quality
of it not perfect, well wow that is it's spectacular. So I even
think that where I think actually films or interesting films are going to be made
is what we're doing documentaries. They can't AI can't make a good documentary.
Sorry. AI could never make the AFPA acts period. I agree in the
see, I think what's going to start happening is that these actors are going
to start selling their likeness to these companies and they're just going to be able
to insert their their likeness and it's going to be AI generated and there they
could be dead, they can be too old to be able to act in
movies, and they're just going to insert them into the movie. I mean,
Bruce willis already sold his likeness. Yeah, but you know the I
so saw, well, you can say, make him look a little bit
like Bruce Willis, and then Bruce will do anything about it, right,
So it sort of looks like Bruce Willis, but it's not. And then
he said, no, it's not you. I know, it looks a
little bit like you, but it's not you. Uh, And so they're
not that's not even going to be controllable. And you know, I,
you know, I'm not. I gotta be honest with a kind of looking
forward to this. I'm trying to. I'm looking forward to seeing where this
is going, because fiction films are just not good anymore. I mean,
you know, you look at like Avatar too, what do it costs like
six hundred million dollars? And it was really good, I mean, facts
are great, and the acting was good, but eh, it was just
kind of a nothing film. And you know, I couldn't even sit through
the three hours. I watched. About twenty minutes, I get up and
do something else. I come out watching another twenty minutes, because I just
I don't know if I can even sit through a three hour film anymore.
So I think the whole nature of cinema is rapidly changing, and I think
it's gonna get rather interesting. I really do. And you know, again,
the grimy, gutsy filmmakers like us. We will still exist because a
I can't compete with us, so we'll keep making films that are just going
to irritate the hell out of the cabal and and we don't really give a
shit. Yeah. I think HBO has like one of the best models because
they have several revenues of like they're on cable, they're on satellite, so
they get that stream that revenue and then the next day the stuff drops on
streaming. None of the other streaming services really have that besides like Hulu and
maybe a few others, but Netflix doesn't, Disney doesn't. So it's like
they're definitely cutting edge. HBO is the cutting edge of this whole streaming thing.
And yeah, we'll see whether you know, they actually start taking interesting
films. You know. That's the other thing, as they are, they
do reject interesting films, and uh for political reasons mostly, so we'll see.
Here's the thing with our film though, jfk X. I was telling
somebody the other day, so are you afraid of your film? And I
was like, well, uh, you know, you're so political, and
I went, actually, jfk X is the least political JFK film ever made.
It's so political, so neutral on every level. It takes no point
of view on all of the conspiracy theories except to prove them wrong. And
and so, no, we are not political in this film at all.
We don't get political. That's what makes it so beautiful and what makes it
such a threat to the establishment because they like to you know, combine,
to divide and conquer, and you got to take this point of view,
and that we'll take this point of view, and oh no, we're not
taking either of those points of view. We're taking a third way like the
buddhis set, and we're going to take the third way, and the way
is the correct way, because's a little bit of that, it's a little
bit of that right. It's also interesting too that JFK was a Democrat and
all these Republicans in the right like treat him like he was a Republican or
far right leaning. It's really it's really really interesting that they take that,
uh, that angle, I mean, even the rights like, oh,
he was the best president. Well he wasn't a Republican, he was a
Democrat. Yeah, but the Democrats have gone so far to the left that
they couldn't elect Kennedy as a dog catcher. So so I think it's actually
it's fair to say that Kennedy would actually be a right winger in today's politics,
with his you know, giving and slashing the business tax as soon as
he got in to office, and you know, invading Cuba, which he
didn't want to do, but he did anyway, and of course he got
bad info, and so you know, you know what, I will say
it right out, Ken, he is a very flawed man. But I
wish he was our president right now, because man, we could use somebody
that had that kind of decision making power right now. Yeah. And a
lot of people that's reached out to me and send me emails about the film,
they they're really disappointed in that we didn't include all of the other Kennedy
deaths and all the other Kennedy assassinations and talk more about RFK and all that.
I'm like, hey, man, like this was we originally only wanted
this film to be what like an hour and fifteen minutes or an hour and
ten minutes or something like that, But there was just so much, so
much information in there that we that we actually even extended it out further.
But yeah, even if RFK could have been president and not have been taken
out of the picture, then I think we would have got a duplicate of
JFK earlier because RFK was super charismatic. He would have he was more charismatic
than JFK was, especially by making this film and doing all the research and
watching all of his court cases. Prosecuting the mob is unbelievable. I'm like,
this guy is really doing what you know, we wish we could do
now, what no one has ever done before or since. It's what he
was doing. And he was a boxer. Man, he got in the
ring and started swinging. It was amazing that guy. Man, it was
like a bulldog on the leash. He had a hold both hands to stop
him from taking everybody down. And yeah, and you know what, you
guys out there, you want to make a film about RFK, I got
my blessing and go for it. I want you to make it. And
there's a lot of suspicious stuff around the RFK assassination which really needs to be
looked at. If you need any help, you know, give me a
buzz. I will be more than happy to give you my download because I
have looked into that seriously, and I can tell you right now, Sir
Hans, Sir Hun did not shoot anyone anyone. That's why he doesn't remember
shooting it, because he never shot anyone. And I'll explain that to anyone
who wants to hear. That's not for this time. But if anyone wants
to make a film about the RFK or rfk's life, I'd be more than
happy to give you some assistance as far as, you know, helping you
out with the history and stuff. It's really important that it gets out.
And and he was a great man, that's all I can say. And
they saw the direction of where the United States was heading and in turn the
world, and they were trying to stop it. That's the only conclusion that
I can come to from doing all the research for the film and making the
film. I mean, in that first act we do that entire section on
the mob and what RFK was trying to do to take down the mob,
and it's it's really incredible what he was doing and the things that he was
saying. I mean, it's almost verbatim what's being said in the community now.
So it's like, well, if this was happening way back in the
early you know, how how far has it gone to this day? And
we've talked about it several times on other people's shows. It really seems like
the Mob just disintegrated after that, and then they just became large companies and
large corporations and they went legit, which is almost exactly what happens in the
third season of Fargo. I don't know if you've watched Fargo, but it's
this. Fargo's amazing. It's an amazingly directed show. It's an anthology series,
is a different series every I mean a different story every season, and
it goes through all of it. But in the third season it's basically about
the Mob and Dangs. And then at the end of it, they take
this guy that win and did all this killing for the Mob and then sat
him down in a business chair. It was like, Yeah, you're gonna
be sitting here typing, You're gonna be doing all this stuff. Jimmy in
the mail room just saved over a million dollars by repackaging and relabeling a bunch
of mail, So get used to it. This is what you're going to
be doing from now on. And that immediately made me think of our film.
It was like, that's exactly what they've done. Yep, that's right.
They went to corporate. I think they got scared. I think because
they didn't know. The Mob didn't know what was going on either with the
Kennedy. Yes, they put a hit out on him, and they thought
somebody in there, a miliu, had hit Kennedy, but they didn't know
the real truth. It was just confusion. I watched all of that going
on, and then you know, the Godfather book came out and then the
movie, and I think that's when the Mob said, we have been exposed.
What we are is now known to the world. I think it's time
for us to cool it. And they began cooling it. It took about
ten fifteen years, from say seventy four to about nineteen ninety before it was
fully corporate and you could see it in all ways. And then they started
taking and then you started seeing the corporation is taking over everything. So Walmart
began taking over all the small hardware stores all over America. Right, so
the Hollywood began scooping up all the small independent film companies and they're doing it
right now. Big corporations are sucking up all the smaller things until there's not
going to be any smaller things. You're all going to be sucked up unless
you're making films like Afka experts. We're not going to touch with the twenty
foot pole. So and then they flood the entire community with drugs too.
They just drop all drugs, all the drugs that they brought in and the
whole thing. And you know, we're in dire straits right now because the
mob became part of our culture instead of being an outside part of the culture.
It was much safer when they're outside the culture. Then when they're inside
the culture, we let them inside the gate. And now they're kind of
corrupting the entire society. And you know, we have crime families now that
you wouldn't even think we're crime families. You know, the Colombo's, we're
one kind of crime family. But now we have like the Bidens are a
crime family. So we have small families that are crime families and doing things
that big families used to do back in the old days. So you know,
it's all loose on the honest right now. But again, I want
to end this on an optimistic note because I do believe we're coming out of
the darkness. I believe jfk X is proof that we're coming out of the
darkness and the clouds and everything is disappearing. The sky is blue and sunny,
and we're gonna see the world for as it really is. And yeah,
it's an ugly place, but at least we get to see it for
what it really is. I agree with that, and I think that it's
going to be an amazing future. I mean, the whole community has just
been nothing about you know, doom and gloom and fear mong green for so
long. The only people that have been talking about a bright future, unfortunately,
has been the New Age people in the New Age cults and the old
UFO cult. You know. Transforming the Earth into a new transition is going
on. We're gonna go into the next evolutionary level above human There is going
to be transformed into a five D Earth and all that. You know.
I think that there's a more realistic take on that that is possible, and
that we can live here harmoniously without trying to kill each other every second and
all these you know, wars that are going on and we'll maybe continue to
go on if we don't change some kind of trajectory, but also at the
same time almost seems like it's just too late that we've just gotten ourselves down
in such a big rut that is going to almost take a miracle to get
us out of this gigantic hole that we've dug ourselves into. But I do
believe that it's possible and could possibly happen. So we got our fingers crossed.
And thanks for having me on, Jay, I really appreciate your time
this evening. It was wonderful converse, and we'll do it again whenever they
start to wheel out some more, maybe for the subthing at the anniversary,
they might. I don't think it's going to be like this for the for
the next anniversary, but yeah, it's really incredible. And check out our
film jfk X Solving the Crime of the Century on Amazon Prime now and be
looking forward to our next film, which we're going to start working on here
pretty soon, very soon, in fact, within the next few weeks.
So yeah, thanks for coming Rider and everybody, thanks for watching Jay Wider
reality check. And things are going to get better. I guarantee it.
We're now moving out of a certain kind of era and we're moving into a
new era and it's going to become very very wild very soon. All right,
thanks for watching, everybody, and we'll see you next time.