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The entire world was shocked when the
President of the United States was assassinated in

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Dallas, Texas, on November twenty
second, nineteen sixty three. President Kennedy

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died at one pm Central Standard Time. Much of the world has wondered what

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really happened that day. Countless conspiracy
theories have sprung up in an attempt to

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understand what really happened to President Kennedy. Was that the CIA, the mob,

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Malone assassin who exactly killed JFK?
If I didn't shoot anybody know the

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baler never know the truth fact what
occurred? My motives JFKX Solving the Crime

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of the Century is an investigation into
these events. The film answers the most

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basic questions about what really happened on
that day. You will discover the truth

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behind one of the most traumatic events
in world his You will see the assassination

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of jfk with new eyes as the
realization of the truth is revealed. Jfk

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X Solving the Crime of the Century
will unbuild the truth behind the events of

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November twenty second, nineteen sixty three, like no film has ever done before.

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Everybody Jay Wider Hear Reality Check.
Thanks for watching subscribing and everything.

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I went to the Disclosure Fest.
That's why I haven't done anything for a

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while because kind of took it out
of me, and I said, you

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do a pretty good job. There's
two over two thousand people there, really

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good speakers, and one of the
things that I really liked about it was

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it was really trying to achieve kind
of a high degree of intellectual inquiry.

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There was three lectures on alchemy,
which I've never seen even one. I

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mean the BS alchemy, like spiritual
alchemy, but real alchemy, and one

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of them was mine, and I
was at a packed house. Wasn't an

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empty seat. People were struggling to
find a seat, and there were stand

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ups in the back because there are
no seats, and so it really went

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really well. I hope they do
it again. And went a lot better

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than a lot of the conferences I've
been to lately. And it was very

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encouraging, I have to say,
very encouraging. And anyway, so as

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you guys all know, JAF has
been out on Prime now since July eleventh

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is when it came out. It's
doing really well and I'm really happy with

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it. And so I brought thought
because we're approaching the sixtieth anniversary, which

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I believe is tomorrow or know the
day after tomorrow. Yeah, the day

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after tomorrow. I thought I'd bring
my fellow filmmaker writer Lee back in to

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discuss the updates on the JFK stuff
and how our film seems to be causing

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quite a wake, which I did
not expect. To be honest with you,

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I did not expect. I thought
it would kind of fly under the

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radar, make a big hit,
but I didn't expect a reaction like we're

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getting hey right, or how you
doing? How's it going? Jay?

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Thanks for having me on really appreciate
it. And the sixtieth anniversary coming up

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is incredible. I've never seen so
much JFK stuff in my life. It's

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unbelievable. Hulu is making a docu
series, Paramount made a series, National

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Geographic made a series, and it
makes you wonder why for the sixtieth anniversary,

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right, they didn't do this for
the fiftieth anniversary or the fortieth.

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They didn't do anything writer for the
first thirty years at all. Nothing You

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would occasionally see maybe a half hour
thing about oh so sad and or the

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Kennedy was a crook. That was, but that was really what was going

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on in the late seventies and eighties. It was all that Kennedy was a

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womanizer and Kennedy was a criminal.
That's what you saw. You didn't not

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see anything else because they were in
massive cover up. And then Ali Ristone,

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almost thirty years after these assinas,
you put out his great film JFK

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and then you started to see a
little bit more coming up, but really

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not much. Not much in the
fiftieth dinnistry. I kind of wondered what

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was going to happen. So I
watched ten years ago to see if they're

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going to like have a big celebration, and it was just Dudsville. There

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was nothing. Nobody talked. Oh, the fifty Dinni version was a seminal

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moment in American history. Nothing.
And then I, because I perused film

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productions, what's going on in the
film world. So when right before we

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began the production of JFKX, I
looked at the what was in production for

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all the studios and there was nothing. Okay, there wasn't any films at

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all. In or June of this
year, there were nothing in production.

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And then I noticed in late July, about two weeks after our film,

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I noticed that all of a sudden, paramount decides to do the thing.

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Who decides to do something, National
Geo decides to do something all of sudden.

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I've seen all and there, and
they're fast productions. These are not

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These are you know, usually takes
a year to do a documentary, but

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these are not. These are productions
that are starting in July or August that

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are being put out in November,
which is incredibly fast. I mean they

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must have a huge crew, as
you know, you would need five or

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six editors to do that, but
you did in the same time period.

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And so I believe that week through
a huge we thought it was a small

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pebble turned out to be a gigantic
rock into the pond, caused gigantic waves

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going in all directions that nobody anticipated. It just came out of the blue.

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Nobody anticipated what we were going to
say in the film, that the

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whole friggin thing is a fake,
and nobody expected that, and they scrambled

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because for some reason, they would
rather have us think that it's real that

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have us think that it's a fake. They would rather have us think that

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the CIA in an nefarious conspiracy is
behind the assassination, although nobody ever says

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how or why this is. They
just say it, and you think the

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CIA would thankfully say, oh,
see, we didn't have anything to do

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with it. These guys just proved
that we had nothing away in the clear.

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But no, it can't because they're
too embedded in this fake reality that

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they've created. And I'll bet you
there's even agents who watch are filmed and

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still can't believe what they're seeing.
Oh, I guarantee it. And it's

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interesting because you would think that the
fiftieth anniversary would be something more than the

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sixtieth anniversary, which then brings into
question why the sixtieth anniversary doesn't really make

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any sense in all of the propaganda
sy people Whenever they say, oh,

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the CIA assassinated Kennedy, and then
you ask them who in the CIA was

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it, they don't have any idea. They just blanket at all with the

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CIA, And all of the documentaries
has come out so far has just been

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there to instill the propaganda that's been
going on for years and years and years.

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I mean, one of them brings
on some of the witnesses that was

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there that day. I'll go one
step further. It's more than that they

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are purposely clouding up what we're saying
in jfkacts. It's on purpose. The

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trailers are immediately the first thing you
hit with is three shots. I heard

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free shots that day. All of
a sudden, witnesses that heard shots are

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coming for even though before they struggling
to find anyone who heard three shots.

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But here's the thing. The witness
at at nat Geo is bringing forth who

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says, oh, I heard three
shots. He's the guy that planted the

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bullet on the limousine is now coming
forth. Oh, Paul, come on,

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He's got to be the most discredited
person in the whole investigation, right,

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No, I mean he manipulated evidence, he planted evidence. This is

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their main witness. This guy should
be prosecuted. He won't because he's eighty

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three years old. But I mean
he should be prosecuted, but he isn't.

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He's now held as a hero because
it enforces their parent narra narrative.

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And and and that's why JFKA actually
is such a powerful film, because it

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absolutely snaps their propaganda narrative in half
and they can't put it back together.

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And so what they're doing is they're
just clouding and obtuskating the entire landscape and

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hoping that it gets through. But
you know what, it's already gotten through.

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There's nothing they can do. There's
so many people who seen it already

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that it's already gotten through. And
it's going to become a major aspect of

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this whole thing in the next two
or three years. Yeah, I guarantee

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it's sometime in the future when people
come in and steal other people's work because

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it seems to be the thing to
do. And you've seen it several times

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with your other documentaries, you know, a Cubric's Odyssey. You know people

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that's like blowing up on TikTok right
now, and they have no idea where

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that came from, and they have
no idea that you created that theory.

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And you put all that stuff together
in your documentaries, right And another thing

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that was interesting is I was watching
the Hulu the other day and I have

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it ad Hulu. I don't have
enough money to have ad free Hulu,

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so I have to watch through all
that. And that's a whole other story.

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With the amount of ads and of
propaganda that are within the ads,

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is incredible. It's like they're just
wanting sickness and wanting disease and just pushing

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that nonsense on you. Twenty four
seven. I tend to just mute it.

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But I saw the trailer for the
docuseries on Hulu. I think it's

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called Diaries of Diaries of something.
I can't remember the name of it,

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but it almost looked identical to the
trailer that I put together and the trailer

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that I edited for our documentary JFKX. I was like, what is this?

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What are they doing right now?
Well, because they're not creative.

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What they do is they've been given
an assignment. Okay, this documentary came

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out, and we want you to
do everything you can to obfuscate it with

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your documentary. They said, well, can we see this documentary that you're

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talking about and these are just NPCs, you know, and they see it,

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they sit and they go, oh
wow, wow, that's different.

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Let's let's let's do that. I
mean, because we can't really come up

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with anything originally, so let's just
do that. Because if that film is

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that effective and we want ours to
be even more effective, we'll just steal

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everything from that film and put it
into ours. And make it the opposite

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though of it. So it's very
clever with what they do. And you're

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right. That's the thing that you
know, and I'll have to accept is

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that in ten years, they're all
going to be talking about this, but

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they're not gonna be mentioning us.
And that's okay, because the whole point

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of films like this is to put
a meme into society. We don't need

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to take credit. We need to
put the meme in there. We need

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to get the worm in there,
the mind worm that's working its way through

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the whole thought process. And so
you know, I'm perfectly fine with TikTok

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having seven thousand videos about how Cubic
fake the moon landing using all of my

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footage. You see all of my
effects and everything, and and I'm fine

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with it because the meme guy out
there, it's driving everybody crazy, the

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same people I want to drive crazy. And that's what I want to have

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with this film. And I fully
expect that in five years there will be

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five thousand TikTok videos. But ce
squib and all the stuff that we have

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in our video, and look at
as they all faked this out. Nobody's

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reacting to the gunshots and and how
can they not be reacting when it's a

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gigantic gun that goes off and so
loud it'll pierce your ear drum, so

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you don't put your hands over your
ears. And we just asked the questions

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that nobody else has ever asked,
and they can't stand that. And want

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to say something here which's going to
wax a little bit spiritual, But I

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just want to say this because it's
super important. This is way off,

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and it's gonna sound like a gigantic
digression, but it's going to point back

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to why this film is a hit
right now. It may out of Evan

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and say ten years ago. In
my book The Call On Across the Hindai,

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we show that the solar system oscillates
up and down across the plane of

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the of the galaxy, and the
major source of etheric energy is the center

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of the galaxy. But as we
oscillate through the plane of the galaxy,

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we crossed the place where all the
matter is at the very center of the

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equator. And when we pass there, that's when we go into the Caliyuga

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because there's more etheric energy coming in
because it's being blocked by this plane of

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matter and that that stupefies us and
we become really stupid. And for the

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last three thousand years we've been in
the Cali Yuga. But we're now coming

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off the top of this mass of
stuff that's stopping the etheric energy from coming

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in, and we're now getting hit
with this etheric energy, and we're all

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being woken up at once, and
every day we're going to get more and

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more woke, and more and more
woken awake, now more and more awake.

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We don't want people more woke,
Jae. We don't want to woke.

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Woke is the opposite awake, And
so that is why suddenly a whole

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bunches of theories. I'm sure you
keep aware of what's going on. Suddenly

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all of these mysteries about the universe
are suddenly kind of falling away. We're

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starting to like, oh, wait
a minute, it's not so mysterious.

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This is there really isn't what we
thought was a fantasy is not really a

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fantasy, or what we thought was
a fantasy really is a fantasy. We're

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getting it. We're starting to kind
of figure everything out, and there's like

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this meeting of minds on the Internet
where we're all comparing notes that well you

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didn't think of that part, and
then we said, oh yeah, what

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about this? And that's what's going
on here, SOS. We're coming off

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and coming into the etheric energy when
more time, after three thousand years of

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darkness, suddenly the old tricks that
they played on us in the Coli Yuga

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are becoming a parent that they're just
tricks. They're just vicious tricks by magicians

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in the age of darkness, and
everything was so dark and cloudy we didn't

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see it. And now and I
think JFKX actually is one of the first

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films coming out that's showing us how
we can rethink the past and show that

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the past is not what we think
it is. It's really a vast dark

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manipulation allowed because these etheric energies which
power us, we're being denied to us

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just by circumstances where we were or
travels through the plane of the of the

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outer edge of the galaxy. And
this is always encoded in the cross of

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Hyndei and my work. And I
really think that I really think that we're

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going into really good times. I
really do. I think the times are

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I think even what's going on in
Israel right now, how the whole world

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is saying. And I don't want
to get political, because you know,

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I don't take sides. It's like
I don't think sides in boxing or football

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games or anything. I don't take
any sides. I don't care, and

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I don't take any sides there.
But you can see that the whole world

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is saying, no, we're not
doing that anymore. Yes, we did

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that for a long time. What
you're doing those people, We did that

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for a long time, and everybody
did it. But no, the whole

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world say, no, we're not
doing that anymore. And you can just

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feel a whole new pressure being put
upon people who are doing aggressive actions and

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killing people, and you can kind
of see that we're done with it.

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We are just done with it.
We're not going to put up with it.

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And as much as I support the
people of Israel, Israel's on the

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edge of become a high state and
they better watch out, because it's a

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whole different age right now, and
we're not looking at the world in the

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same way, just as we're not
looking at the Kennedy assassination in the way

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that they want us to look at
Yeah, it's interesting too with the war.

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I mean, it might be because
we're not directly involved, and that's

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why people are like, no,
that's not you know, that's not so

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much worry about it. But if
there's a terrorist attack or some kind of

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attack on the United States, then
people would be all for it, you

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know. I mean looking nine to
eleven. Nine to eleven went directly according

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to exactly what they wanted to happen. You know, everyone was all together,

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everyone all of a sudden became patriots. Whenever nine to eleven happened,

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everyone had an American flag. Even
people in California, the most liberal state

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in the United States, had American
flights. I was there in California.

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I went to a coffee shop and
a very liberal towent had we support the

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troops on over the coffee shop,
which I support the troops, although I

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don't want them to die. I
want to support them so they don't die.

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And you know, I wented to
get a cup of coffee and I

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just like lost my shit. You
know. It was like two weeks after

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nine eleven said you people are all
being manipulated, and then I could see

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that it wasn't all I was doing
was crazy if I didn't get out of

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there. But so, yeah,
you're right, they could turn on and

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turn off the patriot thing anytime they
want. I think that it's not gonna

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work anymore like that. I think
that's old school, and I think,

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you know, not for everybody,
But there's enough of us on our side

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that are going to go now,
you're not gonna pull the switch and get

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me to do what you want.
And so I you know, I'm actually

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quite optimistic about what's going on right
now. I think that there's a lot

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of knowledge coming forth that is being
accepted which just ten fifteen years ago was

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not even considered. And I got
most of what I'm telling you from the

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conference I just went to went to. I listened to the languaging of people

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and how they talk, and the
languaging and the acceptance of ideas that were

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radical just a few years ago are
now being accepted. I saw it every

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single lecture that I went to that
they were using radical concepts from twenty years

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ago that are now being accepted as
completely as the truth, which they are,

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and that that means that we're actually
we're elevating ourselves up into a new

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kind of consciousness now I have no
doubt about after going to the conference,

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and I think jfk X it's success
is also part of that. And if

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you read the comments like an Amazon
Prime or the other outlets that have it,

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you can see that, oh I
never saw this before, I never

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thought of this. You can see
there. They're they're entertaining ideas and concepts

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that absolutely never would have thought of
before. And I think this is all

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part of this changing of the of
the time and and the uh, well,

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it's not it's not only that,
it's not another regurgitation. We're just

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not recycling all the old information now
we do have. I mean, the

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first act is a lot of the
official story and a lot of the background,

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but the bulk of the film is
something that people have never heard before,

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you know. So I think that
that's what is really propelling it forward

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because it's something completely different. I
don't think that these other documentaries and these

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other big, high production documentaries are
going to do anything because it's just the

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same thing. We've reinforcing, the
exact same narrative that's been there for a

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really long time. And then we
bust through the doors. We kick those

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doors wide open. And then we
present something that people have never heard before.

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And I think that that is really
intriguing for people. Yeah, that's

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funny you say that, because I
was at the conference and I talked to

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Jimmy Church who hasn't had me on
a show yet, to talk about this,

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Jimmy Jammie, and I said,
he said, wow, man,

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your film I watched. I started
watching it, and you know, I

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got about twenty minutes and I said, oh, no, this is just

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another JFK film And I don't know
if I'm going to continue. And I

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said, no, it's Jay's film. It must be good. I'm gonna

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hang on. He said, I
got to the thirty minute mark and I

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was just about to turn it off
because it's just the same old thing.

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I've heard it all, see FBI, Secret Service, Oswald, hiding in

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the theater, the whole thing.
Although he said he didn't know about Tippett.

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I'd forgotten about Tippett. And then
he said, then the second half

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started, and he said, holy
shit. He said, that was like,

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what the hell? He said,
within five minutes of the second half

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starting, he couldn't get out of
his chair. It was like phones are

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ringing. He's ignoring it. You
know, everybody coming in. He's like,

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no, no, no, get
away from me. I gotta watch

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this, and he said it was
amazing, and so he said the second

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and the third half of the film
were absolutely incredible. But you know,

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the thing is, we didn't have
to do the first half the way we

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did it because there's so many people
that are younger than say forty, who

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really don't know the details, and
so he's not going to mean it.

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The second half is not going to
mean anything if they don't have the details

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of the first third, and so
you know, we had to kind of

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bite the bullet and do it that
way. And you know, it's the

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way you have to do it.
I don't think it would have worked any

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other way. I don't think it
would have either. And that was the

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reaction that I was trying to get, and that was my thought process of

290
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editing and directing the entire movie that
his reaction and what you just said is

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exactly what I wanted everyone to kind
of experience. That was all done on

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purpose. On Yan. You know, well, you know in old school

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filmmaking, you know, if you
I watched a lot of old films and

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because of comparing the new films and
in the old days because we had a

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longer attention span, because the internet
didn't shave it off and all that,

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it took a lot longer for a
film to get gone right, So,

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you know, it would take like
The Shining as an example, perfect example,

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it takes full hour for The Shining
to get going. It just doesn't

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get going until the hour almost exactly
one hour mark. And that used to

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be, you know, regular in
films and documentaries. We would take an

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hour of setup and then you would
have the last forty five minutes to be

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this great you know, oh he
puts it all up. Now we're finishing

303
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it all off. And we kind
of went old school a little bit with

304
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this film. We said, no, we're to take the time for the

305
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set up. You know, we
did do an hour, we did a

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half hour, but we did it
the old school way where we just did

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it and we set it up.
And I really think it works, I

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really do. I think that young
filmmakers could learn a lot watching our film.

309
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I really do. And I just
saw The Shining in theaters in a

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theater up in Wyoming. They played
it for a couple of weekends and it

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is completely different on the big screen, like your eyes are glued to that

312
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entire movie. It's not like watching
it on a TV or watching it on

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your phone or downloading it on whatever. But watching it on the big screen

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was a completely different experience. I
didn't take my eyes off the screen one

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time, and that just shows you
how incredible of a filmmaker Stanley Cubriic was.

316
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And it was just incredible. I
didn't check my phone, didn't check

317
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my watch, nothing. It was
just glue. And I had seen it

318
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over a hundred times at least,
and that was probably on the big screen.

319
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Never on the big screen. It
was and I saw some things that

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are going to be in our next
film that I would never have seen watching

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it on a regular TV. So
it's true because you know, I watched

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two thousand and one A Space,
Ozzy, Clockwork, RDS, Doctor Strangelove

323
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and Barry Linden and The Shining all
on the big screen. Never watched it

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on the television. I remember the
first time, especially in two thousand and

325
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one, that I watched it after
seeing it me twenty times on the big,

326
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huge cinerama screens, and then I
watched it on TV and I was

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like, whoa, what a downer, you know, like a little tiny

328
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postcard could barely see it. And
you know, all the great effects that

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Cuba could put in there are just
worth the same. And Kubrick made it

330
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for the big screen. I mean
he would tell you that right out,

331
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and you know, I think the
same thing is just to the side.

332
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But one of Stanley's the greatest projects
that he never made was a film about

333
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Napoleon and his good friend Rually.
Scott has now taken up the banner and

334
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made Napoleon and it's unfortunately it's on
the small screen. But my god,

335
00:25:25.400 --> 00:25:29.039
the clips that I've seen from this
film, this shit film should be released

336
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on the big screen. This is
this is really Scott at the top of

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his game, even though he's eighty
five years old, proving you actually can

338
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make a good film after you're sixty. I don't know if it's a good

339
00:25:37.680 --> 00:25:42.720
film, but I mean, visually, that is the most stupendous film I've

340
00:25:42.759 --> 00:25:49.319
seen visually in quite a while.
Yeah, And is it not being released

341
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in theaters? I thought it was
being released for a couple of days in

342
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the Apple TV. Maybe they should. I mean, he's got joking Phoenix

343
00:25:56.680 --> 00:26:04.079
and it's really Scott and it's Napoleon
and Stanley Kubrick's lost film and everything rolling

344
00:26:04.160 --> 00:26:07.880
for it. You know, yeah, I like Ridley Scott as a director.

345
00:26:10.799 --> 00:26:15.359
I was just watched Prometheus again the
other day. Amazingly directed film,

346
00:26:15.440 --> 00:26:21.359
the camera working, that is amazing. But unfortunately the next film really sucked,

347
00:26:22.200 --> 00:26:26.920
the next Alien film. He should
have just done a sequel to Prometheus

348
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and the Prometheus too, because Prometheus
was lost there for sure. But I'll

349
00:26:32.000 --> 00:26:37.960
tell you what his first his first
film is The Duellist and it's one of

350
00:26:37.960 --> 00:26:41.759
the most strikingly visual films ever made. His second film is Alien, one

351
00:26:41.759 --> 00:26:45.880
of the most incredible horror films ever
made. His third film is Blade Runner,

352
00:26:47.200 --> 00:26:49.839
one of the most visually striking films
ever made. And his fourth film

353
00:26:49.880 --> 00:26:56.480
was Legend. Again unbelievable. And
these his first four films are more amazing

354
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than any other filmmaker's for the first
four films ever. And so the guy

355
00:27:02.799 --> 00:27:08.079
just you know Legend with Heath Ledger, right, Eith Ledger was in Legend

356
00:27:10.799 --> 00:27:15.839
film, not Tom Cruise, Tom
Cruise twenty one years old. Yeah,

357
00:27:15.160 --> 00:27:18.319
but you know it's still a really
good film. No, it was,

358
00:27:18.359 --> 00:27:22.359
who was it is? The guy
that played uh, the guy that played

359
00:27:22.359 --> 00:27:26.240
the devil. He was a really
good British actor. I can't remember his

360
00:27:26.359 --> 00:27:30.279
name, but anyway, Uh,
anyway, it's a great film. So

361
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I'm I'm a huge really Scott fan. I thought The Kingdom of Heaven was

362
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one of the greatest period pieces of
all time. Gladiator great film, so

363
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I'm really looking forward to it.
I'm a big fan of Napoleon because you

364
00:27:42.960 --> 00:27:48.640
see Napoleon. People don't realize that. And this is why I think why

365
00:27:48.720 --> 00:27:56.920
Kubrick was interested in Napoleon. Napoleon
really began funding a secret group of savants

366
00:27:56.240 --> 00:28:02.720
to investigate the mysteries of our planet. And you know, he went to

367
00:28:02.799 --> 00:28:06.480
Egypt and had a big experience in
the Pyramid, which I hope they show

368
00:28:06.480 --> 00:28:11.039
in the movie. And he was
the first guy to begin studying Egypt and

369
00:28:11.440 --> 00:28:17.720
ordering his savants to study Egypt.
And I believe, and I know Walter

370
00:28:17.799 --> 00:28:22.759
Bosley believes this, that Napoleon set
off a series of things that continue to

371
00:28:22.920 --> 00:28:30.200
this day. And NASA's part of
this, and the air flying machines of

372
00:28:30.599 --> 00:28:36.680
California in the late eighteen eighties are
part of this, and and Jack Parsons

373
00:28:36.759 --> 00:28:41.519
is part of this, and this
is I call it Operation X. It's

374
00:28:41.559 --> 00:28:47.400
a secret project being funded by elites
to investigate and find out everything that's going

375
00:28:47.440 --> 00:28:51.039
on on a planet Earth. And
Napoleon was the guy that really kicked us

376
00:28:51.079 --> 00:28:53.200
off. And we'll see if they're
smart through to add some of that in.

377
00:28:53.599 --> 00:28:59.720
I don't know, we'll ever know. Speaking of NASA in the san

378
00:29:00.039 --> 00:29:07.039
advanced technology, there's some people that
believe that that is the reason why JFK

379
00:29:07.440 --> 00:29:17.440
was assassinated was because of he knew
the secrets to some advanced technology the government

380
00:29:17.480 --> 00:29:23.160
was working on, which I mean, there is a lot of really interesting

381
00:29:23.200 --> 00:29:30.160
information surrounding James Forrestall and JFK,
but I think that it's been completely blown

382
00:29:30.720 --> 00:29:37.680
out of proportion. And there is
some evidence and some proof that JFK was

383
00:29:37.839 --> 00:29:48.720
going to share some advanced radar systems
with Russia, but that being what it

384
00:29:48.839 --> 00:29:56.720
is, it's then now turned into
UFOs and technology whenever in highly advanced technology.

385
00:29:56.799 --> 00:30:03.319
When it originally was jf just wanting
to share some advanced military air force

386
00:30:03.400 --> 00:30:10.960
radar system with Russia, and then
it's snowballed into he was aware of UFOs

387
00:30:11.039 --> 00:30:14.599
and advanced technology. What do you
think of all that well, I mean

388
00:30:14.880 --> 00:30:17.480
out I did that three years ago. I did my move On lecture where

389
00:30:17.480 --> 00:30:21.680
I came out with all this.
So he went to Germany with Forrestall in

390
00:30:21.720 --> 00:30:26.599
nineteen forty five, and they did
visit the same base as that Joseph Ferrell

391
00:30:26.680 --> 00:30:32.960
talks about, and they probably saw
the high German technology. And he got

392
00:30:33.000 --> 00:30:37.559
confiscated and of course the paper clip
and all that. And he came back

393
00:30:37.039 --> 00:30:41.200
and a Forrest All was in charge
of all that. He became the first

394
00:30:41.200 --> 00:30:44.079
Secretary of Defense. Of course,
he got thrown out a window right after

395
00:30:44.119 --> 00:30:49.319
he got visited by Lyndon Bay and
Johnston. And so I mean, I

396
00:30:49.599 --> 00:30:55.720
do believe that because if you read
Kennedy's writings and his speeches, he really

397
00:30:55.839 --> 00:31:00.960
was concerned about the environment. He
really was concerned about peace. And you

398
00:31:00.960 --> 00:31:03.599
know, he was generally a good
guy. Wasn't a great guy. He's

399
00:31:03.599 --> 00:31:07.599
had many flaws, but he was
generally a good guy. And I think

400
00:31:07.640 --> 00:31:11.640
that he was going to I think
that he forced NASA to go to the

401
00:31:11.640 --> 00:31:15.000
Moon by the end of the nineteen
sixties, knowing they fully could not do

402
00:31:15.079 --> 00:31:19.240
it with the technology they had,
because Berner von Brown had debriefed him and

403
00:31:19.279 --> 00:31:23.279
told him that they needed a missile
the size of the Empire state building to

404
00:31:23.319 --> 00:31:26.359
get to the moon. There's no
way they could build that. And so

405
00:31:26.400 --> 00:31:30.720
he knew they couldn't get to the
moon with the technology they had, but

406
00:31:30.759 --> 00:31:33.319
he knew that they were going to
the moon with the technology they were hiding.

407
00:31:33.799 --> 00:31:37.960
So he did that to force them
at their hand. They didn't appreciate

408
00:31:38.000 --> 00:31:42.000
it, and he, you know, Kennedy marked up one more enemy that

409
00:31:42.079 --> 00:31:48.519
he had on his gigantic list of
enemies. And so they and it was

410
00:31:48.599 --> 00:31:52.559
my thesis that they did not want
to show the world, and they had

411
00:31:52.599 --> 00:31:56.359
good reasons the Cold War. Why
did you want to show the Russians your

412
00:31:56.599 --> 00:31:59.880
advanced technology? You know, you
don't want to do that. That violates

413
00:32:00.079 --> 00:32:05.160
rules of war. So they decided
to hire Stanley Kubrick, and they brought

414
00:32:05.240 --> 00:32:10.240
him in after seeing what he had
done in Doctor Strangelove with the B two,

415
00:32:10.559 --> 00:32:17.839
the B fifty two bomber and the
landscapes over Siberia, and they said,

416
00:32:17.920 --> 00:32:22.599
you know, because they actually thought
that that plane was flying over Siberia

417
00:32:22.720 --> 00:32:24.839
in Doctor Strangelove. And they came
and said, where did you get the

418
00:32:24.839 --> 00:32:28.680
B fifty two? He said,
I didn't have A B fifty, just

419
00:32:29.000 --> 00:32:32.720
a model we made and we flew
it over a front screen projection that we

420
00:32:32.799 --> 00:32:37.680
shot over Alaska makes it look like
Siberia and they're like completely blown away a

421
00:32:37.680 --> 00:32:40.759
by the whole thing. And for
sure they hired him, and we know

422
00:32:40.839 --> 00:32:45.440
the Air Force is involved heavily in
all this, so that's you know,

423
00:32:45.759 --> 00:32:49.240
it's kind of the precursor to our
film in a way, because it was

424
00:32:49.279 --> 00:32:52.079
just another enemy that Kennedy had made
and he, you know, I'm sure

425
00:32:52.079 --> 00:32:59.000
he really pissed off Berner von Braun
and James Webb and all the people are

426
00:32:59.000 --> 00:33:05.359
in NASA, and James Webb he
quit NASSA like right after the last I

427
00:33:05.359 --> 00:33:08.960
think it was right after Apollo thirteen
or fourteen. He's quit right in the

428
00:33:08.960 --> 00:33:12.640
middle of the Polo program, like
I don't want anything to do with this

429
00:33:12.680 --> 00:33:15.839
stuff, you know, I want
out of here. And we now know

430
00:33:15.079 --> 00:33:20.000
that, you know, was shot
in the hangar in Leads, England,

431
00:33:20.119 --> 00:33:24.920
about forty minutes north of where Stanley
lived, and everybody wondered where they if

432
00:33:24.960 --> 00:33:28.960
they shot this thing. There's no
stage on Earth big enough. And then

433
00:33:29.160 --> 00:33:34.839
we discovered that actually Buzz Aldrey and
Neil Armstrong had been seen in nineteen sixty

434
00:33:34.880 --> 00:33:38.079
early nineteen sixty eight. At this
leads a blimp hangar, which is this

435
00:33:38.279 --> 00:33:42.799
gigantic building which, by the way, is now being used for movie production.

436
00:33:42.880 --> 00:33:47.400
They shot the entire Batman series Christopher
Nolden series there at that sound stage

437
00:33:47.440 --> 00:33:52.799
now, and it looks like Kubrick
was the first person to use that as

438
00:33:52.839 --> 00:33:59.319
a sound stage. And so you
know, we now know that the Kennedy

439
00:33:59.359 --> 00:34:07.400
and cubric are kind of inextrictly linked
in this weird way. Kennedy instigating what

440
00:34:07.480 --> 00:34:10.920
he thought was going to be freedom
for technology by making NASA do something they

441
00:34:10.920 --> 00:34:17.559
couldn't do, and then NASA flipping
the whole thing on the whole world by

442
00:34:17.679 --> 00:34:23.039
hiring Kubrick to do it when you
can't even shoot film on the Moon because

443
00:34:23.079 --> 00:34:29.000
it all be flocked. So you
know, but is the idea and the

444
00:34:29.079 --> 00:34:37.159
thought behind the something in the JFK
files has something to do with some advanced

445
00:34:37.239 --> 00:34:40.119
technology enough to keep it from the
American public. I don't know. I

446
00:34:40.119 --> 00:34:44.360
don't know about that. I don't
think that it would be like people in

447
00:34:44.360 --> 00:34:47.440
the community. People in the community
have already known about all this stuff.

448
00:34:47.440 --> 00:34:51.760
We've been talking about it for twenty
thirty years. Who cares if there's something

449
00:34:51.800 --> 00:34:54.559
to do with advanced technology in the
JFK finals, doesn't make any sense show

450
00:34:55.119 --> 00:34:59.760
like two years ago talking about it. So we've been talking about this for

451
00:34:59.760 --> 00:35:04.559
a lot time. Yeah, it
plays a small aspect of the JFK files,

452
00:35:04.960 --> 00:35:07.880
but it doesn't play I don't any
aspect of the JFK assassination because there

453
00:35:08.199 --> 00:35:14.440
was no JFK assassination. So you
know, everybody can run and hide and

454
00:35:15.000 --> 00:35:17.239
you know, go go hide behind
the cheese or whatever you want to do,

455
00:35:17.320 --> 00:35:21.159
but you know you're not going to
get away from it. You know

456
00:35:21.199 --> 00:35:25.039
you can, you can optu skate
and put fucking clouds all over the issue.

457
00:35:25.039 --> 00:35:30.000
But the fact of the matter is
is that we have in our film

458
00:35:30.159 --> 00:35:34.679
Show the Whole World, the Clearest, the Bruder film. That's the film

459
00:35:34.719 --> 00:35:38.840
that Abraham's Pewter shot of a JFK
assassination on November twenty second, nineteen sixty

460
00:35:38.840 --> 00:35:43.079
three, that the world has ever
seen. We ran it through that high

461
00:35:43.079 --> 00:35:47.840
tech. It got ran through that
high technology, and you cannot deny what

462
00:35:47.880 --> 00:35:52.519
you see in the film. That's
the problem is that now a very very

463
00:35:54.960 --> 00:36:00.079
pixelated, grainy film has now been
cleared up, so you're looking through a

464
00:36:00.079 --> 00:36:04.320
pane of glass now, and looking
through the pane of glass, you can

465
00:36:04.320 --> 00:36:09.000
see everything. You can see the
strange object that's on Kennedy's head, that's

466
00:36:09.000 --> 00:36:15.079
a fixed there by him seconds before
the so called assassination. You can see

467
00:36:15.119 --> 00:36:20.159
the strange movements of Jackie, the
strange movements of John Connolly in his life,

468
00:36:20.159 --> 00:36:23.360
the strange movements of the driver and
secret service agent. They're all looking

469
00:36:23.400 --> 00:36:30.559
at Kennedy before he shot. The
entire car outside of Jackie Kennedy is looking

470
00:36:30.679 --> 00:36:36.880
right at JFK seconds before he shot. How do they know that he's got

471
00:36:36.880 --> 00:36:39.880
about to be shot? How do
they know that? Because they know it

472
00:36:40.000 --> 00:36:44.119
because he just put the thing on
his head. That's how they know it.

473
00:36:44.199 --> 00:36:46.960
They're waiting for it to go off. And these these things think,

474
00:36:47.159 --> 00:36:52.199
these things cannot be denied. And
like I said before, very soon,

475
00:36:52.880 --> 00:36:59.000
very soon, a special effects artist, a film director, a cinematographer,

476
00:36:59.280 --> 00:37:04.800
an actor, somebody in Hollywood is
going to see our film and go that's

477
00:37:04.800 --> 00:37:12.000
a squid absolutely, And that's something
that they would want to keep from the

478
00:37:12.039 --> 00:37:17.440
American public. That would be devastating
to everyone in the United States, right.

479
00:37:19.199 --> 00:37:21.280
Yeah, And that's why they're covering
it up. And they can't cover

480
00:37:21.360 --> 00:37:23.199
up our films. Too late,
Jeanie got out of the bottle set to

481
00:37:23.239 --> 00:37:27.400
do the second thing, which is
make a whole bunch of other films saying

482
00:37:27.400 --> 00:37:31.320
the same old crap that we've been
hearing for sixty years, and they're just

483
00:37:31.400 --> 00:37:37.800
repeating it. And we put enough
of these out, then it will obfuscate

484
00:37:37.000 --> 00:37:43.559
this guy, uh, these guys'
films and and make sure this never gets

485
00:37:43.639 --> 00:37:45.960
up. But it's too late.
See again, they don't understand the world

486
00:37:46.000 --> 00:37:50.840
we're living in. They're living in
this old age. They don't understand what's

487
00:37:50.880 --> 00:37:53.320
going on. We're skinny under the
elephant. You know, when you're when

488
00:37:53.360 --> 00:37:58.320
you're when you do a keto,
you know, martial arts, a keto,

489
00:37:58.480 --> 00:38:01.199
Japanese martial arts. What you want
to do is you want your opponent

490
00:38:01.239 --> 00:38:05.440
to be bigger than you, because
if the opponent's bigger than you, you

491
00:38:05.519 --> 00:38:07.800
use their weight against them. As
they come down on you, you dodge

492
00:38:07.800 --> 00:38:10.960
it, you know, you push
them this way. You don't ever have

493
00:38:12.000 --> 00:38:14.320
to hit anybody or anything. You
just have to use their weight. And

494
00:38:14.320 --> 00:38:20.800
that's what we're doing here. They're
so big and so large that they can't

495
00:38:20.800 --> 00:38:24.320
fight straight now against somebody who's small
and fast, and that's what's going on

496
00:38:24.400 --> 00:38:28.800
here. We're small and fast and
secretive, and we got in under the

497
00:38:28.880 --> 00:38:31.760
radar. And I predicted it's going
to be very difficult for films like that

498
00:38:31.840 --> 00:38:36.039
one to ever get under the radar
again, which is why we're never going

499
00:38:36.079 --> 00:38:40.440
to make another film like that one. And when we really owe it to

500
00:38:40.480 --> 00:38:45.159
the first thirty minutes of the film, we really do. Really, they

501
00:38:45.159 --> 00:38:51.400
don't watch the second thirty minutes.
The guys watch, Oh yeah, it's

502
00:38:51.400 --> 00:38:54.960
another JFKA push it through, right, That's right, That's exactly what I

503
00:38:55.000 --> 00:39:00.679
think happened. I think so too, I really do. LA We always

504
00:39:00.679 --> 00:39:05.960
depend on it, yeah, which
is incredible. And also Hollywood right now,

505
00:39:06.000 --> 00:39:12.679
Hollywood has just gone down hill so
quickly. There's been very few good

506
00:39:12.719 --> 00:39:15.440
films. We just got off of
that writer strike, which I think is

507
00:39:15.480 --> 00:39:27.039
a huge psychological op to get to
just move AI into the position of these

508
00:39:27.079 --> 00:39:31.679
writers and have these AI to write
all of these movies. There's already a

509
00:39:31.719 --> 00:39:37.480
movie that's coming out that's completely written
by Brightburn too, is going to be

510
00:39:37.519 --> 00:39:42.079
completely written by AI. And then
we had an actor strike. I don't

511
00:39:42.119 --> 00:39:45.159
know what's going on with the actor
strike. It might have already been over,

512
00:39:45.280 --> 00:39:47.440
but the actors strike is over.
The writer's strike is still going on.

513
00:39:49.440 --> 00:39:52.159
If the writers win, they lose. I hate to say that's what

514
00:39:52.159 --> 00:39:55.960
it is. I don't know if
the writers haven't thought this through or whatever.

515
00:39:57.280 --> 00:40:02.280
So what's going on here is the
old entire movie industry got screwed completely.

516
00:40:02.800 --> 00:40:07.880
They got convinced in twenty twelve.
Twenty eleven actually is when they got

517
00:40:07.920 --> 00:40:14.880
convinced that the only avenue forward is
streaming. I know, I was there

518
00:40:15.519 --> 00:40:19.360
and they all these people with money, they went, oh my god,

519
00:40:20.039 --> 00:40:22.760
streaming is the only way to go. And all these hundreds of millions of

520
00:40:22.800 --> 00:40:29.000
dollars poured into streaming, into Amazon
and Prime and Guya and all them are

521
00:40:29.039 --> 00:40:31.920
paramount, and everybody was starting their
own streaming, and and I'm looking at

522
00:40:31.960 --> 00:40:36.719
this landscape and going, this cannot
work. And then I noticed while I

523
00:40:36.840 --> 00:40:40.760
was at Guaya that one of our
most persistent problems was that somebody, you

524
00:40:40.800 --> 00:40:45.039
know, we'd have a dollar ninety
nine for a month, your first month

525
00:40:45.119 --> 00:40:49.039
special, right, So people would
join for buck ninety nine and they would

526
00:40:49.039 --> 00:40:52.079
literally watch everything in a month.
They would sit there and be the winner,

527
00:40:52.119 --> 00:40:55.320
probably when we haven't much to do, and they would just all January,

528
00:40:55.400 --> 00:40:59.599
they would watch every show all day
long, watch every single show on

529
00:40:59.639 --> 00:41:02.320
Gaya all day long. And then
when thinking of they call up cancel it.

530
00:41:02.639 --> 00:41:07.280
And so we just gave away,
you know, six million dollars worth

531
00:41:07.320 --> 00:41:12.519
of content for abut ninety nine.
And this happened all the time, and

532
00:41:12.519 --> 00:41:15.320
I said, this cannot work,
this cannot work. But the State Street

533
00:41:15.400 --> 00:41:20.920
and Black Rock and all these big
companies sold this that this was the way

534
00:41:20.960 --> 00:41:27.480
to go. And so what Hollywood
did was before streaming, they had theater

535
00:41:28.440 --> 00:41:34.719
DVD is how they went, theater
DVD, cable network. He had four

536
00:41:35.039 --> 00:41:40.000
different incomes coming in. Now today
there's hardly any theater going on at all.

537
00:41:40.079 --> 00:41:45.079
Great films like what's the film about
that Alien Invasion? They came out

538
00:41:45.199 --> 00:41:49.280
a couple of months ago on Hulu
and No One Will Save You? Yeah,

539
00:41:49.480 --> 00:41:51.760
No One Will Save You. Should
have been on theaters. That was

540
00:41:51.800 --> 00:41:54.719
an amazing film, incredible, probably
the best film of the year. Yeah,

541
00:41:54.719 --> 00:41:57.760
I should have been in theaters,
but they didn't put it out.

542
00:41:58.039 --> 00:42:01.119
So so now we only have good
films even coming out in theaters. So

543
00:42:01.960 --> 00:42:05.800
it comes out on. There's no
DVD's going to come out of it.

544
00:42:05.840 --> 00:42:08.559
You won't read over buy a DVD. It will never go to cable because

545
00:42:08.559 --> 00:42:12.639
it's on who Luk. We got
the deals on it, and it will

546
00:42:12.639 --> 00:42:15.199
never go to network. So it's
going to stick on streaming for the rest

547
00:42:15.239 --> 00:42:19.920
of its existence, and it's never
going to be seen by a wider audience,

548
00:42:20.440 --> 00:42:23.199
and so it's never going to make
its money. It doesn't have enough

549
00:42:23.199 --> 00:42:28.159
revenue stream to make it. But
that's not the problem. The problem is

550
00:42:28.239 --> 00:42:32.519
this. If I'm a production company
and I have this problem, so I

551
00:42:32.559 --> 00:42:37.079
know what I'm talking about. If
I have a production company and I have

552
00:42:37.199 --> 00:42:42.039
my films out on a streaming network, and I go to that streaming network

553
00:42:42.039 --> 00:42:45.920
and see, can I see the
details of my film my films? Can

554
00:42:45.960 --> 00:42:51.800
I see how many people watch for
how long? What should they cut off

555
00:42:51.840 --> 00:42:54.440
at? So I can see what
they don't like about my films? All

556
00:42:54.480 --> 00:43:00.119
sorts of invaluable information. Right is
inside these statistics? Right they should be

557
00:43:00.119 --> 00:43:05.000
giving the filmmakers so they become better
filmmakers. But they won't give it to

558
00:43:05.039 --> 00:43:07.960
you. Why because they'll have to
tell you how much it really made and

559
00:43:08.000 --> 00:43:12.199
then they have to pay you more
for the next one. I have to

560
00:43:12.199 --> 00:43:15.639
pay more for that one for that
one, because if they give you the

561
00:43:15.679 --> 00:43:20.519
statistics, it turns out that you've
got one hundred thousand more views than they're

562
00:43:20.559 --> 00:43:24.039
saying. They're just obfuscating everything by
saying, oh, well, this wasn't

563
00:43:24.039 --> 00:43:28.280
a full watch and there's only ten
minutes, and that's what they're doing,

564
00:43:28.280 --> 00:43:31.400
by the way, but they're not
giving those statistics out. So if the

565
00:43:31.719 --> 00:43:37.400
writers win, they win their strike, then Hulu and Amazon and Prime I

566
00:43:37.440 --> 00:43:42.760
mean Netflix will all have to give
up their books. If they give up

567
00:43:42.800 --> 00:43:46.360
their books, they're gonna find out
that they're not making as much as they're

568
00:43:46.360 --> 00:43:52.440
claiming. They're not making as much
as they're claiming, and then the investors

569
00:43:52.480 --> 00:43:54.480
are going to see that, and
then they're only gonna pull their money out.

570
00:43:54.719 --> 00:43:59.480
So if the writers win, they
lose, because if the writers win,

571
00:43:59.760 --> 00:44:02.320
they're going to put not put them
out of business, but really hurt

572
00:44:02.400 --> 00:44:07.360
the books on Amazon, Netflix and
all the streaming services. But more importantly,

573
00:44:07.639 --> 00:44:12.760
the investors are going to realize I'm
not talking about black Rock and State

574
00:44:12.760 --> 00:44:15.760
Street, they already know what's going
on. I'm talked about guys like me

575
00:44:15.800 --> 00:44:19.800
who invests in stuff like that.
The small time guys, we're gonna pull

576
00:44:19.840 --> 00:44:22.360
out because we're seeing it's all a
lie, it can't make its money,

577
00:44:22.639 --> 00:44:25.719
and it's all going to fall apart
at that point, at which I don't

578
00:44:25.760 --> 00:44:30.159
know where it's going to go.
I don't believe it's the end. I

579
00:44:30.239 --> 00:44:35.599
believe it's just a remaking of the
entire business model. But we are in

580
00:44:35.679 --> 00:44:37.519
it right now. There's no way
to back out of it, and they

581
00:44:37.519 --> 00:44:40.719
can't go back to DVDs, They
can't go back to any of it.

582
00:44:42.159 --> 00:44:50.280
So I think where it's going to
end is that there's either a really wealthy

583
00:44:50.320 --> 00:44:54.400
person's going to put together an aggregate
network where we can make a little bit

584
00:44:54.400 --> 00:44:58.639
of money on our films, or
we're just gonna have to go it alone.

585
00:44:58.760 --> 00:45:00.639
And I don't know how that's gonna
go. And I've had a lot

586
00:45:00.639 --> 00:45:07.400
of money on DVDs. Who's a
super lucrative market, And I could say

587
00:45:07.400 --> 00:45:09.159
what I wanted. That's what was
so great about it. I could put

588
00:45:09.159 --> 00:45:14.719
out DVDs and I could talk about
subjects that we're not allowed that are now

589
00:45:14.760 --> 00:45:19.679
allowed, but we're allowed then and
get away with it. And that's why

590
00:45:19.719 --> 00:45:24.199
they destroyed the DVD market because there's
too much freedom in that market and the

591
00:45:24.239 --> 00:45:29.039
film that we're getting the return back
all of those DVDs that they could ever

592
00:45:29.079 --> 00:45:34.119
get on streaming or even dealing with
another distributor. So well, I think

593
00:45:34.119 --> 00:45:38.320
the problem is is an oversaturation of
the market. It's not sustainable. Exactly

594
00:45:38.400 --> 00:45:42.239
like what you were talking about with
the free trials. They'll give a free

595
00:45:42.239 --> 00:45:45.840
trial of a dollar ninety nine and
then they watch all the content and then

596
00:45:45.880 --> 00:45:51.199
the company's response to that is to
create more content, and then the content

597
00:45:51.320 --> 00:45:55.280
gets crappier and crappier because they're just
trying to push stuff out all the time.

598
00:45:55.360 --> 00:46:00.000
And we're going to see a lot
of mergers between a lot of these

599
00:46:00.039 --> 00:46:02.280
streaming services I predict in the future. I mean, we already seen Paramount

600
00:46:02.320 --> 00:46:09.199
and Showtime merge together basically, so
I think that a lot of these companies

601
00:46:09.199 --> 00:46:13.639
are going to have to merge together. And Disney already owns Disney Plus and

602
00:46:13.719 --> 00:46:17.599
Hulu, so they could literally just
merge those two together and have one ultimate

603
00:46:17.679 --> 00:46:22.480
streaming service there. Paramount and Showtime
is already together, So I think that

604
00:46:22.480 --> 00:46:27.199
that's what is going to happen.
And I think that the model in the

605
00:46:27.280 --> 00:46:31.880
beginning, was like the Netflix model
was good because they didn't have any of

606
00:46:31.920 --> 00:46:37.440
their original content on there. They
were just putting other movies on the platform

607
00:46:37.559 --> 00:46:40.719
so people could view and stream.
And then they got into the whole original

608
00:46:40.800 --> 00:46:45.239
content thing, and now they have
so many different original content stuff that is

609
00:46:45.320 --> 00:46:52.760
just buried within the Netflix algorithm that
have one season that never get another season,

610
00:46:52.800 --> 00:46:57.199
you know. And yeah, we
had that same thing a guy at

611
00:46:57.920 --> 00:47:01.400
we were you know, we we
put out a little bit of content of

612
00:47:01.440 --> 00:47:06.280
our own and other people's content,
and then as things started ramping up after

613
00:47:06.280 --> 00:47:09.800
about four years, all we concentrated
on was our own content, and you

614
00:47:09.800 --> 00:47:14.280
know, it was a limited amount
of subject matter that you could do it

615
00:47:14.400 --> 00:47:16.280
no matter how much I told people
that we can't keep doing this, you

616
00:47:16.360 --> 00:47:20.880
can't keep squeezing the monkey, because
it's eventually going to go dry. You

617
00:47:20.920 --> 00:47:23.000
know, it started going dry.
And that's what's going on with everybody.

618
00:47:23.000 --> 00:47:29.960
What they really need a ratorium on
all production. And Disney's doing this with

619
00:47:30.000 --> 00:47:32.760
Marvel, by the way, they
completely stopped Marvel, stopping everything, which

620
00:47:32.800 --> 00:47:37.239
is a good thing because you guys
really suck at what you're doing. And

621
00:47:37.280 --> 00:47:44.679
then and then put a chicken in
and make a day. Well, they

622
00:47:44.719 --> 00:47:49.280
need to hire rioters. You don't
hire people because of who they are,

623
00:47:49.440 --> 00:47:52.880
what they look like. You hire
people because of their talent. I mean,

624
00:47:52.960 --> 00:47:58.719
my god, really, I remember
when I was trying to be a

625
00:47:58.760 --> 00:48:01.400
young man. I was a writer
and I went to a famous rider and

626
00:48:01.440 --> 00:48:06.079
I said, you know, I'm
a young guy. What you suggest I

627
00:48:06.079 --> 00:48:08.039
do to become a good writer?
And I was fully expecting him to tell

628
00:48:08.039 --> 00:48:10.920
me, you know, make sure
you die a frama sentence the right way,

629
00:48:10.960 --> 00:48:15.440
and make sure you get your conjunctions
and your adjectives right. And I

630
00:48:15.559 --> 00:48:21.000
expecting something like that. I turned
around. He said, go have sex,

631
00:48:21.159 --> 00:48:23.480
Go get in a fight, Go
join the merchant Marines, go out

632
00:48:23.519 --> 00:48:28.599
and travel the world, get your
ass kicked in, get it robbed,

633
00:48:29.119 --> 00:48:30.679
go out in the jungle, get
bit by mosquitoes. And I was like

634
00:48:30.719 --> 00:48:35.360
what, And then I realized,
Oh, he's telling me that the only

635
00:48:35.360 --> 00:48:37.880
way I can be a good rider
is to go out and get a bunch

636
00:48:37.880 --> 00:48:40.239
of experience in life, and then
I'll become a good writer. And that's

637
00:48:40.280 --> 00:48:43.679
what I did. I went out
and got a bunch of experience in life.

638
00:48:43.760 --> 00:48:45.360
But these people today, they don't
have that they're not going out and

639
00:48:45.559 --> 00:48:50.880
because I'm so coddled that their parents
are, you know, the airplane helicopter

640
00:48:51.039 --> 00:48:53.599
parents are not letting their kids go
out and actually get their butts kicked in,

641
00:48:54.000 --> 00:48:58.920
fall down off a mountain like I
did you fall off a tree,

642
00:48:59.280 --> 00:49:01.039
go out and get an animal chasing
you in the woods, or any of

643
00:49:01.079 --> 00:49:05.039
those things, because they're so coddled. So, you know, I don't

644
00:49:05.039 --> 00:49:07.360
think we're going to have the good
writers anymore. But if there are good

645
00:49:07.400 --> 00:49:10.320
writers, they probably don't want to
work in Hollywood anymore. That's the other

646
00:49:10.360 --> 00:49:15.599
thing is your generation doesn't isn't even
all that interested in working for these big

647
00:49:15.639 --> 00:49:21.159
corporations and making the big money.
They'd rather make their own stuff on their

648
00:49:21.199 --> 00:49:23.159
own terms, which is the way
I was always in my life too.

649
00:49:23.199 --> 00:49:27.719
So I totally understand that. And
so I think they're going to lose all

650
00:49:27.800 --> 00:49:32.239
the good talent because a good writer
can stay interested it on the film.

651
00:49:32.280 --> 00:49:35.760
You can make a film on his
own. Now he can get the equipment

652
00:49:35.840 --> 00:49:37.480
and it's a good writer, it's
going to be a good film. So

653
00:49:39.159 --> 00:49:43.519
they don't even need the rest of
the world. So I think Hollywood is

654
00:49:43.559 --> 00:49:45.679
dead. I really do. I
think it's going to turn into something else.

655
00:49:46.360 --> 00:49:52.199
But the old concepts of and AI
is really going to change things.

656
00:49:52.239 --> 00:49:58.239
Man. I saw at this conference
I was at. I saw video generated

657
00:49:58.280 --> 00:50:04.840
AI voice too video AI. I
mean literally, okay, I want to

658
00:50:04.880 --> 00:50:07.360
take that same scene that was in
this movie or has changed the actors of

659
00:50:07.440 --> 00:50:10.719
this and that right, And it
was like whoa, I saw the quality

660
00:50:10.719 --> 00:50:16.920
of it not perfect, well wow
that is it's spectacular. So I even

661
00:50:17.000 --> 00:50:22.719
think that where I think actually films
or interesting films are going to be made

662
00:50:22.800 --> 00:50:25.719
is what we're doing documentaries. They
can't AI can't make a good documentary.

663
00:50:25.960 --> 00:50:31.400
Sorry. AI could never make the
AFPA acts period. I agree in the

664
00:50:32.480 --> 00:50:37.599
see, I think what's going to
start happening is that these actors are going

665
00:50:37.639 --> 00:50:42.360
to start selling their likeness to these
companies and they're just going to be able

666
00:50:42.400 --> 00:50:47.000
to insert their their likeness and it's
going to be AI generated and there they

667
00:50:47.039 --> 00:50:51.119
could be dead, they can be
too old to be able to act in

668
00:50:51.159 --> 00:50:53.360
movies, and they're just going to
insert them into the movie. I mean,

669
00:50:53.360 --> 00:50:59.400
Bruce willis already sold his likeness.
Yeah, but you know the I

670
00:50:59.559 --> 00:51:01.440
so saw, well, you can
say, make him look a little bit

671
00:51:01.519 --> 00:51:06.360
like Bruce Willis, and then Bruce
will do anything about it, right,

672
00:51:06.679 --> 00:51:08.320
So it sort of looks like Bruce
Willis, but it's not. And then

673
00:51:08.639 --> 00:51:10.199
he said, no, it's not
you. I know, it looks a

674
00:51:10.199 --> 00:51:14.719
little bit like you, but it's
not you. Uh, And so they're

675
00:51:14.719 --> 00:51:16.920
not that's not even going to be
controllable. And you know, I,

676
00:51:17.599 --> 00:51:21.760
you know, I'm not. I
gotta be honest with a kind of looking

677
00:51:21.800 --> 00:51:23.159
forward to this. I'm trying to. I'm looking forward to seeing where this

678
00:51:23.239 --> 00:51:30.599
is going, because fiction films are
just not good anymore. I mean,

679
00:51:31.000 --> 00:51:34.679
you know, you look at like
Avatar too, what do it costs like

680
00:51:35.440 --> 00:51:39.119
six hundred million dollars? And it
was really good, I mean, facts

681
00:51:39.159 --> 00:51:43.679
are great, and the acting was
good, but eh, it was just

682
00:51:43.760 --> 00:51:46.519
kind of a nothing film. And
you know, I couldn't even sit through

683
00:51:46.519 --> 00:51:49.440
the three hours. I watched.
About twenty minutes, I get up and

684
00:51:49.440 --> 00:51:52.320
do something else. I come out
watching another twenty minutes, because I just

685
00:51:52.840 --> 00:51:54.199
I don't know if I can even
sit through a three hour film anymore.

686
00:51:54.639 --> 00:52:00.239
So I think the whole nature of
cinema is rapidly changing, and I think

687
00:52:00.239 --> 00:52:02.880
it's gonna get rather interesting. I
really do. And you know, again,

688
00:52:04.400 --> 00:52:09.679
the grimy, gutsy filmmakers like us. We will still exist because a

689
00:52:09.840 --> 00:52:14.239
I can't compete with us, so
we'll keep making films that are just going

690
00:52:14.320 --> 00:52:17.719
to irritate the hell out of the
cabal and and we don't really give a

691
00:52:17.760 --> 00:52:23.000
shit. Yeah. I think HBO
has like one of the best models because

692
00:52:23.039 --> 00:52:29.840
they have several revenues of like they're
on cable, they're on satellite, so

693
00:52:29.880 --> 00:52:35.159
they get that stream that revenue and
then the next day the stuff drops on

694
00:52:35.360 --> 00:52:39.400
streaming. None of the other streaming
services really have that besides like Hulu and

695
00:52:39.760 --> 00:52:45.360
maybe a few others, but Netflix
doesn't, Disney doesn't. So it's like

696
00:52:45.199 --> 00:52:51.920
they're definitely cutting edge. HBO is
the cutting edge of this whole streaming thing.

697
00:52:52.519 --> 00:52:58.360
And yeah, we'll see whether you
know, they actually start taking interesting

698
00:52:58.440 --> 00:53:00.599
films. You know. That's the
other thing, as they are, they

699
00:53:00.639 --> 00:53:07.960
do reject interesting films, and uh
for political reasons mostly, so we'll see.

700
00:53:07.960 --> 00:53:10.519
Here's the thing with our film though, jfk X. I was telling

701
00:53:10.519 --> 00:53:15.599
somebody the other day, so are
you afraid of your film? And I

702
00:53:15.639 --> 00:53:17.320
was like, well, uh,
you know, you're so political, and

703
00:53:17.360 --> 00:53:23.880
I went, actually, jfk X
is the least political JFK film ever made.

704
00:53:24.360 --> 00:53:30.320
It's so political, so neutral on
every level. It takes no point

705
00:53:30.360 --> 00:53:36.719
of view on all of the conspiracy
theories except to prove them wrong. And

706
00:53:36.719 --> 00:53:39.639
and so, no, we are
not political in this film at all.

707
00:53:39.679 --> 00:53:44.519
We don't get political. That's what
makes it so beautiful and what makes it

708
00:53:44.559 --> 00:53:47.920
such a threat to the establishment because
they like to you know, combine,

709
00:53:47.920 --> 00:53:51.679
to divide and conquer, and you
got to take this point of view,

710
00:53:51.679 --> 00:53:52.880
and that we'll take this point of
view, and oh no, we're not

711
00:53:52.920 --> 00:53:55.920
taking either of those points of view. We're taking a third way like the

712
00:53:55.960 --> 00:54:00.360
buddhis set, and we're going to
take the third way, and the way

713
00:54:00.440 --> 00:54:01.920
is the correct way, because's a
little bit of that, it's a little

714
00:54:01.920 --> 00:54:07.800
bit of that right. It's also
interesting too that JFK was a Democrat and

715
00:54:07.880 --> 00:54:14.400
all these Republicans in the right like
treat him like he was a Republican or

716
00:54:14.760 --> 00:54:20.679
far right leaning. It's really it's
really really interesting that they take that,

717
00:54:20.119 --> 00:54:22.000
uh, that angle, I mean, even the rights like, oh,

718
00:54:22.079 --> 00:54:25.280
he was the best president. Well
he wasn't a Republican, he was a

719
00:54:25.320 --> 00:54:30.920
Democrat. Yeah, but the Democrats
have gone so far to the left that

720
00:54:30.960 --> 00:54:36.440
they couldn't elect Kennedy as a dog
catcher. So so I think it's actually

721
00:54:36.599 --> 00:54:40.519
it's fair to say that Kennedy would
actually be a right winger in today's politics,

722
00:54:42.320 --> 00:54:45.639
with his you know, giving and
slashing the business tax as soon as

723
00:54:45.639 --> 00:54:49.599
he got in to office, and
you know, invading Cuba, which he

724
00:54:49.639 --> 00:54:52.519
didn't want to do, but he
did anyway, and of course he got

725
00:54:52.519 --> 00:54:58.679
bad info, and so you know, you know what, I will say

726
00:54:58.679 --> 00:55:00.880
it right out, Ken, he
is a very flawed man. But I

727
00:55:00.920 --> 00:55:05.800
wish he was our president right now, because man, we could use somebody

728
00:55:06.039 --> 00:55:09.519
that had that kind of decision making
power right now. Yeah. And a

729
00:55:09.519 --> 00:55:15.000
lot of people that's reached out to
me and send me emails about the film,

730
00:55:15.119 --> 00:55:20.599
they they're really disappointed in that we
didn't include all of the other Kennedy

731
00:55:21.519 --> 00:55:27.519
deaths and all the other Kennedy assassinations
and talk more about RFK and all that.

732
00:55:27.599 --> 00:55:30.360
I'm like, hey, man,
like this was we originally only wanted

733
00:55:30.360 --> 00:55:34.440
this film to be what like an
hour and fifteen minutes or an hour and

734
00:55:34.519 --> 00:55:37.719
ten minutes or something like that,
But there was just so much, so

735
00:55:37.880 --> 00:55:43.199
much information in there that we that
we actually even extended it out further.

736
00:55:43.840 --> 00:55:51.199
But yeah, even if RFK could
have been president and not have been taken

737
00:55:51.199 --> 00:55:54.239
out of the picture, then I
think we would have got a duplicate of

738
00:55:54.639 --> 00:56:00.280
JFK earlier because RFK was super charismatic. He would have he was more charismatic

739
00:56:00.360 --> 00:56:06.000
than JFK was, especially by making
this film and doing all the research and

740
00:56:06.320 --> 00:56:09.519
watching all of his court cases.
Prosecuting the mob is unbelievable. I'm like,

741
00:56:09.559 --> 00:56:15.880
this guy is really doing what you
know, we wish we could do

742
00:56:16.000 --> 00:56:20.960
now, what no one has ever
done before or since. It's what he

743
00:56:21.039 --> 00:56:22.639
was doing. And he was a
boxer. Man, he got in the

744
00:56:22.719 --> 00:56:28.199
ring and started swinging. It was
amazing that guy. Man, it was

745
00:56:28.239 --> 00:56:30.639
like a bulldog on the leash.
He had a hold both hands to stop

746
00:56:30.719 --> 00:56:35.519
him from taking everybody down. And
yeah, and you know what, you

747
00:56:35.559 --> 00:56:37.599
guys out there, you want to
make a film about RFK, I got

748
00:56:37.599 --> 00:56:40.719
my blessing and go for it.
I want you to make it. And

749
00:56:40.760 --> 00:56:45.079
there's a lot of suspicious stuff around
the RFK assassination which really needs to be

750
00:56:45.079 --> 00:56:47.320
looked at. If you need any
help, you know, give me a

751
00:56:47.320 --> 00:56:51.639
buzz. I will be more than
happy to give you my download because I

752
00:56:51.679 --> 00:56:54.239
have looked into that seriously, and
I can tell you right now, Sir

753
00:56:54.280 --> 00:56:59.519
Hans, Sir Hun did not shoot
anyone anyone. That's why he doesn't remember

754
00:56:59.519 --> 00:57:02.320
shooting it, because he never shot
anyone. And I'll explain that to anyone

755
00:57:02.360 --> 00:57:07.880
who wants to hear. That's not
for this time. But if anyone wants

756
00:57:07.880 --> 00:57:10.920
to make a film about the RFK
or rfk's life, I'd be more than

757
00:57:10.960 --> 00:57:15.800
happy to give you some assistance as
far as, you know, helping you

758
00:57:15.840 --> 00:57:17.880
out with the history and stuff.
It's really important that it gets out.

759
00:57:19.079 --> 00:57:25.199
And and he was a great man, that's all I can say. And

760
00:57:27.239 --> 00:57:30.559
they saw the direction of where the
United States was heading and in turn the

761
00:57:30.599 --> 00:57:35.480
world, and they were trying to
stop it. That's the only conclusion that

762
00:57:35.559 --> 00:57:38.360
I can come to from doing all
the research for the film and making the

763
00:57:38.400 --> 00:57:44.079
film. I mean, in that
first act we do that entire section on

764
00:57:44.159 --> 00:57:46.119
the mob and what RFK was trying
to do to take down the mob,

765
00:57:46.199 --> 00:57:51.960
and it's it's really incredible what he
was doing and the things that he was

766
00:57:52.000 --> 00:57:55.199
saying. I mean, it's almost
verbatim what's being said in the community now.

767
00:57:55.280 --> 00:57:59.480
So it's like, well, if
this was happening way back in the

768
00:57:59.559 --> 00:58:04.159
early you know, how how far
has it gone to this day? And

769
00:58:04.199 --> 00:58:07.719
we've talked about it several times on
other people's shows. It really seems like

770
00:58:07.760 --> 00:58:13.880
the Mob just disintegrated after that,
and then they just became large companies and

771
00:58:14.199 --> 00:58:20.320
large corporations and they went legit,
which is almost exactly what happens in the

772
00:58:20.360 --> 00:58:23.280
third season of Fargo. I don't
know if you've watched Fargo, but it's

773
00:58:23.320 --> 00:58:30.519
this. Fargo's amazing. It's an
amazingly directed show. It's an anthology series,

774
00:58:30.639 --> 00:58:32.639
is a different series every I mean
a different story every season, and

775
00:58:32.679 --> 00:58:37.599
it goes through all of it.
But in the third season it's basically about

776
00:58:38.039 --> 00:58:43.880
the Mob and Dangs. And then
at the end of it, they take

777
00:58:43.920 --> 00:58:46.920
this guy that win and did all
this killing for the Mob and then sat

778
00:58:47.000 --> 00:58:51.000
him down in a business chair.
It was like, Yeah, you're gonna

779
00:58:51.000 --> 00:58:53.360
be sitting here typing, You're gonna
be doing all this stuff. Jimmy in

780
00:58:53.400 --> 00:58:59.519
the mail room just saved over a
million dollars by repackaging and relabeling a bunch

781
00:58:59.519 --> 00:59:01.199
of mail, So get used to
it. This is what you're going to

782
00:59:01.239 --> 00:59:05.920
be doing from now on. And
that immediately made me think of our film.

783
00:59:05.920 --> 00:59:09.119
It was like, that's exactly what
they've done. Yep, that's right.

784
00:59:09.119 --> 00:59:14.119
They went to corporate. I think
they got scared. I think because

785
00:59:14.159 --> 00:59:16.519
they didn't know. The Mob didn't
know what was going on either with the

786
00:59:16.559 --> 00:59:20.039
Kennedy. Yes, they put a
hit out on him, and they thought

787
00:59:20.079 --> 00:59:23.920
somebody in there, a miliu,
had hit Kennedy, but they didn't know

788
00:59:23.960 --> 00:59:29.920
the real truth. It was just
confusion. I watched all of that going

789
00:59:29.920 --> 00:59:32.679
on, and then you know,
the Godfather book came out and then the

790
00:59:32.679 --> 00:59:37.719
movie, and I think that's when
the Mob said, we have been exposed.

791
00:59:37.519 --> 00:59:42.880
What we are is now known to
the world. I think it's time

792
00:59:42.920 --> 00:59:45.480
for us to cool it. And
they began cooling it. It took about

793
00:59:45.760 --> 00:59:52.599
ten fifteen years, from say seventy
four to about nineteen ninety before it was

794
00:59:52.639 --> 00:59:55.599
fully corporate and you could see it
in all ways. And then they started

795
00:59:55.599 --> 01:00:02.599
taking and then you started seeing the
corporation is taking over everything. So Walmart

796
01:00:02.639 --> 01:00:07.199
began taking over all the small hardware
stores all over America. Right, so

797
01:00:07.320 --> 01:00:13.960
the Hollywood began scooping up all the
small independent film companies and they're doing it

798
01:00:14.039 --> 01:00:19.480
right now. Big corporations are sucking
up all the smaller things until there's not

799
01:00:19.519 --> 01:00:22.559
going to be any smaller things.
You're all going to be sucked up unless

800
01:00:22.559 --> 01:00:24.800
you're making films like Afka experts.
We're not going to touch with the twenty

801
01:00:24.840 --> 01:00:30.639
foot pole. So and then they
flood the entire community with drugs too.

802
01:00:30.800 --> 01:00:37.239
They just drop all drugs, all
the drugs that they brought in and the

803
01:00:37.280 --> 01:00:40.800
whole thing. And you know,
we're in dire straits right now because the

804
01:00:40.880 --> 01:00:45.239
mob became part of our culture instead
of being an outside part of the culture.

805
01:00:45.239 --> 01:00:49.920
It was much safer when they're outside
the culture. Then when they're inside

806
01:00:49.920 --> 01:00:52.239
the culture, we let them inside
the gate. And now they're kind of

807
01:00:52.519 --> 01:00:58.199
corrupting the entire society. And you
know, we have crime families now that

808
01:00:58.280 --> 01:01:01.440
you wouldn't even think we're crime families. You know, the Colombo's, we're

809
01:01:01.440 --> 01:01:05.440
one kind of crime family. But
now we have like the Bidens are a

810
01:01:05.480 --> 01:01:09.360
crime family. So we have small
families that are crime families and doing things

811
01:01:09.360 --> 01:01:14.320
that big families used to do back
in the old days. So you know,

812
01:01:14.360 --> 01:01:16.519
it's all loose on the honest right
now. But again, I want

813
01:01:16.519 --> 01:01:21.079
to end this on an optimistic note
because I do believe we're coming out of

814
01:01:21.079 --> 01:01:23.920
the darkness. I believe jfk X
is proof that we're coming out of the

815
01:01:24.000 --> 01:01:29.760
darkness and the clouds and everything is
disappearing. The sky is blue and sunny,

816
01:01:29.760 --> 01:01:32.239
and we're gonna see the world for
as it really is. And yeah,

817
01:01:32.239 --> 01:01:36.000
it's an ugly place, but at
least we get to see it for

818
01:01:36.039 --> 01:01:39.480
what it really is. I agree
with that, and I think that it's

819
01:01:39.519 --> 01:01:44.719
going to be an amazing future.
I mean, the whole community has just

820
01:01:44.719 --> 01:01:47.719
been nothing about you know, doom
and gloom and fear mong green for so

821
01:01:47.880 --> 01:01:53.440
long. The only people that have
been talking about a bright future, unfortunately,

822
01:01:53.480 --> 01:02:00.239
has been the New Age people in
the New Age cults and the old

823
01:02:00.320 --> 01:02:05.599
UFO cult. You know. Transforming
the Earth into a new transition is going

824
01:02:05.639 --> 01:02:08.159
on. We're gonna go into the
next evolutionary level above human There is going

825
01:02:08.199 --> 01:02:12.559
to be transformed into a five D
Earth and all that. You know.

826
01:02:12.599 --> 01:02:17.760
I think that there's a more realistic
take on that that is possible, and

827
01:02:17.800 --> 01:02:23.159
that we can live here harmoniously without
trying to kill each other every second and

828
01:02:23.239 --> 01:02:29.800
all these you know, wars that
are going on and we'll maybe continue to

829
01:02:30.800 --> 01:02:34.239
go on if we don't change some
kind of trajectory, but also at the

830
01:02:34.239 --> 01:02:38.480
same time almost seems like it's just
too late that we've just gotten ourselves down

831
01:02:38.519 --> 01:02:45.280
in such a big rut that is
going to almost take a miracle to get

832
01:02:45.360 --> 01:02:49.360
us out of this gigantic hole that
we've dug ourselves into. But I do

833
01:02:49.480 --> 01:02:54.800
believe that it's possible and could possibly
happen. So we got our fingers crossed.

834
01:02:54.840 --> 01:02:58.679
And thanks for having me on,
Jay, I really appreciate your time

835
01:02:58.719 --> 01:03:01.880
this evening. It was wonderful converse, and we'll do it again whenever they

836
01:03:04.280 --> 01:03:07.840
start to wheel out some more,
maybe for the subthing at the anniversary,

837
01:03:07.840 --> 01:03:09.639
they might. I don't think it's
going to be like this for the for

838
01:03:09.679 --> 01:03:13.840
the next anniversary, but yeah,
it's really incredible. And check out our

839
01:03:13.880 --> 01:03:16.880
film jfk X Solving the Crime of
the Century on Amazon Prime now and be

840
01:03:17.000 --> 01:03:22.559
looking forward to our next film,
which we're going to start working on here

841
01:03:22.760 --> 01:03:25.440
pretty soon, very soon, in
fact, within the next few weeks.

842
01:03:25.840 --> 01:03:30.840
So yeah, thanks for coming Rider
and everybody, thanks for watching Jay Wider

843
01:03:30.039 --> 01:03:34.440
reality check. And things are going
to get better. I guarantee it.

844
01:03:34.480 --> 01:03:39.599
We're now moving out of a certain
kind of era and we're moving into a

845
01:03:39.639 --> 01:03:45.679
new era and it's going to become
very very wild very soon. All right,

846
01:03:45.039 --> 01:03:47.760
thanks for watching, everybody, and
we'll see you next time.