Good afternoon. This Tuesday, Benin, good evening, as it is already
seven o' clock in the evening welcome to this Tuesday, twenty- fifth
of June, Welcome, Doctor Amel how good night do you hear not.
We didn' t fall asleep The rooster came in at seven minutes, two
minutes, no more. Here we are welcome from Fra Baby. You have
to feel for two minutes than barbarians. What barbarians, dressed up, hear
nothing welcome, for today' s rainy day again in Mexico City. I
don' t know who can tell me from here if Facebook is working or
something, because I haven' t been able to upload some videos and I
think it' s kind of stuck. But, well, I' ll
see from the afternoon I' m trying, but I can' t the
kids are, I mean the kids. I mean my little dogs. They
were very calm until now, until this moment, but they know with what
they controlled them so that they see something very hard with water, with omen
and calm. But well, Janing says he was watching Cindy Lopper' s
show and he' s great. Go see him, because we did it
today. Well, Ephraim did. I went with him to watch Cinthy Loper
' s show on women leaving a mark. So go check it out.
It' s interesting. But after I finish from history to history and first
with all dads, then from history to history. After that, they leave
the woman and go to sleep, not to be left in reproduction, that
the general leaves the reproduction. All the net ah give him that would be
great. Leave the channel in reproductions. I' d be so saying give
me YouTube. But listen, we' re going to start today and today
because we' re going to talk first about there' s an actor who,
personally, I really like who' s made great roles. If you
remember, then you, according to me, the last time I saw Sergio
Kleiner was on Aztec television. If Daniel is around here who has already arrived,
if he has not arrived, well remember you, but, according to
me, the last time I saw him in a great job, it was
with Aztec television. I think he came back later for something Televisa. I
don' t know, but it was him. Now he asks for and
puts this ad that says the first actor, Sergio Kleiner, seeks work contact
details with the phone arroba on x or Twitter. Kliner Sergio really that this
kind of ad had already made him a very famous actress. I don'
t remember in Hollywood, if you remember me, tell Betty Davis. Betts
and Davis were seen to be good, yes. And that' s when
you' re struck by what good actors aren' t called when we see
terrible mediocrity. And it doesn' t mean and it doesn' t mean
that because they' re not bad. No, but it takes these solid,
strong, huge actors of so much experience so that they can grow those
who are coming clear notice that I last saw it say no obviously not with
the same one. How is it said, so easy for both the public
and the television. I saw him in the theater and I saw him doing
a play called Freud' s last session, and he did it with giving
you foot in the role of a journalist who supposedly is going to interview Freud
already in his late days, when he is already very, very sick of
this cancer that afflicted him with the jaw And really shocking. No. Besides,
it' s a story I like. The character I like, but
a tional performance by Sergio Kliner, then what a pity that I don'
t know if there aren' t enough productions where actors are required, because
of character, as they are called the say what happens is that they always
call the same ones notice that that' s what happens. I mean,
they come out of a soap opera. A producer finishes a soap opera,
is preparing the next one, but with the same cast. Yeah, yeah,
yeah, yeah. It' s a shame now this ad thing,
because it gave me as tenderness, because there' s also a little video
where he says hello. I am such and offer my service. I'
m an actor all this and yes, indeed, Bette Davis did the same
thing look at the year. Right now, I' m going to tell
you because here I have it out there in the sixties and she says,
mother of three, divorced American woman with thirty years of experience in the Ziner
references and are requested and so on. But I hope Sergio Clineer also had
the same result and the same luck she had, because she had finished filming
this film, which is also my favorite, a cult film that happened with
Baby Jane with John Crawford, but I didn' t have much hope in
that film. So, already finishing that movie, he didn' t have
any contracts at the door and decides to publish this ad without knowing who killed
him or what happened to him, what happened to Baby Jane, what Happend
to Begy Jane is called the movie had a huge success, huge then,
because obviously, it wasn' t what got him the ad wasn' t
that I got him that job, but somehow he pushed the race a little
bit more. And I think this actor, who deserves it clearly, because
he' s an actor, is a real actor. And yes, yes,
it' s unfair. It is unfair that he should not, because
he has no job, that he should not be given any more, that
is, that he should not be given options, I find it very sad.
No, but I hope, I hope, listen and see the call.
Some of the producers want to release me both please, if one is
in my booth and one is in my pants, but well, I'
m already throwing them out. Agüita, because I hope Sergio Clainer hears to
see, I wanted to give them a warning because I put a message on
the channel. Right now. Well, I put them on since the other
day, two days ago. I think it was Sunday. I have a
pattern a long time ago, but I didn' t want to use it
because I wanted to use it for the writing issue, which I really like.
I didn' t want to use it because I didn' t have
something solid. I' ve been studying, and I' ve had literature
for seven years and I' m constantly updating. Then there was this pattern
because I have two very good stories and for what I open it, it
is to invite them to the process of creating a literary creation. But,
of course there are content that is for subscribers, of course there are for
members who pay some amount. But there' s also free. I mean,
there' s free content, too. And then a person wrote to
me. Let me see if pull is the write shot of this message that
I was wearing and maybe he' s right because he said no, because
that' s where I' m going to put them too. Here when
I put this notice that I invite you to my country puts this woman naya
five, three, three, oh no, who is Lupita Martinez in the
show to pay, to know, of his family is very lost in egg
o. Sorry, well, look for those who don' t know.
Indeed, I, no, do not have this thousand- year trajectory because
I am not like frans who can count forty years of trajectory with twenty-
five interrupted, because I did not start at sixteen, I left at twenty
or so nineteen twenty, because I went to university, because I married.
Then I came back about twenty- eight, sort of, and I went
back to college later and so forth. But then you. I returned to
the 2, 000, since my father had died. So yeah, maybe
I don' t have a super, because I' m not from a
certain group of journalists and I don' t manage the way many others handle
themselves. But yes, my family has a history of tradition to look at
them. My dad made the first magazine of shows in the world of television,
in the world and then Mira was this magazine called Mira, it was
called Teleguía, and then the family story is very good, very good the
history because Leguía was made in one thousand nine hundred fifty two, on the
seventh of August the first number came out and I think it is a very
interesting story. And you know who I told her that she was the one
that the other day I saw her sitting on a table, she told me
you had to write that story. And it was my very dear marcela rufo,
who is a producer, who is an intelligent superri woman. And then,
she cheers me up and that' s why I' m doing it.
No, I' m not answering this message for this person' s
comment. I' m doing it for an explanation that I think I owe
you for opening up a patrol, so I think it might be very interesting
for you. So, and turkey or not or not, but whoever wants
to accompany me forward, well, this parenthesis has been made. We started
talking about something else later, but I can say one thing right, because
no, yes, yes, of course and no, who is Lupita Martínez.
She' s the one you answered, because what you think goes to
her, you answer her from you. No, I don' t Let
' s give up Or who you are. Because, well, my picture
has a heart. Good point, good point, well, I' m
going to say that, yes, like everything in this life, that'
s why, as you say, there' s so much content, fortunately,
and you' re looking for what interests you. There must be people
who care. I tell among them enormously the story of this magazine that I
saw in my house for many years when I was growing up and that it
was extraordinary and there must be people who are interested in it. And that
' s the way. No, but I did see some people asking you.
I don' t know what it is, what the process is,
where the button is. Don' t look at the patrols. That'
s the app and I' m going to give you more or less how
you can look for me in patrol because let me look for you because you
' re already. I sent it to my son, who is one who
is most visible. Mom, please, so this does not do this too.
Then I took a picture of my yard, let me see if,
indeed, there it is, they can look for me. So on the
chest, it' s an application made for creatives, made for those who,
for musicians, for writers, for painters, for comedians, for people
who make comics, for many, for creatives, and it' s kind
of a sponsorship, that is, a month in Nasgo. This is my
papon and with that photo and so I put Lupita Martinez, Ahorita, we
are like a hundred and twelve members. They don' t have to pay.
Of course not and well I just started it on Sunday, but I
can make videos and we can have conversations about what I' m doing.
And the joke is to follow the process and join me. And well,
actually, when at some point I can already publish, because much of all
that my pastis my patuonos. So, then, there anyone who wants to
be welcome, not very well, well listen. Now let' s go
with this not- to- see thing. First we go to Irina Baeva,
because it' s been good. Scratch. Yesterday we talked about it
in history, in history. I must confess one thing and I will say
it in peace, because they write to us and say no how they might
speak of a work they have not even seen. Well, there are things
that maybe don' t even encourage us to see the truth. I mean,
so you tell yourself son, how lively I am to see Irina goes
to Eva pes no and I' m going to tell them why I'
m going to tell them when you' re going to see a movie,
a play or a series, because they present you with a trailer and that
has to encourage you to go see it and sometimes you say hijole, no,
because that' s how the play is going to be better. I
' m not going, no, it' s me, for what,
for what? I' m going no, no, no, well,
that' s the same thing. How it happens here when you' re
watching production, poverty of production To the people who know and tell you it
' s terrible, because you kind of hesitate to go pay more than 2,
000 pesos to go see this work. I don' t know what
you guys think wrong And what happens is that to make a decision about going
to some place show experience of whatever this kind of tracks are, let'
s say what are shorts, trailers, even the trajectory of the people who
are going to participate. It' s what' s making you notice something
and you want to get close to it when you find out that in this
bet they' ve removed some central scenes. Let' s say or some
moments that were very important, like this political satire that made Carmen Salinas.
Change the perception of the show that you expect to see and that you saw
in the past with those characteristics that gave it success. Also when you see
these fragments of the supposedly most important or outstanding numbers of dance in a play
that is musical, that speaks of a cabaret, and you see the level
of dance that is being presented, because that also gives you another clue,
not of what you are going to see or not to see. And that
' s where, moreover, it coincides with the criticism of many people who
did go to see it and who have shared those moments and then say,
because it hasn' t lived up to what nobody expected either in production,
or in talent and so on. So I think that' s what has
provoked all this criticism, which is very regrettable and which, because it is
not in any way against anyone, in particular the actress, of the actress
that the truth has also been told because Silinaba Eva has a group of people
who do not love her very much because, unfortunately, this part of her
personal life, which includes the whole story of Geraldin Basán and the daughters and
everything that has already been talked about up to the tiredness, has been made
public. Then she was already carrying and something against her originally. Moreover,
she is not an actress who has matured much as she did in the past.
Who else is being talked about recently. Edith González Estupe, the actress
who prepared for many months in dance Observe Lupita. I saw a half-
real interview, because as a certain tenderness Irina Baeva says and her voice breaks,
that she would like her parents to be, that they cannot be here,
that they are in Russia, that she does it with all her heart,
but suddenly she says something that is important. He says imagine a month
riding this place and that' s where I did what it takes to make
a month or. No, well, if I should have rehearsed six months,
what you' re talking about is where you' re right, of
course, right. And what a lack of experience then theatrical, what a
lack of theatrical experience it is that quoting Lola Cortés, when mine Count Issamar
and wanting are several suopers that is, the economy of the country is to
give away the money to go to see things lacking in quality, yes,
that is very simple. It' s very simple. Not an irina for
a month was enough. If you' re a dancer and you' re
a crisis I casterón you a month was more than enough, because, I
mean, musical money doesn' t give for more rehearsals. Then casting is
wrong and wrong and non sevilla. He' d be dying. And,
well, we' ve already seen some that did it very badly, yes,
of course, but or yes, it was but to see, to
see I no longer very noticeable. Not very well, I don' t
know if I understood what you said well. Oh, I' m misunderstanding
a month to rehearse a play as adventurers very little, very little. I
don' t think so. No, I do, I think it'
s a very little san how, but forget the setup. No, no,
no, I just contracted a musical work that I, who am so
obsessive about musicals, there are works that the assembly takes three weeks. Okay,
but how long you have or how long you have next to the assembly
how long you know, how long professional dancers have. You' re talking
about a woman who doesn' t know the play, who doesn' t
know the dances, who' s never done anything like that. I mean,
Edith González worked, studied how to dance this another go, I mean,
and Dina Baeva didn' t do it. It' s not a
month to the size of this play. It' s nothing. It'
s nothing, yes, because, maybe, what you say Efra is a
dance body that already has this long experience. What you have to do is
mount a choreography not learn to dance because you already know, because that'
s what they do. They ride a choreography, the star and polish it
an actress who doesn' t know how to dance this because they say I
don' t know, but I' m reading that she says she'
s a ballet dancer. I was reading because I heard that, but don
' t look, not what it is. I don' t think she
studied bullet journalism She' s not a dancer of mine. The other thing
is not that I looked for you for exactly that' s why I said
it, because knowing professional dancers, there is can to dance and that Aventurara
Jesús Cazab, who is a great dancer and producer and other works. I
was commenting. I didn' t do it with him, that is,
he told me that a month was enough if she was a dancer, because
Aventurera isn' t a singer' s play or a play for actors,
It' s a work for dancers, that is, what they have to
do most of the work is dance. Exagine and or now, as Manu
said, doesn' t dance, is that' s exactly what we just
told you. That is, Edith González, does not take a month,
takes a long time to prepare the play, to get into the character,
to learn to dance, because sales was an actress. I didn' t
want to see cooper I already lost it. I studied Dance Hide if I
had letus, I mean, yes, but it was more, they were
more actress, but if you' re right, she had studied ballet.
They are, therefore, the lousy these children forgive me had already had knowledge
of Dance, already had training of Dance. That is his healthy González,
of course, yes, Susania González who was right at this premiere, not
and who put her to read a letter or this one, because as a
dedication, no or something like that. Carmen Salina was very much touched by
her Ana González as well, and she says that I think it was the
last of that production Carmen Salinas had. Yeah, me the last one.
This was the last adventurer of Carmelita Salinas that I went to see at the
invitation of Carmelita and that produced it with Juan Osorio I forgive the month that
just happened a chin but good and was very good to see. She was
good because I insist Susana González is an actress who studied, who went to
prepare and then could play the character, on the one hand. On the
other hand, it was a play Carmelita had mounted years ago. Yeah,
kids, then, that' s what you do. I agree, Ephraim,
if you have a team that' s been doing this for years,
then including the actress isn' t going to be that complicated. On the
other hand, to see you together, look at this one I think.
I don' t know if it' s even in the count that,
anyway, he also has his show and dances we also have a good Neurka,
which every stump says has been the favorite and was the favorite of Carmelita,
Edit González, Sabine Mussier and Tatian Toral, which has been one of
the best. But it' s just that we' ve been leaving since
we arranged it. See, please see the arrangement of the dancers, the
costumes, the actor or the main actor was Jorge Salinas, or was there
a first actor, Daniel elvita, Ellas María, the guard this on Ernesto
Gómez Cruz? There is Ernest Don Ernesto Gómez Cruzo in a personajazo who,
of course, portrayed the period very well, which is the fifties, forty
- fifties and there we have Irina Baeva. I think they do differ a
lot, because the costumes try, I don' t know, but well
and even I saw people who were who said they had been invited and as
in very good faith, but they couldn' t say great things. Look.
You know who I heard, for example, in selling they listened to
Daniel Bisono who said he had been there and like he did want to be
nice and he said oh, yes, Juanito Sorio and no, but he
said he lacks things to fix and yes I say it, for which you
know what that' s about Look what I wanted to get at. That
' s what it' s all about, the press, like Daniel,
I want you to tell me if you were, whether you liked it or
not, so that I, as an audience, know if I' m
going I would be the most truthful thing. I don' t want a
frank reindeer to say, so look, if you pay me, I could
tell you no, no, no, no. I don' t want
one like that or I don' t want one likeÁlvaro Jueva, who
says no, I stop here says no. I don' t want this
one. I wanted forgiveness. This is a tweet, but what happens is
thatÁlvaro Cueva in his is that he didn' t sync my whatsapp.
Álvaro Cueva in his Ai is and Aiita yes, I already have it in
his collaboration yesterday in Diario Milenio puts a grace. Thank you very much.
There it is, I' m going to put what this man says.
It' s always seemed unbelievable to me because she says. He saysÁlvaro
cave see Irina, go to Eva and hear Briskin together in is a glorious
experience for melodramatic audiences. Two women of Russian descent face to face telling themselves
what they are going to die of. It' s not something you see
every day that has to do with it, but Irina' s like,
you know, Irina' s like, you know, you know, you
know, you know, you know, you know, you know, you
know, you know, you know, it' s not something that you
see every day that has to do with it, but, you know,
and you know, Irina, you know, you know, you know,
you know, you know, you know, you know, you know,
you know, you know Irina is at her best as a woman and as
a soap opera legend, as a soap opera legend, that is, not
this one, Veronica Castro, not Lucía Méndez, not this what is called
this one that says it, no, no, no, no, no,
Hirida goes to Eva is the legend not for anything triumphs as it triumphs
in the story of Joanna, that is, how when you are told something
there. So, you go and pay your ticket and you get super disappointed.
It is that they did give the ticket to him, even if they
paid it to you, because Daniel was paid, they never paid it and
he said something much more honest. Now I think you did see it here.
Yes, it cost him a lot of work, Alvaro Cueva, which
is to draw attention, because he does that kind of flattery with extraordinary ease.
But here it does seem like it cost him work, because before that
you read lupita, there are a lot of paragraphs, a lot of straw
text where it says that the soap opera is when after a soap opera sometime,
many years ago, when I was little. It occurred to EnriqueÁlvarez
Félix because he succeeded in a soap opera. Then making a name of terra,
that is, makes a very long introduction to fill the space, to
justify what it is doing. It' s justifiable, but it' s
not justified because I' m going to tell you that you' re not
born an adventurer of a soap opera, as many other plays have been born.
Of course, a lot of soap opera plays have been made, but
this is not the case for adventurers. So, I believe that this poor
man, with this imperative need, had a real duty to carry out the
assignment. Because also, as everyone takes it as a reference, because there
they became maromas, maromas, but the legend of the soap opera no longer
clear. It was damaged by the güey. Legend telenovela? Legend telenovela?
Well, that was the case with the one we put on the cover.
That' s where we' re going to put Irina on welfare, but
not one, because then they' re going to say ay politics. It
' s not similar Irina, because it' s the same thing, but
lower. No, because this is as it is not the patent, it
is not the patent, it is a similar copy. Oh, it'
s not dissimilar. Lupita, I have a proma, I don' t
know, I don' t know a saddle and Milaririna. Uh, well,
it' s because if I' m gonna pay for the cheap Bax
ticket, if you don' t like it, it doesn' t hurt
to have spent it. What Nurca said is not that she also tries to
be even mable with her that says it is not her fault. It'
s the production and it' s the choreographer. But not because I think
it starts right in the production from where everything is born what to do,
how much we are going to invest it, what costumes to buy, what
cast we are going to present. And notice that I saw her with Pilar
Montenegro and she thinks it had been very bad. I didn' t think
there was anything worse, but she did dance. Pilar Montenegro, of course
she danced maybe. She wasn' t the best, but we danced.
It' s just that she' s adventurous girls. It' s a
rumbira. I mean Adriana Fonseca also say Ana Fonseca also already Tana was not
psu that music Acts of Telemundo. Please tell me. We changed to it.
I just got out of the light and there' s me. Oh,
no, no, no, no, no, no, no,
no, no, no, no, no, no, no, no,
no, no, no, no, no, no, no,
no, no, no, no, no, no, no, no,
no, no, no, no, no, no, no,
no, no, no, no, no, no, no, no,
no, no, no, no, no, no, no,
no, no, no, no, no, no, no, no,
no, no, no, no, no, no, no,
no, no, no, no, no, no, no, no,
no, no, no, no, no, no, no,
no, no, no, no, no, no, no, no,
no. They know no, no, no, no, no.
It' s no witchcraft. They know what' s going on. A
while ago. I was watching a chapter of the Onor Quiet with the two
dogs by my side, very quiet. They think that when I turn on
the seal and I start talking to a camera, it' s time to
play and they start playing around me to bite me. Yeah, right now,
they threw a glass of water at me, that is, they play
everything the moment we start. So, well, be patient a little bit.
But here and now, I' ll light up with whatever' s
here. As the moms say, they look like they don' t look
there and they' re just going to get the family. No one says
very much blessings to me. Oh, I was afraid my mom would tell
me that. I' m smooth because I already knew I was going to
play. I look like you don' t look anything if you come looking
like that, and I' m already in my scary face, sh but
you' re doing what you never do in your life no, I mean,
never in your life had you caught a wire. But, well,
that' s the story of doggies. Well it is the one said in
Inés Enríquez, which is the generic adventurer, because yes, it is generic,
because as a free mark, not as the one that had orrera,
free mark, you believe VAGEY this is yes, Bretale good, I hope,
it will improve, because poor Hirina, I think she has been very
excited about this and I hope, then, it will improve her. Yes,
there are so many positives. Hey, it' s just that you
don' t rejoice that a person doesn' t go wrong. And above
all, when you' re so excited and excited and all because there'
s no father the exact net mom we see in karma also leaves, but
there you act, yes, in short, no, no, you'
re not glad you know that I' m not glad that specifically it goes
wrong with her. I mean, what is poor, because he' s
a victim of a bad production of someone who with something very little or something
very a ride, thinks that' s enough. And hey, if you
have, if you' ve seen that you have a month of rehearsal if
that doesn' t give enough, the locker room isn' t ready.
It' s not ready, I mean, you don' t mean you
don' t. But, well, let' s get on with this
man, which is that he' s a man who says he has a
very good character. He has a very good character. Eduardo Yañez and then
we talked about it. We got the note with mys we were there in
my history in history, because they told us that they already know what happened
with you know what happened with Jorge Carvajal' s reporter. You know what
happened. No, no, I didn' t already know and they told
us that this man had taken his phone, that he had been pulled by
security because he had been angry for a change. And then he went out
and said he didn' t do anything. And then he had an interview
to clean up the image and the little man. Anyway, but the problem
with this man is that it' s not the first time it' s
happened. Remember, he even made the meme, not if I' m
falling in love. Talk to Eduardo Yañez the best favor that I slapped myself
and then yesterday this happens, after taking the cell phone or I don'
t know if it' s there. He hasn' t taken it yet,
because he' s very angry, but because they ask him a question
that I didn' t understand where the bad was. They asked him what
it felt like to have embraced the Christian religion and, on the other hand,
whether it was true that he hated journalists. You think that was a
reason for anger so much I ask, well, no, and especially,
if you' re understanding that you' re on a red carpet that that
' s what you' re running for, not there. I mean,
in fact, you see that then you tell yourself that the guy came in
but didn' t go through the red carpet. He got into the event,
on the other hand, because he had no interest at the time or
intention to talk to reporters. So, point number one is if you go
to the red carpet, it' s because they' re going to put
the microphones on you and they' re going to ask you what they want
and they already know, well, what the reporters do and that many times
they certainly look for the most striking news, maybe the most scandal, sometimes
yes, of course, the most provocative, because it' s true.
But then the expected thing about the artist is that he has self- control.
Yeah, well, I imagine for someone who doesn' t have much
experience it can be hard to start dealing with some of these things. And
that' s why sometimes she gets confused not when they say, for example,
or when this Lucero Mijares thing happened, that, by the way,
she handled it very well when they criticized her on this program that matters and
she said ay no. My parents have taught me what they are and she
is starting and is already learning how to manage it eduardo Yáñez has many years
of career, has been in different polemics and would be expected to handle it
better. They say she was a reporter with whom he has already had problems,
who doesn' t like her, who places her perfectly. But then,
maybe it would be convenient for him to ignore it, maybe answer someone
else than I see it or not ignore it. But Mira says she'
s already telling us nink In this little man' s show she said he
was being bitten in the back and he grabbed his cell phone thinking it was
his. And that' s a lie, because the cameras look perfectly like
you tell the reporter. I' ll give it back to you later.
Yeah, well, he knew perfectly well it wasn' t his cell phone.
Yes, because then he gets angry very, very quickly let' s
say he doesn' t seem to have very, very good control of his
emotions. As they vulgarly say this one as a short fuse, and that
' s not good if you' re going to be. I tell you
exposed to reporters then maybe, the wise thing would be, because I don
' t make carpets or I tell you to ignore it. Yeah, they
say the reporter is incisive, she' s the cough, but no,
I feel like she doesn' t justify what we hear now. What we
heard was that he told her it' s true that you' ve already
embraced this Christian faith and now it' s going to then. That'
s what he asked him from where we see him, because it' s
not a question, because not even though I was, I think you know
what' s not the question is the reaction and well I don' t
know if I already told them an anecdote that happened to me. I think
I already told them, but I was eating in San Angel one day in
the Camelia, there is San Jacinto and I was with a friend of mine
and we were really into a conversation. But that' s how they almost
secretly talk about this one being too bitten. No, and then a Mr
You know that San Jacinto here, in San Angel, there' s a
million sellers. Then pass this man, this one and you can' t
give me please, to support my alcoholic group. I mean, and I
told him you know what we' re starting to eat, why don'
t you come back later I don' t have any money, now when
I pay, because I' m already going to have change, but look
it' s for my association. Yeah, I get it, yeah,
I' m gonna give you money, but when I come back, please,
when I' m back, just take a walk and come back right
now, we need it, so already here, he said, hey,
wait, I told you when I got back, please, let me eat
and you come back and he' s gone. He came back an hour
later. You can give me please for my neurotic association, i e,
not blacks. It was clear and then, of course, oh my güey.
I already told him listen already you passed already because already tells him my
contribution passed group. I told him I said I don' t even know
what for, it' s but you earned it. He gave it to
her, they gave it to her more as a dreamer, but he hears
the lord instead of getting angry, that is, or I could have hit
him that I didn' t do it iguo, the lord could have not
insulted me old angry elbow and neither in any or said that. Don'
t let me eat anymore, but it' s not the question reported.
I could' ve asked him even who he voted for Hey, they told
me you did this, and they gave him his reaction. No, no,
no, no, no, no, no, no, no,
no, no, no, no, no, no, no, no,
no, no, no, no, no, no, no,
no, no, no, no, no, no, no, no,
no, no, no, no, no, no, no,
no, no, no, no, no, no, no, no,
no, no, no, no, no, no, no,
no, no, no, no, no, no, no, no,
no, no, no, no, no, no, no,
no, no, no, no, no, no. Now I see
a lot, a lot of that you' re commenting that she' s
a proud reporter, a very annoying spa, but that doesn' t justify
taking away something from her property. Apart from everything, apart from the reaction
so exaggerated in jona, take away something that is of its exact property.
That too cannot be done, because that reminds us yes, all proportion kept.
But somehow we are reminded of the case of Livia Brito and the boyfriend
who takes away the camera, the photographer, the paparazi and besides beats him,
breaks it and everything else not exactly, not so much, but it
does take away something that belongs to his property and then says yes, I
already sent him back, already sent him. To be very fair. And
being very fair, we' d have to spread percentages of guilt. Okay,
I know the purchases that this reporter is aggressive incisive. I agree,
well, not aggressive like that, not even if he left, but we
got to bother the cough you can get out of here, but we give
him thirty percent. But like you, like you said, you don'
t know what a red carpet is, you know what you' re going
to. Well, yes, no, no, it' s just that
as much as you get hot emotional intelligence, which is the one that really
and already showed us everywhere that nothing else needs to work it too much because
I was going to memes that he is intense anger. No, I mean,
yeah, so just as much as they' re heating you up and
they' re messing with you and you' re saying things to yourself,
you can' t answer it. I mean, we all have buttons.
We all have buttons, that is, everyone. I' ve told you
a lot, but you can tell me anything. But when they call me
Faggot, it' s worth it, not everything, because everything goes black,
everything turns red and I get lost learn to control you and if you
really can' t. You' re going through a situation that you think
might put you at risk for some questions. Don' t step in the
red form. You know I also don' t know how much he likes
to incite this, because this later vibe I saw in another interview where he
already talked about if he stole his cell phone sergi stick and he says but
I already returned it to you because I was wrong and I can' t
be wrong. Oh, my phone' s on a stick from Ivin'
those clowns, because that' s exactly what you can do. You took
it from him. Yeah, not good. What happens is that to avoid
a complaint or something you do expensive and notice. He after the previous episode
we remember, when it seems to me that he was the gossip reporter like
not the one who did hit and insulted him and all that was recorded.
A short time later, or some time later, he was on Mons and
Joe' s program and they took him there to a therapist who was going
to think that I had the impression that the therapist was a little scared,
that is, as very reckless, because, but well, she also agreed
to go for something true, but she was very quiet as listening and he,
that is, she also didn' t say anything, nor gave any
opinion or suggestion when he said look at me don' t go to me,
talk about therapies and talk about my childhood and I don' t know
what, because that' s not what I' m going to do.
I' m not gonna do it. I am as I am, I
know then, because it makes no sense at all. So this therapist,
very quiet, said yes, that' s what anyone would do in a
similar scenario. It' s clear, I understand you You make your decisions.
But what a father, the father of life is when one feels good
and one can be content and quiet and in peace. And because besides,
no way they gave you a therapy session and in public and besides, with
a session you can' t do anything, especially when it' s the
first. There was nothing, there was no big deal to do. But
yeah, he let this resistance he has to think maybe, maybe he'
s not doing things the best way in those clears. I mean, look,
and I insist, I mean, I don' t say Eduardo Yañez
is wrong because of a person who' s bothering him. The problem is
that in these kinds of reactions, the consequences go to him, because the
other one is going to victimize, he is going to do it and as
the fact happened and as there were cameras and how they haggled it, because
he will have all the weapons to make the victim of the situation. That,
on the one hand, we' ve already seen the case remember Will
Smith in the Oscars. What are you talking about, I mean, what
are you talking about? You spoiled the godfather' s homage to the 50th
anniversary You were forbidden to go back to the oscars. You' re vetoed.
Anyway, it' s a moment of anger, because it' s
going to cause you a very serious consequence. You haven' t had moments
and there are moments because I remembered Olivian Collins' s daughter, which you
' re on a question, which is a funeral and he screwed up the
other one, which is, no matter how hot you are. You can
' t afford to put yourself like this and less exactly public, exactly,
because that' s the serious case of Eduardo Yañez. I don' t
know what to end up with,' cause Latera said they were gonna sue
for robbery and so on. Anyway, in the end he returned his cell
phone and there' s no such one. I don' t know what
' s going to happen, but because, at least scandal, they already
achieved it and unfortunately, it was in second place, the homage to Nicandro
Díaz c Yes, what a pity, what a pity and what a pity
that he will be raised again, because I insist I don' t know
him. I couldn' t tell you if it' s good. If
there are other people I know they might say are hateful, but I don
' t know him. Yes, I know a lot of people who talk
to me very well about him, very well about him and to other people
in general they talk very well about his problems. It' s this kind
of reaction. He' s done it with fans, he' s done
it with reporters, he' s done it or not. But like in
controlled situations, it' s fine. Yes, and notice that, obviously,
journalism has changed unquestionably in general, and in particular entertainment is a reality,
but also a good one. People are learning to move in the territory
in which they are and at the time in which they are. Because look,
I remembered that on some occasion I also read that Irma commented on worshipers,
the actress who was married to Pedro Infante, although later it was said
that this was a bigamy because he had not divorced his first wife. And
anyway, but the fact is that when Pedro Infante dies, she arrives,
it seems to me that she arrives somewhere, to the airport where they were
going to take her, somewhere. She was going to find out what had
happened when he lost his life on this plane that he himself crewed and said
a young man, he told you a young reporter came up to me and
bugged me and told me, ma' am, how you feel. And
she turns around and answers him, for how she wants me to feel how
reckless and she says and that young reporter was James to Bludovski in his early
days. I also remember other more contemporary interviews, for example, that they
did to Maria Felix when she was already an older woman, and they asked
her how they feel about this birthday that they are going to celebrate how many
birthdays and she said to you what matters to you. And quite rightly so.
That is, because there is clear prudence and so far, that is,
it does not mean that you necessarily have to give in to imprudence or
pressure or error. But it is a reality that self- control is a
very important part of maturity in any absolute human being and, above all,
I say to you in the area in which everyone decides to develop, no,
then I think that there is something missing, certainly, of course,
self- control. I insist on that, because you can come to terrible
consequences. Right now, he just reminded us not even in the case of
Pablo Laele seconds that you can be ruined for ten years your life and your
entire career and your family and stop seeing your children. It is a second,
a second of three seconds of exact anger he hears and another that has
also then fought with half the world, but also with journalists, and that
he has just said also about this adventurer and everything, for Neurka, Niurka
Marcos, not that he has also had his moments. Well, he had
this problem, too, when he fought Marifer Centeno in the middle of an
exact program. Well, he didn' t fight, because it' s
not like Marifer responded as a lawsuit. But he did have good, yeah,
his scandal, yeah, that' s right. And then, we
' re remembering Veronica Bastos a long time ago, many years ago, many
years ago. I do, I remember perfect because I saw it when,
because they kind of wanted to provoke him a little, and then she went
against Veronica Cabastos, who was the reporter and answered her very, very violently,
something she wants. I don' t know if you remember, but
even that phrase was used for a while. Not as a joke. There
were also no memes at that time, but people said it you ran out
of your party and a rudeness that all And now the day that a year
ago there, of May of the two thousand twenty- three in the program
of the United States, where is Veronica Castro, Perónica you give two papasos
forgiveness with other drivers, among them Ilin Mujica. Something was also said about
Nurka or something that had to do with Niurka, but that the one who
said it was Ailin Mújica. And yet, Nyurka again goes over Veronica,
Bastos and also tells her a series of things that then, Veronica, Bastos,
I bring that you are already doing three Martinez lupits followed, yes,
it is hitting me all. Veronica, Bastos, answers with a post as
she denied what Niorca tells her that she is no longer married to a major
producer and I don' t know what. So also Orca doesn' t
have that, but in the case of Nurca it does seem to me that
there it does with every intention of maintaining a little as Alfredo Adame does,
this character yes, of course and very controversial that he has created. I
don' t think that in Nulca' s case it' s a lack
of control. It seems quite the opposite to me. Of course he'
s a character and besides, she always named herself the exact scandal woman,
she does it as a generator. It does, and it' s clear,
of course, and it knows how it does it, and you know
what situations, if it knows who. The problem is that with the Dame
futbo is that it is a sinister diestoy and very serious things his own children,
for example, what thing he would never do exactly is that neither orcas
prudent. No, because he even spit out Carolina Sandova' s face.
And if you remember, when Lés Sandoval spat on the slap he gave Juan
Manuel and Di, I tried to go and give you notes for having talked
about his children, and Carolina Sandoval is very impressive. Also not yes,
but ah ne that spit to him and all the just ones then are forgiven,
because apart from Mañurca, not ever, first Maldista and then already it
says already all this to me we no longer go, already we get well,
well, because moment already to say goodbye to us guys something that they
want to add. Oh, well, it will always be good to check
ourselves so that we can be as calm as we can general, because we
all get so angry so much that it does us a lot of harm and
can be problems with third people. And because our father is cooling the head,
because cool the head fraba girls a taste. Go see the chapter of
sndy loperz of mujeres de canto huay and follow us on Instagram women decadando footprint
and I love them behave very well and keep answering in the story. And
thanks to all that lupita faith, we all do. Oh thank you for
being here in a I don' t know if tonight, I think just
as well not tomorrow we have broken souls, but in one of these days
I' m going to give you a transmission and I' m going to
talk there or if you want empetrium, but well, stay tuned, no
more I ask you to wait. Thank you, moderators adored for being here
with us Thank you to all the subscribers you are members of. Thank you,
Laurita, who saw you around here, who was a moderator today.
I think he was around, too. Alice Well, thank you, thank
you, for joining us and everyone on the podcast platforms. Thank you so
much. And I' ll see you here in peace tomorrow. But go
to everything Ephraim told you, so we' ll see you soon. Ay
by guys by by. Let' s go drink me penn there. Let
' s go there? Let' s go there? Let' s go
there? She' s here.