WEBVTT 1 00:00:41.399 --> 00:00:45.640 Good afternoon. This Tuesday, Benin, good evening, as it is already 2 00:00:45.640 --> 00:00:49.520 seven o' clock in the evening welcome to this Tuesday, twenty- fifth 3 00:00:49.520 --> 00:00:52.640 of June, Welcome, Doctor Amel how good night do you hear not. 4 00:00:52.640 --> 00:00:57.479 We didn' t fall asleep The rooster came in at seven minutes, two 5 00:00:57.560 --> 00:01:02.079 minutes, no more. Here we are welcome from Fra Baby. You have 6 00:01:02.200 --> 00:01:10.640 to feel for two minutes than barbarians. What barbarians, dressed up, hear 7 00:01:10.640 --> 00:01:12.640 nothing welcome, for today' s rainy day again in Mexico City. I 8 00:01:12.719 --> 00:01:17.640 don' t know who can tell me from here if Facebook is working or 9 00:01:17.680 --> 00:01:19.959 something, because I haven' t been able to upload some videos and I 10 00:01:19.959 --> 00:01:23.200 think it' s kind of stuck. But, well, I' ll 11 00:01:23.280 --> 00:01:26.519 see from the afternoon I' m trying, but I can' t the 12 00:01:26.519 --> 00:01:29.280 kids are, I mean the kids. I mean my little dogs. They 13 00:01:29.400 --> 00:01:34.920 were very calm until now, until this moment, but they know with what 14 00:01:34.959 --> 00:01:42.400 they controlled them so that they see something very hard with water, with omen 15 00:01:42.400 --> 00:01:46.079 and calm. But well, Janing says he was watching Cindy Lopper' s 16 00:01:46.159 --> 00:01:48.840 show and he' s great. Go see him, because we did it 17 00:01:48.879 --> 00:01:53.040 today. Well, Ephraim did. I went with him to watch Cinthy Loper 18 00:01:53.159 --> 00:01:56.439 ' s show on women leaving a mark. So go check it out. 19 00:01:56.599 --> 00:01:59.799 It' s interesting. But after I finish from history to history and first 20 00:02:00.319 --> 00:02:01.840 with all dads, then from history to history. After that, they leave 21 00:02:01.879 --> 00:02:06.599 the woman and go to sleep, not to be left in reproduction, that 22 00:02:06.680 --> 00:02:10.240 the general leaves the reproduction. All the net ah give him that would be 23 00:02:10.240 --> 00:02:14.719 great. Leave the channel in reproductions. I' d be so saying give 24 00:02:14.719 --> 00:02:16.919 me YouTube. But listen, we' re going to start today and today 25 00:02:17.039 --> 00:02:22.919 because we' re going to talk first about there' s an actor who, 26 00:02:23.400 --> 00:02:28.599 personally, I really like who' s made great roles. If you 27 00:02:28.639 --> 00:02:31.840 remember, then you, according to me, the last time I saw Sergio 28 00:02:31.840 --> 00:02:38.919 Kleiner was on Aztec television. If Daniel is around here who has already arrived, 29 00:02:39.840 --> 00:02:43.000 if he has not arrived, well remember you, but, according to 30 00:02:43.080 --> 00:02:45.840 me, the last time I saw him in a great job, it was 31 00:02:45.840 --> 00:02:47.680 with Aztec television. I think he came back later for something Televisa. I 32 00:02:47.759 --> 00:02:51.800 don' t know, but it was him. Now he asks for and 33 00:02:52.479 --> 00:02:59.439 puts this ad that says the first actor, Sergio Kleiner, seeks work contact 34 00:02:59.520 --> 00:03:07.240 details with the phone arroba on x or Twitter. Kliner Sergio really that this 35 00:03:07.520 --> 00:03:12.199 kind of ad had already made him a very famous actress. I don' 36 00:03:12.240 --> 00:03:16.240 t remember in Hollywood, if you remember me, tell Betty Davis. Betts 37 00:03:16.560 --> 00:03:23.280 and Davis were seen to be good, yes. And that' s when 38 00:03:23.319 --> 00:03:29.199 you' re struck by what good actors aren' t called when we see 39 00:03:29.199 --> 00:03:30.840 terrible mediocrity. And it doesn' t mean and it doesn' t mean 40 00:03:30.919 --> 00:03:34.680 that because they' re not bad. No, but it takes these solid, 41 00:03:35.319 --> 00:03:38.280 strong, huge actors of so much experience so that they can grow those 42 00:03:38.319 --> 00:03:44.639 who are coming clear notice that I last saw it say no obviously not with 43 00:03:44.719 --> 00:03:52.360 the same one. How is it said, so easy for both the public 44 00:03:52.400 --> 00:03:55.560 and the television. I saw him in the theater and I saw him doing 45 00:03:55.599 --> 00:04:02.479 a play called Freud' s last session, and he did it with giving 46 00:04:02.599 --> 00:04:09.639 you foot in the role of a journalist who supposedly is going to interview Freud 47 00:04:09.719 --> 00:04:12.919 already in his late days, when he is already very, very sick of 48 00:04:12.960 --> 00:04:18.519 this cancer that afflicted him with the jaw And really shocking. No. Besides, 49 00:04:18.560 --> 00:04:21.279 it' s a story I like. The character I like, but 50 00:04:21.680 --> 00:04:30.800 a tional performance by Sergio Kliner, then what a pity that I don' 51 00:04:30.839 --> 00:04:34.879 t know if there aren' t enough productions where actors are required, because 52 00:04:34.959 --> 00:04:40.720 of character, as they are called the say what happens is that they always 53 00:04:40.720 --> 00:04:41.720 call the same ones notice that that' s what happens. I mean, 54 00:04:42.160 --> 00:04:45.720 they come out of a soap opera. A producer finishes a soap opera, 55 00:04:46.120 --> 00:04:49.360 is preparing the next one, but with the same cast. Yeah, yeah, 56 00:04:49.439 --> 00:04:53.480 yeah, yeah. It' s a shame now this ad thing, 57 00:04:53.839 --> 00:04:57.120 because it gave me as tenderness, because there' s also a little video 58 00:04:57.120 --> 00:04:59.600 where he says hello. I am such and offer my service. I' 59 00:04:59.600 --> 00:05:04.199 m an actor all this and yes, indeed, Bette Davis did the same 60 00:05:04.240 --> 00:05:05.959 thing look at the year. Right now, I' m going to tell 61 00:05:06.079 --> 00:05:10.959 you because here I have it out there in the sixties and she says, 62 00:05:11.800 --> 00:05:16.879 mother of three, divorced American woman with thirty years of experience in the Ziner 63 00:05:16.879 --> 00:05:19.759 references and are requested and so on. But I hope Sergio Clineer also had 64 00:05:19.800 --> 00:05:26.000 the same result and the same luck she had, because she had finished filming 65 00:05:26.040 --> 00:05:30.000 this film, which is also my favorite, a cult film that happened with 66 00:05:30.040 --> 00:05:34.560 Baby Jane with John Crawford, but I didn' t have much hope in 67 00:05:34.560 --> 00:05:40.279 that film. So, already finishing that movie, he didn' t have 68 00:05:40.360 --> 00:05:45.959 any contracts at the door and decides to publish this ad without knowing who killed 69 00:05:45.959 --> 00:05:47.839 him or what happened to him, what happened to Baby Jane, what Happend 70 00:05:47.839 --> 00:05:55.439 to Begy Jane is called the movie had a huge success, huge then, 71 00:05:55.600 --> 00:05:58.199 because obviously, it wasn' t what got him the ad wasn' t 72 00:05:58.199 --> 00:06:00.000 that I got him that job, but somehow he pushed the race a little 73 00:06:00.000 --> 00:06:02.360 bit more. And I think this actor, who deserves it clearly, because 74 00:06:02.360 --> 00:06:06.480 he' s an actor, is a real actor. And yes, yes, 75 00:06:06.519 --> 00:06:11.279 it' s unfair. It is unfair that he should not, because 76 00:06:11.399 --> 00:06:13.920 he has no job, that he should not be given any more, that 77 00:06:14.000 --> 00:06:15.600 is, that he should not be given options, I find it very sad. 78 00:06:15.560 --> 00:06:19.439 No, but I hope, I hope, listen and see the call. 79 00:06:19.600 --> 00:06:26.160 Some of the producers want to release me both please, if one is 80 00:06:26.160 --> 00:06:29.160 in my booth and one is in my pants, but well, I' 81 00:06:29.199 --> 00:06:33.360 m already throwing them out. Agüita, because I hope Sergio Clainer hears to 82 00:06:33.360 --> 00:06:38.600 see, I wanted to give them a warning because I put a message on 83 00:06:38.600 --> 00:06:41.120 the channel. Right now. Well, I put them on since the other 84 00:06:41.160 --> 00:06:45.759 day, two days ago. I think it was Sunday. I have a 85 00:06:45.800 --> 00:06:51.279 pattern a long time ago, but I didn' t want to use it 86 00:06:51.319 --> 00:06:54.720 because I wanted to use it for the writing issue, which I really like. 87 00:06:55.399 --> 00:06:58.600 I didn' t want to use it because I didn' t have 88 00:06:58.600 --> 00:07:00.160 something solid. I' ve been studying, and I' ve had literature 89 00:07:00.360 --> 00:07:05.279 for seven years and I' m constantly updating. Then there was this pattern 90 00:07:05.360 --> 00:07:10.120 because I have two very good stories and for what I open it, it 91 00:07:10.120 --> 00:07:13.240 is to invite them to the process of creating a literary creation. But, 92 00:07:13.680 --> 00:07:17.240 of course there are content that is for subscribers, of course there are for 93 00:07:17.279 --> 00:07:21.240 members who pay some amount. But there' s also free. I mean, 94 00:07:21.279 --> 00:07:26.000 there' s free content, too. And then a person wrote to 95 00:07:26.000 --> 00:07:30.920 me. Let me see if pull is the write shot of this message that 96 00:07:30.000 --> 00:07:34.639 I was wearing and maybe he' s right because he said no, because 97 00:07:34.639 --> 00:07:40.000 that' s where I' m going to put them too. Here when 98 00:07:40.040 --> 00:07:44.439 I put this notice that I invite you to my country puts this woman naya 99 00:07:44.600 --> 00:07:46.560 five, three, three, oh no, who is Lupita Martinez in the 100 00:07:46.680 --> 00:07:51.360 show to pay, to know, of his family is very lost in egg 101 00:07:51.480 --> 00:07:55.879 o. Sorry, well, look for those who don' t know. 102 00:07:56.040 --> 00:08:00.399 Indeed, I, no, do not have this thousand- year trajectory because 103 00:08:00.439 --> 00:08:05.079 I am not like frans who can count forty years of trajectory with twenty- 104 00:08:05.800 --> 00:08:09.000 five interrupted, because I did not start at sixteen, I left at twenty 105 00:08:09.000 --> 00:08:13.519 or so nineteen twenty, because I went to university, because I married. 106 00:08:13.600 --> 00:08:16.879 Then I came back about twenty- eight, sort of, and I went 107 00:08:16.920 --> 00:08:20.759 back to college later and so forth. But then you. I returned to 108 00:08:20.839 --> 00:08:22.120 the 2, 000, since my father had died. So yeah, maybe 109 00:08:22.199 --> 00:08:28.319 I don' t have a super, because I' m not from a 110 00:08:28.399 --> 00:08:33.639 certain group of journalists and I don' t manage the way many others handle 111 00:08:33.639 --> 00:08:37.840 themselves. But yes, my family has a history of tradition to look at 112 00:08:39.279 --> 00:08:46.480 them. My dad made the first magazine of shows in the world of television, 113 00:08:46.679 --> 00:08:52.480 in the world and then Mira was this magazine called Mira, it was 114 00:08:52.679 --> 00:08:58.360 called Teleguía, and then the family story is very good, very good the 115 00:08:58.200 --> 00:09:03.240 history because Leguía was made in one thousand nine hundred fifty two, on the 116 00:09:03.240 --> 00:09:07.799 seventh of August the first number came out and I think it is a very 117 00:09:07.840 --> 00:09:11.120 interesting story. And you know who I told her that she was the one 118 00:09:11.200 --> 00:09:15.200 that the other day I saw her sitting on a table, she told me 119 00:09:15.240 --> 00:09:18.519 you had to write that story. And it was my very dear marcela rufo, 120 00:09:18.960 --> 00:09:22.600 who is a producer, who is an intelligent superri woman. And then, 121 00:09:22.679 --> 00:09:26.840 she cheers me up and that' s why I' m doing it. 122 00:09:26.279 --> 00:09:31.159 No, I' m not answering this message for this person' s 123 00:09:31.159 --> 00:09:33.919 comment. I' m doing it for an explanation that I think I owe 124 00:09:33.919 --> 00:09:37.360 you for opening up a patrol, so I think it might be very interesting 125 00:09:37.360 --> 00:09:39.600 for you. So, and turkey or not or not, but whoever wants 126 00:09:39.600 --> 00:09:46.840 to accompany me forward, well, this parenthesis has been made. We started 127 00:09:46.879 --> 00:09:50.120 talking about something else later, but I can say one thing right, because 128 00:09:50.639 --> 00:09:56.720 no, yes, yes, of course and no, who is Lupita Martínez. 129 00:09:56.519 --> 00:10:01.960 She' s the one you answered, because what you think goes to 130 00:10:01.960 --> 00:10:03.360 her, you answer her from you. No, I don' t Let 131 00:10:03.320 --> 00:10:07.039 ' s give up Or who you are. Because, well, my picture 132 00:10:07.120 --> 00:10:11.320 has a heart. Good point, good point, well, I' m 133 00:10:11.360 --> 00:10:15.200 going to say that, yes, like everything in this life, that' 134 00:10:15.240 --> 00:10:18.679 s why, as you say, there' s so much content, fortunately, 135 00:10:18.879 --> 00:10:20.840 and you' re looking for what interests you. There must be people 136 00:10:20.840 --> 00:10:24.879 who care. I tell among them enormously the story of this magazine that I 137 00:10:24.960 --> 00:10:31.399 saw in my house for many years when I was growing up and that it 138 00:10:31.799 --> 00:10:35.080 was extraordinary and there must be people who are interested in it. And that 139 00:10:35.120 --> 00:10:37.879 ' s the way. No, but I did see some people asking you. 140 00:10:37.879 --> 00:10:41.960 I don' t know what it is, what the process is, 141 00:10:41.080 --> 00:10:43.679 where the button is. Don' t look at the patrols. That' 142 00:10:43.759 --> 00:10:52.200 s the app and I' m going to give you more or less how 143 00:10:52.240 --> 00:10:54.919 you can look for me in patrol because let me look for you because you 144 00:10:54.919 --> 00:11:01.759 ' re already. I sent it to my son, who is one who 145 00:11:01.799 --> 00:11:05.080 is most visible. Mom, please, so this does not do this too. 146 00:11:05.279 --> 00:11:09.879 Then I took a picture of my yard, let me see if, 147 00:11:11.279 --> 00:11:15.600 indeed, there it is, they can look for me. So on the 148 00:11:15.600 --> 00:11:20.679 chest, it' s an application made for creatives, made for those who, 149 00:11:20.240 --> 00:11:24.639 for musicians, for writers, for painters, for comedians, for people 150 00:11:24.720 --> 00:11:28.720 who make comics, for many, for creatives, and it' s kind 151 00:11:28.720 --> 00:11:31.639 of a sponsorship, that is, a month in Nasgo. This is my 152 00:11:31.720 --> 00:11:35.080 papon and with that photo and so I put Lupita Martinez, Ahorita, we 153 00:11:35.200 --> 00:11:37.840 are like a hundred and twelve members. They don' t have to pay. 154 00:11:37.879 --> 00:11:41.879 Of course not and well I just started it on Sunday, but I 155 00:11:41.720 --> 00:11:46.039 can make videos and we can have conversations about what I' m doing. 156 00:11:46.120 --> 00:11:50.600 And the joke is to follow the process and join me. And well, 157 00:11:50.639 --> 00:11:54.480 actually, when at some point I can already publish, because much of all 158 00:11:54.600 --> 00:11:58.600 that my pastis my patuonos. So, then, there anyone who wants to 159 00:11:58.679 --> 00:12:05.799 be welcome, not very well, well listen. Now let' s go 160 00:12:05.840 --> 00:12:09.919 with this not- to- see thing. First we go to Irina Baeva, 161 00:12:09.799 --> 00:12:15.720 because it' s been good. Scratch. Yesterday we talked about it 162 00:12:15.720 --> 00:12:20.240 in history, in history. I must confess one thing and I will say 163 00:12:20.279 --> 00:12:24.320 it in peace, because they write to us and say no how they might 164 00:12:24.360 --> 00:12:28.840 speak of a work they have not even seen. Well, there are things 165 00:12:28.879 --> 00:12:33.080 that maybe don' t even encourage us to see the truth. I mean, 166 00:12:33.240 --> 00:12:37.320 so you tell yourself son, how lively I am to see Irina goes 167 00:12:37.840 --> 00:12:41.840 to Eva pes no and I' m going to tell them why I' 168 00:12:41.120 --> 00:12:45.759 m going to tell them when you' re going to see a movie, 169 00:12:46.240 --> 00:12:50.159 a play or a series, because they present you with a trailer and that 170 00:12:50.200 --> 00:12:52.519 has to encourage you to go see it and sometimes you say hijole, no, 171 00:12:52.639 --> 00:12:52.679 because that' s how the play is going to be better. I 172 00:12:52.840 --> 00:12:56.759 ' m not going, no, it' s me, for what, 173 00:12:56.759 --> 00:12:58.759 for what? I' m going no, no, no, well, 174 00:12:58.200 --> 00:13:03.960 that' s the same thing. How it happens here when you' re 175 00:13:03.960 --> 00:13:07.480 watching production, poverty of production To the people who know and tell you it 176 00:13:07.480 --> 00:13:11.399 ' s terrible, because you kind of hesitate to go pay more than 2, 177 00:13:11.600 --> 00:13:13.639 000 pesos to go see this work. I don' t know what 178 00:13:15.519 --> 00:13:20.080 you guys think wrong And what happens is that to make a decision about going 179 00:13:20.279 --> 00:13:26.480 to some place show experience of whatever this kind of tracks are, let' 180 00:13:28.200 --> 00:13:33.679 s say what are shorts, trailers, even the trajectory of the people who 181 00:13:33.720 --> 00:13:35.159 are going to participate. It' s what' s making you notice something 182 00:13:35.200 --> 00:13:41.799 and you want to get close to it when you find out that in this 183 00:13:41.879 --> 00:13:48.399 bet they' ve removed some central scenes. Let' s say or some 184 00:13:48.440 --> 00:13:52.240 moments that were very important, like this political satire that made Carmen Salinas. 185 00:13:52.519 --> 00:13:56.639 Change the perception of the show that you expect to see and that you saw 186 00:13:56.759 --> 00:14:01.960 in the past with those characteristics that gave it success. Also when you see 187 00:14:03.000 --> 00:14:07.600 these fragments of the supposedly most important or outstanding numbers of dance in a play 188 00:14:07.600 --> 00:14:13.279 that is musical, that speaks of a cabaret, and you see the level 189 00:14:13.399 --> 00:14:16.000 of dance that is being presented, because that also gives you another clue, 190 00:14:16.320 --> 00:14:18.840 not of what you are going to see or not to see. And that 191 00:14:18.919 --> 00:14:22.600 ' s where, moreover, it coincides with the criticism of many people who 192 00:14:22.600 --> 00:14:26.679 did go to see it and who have shared those moments and then say, 193 00:14:26.879 --> 00:14:31.600 because it hasn' t lived up to what nobody expected either in production, 194 00:14:31.360 --> 00:14:35.120 or in talent and so on. So I think that' s what has 195 00:14:35.240 --> 00:14:39.559 provoked all this criticism, which is very regrettable and which, because it is 196 00:14:39.600 --> 00:14:43.159 not in any way against anyone, in particular the actress, of the actress 197 00:14:43.200 --> 00:14:48.600 that the truth has also been told because Silinaba Eva has a group of people 198 00:14:48.600 --> 00:14:54.440 who do not love her very much because, unfortunately, this part of her 199 00:14:54.000 --> 00:14:58.320 personal life, which includes the whole story of Geraldin Basán and the daughters and 200 00:14:58.440 --> 00:15:01.200 everything that has already been talked about up to the tiredness, has been made 201 00:15:01.200 --> 00:15:05.399 public. Then she was already carrying and something against her originally. Moreover, 202 00:15:05.960 --> 00:15:09.200 she is not an actress who has matured much as she did in the past. 203 00:15:09.639 --> 00:15:13.799 Who else is being talked about recently. Edith González Estupe, the actress 204 00:15:13.120 --> 00:15:18.919 who prepared for many months in dance Observe Lupita. I saw a half- 205 00:15:18.399 --> 00:15:22.240 real interview, because as a certain tenderness Irina Baeva says and her voice breaks, 206 00:15:22.440 --> 00:15:24.799 that she would like her parents to be, that they cannot be here, 207 00:15:26.120 --> 00:15:28.679 that they are in Russia, that she does it with all her heart, 208 00:15:28.080 --> 00:15:33.559 but suddenly she says something that is important. He says imagine a month 209 00:15:33.720 --> 00:15:37.879 riding this place and that' s where I did what it takes to make 210 00:15:39.159 --> 00:15:41.720 a month or. No, well, if I should have rehearsed six months, 211 00:15:41.919 --> 00:15:46.720 what you' re talking about is where you' re right, of 212 00:15:48.039 --> 00:15:52.600 course, right. And what a lack of experience then theatrical, what a 213 00:15:52.600 --> 00:16:00.559 lack of theatrical experience it is that quoting Lola Cortés, when mine Count Issamar 214 00:16:00.600 --> 00:16:07.360 and wanting are several suopers that is, the economy of the country is to 215 00:16:07.399 --> 00:16:14.399 give away the money to go to see things lacking in quality, yes, 216 00:16:14.759 --> 00:16:18.200 that is very simple. It' s very simple. Not an irina for 217 00:16:18.320 --> 00:16:22.480 a month was enough. If you' re a dancer and you' re 218 00:16:22.679 --> 00:16:26.639 a crisis I casterón you a month was more than enough, because, I 219 00:16:26.679 --> 00:16:30.919 mean, musical money doesn' t give for more rehearsals. Then casting is 220 00:16:30.000 --> 00:16:36.480 wrong and wrong and non sevilla. He' d be dying. And, 221 00:16:36.840 --> 00:16:40.480 well, we' ve already seen some that did it very badly, yes, 222 00:16:41.120 --> 00:16:45.159 of course, but or yes, it was but to see, to 223 00:16:45.159 --> 00:16:47.080 see I no longer very noticeable. Not very well, I don' t 224 00:16:47.120 --> 00:16:51.320 know if I understood what you said well. Oh, I' m misunderstanding 225 00:16:51.360 --> 00:16:56.679 a month to rehearse a play as adventurers very little, very little. I 226 00:16:56.759 --> 00:17:00.360 don' t think so. No, I do, I think it' 227 00:17:00.679 --> 00:17:03.600 s a very little san how, but forget the setup. No, no, 228 00:17:03.679 --> 00:17:07.880 no, I just contracted a musical work that I, who am so 229 00:17:07.880 --> 00:17:12.880 obsessive about musicals, there are works that the assembly takes three weeks. Okay, 230 00:17:14.119 --> 00:17:18.880 but how long you have or how long you have next to the assembly 231 00:17:19.039 --> 00:17:26.720 how long you know, how long professional dancers have. You' re talking 232 00:17:26.000 --> 00:17:30.799 about a woman who doesn' t know the play, who doesn' t 233 00:17:30.799 --> 00:17:32.519 know the dances, who' s never done anything like that. I mean, 234 00:17:32.920 --> 00:17:37.920 Edith González worked, studied how to dance this another go, I mean, 235 00:17:37.960 --> 00:17:41.880 and Dina Baeva didn' t do it. It' s not a 236 00:17:41.920 --> 00:17:45.680 month to the size of this play. It' s nothing. It' 237 00:17:45.680 --> 00:17:48.640 s nothing, yes, because, maybe, what you say Efra is a 238 00:17:48.799 --> 00:17:53.599 dance body that already has this long experience. What you have to do is 239 00:17:53.759 --> 00:17:59.319 mount a choreography not learn to dance because you already know, because that' 240 00:17:59.359 --> 00:18:03.119 s what they do. They ride a choreography, the star and polish it 241 00:18:03.680 --> 00:18:10.400 an actress who doesn' t know how to dance this because they say I 242 00:18:10.400 --> 00:18:15.599 don' t know, but I' m reading that she says she' 243 00:18:15.759 --> 00:18:19.079 s a ballet dancer. I was reading because I heard that, but don 244 00:18:19.160 --> 00:18:26.079 ' t look, not what it is. I don' t think she 245 00:18:26.160 --> 00:18:26.279 studied bullet journalism She' s not a dancer of mine. The other thing 246 00:18:26.319 --> 00:18:30.759 is not that I looked for you for exactly that' s why I said 247 00:18:30.000 --> 00:18:34.720 it, because knowing professional dancers, there is can to dance and that Aventurara 248 00:18:34.759 --> 00:18:40.440 Jesús Cazab, who is a great dancer and producer and other works. I 249 00:18:40.480 --> 00:18:41.519 was commenting. I didn' t do it with him, that is, 250 00:18:42.200 --> 00:18:47.400 he told me that a month was enough if she was a dancer, because 251 00:18:47.480 --> 00:18:51.119 Aventurera isn' t a singer' s play or a play for actors, 252 00:18:51.720 --> 00:18:53.319 It' s a work for dancers, that is, what they have to 253 00:18:53.319 --> 00:18:56.880 do most of the work is dance. Exagine and or now, as Manu 254 00:18:56.960 --> 00:19:00.680 said, doesn' t dance, is that' s exactly what we just 255 00:19:00.720 --> 00:19:03.359 told you. That is, Edith González, does not take a month, 256 00:19:03.720 --> 00:19:07.279 takes a long time to prepare the play, to get into the character, 257 00:19:07.519 --> 00:19:11.039 to learn to dance, because sales was an actress. I didn' t 258 00:19:11.119 --> 00:19:15.799 want to see cooper I already lost it. I studied Dance Hide if I 259 00:19:17.440 --> 00:19:19.319 had letus, I mean, yes, but it was more, they were 260 00:19:19.319 --> 00:19:22.000 more actress, but if you' re right, she had studied ballet. 261 00:19:22.759 --> 00:19:26.640 They are, therefore, the lousy these children forgive me had already had knowledge 262 00:19:26.759 --> 00:19:30.279 of Dance, already had training of Dance. That is his healthy González, 263 00:19:32.000 --> 00:19:37.720 of course, yes, Susania González who was right at this premiere, not 264 00:19:37.920 --> 00:19:44.200 and who put her to read a letter or this one, because as a 265 00:19:44.319 --> 00:19:48.319 dedication, no or something like that. Carmen Salina was very much touched by 266 00:19:48.400 --> 00:19:52.920 her Ana González as well, and she says that I think it was the 267 00:19:52.039 --> 00:19:55.920 last of that production Carmen Salinas had. Yeah, me the last one. 268 00:19:56.119 --> 00:19:59.440 This was the last adventurer of Carmelita Salinas that I went to see at the 269 00:19:59.519 --> 00:20:03.920 invitation of Carmelita and that produced it with Juan Osorio I forgive the month that 270 00:20:03.000 --> 00:20:07.920 just happened a chin but good and was very good to see. She was 271 00:20:08.119 --> 00:20:14.680 good because I insist Susana González is an actress who studied, who went to 272 00:20:14.839 --> 00:20:18.720 prepare and then could play the character, on the one hand. On the 273 00:20:18.839 --> 00:20:22.279 other hand, it was a play Carmelita had mounted years ago. Yeah, 274 00:20:22.359 --> 00:20:26.000 kids, then, that' s what you do. I agree, Ephraim, 275 00:20:26.400 --> 00:20:30.359 if you have a team that' s been doing this for years, 276 00:20:30.960 --> 00:20:33.240 then including the actress isn' t going to be that complicated. On the 277 00:20:33.319 --> 00:20:36.960 other hand, to see you together, look at this one I think. 278 00:20:36.960 --> 00:20:40.519 I don' t know if it' s even in the count that, 279 00:20:40.799 --> 00:20:45.039 anyway, he also has his show and dances we also have a good Neurka, 280 00:20:45.279 --> 00:20:48.839 which every stump says has been the favorite and was the favorite of Carmelita, 281 00:20:48.480 --> 00:20:55.799 Edit González, Sabine Mussier and Tatian Toral, which has been one of 282 00:20:55.799 --> 00:20:57.680 the best. But it' s just that we' ve been leaving since 283 00:20:57.680 --> 00:21:02.160 we arranged it. See, please see the arrangement of the dancers, the 284 00:21:02.160 --> 00:21:06.839 costumes, the actor or the main actor was Jorge Salinas, or was there 285 00:21:06.880 --> 00:21:11.000 a first actor, Daniel elvita, Ellas María, the guard this on Ernesto 286 00:21:11.119 --> 00:21:18.799 Gómez Cruz? There is Ernest Don Ernesto Gómez Cruzo in a personajazo who, 287 00:21:18.240 --> 00:21:22.759 of course, portrayed the period very well, which is the fifties, forty 288 00:21:22.359 --> 00:21:27.559 - fifties and there we have Irina Baeva. I think they do differ a 289 00:21:29.039 --> 00:21:37.119 lot, because the costumes try, I don' t know, but well 290 00:21:37.359 --> 00:21:41.319 and even I saw people who were who said they had been invited and as 291 00:21:41.440 --> 00:21:45.480 in very good faith, but they couldn' t say great things. Look. 292 00:21:45.559 --> 00:21:51.240 You know who I heard, for example, in selling they listened to 293 00:21:51.400 --> 00:21:55.000 Daniel Bisono who said he had been there and like he did want to be 294 00:21:55.079 --> 00:21:59.240 nice and he said oh, yes, Juanito Sorio and no, but he 295 00:21:59.279 --> 00:22:03.000 said he lacks things to fix and yes I say it, for which you 296 00:22:03.119 --> 00:22:03.480 know what that' s about Look what I wanted to get at. That 297 00:22:03.640 --> 00:22:07.480 ' s what it' s all about, the press, like Daniel, 298 00:22:07.519 --> 00:22:11.240 I want you to tell me if you were, whether you liked it or 299 00:22:11.400 --> 00:22:15.319 not, so that I, as an audience, know if I' m 300 00:22:15.400 --> 00:22:18.400 going I would be the most truthful thing. I don' t want a 301 00:22:18.480 --> 00:22:22.200 frank reindeer to say, so look, if you pay me, I could 302 00:22:22.200 --> 00:22:22.920 tell you no, no, no, no. I don' t want 303 00:22:23.359 --> 00:22:26.960 one like that or I don' t want one likeÁlvaro Jueva, who 304 00:22:27.039 --> 00:22:29.000 says no, I stop here says no. I don' t want this 305 00:22:29.000 --> 00:22:33.279 one. I wanted forgiveness. This is a tweet, but what happens is 306 00:22:33.319 --> 00:22:36.640 thatÁlvaro Cueva in his is that he didn' t sync my whatsapp. 307 00:22:37.160 --> 00:22:40.559 Álvaro Cueva in his Ai is and Aiita yes, I already have it in 308 00:22:40.680 --> 00:22:47.279 his collaboration yesterday in Diario Milenio puts a grace. Thank you very much. 309 00:22:47.359 --> 00:22:49.640 There it is, I' m going to put what this man says. 310 00:22:49.720 --> 00:22:56.279 It' s always seemed unbelievable to me because she says. He saysÁlvaro 311 00:22:56.319 --> 00:22:59.559 cave see Irina, go to Eva and hear Briskin together in is a glorious 312 00:22:59.599 --> 00:23:06.880 experience for melodramatic audiences. Two women of Russian descent face to face telling themselves 313 00:23:06.960 --> 00:23:08.640 what they are going to die of. It' s not something you see 314 00:23:08.720 --> 00:23:15.240 every day that has to do with it, but Irina' s like, 315 00:23:15.759 --> 00:23:15.680 you know, Irina' s like, you know, you know, you 316 00:23:15.680 --> 00:23:15.680 know, you know, you know, you know, you know, you 317 00:23:15.680 --> 00:23:15.680 know, you know, you know, you know, you know, you 318 00:23:15.680 --> 00:23:15.680 know, you know, you know, you know, you know, you 319 00:23:15.680 --> 00:23:15.680 know, you know, you know, it' s not something that you 320 00:23:15.680 --> 00:23:15.680 see every day that has to do with it, but, you know, 321 00:23:15.680 --> 00:23:15.680 and you know, Irina, you know, you know, you know, 322 00:23:15.680 --> 00:23:15.680 you know, you know, you know, you know, you know, 323 00:23:15.680 --> 00:23:15.680 you know, you know, you know, you know, you know, 324 00:23:15.680 --> 00:23:15.680 you know, you know, you know, you know, you know, 325 00:23:15.680 --> 00:23:15.680 you know, you know, you know, you know, you know, 326 00:23:15.680 --> 00:23:15.680 you know, you know, you know, you know, you know, 327 00:23:15.680 --> 00:23:15.680 you know, you know, you know, you know, you know, 328 00:23:15.680 --> 00:23:15.680 you know, you know, you know, you know, you know, 329 00:23:15.680 --> 00:23:15.680 you know, you know, you know, you know, you know, 330 00:23:15.680 --> 00:23:15.680 you know, you know, you know, you know, you know, 331 00:23:15.680 --> 00:23:15.680 you know, you know, you know, you know, you know, 332 00:23:15.680 --> 00:23:15.680 you know, you know, you know, you know, you know, 333 00:23:15.680 --> 00:23:15.680 you know, you know, you know, you know, you know, 334 00:23:15.680 --> 00:23:15.680 you know, you know, you know, you know, you know, 335 00:23:15.680 --> 00:23:15.680 you know, you know, you know, you know, you know, 336 00:23:15.680 --> 00:23:15.680 you know, you know, you know, you know, you know, 337 00:23:15.680 --> 00:23:15.680 you know, you know, you know, you know, you know, 338 00:23:15.680 --> 00:23:15.680 you know, you know, you know, you know, you know, 339 00:23:15.680 --> 00:23:15.680 you know, you know, you know, you know, you know, 340 00:23:15.680 --> 00:23:15.680 you know, you know, you know, you know, you know, 341 00:23:15.680 --> 00:23:15.680 you know, you know, you know, you know, you know, 342 00:23:15.680 --> 00:23:15.680 you know, you know, you know, you know, you know, 343 00:23:15.680 --> 00:23:15.680 you know, you know, you know, you know, you know, 344 00:23:15.680 --> 00:23:15.680 you know, you know, you know, you know, you know, 345 00:23:15.680 --> 00:23:15.680 you know, you know, you know, you know, you know, 346 00:23:15.680 --> 00:23:15.680 you know, you know, you know, you know, you know, 347 00:23:15.680 --> 00:23:18.400 you know, you know Irina is at her best as a woman and as 348 00:23:18.559 --> 00:23:26.359 a soap opera legend, as a soap opera legend, that is, not 349 00:23:26.519 --> 00:23:32.119 this one, Veronica Castro, not Lucía Méndez, not this what is called 350 00:23:32.839 --> 00:23:34.359 this one that says it, no, no, no, no, no, 351 00:23:34.559 --> 00:23:38.640 Hirida goes to Eva is the legend not for anything triumphs as it triumphs 352 00:23:38.680 --> 00:23:44.759 in the story of Joanna, that is, how when you are told something 353 00:23:44.759 --> 00:23:47.839 there. So, you go and pay your ticket and you get super disappointed. 354 00:23:48.480 --> 00:23:51.839 It is that they did give the ticket to him, even if they 355 00:23:51.839 --> 00:23:56.039 paid it to you, because Daniel was paid, they never paid it and 356 00:23:56.160 --> 00:24:00.880 he said something much more honest. Now I think you did see it here. 357 00:24:02.279 --> 00:24:06.039 Yes, it cost him a lot of work, Alvaro Cueva, which 358 00:24:06.119 --> 00:24:10.880 is to draw attention, because he does that kind of flattery with extraordinary ease. 359 00:24:11.319 --> 00:24:12.880 But here it does seem like it cost him work, because before that 360 00:24:14.000 --> 00:24:18.559 you read lupita, there are a lot of paragraphs, a lot of straw 361 00:24:18.680 --> 00:24:23.759 text where it says that the soap opera is when after a soap opera sometime, 362 00:24:23.839 --> 00:24:26.920 many years ago, when I was little. It occurred to EnriqueÁlvarez 363 00:24:26.960 --> 00:24:30.640 Félix because he succeeded in a soap opera. Then making a name of terra, 364 00:24:30.720 --> 00:24:34.359 that is, makes a very long introduction to fill the space, to 365 00:24:34.359 --> 00:24:38.039 justify what it is doing. It' s justifiable, but it' s 366 00:24:38.079 --> 00:24:45.279 not justified because I' m going to tell you that you' re not 367 00:24:45.400 --> 00:24:45.119 born an adventurer of a soap opera, as many other plays have been born. 368 00:24:45.799 --> 00:24:52.960 Of course, a lot of soap opera plays have been made, but 369 00:24:52.079 --> 00:24:56.160 this is not the case for adventurers. So, I believe that this poor 370 00:24:56.160 --> 00:25:00.720 man, with this imperative need, had a real duty to carry out the 371 00:25:00.720 --> 00:25:04.200 assignment. Because also, as everyone takes it as a reference, because there 372 00:25:04.279 --> 00:25:10.799 they became maromas, maromas, but the legend of the soap opera no longer 373 00:25:10.920 --> 00:25:18.720 clear. It was damaged by the güey. Legend telenovela? Legend telenovela? 374 00:25:18.640 --> 00:25:22.240 Well, that was the case with the one we put on the cover. 375 00:25:22.920 --> 00:25:26.000 That' s where we' re going to put Irina on welfare, but 376 00:25:26.000 --> 00:25:27.680 not one, because then they' re going to say ay politics. It 377 00:25:29.440 --> 00:25:33.559 ' s not similar Irina, because it' s the same thing, but 378 00:25:33.559 --> 00:25:37.000 lower. No, because this is as it is not the patent, it 379 00:25:37.079 --> 00:25:40.960 is not the patent, it is a similar copy. Oh, it' 380 00:25:41.000 --> 00:25:44.720 s not dissimilar. Lupita, I have a proma, I don' t 381 00:25:44.799 --> 00:25:48.599 know, I don' t know a saddle and Milaririna. Uh, well, 382 00:25:48.240 --> 00:25:52.920 it' s because if I' m gonna pay for the cheap Bax 383 00:25:52.000 --> 00:25:53.920 ticket, if you don' t like it, it doesn' t hurt 384 00:25:53.920 --> 00:25:59.000 to have spent it. What Nurca said is not that she also tries to 385 00:25:59.119 --> 00:26:02.400 be even mable with her that says it is not her fault. It' 386 00:26:02.480 --> 00:26:04.519 s the production and it' s the choreographer. But not because I think 387 00:26:04.559 --> 00:26:10.680 it starts right in the production from where everything is born what to do, 388 00:26:10.920 --> 00:26:14.920 how much we are going to invest it, what costumes to buy, what 389 00:26:15.000 --> 00:26:17.799 cast we are going to present. And notice that I saw her with Pilar 390 00:26:17.920 --> 00:26:21.160 Montenegro and she thinks it had been very bad. I didn' t think 391 00:26:21.240 --> 00:26:23.440 there was anything worse, but she did dance. Pilar Montenegro, of course 392 00:26:23.559 --> 00:26:26.599 she danced maybe. She wasn' t the best, but we danced. 393 00:26:27.440 --> 00:26:30.599 It' s just that she' s adventurous girls. It' s a 394 00:26:30.599 --> 00:26:34.039 rumbira. I mean Adriana Fonseca also say Ana Fonseca also already Tana was not 395 00:26:34.160 --> 00:26:41.119 psu that music Acts of Telemundo. Please tell me. We changed to it. 396 00:26:41.319 --> 00:26:44.039 I just got out of the light and there' s me. Oh, 397 00:26:44.519 --> 00:26:44.680 no, no, no, no, no, no, no, 398 00:26:44.680 --> 00:26:44.680 no, no, no, no, no, no, no, no, 399 00:26:44.680 --> 00:26:44.680 no, no, no, no, no, no, no, 400 00:26:44.680 --> 00:26:44.680 no, no, no, no, no, no, no, no, 401 00:26:44.680 --> 00:26:44.680 no, no, no, no, no, no, no, 402 00:26:44.680 --> 00:26:44.680 no, no, no, no, no, no, no, no, 403 00:26:44.680 --> 00:26:44.680 no, no, no, no, no, no, no, 404 00:26:44.680 --> 00:26:44.680 no, no, no, no, no, no, no, no, 405 00:26:44.680 --> 00:26:44.680 no, no, no, no, no, no, no, 406 00:26:44.680 --> 00:26:44.680 no, no, no, no, no, no, no, no, 407 00:26:44.680 --> 00:26:44.680 no, no, no, no, no, no, no, 408 00:26:44.680 --> 00:26:44.680 no, no, no, no, no, no, no, no, 409 00:26:44.680 --> 00:26:45.200 no. They know no, no, no, no, no. 410 00:26:45.319 --> 00:26:48.640 It' s no witchcraft. They know what' s going on. A 411 00:26:48.759 --> 00:26:53.480 while ago. I was watching a chapter of the Onor Quiet with the two 412 00:26:53.559 --> 00:26:57.240 dogs by my side, very quiet. They think that when I turn on 413 00:26:57.279 --> 00:27:02.519 the seal and I start talking to a camera, it' s time to 414 00:27:02.640 --> 00:27:04.799 play and they start playing around me to bite me. Yeah, right now, 415 00:27:06.039 --> 00:27:08.079 they threw a glass of water at me, that is, they play 416 00:27:08.160 --> 00:27:11.559 everything the moment we start. So, well, be patient a little bit. 417 00:27:12.119 --> 00:27:15.279 But here and now, I' ll light up with whatever' s 418 00:27:15.279 --> 00:27:18.039 here. As the moms say, they look like they don' t look 419 00:27:18.119 --> 00:27:22.160 there and they' re just going to get the family. No one says 420 00:27:22.279 --> 00:27:25.440 very much blessings to me. Oh, I was afraid my mom would tell 421 00:27:25.480 --> 00:27:27.359 me that. I' m smooth because I already knew I was going to 422 00:27:27.359 --> 00:27:34.359 play. I look like you don' t look anything if you come looking 423 00:27:34.640 --> 00:27:37.279 like that, and I' m already in my scary face, sh but 424 00:27:37.440 --> 00:27:40.880 you' re doing what you never do in your life no, I mean, 425 00:27:41.240 --> 00:27:42.160 never in your life had you caught a wire. But, well, 426 00:27:42.400 --> 00:27:47.920 that' s the story of doggies. Well it is the one said in 427 00:27:47.960 --> 00:27:53.119 Inés Enríquez, which is the generic adventurer, because yes, it is generic, 428 00:27:53.359 --> 00:27:56.880 because as a free mark, not as the one that had orrera, 429 00:27:57.319 --> 00:28:04.559 free mark, you believe VAGEY this is yes, Bretale good, I hope, 430 00:28:04.680 --> 00:28:08.359 it will improve, because poor Hirina, I think she has been very 431 00:28:08.559 --> 00:28:11.599 excited about this and I hope, then, it will improve her. Yes, 432 00:28:11.759 --> 00:28:17.559 there are so many positives. Hey, it' s just that you 433 00:28:17.640 --> 00:28:18.960 don' t rejoice that a person doesn' t go wrong. And above 434 00:28:19.039 --> 00:28:23.160 all, when you' re so excited and excited and all because there' 435 00:28:23.240 --> 00:28:29.400 s no father the exact net mom we see in karma also leaves, but 436 00:28:29.440 --> 00:28:33.119 there you act, yes, in short, no, no, you' 437 00:28:33.279 --> 00:28:34.920 re not glad you know that I' m not glad that specifically it goes 438 00:28:34.920 --> 00:28:40.640 wrong with her. I mean, what is poor, because he' s 439 00:28:40.720 --> 00:28:45.759 a victim of a bad production of someone who with something very little or something 440 00:28:45.920 --> 00:28:48.160 very a ride, thinks that' s enough. And hey, if you 441 00:28:48.279 --> 00:28:52.799 have, if you' ve seen that you have a month of rehearsal if 442 00:28:52.960 --> 00:28:56.799 that doesn' t give enough, the locker room isn' t ready. 443 00:28:56.079 --> 00:29:00.599 It' s not ready, I mean, you don' t mean you 444 00:29:00.599 --> 00:29:04.200 don' t. But, well, let' s get on with this 445 00:29:04.200 --> 00:29:11.599 man, which is that he' s a man who says he has a 446 00:29:11.599 --> 00:29:15.880 very good character. He has a very good character. Eduardo Yañez and then 447 00:29:15.880 --> 00:29:22.880 we talked about it. We got the note with mys we were there in 448 00:29:22.920 --> 00:29:25.440 my history in history, because they told us that they already know what happened 449 00:29:25.519 --> 00:29:29.880 with you know what happened with Jorge Carvajal' s reporter. You know what 450 00:29:29.920 --> 00:29:33.200 happened. No, no, I didn' t already know and they told 451 00:29:33.559 --> 00:29:37.359 us that this man had taken his phone, that he had been pulled by 452 00:29:37.599 --> 00:29:41.279 security because he had been angry for a change. And then he went out 453 00:29:41.400 --> 00:29:44.640 and said he didn' t do anything. And then he had an interview 454 00:29:44.680 --> 00:29:48.720 to clean up the image and the little man. Anyway, but the problem 455 00:29:48.799 --> 00:29:51.759 with this man is that it' s not the first time it' s 456 00:29:51.759 --> 00:29:56.759 happened. Remember, he even made the meme, not if I' m 457 00:29:56.759 --> 00:30:03.880 falling in love. Talk to Eduardo Yañez the best favor that I slapped myself 458 00:30:03.960 --> 00:30:10.079 and then yesterday this happens, after taking the cell phone or I don' 459 00:30:10.079 --> 00:30:11.640 t know if it' s there. He hasn' t taken it yet, 460 00:30:12.759 --> 00:30:18.000 because he' s very angry, but because they ask him a question 461 00:30:18.119 --> 00:30:19.279 that I didn' t understand where the bad was. They asked him what 462 00:30:19.440 --> 00:30:23.759 it felt like to have embraced the Christian religion and, on the other hand, 463 00:30:25.000 --> 00:30:26.400 whether it was true that he hated journalists. You think that was a 464 00:30:26.519 --> 00:30:33.400 reason for anger so much I ask, well, no, and especially, 465 00:30:33.480 --> 00:30:38.160 if you' re understanding that you' re on a red carpet that that 466 00:30:38.440 --> 00:30:38.960 ' s what you' re running for, not there. I mean, 467 00:30:40.160 --> 00:30:44.839 in fact, you see that then you tell yourself that the guy came in 468 00:30:45.200 --> 00:30:47.400 but didn' t go through the red carpet. He got into the event, 469 00:30:47.640 --> 00:30:53.480 on the other hand, because he had no interest at the time or 470 00:30:53.559 --> 00:30:57.759 intention to talk to reporters. So, point number one is if you go 471 00:30:57.799 --> 00:31:00.920 to the red carpet, it' s because they' re going to put 472 00:31:00.920 --> 00:31:07.000 the microphones on you and they' re going to ask you what they want 473 00:31:07.079 --> 00:31:11.680 and they already know, well, what the reporters do and that many times 474 00:31:11.680 --> 00:31:14.240 they certainly look for the most striking news, maybe the most scandal, sometimes 475 00:31:14.359 --> 00:31:14.920 yes, of course, the most provocative, because it' s true. 476 00:31:15.599 --> 00:31:18.319 But then the expected thing about the artist is that he has self- control. 477 00:31:18.880 --> 00:31:22.440 Yeah, well, I imagine for someone who doesn' t have much 478 00:31:22.559 --> 00:31:27.119 experience it can be hard to start dealing with some of these things. And 479 00:31:27.240 --> 00:31:30.839 that' s why sometimes she gets confused not when they say, for example, 480 00:31:32.240 --> 00:31:33.960 or when this Lucero Mijares thing happened, that, by the way, 481 00:31:34.160 --> 00:31:38.559 she handled it very well when they criticized her on this program that matters and 482 00:31:38.640 --> 00:31:41.720 she said ay no. My parents have taught me what they are and she 483 00:31:41.799 --> 00:31:47.440 is starting and is already learning how to manage it eduardo Yáñez has many years 484 00:31:47.519 --> 00:31:52.720 of career, has been in different polemics and would be expected to handle it 485 00:31:52.720 --> 00:31:56.079 better. They say she was a reporter with whom he has already had problems, 486 00:31:56.480 --> 00:32:00.680 who doesn' t like her, who places her perfectly. But then, 487 00:32:00.839 --> 00:32:04.680 maybe it would be convenient for him to ignore it, maybe answer someone 488 00:32:05.640 --> 00:32:09.759 else than I see it or not ignore it. But Mira says she' 489 00:32:09.799 --> 00:32:15.920 s already telling us nink In this little man' s show she said he 490 00:32:15.000 --> 00:32:17.319 was being bitten in the back and he grabbed his cell phone thinking it was 491 00:32:17.319 --> 00:32:21.519 his. And that' s a lie, because the cameras look perfectly like 492 00:32:21.559 --> 00:32:22.240 you tell the reporter. I' ll give it back to you later. 493 00:32:23.119 --> 00:32:25.720 Yeah, well, he knew perfectly well it wasn' t his cell phone. 494 00:32:27.759 --> 00:32:30.920 Yes, because then he gets angry very, very quickly let' s 495 00:32:31.240 --> 00:32:35.119 say he doesn' t seem to have very, very good control of his 496 00:32:35.119 --> 00:32:38.839 emotions. As they vulgarly say this one as a short fuse, and that 497 00:32:38.920 --> 00:32:40.960 ' s not good if you' re going to be. I tell you 498 00:32:42.240 --> 00:32:45.440 exposed to reporters then maybe, the wise thing would be, because I don 499 00:32:45.599 --> 00:32:47.440 ' t make carpets or I tell you to ignore it. Yeah, they 500 00:32:47.480 --> 00:32:51.079 say the reporter is incisive, she' s the cough, but no, 501 00:32:51.279 --> 00:32:53.000 I feel like she doesn' t justify what we hear now. What we 502 00:32:53.119 --> 00:32:59.400 heard was that he told her it' s true that you' ve already 503 00:32:59.480 --> 00:33:00.720 embraced this Christian faith and now it' s going to then. That' 504 00:33:00.799 --> 00:33:05.079 s what he asked him from where we see him, because it' s 505 00:33:05.079 --> 00:33:07.279 not a question, because not even though I was, I think you know 506 00:33:07.319 --> 00:33:12.160 what' s not the question is the reaction and well I don' t 507 00:33:12.240 --> 00:33:14.200 know if I already told them an anecdote that happened to me. I think 508 00:33:14.240 --> 00:33:15.720 I already told them, but I was eating in San Angel one day in 509 00:33:15.799 --> 00:33:20.759 the Camelia, there is San Jacinto and I was with a friend of mine 510 00:33:20.880 --> 00:33:23.480 and we were really into a conversation. But that' s how they almost 511 00:33:23.599 --> 00:33:27.240 secretly talk about this one being too bitten. No, and then a Mr 512 00:33:27.599 --> 00:33:30.240 You know that San Jacinto here, in San Angel, there' s a 513 00:33:30.240 --> 00:33:35.480 million sellers. Then pass this man, this one and you can' t 514 00:33:35.640 --> 00:33:39.640 give me please, to support my alcoholic group. I mean, and I 515 00:33:39.720 --> 00:33:43.880 told him you know what we' re starting to eat, why don' 516 00:33:44.000 --> 00:33:45.519 t you come back later I don' t have any money, now when 517 00:33:46.480 --> 00:33:49.559 I pay, because I' m already going to have change, but look 518 00:33:49.559 --> 00:33:51.160 it' s for my association. Yeah, I get it, yeah, 519 00:33:51.240 --> 00:33:53.240 I' m gonna give you money, but when I come back, please, 520 00:33:53.920 --> 00:33:59.240 when I' m back, just take a walk and come back right 521 00:33:59.400 --> 00:34:01.400 now, we need it, so already here, he said, hey, 522 00:34:01.799 --> 00:34:06.279 wait, I told you when I got back, please, let me eat 523 00:34:06.279 --> 00:34:08.239 and you come back and he' s gone. He came back an hour 524 00:34:08.239 --> 00:34:13.800 later. You can give me please for my neurotic association, i e, 525 00:34:14.079 --> 00:34:20.480 not blacks. It was clear and then, of course, oh my güey. 526 00:34:20.480 --> 00:34:22.599 I already told him listen already you passed already because already tells him my 527 00:34:22.679 --> 00:34:25.639 contribution passed group. I told him I said I don' t even know 528 00:34:25.639 --> 00:34:29.559 what for, it' s but you earned it. He gave it to 529 00:34:29.960 --> 00:34:34.159 her, they gave it to her more as a dreamer, but he hears 530 00:34:34.239 --> 00:34:37.880 the lord instead of getting angry, that is, or I could have hit 531 00:34:37.880 --> 00:34:43.960 him that I didn' t do it iguo, the lord could have not 532 00:34:44.679 --> 00:34:45.519 insulted me old angry elbow and neither in any or said that. Don' 533 00:34:45.639 --> 00:34:52.239 t let me eat anymore, but it' s not the question reported. 534 00:34:52.199 --> 00:34:59.360 I could' ve asked him even who he voted for Hey, they told 535 00:34:59.440 --> 00:35:02.920 me you did this, and they gave him his reaction. No, no, 536 00:35:02.920 --> 00:35:02.920 no, no, no, no, no, no, no, 537 00:35:02.920 --> 00:35:02.920 no, no, no, no, no, no, no, no, 538 00:35:02.920 --> 00:35:02.920 no, no, no, no, no, no, no, 539 00:35:02.920 --> 00:35:02.920 no, no, no, no, no, no, no, no, 540 00:35:02.920 --> 00:35:02.920 no, no, no, no, no, no, no, 541 00:35:02.920 --> 00:35:02.920 no, no, no, no, no, no, no, no, 542 00:35:02.920 --> 00:35:02.920 no, no, no, no, no, no, no, 543 00:35:02.920 --> 00:35:02.920 no, no, no, no, no, no, no, no, 544 00:35:02.920 --> 00:35:02.920 no, no, no, no, no, no, no, 545 00:35:02.920 --> 00:35:04.840 no, no, no, no, no, no. Now I see 546 00:35:05.000 --> 00:35:10.679 a lot, a lot of that you' re commenting that she' s 547 00:35:10.679 --> 00:35:15.199 a proud reporter, a very annoying spa, but that doesn' t justify 548 00:35:15.199 --> 00:35:19.079 taking away something from her property. Apart from everything, apart from the reaction 549 00:35:19.320 --> 00:35:22.800 so exaggerated in jona, take away something that is of its exact property. 550 00:35:23.119 --> 00:35:29.039 That too cannot be done, because that reminds us yes, all proportion kept. 551 00:35:29.760 --> 00:35:34.119 But somehow we are reminded of the case of Livia Brito and the boyfriend 552 00:35:34.199 --> 00:35:39.360 who takes away the camera, the photographer, the paparazi and besides beats him, 553 00:35:39.599 --> 00:35:44.599 breaks it and everything else not exactly, not so much, but it 554 00:35:44.760 --> 00:35:46.800 does take away something that belongs to his property and then says yes, I 555 00:35:46.920 --> 00:35:51.880 already sent him back, already sent him. To be very fair. And 556 00:35:52.000 --> 00:35:54.360 being very fair, we' d have to spread percentages of guilt. Okay, 557 00:35:54.639 --> 00:36:00.719 I know the purchases that this reporter is aggressive incisive. I agree, 558 00:36:00.079 --> 00:36:06.320 well, not aggressive like that, not even if he left, but we 559 00:36:06.480 --> 00:36:08.880 got to bother the cough you can get out of here, but we give 560 00:36:08.880 --> 00:36:13.400 him thirty percent. But like you, like you said, you don' 561 00:36:13.519 --> 00:36:15.639 t know what a red carpet is, you know what you' re going 562 00:36:15.639 --> 00:36:19.280 to. Well, yes, no, no, it' s just that 563 00:36:19.400 --> 00:36:22.960 as much as you get hot emotional intelligence, which is the one that really 564 00:36:22.159 --> 00:36:27.960 and already showed us everywhere that nothing else needs to work it too much because 565 00:36:28.079 --> 00:36:30.440 I was going to memes that he is intense anger. No, I mean, 566 00:36:32.119 --> 00:36:37.079 yeah, so just as much as they' re heating you up and 567 00:36:37.079 --> 00:36:39.639 they' re messing with you and you' re saying things to yourself, 568 00:36:39.639 --> 00:36:42.599 you can' t answer it. I mean, we all have buttons. 569 00:36:42.800 --> 00:36:45.159 We all have buttons, that is, everyone. I' ve told you 570 00:36:45.159 --> 00:36:49.039 a lot, but you can tell me anything. But when they call me 571 00:36:49.159 --> 00:36:52.400 Faggot, it' s worth it, not everything, because everything goes black, 572 00:36:52.559 --> 00:36:57.599 everything turns red and I get lost learn to control you and if you 573 00:36:57.679 --> 00:37:00.519 really can' t. You' re going through a situation that you think 574 00:37:00.239 --> 00:37:04.960 might put you at risk for some questions. Don' t step in the 575 00:37:04.960 --> 00:37:07.039 red form. You know I also don' t know how much he likes 576 00:37:07.119 --> 00:37:13.039 to incite this, because this later vibe I saw in another interview where he 577 00:37:14.039 --> 00:37:17.039 already talked about if he stole his cell phone sergi stick and he says but 578 00:37:17.119 --> 00:37:22.880 I already returned it to you because I was wrong and I can' t 579 00:37:23.000 --> 00:37:28.920 be wrong. Oh, my phone' s on a stick from Ivin' 580 00:37:28.960 --> 00:37:30.280 those clowns, because that' s exactly what you can do. You took 581 00:37:30.400 --> 00:37:34.239 it from him. Yeah, not good. What happens is that to avoid 582 00:37:34.519 --> 00:37:43.519 a complaint or something you do expensive and notice. He after the previous episode 583 00:37:43.599 --> 00:37:47.079 we remember, when it seems to me that he was the gossip reporter like 584 00:37:47.199 --> 00:37:52.480 not the one who did hit and insulted him and all that was recorded. 585 00:37:52.639 --> 00:37:57.280 A short time later, or some time later, he was on Mons and 586 00:37:57.400 --> 00:38:00.800 Joe' s program and they took him there to a therapist who was going 587 00:38:00.320 --> 00:38:05.440 to think that I had the impression that the therapist was a little scared, 588 00:38:05.639 --> 00:38:07.480 that is, as very reckless, because, but well, she also agreed 589 00:38:07.639 --> 00:38:12.599 to go for something true, but she was very quiet as listening and he, 590 00:38:13.039 --> 00:38:16.079 that is, she also didn' t say anything, nor gave any 591 00:38:16.559 --> 00:38:19.639 opinion or suggestion when he said look at me don' t go to me, 592 00:38:19.840 --> 00:38:22.280 talk about therapies and talk about my childhood and I don' t know 593 00:38:22.320 --> 00:38:22.119 what, because that' s not what I' m going to do. 594 00:38:22.199 --> 00:38:24.800 I' m not gonna do it. I am as I am, I 595 00:38:24.800 --> 00:38:30.239 know then, because it makes no sense at all. So this therapist, 596 00:38:30.440 --> 00:38:34.280 very quiet, said yes, that' s what anyone would do in a 597 00:38:34.360 --> 00:38:37.840 similar scenario. It' s clear, I understand you You make your decisions. 598 00:38:37.920 --> 00:38:40.440 But what a father, the father of life is when one feels good 599 00:38:40.519 --> 00:38:45.239 and one can be content and quiet and in peace. And because besides, 600 00:38:45.519 --> 00:38:47.159 no way they gave you a therapy session and in public and besides, with 601 00:38:47.159 --> 00:38:50.280 a session you can' t do anything, especially when it' s the 602 00:38:50.360 --> 00:38:52.480 first. There was nothing, there was no big deal to do. But 603 00:38:52.559 --> 00:38:58.440 yeah, he let this resistance he has to think maybe, maybe he' 604 00:38:59.000 --> 00:39:02.440 s not doing things the best way in those clears. I mean, look, 605 00:39:02.880 --> 00:39:07.719 and I insist, I mean, I don' t say Eduardo Yañez 606 00:39:07.880 --> 00:39:10.199 is wrong because of a person who' s bothering him. The problem is 607 00:39:10.239 --> 00:39:15.039 that in these kinds of reactions, the consequences go to him, because the 608 00:39:15.159 --> 00:39:17.960 other one is going to victimize, he is going to do it and as 609 00:39:17.960 --> 00:39:22.599 the fact happened and as there were cameras and how they haggled it, because 610 00:39:22.679 --> 00:39:23.960 he will have all the weapons to make the victim of the situation. That, 611 00:39:24.000 --> 00:39:27.960 on the one hand, we' ve already seen the case remember Will 612 00:39:28.000 --> 00:39:31.119 Smith in the Oscars. What are you talking about, I mean, what 613 00:39:31.199 --> 00:39:36.119 are you talking about? You spoiled the godfather' s homage to the 50th 614 00:39:36.199 --> 00:39:40.239 anniversary You were forbidden to go back to the oscars. You' re vetoed. 615 00:39:40.599 --> 00:39:45.320 Anyway, it' s a moment of anger, because it' s 616 00:39:45.400 --> 00:39:51.599 going to cause you a very serious consequence. You haven' t had moments 617 00:39:51.679 --> 00:39:54.360 and there are moments because I remembered Olivian Collins' s daughter, which you 618 00:39:54.599 --> 00:39:58.760 ' re on a question, which is a funeral and he screwed up the 619 00:39:58.760 --> 00:40:00.760 other one, which is, no matter how hot you are. You can 620 00:40:00.840 --> 00:40:07.480 ' t afford to put yourself like this and less exactly public, exactly, 621 00:40:07.079 --> 00:40:10.159 because that' s the serious case of Eduardo Yañez. I don' t 622 00:40:10.199 --> 00:40:15.119 know what to end up with,' cause Latera said they were gonna sue 623 00:40:15.320 --> 00:40:19.480 for robbery and so on. Anyway, in the end he returned his cell 624 00:40:19.559 --> 00:40:21.800 phone and there' s no such one. I don' t know what 625 00:40:21.840 --> 00:40:25.320 ' s going to happen, but because, at least scandal, they already 626 00:40:25.440 --> 00:40:31.239 achieved it and unfortunately, it was in second place, the homage to Nicandro 627 00:40:31.239 --> 00:40:35.719 Díaz c Yes, what a pity, what a pity and what a pity 628 00:40:35.760 --> 00:40:36.360 that he will be raised again, because I insist I don' t know 629 00:40:36.360 --> 00:40:37.920 him. I couldn' t tell you if it' s good. If 630 00:40:37.000 --> 00:40:40.000 there are other people I know they might say are hateful, but I don 631 00:40:40.039 --> 00:40:44.199 ' t know him. Yes, I know a lot of people who talk 632 00:40:44.280 --> 00:40:47.760 to me very well about him, very well about him and to other people 633 00:40:47.800 --> 00:40:51.360 in general they talk very well about his problems. It' s this kind 634 00:40:51.360 --> 00:40:53.920 of reaction. He' s done it with fans, he' s done 635 00:40:54.119 --> 00:40:57.400 it with reporters, he' s done it or not. But like in 636 00:40:57.480 --> 00:41:02.320 controlled situations, it' s fine. Yes, and notice that, obviously, 637 00:41:04.119 --> 00:41:08.639 journalism has changed unquestionably in general, and in particular entertainment is a reality, 638 00:41:08.920 --> 00:41:14.960 but also a good one. People are learning to move in the territory 639 00:41:15.119 --> 00:41:19.000 in which they are and at the time in which they are. Because look, 640 00:41:19.079 --> 00:41:22.840 I remembered that on some occasion I also read that Irma commented on worshipers, 641 00:41:23.960 --> 00:41:29.280 the actress who was married to Pedro Infante, although later it was said 642 00:41:29.360 --> 00:41:30.960 that this was a bigamy because he had not divorced his first wife. And 643 00:41:31.039 --> 00:41:35.280 anyway, but the fact is that when Pedro Infante dies, she arrives, 644 00:41:35.679 --> 00:41:39.519 it seems to me that she arrives somewhere, to the airport where they were 645 00:41:39.519 --> 00:41:43.599 going to take her, somewhere. She was going to find out what had 646 00:41:43.679 --> 00:41:49.960 happened when he lost his life on this plane that he himself crewed and said 647 00:41:50.599 --> 00:41:54.199 a young man, he told you a young reporter came up to me and 648 00:41:54.280 --> 00:41:59.360 bugged me and told me, ma' am, how you feel. And 649 00:41:59.480 --> 00:42:02.880 she turns around and answers him, for how she wants me to feel how 650 00:42:04.000 --> 00:42:07.599 reckless and she says and that young reporter was James to Bludovski in his early 651 00:42:07.599 --> 00:42:12.760 days. I also remember other more contemporary interviews, for example, that they 652 00:42:12.800 --> 00:42:15.880 did to Maria Felix when she was already an older woman, and they asked 653 00:42:15.960 --> 00:42:21.039 her how they feel about this birthday that they are going to celebrate how many 654 00:42:21.079 --> 00:42:22.960 birthdays and she said to you what matters to you. And quite rightly so. 655 00:42:23.320 --> 00:42:27.320 That is, because there is clear prudence and so far, that is, 656 00:42:27.360 --> 00:42:31.760 it does not mean that you necessarily have to give in to imprudence or 657 00:42:31.880 --> 00:42:37.679 pressure or error. But it is a reality that self- control is a 658 00:42:37.760 --> 00:42:42.199 very important part of maturity in any absolute human being and, above all, 659 00:42:43.280 --> 00:42:46.039 I say to you in the area in which everyone decides to develop, no, 660 00:42:46.400 --> 00:42:50.480 then I think that there is something missing, certainly, of course, 661 00:42:50.639 --> 00:42:54.159 self- control. I insist on that, because you can come to terrible 662 00:42:54.239 --> 00:42:59.039 consequences. Right now, he just reminded us not even in the case of 663 00:42:59.239 --> 00:43:06.519 Pablo Laele seconds that you can be ruined for ten years your life and your 664 00:43:06.679 --> 00:43:09.679 entire career and your family and stop seeing your children. It is a second, 665 00:43:12.000 --> 00:43:16.360 a second of three seconds of exact anger he hears and another that has 666 00:43:16.400 --> 00:43:21.280 also then fought with half the world, but also with journalists, and that 667 00:43:21.360 --> 00:43:25.239 he has just said also about this adventurer and everything, for Neurka, Niurka 668 00:43:25.360 --> 00:43:30.679 Marcos, not that he has also had his moments. Well, he had 669 00:43:30.760 --> 00:43:36.199 this problem, too, when he fought Marifer Centeno in the middle of an 670 00:43:36.199 --> 00:43:38.079 exact program. Well, he didn' t fight, because it' s 671 00:43:38.320 --> 00:43:40.719 not like Marifer responded as a lawsuit. But he did have good, yeah, 672 00:43:40.960 --> 00:43:45.159 his scandal, yeah, that' s right. And then, we 673 00:43:45.280 --> 00:43:50.599 ' re remembering Veronica Bastos a long time ago, many years ago, many 674 00:43:50.599 --> 00:43:52.519 years ago. I do, I remember perfect because I saw it when, 675 00:43:53.480 --> 00:43:57.840 because they kind of wanted to provoke him a little, and then she went 676 00:43:57.960 --> 00:44:02.199 against Veronica Cabastos, who was the reporter and answered her very, very violently, 677 00:44:02.920 --> 00:44:06.400 something she wants. I don' t know if you remember, but 678 00:44:06.480 --> 00:44:07.840 even that phrase was used for a while. Not as a joke. There 679 00:44:07.960 --> 00:44:12.079 were also no memes at that time, but people said it you ran out 680 00:44:12.239 --> 00:44:15.519 of your party and a rudeness that all And now the day that a year 681 00:44:15.599 --> 00:44:20.280 ago there, of May of the two thousand twenty- three in the program 682 00:44:20.360 --> 00:44:24.639 of the United States, where is Veronica Castro, Perónica you give two papasos 683 00:44:25.440 --> 00:44:29.880 forgiveness with other drivers, among them Ilin Mujica. Something was also said about 684 00:44:29.960 --> 00:44:32.119 Nurka or something that had to do with Niurka, but that the one who 685 00:44:32.199 --> 00:44:37.880 said it was Ailin Mújica. And yet, Nyurka again goes over Veronica, 686 00:44:37.159 --> 00:44:42.480 Bastos and also tells her a series of things that then, Veronica, Bastos, 687 00:44:44.199 --> 00:44:47.159 I bring that you are already doing three Martinez lupits followed, yes, 688 00:44:47.320 --> 00:44:54.000 it is hitting me all. Veronica, Bastos, answers with a post as 689 00:44:54.400 --> 00:44:59.079 she denied what Niorca tells her that she is no longer married to a major 690 00:44:59.119 --> 00:45:01.400 producer and I don' t know what. So also Orca doesn' t 691 00:45:01.400 --> 00:45:05.599 have that, but in the case of Nurca it does seem to me that 692 00:45:06.480 --> 00:45:12.679 there it does with every intention of maintaining a little as Alfredo Adame does, 693 00:45:13.840 --> 00:45:16.199 this character yes, of course and very controversial that he has created. I 694 00:45:16.320 --> 00:45:20.039 don' t think that in Nulca' s case it' s a lack 695 00:45:20.039 --> 00:45:22.159 of control. It seems quite the opposite to me. Of course he' 696 00:45:22.159 --> 00:45:25.519 s a character and besides, she always named herself the exact scandal woman, 697 00:45:25.840 --> 00:45:29.079 she does it as a generator. It does, and it' s clear, 698 00:45:29.519 --> 00:45:31.039 of course, and it knows how it does it, and you know 699 00:45:31.039 --> 00:45:34.039 what situations, if it knows who. The problem is that with the Dame 700 00:45:34.119 --> 00:45:37.800 futbo is that it is a sinister diestoy and very serious things his own children, 701 00:45:37.199 --> 00:45:44.079 for example, what thing he would never do exactly is that neither orcas 702 00:45:44.079 --> 00:45:45.679 prudent. No, because he even spit out Carolina Sandova' s face. 703 00:45:45.719 --> 00:45:50.679 And if you remember, when Lés Sandoval spat on the slap he gave Juan 704 00:45:50.719 --> 00:45:53.400 Manuel and Di, I tried to go and give you notes for having talked 705 00:45:53.519 --> 00:45:59.239 about his children, and Carolina Sandoval is very impressive. Also not yes, 706 00:45:59.360 --> 00:46:01.679 but ah ne that spit to him and all the just ones then are forgiven, 707 00:46:01.880 --> 00:46:07.039 because apart from Mañurca, not ever, first Maldista and then already it 708 00:46:07.199 --> 00:46:10.679 says already all this to me we no longer go, already we get well, 709 00:46:10.719 --> 00:46:14.679 well, because moment already to say goodbye to us guys something that they 710 00:46:14.679 --> 00:46:21.119 want to add. Oh, well, it will always be good to check 711 00:46:21.159 --> 00:46:27.079 ourselves so that we can be as calm as we can general, because we 712 00:46:27.239 --> 00:46:30.599 all get so angry so much that it does us a lot of harm and 713 00:46:30.599 --> 00:46:34.320 can be problems with third people. And because our father is cooling the head, 714 00:46:34.519 --> 00:46:40.000 because cool the head fraba girls a taste. Go see the chapter of 715 00:46:40.039 --> 00:46:44.880 sndy loperz of mujeres de canto huay and follow us on Instagram women decadando footprint 716 00:46:45.079 --> 00:46:49.480 and I love them behave very well and keep answering in the story. And 717 00:46:49.639 --> 00:46:52.639 thanks to all that lupita faith, we all do. Oh thank you for 718 00:46:52.719 --> 00:46:55.719 being here in a I don' t know if tonight, I think just 719 00:46:55.840 --> 00:47:00.800 as well not tomorrow we have broken souls, but in one of these days 720 00:47:00.840 --> 00:47:04.239 I' m going to give you a transmission and I' m going to 721 00:47:04.320 --> 00:47:06.559 talk there or if you want empetrium, but well, stay tuned, no 722 00:47:06.559 --> 00:47:09.159 more I ask you to wait. Thank you, moderators adored for being here 723 00:47:09.280 --> 00:47:13.800 with us Thank you to all the subscribers you are members of. Thank you, 724 00:47:14.239 --> 00:47:17.320 Laurita, who saw you around here, who was a moderator today. 725 00:47:17.440 --> 00:47:21.519 I think he was around, too. Alice Well, thank you, thank 726 00:47:21.679 --> 00:47:27.159 you, for joining us and everyone on the podcast platforms. Thank you so 727 00:47:27.159 --> 00:47:30.000 much. And I' ll see you here in peace tomorrow. But go 728 00:47:30.039 --> 00:47:32.960 to everything Ephraim told you, so we' ll see you soon. Ay 729 00:47:34.079 --> 00:47:37.159 by guys by by. Let' s go drink me penn there. Let 730 00:47:37.199 --> 00:47:37.599 ' s go there? Let' s go there? Let' s go 731 00:47:37.599 --> 00:47:37.800 there? She' s here.