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Section twenty eight. Indeed, Clarissa
felt the Prime Minister had been good to

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come, and walking down the room
with him, with Sally there, and

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Peter there, and Richard very pleased
with all those people, rather inclined,

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perhaps to envy. She had felt
that intoxication of the moment, that dilation

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of the nerves of the heart itself, till it seemed to quiver, steeped

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upright. Yes, But after all
it was what other people felt. That

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for though she loved it and felt
it tingle and sting. Still, these

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semblances, these triumphs, dear old
Peter, for example, thinking her so

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brilliant, had a hollowness at arm's
length. They were not in the heart,

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and it might be that she was
growing old. But they satisfied her

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no longer as they used. And
suddenly, as she saw the Prime Minister

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go down the stairs, the gilt
rim of the Sir Joshua, picture of

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the little girl with a muff brought
back Kilman with a rush, Kilman her

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enemy. That was satisfying, That
was real. Ah, how she hated

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her hot critical corrupt with all that
power. Elizabeth's seducer, the woman who

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had crept into steel, and defile. Richard would say, what nonsense.

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She hated her, she loved her. It was enemies one wanted, not

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friends, Not missus Durant and Clara, Sir William and Lady Bradshaw, Miss

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Trulock and Eleanor Gibson, whom she
saw coming upstairs. They must find her

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if they wanted her. She was
for the party. There was her dear

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old friend, Sir Harry. Dear
Sir Harry, she said, going up

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to the fine old fellow, who
had produced more bad pictures than any other

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two academicians in the whole of Saint
John's Wood. They were always of cattle

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standing in sunset pools, absorbing moisture
or signifying, For he had a certain

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range of gesture by the raising of
one foreleg and the toss of the antlers,

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the approach of the stranger. All
his activities, dining out racing were

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founded on cattle standing absorbing moisture in
sunset pools. What are you laughing at?

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She asked him. For Willie Titcomb
and Sir Harry and Herbert Einstey were

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all laughing. But no, Sir
Harry could not tell Clarissa Dallaway much though

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he liked her of her type,
He thought her perfect, and threatened to

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paint her his stories of the music
hall stage. He chaffed her about her

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party. He missed his brandy,
These circles, he said, were above

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him. But he liked her,
respected her in spite of her damnable,

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difficult upper class refinement, which made
it impossible to ask Clarissa Dallowoy to sit

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on his knee. And up came
that wandering will O, the wisp,

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that vagulous phosphorescence. Old missus Hilbury, stretching her hands to the blaze of

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his laughter about the Duke and the
lady, which, as she heard it

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across the room, seemed to reassure
her on a point which sometimes bothered her

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if she woke early in the morning
and did not like to call her maid

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for a cup of tea. How
it is certain we must die. They

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won't tell us their stories, said
Clarissa. Dear Claressa, exclaimed Missus Hilbury.

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She looked to night, she said, so like her mother as she

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first saw her, walking in a
garden and gray hat. And really Clarissa's

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eyes filled with tears. Her mother
walking in a garden, but alas she

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must go. For there was Professor
Brierly, who lectured on Milton, talking

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to little Jim Hutton, who was
unable even for a party like this,

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to compass both tie and waistcoat,
or make his hair life flat. And

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even at this distance they were quarreling, she could see, for Professor Brierly

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was a very queer fish, with
all those degrees, honors, lectureships.

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Between him and the scribblers, he
suspected instantly an atmosphere not favorable to his

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queer compound his prodigious learning and timidity, his wintry charm without cordiality, his

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innocence blent with snobbery. He quivered, if made conscious by a lady's unkempt

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hair, a youth's boots of an
underworld, very creditable, doubtless of rebels

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of ardent young people of would be
geniuses, and intimated, with a little

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toss of the head with a sniff
humph, the value of moderation of some

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slight training in the classics, in
order to appreciate Milton. Professor Brierly,

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Clarissa could see, wasn't hitting it
off with little Jim Hutton, who wore

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red socks, his black being at
the laundry. About Milton, she interrupted.

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She said she loved Bach, so
did Hutton. That was the bond

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between them. And Hutton, a
very bad poet, always felt that Missus

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Dollaway was far the best of the
great ladies who took an interest in art.

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It was odd how strict she was
about music. She was purely impersonal.

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She was rather a prig, But
how charming to look at. She

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made her house so nice. If
it weren't for her professors, Clarissa had

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half a mind to snatch him off
and set him down at the piano in

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the back room, for he played
divinely. But the noise, she said,

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the noise the sign of a successful
party. Nodding urbanely. The professor

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stepped delicately off. He knows everything
in the whole world about Milton, said

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Clarissa, does he, indeed,
said Hutton, who would imitate the professor

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throughout Hampstead, the professor on Milton, the professor on moderation, the professor

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stepping delicately off. But she must
speak to that couple, said Clarissa.

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Lord Gayton and Lancey Blow. Not
that they added perceptibly to the noise of

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the party. They were not talking
perceptibly as they stood side by side by

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the yellow curtains. They would soon
be off elsewhere together, and never had

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very much to say in any circumstances. They looked. That was all,

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that was enough. They looked so
clean, so sound. She with an

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apricot bloom of powder and paint.
But he scrubbed, rinsed with the eyes

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of a bird, so that no
ball could pass him or stroke surprise him.

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He struck, He leapt accurately on
the spot. Pony's mouths quivered at

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the end of his reins. He
had his honors, ancestral monuments, banners

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hanging in the church. At home, he had his duties, his tenants,

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a mother and sisters, had been
all day at Lord's and that was

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what they were talking about, cricket, cousins, the movies. When Missus

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Dollaway came up, Lord Gayton liked
her most awfully, So did miss Blow.

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She had such charming manners. It
is angelic. It is delicious of

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you to have come, she said. She loved lords, she loved youth.

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And Nancy, dressed an enormous expense
by the greatest artists in Paris,

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stood there, looking as if her
body had merely put forth of its own

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accord, a green frill. I
had meant to have dancing, said Clarissa,

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For the young people could not talk, and why should they shout?

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Embrace, swing, be up at
dawn, carry sugar to ponies, kiss

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and caress the snouts of adorable chowls, and then all tingling and streaming,

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plunge and swim. But the enormous
resources of the English language, the power

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it bestows after all of communicating feelings. At their age, she and Peter

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would have been arguing all the evening
was not for them. They would solidify

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young, They would be good beyond
measure to the people on the estate.

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But alone, perhaps rather dull.
What a pity, she said, I

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had hoped to have dancing. It
was so extraordinarily nice of them to have

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come, But talk of dancing.
The rooms were packed. There was old

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Aunt Helena in her shawl, alas
she must leave them, Lord Gayton and

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Nancy Blow. There was old miss
Parry, her aunt. For Miss Helena

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Parry was not dead. Miss Parry
was alive. She was past eighty.

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She ascended staircases slowly with a stick. She was placed in a chair.

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Richard had seen to it. People
who had known Burma in the seventies were

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always led up to her. Where
had Peter got to There? Used to

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be such friends, For at the
mention of India or even Ceylon. Her

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eyes only one was glass, slowly
deepened became blue, beheld not human beings.

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She had no tender memories, no
proud allusions about viceroys, generals,

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mutinies. It was orchids she saw, and mountain passes, and her self

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carried on the backs of coolies in
the sixties over solitary peaks or descending to

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uproot orchids, startling blossoms never beheld
before, which she painted in watercolor,

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an indomitable englishwoman, fretful if disturbed
by the war, say which dropped a

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bomb at her very door, from
her deep meditation over orchids and her own

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figure journeying in the sixties in India. But here was Peter come and talk

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to Aunt Helena about Burma, said
Clarissa, And yet he had not had

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a word with her all the evening. We will talk later, said Clarissa,

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leading him up to Aunt Helena in
her white shawl with her stick.

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Peter Walsh, said Clarissa, that
meant nothing. Clarissa had asked her.

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It was tiring, it was noisy, but Clarissa had asked her, so

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she had come. It was a
pity that they lived in London, Richard

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and Clarissa. If only for Clarissa's
health, it would have been better to

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live in the country. But Clarissa
had always been fond of society. He

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has been in Burma, said Clarissa. Ah. She could not resist recalling

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what Charles Darwin had said about her
little book on the orchards of Burma.

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Clarissa must speak to Lady Bruton.
No doubt it was forgotten now, her

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book on the Orchids of Burma,
but it went into three editions before eighteen

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seventy. She told Peter she remembered
him now. He had been at Burton

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and he had left her. Peter
Walsh remembered, without a word, in

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the drawing room that night, when
Clarissa had asked him to come boating.

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Richard so much enjoyed his lunch party, said Clarissa to Lady Bruton. Richard

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was the greatest possible help. Lady
Bruton replied, he helped me to write

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a letter. And how are you, oh, perfectly well, said Clarissa.

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Lady Bruton detested illness in the wives
of politicians. And there's Peter Walsh,

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said Lady Bruton, for she could
never think of anything to say to

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Clarissa, though she liked her.
She had lots of fine qualities, but

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they had nothing in common, she
and Clarissa. It might have been better

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if Richard had married a woman with
less charm, who would have helped him

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more in his wa He had lost
his chance of the cabinet. There's Peter

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Walsh, she said, shaking hands
with that agreeable sinner, that very able

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fellow, who should have made a
name for himself, but hadn't, always

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in difficulties with women. And of
course old miss Parry, wonderful old Lady

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Lady Bruton stood by Miss Parry's chair, a spectral grenadier draped in black,

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inviting Peter Walsh to lunch, cordial
but without small talk, remembering nothing whatever

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about the flora or fauna of India. She had been there, of course,

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had stayed with three viceroys. Thought
some of the Indian civilians uncommonly fine

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fellows. But what a tragedy it
was the state of India. The Prime

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Minister had just been telling her.
Old Miss Parry, huddled up in her

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shawl, did not care what the
Prime Minister had just been telling her.

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And Lady Bruton would like to have
Peter Walsh's opinion, he being fresh from

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the center, and she would get
Sir Samson to meet him, for really

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it prevented her from sleeping at night. The folly of it, the wickedness,

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she might say, being a soldier's
daughter. She was an old woman

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now, not good for much.
But her house, her servants, her

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good friend Millie Brush did he remember
her? Were all there, only asking

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to be used, if they could
be of help. In short, for

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she never spoke of England, but
this isle of men, this dear,

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dear Land, was in her blood. Without reading Shakespeare. And if ever

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a woman could have worn the helmet
and shot the arrow could have led troops

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to attack, ruled with indomitable justice, barbarian hordes, and lain under a

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shield, noiseless in a church,
or made a green grass mound on some

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primeval hillside. That woman was Melicent
Bruton, debarred by her sex and some

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truancy too. Of the logical faculty, she found it impossible to write a

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letter to the Times. She had
the thought of empire always at hand,

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and had acquired from her association with
that armored goddess her Ramrod, bearing her

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robustness of demeanor, so that one
could not figure her even in death,

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parted from the earth or roaming territories
over which, in some spiritual shit shape

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the Union Jack had ceased to fly, To be not English even among the

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dead. No, no impossible.
End of section twenty eight, read by

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Hannadorma, London, twenty fourth of
October twenty twenty one.

