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Midnight. Seven times out of ten
we listened to our music at night.

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That's one titled books business program Late
Night to Light with DJ Midas right here

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00:00:19,760 --> 00:00:28,719
on WMNH, Manchester because Saturdays and
Sunday nights midnight to four am. This

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hour on WMNH is sponsored by CGI
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Their phone number is eight sixty six
eighty four to one forty six hundred,

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or on the web at CGI business
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The sonic heartbeats of Manchester transcending through
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frequency modulation or transmissions emanate from the
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ensure into the hearts of our creative
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innovation and sound collage. They're the
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Engage with our sonic vibrations by communing
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radio beckons eager to enthrall you with
its mesmerizing cadence and develop you with a

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sympony of foundless auditories. One dude, MNH ripsmos. It's one name,

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not a confused chocolate Hello, Sep. Secrets that you'll tat it the grave

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sh basty called Sracimma. Can't get
the bar So Kevin told me what I

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trust me when nasty it's getting hard. It's miss you, No master b

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the same sa so the phon broco
cacause something wasn't saying. Ride on a

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phone calls it night talking moon.
Do you go say your misunderstood? I'll

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go more without gin No, oh
God, without genn cann't get the base.

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Can't you tell me? Trust me
what to say? It? Get

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it hard on a fish enough back
double Stop and I'm going on the same

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up fine and the Vocanic scar because
somebody wasn't saying right on the phone calls

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at night talking won't do you good, saying you're misunderstood. I got more

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without tune way the where the that
is w y n without you now,

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Sophia Goalani and that is the newest
single, and we're gonna play something more

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of hers in a little bit after
we talk. But now hopefully she's with

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us, because sometimes when we skype
with people across the pond, it doesn't

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always go smoothly. Sophia, are
you there? Yep, I'm awesome,

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awesome, I got nervous. You
said this was your first time using Skype,

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so you are now officially initiated as
a Skype user. By the way,

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so am I saying your name correctly? Yes? You are so okay,

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wonderful And it's Goalani, Yeah,
okay, just making sure a very

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good Yeah. I really like the
track. It's catchy. And we're also

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going to play a little bit later
after we talk for a little bit,

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we're gonna play Levels, which I
believe was your previous single, which I

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also really really love, so great
stuff. Whereabouts are you Where are you

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from right now? I'm I'm sorry
in England? So like the countryside bit

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of England? Yes, very very
nice? Is that? Is that where

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you're from originally? I was actually
based in London originally, but now I'm

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in sorry at the moment for the
summer. Oh okay, okay, why

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for the summer? Is it just
better to get out of the city.

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I just love the countryside, man, I always, you know, like

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to think. I think it makes
me think clearly when I'm in the countryside

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and you know, I can see
family and you know, see all the

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pets that we have and stuff.
It's nice. Nice to reconvene after like

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being in a city for so long. Yeah. Yeah? Does it?

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Does it help you creatively? Do
you find yourself writing more music when you're

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when you're there and able to kind
of relax and get away from the city.

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Yeah. I think the hustle and
bust of the city is great.

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But also when you're like in that
really calm mindset, like sitting in a

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field or just doing really simple like
he's like walking like for fun, it's

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like, you know, oh,
I can really take this time for myself

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and think about what I want to
write about what I want to produce,

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So it definitely does give me fresh
perspectives and new messages that I could put

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in my songs. Yeah, yeah, I can understand that. Even you

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know, here in the United States, a lot of people will tell you,

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like, you know, we're less
than an hour away from Boston,

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and I've had a lot of musicians
from Boston or musicians I've talked to from

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New York City who you know,
they love being in the city and the

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energy of it and being around all
these creative people and whatnot. But sometimes

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you just have to get out to
kind of clear your head, and that's

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when some real creativity can can sort
of come in. Definitely, I think

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with the city, it's very diverse. There's so many different sounds, So

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this city is great for like that
music community. But when you want to

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really kind of produce music and write
and just kind of concentrate on yourself,

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I definitely think that the countryside is
the way to go. Yeah, now,

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is Wyn How long has that been
out? That's relatively new? Correct,

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probably like one or two months old? Okay, baby Love My Love

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Wyn. It's one of my favorites. Yeah, yeah, has that been

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played on American radio before now not
really actually it's one of the first,

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and so thank you for supporting me. Excellent, No, happy to do

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it. Now. Do you have
a full album out or are you just

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releasing singles at this point? Well, at the moment, I am releasing

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singles, but I'm putting them all, all the singles that I've released,

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the nine few extra ones into this
project. It's, you know, such

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a cute little it's not an album. I would say, it's like a

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project of all the songs I've already
done, like just a recollection of my

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starts music. And I've been doing
a few HMB performances. I've got a

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few coming up later this year in
basing Stoke, Brighton, Winchester. It's

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gonna be cool. And I've already
done some just now in working in Guildford

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and in Portsmouth, which is really
cool. It's interesting, how, you

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know, we live in a time
where people musicians use a number of different

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approaches in terms of releasing music.
And a lot of the people that I

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talk to now, you know,
because I'm old enough to remember when it

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was a standard thing. You know, you put out an album and then

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release a series of singles. But
now what a lot of musicians are doing,

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and it sounds like this is your
approach is releasing a series of singles

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which eventually become an album. So
the process has become kind of inverted.

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But I think the advantage to doing
it that way, And I don't know

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if this is part of your strategy, but I feel like the advantage of

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doing it that way is you know, you're continuously giving your audience new music

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instead of making them have to wait
and wait. And you know, we

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do live in a in a culture
now with technology, with the Internet and

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social media and everything, where you
kind of have to feed that machine right

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in order to maintain that engagement with
your audience. I think, you know,

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the music industry at the moment is
very very hustle and bustle, so

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when you do release those singles,
it's always, you know, something new.

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I feel like an album for me
right now, if I did it

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completely fill the new music and just
release an album, it's really in my

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opinion, heavy, unless it's got
like some sort of storyline or if I

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really feel like I need to like
release a full album. But you know,

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it's very formal, and I think
doing singles is fun, it's playful,

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and with the digipak album and the
records for performances, it's just a

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nice way of me being able to
put out loads of music and stuff and

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still be able to constantly express myself, but not have it in that so,

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you know, package album you know
kind of way right right. And

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also with releasing singles, you know, just one at a time, you

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can really kind of give each single
the full attention that it deserves. You

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know, you can make a video, you can make a lyric video,

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you can make a you know,
a full produced, fully produced video.

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You can you know, you can
do all kinds of things with it.

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You know, you can use it
however you want to in terms of social

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media, whereas when you put out
an album, you can't really you know,

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you'll release singles from an album,
but you can't give every single track

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on that album the full attention from
a marketing standpoint, from a social media

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standpoint that it may deserve. So
so I think it makes sense, yeah,

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and it gives it a bit of
breathing room as well. When I

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released a single, it's like the
only thing I talk about, the only

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thing I've promote, Like physical copies
are important. Is it's all digital,

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but you know with the digitback and
the tiny little project with all the singles

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in it. But when I do
release single of a single, it's nice

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to be able to promote that one
single my social media and talk to people

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about in interviews and you know,
just give it the room it deserves.

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So yeah, definitely agree. You
refer to physical media as well. So

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I'm curious here in the United States, physical media is still very much a

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thing. Vine has really had a
resurgence, especially over the past decade.

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I think twenty twenty two, vinyl
for the first time actually outsold CDs.

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But we have guests on the show
too who still put out CDs, not

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not all, some of them don't. But I'm curious, what is it

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like there is physical media still an
important part of all of it? And

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do you do you release these songs
as CDs as well or have you ever

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put out vinyl or do you just
focus on doing it digitally? Right now

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at the moment, I'm it's all
like digipak album pieces. It's like it's

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just CDs. But we all were
definitely thinking of branching out, you know,

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intervinyl, but right now, I
just we're doing it one bit at

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a time with the digipass. To
me, you know, it's I think

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it is very important in the UK
as well to have that kind of fun

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CD physical coby because when people see
it that are oh, you know,

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this is you know, part of
an era of your life. This is

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part of your music. And while
we could definitely branch other things, I

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do want to take it one bit
of a time because that as I'm always

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you know, on this journey,
vinyl is important, CD is important,

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but right now it's just you know
CD. Yeah, yeah, absolutely.

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Where do you record? Do you
do you work with a producer or I

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mean a lot of people now again, we live in an era where you

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can do it all yourself if you
want to. What's your uh, what's

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your approach, what's your process in
terms of recording. So my dad was

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a musician, so he would release
all the time. Yep, he was,

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and so we had that That's originally
what kind of started our music career.

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We had that equipment at home and
so starting with the career we would

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literally just do it in our conservatory. We'd set everything up and just record

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at home. In terms of producing, I have worked with producers before,

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actually good friends with them. But
you know, the songwriting process, most

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of the process actually when creating my
songs is you know, individual, it's

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me and I do most of it
at home. Wow. Well, you

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had a great start, right,
that's pretty cool. Having a dad who

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is he still active musically? Your
father? Yes, he is actually,

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but he's you know, he's given
a great deal of support to my music

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career as well. He's always kind
of motivated me and he's taught me very

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valuable life lessons in music as well, which have definitely helped me progress and

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you know, do things such as
release a digipack and yeah like that.

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That's wonderful to have the support of
your family, that's that's great. And

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of course, you know, to
come from a what about your mom?

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Is she also a music holder?
She's not us, but you know she's

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always the number one biggest band,
filming a gigs, all that good stuff.

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That's great, that's great. No, I'm sure they're I'm sure they're

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very proud of you. And it's
great to have that foundation. I think

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that that, you know, because
not everyone has that obviously, So I

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think that's uh, that's remarkable.
What what's kind of the future, what's

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the future trajectory for you? Are
are you going to obviously, so this

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this single is still pretty new.
Do you have another one, uh that

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you're planning on releasing soon or are
you still just kind of focused on continuing

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to promote wyn. I'm definitely gonna
give w y N the summer, but

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in September, I'm actually thinking of
releasing a new single called Vision. I'm

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very, very excited for it.
It's actually it's it's quite different from this

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song. It's more like methodical,
lot more harmonies. It's, you know,

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something I've been working for actually quite
a while. So I'm excited for

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that to come out. Excellent,
excellent. Well, we'd love to be

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the first American radio station to play
it when it's ready. If everything fantastic,

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fantastic, we love to do that. So, uh, that's great.

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Are you playing out a lot?
Do you play a lot of live

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shows? Yes? Actually some have
been jet packed. I've been doing festivals.

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I just actually finished Hazel my French
festivals playing main stage. That was

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00:16:00,960 --> 00:16:07,840
so fun. Yes, doing a
few London gigs, all that good stuff.

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Really been playing. But you know, now, I think for July

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and August. I'm gonna enjoy the
summer, and then later on down the

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line, I'm going to be doing
some more record store gigs, just on

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that grind. Yeah, excellent,
excellent. Is that? Is that still

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a big thing there? It seems
like in America, maybe maybe in big

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cities they still do it, but
it seems like in America, you know,

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record stores, I mean they still
exist, certainly, but you know

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the you know, the in store
promotions where artists coming and play live in

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record stores, it seems like that's
kind of a thing of the past to

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some extent. Is that still really
popular there? Oh my god, definitely,

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because it kind of works like two
ways. You do a performance in

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the record store. You're not just
promoting yourself, but like people can come

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into the store listen to it.
I feel like record stores nowadays people like

204
00:16:56,879 --> 00:17:00,200
especially teenagers, because you know,
we all want to go back to the

205
00:17:00,240 --> 00:17:03,279
old stuff. When we go into
record stores and we hear those live performances,

206
00:17:03,359 --> 00:17:07,960
it like reminds us that we are
all part of a community, and

207
00:17:07,000 --> 00:17:11,480
so me doing those record store performances
not only like you know, it's fun

208
00:17:11,519 --> 00:17:15,319
to meet other people who love like
music in general love promote my music,

209
00:17:15,799 --> 00:17:21,519
but it just creates this like really
beautiful culture of just promoting music, listening

210
00:17:21,559 --> 00:17:25,960
to new genres, and exploring the
community. I think in your video for

211
00:17:26,079 --> 00:17:30,160
Levels, if I'm not mistaken,
I think there's a it looks like you're

212
00:17:30,440 --> 00:17:33,200
there might be a clip in there
of you performing at a record store.

213
00:17:33,480 --> 00:17:37,599
Am I Am I wrong about that? I feel like there was something in

214
00:17:37,640 --> 00:17:41,160
the video for Levels where it looks
like you're in a store. Yeah,

215
00:17:41,240 --> 00:17:44,799
I think I am at one point. I mean, we wanted Levels to

216
00:17:44,799 --> 00:17:48,359
be like this really fun you know, article, article, gig. You

217
00:17:48,359 --> 00:17:52,640
know, we're on those different levels, so there probably is something in there,

218
00:17:52,680 --> 00:17:56,240
but I did there were so many
gigs in that video. I remember

219
00:17:56,279 --> 00:17:59,759
doing, like the one with crazy
lights, and we just wanted that one

220
00:17:59,839 --> 00:18:02,279
to be really playful. Yeah.
Yeah, No, it's a cool it's

221
00:18:02,279 --> 00:18:03,359
a cool video. And I really
love the song too. That's the one

222
00:18:03,359 --> 00:18:06,640
that we're going to play at the
end of our conversation. Great, great

223
00:18:06,680 --> 00:18:08,319
track, catchy as hell. It
was. After I listened to it,

224
00:18:08,319 --> 00:18:15,160
it was just stuck in my head
for like hours, like leveled Levels,

225
00:18:15,240 --> 00:18:22,480
Levels very good. Well, Sophia, what should people know about how to

226
00:18:22,480 --> 00:18:27,160
find you online. And obviously you
know, uh we have we have listeners

227
00:18:27,160 --> 00:18:30,599
here in America who I'm sure want
to check you out, keep up with

228
00:18:30,640 --> 00:18:33,440
what you're doing, get access to
your music and so forth. What should

229
00:18:33,440 --> 00:18:38,559
people know about how to find you
online? So I'm literally on majority of

230
00:18:38,599 --> 00:18:45,200
social media platforms. On Instagram,
I'm Sofia dot Anissa dot Glani and on

231
00:18:45,240 --> 00:18:49,880
like YouTube, Facebook, Spotify or
stream platforms, i am Sofia Galani.

232
00:18:51,079 --> 00:18:55,759
So yeah, stay, especially the
Instagramlani go on that it will be the

233
00:18:55,799 --> 00:18:59,559
most updated social media platform for any
gigs coming up. Any new songs,

234
00:18:59,559 --> 00:19:03,279
the one to Timber are you good? Excellent? Excellent? Hey? And

235
00:19:03,559 --> 00:19:06,599
before we play this, is there
anything we should know about this song?

236
00:19:06,720 --> 00:19:11,200
Levels any anything special you want us
to know about it? It's just it's

237
00:19:11,240 --> 00:19:14,720
such a vibe. I think when
I made it, it was just for

238
00:19:14,759 --> 00:19:18,079
fun and it was just you know, it was I did write it in

239
00:19:18,079 --> 00:19:19,839
the spring, so i'll, you
know, go going into summer. Everyone

240
00:19:19,920 --> 00:19:23,799
was excited, so you know,
listen to it. Just bot man,

241
00:19:25,480 --> 00:19:26,640
it's got that vibe, I know
what you mean about, you know,

242
00:19:26,799 --> 00:19:30,839
in the spring going in the summer. Definitely, definitely Sofia Galani. We'll

243
00:19:30,880 --> 00:19:33,759
let you go and we're gonna spin
this. But thank you so much for

244
00:19:33,960 --> 00:19:37,960
talking with us today. And yes, definitely, when the next single is

245
00:19:37,000 --> 00:19:41,160
ready, let's do that. We'll
have you back on. We'll we'll spin

246
00:19:41,200 --> 00:19:45,079
the track and really looking forward to
that great stuff. Love what you're doing.

247
00:19:45,079 --> 00:19:48,400
But thank you so much for joining
us today. Thank you for having

248
00:19:48,440 --> 00:19:51,039
me. It has been so lovely. All right, Sophia, thank you,

249
00:19:51,079 --> 00:19:55,160
bye bye, bye bye. All
right, that is Sofia Galani all

250
00:19:55,200 --> 00:19:57,559
the way from the UK, skyping
in and let's give this a listen.

251
00:19:57,759 --> 00:20:15,799
This is called levels. Say,
I'll go down. That's three a piece

252
00:20:15,839 --> 00:20:18,960
of meal down the peach pro dripping
up for me. I tell my age

253
00:20:18,000 --> 00:20:27,880
a piece the lets the bridge to
the follows. No time to selling it

254
00:20:27,960 --> 00:20:32,640
down, dropped it out ready seven
pounds, let's just right amount the flock

255
00:20:32,680 --> 00:20:37,920
from bounced sleeper and do the dawn
that. Maybe they just need to seven

256
00:20:37,079 --> 00:20:42,799
me you got it on my own
or run from me time you take it.

257
00:20:44,960 --> 00:20:49,480
I don't need to slip it.
We own them. Let's levels,

258
00:20:49,640 --> 00:20:55,599
lessels, levels, We on them
levels, levels, levels, are we

259
00:20:55,799 --> 00:21:03,559
gonna turn it? That's pieces piece
of piece face but we all them levels,

260
00:21:03,759 --> 00:21:08,920
levels, levels, levels, We
all them levels, levels, cal

261
00:21:10,000 --> 00:21:15,440
a love, but don't you wear
day. It's only so much you can't

262
00:21:15,920 --> 00:21:25,359
he egge. So here we go
again, fresh and our money in the

263
00:21:25,440 --> 00:21:30,319
air. I want to start about
past that consist and then what's that money?

264
00:21:32,440 --> 00:21:37,200
I'm hungry father my ball that yeah, the b I've got my mastery

265
00:21:37,880 --> 00:21:41,079
a piece of meat, and I'm
the peach carl shipping up for me,

266
00:21:41,160 --> 00:21:49,839
and I got my head a page. Don't know when PRESI Yana. I'm

267
00:21:49,960 --> 00:21:53,279
just saying down, drop it out
ready, seven pounds, just the rider

268
00:21:53,359 --> 00:21:59,119
pounds, the flock of bousnipper and
I will sit there on that. Maybe

269
00:21:59,240 --> 00:22:03,160
they just need to save for me. Got it on my own a rush

270
00:22:03,279 --> 00:22:11,559
frothy, you say again, don't
need just leve it. We are the

271
00:22:11,920 --> 00:22:15,400
levels, levels, levels, levels, We are them levels, levels,

272
00:22:15,680 --> 00:22:19,880
levels. So we gotta tell me
now that that's tray, some peace,

273
00:22:21,079 --> 00:22:27,119
tray, some pat We all don't
have levels, levels, levels, levels,

274
00:22:27,279 --> 00:22:33,279
We all the levels levels. Simple
call love it, don't you well,

275
00:22:34,480 --> 00:22:59,640
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321
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m n H rips the dobles dropped
inside the I cannot feel a so my

322
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soul is failing again. There's nothing
of this time that cuts down seas of

323
00:28:06,480 --> 00:28:18,319
life. Every ounce of me yes
tram buried in my mind, calls not

324
00:28:18,680 --> 00:28:26,319
arrives in my my heart and burns
a night and days per skin gamons of

325
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s n F sevenence, I feel
very thing my soul is sponts are roun

326
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on me though, so it's are
not every seven me serve bars buried in

327
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my mind. Cat just not a
rime by my heart and bars. I

328
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don't use my skin. Damons of
my sin not read in my mind.

329
00:29:52,680 --> 00:30:00,400
Cat just nuts a ray, but
my heart and bars alone, U neeeds

330
00:30:00,480 --> 00:30:41,000
my skin. Demons of my sin. Cat never read in my mind.

331
00:30:41,640 --> 00:30:49,200
She just starts on rides the high
bird go that needs my skin. Demons

332
00:30:49,240 --> 00:31:42,559
of my sin mhm. I really
like that a lot. That is Freeze

333
00:31:44,480 --> 00:31:47,799
that is new from Bullet to the
Heart. Great band from Chicago. They've

334
00:31:47,839 --> 00:31:51,640
been on the show with us before. And I believe we have Audrey Queen

335
00:31:51,680 --> 00:31:56,599
from the band with us on Skype. Hello. Hi. We also have

336
00:31:56,759 --> 00:31:59,960
Draven d C. Draven d C
is with us. Hello, welcome back.

337
00:32:00,599 --> 00:32:04,319
Hey, what's going on? I
think were you both on with us

338
00:32:04,400 --> 00:32:07,319
last time? I think you were. I think so, yeah, yeah,

339
00:32:07,319 --> 00:32:08,720
I remember, yeah, yeah,
Hey, I love that track.

340
00:32:08,799 --> 00:32:13,079
And we're also gonna play fight at
the end of our conversation. But yeah,

341
00:32:13,119 --> 00:32:15,160
welcome back to the show. And
you know, Jenny and I are

342
00:32:15,160 --> 00:32:20,319
both really big fans, and I
love these I love these songs. What's

343
00:32:21,440 --> 00:32:22,640
when did we have you? It
was more than a year ago, right,

344
00:32:22,720 --> 00:32:24,960
probably maybe a year and a half
ago the last time we talked.

345
00:32:27,759 --> 00:32:29,960
I think it was about a year
ago, because about a year ago we

346
00:32:30,079 --> 00:32:35,000
released Death Oughtities in Romance. Yes, okay, okay, So what's what's

347
00:32:35,079 --> 00:32:38,160
been happening since then? Obviously you've
created some new music, which we really

348
00:32:38,279 --> 00:32:42,319
like, But what's what's been going
on with Bullet to the Heart. Give

349
00:32:42,400 --> 00:32:47,000
us give us an update if you
will. So we've been writing new music,

350
00:32:47,599 --> 00:32:51,559
as you heard the new track Freeze, and we have fights, so

351
00:32:51,640 --> 00:32:54,759
we have a new EP coming out. We're also working on some new music.

352
00:32:55,960 --> 00:33:01,759
We parted ways with Tom Monroe due
to his mental health. He felt

353
00:33:01,839 --> 00:33:06,240
it was better for him to step
away, and we gained a new member,

354
00:33:06,599 --> 00:33:12,279
Six, who is our resident demon
right now, and we're writing new

355
00:33:12,400 --> 00:33:21,920
music and we're getting ready to do
our headlining show at what I'm sorry,

356
00:33:22,000 --> 00:33:28,319
Drevan, our headlining show in West
Dundee at rock House in August seventeenth.

357
00:33:28,720 --> 00:33:32,759
And just oh, and that's what
I was trying to say, trying to

358
00:33:32,799 --> 00:33:37,000
tell me, and I was like, what, we're getting ready to go

359
00:33:37,359 --> 00:33:42,279
out on tour. We're confirming tour
dates right now from middle of October to

360
00:33:42,519 --> 00:33:50,279
early November. Excellent, excellent,
congratulations. Was it difficult with the change

361
00:33:50,920 --> 00:33:55,200
obviously with Tom leaving and six coming
in? I mean, was that you

362
00:33:55,279 --> 00:33:58,799
know sometimes? I mean I've played
in a lot of bands, and you

363
00:33:58,880 --> 00:34:01,799
know sometimes when there's a change in
members, you know, it can be

364
00:34:02,519 --> 00:34:07,279
it might go smoothly, it might
be seamless, it might be difficult and

365
00:34:07,440 --> 00:34:10,440
challenging. I mean, what was
that like for a bullet to the heart.

366
00:34:12,639 --> 00:34:16,239
It was. It was challenging,
but overall it went very smoothly.

367
00:34:16,360 --> 00:34:21,320
I mean, Tom was the one
that approached us and said that he wanted

368
00:34:21,400 --> 00:34:23,840
to step down, and he wanted
to make sure that him stepping down,

369
00:34:23,960 --> 00:34:28,480
we had someone to take us place, so that, you know, we

370
00:34:28,599 --> 00:34:32,199
weren't left without someone. But overall, we sat down, we had a

371
00:34:32,239 --> 00:34:38,000
serious conversation about everything, and we
parted ways on a very good note.

372
00:34:38,480 --> 00:34:42,719
We still love him very much dearly
as a friend. We try to do

373
00:34:42,880 --> 00:34:45,039
anything to help him with his mental
health journey and what he has to go

374
00:34:45,199 --> 00:34:50,880
through. So it wasn't horrible.
And Six has been a longtime friend of

375
00:34:51,079 --> 00:34:54,360
Draven's, so it just made sense
for him to come in because he was

376
00:34:54,559 --> 00:34:59,679
helping us do a lot of things
anyway. So the transition was the transition

377
00:34:59,880 --> 00:35:04,480
was smooth and everybody's on good terms. Yeah, I mean, I know

378
00:35:04,639 --> 00:35:07,679
that when you're when you're doing what
you're doing at your level, because you're

379
00:35:07,760 --> 00:35:10,159
you're obviously very busy. You know, a bullet of the heart works very

380
00:35:10,199 --> 00:35:14,119
hard, and you know, if
if somebody's struggling with it, I mean,

381
00:35:14,159 --> 00:35:17,199
it's good that he had the maturity
and the sophistication to see that you

382
00:35:17,280 --> 00:35:21,639
know he needed because, as you
said, he approached you so that that

383
00:35:21,679 --> 00:35:23,280
couldn't have been easy for him.
And obviously too, when you've got a

384
00:35:23,320 --> 00:35:27,400
lot of momentum, when you've got
a lot going on, you know,

385
00:35:27,519 --> 00:35:30,119
you don't want anything to slow you
down, and you certainly don't want to

386
00:35:30,159 --> 00:35:32,480
be the one causing everything to slow
down either. So, uh, it's

387
00:35:32,559 --> 00:35:36,800
good that you are all able to
maneuver that together and that you're still friends

388
00:35:36,880 --> 00:35:40,559
and and uh onward and upward you
go. So, uh so that's good.

389
00:35:42,559 --> 00:35:45,960
Are you Are you playing a lot
of shows? You mentioned you've got

390
00:35:45,000 --> 00:35:49,760
the tour coming up. Have you
been playing a lot locally as well recently?

391
00:35:51,199 --> 00:35:52,880
Uh? So, we actually slowed
down a little bit this year because

392
00:35:52,920 --> 00:35:59,199
of the members swap. We really
took time to write these next couple songs.

393
00:35:59,400 --> 00:36:02,519
And we're going out and doing this
headline show, and like we don't

394
00:36:02,519 --> 00:36:07,119
really necessarily like the headline all the
time. Yeah, so we're doing it

395
00:36:07,199 --> 00:36:12,079
with a purpose, and we're pumping
a lot of like production into this into

396
00:36:12,159 --> 00:36:15,559
this album release show. We're doing
like full lights, video screens, props,

397
00:36:15,679 --> 00:36:20,679
like the whole chebang, so to
speak, and because of that,

398
00:36:21,000 --> 00:36:22,840
we're doing the same thing with the
tour. So like last year we did

399
00:36:23,000 --> 00:36:28,159
like six or seven tours or something, and this year we're only gonna do

400
00:36:28,320 --> 00:36:31,119
one, you know, four week
one, just because we're gonna be a

401
00:36:31,159 --> 00:36:35,760
little bit more like production based,
a little bit more prop based. So

402
00:36:35,840 --> 00:36:39,280
we're kind of just doing one big
one with a purpose. So we're kind

403
00:36:39,280 --> 00:36:44,159
of just kind of slowing things a
little down, make sure that we kind

404
00:36:44,159 --> 00:36:45,880
of nail our craft and that we're
doing stuff correctly. You know, we

405
00:36:45,920 --> 00:36:51,199
don't want to overdo it this year. Yeah, it makes sense to me

406
00:36:51,280 --> 00:36:54,199
that you're adding a lot in terms
of production because I think that your music

407
00:36:54,320 --> 00:36:57,559
kind of you know, you listen
to a song like the one we just

408
00:36:57,679 --> 00:37:00,159
played, Freeze, and if you're
listening to that and you don't know anything

409
00:37:00,199 --> 00:37:04,519
about the band, and you know, you're just kind of letting your imagination

410
00:37:04,599 --> 00:37:07,199
take you wherever. If you think
about what it must be like live,

411
00:37:07,239 --> 00:37:10,760
it seems like you would expect there
to be some production there. It's not

412
00:37:10,920 --> 00:37:15,280
something you would expect to you know, you just walk into a bar and

413
00:37:15,320 --> 00:37:17,239
you see a band just playing a
song like that because the song is so

414
00:37:19,159 --> 00:37:22,199
it's intense and our friend Miriam Banish
in the chat room says it she really

415
00:37:22,320 --> 00:37:24,960
likes it. She said, it
sounds kind of eerie, but it sounds

416
00:37:25,039 --> 00:37:30,400
like something that demands some sort of
visual production to go with it. So

417
00:37:30,519 --> 00:37:34,159
I think that's great that you're doing
that. Has that kind of always been

418
00:37:34,199 --> 00:37:37,360
a goal for the band? Have
you always wanted to be able to do

419
00:37:37,480 --> 00:37:40,599
that? Yeah, you know,
we've gotten asked before in other interviews and

420
00:37:42,159 --> 00:37:45,480
other shows, etc. Because like
we started doing the production stuff kind of

421
00:37:45,519 --> 00:37:49,400
when like Breathe came out. Yeah, that's when she kind of really like

422
00:37:49,519 --> 00:37:53,239
got into a character and we showed
all this dark imagery and kind of story

423
00:37:53,320 --> 00:37:57,079
stuff. And it's a lot to
do. I mean, it costs a

424
00:37:57,119 --> 00:38:00,159
lot of money, it's a lot
of time conceptualizing it relates to the music,

425
00:38:00,280 --> 00:38:04,840
and we did it a couple of
times live. We really on the

426
00:38:05,199 --> 00:38:08,480
When we went on tour with een
Vey Molmstein, we were playing big theaters

427
00:38:08,920 --> 00:38:13,480
and because we had the theaters,
we were able to dress up and do

428
00:38:13,639 --> 00:38:16,320
like the Remnant, like the vampire
thing when Revenant dropped, so we were

429
00:38:16,360 --> 00:38:20,639
able to do this like vampire thing. We were able to connect it to

430
00:38:20,719 --> 00:38:23,840
a couple things like on stage,
and we kind of really enjoyed that and

431
00:38:23,880 --> 00:38:27,480
a lot of people like ate that
up. So we were like, how

432
00:38:27,559 --> 00:38:30,000
do we do that again? But
now with this new song. So we

433
00:38:30,079 --> 00:38:35,039
came up with these characters and did
all this stuff so that it could connect

434
00:38:35,119 --> 00:38:37,400
not only to the music, but
the theme and the story that we're trying

435
00:38:37,440 --> 00:38:45,000
to convey. Yeah, that makes
sense. That makes sense. Now has

436
00:38:45,119 --> 00:38:49,400
the process changed with Well, actually, let me ask it this way.

437
00:38:49,639 --> 00:38:52,039
The new songs, the songs that
we're playing today, were these done with

438
00:38:52,199 --> 00:38:59,400
six or were these originally done with
Tom? So they were started with Tom.

439
00:39:00,360 --> 00:39:04,199
He he never made it to final
tracks though, but they were written

440
00:39:04,280 --> 00:39:08,239
with Tom Okay, and then when
we got six involved, he definitely amped

441
00:39:08,320 --> 00:39:10,920
up the sound a little bit.
He's a little bit more of a technical

442
00:39:12,559 --> 00:39:15,559
musician, so we were like,
oh, let's heavy this up, Let's

443
00:39:15,599 --> 00:39:19,320
make this atmosphere darker, let's change
it up a little bit. I know,

444
00:39:19,400 --> 00:39:23,800
in the song fun, which will
come out August. Second, right

445
00:39:23,880 --> 00:39:30,559
before the EP drops, he added
this breakdown part at the end, so

446
00:39:30,639 --> 00:39:34,920
there's a there's a middle breakdown that's
pretty heavy. He does this weird off

447
00:39:35,000 --> 00:39:37,159
time breakdown that we all had to
learn in the song, so he kind

448
00:39:37,199 --> 00:39:40,440
of added that kind of stuff,
like just a little bit extra extra sauce,

449
00:39:40,559 --> 00:39:44,719
if you would, on the songs. Yeah, Oh that's cool.

450
00:39:45,360 --> 00:39:49,400
Is is it different playing live with
him or is that kind of this you

451
00:39:49,480 --> 00:39:52,159
know, is the vibe different at
all? Or I would say a little

452
00:39:52,159 --> 00:39:57,679
bit. He is. Also he's
also done vocals before in bands. Yeah,

453
00:39:57,719 --> 00:40:06,400
so he definitely the harmonies have added
a depth, have added depth to

454
00:40:06,519 --> 00:40:10,280
the music and the live show.
He's also helped us like kind of rewire

455
00:40:10,360 --> 00:40:15,480
some of our equipment like tones and
stuff, so a lot of that has

456
00:40:15,800 --> 00:40:20,519
definitely definitely helped, and overall I
think we have a better sound. Yeah.

457
00:40:20,800 --> 00:40:22,159
No, I mean, like I
said, I love the new tracks.

458
00:40:23,199 --> 00:40:27,280
Jenny was showing me a video too. It might have been was that

459
00:40:27,360 --> 00:40:29,960
the video for Freeze? Is there
a video for that or is it?

460
00:40:30,119 --> 00:40:32,079
Yes? Okay, yeah, that
was the one Jenny was playing the other

461
00:40:32,159 --> 00:40:37,920
night, and she was talking about
how I don't remember I don't think I've

462
00:40:37,960 --> 00:40:40,480
watched all of them necessarily, but
is there a red door in every video

463
00:40:40,599 --> 00:40:44,880
or is that like a theme that
you guys have, Yes, So the

464
00:40:45,000 --> 00:40:52,880
red door symbolizes the realms that these
trauma demons live in and our main character

465
00:40:53,039 --> 00:40:58,280
is going through these different realms trying
to face her trauma head on and heal

466
00:40:58,360 --> 00:41:04,280
from it. Okay, it makes
sense. Is that so? Is that

467
00:41:04,440 --> 00:41:07,760
kind of a theme. Is that
also a theme with Fight as well as

468
00:41:07,800 --> 00:41:09,280
Freeze, because we're gonna play Fight
in a little bit. Is that kind

469
00:41:09,320 --> 00:41:13,800
to carry over? Yeah? Yeah, so Fight is the one that kind

470
00:41:13,840 --> 00:41:16,519
of started the Red Door. You'll
see in the beginning of the video the

471
00:41:16,960 --> 00:41:21,880
our main character goes through the Red
Door and then she finds herself in this

472
00:41:22,239 --> 00:41:24,880
the first trauma realm, which is
Fight, and then at the end we

473
00:41:25,199 --> 00:41:30,679
see the Red Door again to that
will transition into the Freeze trauma realm,

474
00:41:30,800 --> 00:41:32,960
and then at the end of Freeze
you see the Red Door again. So

475
00:41:34,079 --> 00:41:37,639
it's gonna transition to another realm.
Okay, okay, I like it.

476
00:41:37,800 --> 00:41:40,480
Yeah, so there's a story that's
cool. Yeah. I seem to recall

477
00:41:40,639 --> 00:41:46,119
from our previous conversation too, we
talked about how part of the I don't

478
00:41:46,119 --> 00:41:49,199
know if you want to I don't
know if mission is quite the right way

479
00:41:49,239 --> 00:41:51,480
to put it, but part of
what you're trying to do with this band

480
00:41:52,119 --> 00:41:55,000
and with your lyrical content is you
know, there's a lot of talking about

481
00:41:57,280 --> 00:42:00,960
uh, people dealing with issues,
people dealing with problems and trying to work

482
00:42:00,039 --> 00:42:04,800
through them, and you know,
and using your music to try to kind

483
00:42:04,840 --> 00:42:07,960
of reach people that way, you
know, not not just be you know,

484
00:42:07,119 --> 00:42:10,360
this loud, heavy band that you
know people can enjoy, but but

485
00:42:10,559 --> 00:42:15,079
you really get something out of it
that's helpful and useful and applicable in their

486
00:42:15,960 --> 00:42:20,480
lives. And I mean, am
I correct about that? Am I remembering

487
00:42:20,559 --> 00:42:25,039
that correctly? Yeah? You're absolutely
correct, And that definitely translates into obviously

488
00:42:25,159 --> 00:42:30,239
the newest EP trauma. I wanted
to take the trauma responses each one,

489
00:42:30,360 --> 00:42:34,480
fight, flight, freeze, and
fawn, and I wanted to, Yes,

490
00:42:34,719 --> 00:42:38,639
I wanted to kind of touch on
all of those trauma responses and how

491
00:42:39,119 --> 00:42:44,920
someone would react in those trauma responses. But then I also wanted to add

492
00:42:45,000 --> 00:42:49,480
my own trauma that I have gone
through. I recently, in December,

493
00:42:49,920 --> 00:42:54,719
was diagnosed with a complex post traumatic
stress disorder. So I really wanted to

494
00:42:54,840 --> 00:43:00,480
showcase because I had always dealt with
mental health, but I never had dealt

495
00:43:00,519 --> 00:43:04,639
with my own mental health. So
I'm finally getting there, and I wanted

496
00:43:04,679 --> 00:43:08,480
to show the world that you know, it's okay to not be okay.

497
00:43:08,559 --> 00:43:13,639
And we all go through trauma and
it either come out on the other side

498
00:43:13,679 --> 00:43:17,639
strong or we come out with some
sort of mental illness and it's okay.

499
00:43:19,079 --> 00:43:22,880
You are stronger than that and you
can heal from that. And how you

500
00:43:23,360 --> 00:43:30,239
deal with what's going on. You
should come first in your life. Your

501
00:43:30,599 --> 00:43:32,840
your mental health, your physical health. You should be a priority. So

502
00:43:32,920 --> 00:43:36,840
if you feel like you are not
okay, there are resources for you to

503
00:43:37,400 --> 00:43:40,239
reach out to, for you to
get help. I mean, we really

504
00:43:40,400 --> 00:43:45,320
need to keep pushing towards that,
Like mental health is the most important thing.

505
00:43:45,400 --> 00:43:49,159
So I wanted that to come across
in this new EP. Trauma.

506
00:43:50,079 --> 00:43:53,679
Yeah, that's that's great. Do
you do you ever hear from people who

507
00:43:53,760 --> 00:43:57,440
listen to your music and they and
they they pick up on that and they

508
00:43:57,559 --> 00:44:00,719
uh and they talk to you about
it, like about their own trauma.

509
00:44:00,840 --> 00:44:07,599
Yes, So it was really prominent. When I remember back when Breath came

510
00:44:07,679 --> 00:44:10,559
out, we had a lot of
people approach us on tour about that because

511
00:44:10,599 --> 00:44:17,719
that one was about mental health and
addiction. And I had someone recently,

512
00:44:17,800 --> 00:44:22,480
one of our Bloodline members come forward
and talk about like his trauma and how

513
00:44:24,440 --> 00:44:31,440
his mother ended up passing and our
music basically got him through that and showed

514
00:44:31,519 --> 00:44:36,000
him that, you know, I'm
not alone in this world. There are

515
00:44:36,079 --> 00:44:37,960
people that understand me. And then
it led him to reaching out to other

516
00:44:38,039 --> 00:44:44,519
Bloodline members and he ended up getting
so integrated in the community that he was

517
00:44:44,639 --> 00:44:46,719
like, you guys really helped me. And that I think that's like our

518
00:44:46,760 --> 00:44:52,960
biggest mission is like to connect people
and be like, look, you aren't

519
00:44:52,960 --> 00:44:55,239
alone. People are dealing with what
you're dealing with. They may not understand

520
00:44:55,280 --> 00:44:58,760
it, but they want to be
there to help you. And it is

521
00:44:58,960 --> 00:45:05,599
just there was has just been so
good and so overwhelming, just like it

522
00:45:05,639 --> 00:45:08,199
always has been. And like the
continued love and support is just like this

523
00:45:08,400 --> 00:45:13,360
is what we live for. It's
just the love and the support. Yeah,

524
00:45:13,679 --> 00:45:15,400
no, that's that's remarkable. I
commend you for doing that. Is

525
00:45:15,480 --> 00:45:22,559
it Is it challenging to write lyrics
from that perspective or does it? I

526
00:45:22,599 --> 00:45:25,400
don't know if maybe it maybe it
comes naturally to you, but you know,

527
00:45:25,480 --> 00:45:31,320
you're dealing with heavy stuff here.
Is that is that challenging? It

528
00:45:31,800 --> 00:45:37,880
it? Lately it has been a
little challenging, but also I've just always

529
00:45:38,159 --> 00:45:44,320
since I was young, I always
wrote poetry, and I always was looking

530
00:45:44,440 --> 00:45:49,599
up like different words and definitions that
could describe I was always trying to figure

531
00:45:49,599 --> 00:45:52,480
out like what was going on inside
of me. So it was kind of

532
00:45:52,559 --> 00:45:58,320
like a natural ability to put what
I was feeling to words. But sometimes

533
00:45:58,360 --> 00:46:01,599
that is that is difficult because as
much as you want to like tell people

534
00:46:01,800 --> 00:46:07,119
like, this is what's going on, it is hard to face yourself and

535
00:46:07,199 --> 00:46:10,440
be like, there is something wrong, and it's hard to kind of tell

536
00:46:10,599 --> 00:46:15,280
other people about it. But that's
something that I'm working through. But I

537
00:46:15,400 --> 00:46:19,239
mean, at the end of the
day, I always tell myself, maybe

538
00:46:19,400 --> 00:46:24,599
this song that I wrote from my
perspective will touch somebody else and they'll think

539
00:46:24,639 --> 00:46:28,599
about their perspective and be like,
if she can talk about it, I

540
00:46:28,760 --> 00:46:30,599
can talk about it, and I
can be seen and I can be heard,

541
00:46:30,639 --> 00:46:34,119
and I can get help and that
might, you know, honestly,

542
00:46:34,280 --> 00:46:37,719
save somebody's life. I recently got
a semicolon tattoo, because you know,

543
00:46:39,280 --> 00:46:43,559
continue your story. Your story is
important no matter who you are, and

544
00:46:44,079 --> 00:46:46,840
maybe somebody someday wants to hear that
story and maybe it'll help them. So

545
00:46:47,119 --> 00:46:52,880
just live every day and you never
know like the possibilities of the potential that

546
00:46:52,960 --> 00:46:59,480
you truly have. Mm hmmm,
yeah, well said you mentioned bloodline members.

547
00:46:59,519 --> 00:47:06,039
What is that? So our little
fan base we call them the Bloodline.

548
00:47:06,880 --> 00:47:12,039
We have a song called Bloodline,
and that's basically about all of our

549
00:47:12,119 --> 00:47:15,719
fans, Like you guys are the
reason why we continue. You're the bloodline.

550
00:47:15,760 --> 00:47:20,480
You pump blood into our hearts and
it makes us full and it makes

551
00:47:20,559 --> 00:47:22,800
us want to just continue on.
Like our fans are the reason why we

552
00:47:23,000 --> 00:47:25,599
do what we do, because if
we didn't have fans, I mean I

553
00:47:25,639 --> 00:47:29,440
don't I love making music, but
I don't want to make it for myself.

554
00:47:29,480 --> 00:47:31,079
I want to make it for other
people. I want I want other

555
00:47:31,079 --> 00:47:35,920
people to be touched. So we
call our fan base the Bloodline. Yeah,

556
00:47:36,119 --> 00:47:38,239
yeah, well that's really cool.
Yeah. We have a group on

557
00:47:38,440 --> 00:47:43,960
Facebook that you could join. There's
like a couple of questions just to verify

558
00:47:44,079 --> 00:47:46,400
or not like a bot. Yeah, but the community right now, we're

559
00:47:46,519 --> 00:47:50,840
like five hundred and seventy something members
strong, and it's a great way for

560
00:47:50,920 --> 00:47:53,320
people to connect, talk about the
music, talk about other music, talk

561
00:47:53,360 --> 00:47:57,719
about how they feel. I know
a lot of people within the community have

562
00:47:57,800 --> 00:48:01,880
reached out to each other and not
only become friends, but also like like

563
00:48:02,000 --> 00:48:06,440
really close friends and borderline family.
At this point, everyone's been able to

564
00:48:06,519 --> 00:48:08,679
lean on each other for certain stuff
because you know, life goes man and

565
00:48:08,800 --> 00:48:15,480
we know personally, like some of
our fans, like their parents have died

566
00:48:15,719 --> 00:48:19,000
or friends have died, and they've
gone through something traumatic, whether it's a

567
00:48:19,039 --> 00:48:22,480
diagnosis or something else, and they've
always been able to connect in that group,

568
00:48:22,559 --> 00:48:25,360
and we're always there answering the group
as well. So it's very cool

569
00:48:25,400 --> 00:48:30,199
to see a community grow not just
from like a business perspective, but for

570
00:48:30,360 --> 00:48:35,039
a community like for themselves. Yeah, that's excellent. That is that is

571
00:48:35,159 --> 00:48:37,360
fantastic. I'm really glad you're doing
that, and love what you're doing.

572
00:48:37,440 --> 00:48:39,719
Love the music, love the songs, and I love the whole, uh

573
00:48:40,440 --> 00:48:44,000
you know the whole. Like I
said, the sort of mission of it

574
00:48:44,119 --> 00:48:47,760
I think is is fantastic. Well, in a moment, we're gonna we're

575
00:48:47,760 --> 00:48:52,079
gonna wrap up and we're gonna play
this other track fight. But I also

576
00:48:52,199 --> 00:48:55,239
want to make sure that because you
do have a lot going on, what

577
00:48:55,320 --> 00:48:59,719
should people know about how to keep
up online with everything that Bullet to the

578
00:48:59,760 --> 00:49:02,719
Heart is doing. In terms of
releasing music and playing shows and everything.

579
00:49:02,760 --> 00:49:07,960
What should people know? So the
easiest way to keep up with us is

580
00:49:07,039 --> 00:49:10,039
to go to our Facebook page.
There's a link tree, and if you

581
00:49:10,119 --> 00:49:14,639
click on that link tree, it
will take you everywhere that we are.

582
00:49:14,880 --> 00:49:19,360
We're on Twitch, We're on Patreon, we have a merch store, Apple

583
00:49:19,519 --> 00:49:23,800
Music, Spotify, YouTube. It
literally will take you everywhere. It's your

584
00:49:23,880 --> 00:49:28,400
one stop shop on how you can
keep up with Bullets of the Heart.

585
00:49:28,440 --> 00:49:32,760
We're most active on Facebook and Instagram. We do have a TikTok and buy

586
00:49:32,920 --> 00:49:36,800
merch. Is the easiest way to
support us. Support us getting out to

587
00:49:36,880 --> 00:49:39,400
a show and then subscribing to Patreon
because we've got a lot of behind the

588
00:49:39,440 --> 00:49:44,199
scenes that you might be missing out
on. Yeah, excellent, excellent,

589
00:49:44,199 --> 00:49:45,519
And I encourage people too, you
know, go on YouTube check out the

590
00:49:45,599 --> 00:49:51,280
videos. The videos are really Do
you do all that yourselves or do you

591
00:49:51,360 --> 00:49:55,079
have a production team that you work
with? The videos are amazing. Yeah,

592
00:49:55,239 --> 00:50:00,880
so I kind of co produced and
co direct. I also conceptualize a

593
00:50:00,920 --> 00:50:04,480
lot of this stuff. But we
work with a Kash Hans. He's a

594
00:50:04,519 --> 00:50:07,519
pretty big name out in Chicago.
He's actually one of my close friends that

595
00:50:07,559 --> 00:50:09,760
I actually work with because I do
production work with him as well. Yeah,

596
00:50:09,800 --> 00:50:14,480
but yeah, he just loves making
movies man, that that's his goal.

597
00:50:14,920 --> 00:50:16,639
So when we try to do these
music videos, it's not just a

598
00:50:16,719 --> 00:50:21,840
music video, it's a cinematic experience. And him and I worked really hard

599
00:50:21,880 --> 00:50:24,559
to like really nail that in.
And six has been a great help as

600
00:50:24,599 --> 00:50:30,639
well because he's also got that creative
production brain. So when we were doing

601
00:50:30,719 --> 00:50:35,840
something like Freeze, like we had
to take take down the music video aspect,

602
00:50:35,920 --> 00:50:37,760
like there's not a lot of playthroughs, there's no drums, there's no

603
00:50:37,920 --> 00:50:43,159
guitar stuff in there. It's just
Audrey raw with some cinematic stuff. And

604
00:50:43,239 --> 00:50:45,519
he was very he was a good
help with that as well. Yeah,

605
00:50:45,679 --> 00:50:49,519
yeah, no, I encourage people
to check those out. They are really

606
00:50:49,559 --> 00:50:52,719
amazing. And so we're gonna end
with this track Fight. Anything we should

607
00:50:52,760 --> 00:51:00,440
know about this song specifically, So
Fight is just it's about the fight trauma

608
00:51:00,480 --> 00:51:04,360
response. It is in your face, It is you fighting, you ready

609
00:51:04,440 --> 00:51:07,519
to go aggressive, let's go.
Yeah Yeah, no, I love it.

610
00:51:07,639 --> 00:51:09,519
I love it well. Thank you
both of course, Audrey Queen Drave

611
00:51:09,559 --> 00:51:15,480
and Jason Draven DC. Sorry uh
really really wonderful to talk with both of

612
00:51:15,519 --> 00:51:16,360
you today. Like I said,
I love what you're doing. Jenny and

613
00:51:16,400 --> 00:51:22,000
I are both big fans. And
our friend Miriam was commenting in the chat

614
00:51:22,079 --> 00:51:24,679
room too how much she likes you. So we'll we'll have to do this

615
00:51:24,760 --> 00:51:28,599
again in the near future because you
you know, as you're releasing new music

616
00:51:28,679 --> 00:51:31,480
and I love this whole concept with
the uh with these tracks. So we're

617
00:51:31,480 --> 00:51:34,599
gonna play this, but I'm gonna
let you both go, but thank you

618
00:51:34,719 --> 00:51:37,360
again so much, really appreciate talking
with you today. Thank you, thank

619
00:51:37,400 --> 00:51:42,639
you for having us on. Absolutely
absolutely well, we'll talk soon, all

620
00:51:42,760 --> 00:51:45,119
right, Okay, take care,
bye bye bye. All right. That

621
00:51:45,239 --> 00:51:50,039
is Audrey Queen and Draven d C
and their band Bullet to the Heart.

622
00:51:50,119 --> 00:51:52,400
Great stuff. Check this out.
This is called a fight And if you

623
00:51:52,480 --> 00:51:55,199
are listening live on Saturday, we
have more to come in the third hour,

624
00:51:55,320 --> 00:52:36,639
so don't go anywhere. Rising to
a sun Palasa lo chancy, your

625
00:52:36,800 --> 00:52:44,920
love mousing dot con trok that keeps
sun spin in a don huh and that

626
00:52:45,119 --> 00:52:58,599
will be ours saw me you love
me and shower sha love me in until

627
00:52:58,800 --> 00:53:08,360
you love me suns shout shame,
no come nor bag made lass leaves me

628
00:53:08,679 --> 00:53:17,480
hold blast no my real life,
I'm little fabian spine. Bir Lass leaves

629
00:53:17,599 --> 00:53:37,320
me as us no reelgad I fens
in No you think you've jump carts.

630
00:53:38,159 --> 00:53:55,119
You are shy do you you don't
want to leave me? Leaves me all

631
00:53:55,360 --> 00:54:04,800
blass. No, I realize I'm
little thing inspired. Fir Last leaves me

632
00:54:04,960 --> 00:54:15,280
as sass. No realize that I
fens inning world Last leaves me home class

633
00:54:15,719 --> 00:54:23,480
no a real life A little thing
inspired birth Flas leaves me as sas.

634
00:54:23,960 --> 00:54:42,000
No worrialize gad I fendingning years you
well not that we go what they go?

635
00:54:42,280 --> 00:54:52,239
Ross ain't like nos A man's all
closinger. Why do they come?

636
00:54:52,199 --> 00:55:16,000
Jack count no worldlass sleep me lass
no real movem sneeves me Lass love wals

637
00:55:16,239 --> 00:55:27,719
Nice leaves me oh blass no worryal
li m lit things fine bird Flass leaves

638
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