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Chapter twenty five, influencing the crowd. Success in business in the last analysis

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turns upon touching the imagination of crowds. The reason that preachers in this present

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generation are less successful in getting people
to want goodness than business men are in

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getting them to want motor cars,
hats, and pianolas is that business men

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as a class are more close and
desperate students of human nature, and have

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boned down harder to the art of
touching the imaginations of the crowds. Gerald

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Stanley Lee crowds. In the early
part of July nineteen fourteen, a collection

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of Frenchmen in Paris or Germans in
Berlin was not a crowd in a psychological

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sense. Each individual had his own
special interests and needs, and there was

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no powerful common eye dear to unify
them. A group then represented only a

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collection of individuals. A month later, any collection of Frenchmen or Germans form

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the crowd. Patriotism, hate,
a common fear, a pervasive grief had

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unified the individuals. The psychology of
the crowd is far different from the psychology

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of the personal members that compose it. The crowd is a distinct entity.

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Individuals restrain and subdue many of their
impulses at the dictates of reason. The

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crowd never reasons, It only feels
as persons. There is a sense of

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responsibility attached to our actions, which
checks many of our incitements, but the

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sense of responsibility is lost in the
crowd because of its numbers. The crowd

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is exceedingly suggestible and will act upon
the wildest and most extreme ideas. The

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crowd mind is primitive and will cheer
plans and perform actions which its members would

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utterly repudiate. A mob is only
a highly wrought crowd. Ruskin's description is

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fitting. You can talk a mob
into anything. Its feelings may be usually

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are on the whole, generous and
right, but it has no foundation for

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them, no hold of them.
You may tease or tickle it into anything

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at your pleasure. It thinks by
infection, for the most part, catching

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an opinion like a cold and there
is nothing so little that it will not

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roar itself wild about when the fit
is on, nothing so great, but

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it will forget in an hour when
the fit is past. History will show

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us how the crowd mind works.
The medieval mind was not given to reasoning.

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The medieval man attached great weight to
the utterance of authority. His religion

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touched chiefly the emotions. These conditions
provided a rich soil for the propagation of

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the crowd mind. When in the
eleventh century flagellation, a voluntary self scourging

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was preached by the monks, substituting
flagellation for reciting penitential psalms was advocated by

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the reformers. A scale was drawn
up, making one thousand strokes equivalent to

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ten psalms, or fifteen thousand to
the entire psalter. This craze spread by

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leaps and crowds. Flagellant fraternities sprang
up. Priests carrying banners led through the

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streets great processions, reciting prayers and
whipping their bloody bodies with leaden thongs fitted

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with four iron points. Pope Clement
denounced this practice, and several of the

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leaders of those processions had to be
burned at the stake before the frenzy could

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be uprooted. All Western and Central
Europe was turned into a crowd by the

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preaching of the crusaders, and millions
of the followers of the Prince of Peace

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rushed to the Holy Land to kill
the heathen. Even the children started on

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a crusade against the Saracens. The
mob spirit was so strong that home affections

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and persuasion could not prevail against it, and thousands of mere babes died in

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their attempts to reach and redeem the
sacred sepulture. In the early part of

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the eighteenth century, the south Sea
Company was formed in England. Britain became

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a speculative crowd. Stock in the
south Sea Company rose from one hundred twenty

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eight one half points in January to
five hundred fifty in May, and scored

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one thousand in July. Five million
shares were sold At this premium. Speculation

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ran riot. Hundreds of companies were
organized. One was formed for a wheel

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of perpetual motion. Another never troubled
to give any reason at all for taking

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the cash of its subscribers. It
merely announced that it was organized for a

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design which will hereafter be promulgated.
Owners began to sell The mob called the

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suggestion a panic. In suit,
the south Sea Company stock fell eight hundred

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points in a few days, and
more than a billion dollars evaporated. In

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this era of frenzied speculation, the
burning of the Witches at Salem. The

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Klondike gold craze, and the forty
eight people who were killed by mobs in

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the United States in nineteen thirteen are
examples familiar to us. In America,

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the crowd must have a leader.
The leader of the crowd or mob is

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its determining factor. He becomes self
hypnotized with the idea that unifies its members.

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His enthusiasts is contagious, and so
is theirs. The crowd acts as

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he suggests. The great mass of
people do not have any very sharply drawn

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conclusions on any subject outside of their
own little spheres. But when they become

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a crowd, they are perfectly willing
to accept ready made, hand me down

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opinions. They will follow a leader
at all costs. In labor troubles,

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they often follow a leader in preference
to obeying their government. In war,

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they will throw self preservation to the
bushes and follow a leader in the face

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of guns that fire fourteen times a
second. The mob becomes shorn of will

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power and blindly obedient to its dictator. The Russian government, recognizing the menace

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of the crowd, mind to its
autocracy formerly prohibited public gatherings. History is

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full of similar instances how the crowd
is created to day, the crowd is

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as real a factor in our socialized
life as our magnates and monopolies. It

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is too complex a problem merely to
them or praise it. It must be

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reckoned with and mastered. The present
problem is how to get the most and

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the best out of the crowd spirit
and the public speaker finds this to be

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peculiarly his own question. His influence
is multiplied if he can only transmute his

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audience into a crowd. His affirmations
must be their conclusions. This can be

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accomplished by unifying the minds and needs
of the audience and arousing their emotions.

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Their feelings, not their reason,
must be played upon. It is up

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to him to do this. Nobly
argument has its place on the platform,

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but even its potencies must observe the
speaker's plan of attack to win possession of

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his audience. Reread the chapter on
feeling and enthusiasm. It is impossible to

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make an audience a crowd without appealing
to their emotions. Can you imagine the

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average group becoming a crowd while hearing
a lecture on dry fly fishing or on

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Egyptian art? On the other hand, it would not have required world famous

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eloquence to have turned any audience in
Ulster in nineteen fourteen into a crowd by

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discussing the Home Rule Act. The
crowd spirit depends largely on the subject used

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to fuse their individualities into one glowing
whole. Note hour Antony played upon the

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feelings of his hearers in the famous
funeral oration given by Shakespeare in Julius Caesar.

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From murmuring units, the men became
a unit a mob. Antony's oration

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over Caesar's body, Friends, ro
moments, countrymen, lend me your ears.

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I come to bury Caesar, not
to praise him. The evil that

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men do lives after them. The
good is oft interred with their bones.

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So let it be with Caesar.
The noble Brutus hath told you Caesar was

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ambitious. If it were so,
it was a grievous fault, And grievously

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hath Caesar answered it here on the
leave of Brutus and the rest. For

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Brutus is an honorable man, So
are they all all honorable men? Come

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I to speak in Caesar's funeral.
He was my friend, faithful and just

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to me. But Brutus says he
was ambitious, and Brutus is an honorable

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man. He hath brought many captives
home to Rome, whose ransom did the

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general Coffus feel? Did this in
Caesar seem ambitious? When that the poor

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have cried? Caesar hath wept.
Ambition should be made of sterner stuff.

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Yet Brutus says he was ambitious,
and Brutus is an honorable man. You

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all did see that on the lupercal
I thrice presented him a kingly crown,

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which he did thrice refuse. Was
this ambition? Yet Brutus says he was

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ambitious, and sure he is an
honorable man. I speak not to disprove

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what Brutus spoke, But here I
am to speak what I do know.

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You all did love him once,
not without cause? What cause withholds you

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then to mourn for him? Oh
judgment, thou art fled to brutish beasts,

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and men have lost their reason.
Bear with me. My heart is

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in the coffin there with Caesar,
and I must pause till it come back

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to me. Weeps. First,
Plebeian, methinks there is my much reason

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in his sayings. Second, Plebeian, if thou consider rightly of the matter.

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Caesar has had great wrong. Third
Plebeian, has he masters? I

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fear there will the war's come in
his place? Fourth Plebeian, mark dye

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his words. He would not take
the crown. Therefore tis certain he was

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not ambitious. First Plebeian. If
it be found so, some will dear

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abide it. Second Plebeian, poor
soul. His eyes are red as fire

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with weeping. Third Plebeian. There
is not a nobler man in Rome than

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Anthony. Fourth Plebeian. Now mark
him. He begins again to speak Anthony.

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But yesterday the word of Caesar might
have stood against the world. Now

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lies he there, and none so
poor to do him reverence? O,

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Masters, if I were disposed to
stir your hearts and minds to mutiny and

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rage, I should do Brutus wrong
and Cassius wrong, who you all know

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are honorable men. I will not
do them wrong. I rather choose to

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wrong the dead, to wrong myself
and you, than I will wrong such

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honorable men. But here's a parchment
with the seal of Caesar. I found

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it in his closet. Tis his
will. Let but the commons hear this

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testament, which pardon me. I
do not mean to read, and they

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would go and kiss dead Caesar's wounds, and dip their napkins in his sacred

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blood. Yea beg a hair of
him for memory and dying mention it within

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their wills, bequeathing it as a
rich legacy unto their issue. Fourth Plebeian,

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will hear the will? Read it, Mark Antony, all the will,

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the will? We will here Ceesar's
will, Antony. Have patience,

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gentle friends. I must not read
it. It is not meet you know

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how Caesar loved you. You are
not would you are not stones but men,

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and being men. Hearing the will
of Caesar, it will inflame you.

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It will make you mad. Tis
good? You know not that you

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are his heirs? For if you
should, oh, what would come of

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it? Fourth Plebean read the will? Will hear it, Antony? You

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shall read us the will Seesar's will? Antony? Will you be patient?

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Will you stay Awhile I have always
shot myself to tell you of it?

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I fear I wrong. The honorable
men whose daggers have stabbed Caesar, I

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do fear it. Fourth Plebeon they
were traitors, honorable men, all the

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will the testament. Second Plebaean,
they were villains, murderers. The will,

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read the will, Antony. You
will compel me then to read the

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will. Then make a ring about
the corpse of Caesar, and let me

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show you him that made the will. Shall I descend, and will you

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give me leave? All come down? Second plebaein descend, He comes down

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from the rostrum. Third plebaein you
shall have leave, Fourth plebaein a ring.

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Stand round. First plebain stand from
the hearse, stand from the body.

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Second plebaein room for antonye most noble
Antonae, Antony, nay, press

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not so upon me stand far off
all stand bad back room, bare back

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Anthony. If you have tears prepared
to shed them. Now you all do

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know this mantle. I remember the
first time ever Caesar put it on twas

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on a summer's evening in his tent. That day he overcame the nervy look

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in this place, ran Cassius,
dagger through. See what a rent the

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envious Casca made through this the well
beloved Brutus stabbed, And as he plucked

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his cursed steel away, mark how
the blood of Caesar followed it as rushing

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out of doors to be resolved.
If brutus so unkindly knocked or no,

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for Brutus, as you know,
was Caesar's angel judge O U gods,

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how Caesar loved him. This was
the most unkindest cut of all. For

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when the noble Caesar saw him stabb
ingratitude more strong than traitor's arms, quite

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vanquished him, then burst his mighty
heart and in his mantle, muffling up

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his face, even at the base
of Pompey's statue, which all the while

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ran blood. Great Caesar fell.
Oh what a fall was there, my

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countrymen? Then I and you and
all of us fell down, whilst bloody

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treason flourished over us. Oh,
now you weep, and I perceive you

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feel the dint of pity. These
are gracious drops, kind souls. What

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weep you when you but behold our
Caesar's vesture wounded? Look you here,

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he is himself marred as you see
by traitors. First plebaein O piteous spectacle,

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Second plebaein O noble Caesar, Third
plebein, oh woeful day, fourth

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plebein O traitors villains. First plebaein
almost bloody sight, Second plebaein we will

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be revenged all revenge about seek burn
fire killed day. Let not at freighter

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live, Antony stay, countrymen,
First, plebein peace. There hear the

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noble Antony. Second plebain will hear
him. We'll follow him, will die

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with him Antony, Good friends,
sweet friends, let me not stir you

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up to such a sudden flood of
mutiny. They death have done this deed,

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are honorable. What private griefs they
have, alas I know not that

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made them do it. They are
wise and honorable, and will no doubt

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with reasons answer you. I come, not friends, to steal away your

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hearts. I am no orator,
as Brutus is. But as you know

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me, all a plain blunt man
that love my friend, and that they

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know full well that gave me public
leave to speak of him. For I

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have neither wit, nor worth,
action or utterance, nor the power of

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speech to stirman's blood. I only
speak right on. I tell you that

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which you yourselves do know. Show
your sweet Caesar's wounds, poor poor dumb

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mouths, and bid them speak for
me. But were I brutus and brutus

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Antony there were an Antony would ruffle
up your spirits and put a tongue in

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every wound of Caesar, that should
move the stones of Rome to rise and

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mutiny. All will mutiny. First
Plebaein will burn the house of Brutus.

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Third Plebaein away, Then come seek
the conspirators. Antony. Yet hear me,

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countrymen, yet hear me speak all
peace? Ho hear Antony, most

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noble Antony, Antony, Why friends
you go to? Do you know not

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what? Wherein hath Caesar thus deserved
your loves? Alas you know not?

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I must tell you. Then you
have forgot the will I told you of

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Plebeyan's most true the will. Let
stay and hear the will, Antony.

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Here is the will, and un
the Caesar's seal to every Roman citizen.

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He gives to every several men seventy
five drachmas. Second Plebean, most noble

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Caesar will revenge his death. Third
Plebean, Oh Royal Caesar, Antony,

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Here me with patience, all peace, Hoe Anthony. Moreover, he hath

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left you all his walks, his
private arbors, and new planted orchards on

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this side Tiber. He hath left
them you and to your heirs forever common

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pleasures to walk abroad and recreate yourselves. Here was a Caesar when comes such

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another. First Plebeian never never come
away away, will burn his body in

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the holy place, and with the
bronze fire the traitor's houses take up the

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body. Second Plebeian, go fetch
fire. Third Plebeian pluck down benches.

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Third Plebeian pluck down benches. Fourth
Plebeian pluck down forms windows, anything excellant

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citizens with the body. Antony,
now let it work mischief. Thou art

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a foot, Take thou what curse
thou wilt? To unify single auditors into

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a crowd. Express their common needs, aspirations, dangers, and emotions.

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Deliver your message so that the interests
of one shall appear to be the interests

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of all. The conviction of one
man is intensified in proportion as he finds

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others sharing his belief and feeling.
Antony does not stop with telling the Roman

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populace that Caesar fell. He makes
the tragedy universal. Then I, and

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you and all of us fell down, whilst bloody treason flourished over us.

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Applause Generally, a sign of feeling
helps to unify an audience. The nature

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of the crowd is illustrated by the
contagion of applause. Recently, a throng

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in a New York moving picture and
board Willehouse had been applauding several songs,

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and when an advertisement for tailored skirts
was thrown on the screen, some one

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started the applause, and the crowd, like sheep, blindly imitated until some

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one saw the joke and laughed.
Then the crowd again followed a leader and

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laughed at and applauded its own stupidity. Actors sometimes start applause for their lines

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by snapping their fingers. Some one
the first few rows will mistake it for

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faint applause, and the whole theater
will chime in. An observant auditor will

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be interested in noticing the various devices
a monologist will use to get the first

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round of laughter and applause. He
worked so hard because he knows an audience

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of units is an audience of indifferent
critics. But once get them to laughing

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together, and each single laughing to
sweeps a number of others with them,

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until the whole theater is a roar
and the entertainer has scored. These are

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meretricious schemes. To be sure,
and do not savior in the least of

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inspiration. But crowds have not changed
in their nature in a thousand years.

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And the one law holds for the
greatest preacher and the pettiest stump speaker.

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You must fuse your audience or they
will not warm to your message. The

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devices of the great orator may not
be so obvious as those of the vote

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wilmonologist, but the principle is the
same. He tries to strike some universal

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note that will have all his hearers
feeling alike at the same time. The

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evangelist knows this when he has the
soloist sing some touching song just before the

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address, or he will have the
entire congregation sing. And that is the

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psychology of now everybody sing, for
he knows that they who will not join

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in the song are as yet outside
the crowd. Many a time has the

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popular evangelist stopped in the middle of
his talk when he felt that his hearers

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were units instead of a molten mass. And a sensitive speaker can feel that

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condition most depressingly and suddenly demanded that
everyone arise and sing or repeat aloud a

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familiar passage, or read in unison. Or perhaps he has subtly left the

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thread of his discourse to tell a
story that from long experience he knew would

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not fail to bring his hearers to
a common feeling. These things are important

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resources for the speaker, and happy
is he who uses them worthily, and

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not as a despicable charlatan. The
difference between a demagogue and a leader is

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not so much a matter of method
as of principle. Even the most dignified

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speaker must recognize the eternal laws of
human nature. You are by no means

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urged to become a trickster on the
platform. Far from it. But don't

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kill your speech with dignity. To
be icily correct is as silly as to

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rant. Do neither, but appeal
to those world old elements in your audience

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that have been recognized by all great
speakers, from Demosthenes to sam Small,

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and see to it that you never
debase your powers by arousing your hearers unworthily.

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It is as hard to kindle enthusiasm
in a scattered audience as to build

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a fire with scattered sticks. An
audience to be converted into a crowd must

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be made to appear as a crowd. This cannot be done when they are

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widely scattered over a large seating space, or when many empty benches separate the

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speaker from his hearers. Have your
audience seated compactly how many a preacher has

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bemoaned the enormous edifice over which what
would normally be a large congregation has scattered

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in chilled and chilling solitudes Sunday after
Sunday. Bishop Brooks himself could not have

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inspired a congregation of one thousand souls
seated in the vastness of Saint Peter's at

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Rome, in that colossal sanctuary.
It is only on great occasions which bring

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out the multitudes, that the service
is before the high altar. At other

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times, the smaller side chapels are
used. Universal ideas so charged with feeling,

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helped to create the crowd atmosphere.
Examples liberty, character, righteousness,

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courage, fraternity, altruism, country
and national heroes. George Cohen was making

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psychology practical and profitable when he introduced
the flag and flag songs into his musical

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comedies. Cromwell's regiments prayed before the
battle and went into the fight singing hymns.

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The French corpse singing the Marseilles in
nineteen fourteen charged the Germans as one

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man such unifying devices aroused the feelings, make soldiers fanatical mobs and alas more

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efficient murderers. End of Section twenty
five
