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Hello, and welcome to Mythic Mind. We pursue wisdom on the paths between

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primary and psycondary worlds. I'm your
host, Andrew Snyder, and I am

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always grateful for your company. In
the last episode, we introduced Rothgar and

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his band of Danes, valiant in
battle and rich and splendor in the Great

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mead Hall Harolt, which was haunted
by a looming threat. Today, that

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threat arrives, but first I need
to thank all my super patrons and higher

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which at the time of recording this
includes Mark, Paul, Aaron Aaron,

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Andrew Brandon, Emmy Harrison, Ian
Jamie, Jeremiah, Joscelyn, Joshua,

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Matthew and William. We currently have
about forty patrons in total, and I

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cannot keep doing this without you.
If you would like to join this fellowship

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com slash Mythic Mind and join up
for as little as five dollars a month.

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And now back to our story.
Now, before the living threat is

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named, we're told something about its
nature and its bent, which is a

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word intentionally chosen, as this is
clearly a crooked creature, the poet tells

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us. Quote, then the fierce
spirit that abode in darkness grievously endured a

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time of torment. In that day
after day he heard the din of revelry

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echoing in the hall end Quote.
So what was this revelry? Well,

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the host of herault was singing and
telling stories, the voice of the minstrel

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ring clear, and they told of
how the Almighty had set the earth in

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its place, illumined the heavenly bodies
of Sun and Moon, which served to

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illuminate the way of the earth dwellers. This Almighty also brought forth the landscape

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of the earth, the realm of
nature with its bows, with its leaves,

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and the life of all things that
move. This is one of the

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first theological frames we get of our
protagonists, because while our narrator is clearly

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a Christian who fills in some of
the conceptual gaps left by his pagan subjects,

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they are indeed pagans, as I
briefly highlighted in the last episode in

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relation to Christian revelation. There as
much as they simply do not know.

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But these are not fundamentally an anti
Christian people, but pre Christian. At

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their best, they are seen as
noble pagans who principally follow the capital A

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Almighty. We see virtues here and
even some thought patterns that we might be

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tempted to say are force innovations of
the narrator, but I'm not interested in

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going that direction. I believe it
would be more helpful to say that these

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are virtues and thought patterns that are
common grace insights of a people who make

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use of the knowledge that it's available
to all who seek it. Such pagan

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virtue was certainly recognized for the most
part by the early and the medieval Church,

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and I'm certainly inclined in that direction
as well. In fact, it's

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rather easily arguable that the pagan is
actually in an even better position than the

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so called post Christian c. S. Lewis addresses this in a few places.

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For example, he wrote the following
in his essay is theism important quote?

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When grave persons express their fear that
England is relapsing into paganism, I

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am tempted to reply, would that
she were, for I did not think

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at at all likely that we shall
ever see Parliament opened by the slaughtering of

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a garlanded white bull in the House
of Lords or cabinet ministers, leaving sandwiches

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in Hyde Park as an offering for
the dry heads. If such a state

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of affairs came about, then the
Christian apologist would have something to work on.

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For a pagan, as history shows, is a man eminently convertible to

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Christianity. He is essentially the pre
Christian or sub Christian religious man end quote.

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Furthermore, in one of his letters, he said, for faith perfects

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nature, but faith lost corrupts nature. Before many men of our time have

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lost not only the supernatural light,
but also the natural light which pagans possessed.

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Kirkegard makes a very similar point in
the concept of anxiety. He says

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that the pagan is in a kind
of innocence. I mean not entirely,

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but he is innocent in the sense
that he has not received the human spirit

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that has the potential to be awakened
through Christian revelation. Where there is no

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law, there is no judgment.
So as with a child, the pagan

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is something like, as Lewis says, the pre Christian. This is a

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much better situation than that of the
so called post Christian. Kirkyguard continues quote.

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Thus, spiritlessness in Paganism is only
culpable to the degree one has willfully

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ignored one's task to be a self, and to the degree this task can

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be known without divine revelation. In
Christendom, spiritlessness is still the unawareness of

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one's task to be a self,
though it more culpable end quote. And

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so in both Paganism and Christendom,
someone may be spiritless, meaning that aspect

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of human existence that actualizes its essence, that leads us toward its ideal,

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is not yet awakened. But the
spiritlessness of Christendom is a wilful suppression of

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spirit. There's a difference between the
one who is not yet married and the

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one who wilfully walked away from his
marriage, although both could be described as

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unmarried. So I believe Kirkgard and
Lewis heartily agree on this point that the

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virtuous pagan is in a much better
state than the so called post Christian,

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because the pagan he sees as a
kind of pre Christian. Now let's take

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it a step further to consider how
the pagan virtue of Prothgar might not only

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prefigure Christian truth, but might actually
participate in it. And Tolkien writes,

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quote, I think that he,
as the poet, attempted to equate the

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noble figures of his own Northern antiquity
with the noble figures stages, judges,

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and kings of Israel before Christ.
They too were damned owing to the fall,

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even if they were members of the
Chosen people. The redemption Christ might

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work backwards, but in the herong
of Hell, why should not say Rothgar

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be among the rescue two, For
the people of Israel could also fall away

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in time of trial, to the
worship of idols and false gods. For

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that reason, I think that when
Anglo Saxons made Sheaf, the son of

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Noah born in the Ark, it
was not merely genealogical fantasy, a mere

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trick to make their king's lines go
back to Adam. It was rather a

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process due to a line of thought
closely related to the ideas of the Beowulf

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poet. It gave the Northern kings
a place in an unwritten chapter, as

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it were in the Old Testament endote. So just as Israel was only ever

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saved by the redemption of Christ working
backwards, perhaps the virtue of Rothgar was

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also so redeemed. It was a
shadow of the ideal, which works backwards

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to give the shadows some substance.
And by the way, some of these

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themes, especially what I just read
from Tolkien there about chief going back to

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the sons of Noah. That's something
I'm going to get in to in the

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course. I was leave that dangling
where it is for now. So we

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see that Frothgar's hall is feasting,
merrymaking and proclaiming a world that is inherently

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good, purposeful, and designed for
the life and delight of man. This

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is the torment of our foe,
Grendel, the fiend of Hell, who

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broods in the shadows of the forsaken
marshlands. Now there's this line that stood

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out to me. Just before the
name of Grendel is introduced, we're told

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even thus did the men of that
company live in mirth and happiness until one

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began to work deeds of wrong,
a fiend of Hell. This reminds me

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of a line in the Silmarillion,
which comes at a time when Morgoth,

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the chief enemy of the First Age, and I suppose beyond as well,

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in a sense, seemed to be
silent. Tolkien writes, quote, in

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those days there was joy beneath the
new sun and moon, and all the

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land was glad, But still the
shadow brooded in the north end quote.

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Tolkien often gives us this alternation between
respite and danger, and on more than

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one occasion, especially in the summer
Relian, he makes sure that we know,

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in the midst of merriment, the
threat is still present. There is

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much wisdom in this, as Boethius
would tell us, the will of fortune

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does sometimes turn in our favor,
but we must always be aware that the

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wheel is ever turning. Good fortune
is sure to pass, and so we

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need to make sure that we're always
on guard, and that, more importantly,

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our guard is something stable, something
grounded, something that is not contingent

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on the movement of external fortune.
Is now back to Grendel, our poet

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gives us a Christian framework for understanding
the Northern monsters. Grendel is a descendant

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of Cain, whom God drove away
from mankind in judgment for the murder of

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Abel. In many ways, this
judgment is an affirmation of what Cain had

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already done himself in murdering his brother, in becoming a kinslayer. He murdered

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his most basic ties to the familiar
bond that ties man to man. He

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drove himself from mankind, and so
doing was driven from mankind. Cain then

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fathered all manner of corrupted beings,
trolls, ogres, goblins, haunting shapes

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of hell, which, by the
way, Tolkien identifies as something like his

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Barowhites and the giants which we're told
long ward with God. And so we

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are clearly getting some monochian imagery here
mixed into the story of Cain, as

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well as the monstrosities of the Old
North, as demonic quasi human monsters are

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born of humans and anti human spirits. The same spirit that led Cain to

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murder his brother has now produced a
host of villains that are mockeries of what

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man is meant to be, and
that hate the true form from which they

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are corrupted. But I'm going to
save some of that for the course,

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But for now sufficient to say that
Grendel is a corruption, a counterfeit creation

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that serves to mock and destroy the
goodness that is man in his proper cosmological

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place. So in the night Grendel
makes us move after the great feast the

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Danes are sleeping, and we get
this great line as we're told sorrow.

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They knew not the unhappy fate of
man. Our fate is suffering. It

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is sorrow, and ultimately so apart
from the Gospel, this world, although

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good, is given over to corruption. No matter how fortunate you may be,

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you will grow old. If that, you will start to fall apart,

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and you will die. In the
ancient Northern Mythos, there was not

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an ultimate victory for the good guys. The best you could do is to

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join the side of the gods against
the monsters. But in the end the

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monsters win. In the monsters and
the critics, Tolkien writes as in a

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little circle of light about their halls, men with courage as their stay went

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forward to that battle with the hostile
world in the offspring of the Dark,

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which ends for all, even kings
and champions in defeat. So suffering is

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our fate. This is the theme
that we will continue to deal with.

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But we also see here that there
is a valor and a virtue in establishing

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your relationship with that fate that we
all will experience in a worthy manner.

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And now that fate of mortal man
is made known. Grendel strikes the sleeping

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Hall and kills thirty knights before thinking
back to his lair. He then returns

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the next night to devour once more, which prompts the Danes to abandon herote

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for lesser chambers. Much time passed
as the hell fiend continued to stalk the

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Danes with no interest in treaty or
bribe, for he was set only on

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the destruction and terror of man.
With a chilling description, the poet tells

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us the fierce killer pursued them still, both knights and young, a dark

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shadow of death lurking, lying in
wait in long night, keeping the misty

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moors. Men know not whither sorcerers
of Hell in their wanderings roam. I

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appreciate this. Grendel has no motive
but evil. This is refreshing in our

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age, in which every villain is
given a sympathetic stra but no Grendel shows

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us that there is real evil in
this world. That it is said on

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nothing but destroying what is good,
because goodness is intrinsic to existence. To

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proper form, evil is ultimately irrational. It travels in wispy lands, in

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the shadows of non being, and
it cannot be truly understood by right reason,

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and this is why Augustine says that
there's not much value in contemplating the

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origin of evil, particularly in the
Fall of the Devil. It is a

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leap into non being, a movement
against reason, and as such it cannot

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be grasped by reason, at least
within the reason that is allotted to us.

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And so Grendel is evil. He
is described as a sorcerer of hell,

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a hellronin, and there's no compromise
to be made with hell Nin.

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Tolkien tells us, quote, Truly
it is said that men know not whither

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hellrounin go in their courses, Darkness
goes with them. Their secret and malicious

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purposes are unfathomable, except that they
are perilous and hostile to man, beyond

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hope of peace. And quote Grendel
and all hell runin know no honor and

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deserve no sympathy. This makes me
think of the scene from Perilandra when Ransom

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is fighting with the unman and experiences
absolute hatred for the evil that he is

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fighting, and initially he's surprised to
find that this hatred is actually the correct

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disposition. Yet he is still sympathetic
to the man who may still reside somewhere

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in the host that he's dealing with. And I'll avoid giving any more details

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just in case anyone intends to read
it for the first time, and you

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should if you haven't already. And
so, if we aren't able to recognize

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the veracity and the ferocity of evil, then we will continue our attempts at

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making peace, offering whatever sacrifices we
think worthwhile, no matter how great the

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price, until we finally wake up
and recognize that we've been feeding an endlessly

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ravenous monster. There is evil in
this world, and the only defense that

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we have is the good that kingdom, against which the gates of hell cannot

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stand. Of those such allegiance may
cost us everything in this mortal life.

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Now where did the hosts of rothguard
turn at this time? What were told?

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Quote? At times they vowed sacrifices
to idols in their heathen tabernacles in

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prayer, implored the slayer of souls
to afford them help against the sufferings of

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the people. Such was their wont
the hope of heathens? They were mindful

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in their hearts of hell end quote? So our poet makes it clear that

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they know hell, they know evil, although they do not know God,

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and so they turned to their idols
in heathen hope. And one hand,

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this seems to be framed rather clearly
as a kind of judgment on a false

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turn of a people who, in
their best moments are directed toward the capital

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a Almighty as the virtuous pagan tends
to be. Tolkien writes, quote,

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the leading idea is that the noble
pagans of the past, who had not

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heard of the Gospel, knew of
the existence of Almighty God, reckon nice

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him as good and the giver of
all good things. But they were by

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the fall still cut off from Him, so that in time of woe they

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became filled with despair and doubt.
That was the hour when they were specially

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open to the snare to the devil. They prayed to idols in false gods.

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So to be clear, this slayer
of souls to which they turned is

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in fact the devil. Now,
as talking elaborates, Prothguard's company is not

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being accused of anything like conscious satanism, but the reality behind idle worship is

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being highlighted here. And so we
see that in pagan settings, that is,

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even in a generally polytheistic context,
we often get a kind of devotion

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to that which is best, an
ultimate, a shadow of the true God.

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In this case, however, they
turn away from such light toward lesser

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idols. Not at the same time. As I've discussed, they do get

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some slack here. They're not operating
with the knowledge of Christian revelation. However,

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they do know Hell, and this
makes sense. It's often the case

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in this mortal life that Hell is
more readily than heaven. The tendency of

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this world to fall apart, for
good men and good peoples to fall to

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darkness, and indeed the broader northern
mythos of the Giant's victory all make the

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nether world quite evident. And this
is why the so called problem of evil

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is likely the most common objection to
Christianity. Suffering is a plain fact seen

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by all. However, it takes
faith that it takes something more to see

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that there is a broader context for
suffering. And as Sandwise muses, that

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there is light and high beauty forever
beyond the reach of the shadow. And

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to this point, our narrator tells
us nor knew they the Creator, the

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judge of deeds, nor had they
heard of the Lord God, nor verily

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had learned to praise the Guardian of
the heavens and the King of Glory.

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Woe shall be to him that,
through fiendish malice, shall thrust down his

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soul into the fire's embrace to look
for comfort, in no wise to change

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his lot. The sacrificial fires of
false gods provide nothing but fall hope.

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They are counterfeits of true glory,
and counterfeits cannot defeat counterfeits. Such sacrifices

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are darkness upon darkness, as all
of our vain manipulations of fortune are apart

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from the embrace of the Light,
which Augustine tells us would make us a

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light if we would set our hearts
upon it. Our narrator continues, quote,

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Blessed shall be he that may,
after his death day go to the

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Lord and seek peace in the bosom
of the Father end quote. If their

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fortunes were to turn, it would
be owed to the true Lord and preserver

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of the righteous, although this is
not something that truthguard knew to seek.

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There's this line that we get a
little bit later that says, never might

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he approach the precious throne of grace
in the presence of God, nor did

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he know his will. Now there's
some question as to what this means.

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Some say here that the subject at
hand is Grendel saying that he could not

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approach God's throne, or maybe that
there was some kind of divine protection on

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Trouthguard's throne that Grendel couldn't approach.
But that doesn't seem to be the case

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here. Tolkien believes that the object
as actually Shrothgar, and this makes sense

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in the context. In his heathen
worship of false gods, he does not

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have access to the true Almighty,
who alone can dispel the darkness that haunts

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his hall. He too is left
in the dark. However, by grace

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and the goodwill of the Almighty,
Providence does have a path to the halls

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of Trothgar. After countless nights of
torment, the stench of Grendel's foul deeds

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reached Beoulf of the Giats. Beouff
gathered a small band of valiant men and

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set out for the Danish coast.
Upon landing, we are told that the

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company gave thanks to God that the
passage of the waves have been made easy

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for them. And so we get
this fairly clear juxtaposition between the Shieldings Heathen

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hope in contrast to the gratitude the
men of Beowulf give to the True God,

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at least to the extent that they
were able in their pre Christian context.

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The Shieldings looked to the darkness,
but Beowulf looked toward the light,

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and the light would surely shine in
the darkness and not be overcome. Who

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is Beowulf? Surely, at least
in the form that we have him,

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he is not a strictly historical person, As we'll see, he really is

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a superhero of sorts, a man
of legend, or, as Tolkien says,

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a champion of fairy. He is
a bright star of the fantastical,

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which is precisely what is needed to
scatter despairing shadows. As Tolkien writes quote,

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he is historical, if at all, in the sense and degree that

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King Arthur is a historical germ,
a real person perhaps, about which practically

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everything that is told is borrowed from
myth, folklore, or sheer invention.

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Beowulf, the bear man, the
giant killer comes from a different world fairy

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story end quote. Now, in
many ways that does not make him less

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real, but more real he represents
something more real than particular fact. He

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is an incarnation of sorts, or
at least a shadow of the true incarnation,

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the true myth of the Gospel,
to use Lewis's language, the true

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myth which grants echoes of veracity to
all good myths, and Beowulf is a

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good myth, one that ought to
play out in our own lives. As

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need arises. Now, Beowulf speaks
with a watchman of the Danes and Truthguard's

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Herald, and finally comes to speak
with Rothgard himself. Now we see that

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in opposition to the bleak, dark, despairing setting where we left Rothgar's people,

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Beowulf's company has glinting armour intovine favor. Even on their voyage where told

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that the ocean was gleaming and that
their harness was bright. They are literally

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and metaphorically a light of hope,
piercing the shadow, much as the crippled

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theodin before gain off the white Truthgar
is renewed before the light of Beowulf,

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with valor, hope and fresh resolved
against the darkness. As he exclaims to

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his Herald concerning Beowulf, holy God
has sent him to us in his mercy

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even to the West Danes, as
is my hope against the terror of Grendel.

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And so here Ruthguard does not credit
his idols and heathen hope. No,

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he credits Holy God for sending Beowulf
to bring light to the darkness of

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his land. And when Beowulf,
the True and Valiant Knight finally speaks with

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Rothgar face to face, he recounts
some of his past victories over monsters and

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demons, which are more or less
the same thing in this context. And

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there is mention that he has the
strength of thirty men, which of course

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is the number of men slain in
Grendel's first attack, and Beowulf asks for

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only one boon from Horothgar that he
and his men may cleanse Herot. He's

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in effect asking that the charge of
Ferult be handed over to him for the

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time being, so that he can
put it in its proper order. To

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lesser men like you are eye,
it seems like a strange request. He

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does not ask for riches, or
a lady's handed marriage, or anything that

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you would think that such a warrior
would request for such a deed. No,

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his reward is in vanquishing this evil. His reward is in the satisfaction

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of carrying out his duties as a
warrior king. He is the ideal of

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the noble warrior, the utmost of
the martial spirit. To take it a

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step further, he points out that
Grendel does not use weaponry beyond his own

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arms, and so Beowulf pledges to
do the same, forsaking both sword and

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shield, as he says, quote, I shall see upon the foe and

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engage in mortal contest with hate against
hate. There to the judgment of the

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Lord, shall he resign himself,
whom death doth take. And thus Beoulf

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does not rely on the heathen hope
of idolatrous sacrifice, nor on the strength

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of chariots, so to speak.
But he ultimately casts his fate where fate

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always resides, in the hand of
God. Now, this fate is unknown

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to him at least at this point, but he at least recognizes that hand.

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Tolkien notes that it is not the
power God that is unknown, but

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it is his will. Now.
Hruthgar, of course, heartily agrees to

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Beoulf's request as he recounts the ill
fate befallen his people. But he affirms

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God alone may easily hinder from his
deeds that savage foe Grendel will soon be

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in Beowulf's hands, but he was
always in God's. But before the hand

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is shown, it is time for
feasting. There for the young Gaddish knights

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together in company, adventures made free
in the drinking hall. There to their

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seats, when those stout of heart
resplendent in their strength in Esquire his office,

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heated he that bore in hand the
jeweled ale goblet, and poured,

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greaming out the sweet drink. Ever
and Anon the mistrel sang in clear herat

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there was mirth of mighty men,
no little assembly of the tried valor of

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Danes and Wederas. Join me next
time, as Grendel and Bewulf discover their

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fate in the great Herot. I
hope you consider supporting me on Patreon at

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00:23:26.799 --> 00:23:30.599
patreon dot com slash Mythic Mind,
And until next time, I wish you

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00:23:30.640 --> 00:23:33.160
many meaningful roads ahead.

