WEBVTT

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Welcome friends and podcast podcasting. Don
John back again. They're talking dove broomy

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now Marcus only no, get ready
for something lethal. I'm surprised you haven't

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heard about me. You know,
I got a bad reputation and sometimes I

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just go nuts, like now,
because the magic gone is back. Lethal

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weapon too, you go for some
really first off me, fine, Hey,

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you're not gonna make it. I'm
gonna make you know. That's not

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enough room. You were right,
ye know, Hea, there wasn't enough

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room lethal weapon to this time.
They're not taking any cramp. He's get

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off me, man, I don't
want anybody to see. It's like welcome

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to a movie film commentary track.
My name is Zaki has Sign. I'm

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here with Brian Hall. Hey.
How's it going, Zachi. Hey,

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it's it's you know, it's kind
of it's a nice afternoon. It's nice

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where I am. I don't know
how it is where you are. Oh,

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It's it's beautiful here too. I
mean the Santana winds have kicked in

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a little bit, but otherwise it's
blue skies as far as I can see.

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It's the kind of weather that makes
you want to drive down the streets

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of Los Angeles and have a camera
overhead while you can hear our voice over

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in the car where I'm like,
I don't get it, Zachie, how

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does money laundering work? Well,
Brian, all I do know is that

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those people will be meeting at the
docks later tonight. Get there. Split

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in case that little two person theater
that we just put on wasn't clue enough,

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We're gonna be watching Lethal Weapon two
today. Man, I love this

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series. I'm with you, and
having done our commentary track for the first

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Lethal Weapon a couple of years ago, at that point I knew we would

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be touching base periodically just so that
we could we could talk through the further

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adventures of Riggs and Murta mm hmmm. And this year being the thirty fifth

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anniversary of Lethal Weapon two, I
said, hey, Brian, let's uh

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come on, let's let's uh,
let's get this one going here. And

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I said, let's do it.
I can't wait to talk through this movie

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with you. Well, I hope
all of you listening our game as well,

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And if you want to watch along
with us, we'll take a short

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break right now and let our sponsors
do their thing while you get your copy

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queued up, and after this we
will talk through Lethal wepon two, and

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we are back and ready to go. I'm cute, up, Brian Newquede

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up. I am. So we
are watching the theatrical cut of Lethal Weapons

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two. There is a version which
has labeled the director's cut, but the

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director of the film, Richard Donner, does not consider that his director's cut.

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He considers the version we are watching
his version, and and Brian,

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I am. I am loath to
disagree with Dick Donner. I would,

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I would never. So, so
with that in mind, we're about to

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start watching. If you want to
watch along with us, we will hit

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play on three, so I will
go one, two, three play.

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And if you don't want to watch
along with us, that's fine too.

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We'll try to keep the conversation interesting
enough to hopefully engage you while you're doing

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whatever it is that you're doing.
So Brian, ready, I'm ready?

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Now? Wait? Are we going
on three? I was about to say

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this. It has never been there's
never been more pressure than right now.

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So we're gonna go. It's not
three play, it's one, two,

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three and play. I think that's
right, right, I think well it

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has been for us yep, Nixon
Mertza, I have their own method,

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they got their own routine. Yeah, all right, so here we go

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one, two, three play.
Ah, I'm just settling in. Well,

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let's really quickly. Actually, wait, I don't want to talk over

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this opening, which is so awesome, Like the way it's just like boom,

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you know what I mean, Like
this movie just kicks right off and

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you have like Rigs screaming and pounding
the rule. There's the title right there,

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yep, and then w rooshes towards
you on camera and then him you

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know, these tight shots on their
faces and Rigs going nuts. I mean

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you're like, whoa, okay,
okay, okay, Like I wasn't prepared.

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Let's go, let's go, We're
doing this. I love this opening.

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I mean I feel like this is
one of the first examples of what's

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very common now where we just drop
the title and right into the movie.

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Yeah. Sure, I mean,
I'm not saying it's the first is I

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think RoboCop did it for this,
but I mean I feel like lethal weapons

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sort of opened the floodgates. Yeah, it definitely related to that. Also,

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I mean, these movies have like
a real live wire energy to them,

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don't they like they just the way
that everybody interacts with each other,

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even just at the police station.
The way that everyone sort of talks kind

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of quickly and over one another.
There's it's not like a nervous energy,

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but it does keep me sort of
alert, right, Yeah, yeah,

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well, I was gonna say real
quick speaking to the director's commentaries you were

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talking about. So that was just
a result of sort of the DVD age,

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right, the director's cut. Yeah, where it felt like studios were

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like, well, the way we
can get people to double dip to buy

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more than one DVD, this is
this is this is hilarious. By the

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way. The the oh I didn't
know about Murta's Murta and his wife.

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That's you know, any something I
said in the first commentary also, is

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I love the culture that they create
at the police station. Yeah, we're

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like there and this one. They're
very serious about their jobs, of course,

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but in the first one, you
know, we see them practicing singing

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their Christmas carols and they seem like
this real sort of fraternity of Yeah,

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that's right, Sorry you're saying,
yeah, No. The directors cut versions

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of these films that were released were
put out in the late nineties to tie

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in with the release of of of
Lethal Weapon four. And so this is

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really like when VHS was still a
thing. And and I've seen all three

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of the director's cut editions of of
Lethal one through three, and and none

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of them adds anything that substantial,
right, I think I think they're fine.

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I think I've said before the Lethal
Weapon the first film, there's a

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scene where Riggs takes out a sniper
at a school, which, if there

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was one thing I would have left
in my have been that. But I

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think Lethal too, specifically, nothing
of real value is lost. Yeah,

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yeah, no, I was reading
about what those scenes were, and they

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I'm sure they're kind of humorous.
But I was appreciating the editing of this

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movie as I was watching it.
I mean, it's really a lot of

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the things that feel like gags are
really set ups for later payoffs. And

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that's right, it's really tightly constructed. Yeah, I think to your point,

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the way we just come right in
on Riggs and Murtau in the middle

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of another adventure, it really highlights
where, you know, number one,

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like the comfort level of the filmmakers
to pick up a few years later.

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But also I mean, it indicates
how audience has probably felt at the end

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of the first film, where it's
like, you know, I want to

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hang out with these guys again.
You know, they had a choice in

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the story construction of the first one
to have Riggs and Murta remain as a

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partnership or to have them go their
separate ways. Very smartly, they had

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they end with with Riggs joining you
know, the family for Christmas dinner,

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and I think to some extent,
you know, the audience sort of took

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on these characters as like, yeah, they're part of our family too,

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you know. Mm hmm. Oh. And something I don't want to forget

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is when it opens also with the
Warner Brothers logo, there's that weird sort

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of like Looney Tunes, that's right, the musical thing at the beginning of

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the boo kind of thing, which
is a really I mean, that's a

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real choice at the beginning of your
R rated you know, violence cop action

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film. You know, But doesn't
that just kind of sum it up going

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into this like hard action sequence next, Like that's the weird balance this these

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movies carry right here. This is
one of the funniest gags in all of

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the movies where where Rod is trying
to get him to pull away from the

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curb and then Riggs is like,
oh god, damn it, you were

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right right. The look on Murta's
face so funny. But isn't that a

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great texture too? They don't like
hang a hat on it, but it's

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he's driving the family's new car,
you know what I mean. So,

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and it keeps getting wrecked throughout the
movie. You know, it's a funny

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a big big deal out of it. It's just is a funny little side

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business. I also think it's it's
kind of neat how the film, uh

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does a good job of introducing the
other cop characters, yes, and and

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that so that like later on as
as the events play out, you know,

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it actually means something. You could
identify them. So yeah, when

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they we eventually lose them later exactly
something. Yeah. So the pretty much

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as soon as the first movie came
out, Warner Brothers went to Richard Donner

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and Joel Silver and was like,
hey, you gotta you gotta do a

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sequel, you know, and uh, Joel Silver first went to Shane Black,

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and understandably he of course created the
thing. He wrote the first film,

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and they wanted him to write the
sequel, and and even though what

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he wrote is like the provides the
framework for this, it's pretty far afield

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from his original intentions. M Yeah, there was a scene in there that

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I read where like a helicopter filled
with cocaine explodes and it rains down over

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La like snow, all the cocaine. It's very different. Yeah, and

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that that mirror is something he wanted
to do in the first film that he

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wasn't able to do to the same
extent. So it's just he he really

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had to bug up his butt about
about having having cocaine rained down on Los

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Angeles. You know what, though, it being the eighties, I can

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imagine you landing on that idea and
being like, it's gold, Jerry,

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it's gold. It's got to go
somewhere. It's funny because oh there there's

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the origin of the go on three. Yeah, this guy's mandrake. See.

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The great thing about their banter throughout
is you can imagine that a lot

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of it is just them riffing,
you know, And I think you know,

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the the version that they filmed is
written by Jeffrey Bohm, and I

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haven't seen the shooting script, but
I would love to note just like where

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does the script end and where does
them riffing begin? You know? Yeah,

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reading interviews with Boom, it sounds
like yeah, I mean Donner was

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really open to improvisation and then being
like, okay, well this has changed

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now because they said that, so
help constant rewriting. That's also interesting,

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right. So the script that Shane
Black wrote it was called Play Dirty,

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and it was much darker and it
ended with Riggs sacrificing himself to save Murta,

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his family and the studio, like
right out the shoot was like no,

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you're not you're not doing that.
But like, you know, even

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even Joel Silver didn't like that.
Richard Donnard didn't like that. And and

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after they told him, they told
Shane Black, hey, we're gonna you

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know, we this needs more work. He was so distraught, he was

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he told his agent, He's like, just tell him, I'm going to

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give him the money back, like
one hundred grand yep. His agent had

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to talk him off the ledge basically
like no, you keep the money,

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stupid. Yeah, with a buddy
of his right, author, a buddy

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of his Yeah, that's right,
the guy who created Remo Williams. Yes,

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yeah, I forget the guy's name, Warren something so so Dean Norris

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right here. I had to look
it up. You know how old he

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is in this movie? Oh my
gosh, how old? Twenty five?

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What? Wow? Oh my god. I would have never I would have

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liked re bet that. I ever, it's a mid thirties maybe, right,

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Yeah, yeah. I was just
talking about this with someone, you

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know, watching older movies, and
it just feels like what I watched The

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Big Chill for the first time this
past week. Oh sure, sure,

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yeah, And I was saying that, I mean, obviously I got it,

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but I was like, I don't
exactly understand how old they are because

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they look a lot older than I
think they're supposed to be, just due

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to the way, you know,
haircuts and dress style and everything in the

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eighties. But yeah, yeah,
there's a oh yeah, good, Sorry,

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no, no, I I I
I think I think to your point

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about Dean Norris, it like I've
known him for decades because of this film.

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So it's been kind of nice to
see the the Dinoissance, if you

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will, lately because of Hang On, Breaking Bad. You know, I

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was gonna say, most people these
days know him as Hank Schrader from Breaking

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Bad, but I looked it up
because I was curious. But yeah,

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he's been in one hundred and seventy
five roles. Yeah, yeah, one

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hundred and seventy five roles. He's
the he's the swat leader in T two,

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you know, and the majority of
which probably cops. I was gonna

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say, oh, yeah, he's
like swat leader and T two he's swat

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leader. In Gremlins two, he's
he's in total recall. He's all over

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the place. So I mean,
he's he's really been on fire. Maybe

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not in the public's consciousness, but
he's been on fire, acting wise forever.

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It's funny that that he's in Gremlins
too, because Jonathan Banks is in

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the first Gremlins. Oh that's right, all right, he's the he's the

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deputy. Yeah. By the way, we got grand l Bush uh in

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and as as Collins, the police
officer there, well he's off screen now,

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but he's Grandel Bush is also in
the first Lethal Weapon, but he

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plays a different cop. Oh funny, And that fascinates me because I'm like,

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why don't you just have but be
the same guy? You guys,

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like, does it matter at all? Right? I don't recall what happens

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to his character in the first movie. I mean, is there something they

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needed to differentiate or there's nothing significant. He's the guy who in the beginning

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when Roger he shaved his beard and
he tells rog oh something, I think

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you looked younger with the beard,
Like that's like his one. Wow,

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it's so weird, weird, right, Yeah, No, I was gonna

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say, there's this meme going around
right now where it has a picture of

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00:15:30.759 --> 00:15:33.799
Steve Martin and Diane Keaton from Father
of the Bride, and it's like,

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you know, this is what like
a forty five year old used to look

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like or something like that. Yeah, And it's amazing because you look at

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it and you go, oh wow, they look like fifty five. Yeah,

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so Letho Weapon two. You know, this is something specific about the

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Lethal series that I love is it's
a family on screen, it's also a

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family off screen. And I think
there's this remarkable consistency for all four movies.

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Oh yeah, right, and up
to you know, obviously, you

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know, Michael came in doing the
score, and you know, you know,

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Richard Donnald obviously directing, but like
even stuff like up here you know,

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you have Jack McGee playing the handyman
McGee, and he just he becomes

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00:16:19.639 --> 00:16:22.159
part of the troop. He shows
up in the rest of the movies.

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00:16:22.559 --> 00:16:26.159
M I mean that, you know, yeah, yeah, no, go

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00:16:26.159 --> 00:16:30.559
ahead, I was gonna say,
it's fitting. Yeah that part four supposedly

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the ending ends with like a family
album. That's right, right, I

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mean, that's really the feel that
you get through these movies. And I

220
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think it's cool that there has been
a single well there's been different screenwriters,

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but I mean having the directorial author
be the same throughout. I really think

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the series benefits from that, and
you feel it. That's yeah. I

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think that obviously this whole joint wouldn't
exist without Shane Black. But I think

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if anybody it became sort of the
guiding light, it was Richard Donner.

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And you can tell how personal this
series was to him that he up until

226
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his death he was like, I
want to come back on and do one

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more lethal weapon. Yeah, you
can you can tell it meant a lot

228
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to him. And and this this
is you know, this is a conversation

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that you and I have had where
I'm like, you know, I know

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00:17:23.599 --> 00:17:26.240
he wanted to do a fifth one
but now that he's gone, maybe you

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know, maybe it's time to just
close the book, you know, I

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think so, I think so.
But you speaking of the family aspect of

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it all, I mean, you
can understand why he'd want to go back.

234
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It's like a family reunion. From
a family reunion, yep. I

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should note Tales on the Crypt,
Tales from the Crypt on the TV there,

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which was executive produced by Richard Donner
along with Robert Zemeckis, Walter Hill,

237
00:17:51.720 --> 00:17:56.000
Joel Silver. Yeah, that was
for a minute there, that was

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quite the hype machine for like high
profile like that was like that was HBO,

239
00:18:00.119 --> 00:18:03.079
right, mm hmmmm. I feel
like that was one of their first

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big like kind of like ooh,
this isn't what you get on network TV

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type shows, you know that,
And it hit the culture like you knew

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the coft keeper, right. I
wonder if when she hit him, when

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00:18:15.920 --> 00:18:18.960
she hit Rigs in the face right
there, if that was like just a

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00:18:18.000 --> 00:18:22.759
good too, like an accident.
It looks very uh natural and accidentally yeah,

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00:18:22.839 --> 00:18:27.240
right, but it adds adds to
this sort of like bustling family energy

246
00:18:27.319 --> 00:18:33.400
that it was, yeah, exactly. Yeah. Now, first, have

247
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you ever seen a condom commercial?
On TV. I don't know if I

248
00:18:36.720 --> 00:18:41.920
have I don't know, but I
think I've said on another episode that I

249
00:18:41.960 --> 00:18:47.440
do remember a vibrator commercial that they
kept playing over and over during Mercia on

250
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thirty fourth Street on Christmas Eve while
I was watching Sam, I remember that.

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Wow, okay, it's never never
mind that by the way, that

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00:18:55.160 --> 00:18:57.039
the condom come, it's a real
condom cover. They paid ten grand for

253
00:18:57.119 --> 00:19:00.880
that commercial to be in this movie. So wow, really product placement?

254
00:19:00.960 --> 00:19:06.279
Yeah, why not? That's what
got you, you know, the still

255
00:19:06.319 --> 00:19:11.440
to house being able to call that
movie? Yes, thank you Ramsey.

256
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Yes, that's hilarious. Roger's reaction
is so funny. But I'm always like,

257
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like, how does like did they
deliberately not tell him? Did they

258
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think he wouldn't find out that it
was a condom commercial? I know,

259
00:19:26.279 --> 00:19:30.519
I know, I know, I
know. You think it's something that she

260
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would keep a secret from him and
he would discover late night by himself and

261
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like trash you know. Oh,
by the way, the McGee there where

262
00:19:38.119 --> 00:19:41.359
he so I made me want to
go out and buy rubbers, Like he

263
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just improvised that and everybody busted out. So they just left it in.

264
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I you know, it's funny.
I noticed he was in the back with

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the crowd, and I thought that
was funny. And then I love that

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one by one day I'll leave,
but he's the last one that remains.

267
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I thought it was great. That's
a really funny idea. Yeah, and

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I love how to deegrate it into
the family. He is here, you

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00:20:03.279 --> 00:20:07.799
know, I was about to say, for Riggs, like where he is

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at the start of this movie versus
where he was at the start of the

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last one. It's such a great
progression of his character. Yeah, comforting

272
00:20:15.079 --> 00:20:18.440
her boyfriend, speaking on behalf of
the family, you know, like one

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of them on the couch. It's
I don't know. I love it.

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I love the feeling. Yeah.
And his his mullet is less like insane

275
00:20:26.319 --> 00:20:30.759
in this one. Yeah. Actually, oh, let me crreck myself.

276
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It's not a mullet in the first
one. It's a mullet in this one.

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Sure. It's weird though it kind
of works on his head. Or

278
00:20:36.720 --> 00:20:37.920
maybe I'm just used to it.
I don't know if I looked at it

279
00:20:37.920 --> 00:20:41.680
for the first time this year,
if i'd feel differently, But I'm like

280
00:20:41.880 --> 00:20:48.839
that kind of works. It's a
little Maine, so Mark Rolston over here

281
00:20:48.720 --> 00:20:52.880
as as Hans, and then of
course Jeanette Goldstein is in the film as

282
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well, so we have a little
aliens reunion. Yeah. Oh, that's

283
00:20:57.200 --> 00:21:03.759
funny. I didn't think about that
that both of them, Drake and Vasquez.

284
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Yeah, John Connor's foster mom.
Yeah, that's right. So this

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movie was the number three movie of
the year in nineteen eighty nine. Yeah,

286
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I dug into this. I was
kind of fascinated just by the year

287
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nineteen eighty nine, because I think
we spoke about it recently, didn't we

288
00:21:26.200 --> 00:21:29.359
in our last episode. Yeah,
like what a fairly certain banner year it

289
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was. And I mean, yeah, this made a ton of money.

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The budget was twenty eight million and
made one hundred and forty seven million in

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the US and two hundred and twenty
seven million worldwide. And the top movies

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00:21:41.839 --> 00:21:45.440
of nineteen eighty nine that year were
Batman at two hundred and fifty one million,

293
00:21:45.640 --> 00:21:48.400
Indiana Jones, The Last Crusade one
ninety seven, and Lethal Weapon one

294
00:21:48.519 --> 00:21:52.240
forty seven top three. And this
is this is a year we're in the

295
00:21:52.240 --> 00:21:56.279
top ten box office of the year. You could also have movies like Dead

296
00:21:56.279 --> 00:22:00.640
Poet, Society, Parenthood, and
Rayneman to the year. It's amazing.

297
00:22:03.839 --> 00:22:06.799
But like, listen to this summer
lineup too. This is everything that came

298
00:22:06.839 --> 00:22:08.880
out that summer. So you have
Last Crusade, like I said, Batman,

299
00:22:10.200 --> 00:22:12.240
Honey, I shrunk the Kids,
Ghostbusters to Do the Right Thing,

300
00:22:12.359 --> 00:22:18.079
Dead Poet, Society, Weekend at
Bernie's, when Harry met Sally, Parenthood,

301
00:22:18.119 --> 00:22:22.559
the Abyss uncle Buck Roadhouse. Like
all these movies, we at least

302
00:22:22.599 --> 00:22:25.799
remember to this thing, you know, I mean a large number of them.

303
00:22:25.839 --> 00:22:30.279
And feel the Dreams came out a
month earlier, you know. Wow,

304
00:22:30.839 --> 00:22:36.680
stock it's stacked, stacked. So
this scene right here one of my

305
00:22:36.680 --> 00:22:40.720
favorites in the whole series. This
is great, yep. Right, Like,

306
00:22:41.039 --> 00:22:45.359
so we have Rigs the pen stirs
his recollection of the night his wife

307
00:22:45.359 --> 00:22:51.680
died. But look at look at
how Gibson plays it. Yeah right,

308
00:22:51.960 --> 00:22:57.880
it's it's he's playing through the pain, you know, m hm. Yep.

309
00:22:59.000 --> 00:23:03.079
And he does have this live wire
energy in all of his moments where

310
00:23:03.079 --> 00:23:07.720
he just feels like he's bottling something
in at all times. Yep. You

311
00:23:07.759 --> 00:23:11.000
know, which is it's sometimes it's
uncomfortable to watch, but that's the character,

312
00:23:11.319 --> 00:23:15.039
you know. Yeah, I mean
with this scene in particular, right,

313
00:23:15.079 --> 00:23:18.799
it's you get the sense it's the
first time he's ever talked about it

314
00:23:18.839 --> 00:23:23.039
with Trish, and and yet he's
so he's so comfortable in the household.

315
00:23:23.039 --> 00:23:26.680
He's there, he's making he's making
chili. Mm hmm. He does his

316
00:23:26.759 --> 00:23:30.400
laundry there, yep, you know
ye. And it's a it's a great

317
00:23:30.400 --> 00:23:34.920
little story, you know, like
it's a reminder of because now we're seeing

318
00:23:34.960 --> 00:23:38.200
him start off the movie going whooo, you know, but in the first

319
00:23:38.200 --> 00:23:42.640
one he's a broken, suicidal man, and it's nice to be reminded that

320
00:23:44.039 --> 00:23:48.160
he's multifaceted, you know, like
he's still harboring a lot of pain,

321
00:23:48.640 --> 00:23:52.880
and we it's important to this story. Also, Yeah, I think I

322
00:23:52.880 --> 00:23:56.400
think that's sort of the interesting thing
because because you know, when we think

323
00:23:56.400 --> 00:24:00.039
of him as a lethal weapon,
well that's really only applicable to the first

324
00:24:00.079 --> 00:24:03.799
movie. Sure, right, So
I was thinking about how, oh,

325
00:24:03.839 --> 00:24:08.240
by the way, right there,
I guess he can't see it, but

326
00:24:08.480 --> 00:24:15.720
he's he he crushes Oreos to put
in the chili. I last night was

327
00:24:15.759 --> 00:24:18.240
like, what is he doing there? Like what what are they? Right?

328
00:24:18.319 --> 00:24:21.880
And then when he mentions it later, Yeah, I was like,

329
00:24:21.960 --> 00:24:25.640
wait, wait, waitit so he
was crumbling oreos earlier into the chip and

330
00:24:25.680 --> 00:24:29.359
then I googled it. There are
recipes for this, did you know me?

331
00:24:29.359 --> 00:24:33.200
I had no idea. I had
no idea. There are recipes for

332
00:24:33.359 --> 00:24:37.200
oreos in Chili. I had no
idea. I don't know how popular of

333
00:24:37.279 --> 00:24:40.880
a thing this is, but it
is out there. I don't know if

334
00:24:40.880 --> 00:24:44.599
it's made a movie and people capitalized
on it or I don't. I'd be

335
00:24:44.680 --> 00:24:48.839
very curious for people to tell us, because I'm half tempted to try it.

336
00:24:49.640 --> 00:24:53.759
But I see. I like how
when rog comes in, you know,

337
00:24:53.799 --> 00:24:57.119
it's kind of this look exchange between
Rigs and Trish like he hasn't even

338
00:24:57.160 --> 00:25:00.759
really told Roj about what happened when
Vicki died. And I love that he

339
00:25:00.799 --> 00:25:06.319
has that. But with her,
he has that trust the relationship and she,

340
00:25:06.400 --> 00:25:07.119
you know, she doesn't do a
lot in that scene. She's just

341
00:25:07.119 --> 00:25:11.119
doing a lot of listening. But
Darlene Love is like, oh what she's

342
00:25:11.119 --> 00:25:15.160
doing with her face? It's I
love that this movie can have that.

343
00:25:15.160 --> 00:25:21.359
That's what makes these movies so special. I agree, Yeah, yeah,

344
00:25:21.400 --> 00:25:23.039
I mean yeah, yeah, sorry
yeah, good no? No, you

345
00:25:23.079 --> 00:25:26.599
first, please, well, I
was just just to finish the thought earlier,

346
00:25:26.640 --> 00:25:30.279
like the fact that Shane Black was
gonna call the sequel something else.

347
00:25:32.119 --> 00:25:33.839
You can see where his head was
at. He's like, well, no,

348
00:25:33.880 --> 00:25:37.079
because the first one is about the
lethal weapon. Yeah, sure,

349
00:25:37.240 --> 00:25:41.759
sure, right, but like lethal
weapon came to mean something else. It's

350
00:25:41.799 --> 00:25:44.240
no, it's Rigs and Murta.
They are the lethal weapon, you know.

351
00:25:45.119 --> 00:25:48.519
Yeah, right, Sorry you were
saying no. I was just gonna

352
00:25:48.519 --> 00:25:53.000
say that that sweet scene with Rigs
and the dog at the beach and he

353
00:25:53.039 --> 00:25:55.839
says something, you know, looking
at the ocean, he goes, all

354
00:25:55.920 --> 00:26:00.359
this can be will be yours someday, And I was like, where does

355
00:26:00.359 --> 00:26:03.400
that come from? That expression?
Because I always associate it with the Lion

356
00:26:03.480 --> 00:26:07.960
King, you know, oh,
all this will be yours everything the light

357
00:26:07.039 --> 00:26:11.359
touches, and I say it all
the time jokingly to people, and then

358
00:26:11.400 --> 00:26:14.680
hearing him say in this movie,
it made me just think, like I

359
00:26:14.720 --> 00:26:17.839
want I tried googling it. I
couldn't get a clear answer, but I

360
00:26:17.839 --> 00:26:19.440
don't know, I just wanted to
point that out. Maybe maybe it started

361
00:26:19.480 --> 00:26:26.400
here. Maybe I would love that. So the villains in this film,

362
00:26:26.400 --> 00:26:32.119
which you know, the the the
apartheid state, of South Africa, which

363
00:26:33.000 --> 00:26:37.359
is no longer in place now and
and some would say lead the Weapon two

364
00:26:37.359 --> 00:26:41.960
played a role in bringing down apartheid
in South Africa? Is that true?

365
00:26:42.880 --> 00:26:47.680
Shining such a light on it for
maybe yeah? Yeah, yeah. And

366
00:26:48.160 --> 00:26:49.480
the I mean the ironic thing,
and this is something we talked about in

367
00:26:49.480 --> 00:26:55.119
our previous track, is you know
there were there was signage throughout the mrtaw

368
00:26:55.160 --> 00:26:56.920
House in the first movie that talked
about, you know, free South Africa,

369
00:26:57.000 --> 00:27:03.400
and they got hate mail from I
guess the right people, the people

370
00:27:03.440 --> 00:27:06.480
making the movie, and they were
like, you know what we should do.

371
00:27:07.079 --> 00:27:11.920
We should make you know, apartheid
the enemy and Letho Weapon two.

372
00:27:11.400 --> 00:27:15.160
Yeah. And then the thought I
had was, and I've seen this movie

373
00:27:15.160 --> 00:27:18.240
a million times since it came out, but I'm like, if this movie

374
00:27:18.279 --> 00:27:19.880
were made today, you know,
I'd be like, oh, lethal Weapon

375
00:27:19.920 --> 00:27:26.079
went woke. Yeah it's true,
right, Like that's the internet conversation that

376
00:27:26.119 --> 00:27:29.880
would be going on. Yeah,
you know, I did cross my mind

377
00:27:29.880 --> 00:27:33.640
watching this that they're almost you almost
get these modern like Indiana Jones and the

378
00:27:33.759 --> 00:27:37.960
Nazis, Like we sort of get
these sort of Nazi like villains in here.

379
00:27:38.000 --> 00:27:40.720
We were like, I don't know, take them out. I don't

380
00:27:40.720 --> 00:27:45.720
care, right, right exactly?
Yeah, you know, yeah, when

381
00:27:45.720 --> 00:27:48.759
you think about a Jeffrey Boham,
he had kind of a nice summer because

382
00:27:48.839 --> 00:27:56.279
he wrote Indy three and this unbelievable, right, Yeah, you know he's

383
00:27:56.400 --> 00:28:00.240
he's a name. I know,
I would say largely because of the Indieanna

384
00:28:00.319 --> 00:28:03.880
Jones poster, like, yeah,
you know, I'm sure I credit on

385
00:28:03.920 --> 00:28:07.759
there, but I went and read
about him a little bit, and I

386
00:28:07.759 --> 00:28:11.559
mean, yeah, he wrote Inner
Space, did heavy revisions on Lost Boys,

387
00:28:11.559 --> 00:28:15.440
turning it into what it ultimately became, Last Crusade this like, and

388
00:28:15.480 --> 00:28:22.119
then he died tragically early at fifty
three, far too young. Yeah,

389
00:28:22.200 --> 00:28:26.880
he wrote he wrote the third Lead
the Weapon also yeah, right right,

390
00:28:27.519 --> 00:28:33.680
and the Dead Zone? Have you
seen the Dead Zone? I haven't.

391
00:28:33.279 --> 00:28:37.640
I feel like we started watching that
like a while ago. Right. I

392
00:28:37.799 --> 00:28:41.440
wasn't sure if you were leading me
to the fact that you bought me because

393
00:28:41.440 --> 00:28:45.000
they obviously it's a film with Christopher
Walking, but it was also, oh,

394
00:28:45.000 --> 00:28:48.240
I forgot about the TV show.
Yeah, it was a TV show.

395
00:28:48.279 --> 00:28:49.599
I meant them. I wasn't leading
you towards that. I meant the

396
00:28:49.640 --> 00:28:53.400
movie, the Christopher Walking movie I
have not seen it, though I've seen

397
00:28:53.400 --> 00:28:57.480
the SNL sketch. Yes, I
saw that first. I saw that like

398
00:28:57.559 --> 00:29:03.079
ten years before I saw the movie. Yeah. Yeah, no. And

399
00:29:03.119 --> 00:29:07.960
the reason I mentioned the series with
trepidation is because Zachi bought me the DVD

400
00:29:07.119 --> 00:29:10.839
set of I forgot about that.
You need to watch this, and it's

401
00:29:10.880 --> 00:29:18.400
something I sadly have not. Hey
at this point, it's available in a

402
00:29:18.440 --> 00:29:22.559
lot of ways. It was a
good show. It starred Anthony Michael Hall,

403
00:29:22.000 --> 00:29:27.319
right right, So this scene here, so again we talk about sort

404
00:29:27.319 --> 00:29:33.640
of the family dynamic, uh,
you know on on screen and off well,

405
00:29:33.599 --> 00:29:37.799
Steve Kahn is a representation of both
because he's in all the movies.

406
00:29:37.799 --> 00:29:41.079
He's also Richard Donner's cousin. But
I was as I was rewatching this and

407
00:29:41.119 --> 00:29:44.799
again I watched these all the time, but I'm like, I love Captain

408
00:29:44.880 --> 00:29:48.279
Murphy. He's so cool. He's
great. I mean, he's sort of

409
00:29:48.319 --> 00:29:55.440
that haggard captain, but not the
like screamy one that we see sort of

410
00:29:55.440 --> 00:29:57.920
like parodied full yes, Last Action
Hero, you know what I mean,

411
00:29:57.960 --> 00:30:02.680
Like it's exactly I love it.
It's a little more subtle, but it's

412
00:30:02.720 --> 00:30:10.000
still haggard. I think you would
say, you'd say long suffering. Yeah,

413
00:30:10.079 --> 00:30:12.359
right, by the way. But
yeah, yeah, you know he

414
00:30:12.359 --> 00:30:17.880
he has this sort of understanding like
these guys are my best guys. I'm

415
00:30:17.880 --> 00:30:22.160
gonna put up with their crap,
you know. Yep, yeah, I

416
00:30:22.160 --> 00:30:23.759
was just gonna say that. You
know, I've mentioned this, I'm sure

417
00:30:23.759 --> 00:30:27.200
on the first one. But many, many years ago, we were developing

418
00:30:27.480 --> 00:30:33.079
a TV show about buddy cops called
Sucker Punch and Leroy, and we actually

419
00:30:33.119 --> 00:30:40.240
met with Steve Kahan to play their
captain and we had lunch and he was

420
00:30:40.400 --> 00:30:42.000
he was into it. He loved
it, he liked us. He busted

421
00:30:42.039 --> 00:30:45.680
my chops. I got I didn't
I got my chops busted by Steve Kahan.

422
00:30:45.759 --> 00:30:51.480
Man. Uh, it's a It's
a one of my amazing favorite Hollywood

423
00:30:51.519 --> 00:30:57.200
memories for sure. That's awesome.
Yeah, so Leo Gatz obviously one of

424
00:30:56.880 --> 00:31:04.079
the most iconic parts of this whole
franchise. Yeah, sometimes I forget he's

425
00:31:04.079 --> 00:31:07.599
introduced so early. I think of
him like in three where he's like really

426
00:31:08.480 --> 00:31:12.880
like like a like a third main
character. Yes, well, that's kind

427
00:31:12.920 --> 00:31:17.680
of the funny thing, is is
I have said before about this here,

428
00:31:17.680 --> 00:31:19.680
it's like the Bremen Town Musicians.
With each movie, they just add new

429
00:31:19.799 --> 00:31:23.920
cast members and they've just become part
of the troop. And and definitely like

430
00:31:25.079 --> 00:31:29.640
the chemistry with the between the three
of them is so like right here,

431
00:31:29.720 --> 00:31:33.079
right from the start. It's like
if he hadn't been in the other ones,

432
00:31:33.119 --> 00:31:36.599
you'd be like, oh, you
know, like you'd miss out.

433
00:31:37.279 --> 00:31:42.440
Yeah, no, he's great now. The first choice for for Leo was

434
00:31:42.559 --> 00:31:48.400
Joey Pants. They wanted Joe Pantaliano. You can totally picture that it'd be

435
00:31:48.440 --> 00:31:52.200
a little different though. There's something
about Peshi's size, you know, that

436
00:31:52.279 --> 00:31:55.960
allows them to sort of push him
around a little bit, and you can

437
00:31:56.039 --> 00:32:01.160
imagine the you know, Panteleiano being
a little bit more. He look an

438
00:32:01.160 --> 00:32:05.240
eye to eye like he'd be irritating, but he'd also you know what I

439
00:32:05.319 --> 00:32:07.559
mean, like they couldn't bully him
in the same way. Well, I'm

440
00:32:07.599 --> 00:32:10.720
sure the thinking well, i mean, Dick Donner worked with Joey Pants on

441
00:32:10.759 --> 00:32:14.799
the Goonies, right, so I'm
sure, Ah, I didn't even think

442
00:32:14.799 --> 00:32:17.000
about that, You're right, That's
probably why he thought of him. Joey

443
00:32:17.039 --> 00:32:21.279
Pants turned it down. He was
doing something else. So it came and

444
00:32:21.279 --> 00:32:23.359
and Danny DeVito is somebody else they
thought of, which I can totally see

445
00:32:23.400 --> 00:32:30.519
that too, And yet I'm so
glad the right person got the role.

446
00:32:30.640 --> 00:32:37.400
Right me too, No, it's
perfect. What a crazy stunt this is,

447
00:32:37.319 --> 00:32:40.400
right flying out the hotel window.
I mean, ah, it looks

448
00:32:40.400 --> 00:32:45.599
so dangerous, crazy, probably flights. Did those guys jump out of that

449
00:32:45.640 --> 00:32:52.039
window land in that swimming pool?
It's crazy, and you know, there's

450
00:32:52.160 --> 00:32:54.680
just there's something about it, like
I think that's just this film in general.

451
00:32:54.720 --> 00:32:59.119
I mean it is a summer blockbuster. And obviously we're watching this in

452
00:32:59.519 --> 00:33:02.200
the you know it posts a blue
skybeam, you know, but it is

453
00:33:02.240 --> 00:33:08.559
so grounded and like somewhat believable.
You know, there's not Cootolli by the

454
00:33:08.599 --> 00:33:10.880
way in the background. Yep,
right, I saw it. Yeah,

455
00:33:15.319 --> 00:33:22.119
and this is just a year after
die Hard, so whoa huh. I

456
00:33:22.160 --> 00:33:27.240
don't know if I've fixed that into
my brain. That's interesting. Wow.

457
00:33:30.279 --> 00:33:32.480
Yeah, No, I really love
this on the ground action. You know,

458
00:33:32.559 --> 00:33:37.319
it's I mean, you get into
die Hard four where you can sort

459
00:33:37.319 --> 00:33:40.680
of manipulate things a little bit more, you know, with computers, and

460
00:33:40.759 --> 00:33:46.640
you got cars flying into helicopters,
which it looks cool in some ways,

461
00:33:46.640 --> 00:33:50.799
and that movie isn't well, it's
the Hairer Jet is the worst offender,

462
00:33:50.839 --> 00:33:53.160
I would say in that where yes, surfing a Hairer Jet, but like

463
00:33:54.039 --> 00:34:00.119
it's really nice to go back to
these smaller stunts, but they feel so

464
00:34:00.200 --> 00:34:04.880
much more dangerous and visceral and like
our characters are in peril, and I,

465
00:34:04.880 --> 00:34:07.440
I don't know, they make me
grip my arm and my couch differently,

466
00:34:08.239 --> 00:34:14.360
Yeah, I agree with that,
and I think that's I mean,

467
00:34:14.400 --> 00:34:15.679
with the with the Lethal Weapon movies, I always say that, like if

468
00:34:15.719 --> 00:34:20.679
you watch them back to back to
back, then it's sort of the decibels

469
00:34:20.920 --> 00:34:23.719
start going up slowly because certainly by
the end, right, I mean,

470
00:34:24.039 --> 00:34:30.000
the last one is I mean,
it's it's it's like My Dinner with Andrea

471
00:34:30.079 --> 00:34:35.320
compared with modern uh blockbusters, right
right, right right, But compared to

472
00:34:35.360 --> 00:34:38.400
the first Lethal Weapon, it's quite
a bit. It's a lot more you

473
00:34:38.440 --> 00:34:43.559
know, a lot more, a
lot more yeah, riffing and puns,

474
00:34:43.719 --> 00:34:47.719
and which is something that Shane Black
has you know, been on the record

475
00:34:47.719 --> 00:34:52.840
complaining about as he feels like they
lean too much into the comedy as they

476
00:34:52.079 --> 00:34:57.800
continue tohead and this one is much
more of a comedy than the first one,

477
00:34:57.880 --> 00:35:00.400
oh much. It's and I think
it's hilarious. I mean, that's

478
00:35:00.440 --> 00:35:05.079
the thing. It's funny. I
was I was watching I was watching the

479
00:35:05.079 --> 00:35:07.519
the Ciskel and Ebert review of Lethal
two, and Roger Ebert was just over

480
00:35:07.559 --> 00:35:13.239
the moon about this. He he
absolutely loved it, and he loved the

481
00:35:13.239 --> 00:35:15.159
first one too. Geene Siskel was
like, I liked everything, but the

482
00:35:15.559 --> 00:35:24.480
riffing and stuff between the two guys, Well, buckle up. And that's

483
00:35:24.599 --> 00:35:28.360
that's funny to me because I'm like, that's the stuff I like the most,

484
00:35:28.480 --> 00:35:31.559
you know, And I think,
honestly, I think that's what audiences

485
00:35:31.679 --> 00:35:35.280
liked. Like that's why we got
two more of these, you know.

486
00:35:35.480 --> 00:35:40.880
Like I think the suicidal ideation that
is an important part of the first movie,

487
00:35:40.880 --> 00:35:45.159
But I don't think you could make
that a runner for all four movies.

488
00:35:45.280 --> 00:35:47.079
I just don't think. I don't
think people want to watch that,

489
00:35:47.199 --> 00:35:51.400
you know. No, I agree, And to me, I like all

490
00:35:51.400 --> 00:35:53.960
of them, all four of them. But I do feel like this is

491
00:35:53.960 --> 00:35:59.159
where they nailed it, oh absolutely, without without a doubt. Yeah,

492
00:35:59.280 --> 00:36:01.519
like they found these movies. We
can talk about it a little bit more

493
00:36:01.599 --> 00:36:07.079
later, but I forget how surprisingly
dark they can get too, Like the

494
00:36:07.159 --> 00:36:15.000
violence is unpleasant at times, which
is a funny mixture with this chumminess and

495
00:36:15.039 --> 00:36:19.440
the joking. But I feel like
this movie, especially Part two, found

496
00:36:19.440 --> 00:36:25.159
that perfect balance of comedy and riffing
and fun but like real darkness as well.

497
00:36:25.199 --> 00:36:29.519
And I've always I mean, this
has always been one of my favorites

498
00:36:29.800 --> 00:36:31.519
in the series. Yeah, No, I well, and I would go

499
00:36:31.559 --> 00:36:35.519
beyond that. I would say I
think this is one of the best Part

500
00:36:35.559 --> 00:36:38.840
two's ever made. Yeah, for
sure. They took what worked about the

501
00:36:38.840 --> 00:36:43.360
first one and found the best way
to do it again, learning from the

502
00:36:43.400 --> 00:36:49.159
first one but not changing what it
is, right, Yeah, I think

503
00:36:49.159 --> 00:36:52.960
that's really crucial. And I think, honestly, I think Donner's instincts were

504
00:36:52.719 --> 00:37:00.159
on point when he moved away from
Shane Black's conception of the sequel. I

505
00:37:00.400 --> 00:37:01.679
think it's sort of it's an interesting
thing about how you know, like we

506
00:37:01.679 --> 00:37:06.159
were saying, the screenwriter originates the
thing, but at some point you sort

507
00:37:06.159 --> 00:37:09.800
of let go of it and it
becomes it belongs to the world, right,

508
00:37:10.360 --> 00:37:14.400
Yeah, sure, And that's hard, that's I mean, I can

509
00:37:14.519 --> 00:37:16.079
imagine that would have been hard for
somebody like Shane Black, but it's it's

510
00:37:16.119 --> 00:37:21.719
a recognition where I think his sense
of like, oh, this story has

511
00:37:21.760 --> 00:37:25.239
to end with Riggs making this heroic
sacrifice. It's like, I don't know,

512
00:37:25.320 --> 00:37:30.199
I just I don't think that's what
audiences would have wanted, right,

513
00:37:30.280 --> 00:37:34.199
Yeah, And I can picture that
version. But it's like you also have

514
00:37:34.280 --> 00:37:37.920
to listen to the movie. I
mean in the movie, I mean,

515
00:37:37.480 --> 00:37:42.719
you cast these people and they inhabit
the characters, they become these characters,

516
00:37:42.719 --> 00:37:45.760
and then they have some sort of
like chemistry you couldn't have been visioned on

517
00:37:45.800 --> 00:37:49.519
the page, and you have to
listen to that and let it, let

518
00:37:49.599 --> 00:37:52.519
that breathe and evolve into what it
what it is going to be or what

519
00:37:52.559 --> 00:37:57.320
it can be. Absolutely, but
we just talked right past. But I

520
00:37:57.679 --> 00:38:00.119
find that so funny where Rigs is
like we're black. Cut, You're We're

521
00:38:00.159 --> 00:38:06.280
back, You're black. I'm mad, Like let's go. Yeah, that's

522
00:38:06.360 --> 00:38:10.800
like the elevator pitch for Movie one, you know, right, Like I

523
00:38:10.840 --> 00:38:14.559
say, it feels like a perfect
trailer. It may be in the trailer,

524
00:38:14.599 --> 00:38:15.800
but it just feels, oh,
I'm you know, I'm I'm one

525
00:38:15.880 --> 00:38:20.000
hundred percent certain it's in the trailer. Yeah. By the way, speaking

526
00:38:20.000 --> 00:38:22.840
of cut scenes, there was a
scene before this where they were looking for

527
00:38:23.119 --> 00:38:28.800
the house on still Yep and Peshi
was having a hard time remembering it and

528
00:38:28.880 --> 00:38:30.559
so it was you know what I
mean, you can you can see why

529
00:38:30.599 --> 00:38:31.800
they probably cut it because it's just
like, oh, that's not it,

530
00:38:32.360 --> 00:38:36.960
that's not it. But it's funnier
when you just go directly to the right

531
00:38:37.000 --> 00:38:39.800
place and it's just like this is
the ninth house, Leo. You know,

532
00:38:42.920 --> 00:38:45.480
so you get the comedy of the
thing that you make up in your

533
00:38:45.519 --> 00:38:49.360
mind that you missed. Yeah,
I see that. That's sort of Those

534
00:38:49.360 --> 00:38:53.559
are the interesting choices that you know, filmmakers have to make all the time,

535
00:38:53.920 --> 00:38:57.920
right where it's like, you know, you have to kill your babies

536
00:38:57.920 --> 00:39:00.320
sometimes and it's like like that that
that bit. I mean, it's amusing

537
00:39:00.400 --> 00:39:06.760
on its own, but it's always
that question like does it serve the totality

538
00:39:06.760 --> 00:39:12.920
of what we're trying to do?
Right? So the stilt house, that's

539
00:39:12.960 --> 00:39:16.360
one of the few things that survive
from the Shane Black iteration of this.

540
00:39:16.920 --> 00:39:22.800
Yeah, well it's a brilliant idea. It's an amazing stunt. Oh it's

541
00:39:22.880 --> 00:39:30.079
yeah, exactly. Sorry, I'm
watching the movie. But yeah, imagine

542
00:39:30.320 --> 00:39:34.559
you can imagine driving through you know, the Hollywood Hills and seeing one of

543
00:39:34.559 --> 00:39:38.880
those and being like, what if
I just pulled on one of those stilts,

544
00:39:39.199 --> 00:39:43.519
you know, like I'm putting that
in a movie. I I certainly

545
00:39:43.559 --> 00:39:47.280
think it every time I pass one
of those houses, you know. The

546
00:39:47.280 --> 00:39:52.199
The other thought I had is is
how much is like so Cow a part

547
00:39:52.280 --> 00:39:57.000
of the experience of these films,
Like thank thank goodness they were able to

548
00:39:57.039 --> 00:40:00.440
film it all in Los Angeles,
in and around Los ange List. I

549
00:40:00.480 --> 00:40:05.440
mean, I know, I love
it living here because I recognize things and

550
00:40:05.480 --> 00:40:08.840
it feels like home in a way. But yeah, yeah, I mean,

551
00:40:08.920 --> 00:40:12.119
like, you know, as opposed
to you know, trying to get

552
00:40:12.199 --> 00:40:15.840
get you know, Vancouver to double
for La or something. You know,

553
00:40:15.119 --> 00:40:17.599
I was just gonna say, yeah, I mean another city with personality or

554
00:40:17.599 --> 00:40:21.679
something would be interesting. But yeah, if you're just gonna pick a city

555
00:40:21.719 --> 00:40:25.360
to play capital C City, then
there's no personality to it, you know

556
00:40:25.400 --> 00:40:31.639
what I mean? Yeah, exactly. Yeah, she's so hilarious in this.

557
00:40:31.719 --> 00:40:37.360
Man. I love the business with
the pool guy too, just like

558
00:40:37.400 --> 00:40:38.920
hey, hey, hey, because
then it's we didn't see it, but

559
00:40:38.960 --> 00:40:43.159
we know that Riggs borrowed his stuff
and now he just sees everyone driving away

560
00:40:43.199 --> 00:40:52.360
and he's like, what's going on? This is another great non pre bluebeam

561
00:40:52.360 --> 00:40:54.320
in the sky stunt, right.
I Mean it's just so it's just a

562
00:40:54.320 --> 00:40:58.119
tow truck, but it's like it
has that thing I love where it's like,

563
00:40:58.159 --> 00:41:00.760
Okay, we got a tow truck. What's everything we can do with

564
00:41:00.840 --> 00:41:02.840
a tow truck? Right, Like
like you always say, like every part

565
00:41:02.880 --> 00:41:07.440
of the buffalo, you know,
yeah, yeah, exactly, trying to

566
00:41:07.480 --> 00:41:12.320
climb up this incline and then you're
in between the cabin and the lift or

567
00:41:12.320 --> 00:41:14.559
whatever, and that thing, if
it's brought down, could crush you.

568
00:41:14.599 --> 00:41:16.239
So then you've got to move.
And then you know that you got to

569
00:41:16.280 --> 00:41:19.800
deal with the car in the back, and the car can become a weapon,

570
00:41:19.960 --> 00:41:22.760
you know. Like yep. I
just love that kind of action filmmaking

571
00:41:24.920 --> 00:41:30.840
well. And also it gives us
an insight into Rigs right, like he's

572
00:41:30.840 --> 00:41:34.840
not suicidal, but he's still,
you know, a risk taker. He's

573
00:41:34.880 --> 00:41:39.079
still a daredevil totally totally like he
will throw himself in front of anything to

574
00:41:39.119 --> 00:41:44.320
get the job done. Exactly.
Yeah. So this shot right here,

575
00:41:44.400 --> 00:41:49.360
I love this so much where we
just stop and we just focus on picking

576
00:41:49.440 --> 00:41:54.159
up Riggs's gun, and I just
love that they You could have just not

577
00:41:54.360 --> 00:41:57.079
had that in there, right,
but it's like, no, we have

578
00:41:57.159 --> 00:42:00.320
to show that they don't leave Riggs's
gun lying around somewhere so but he can

579
00:42:00.360 --> 00:42:06.000
find it. That is a good
point. I I I clocked the moment

580
00:42:06.119 --> 00:42:08.239
last night because I loved the angle
and the feeling of like, hurry,

581
00:42:08.280 --> 00:42:10.480
Harry, hurry, we're in the
middle of a chase and him having to

582
00:42:10.480 --> 00:42:14.440
sturry over and pick it up.
But I you're right, I love it.

583
00:42:14.440 --> 00:42:17.440
It's almost it's like responsible, that's
exactly right. They're in the middle

584
00:42:17.480 --> 00:42:21.599
of a chase, but no,
we have to make sure that we grab

585
00:42:21.639 --> 00:42:24.119
his gun so nobody else gets it, right. Yeah. I love that.

586
00:42:27.480 --> 00:42:31.679
It's a good character detail, I
suppose. Yeah, that's what I

587
00:42:31.719 --> 00:42:38.480
What I like about these movies is
they always give mertaw business. That's not

588
00:42:38.920 --> 00:42:45.719
just like standing back and watching Rigs
in the hero Yes, you know,

589
00:42:45.880 --> 00:42:50.079
yeah, I mean there can be
someone who on paper is, yes,

590
00:42:50.280 --> 00:42:52.360
the straight man, so to speak, but they also need to be an

591
00:42:52.440 --> 00:42:58.400
interesting person. Yeah, yeah,
exactly. He is a fully fleshed out

592
00:42:58.920 --> 00:43:04.599
character and also action oriented. You
know, he's he's a good con that's

593
00:43:04.679 --> 00:43:10.039
right. They just do business differently, like that moment. I love that

594
00:43:10.079 --> 00:43:14.000
moment at the end with the cash, you know, and he's yeah,

595
00:43:14.280 --> 00:43:15.239
oh yeah, I was gonna I
was gonna talk about that. Yeah,

596
00:43:15.320 --> 00:43:22.039
yeah, I love that. I
think about this all the time that see

597
00:43:22.119 --> 00:43:30.239
surfboards on top of cars always.
I picture this like sort of hilly sort

598
00:43:30.239 --> 00:43:35.480
of street and just like a surfboard
flying through a windshield. If one thing

599
00:43:35.599 --> 00:43:38.880
lethal weapon too taught you never drive
behind a car that has a surfboard strap

600
00:43:38.920 --> 00:43:44.079
to the top. Yeah, I
think it's good advice. Yeah, but

601
00:43:44.159 --> 00:43:46.960
what you were saying earlier is so
funny, as Murta's car is just getting

602
00:43:46.960 --> 00:43:52.679
more and more fed up, as
it's got duct tape on it, and

603
00:43:52.719 --> 00:44:01.320
you name it. It's so good. Always fun when your heroes can meet

604
00:44:01.519 --> 00:44:06.280
the villains in the middle of the
movie. I find, yes, there's

605
00:44:06.320 --> 00:44:09.320
a real tension and you're in almost
like an unpredictability like well, shoot,

606
00:44:09.360 --> 00:44:13.199
I mean if the main good guy
and the main bad guy you're meeting each

607
00:44:13.199 --> 00:44:15.159
other, where do we go from
here? And it it's always like a

608
00:44:15.199 --> 00:44:21.519
really delicious sort of scene isn't it. By the way, I the version

609
00:44:21.559 --> 00:44:24.320
I'm watching on Voodoo I actually it
might be you two. It has like

610
00:44:24.440 --> 00:44:30.760
subtitles that are like PG so instead
of it's it said instead of freeze dickhead,

611
00:44:30.800 --> 00:44:36.239
it said freeze ding Head. Oh
I wish I had seen I I

612
00:44:36.280 --> 00:44:42.320
have captions. Wow funny. Yeah. Yeah, this whole movie, all

613
00:44:42.360 --> 00:44:45.559
the all the f bombs and and
like whoever was doing the captions is really

614
00:44:45.599 --> 00:44:50.599
prudish. I guess yeah, or
you got the the airline version or something,

615
00:44:52.320 --> 00:44:58.280
but it's only the captions. Weird. So you have this bit coming

616
00:44:58.360 --> 00:45:00.800
up. First of all, the
well, Josh Ackland as as Argent Rudd,

617
00:45:00.800 --> 00:45:05.280
he's just such a oh my god, he's just he's got such a

618
00:45:05.320 --> 00:45:08.480
punchable face, right, oh just
you hate this guy, yeah, so

619
00:45:08.599 --> 00:45:13.559
much. But but when Adolph you
know, or as Riggs calls him Adolf,

620
00:45:13.599 --> 00:45:16.960
when when he's like, you're Martin
Riggs. I love how that's just

621
00:45:17.000 --> 00:45:22.000
setting something up so random that's gonna
end up paying off. Yep. But

622
00:45:22.119 --> 00:45:23.400
right there where he's like, yeah, of the Chicago Riggs is I say

623
00:45:23.440 --> 00:45:32.000
that of the Chicago Hassans. That
guy on the left he was reminding me

624
00:45:32.039 --> 00:45:35.639
of this other actor who I can't
name right now, but I realize it's

625
00:45:35.679 --> 00:45:39.800
not him, the guy from Ninja, Turtles two and Titanic and oh David

626
00:45:39.800 --> 00:45:45.400
Warner. Yeah is that Yeah?
Yeah, resembles him, but yeah he

627
00:45:45.480 --> 00:45:51.000
looks like him. Yeah. Yeah. Joss Ackland he was the following year,

628
00:45:51.199 --> 00:45:58.119
he was in Hunt Fred October.
He's the like the the the Russian

629
00:45:58.159 --> 00:46:00.519
guy. Yep, I was just
I'm looking at his IMDb right now.

630
00:46:01.320 --> 00:46:06.119
Yeah, just passed away resent his
Journey. Yeah, that's right, he's

631
00:46:06.159 --> 00:46:08.599
in Bogus Journey. I forgot about
that. Yeah. He died November nineteenth,

632
00:46:08.639 --> 00:46:14.239
twenty twenty three. Okay, so
very recently. Oh I saw Dinghead.

633
00:46:15.320 --> 00:46:21.719
Yes, I want to put pulp
fiction on here and see what that

634
00:46:21.719 --> 00:46:25.559
looks like. I think it's just
the captions for this movie. I think

635
00:46:28.159 --> 00:46:30.800
now. I you know, we
you and I we talk often about how

636
00:46:30.880 --> 00:46:37.239
movies gave us a weird, a
weird sense of car bombs and quicksand right,

637
00:46:37.440 --> 00:46:39.880
I would say, because of this
movie, I have this weird sense

638
00:46:39.880 --> 00:46:44.119
of like man diplomatic immunity. You
can just do whatever you want, you

639
00:46:44.159 --> 00:46:49.800
know, I love like excuse.
I don't know why. It's something about

640
00:46:49.800 --> 00:46:54.480
twelve year old Zachi being like,
oh damn, like diplomatic, dangerous in

641
00:46:54.519 --> 00:47:04.639
the wrong hands. So Patsy Kensitt
So this is interesting, But how old

642
00:47:04.719 --> 00:47:08.000
is Patsy Kensitt here twenty one?
Twenty one? Yeah, I wanted to

643
00:47:08.000 --> 00:47:10.519
see how old he was and how
old she was. He's yeah, it's

644
00:47:10.519 --> 00:47:14.920
like it's like a twelve one,
yeah, twelve year difference. Yeah,

645
00:47:14.920 --> 00:47:23.480
but they originally wanted brageet Nielsen for
this role. I'm gonna say Patsy Kensett

646
00:47:23.559 --> 00:47:28.920
is better in the part. So
yeah, I mean she's she's kind of

647
00:47:28.960 --> 00:47:32.440
like a badass, feels like a
different energy. Yeah, that's right,

648
00:47:32.599 --> 00:47:37.039
exactly, especially by then because she
had played red Sonia and yeah, and

649
00:47:37.239 --> 00:47:40.360
she doesn't seem like someone who would
put up with these working with these people

650
00:47:40.360 --> 00:47:44.519
if she didn't agree with them,
whereas this person feels like she's in sort

651
00:47:44.519 --> 00:47:47.519
of like a weird spot where she
doesn't want to be Yes, yeah,

652
00:47:47.679 --> 00:47:52.519
exactly. Yeah. But I looked
her up because I was like, I

653
00:47:52.599 --> 00:47:57.159
don't know her from anything else,
but she man, her acting goes way

654
00:47:57.159 --> 00:48:00.159
way back. I mean, I
guess she was like a child star was

655
00:48:00.199 --> 00:48:07.599
a musician, She was in a
band. Yeah, that's right. Yeah,

656
00:48:07.079 --> 00:48:10.800
I mean probably best known to American
audiences for this movie. To American

657
00:48:10.840 --> 00:48:19.599
audiences, Yeah, yeah, yeah, she's in the Great Gatsby, the

658
00:48:19.639 --> 00:48:24.480
seven seventies version. Oh really,
oh wow she is? Yeah yeah,

659
00:48:25.039 --> 00:48:30.000
that's the one with Sam Waterston.
Oh really yeah? Have you have you

660
00:48:30.000 --> 00:48:35.920
seen it? Have you seen the
the one so so Sam Waterston is Nick,

661
00:48:36.320 --> 00:48:38.320
you know, the character played by
Tobey maguire in the more recent one.

662
00:48:40.639 --> 00:48:43.519
Oh, when she was married?
I'm sorry, I'm sorry, I

663
00:48:43.559 --> 00:48:47.239
just I just hopped into the other
thing. I was gonna say she was

664
00:48:47.280 --> 00:48:53.639
married to Liam Gallagher for a spell. Oh that's right. Wow, yeah,

665
00:48:55.079 --> 00:48:58.880
anyway, Sorry, sorry, you
were saying you have Oasis fame.

666
00:48:59.199 --> 00:49:10.480
Mm hmmm. It's so funny that
I usually wait the car Yeah, rubbers,

667
00:49:10.559 --> 00:49:16.800
rubbers, rubbers, see Murtaw is
right, just rubbers everywhere, you

668
00:49:16.840 --> 00:49:22.360
know. In thinking about cut scenes
and how even the stuff that feels like

669
00:49:22.440 --> 00:49:25.559
gags, just like the street jacket
thing at the beginning, just feels like

670
00:49:25.559 --> 00:49:29.400
a funny uh he's a crazy guy, you know kind of thing, but

671
00:49:29.519 --> 00:49:31.519
obviously it pays off later. I
was trying to think if the condom commercial

672
00:49:31.559 --> 00:49:37.960
added to anything, and I don't
know that does specifically, but it does

673
00:49:37.519 --> 00:49:44.400
build the camaraderie with the other cops
who we are going to lose, yeah,

674
00:49:44.599 --> 00:49:49.840
right, that and also it sort
of establishes Rigs his relationship, which

675
00:49:49.880 --> 00:49:54.320
is he's just constantly goofing on Murta
yeah right, which obviously becomes a thing

676
00:49:54.360 --> 00:49:58.639
throughout the series. But also,
honestly, I love how Murtaw just starts

677
00:49:58.719 --> 00:50:02.880
laughing at the end of that right
totally. He's not like a pill,

678
00:50:04.159 --> 00:50:06.920
you know what I mean? Ye, Like, yeah, he can laugh

679
00:50:06.960 --> 00:50:09.440
at himself. It's a good joke, right, He doesn't want to be

680
00:50:09.440 --> 00:50:15.760
the butt of anything, but he
can laugh at right, exactly. Seriously,

681
00:50:15.840 --> 00:50:20.960
the man's a treasure. The man's
a treasure, and these two have

682
00:50:21.079 --> 00:50:27.280
got to be one of the best
casting duo you know pairs every honestly,

683
00:50:27.320 --> 00:50:30.599
ever, I mean it's I was
actually thinking. I know people's feelings and

684
00:50:31.000 --> 00:50:35.760
Gibson have probably changed over the years, but like I I can't do it

685
00:50:35.800 --> 00:50:38.440
for everybody, but I definitely can
separate it with these lethal weapon movies because

686
00:50:38.480 --> 00:50:43.079
this just feels like something, It
feels like a different person honestly, not

687
00:50:43.199 --> 00:50:45.519
the pepper bearded, crazy eyed guy, you know, what I mean,

688
00:50:45.679 --> 00:50:50.639
it's kind of crazy looking. Yeah. Yeah, and to be to be

689
00:50:50.679 --> 00:50:52.840
honest, to be honest, that's
kind of why I don't want another lethal

690
00:50:52.880 --> 00:50:55.639
weapon movie, exactly. I don't
want to. I don't want to.

691
00:50:57.280 --> 00:51:01.599
Yeah, melt that, yeah exactly, it's like, no, let it

692
00:51:01.639 --> 00:51:05.559
be this thing from twenty five twenty
six years ago. And you know,

693
00:51:05.800 --> 00:51:10.960
totally totally agree. Yeah, but
when you talk about like the interplay and

694
00:51:12.000 --> 00:51:16.039
the banter, like you buy the
friendship and that's what lets you go along

695
00:51:16.079 --> 00:51:20.920
with the with the goofing around with
each other. Yeah, and it is

696
00:51:21.039 --> 00:51:28.960
unlikely, but it also is completely
believable and palpable, right yeah, I

697
00:51:29.000 --> 00:51:31.960
mean you know it's just like like
earlier when we were in the MRTA house

698
00:51:32.079 --> 00:51:37.159
with Leo and and he's like,
hey, where does Trish keep my clothes?

699
00:51:37.239 --> 00:51:37.920
Right? So another it's like,
no, he just goes there,

700
00:51:37.920 --> 00:51:43.679
he does laundry there. Like it's
just he's part of the family, you

701
00:51:43.719 --> 00:51:46.880
know, and and that that dynamic
of what he brings to that family and

702
00:51:46.880 --> 00:51:51.079
what the family gives to him.
I think it's, Uh, it's just

703
00:51:51.119 --> 00:51:53.559
something it's really nice to see it
progress as as the films go on,

704
00:51:53.679 --> 00:52:02.199
you know, totally the drive there. They f you with the drive through.

705
00:52:02.559 --> 00:52:06.519
Oh wait, yeah, I want
to see this and close captioning,

706
00:52:06.800 --> 00:52:19.199
Oh yeah, I'm very curious.
I'm excited. Now wait did he say

707
00:52:20.119 --> 00:52:29.599
not yet? Yeah? They freak
you. Wow. Wow, you got

708
00:52:29.639 --> 00:52:32.679
freaked, Brian, They freak you
at the drive through? Man, Wow,

709
00:52:32.800 --> 00:52:40.280
which drive through? Who gets freaked? Oh? Leo a freak Wow.

710
00:52:40.320 --> 00:52:49.559
That's so fascinating. Oh man,
yeah, uh, that happened to

711
00:52:49.639 --> 00:52:53.039
me recently. Actually, I got
freaked at the drive through. I went

712
00:52:53.079 --> 00:52:55.639
and ordered, uh soft shell tacos, and I got a hard shell.

713
00:52:55.679 --> 00:53:00.000
But you know what, I turned
around because yeah, you know, it

714
00:53:00.039 --> 00:53:01.679
was great. Though. Then I
went inside. I was like, hey,

715
00:53:02.119 --> 00:53:05.000
I asked for soft shell. You
gave me a hard shell. He's

716
00:53:05.000 --> 00:53:07.920
like, we know what, keep
the hard shell. Here's your soft shell,

717
00:53:07.000 --> 00:53:10.559
and here's some gift certificates for more
tacos. And I thought, wow,

718
00:53:10.599 --> 00:53:13.760
I'll look at that. I was
like, give this man a raise.

719
00:53:14.639 --> 00:53:16.960
So you went back there. You
didn't lose your shit, no,

720
00:53:19.159 --> 00:53:21.239
see, I think I think that's
the thing. You were just like,

721
00:53:21.239 --> 00:53:23.119
hey, listen, I was just
here. Yeah, thankfully I wasn't all

722
00:53:23.159 --> 00:53:28.800
the way home. But yeah,
it's a good thing you checked. Yes,

723
00:53:28.880 --> 00:53:31.760
I know, I was gonna eat
it in the car as long as

724
00:53:32.079 --> 00:53:37.000
okay cops lists. Speaking of speaking
of drive throughs, have you seen that?

725
00:53:37.079 --> 00:53:40.519
I think you should leave sketch with
the where he's at the drive through.

726
00:53:42.000 --> 00:53:47.880
Yes, we're paying it forward,
paying for I was crying. I

727
00:53:47.920 --> 00:53:52.360
was laughing so hard, dude.
Whenever new episodes of that are released,

728
00:53:52.360 --> 00:53:57.480
Federica basically just sits next to me
on the couch to watch me watch the

729
00:53:57.519 --> 00:54:01.440
show because I think it's the hardest
I laugh all year. And if you

730
00:54:01.519 --> 00:54:05.119
remember, I'm gonna take credit because
I was one who is like, you

731
00:54:05.159 --> 00:54:07.519
need to watch this show? Oh
yeah, we could, yeh. I

732
00:54:07.559 --> 00:54:12.800
know because you I'm always amazed with
the degrees to which you know me,

733
00:54:12.880 --> 00:54:15.679
because it's very specific stuff. Times
you're just like, oh no, no,

734
00:54:15.599 --> 00:54:16.800
no, this You're gonna love this. Just just wait, right,

735
00:54:20.400 --> 00:54:27.440
very special thing to share with someone. I got you. Boom, I'm

736
00:54:27.519 --> 00:54:30.039
I'm the Leo gets to you.
That's the way. That's the way I

737
00:54:30.039 --> 00:54:31.840
look at it. No, no, man, you're right, I don't

738
00:54:31.840 --> 00:54:36.719
know which ones which, but we're
we're rigged in Marta. Hey, I'll

739
00:54:36.760 --> 00:54:43.480
take it. I do love the
the fun stalking scenes. We got there

740
00:54:43.639 --> 00:54:49.880
just a second ago with Rigs basically
looking into security cameras like hello. It's

741
00:54:50.000 --> 00:54:53.480
it's it's interesting because the dynamic they've
set up is so perfect, right where

742
00:54:53.480 --> 00:55:00.239
it's like, here's a guy who
is ungettable mm hmm through the legal process,

743
00:55:00.360 --> 00:55:05.360
right, and so it it obviously
as a cop he it puts him

744
00:55:05.360 --> 00:55:07.199
in this weird position, but it
also puts us in the position of being

745
00:55:07.239 --> 00:55:09.679
like, oh man, we want
to get him. How do we get

746
00:55:09.719 --> 00:55:15.719
him? You know? Yeap,
yeah, I was. I can't remember

747
00:55:15.719 --> 00:55:20.199
if he said this specifically, but
with the Shane Black thing, Leo gets

748
00:55:20.280 --> 00:55:24.000
was only in like one scene,
and it's fun where you can see where

749
00:55:24.000 --> 00:55:28.400
they where they took him. Here
you have him basically like you know,

750
00:55:28.440 --> 00:55:34.719
with an apron on cleaning Riggs' trailer, Like you know, he just immediately

751
00:55:35.360 --> 00:55:39.800
they saw an opportunity and they created
this totally fun character, you know.

752
00:55:40.000 --> 00:55:45.880
Yeah, And I wonder, I
wonder if they built him out after getting

753
00:55:45.079 --> 00:55:50.280
Pashi on board, or if they
saw the potential before even casting, you

754
00:55:50.280 --> 00:55:57.239
know what I mean. That's a
really good question because the yeah, yeah,

755
00:55:57.280 --> 00:56:00.159
yeah, yeah, Well, as
written, he was going to be

756
00:56:00.280 --> 00:56:06.639
kind of a feat Oh interesting,
that was like slick and kind of effeminate,

757
00:56:06.920 --> 00:56:07.639
and Pesci was like, well,
I don't want to play that,

758
00:56:07.920 --> 00:56:10.320
and so he came up with this
idea. He's like, I met a

759
00:56:10.320 --> 00:56:13.480
guy at Disneyland who was trying to
guide people. He's like, okay,

760
00:56:13.480 --> 00:56:15.079
okay, you gotta go here,
and okay, okay, and then and

761
00:56:15.079 --> 00:56:19.920
and he just started doing that and
Donner thought it was hilarious and that's what

762
00:56:20.199 --> 00:56:22.280
you know, that's what they landed
on. And it's so much it's like

763
00:56:22.320 --> 00:56:28.159
the perfect characterization. Yeah, with
your description, the first thing that came

764
00:56:28.199 --> 00:56:31.239
to mind was like Bronson Pinchot in
Beverly Hills. Yes, right, that's

765
00:56:31.280 --> 00:56:35.199
what I thought too, that that's
what I thought, seeing that I love

766
00:56:35.239 --> 00:56:42.159
this. This is different, Yes, exactly. Yeah. The the Leo

767
00:56:42.320 --> 00:56:46.840
character appeared on the television series,
as played by Thomas Lennon. Thomas Lennon

768
00:56:47.239 --> 00:56:54.239
legendary around these parts with our show. That's right, that's right, I

769
00:56:54.280 --> 00:57:04.079
love me some Thomas Lennon. Yeah, this scene is just so special,

770
00:57:04.920 --> 00:57:08.280
isn't it. Yeah, Like yep, everything about this scene with Merton the

771
00:57:08.320 --> 00:57:15.000
toilet, like you can imagine a
version in like a modern more modern movie

772
00:57:15.000 --> 00:57:19.639
with like more comedic actors playing up
the comedy of this, and there is

773
00:57:19.719 --> 00:57:22.360
comedy to be had here and we
get a little bit of it, but

774
00:57:22.480 --> 00:57:27.840
like there's this weird this is awkward, but like these guys are brothers.

775
00:57:28.400 --> 00:57:31.920
This is a serious situation. It's
uncomfortable. I just love the way they

776
00:57:31.960 --> 00:57:37.960
play this. Like the tone of
this whole sequence is so unique, you

777
00:57:38.000 --> 00:57:40.159
know, you know what I'm saying, Like you can imagine it going into

778
00:57:40.320 --> 00:57:45.440
like absolutely broader sort of comedic territory. And I just love that there's this

779
00:57:45.920 --> 00:57:47.960
it's kind of funny, like,
oh, this is a silly scenario,

780
00:57:49.000 --> 00:57:52.840
but then it immediately becomes deadly serious
and all the way through the end of

781
00:57:52.880 --> 00:57:55.480
it, which I know we'll talk
more too, but just the bond.

782
00:57:57.119 --> 00:58:01.599
Yeah, these guys have willing to
I for one another. It's I love

783
00:58:01.639 --> 00:58:07.599
this sequence so much. Yeah,
it's well and especially arriving as it does,

784
00:58:07.679 --> 00:58:09.719
it's literally the heart of the movie. It's right in the middle.

785
00:58:10.039 --> 00:58:15.840
Yeah. Right, And and let
me also say, as as a father

786
00:58:15.960 --> 00:58:21.320
of five, I feel Murta's pain
because I'm just being able to just sit

787
00:58:21.400 --> 00:58:24.159
on the toilet in an empty house. It's really like I feel I feel

788
00:58:24.159 --> 00:58:29.480
this so much, Brian, it's
taken away from it. They put a

789
00:58:29.519 --> 00:58:31.079
bomb. Well, all you just
wanted was just read his magazine on the

790
00:58:31.079 --> 00:58:37.920
toilet and piece. See Riggs gets
all these motivating faster to want to kill

791
00:58:37.920 --> 00:58:42.159
the bad guys. This is like
a perfect motivating factor for you and Murta

792
00:58:42.320 --> 00:58:52.000
for like, this is hilariously he's
I don't tell anybody, and then is

793
00:58:52.079 --> 00:58:59.719
so good. It's so but it's
again it's like it is hilarious, but

794
00:58:59.800 --> 00:59:01.719
there's not putting a hat on it, you know what I mean, Like

795
00:59:01.760 --> 00:59:07.159
it's just so matter of fact,
and it's a matter of factness is what

796
00:59:07.239 --> 00:59:16.519
makes it so funny, you know, zip my lip, no problem.

797
00:59:16.960 --> 00:59:22.159
The comedy is just so masterfully executed, you know, in accordance with the

798
00:59:22.199 --> 00:59:27.760
tone of these movies. That that's
the thing you're really it's a balancing act.

799
00:59:28.000 --> 00:59:31.599
And and this one, like you
said it, it hits it exactly

800
00:59:31.679 --> 00:59:37.840
right every beat, you know.
So so the the Exter or the mertaw

801
00:59:37.880 --> 00:59:39.840
House, I think you said it's
it's on the Warner Brothers lot, or

802
00:59:39.880 --> 00:59:44.119
it was on the Warner Brothers lot
Warner Brothers Ranch, which is just down

803
00:59:44.159 --> 00:59:52.039
the street on Hollywood Way and it
just got torn down. No, the

804
00:59:52.079 --> 00:59:59.599
neighbor of the house that's neighboring to
this house is the Griswolds with the lights.

805
00:59:59.639 --> 01:00:01.400
Yeah. So Sean and I we
actually did a pitch there at Warner

806
01:00:01.400 --> 01:00:05.360
Brothers and the Friends. Fountain was
there too, and so we just walked

807
01:00:05.360 --> 01:00:07.440
around. Wow, and it's just
this I was iconic. I mean,

808
01:00:07.639 --> 01:00:12.039
you walk down the street and you
immediately recognize it, and I feel so

809
01:00:12.119 --> 01:00:16.480
thankful I got to see it before
it was torn down. So this actor

810
01:00:16.480 --> 01:00:21.559
who plays the bomb Scott guy's name
is Kenneth Tiger. We just saw him

811
01:00:21.559 --> 01:00:23.920
a couple months ago. He was
in the Lowis and Clark Pilot. That's

812
01:00:24.039 --> 01:00:28.559
right. I knew he was someone
that I recognized and I know from many

813
01:00:28.599 --> 01:00:32.320
things, and I couldn't place it. This piece of scientist look that looks,

814
01:00:32.320 --> 01:00:36.039
oh isn't it great? Perfect?
You know, get we need to

815
01:00:36.039 --> 01:00:38.440
get you out of here. You
won't even speak. Rig is just like

816
01:00:38.960 --> 01:00:44.679
I'm not leaving with no words.
I mean that's the thing, right,

817
01:00:44.760 --> 01:00:47.360
Like the bond like you were alluding
to, It's like it's this, it's

818
01:00:47.440 --> 01:00:52.320
this brotherhood that these men have and
so you you kind of when you when

819
01:00:52.360 --> 01:00:55.199
you stack it against the first movie, you're like they went through something in

820
01:00:55.199 --> 01:01:00.159
that first movie that bonded them for
life, right, and you don't get

821
01:01:00.199 --> 01:01:04.239
some line like you know, we
need you to leave, not on your

822
01:01:04.280 --> 01:01:07.000
life, you know, you couldn't
tear me away from here, and it's

823
01:01:07.039 --> 01:01:09.679
like we just get a steely stare. I'm not going anywhere, dude.

824
01:01:10.239 --> 01:01:15.760
Love it. By the way,
I uh, MythBusters tested this out.

825
01:01:16.079 --> 01:01:20.639
Oh yeah, I saw this.
Yeah that's crazy. I even watching this.

826
01:01:20.760 --> 01:01:22.559
I was like, what, like
I don't understand this. Liquid nitrogen

827
01:01:22.559 --> 01:01:27.079
would slow it down. But yeah, they pour liquid nitrogen to delay the

828
01:01:27.119 --> 01:01:31.400
explosion and hear it says they would
give them seconds. But MythBusters proof minutes.

829
01:01:31.519 --> 01:01:36.519
Fifteen minutes. Yeah, yeah,
but that's not exciting, Zachy.

830
01:01:43.440 --> 01:01:50.119
It's like so alone at last.
I love this. I mean the drama,

831
01:01:50.159 --> 01:01:53.159
I mean just putting the flap down, like you could die in here,

832
01:01:53.639 --> 01:02:01.039
you know. Yeah, I think
it again that there's this inherent drama.

833
01:02:01.119 --> 01:02:05.840
Right, It's like it's like amusing
that he's on a toilet bomb,

834
01:02:05.800 --> 01:02:08.280
but like this, look at the
way the way rog is laughing, right,

835
01:02:08.599 --> 01:02:13.800
Like it's like, you know,
it's gallows humor, you know,

836
01:02:14.119 --> 01:02:16.760
yeah, why didn't they put it
in the oven? You know, you

837
01:02:17.320 --> 01:02:22.480
this from all that cooking your wife's
and then they're cracking up. It's hilarious.

838
01:02:22.079 --> 01:02:23.920
No, and I just love He's
like, guys like, you don't

839
01:02:23.960 --> 01:02:30.039
die on toilets. It's such a
weirdly moving line, isn't it right?

840
01:02:35.239 --> 01:02:37.800
Yeah? Oh, and then and
then the on three one, two three

841
01:02:37.920 --> 01:02:43.559
go and this is important and they
only have seconds, so it matters.

842
01:02:51.280 --> 01:02:53.280
Man, you're watching with the sound
off. It's kind of tense. I

843
01:02:53.360 --> 01:03:05.519
know, yeah, I just do
three. Yeah. Coachees, Yeah,

844
01:03:05.639 --> 01:03:07.159
I remember you and I we were
like, what's coaches? Like? We

845
01:03:07.159 --> 01:03:13.360
were we were going through the because
I've never heard it used colloquially outside of

846
01:03:13.400 --> 01:03:22.960
these films. No same, and
I honestly have forgotten look yeah, yeah

847
01:03:23.039 --> 01:03:28.239
right right here. Yeah, the
just yes, you know, I love

848
01:03:28.280 --> 01:03:37.519
you. Don't say anything exactly.
Yeah, this really is a great scene.

849
01:03:37.880 --> 01:03:44.800
I mean, it's it's amazing to
me that, like two movies in,

850
01:03:45.079 --> 01:03:49.400
we're already you know you you you
you don't have any doubt about the

851
01:03:49.719 --> 01:03:54.320
relationship, you know, Like,
I think it's a testament to what the

852
01:03:54.360 --> 01:04:00.519
first movie was able to do.
So effectively, is that you know,

853
01:04:01.679 --> 01:04:05.440
they're just there there there, They're
a match set at this point, you

854
01:04:05.480 --> 01:04:12.360
know, through thick and thin,
you know. Along with all that,

855
01:04:12.400 --> 01:04:15.800
I thought it was interesting and I
watched it on your Voodoo thank you,

856
01:04:15.360 --> 01:04:20.280
and I was looking at the reviews, you know, like the summaries for

857
01:04:20.400 --> 01:04:23.559
the film, and I thought it
was interesting. One of them said,

858
01:04:24.800 --> 01:04:28.559
when I when I think of lethal
Weapon, I attribute a lot of this

859
01:04:28.760 --> 01:04:31.519
the stuff that happens in this movie
to the first one. Hmmm. And

860
01:04:31.559 --> 01:04:34.199
I was like, that's so interesting, isn't it, Because I think I

861
01:04:34.480 --> 01:04:38.440
kind of do too. Not the
toilet scene because I know that's in this

862
01:04:38.519 --> 01:04:41.719
one, but the feeling of that
scene. But that's not the feeling in

863
01:04:41.760 --> 01:04:45.800
the first one. The first one
is them as strangers, building to what

864
01:04:45.840 --> 01:04:48.679
we are able to have in this
movie. But it's funny that, Yeah,

865
01:04:48.679 --> 01:04:51.199
when I think of lethal Weapon,
and you're asked me if I like

866
01:04:51.239 --> 01:04:56.960
lethal Weapon one, I might accidentally, you know, take some of my

867
01:04:57.039 --> 01:04:59.760
thoughts or feelings or scenes from this
movie and apply it to the first one.

868
01:04:59.800 --> 01:05:02.079
All So, no, I think
that's really true. I mean,

869
01:05:02.719 --> 01:05:11.159
uhh, when you look at all
four of them together, and we've said

870
01:05:11.159 --> 01:05:13.320
this before, right, what tends
to happen? Do you watch one and

871
01:05:13.360 --> 01:05:18.320
then you're like, well, I
gotta go through all four? And so

872
01:05:18.400 --> 01:05:24.239
they do kind of blur together a
little bit. Sure, But I think

873
01:05:24.239 --> 01:05:29.320
the cool thing is that the progression
is so natural that it's never like none

874
01:05:29.360 --> 01:05:32.440
of them feels jarring. They feel
each movie feels like a natural progression from

875
01:05:32.519 --> 01:05:36.800
the one before it. Exactly,
Yeah, we'll put right, yeah,

876
01:05:36.960 --> 01:05:42.480
yeah. Three couldn't come right after
one for sure? Yeah, yeah,

877
01:05:42.559 --> 01:05:45.280
yeah, exactly. You know,
and you've said, right, three is

878
01:05:45.280 --> 01:05:48.760
the one you've seen the least.
Yeah, seen the least, and I

879
01:05:48.880 --> 01:05:54.119
just remember the least for some reason. Well, that'll be a fun one

880
01:05:54.119 --> 01:05:56.960
to come back to and talk through. Yeah. No, I mean I

881
01:05:57.320 --> 01:06:00.840
felt this when we watched the first
one, but I it makes me like,

882
01:06:00.880 --> 01:06:01.840
tonight, I want to watch the
next one, like I just you

883
01:06:01.880 --> 01:06:11.159
don't want to, You want to
spend more time with these guys. Yeah.

884
01:06:11.239 --> 01:06:15.519
Yeah. I remember shortly after you
and I met, like I had

885
01:06:15.559 --> 01:06:21.480
gotten the lethal films for Christmas,
like as Christmas Presents that year, and

886
01:06:21.679 --> 01:06:26.800
it was the director's cuts, you
know, and and so for me it

887
01:06:26.920 --> 01:06:30.119
was it was that experience of of
just being able to watch them back to

888
01:06:30.159 --> 01:06:31.639
back to back, you know,
which I hadn't been able to do,

889
01:06:31.920 --> 01:06:35.840
you know ever really because you know, I hadn't owned them before, and

890
01:06:36.440 --> 01:06:42.239
and so for me it's like that, that's something like I associate that with

891
01:06:42.239 --> 01:06:45.920
with you, just because I got
them right around the time I met you,

892
01:06:45.000 --> 01:06:47.559
and I was probably like, man, these movies are so great.

893
01:06:47.559 --> 01:06:49.559
Aren't they great? Come on,
Brian, aren't they great? You know?

894
01:06:50.000 --> 01:06:54.119
Well, it's funny because I think
of you and Sean with these movies

895
01:06:54.159 --> 01:06:59.800
where I had seen them, but
like I had talked about them very much,

896
01:07:00.159 --> 01:07:02.599
you know, you guys were really
into them, and so it got

897
01:07:02.639 --> 01:07:04.679
me to be like, well,
yeah, I don't want to rewatch those.

898
01:07:04.719 --> 01:07:09.519
And then I, you know,
bought the DVDs or whatever. I

899
01:07:09.559 --> 01:07:11.800
know, I say that we just
talked pasted about the day. He's like,

900
01:07:11.840 --> 01:07:15.119
but but you're blick. I say, yes, but you're blick.

901
01:07:16.119 --> 01:07:20.400
And then Pesci later joking about that, and they're all cracking up. That's

902
01:07:20.440 --> 01:07:30.800
so funny. So this, uh
the set. Richard Donner talked about how

903
01:07:30.280 --> 01:07:34.519
the day they got in to film
this, the production designer J. Michael

904
01:07:34.519 --> 01:07:40.320
Reave had painted it pink. So
the whole thing was pink. Why,

905
01:07:41.239 --> 01:07:45.119
Yeah, well that's that's what Richard
Donner said. He's like, the hell

906
01:07:45.199 --> 01:07:46.000
is this? He's like, well, I thought it'd be a little different,

907
01:07:46.079 --> 01:07:49.119
like, you know, it's a
it doesn't look like your usual villain

908
01:07:49.239 --> 01:07:53.079
layer, you know. And he's
like, no, no, it looks

909
01:07:53.079 --> 01:07:58.440
stupid painted. So so the way
it looks kind of gun metal gray,

910
01:07:58.599 --> 01:08:00.880
it's like that, This is what
he said. He's like, the paint

911
01:08:00.000 --> 01:08:04.320
was wet, like you could smell
the paint when they were shooting. If

912
01:08:04.360 --> 01:08:08.840
not this scene, then the scene
earlier when he shoots Mark Rolston. But

913
01:08:08.920 --> 01:08:13.280
it was literally after a knockdown drag
out with the production designer, decided to

914
01:08:13.440 --> 01:08:17.199
do it pink. It's kind of
bold. That's a choice, I mean,

915
01:08:17.560 --> 01:08:21.640
to not even consult the director and
be like, how do I feel

916
01:08:21.680 --> 01:08:29.439
today for the color of this scene. I do like this scene, though

917
01:08:29.439 --> 01:08:36.359
it's a it's such a great summation
of Riggs's character. Yeah. I love

918
01:08:36.399 --> 01:08:42.800
the whole fish tank too, you
know, like evil people having fish tanks

919
01:08:42.800 --> 01:08:45.560
in their office makes me think of
the bad guy in the Naked Gun.

920
01:08:45.359 --> 01:08:49.600
Oh, I'm sure I can think
of others, but it's usually you know,

921
01:08:49.680 --> 01:08:56.600
like someone feeding some sort of dangerous
fish and being like, yeah,

922
01:08:56.680 --> 01:09:06.560
you misunderstand me, officer, kind
of a monologue happening. Yeah, I

923
01:09:06.600 --> 01:09:10.640
love the whole sort of three Stooges
sort of energy too, Like I mean

924
01:09:10.680 --> 01:09:13.279
they set that up earlier that he's
a big fan, but he's he's doing

925
01:09:13.359 --> 01:09:16.119
a lot of those like three Stooges
noises. You have behavior throughout this thing.

926
01:09:23.079 --> 01:09:27.359
I mean, this movie came out
at a time when, of course

927
01:09:28.000 --> 01:09:32.439
white supremacists would be your villains.
And again, this is a measure of

928
01:09:32.479 --> 01:09:39.199
how society is sort of you know, devolved. I would say, where

929
01:09:39.199 --> 01:09:43.359
now we're like, well, you
know, leave the white supremacists alone.

930
01:09:43.520 --> 01:09:48.680
You know the fact that you know, yeah, it's it's I was telling

931
01:09:48.720 --> 01:09:54.800
you earlier off Mike that I watched
Field of Dreams last night and there's that

932
01:09:55.000 --> 01:09:58.640
scene where they want to ban all
these books at this school, you know,

933
01:09:58.640 --> 01:10:02.680
like and Frank and you know this
woman I don't know, and I

934
01:10:02.760 --> 01:10:06.119
just thought like, wow, something's
just never changed. He's like thirty five

935
01:10:06.199 --> 01:10:11.239
years old and there's still people trying
to ban and Frank. You know,

936
01:10:11.279 --> 01:10:15.720
it's just well, and the extraordinary
thing is that, like if you watch

937
01:10:15.800 --> 01:10:20.199
a movie, the heroes are never
the ones trying to ban books, you

938
01:10:20.239 --> 01:10:24.359
know, I know, right,
so you'd think people like you think,

939
01:10:24.479 --> 01:10:27.800
you know, Ron DeSantis would be
like, well, I think I'm the

940
01:10:27.880 --> 01:10:30.279
villain in this story. You know, like there's never that sense of self

941
01:10:30.319 --> 01:10:34.880
awareness that kicks in, you know. Yeah, yeah, So it's yeah,

942
01:10:34.920 --> 01:10:41.319
it's sad. It's sad when you
see how much things either don't change

943
01:10:41.399 --> 01:10:45.319
or do change for the worst,
for the worst. Now, now we

944
01:10:45.680 --> 01:10:49.039
see Rigs shoot the fish tank,
and it's all fun in games there was

945
01:10:49.159 --> 01:10:53.039
hilarious trying to save the fish.
Now. Meanwhile, we have a scene

946
01:10:53.079 --> 01:10:57.760
later in the movie where it's a
big dramatic moment about Riggs's dog escaping death.

947
01:11:00.479 --> 01:11:06.760
Uh fair, I mean, I'm
gonna say, on animals, an

948
01:11:06.800 --> 01:11:12.239
animal, you know, I I
agree, No, I agree. I

949
01:11:12.239 --> 01:11:15.720
would never want to to. You
know, when you see people swallowing goldfish

950
01:11:15.760 --> 01:11:18.239
and things like that, it just
bothers me. That thing's a living thing,

951
01:11:18.960 --> 01:11:25.640
dude, you know. Uh after
uh after, Uh, let's see

952
01:11:25.640 --> 01:11:30.399
that this was Humsa's freshman year.
He got it was like his last day

953
01:11:30.439 --> 01:11:35.039
he got he got some goldfish and
and uh one of them died. One

954
01:11:35.079 --> 01:11:38.960
of them lived for a while.
For we had him for more than a

955
01:11:39.000 --> 01:11:42.119
year, and he ended up dying
when we were when we were cleaning the

956
01:11:42.119 --> 01:11:45.479
fish tank, and I'll tell you, we were all like traumatized because we

957
01:11:45.479 --> 01:11:50.159
had grown so attached to that fish. Yeah. Yeah, and I've had

958
01:11:50.239 --> 01:11:54.640
fish pretty much my whole life,
you know. I mean they're they're different

959
01:11:54.760 --> 01:11:59.079
obviously than dogs and cats. They
can't really play with them, but they're

960
01:11:59.079 --> 01:12:01.479
still a living thing. See.
I think what we needed was we needed

961
01:12:01.479 --> 01:12:06.239
a shot inside the goldfish where we
see how the lighter skinned goldfish are being

962
01:12:06.319 --> 01:12:11.840
mean to the darker goldfish, just
to drive it home. Yeah, he

963
01:12:11.920 --> 01:12:15.039
was like, oh no, they're
white supremacist fish. Okay, Oh well

964
01:12:15.079 --> 01:12:18.319
all right, Ris, Yeah,
exactly. I think that's what was missing.

965
01:12:19.600 --> 01:12:23.159
I also, I was like thinking, oh, like this is in

966
01:12:23.239 --> 01:12:28.600
the pantheon of great exploding aquariums and
movies, you know, like Mission Impossible,

967
01:12:29.279 --> 01:12:33.760
and that's all I could think of. But if it doesn't feel like

968
01:12:33.760 --> 01:12:39.920
there's more, it feels like there
should be more if nothing else, Yeah,

969
01:12:40.960 --> 01:12:45.239
this is interesting. Okay. So
so at one point she he's like,

970
01:12:45.279 --> 01:12:47.840
well I followed you, and she's
like, t you followed me and

971
01:12:47.880 --> 01:12:51.119
I'm like, you know, if
he didn't look like he does, yes,

972
01:12:53.680 --> 01:13:00.720
it would be a very different reaction, right, Yeah, certainly that

973
01:13:00.960 --> 01:13:04.960
And it's funny because there is a
flirtation here. Clearly she's into it to

974
01:13:05.000 --> 01:13:12.920
a degree, but it really does
become him imposing literally dragging her away at

975
01:13:12.920 --> 01:13:15.199
the end. Yeah, and you
know, I'm sure in nineteen eighty nine

976
01:13:15.239 --> 01:13:17.479
it was like, Well'smill Gibson,
I wish he dragged me away, you

977
01:13:17.520 --> 01:13:20.920
know, kind of a thing.
But watching this, I was like,

978
01:13:21.760 --> 01:13:25.159
yeesh, Like, gu's not how
i'd want my my hero in my movie

979
01:13:25.199 --> 01:13:28.720
to behave that Well, and it's
sort of it's sort of like watching those

980
01:13:28.720 --> 01:13:31.359
early James Bond movies where you're like, goddamn, dude, like, I

981
01:13:31.439 --> 01:13:38.199
know he's he's he's you know,
just a borderline sexual predator, you know.

982
01:13:38.880 --> 01:13:42.239
Yep, Yeah, and that is
I mean, look, let's be

983
01:13:42.399 --> 01:13:47.000
real. I mean that was the
dynamic that in the era that you and

984
01:13:47.079 --> 01:13:53.319
I grew up, That's how our
movie heroes were depicted. And I think

985
01:13:53.479 --> 01:13:58.439
the part of that, let's call
it like a fantasy, was probably yes,

986
01:13:58.600 --> 01:14:00.840
she's resisting, but all simately,
she can't resist me. So like

987
01:14:00.880 --> 01:14:05.039
if I just push and push in
a playful way. I'll get what she's

988
01:14:05.079 --> 01:14:10.479
really feeling out, and she'll do
what she wishes she could shell she'll come

989
01:14:10.520 --> 01:14:14.600
away with me. I think,
I assume that's kind of what is people

990
01:14:14.680 --> 01:14:17.119
are trying, you know, to
characterize in those sorts of things. But

991
01:14:17.199 --> 01:14:23.800
it's just like now, man like
people people say no most of the time.

992
01:14:26.159 --> 01:14:30.439
Percent of the time they mean no, that's exactly right, it's and

993
01:14:30.439 --> 01:14:35.800
and so you wonder how much how
much screwed up thinking got inculcated into people

994
01:14:36.319 --> 01:14:42.000
by taking the wrong interpretation from films
like this. Yeah, Like if I

995
01:14:42.039 --> 01:14:45.399
push hard enough, either she'll say
what she's really thinking or I can change

996
01:14:45.399 --> 01:14:50.239
her mind. Well, it's like
the old chestnut that we've seen in countless

997
01:14:50.239 --> 01:14:55.279
movies and sitcoms where they're fighting,
they're yelling at each other, then they

998
01:14:55.319 --> 01:15:00.279
slap, then they kiss. Yeah
right, Yeah, It's like I don't

999
01:15:00.279 --> 01:15:02.840
think real life works that way.
You know. My brother and I joke

1000
01:15:02.880 --> 01:15:05.079
about that all the time, just
because we think it's such a funny,

1001
01:15:05.479 --> 01:15:12.000
weird trope, like, yeah it
really yeah, but yeah, I mean,

1002
01:15:12.079 --> 01:15:15.279
I think the movie has set up
in her portrayal that yes, she

1003
01:15:16.119 --> 01:15:20.439
is interested in him to a degree, but just that one moment where she

1004
01:15:20.479 --> 01:15:24.960
can he convinces her to come back
with him. I just feel like feels

1005
01:15:24.960 --> 01:15:29.520
a little I wish they had tweaked
it a little bit differently, But I

1006
01:15:29.520 --> 01:15:31.840
mean you are looking at it from
a twenty twenty four perspective, so there

1007
01:15:31.880 --> 01:15:36.439
is that definitely, and I yeah, and again not that it would ever

1008
01:15:36.520 --> 01:15:41.399
be okay any in any period,
because it's but I think people would look

1009
01:15:41.399 --> 01:15:45.319
at it differently, and especially to
your point with mel Gibson doing it in

1010
01:15:45.399 --> 01:15:49.640
nineteen eighty nine. Yes, I
would like to n eighty nine mel Gibson

1011
01:15:50.479 --> 01:15:55.119
nineteen twlve. Yeah, important for
many reason. But I mean, like

1012
01:15:55.199 --> 01:15:58.279
the men wish they were mel Gibson
in that scenario, and the woman really

1013
01:15:58.279 --> 01:16:01.359
wanted to go away with him and
the women which they were her and mel

1014
01:16:01.399 --> 01:16:05.520
Gibson wouldn't give up on her and
her away. You know, you know,

1015
01:16:05.880 --> 01:16:11.920
it is worth like taking a step
back and just like taking into account

1016
01:16:12.439 --> 01:16:15.039
the star power of mel Gibson at
his peak, you know, yeah,

1017
01:16:15.680 --> 01:16:20.479
like he was People Magazine's very first
sexiest man alive. Oh really, he

1018
01:16:21.039 --> 01:16:27.039
inaugurated the tradition mm hmm, right, And and I mean certainly when we

1019
01:16:27.640 --> 01:16:31.760
I would say, throughout the nineties, probably one of the most dependable box

1020
01:16:31.800 --> 01:16:39.079
office draws you could imagine. Oh
yeah, yeah, yeah, absolutely,

1021
01:16:40.680 --> 01:16:43.279
And then he went on and directed
Brave Heart, which is amazing, and

1022
01:16:43.319 --> 01:16:47.359
when oscars and it's like, what
can't this man do? Yep, this

1023
01:16:47.439 --> 01:16:54.199
is a crazy stunt. Yes,
with that, it's also yeah, with

1024
01:16:54.399 --> 01:17:00.000
the officer on the diving board at
the pool, also feels slightly the most

1025
01:17:00.159 --> 01:17:02.920
cartoonish, like to put it on
the diving board of a pool, right,

1026
01:17:03.079 --> 01:17:08.159
a little like I don't know,
in time, someone to a train

1027
01:17:08.199 --> 01:17:14.439
tracks or something. And also it
kind of looks like she made it.

1028
01:17:14.720 --> 01:17:17.279
Yeah, I mean it's an incredible
stunt. The stunt person like flipping in

1029
01:17:17.319 --> 01:17:19.560
the air like that, but it's
like, well, no, like thank

1030
01:17:19.600 --> 01:17:23.279
god, it kind of looks like
they made it. Yeah. No,

1031
01:17:23.359 --> 01:17:26.079
that's a good. Well, you
know, as written in the original Shane

1032
01:17:26.079 --> 01:17:30.039
Black draft, that character who is
ends up being played by Jenet goldseen she's

1033
01:17:30.079 --> 01:17:34.880
tortured to death by the by the
South Africans and so they smartly got rid

1034
01:17:34.920 --> 01:17:40.319
of that. But yeah, I
think I think your point is valid that

1035
01:17:40.680 --> 01:17:44.279
it it feels like, yeah,
I don't know, how is she you

1036
01:17:44.319 --> 01:17:47.000
know, seems okay, Yeah,
I mean I'm being like silly, but

1037
01:17:47.399 --> 01:17:50.000
it's it is the one that even
last night I was like, oh,

1038
01:17:50.000 --> 01:17:55.399
that's kind of funny, like putting
a palm on a diving board on a

1039
01:17:55.399 --> 01:17:58.239
pool. Yeah, as opposed to
these other people that are just getting like

1040
01:17:58.279 --> 01:18:04.600
blown up and shot in the head, and these poor guys. I almost

1041
01:18:04.600 --> 01:18:10.760
wish we had seen like a like
a bird land on the pool the diving

1042
01:18:10.760 --> 01:18:15.039
board. Yeah, I see like
a little bird. Like cheap, cheap,

1043
01:18:15.119 --> 01:18:19.680
cheap, you know. Like now, now, this scene right here,

1044
01:18:19.720 --> 01:18:23.880
I talk about how much I love
Captain Murphy. This scene right here

1045
01:18:24.359 --> 01:18:29.079
is why. You know, the
cops are freaking out, they're panicking,

1046
01:18:30.000 --> 01:18:32.479
and he's he's trying to calm their
nerves. Let's worry about the ones that

1047
01:18:32.520 --> 01:18:35.880
are alive, right, Yep,
he just kind of taps one of the

1048
01:18:35.920 --> 01:18:40.600
cheek. Let's do it, right. Isn't that great? Gosh, this

1049
01:18:40.640 --> 01:18:45.479
has got to be the best,
most human version of this kind of chief.

1050
01:18:45.640 --> 01:18:48.640
Exactly. I never thought about it
because again, if you asked me,

1051
01:18:48.680 --> 01:18:50.760
and I hadn't watched these movies in
years, it'd be like, yeah,

1052
01:18:50.760 --> 01:18:54.720
he's the guy who's got the tons
on his desk, and he's always

1053
01:18:54.800 --> 01:18:57.880
yelling about you know, these guys
blowing up city blocks. But he's not

1054
01:18:57.960 --> 01:19:00.279
that guy. No, not at
all. Like even in the in the

1055
01:19:00.359 --> 01:19:05.399
fourth one, you know when he
you know, Riggs and Murta get promoted

1056
01:19:05.439 --> 01:19:10.319
to captain briefly, right, yes, and he's like, he's like,

1057
01:19:10.359 --> 01:19:12.560
this is the best, the most
painful thing I've ever to go through.

1058
01:19:12.560 --> 01:19:15.520
But you can tell he's joking around
with them, yeah, yeah, you

1059
01:19:15.600 --> 01:19:18.479
know, he's like, oh I
gotta do this now, you know,

1060
01:19:18.560 --> 01:19:23.119
and he's he's having an aneurysm,
you know. Yeah, and he thinks

1061
01:19:23.119 --> 01:19:27.800
they're knuckleheads, you know, yeah, exactly, but they're his knuckleheads exactly.

1062
01:19:30.439 --> 01:19:34.199
I love Leo's just trying to get
rods to Teata on his taxes.

1063
01:19:38.720 --> 01:19:42.039
It's so funny. The boat,
by the way, we never see the

1064
01:19:42.039 --> 01:19:45.359
boat in this one, but this
is the only movie where we don't actually

1065
01:19:45.359 --> 01:19:47.479
see his boat. Wow. But
we at least we get reference to it.

1066
01:19:47.720 --> 01:19:53.000
We get the reference. So Leo
is like, he's like, she

1067
01:19:53.119 --> 01:20:01.960
makes me want to buy rubbers.
So I definitely remember between movie one and

1068
01:20:02.000 --> 01:20:04.840
movie two, I was like,
man, you can just show boobs like

1069
01:20:04.880 --> 01:20:09.600
all the time in movies. It's
fantastic. Yeah, that's right. Well,

1070
01:20:09.600 --> 01:20:12.600
it's funny because I had kind of
forgotten about that, and then I

1071
01:20:12.640 --> 01:20:15.840
was reading about Joel Silver recently,
probably because of Diehard, but it was

1072
01:20:15.880 --> 01:20:20.560
like everyone said, oh, Joel
Silver, bombs and boobs yep, literally

1073
01:20:20.600 --> 01:20:24.880
like, yeah, every movie has
to have a topless scene. Yeah,

1074
01:20:24.960 --> 01:20:30.399
which is a very kind of eighties
thing too, which the very very almost

1075
01:20:30.439 --> 01:20:32.880
silly, gratuitous version of seeing like
just boobs on screen. And the reason

1076
01:20:32.920 --> 01:20:35.960
I was thinking about it recently too
is I watched the movie Valley Girl for

1077
01:20:36.000 --> 01:20:40.760
the first time, and I was
surprised that there were all these boobs in

1078
01:20:40.800 --> 01:20:45.119
the movie. It just felt random, And so I was reading the trivia

1079
01:20:45.159 --> 01:20:48.039
afterwards, and that was a mandate
from the producers for the budget. If

1080
01:20:48.039 --> 01:20:53.640
they were going to provide budget for
this woman to make the movie Valley Girl,

1081
01:20:53.800 --> 01:20:58.039
there had to be x amount of
boobs. Amazing. Doesn't that just

1082
01:20:58.079 --> 01:21:01.840
feel like so nineteen eighty three or
something? You know? Like it?

1083
01:21:01.840 --> 01:21:06.119
It really does, because what you
realize is that this is the pre internet

1084
01:21:06.159 --> 01:21:13.239
wilderness where you would get your your
snippets in your R rated movies, or

1085
01:21:13.279 --> 01:21:15.239
you would sneak a peek at you
know, the top shelf at Walden Books

1086
01:21:15.319 --> 01:21:18.840
or whatever. Yeah, it could
be a draw the fact that like,

1087
01:21:18.960 --> 01:21:21.880
oh, well, I'm gonna get
to see you like a little peek at

1088
01:21:21.920 --> 01:21:26.399
somebody and if this movie. Yeah, basically you know, and that's a

1089
01:21:26.439 --> 01:21:30.399
good point. But you know,
Patsy Kensit talked about how like she had

1090
01:21:30.439 --> 01:21:34.560
to be fully nude, but mel
Gibson had like a little you know,

1091
01:21:35.000 --> 01:21:40.640
banana hammock or whatever, and I'm
like, well, what's that all about,

1092
01:21:40.720 --> 01:21:44.039
Like you know what I mean?
Sadly that feels about right, right,

1093
01:21:45.000 --> 01:21:47.720
Yeah, you know, there's been
all this talk lately about intimacy coordinators,

1094
01:21:48.079 --> 01:21:51.319
right, and basically, for those
of listening are like, what's that.

1095
01:21:51.359 --> 01:21:56.199
It's basically people who are on set
during a love scene to just kind

1096
01:21:56.199 --> 01:22:00.439
of make sure everybody's comfortable, right, and let's be honest, by everybody

1097
01:22:00.439 --> 01:22:02.239
really, I mean the women in
the scene usually because they're the ones who

1098
01:22:02.279 --> 01:22:08.239
are most often objectified, right sure, sure, And that's the interesting thing

1099
01:22:08.399 --> 01:22:11.560
is you have men talk about the
intimacy coordinators, they're like, you know,

1100
01:22:11.680 --> 01:22:14.479
they're just getting in the way of
the art and they're trying to but

1101
01:22:14.520 --> 01:22:15.560
the women are always like, man, I'm so glad to have them there.

1102
01:22:15.560 --> 01:22:17.279
I have somebody who's looking out for
me, Like you know what I

1103
01:22:17.399 --> 01:22:20.000
mean, Yeah, they have an
advocate. I mean you hear all these

1104
01:22:20.039 --> 01:22:25.840
stories about women agreeing to one thing, yeah, and like, Okay,

1105
01:22:25.840 --> 01:22:27.640
this is what I'm willing to do
for this movie. And then when they

1106
01:22:27.680 --> 01:22:31.159
show up on set, I'm sure
certain producers or directors whoever, actors are

1107
01:22:31.199 --> 01:22:35.239
like, I bet I could coax
her into this. Yeah, maybe you

1108
01:22:35.279 --> 01:22:38.520
can get her to take her top
off or something like that. And it's

1109
01:22:38.560 --> 01:22:43.000
like there's no one to advocate for
them in that situation. And maybe the

1110
01:22:43.039 --> 01:22:45.439
star that she's acting opposite is bigger
than her, you know, more has

1111
01:22:45.479 --> 01:22:48.640
more sway or power and so what
she's supposed to do. So it's nice,

1112
01:22:48.800 --> 01:22:53.720
yeah, that there's someone there to
speak on behalf of everyone, you

1113
01:22:53.760 --> 01:22:58.159
know. Yeah, I mean I
mean literally Kate Winslet, like I've read

1114
01:22:58.159 --> 01:23:00.199
interviews with her, Yeah, big
star like Kurbs. He's talking about how,

1115
01:23:00.239 --> 01:23:03.239
you know, in her early years, like you know, she did

1116
01:23:03.319 --> 01:23:08.359
nude scenes in more than a few
things. And it's just like the feeling

1117
01:23:08.479 --> 01:23:13.279
of just not having anybody who's on
your side you know, mm hmmm.

1118
01:23:13.680 --> 01:23:15.479
And it's like, I don't know
if you remember recently there was this controversy

1119
01:23:15.520 --> 01:23:20.520
over Frank Frank Langella, right because
he got fired from that followed the House

1120
01:23:20.560 --> 01:23:26.720
of Usher, you know, and
and I I'll for all, I'll assume

1121
01:23:26.880 --> 01:23:30.560
that maybe he didn't mean any harm, but just his really obliviousness to the

1122
01:23:30.600 --> 01:23:33.760
purpose that an intimacy coordinator serves is
I'm like, man, you know,

1123
01:23:33.800 --> 01:23:36.239
it's just you got to catch up
with the times, you know, mm

1124
01:23:36.279 --> 01:23:39.479
hmm. It's like, oh,
they're getting in the way of my art,

1125
01:23:40.600 --> 01:23:44.159
and think how the other person is
thinking that's exactly it, right,

1126
01:23:44.239 --> 01:23:45.640
Like oh no, I want I
want to put my hand on her boob

1127
01:23:45.680 --> 01:23:49.600
and he's you know, they're getting
in the way of that, you know,

1128
01:23:50.039 --> 01:23:54.359
yeah, yeah, or like this
is fun, you know kind of

1129
01:23:54.359 --> 01:23:57.600
it's like, well, yeah,
maybe not for everyone here, you know,

1130
01:23:57.880 --> 01:24:03.800
this is also a job, that's
exactly it. Yeah yeah, So

1131
01:24:03.920 --> 01:24:08.479
you now now now earlier you were
you were you know, you were complaining

1132
01:24:08.520 --> 01:24:12.560
about how rigs just like dragoons,
this woman into going and and and you

1133
01:24:12.560 --> 01:24:15.159
know, screwing him. Well,
if not for that, he would have

1134
01:24:15.159 --> 01:24:19.840
been killed. So it saved his
life. Really it's true. No,

1135
01:24:19.880 --> 01:24:24.880
but that that's just my point.
Like she she's obviously interested in him.

1136
01:24:25.119 --> 01:24:29.159
It's just like a funny way to
play that scene earlier where she's so resistant

1137
01:24:29.159 --> 01:24:31.159
and he yeah, yeah, rabber
by the wrist and pull her other girls

1138
01:24:31.199 --> 01:24:35.039
and he starts making a scene and
you know, you know, it's like,

1139
01:24:35.119 --> 01:24:40.159
dude, come on, he's off. Yeah. I I do like

1140
01:24:40.279 --> 01:24:45.960
how the they established the little doggy
door thing and that allows for him to

1141
01:24:45.000 --> 01:24:49.920
hear the helicopter noise you know,
yep, and uh and an escape through

1142
01:24:49.920 --> 01:24:55.359
the right floor. Yeah. And
then also the nail gun we got set

1143
01:24:55.439 --> 01:24:59.560
up as yeahs act, you know, with the house over the garage under

1144
01:24:59.560 --> 01:25:02.319
construction, and then Martaugus to use
it as a weapon and he us gets

1145
01:25:02.319 --> 01:25:11.680
to use a one liner that's right, nailed you. Yeah. Now,

1146
01:25:11.760 --> 01:25:15.920
this this scene, there's a very
funny parody of it in a National Lampoon's

1147
01:25:15.920 --> 01:25:21.439
Loaded Weapon. I was just thinking
about it, right, yep, where

1148
01:25:21.479 --> 01:25:27.439
it's uh they shoot up it turns
out to be John McLean's house. Yeah.

1149
01:25:27.479 --> 01:25:31.439
Because Emilio Estevez is playing like a
Rigs equivalent, right, and he

1150
01:25:31.479 --> 01:25:35.159
lives in a trailer on the beach
and so they shoot it up thinking Steve's

1151
01:25:35.199 --> 01:25:38.319
character is in there. But then
yeah, Bruce Willis comes out. He's

1152
01:25:38.319 --> 01:25:43.840
like, hey, no, they're
down the road. Yeah. That movie,

1153
01:25:43.840 --> 01:25:46.119
by the way, A Loaded Weapon
is the first time like I remember,

1154
01:25:47.520 --> 01:25:50.119
like knowing who Samuel L. Jackson
is. Like, that's probably the

1155
01:25:50.399 --> 01:25:57.039
first two, right, Yeah,
I think me too, because that would

1156
01:25:57.079 --> 01:26:06.800
have been before Jurassic I'm pretty sure. I am almost certain. Wow,

1157
01:26:06.960 --> 01:26:11.560
wait, you're blowing my mind.
So Jurassic I just never thought about it

1158
01:26:11.600 --> 01:26:16.119
was before pulp fiction, that's right. Definitely knew him Samuel Jackson before pulp

1159
01:26:16.159 --> 01:26:20.079
fiction. Yeah, I definitely.
I definitely knew him before pulp fiction.

1160
01:26:20.239 --> 01:26:24.960
And and the first time I knew
him by name was National Lampoon's Loaded Weapon.

1161
01:26:25.520 --> 01:26:28.399
Wow. Okay, yeah, I
don rewatch that. I wonder if

1162
01:26:28.439 --> 01:26:32.079
it's good. I watched it recently. I because when I watched the Lethal

1163
01:26:32.119 --> 01:26:36.000
movies for the first time with my
oldest I think right after that we watched

1164
01:26:36.319 --> 01:26:42.680
A Loaded Weapon. Mm hmmm,
how was it? It has funny moments.

1165
01:26:42.720 --> 01:26:45.079
I would say, it's not like
a naked gun type thing. Sure,

1166
01:26:45.279 --> 01:26:49.520
sure, and maybe we would appreciate
it because we're of that. Yes,

1167
01:26:50.319 --> 01:26:55.039
yeah, it maybe not hold up
just to anyone, it's it's not.

1168
01:26:55.159 --> 01:26:58.560
Yeah, I would say on the
spectrum of those type of parodies,

1169
01:26:58.600 --> 01:27:00.079
I would say, like not another
teen movie is probably better, you know.

1170
01:27:00.640 --> 01:27:06.319
Sure, sure in terms of hit
hit to miss ratio you know,

1171
01:27:06.800 --> 01:27:12.720
got it, got it. Yeah, I'm curious. You know. I

1172
01:27:12.760 --> 01:27:15.279
hadn't seen this in a while,
and for some reason, in my memory

1173
01:27:15.359 --> 01:27:19.399
she died here, okay, and
I had forgotten that it's later and it's

1174
01:27:20.000 --> 01:27:25.800
much more disturbing. It really is, Yeah, yeah, it really is.

1175
01:27:28.680 --> 01:27:30.880
Oh. And I had this funny
thing last night when I was watching

1176
01:27:30.880 --> 01:27:34.680
this where it looks awesome where Gibson. First you see it in silhouette.

1177
01:27:34.680 --> 01:27:38.239
He's climbing to the top of the
trailer with the gun, and you see

1178
01:27:38.239 --> 01:27:41.680
his silhouette which looks really great,
almost Hannah Jones like. And then when

1179
01:27:41.680 --> 01:27:45.199
he's on there just like like waving
this machine gun, you know, wildly

1180
01:27:45.239 --> 01:27:50.399
and shooting at the helicopter. And
I was like, man, I just

1181
01:27:50.479 --> 01:27:53.680
this this image. I don't know
how to explain it, but I just

1182
01:27:53.720 --> 01:27:57.880
can't imagine that image or that feeling
or whatever that thing evokes for me right

1183
01:27:57.880 --> 01:28:00.800
there. I just don't feel like
I see an action movies anymore. Well,

1184
01:28:00.800 --> 01:28:03.640
what's funny is that silhouette shot.
Specifically, Richard Donner talked about how

1185
01:28:03.680 --> 01:28:08.640
it kind of came by accident,
like you know, either he was up

1186
01:28:08.640 --> 01:28:10.680
there, somebody was up there while
they were setting up, and it was

1187
01:28:10.720 --> 01:28:12.560
like, oh my god, that
looks great. You know, so they

1188
01:28:12.600 --> 01:28:15.479
have to read the lights and everything
just to be able to get that that

1189
01:28:15.560 --> 01:28:18.600
silhouette shot. Oh what was worth
it? It was? I agree.

1190
01:28:20.359 --> 01:28:25.760
I love that Rika's concerned about the
dog. Well, that's how you know

1191
01:28:25.880 --> 01:28:30.279
she's a good person. Yeah,
yep, I just wish Riggs was concerned

1192
01:28:30.279 --> 01:28:32.800
about the fish. That's all I
have to say. But it is kind

1193
01:28:32.840 --> 01:28:35.159
of nice, right, I mean, she you can imagine a character that's

1194
01:28:35.159 --> 01:28:41.119
freaked out that she's just escaped a
trailer through a trap door and then shut

1195
01:28:41.359 --> 01:28:43.600
shot at by a machine gun fire, and she's like, stop, we

1196
01:28:43.640 --> 01:28:47.520
got to get the dog. Right, that's a partner you want? Well,

1197
01:28:47.560 --> 01:28:49.880
that's kind of I mean, no, no, absolutely, I mean

1198
01:28:49.920 --> 01:28:55.319
I think I mean, really,
they've known each other for one really wild

1199
01:28:55.319 --> 01:29:00.920
and crazy afternoon slash evening. That's
true, right, And yet you believe

1200
01:29:00.000 --> 01:29:04.000
that they have some kind of a
connection that goes beyond just purely sexual though

1201
01:29:04.079 --> 01:29:08.800
I'm sure that's a big part of
it too, right, yea, And

1202
01:29:10.000 --> 01:29:13.640
because because the thing is, like, when you think about it, it's

1203
01:29:13.760 --> 01:29:17.680
it's also an indication that he's moved
past his wife, his grief from her,

1204
01:29:17.720 --> 01:29:20.159
that he's ready to move on.
Right. So then it's like tragedy

1205
01:29:20.159 --> 01:29:27.560
compounded by tragedy, you're right,
right, you know, Yeah, which

1206
01:29:27.560 --> 01:29:31.079
is interesting because I guess she originally
wasn't going to die, that's right.

1207
01:29:31.199 --> 01:29:35.520
Yeah, Like they shot an ending. Yeah, yah, I've seen it.

1208
01:29:35.720 --> 01:29:39.319
You know. It's it's like Thanksgiving
and yeah, yeah you can.

1209
01:29:39.520 --> 01:29:42.640
It's on YouTube. I'm pretty sure. Oh I didn't know that. I'd

1210
01:29:42.640 --> 01:29:44.960
like to see it. Yeah,
but yeah, she lived and she's at

1211
01:29:44.960 --> 01:29:47.800
Thanksgiving, yeah, with the with
the Murtas with So they shot that earlier

1212
01:29:47.800 --> 01:29:51.399
in the film. But they actually
didn't have any idea how the film was

1213
01:29:51.439 --> 01:29:56.239
going to end, so they were
leaving a lot of options open. Definitely

1214
01:29:56.399 --> 01:29:59.199
what happened this was a Richard Donner
thing. He was like, I think

1215
01:29:59.319 --> 01:30:05.000
Rica should die. Mmm, because
it makes you know the third act that

1216
01:30:05.119 --> 01:30:11.840
much more, you know, sort
of it drives Riggs his motivation that much

1217
01:30:11.840 --> 01:30:18.760
more yes, which I I do
understand because she feels immediate. But it's

1218
01:30:18.760 --> 01:30:23.760
interesting too because they also add the
whole connection with his wife. You know

1219
01:30:23.840 --> 01:30:26.800
that that was the assassin he was
after, you know, Rigs, but

1220
01:30:26.840 --> 01:30:29.880
he ended up killing his wife and
that's pretty big motivation. And then he

1221
01:30:29.960 --> 01:30:31.439
kills all his coworkers. I was
like, damn, how many motivations does

1222
01:30:31.439 --> 01:30:36.239
this guy need? But she's the
one. I mean, as much as

1223
01:30:36.239 --> 01:30:39.920
we know that they care about their
coworkers, we don't really know them,

1224
01:30:39.960 --> 01:30:43.239
and we've you know, we she's
the one we get the closest to.

1225
01:30:43.359 --> 01:30:46.439
I suppose in this film we've certainly
seen the most of her. That is

1226
01:30:46.520 --> 01:30:54.119
true. That is true. Yeah, it's funny because because when you look

1227
01:30:54.159 --> 01:30:56.560
at the scope of the series as
a whole, you're like, yeah,

1228
01:30:56.600 --> 01:31:00.079
but he's got to end up with
Lorna, you know, yes, right,

1229
01:31:00.159 --> 01:31:02.720
so there is that, But you're
also like, yeah, what did

1230
01:31:02.720 --> 01:31:10.439
Patsy kins that? Ever? Do? She even did she? This is

1231
01:31:10.479 --> 01:31:15.039
a great moment right here. I
was thinking about how like this guy is

1232
01:31:15.079 --> 01:31:18.520
like Riggs as arch enemy, you
know, like without even realizing it.

1233
01:31:18.920 --> 01:31:25.000
Mm hmmmm, right, And and
you know, when you think about it,

1234
01:31:25.000 --> 01:31:28.439
it could have. It could have
been like, oh, come on,

1235
01:31:28.640 --> 01:31:34.279
what are the odds? M But
I totally track with it that just

1236
01:31:34.359 --> 01:31:38.720
somehow, by a fluke, Riggs
ended up crossing pads once again with the

1237
01:31:38.760 --> 01:31:43.359
guy who killed his wife, you
know, so like yeah, yeah,

1238
01:31:43.399 --> 01:31:45.279
you know, and he even says, I'm the guy who changed the course

1239
01:31:45.279 --> 01:31:47.520
of your life. It's like everything
that Riggs is now is because of what

1240
01:31:47.520 --> 01:31:55.479
what what Peter over there did?
Yeah, and it helps that there's that,

1241
01:31:55.960 --> 01:31:59.600
as you pointed out earlier, that
little setup when they cross pads in

1242
01:31:59.640 --> 01:32:08.159
the middle, like wait, ras
here Martins, Yeah, we got a

1243
01:32:08.159 --> 01:32:15.960
straight jacket. Normally I'd be concerned, but uh, we know he can

1244
01:32:16.000 --> 01:32:18.800
do that whole shoulder thing, which
seems like it would be very very painful.

1245
01:32:19.760 --> 01:32:21.960
I was, I was thinking that. I was like, you know,

1246
01:32:26.039 --> 01:32:29.600
that just seems like something that you
wouldn't you wouldn't want to be put

1247
01:32:29.640 --> 01:32:31.520
in that position of having to do
again and again. You know, well,

1248
01:32:31.840 --> 01:32:36.880
Zachie, I'm not a doctor,
and I don't understand how this works.

1249
01:32:36.880 --> 01:32:41.680
But I also think they're like tendons
and all sorts of things you just

1250
01:32:41.680 --> 01:32:44.319
don't want to with, you know, Like, I don't know what's being

1251
01:32:44.359 --> 01:32:46.760
messed with when you pop your arm
out of socket. Yeah, that's right.

1252
01:32:47.119 --> 01:32:50.720
That look at that shot, by
the way, freaking horrifying. Actually

1253
01:32:51.159 --> 01:32:56.479
made me. It stirred me to
anger last night seeing her like absolutely,

1254
01:32:56.640 --> 01:33:00.199
it was really bothersome and it may
you know, I maybe Donna was right.

1255
01:33:00.439 --> 01:33:02.600
Maybe Donna was right. It made
me really really mad, and I

1256
01:33:02.640 --> 01:33:06.439
wanted to see him and I understood
and knowing that that whole Stilts scene was

1257
01:33:06.439 --> 01:33:09.600
coming up, you know, with
the house and pulls it down, and

1258
01:33:10.000 --> 01:33:15.199
that is just pure unadulterated anger.
I was starting to well up with that

1259
01:33:15.560 --> 01:33:20.479
from seeing her like that underwater.
So but the guy he's choking right there,

1260
01:33:20.560 --> 01:33:26.279
that's Sherman Howard. He played Lex
Luthor on the syndicated super Boy television

1261
01:33:26.279 --> 01:33:31.840
series Oh Wow. He was also
in the Seinfeld the Junior Mint episode where

1262
01:33:32.079 --> 01:33:35.439
he's the guy being operated on and
they accidentally drop a junior mint into him.

1263
01:33:35.560 --> 01:33:41.680
Oh really, Oh wow, he's
the guy. Wow. But no,

1264
01:33:42.039 --> 01:33:45.239
what I was saying about the when
you see Rica's body under the water,

1265
01:33:45.279 --> 01:33:50.920
that was actually Patsy Kensitt with her
eyes and mouth open underwater, wow,

1266
01:33:51.600 --> 01:33:56.760
which like I mean, she looks
completely dead, and yet when you

1267
01:33:56.800 --> 01:33:58.920
think about it, like, had
that been a dummy, I don't think

1268
01:33:58.960 --> 01:34:02.479
it would have been as effective as
actually seeing Patsy Kensitt under there. So

1269
01:34:03.760 --> 01:34:08.319
yep, agreed. Man, that
must have been not fun to shoot,

1270
01:34:08.399 --> 01:34:13.159
not fun at all. But you
definitely get a sense for her character.

1271
01:34:13.199 --> 01:34:15.319
I mean, assuming the characters the
same age as the actor, I mean,

1272
01:34:15.319 --> 01:34:18.560
she's this twenty one year old kid
who just had her life snuffed out

1273
01:34:18.600 --> 01:34:27.439
for no reason, you know,
right right? He plays this really well

1274
01:34:27.479 --> 01:34:30.479
too, I'm mel Gibson. Man, he's a good actor. I mean,

1275
01:34:30.520 --> 01:34:34.680
I'm telling you. We've talked about
this before of like having to separate

1276
01:34:35.279 --> 01:34:41.720
art from artists, and admittedly it's
hard with mel Gibson, but we do

1277
01:34:41.840 --> 01:34:45.760
sort of put the lethal movies in
their own little box. I can't do

1278
01:34:45.840 --> 01:34:49.520
it for everyone, but I somehow
can do it for these. Yeah,

1279
01:34:49.520 --> 01:34:53.880
he's for these movies. This is
Martin Riggs. You know that's right,

1280
01:34:54.359 --> 01:34:58.039
mel Gibson. Maybe because he looks
so much and when he was sort of

1281
01:34:58.119 --> 01:35:01.920
outed for the hatred e carries in
his heart, like he looks different now

1282
01:35:02.720 --> 01:35:06.319
that wild Salt and pepper Beard and
all that, you know. So I

1283
01:35:06.359 --> 01:35:10.840
don't know, like I can keep
Martin as Martin. Now, I think

1284
01:35:10.840 --> 01:35:15.680
you're right, and it's it's it's
challenging, you know, but I think

1285
01:35:15.720 --> 01:35:18.159
if nothing else, it just speaks
to, certainly for me, the special

1286
01:35:18.159 --> 01:35:23.119
place I have in my heart for
these films that could be a two.

1287
01:35:23.359 --> 01:35:28.000
I mean, maybe our introduction to
these movies they got locked in in a

1288
01:35:28.039 --> 01:35:30.479
way. Yeah, maybe someone today
couldn't do the same. I don't know.

1289
01:35:32.119 --> 01:35:36.960
I think honestly that's a big reason
why I would rather not have a

1290
01:35:38.000 --> 01:35:42.399
fifth one. Yeah, especially at
this point. Just let these movies exist

1291
01:35:43.119 --> 01:35:48.800
as a thing that you know that
was then, you know, m you

1292
01:35:48.840 --> 01:35:54.000
know, I love that. By
the way, with Murtap putting his badge

1293
01:35:54.199 --> 01:35:59.000
into his desk, yeah, because
that has become such a trope like throw

1294
01:35:59.079 --> 01:36:00.479
your badge away, I'm not a
cop right now kind of a thing.

1295
01:36:00.840 --> 01:36:04.119
But the way that it's played here, it almost feels like the first time

1296
01:36:04.159 --> 01:36:06.520
it's happened, where it's like,
wow, that's a big deal for that

1297
01:36:06.680 --> 01:36:11.960
character, right, willing to put
his badge away, you know, to

1298
01:36:12.279 --> 01:36:15.880
to help his partner. Like it
feels very dramatic, but it's funny that

1299
01:36:15.920 --> 01:36:18.039
it's become now something that you know, gets kind of parodied, you know,

1300
01:36:18.119 --> 01:36:21.279
sort of you get like, you
know, Keano throwing his badge in

1301
01:36:21.279 --> 01:36:25.439
the ocean and point break and those
are yeah right, But I love how

1302
01:36:25.439 --> 01:36:28.159
it's played here. I buy it, and it feels like it has weight

1303
01:36:29.000 --> 01:36:30.960
well and and it sort of it
gives a sense that, you know,

1304
01:36:32.439 --> 01:36:34.960
if if these people are going to
be brought to justice, it's going to

1305
01:36:35.039 --> 01:36:41.960
require extra extra legal means. Mm
hmmm, because the law can't stop them.

1306
01:36:42.279 --> 01:36:45.760
Yeah. And dude, I mean
going back to Gibson, man,

1307
01:36:45.840 --> 01:36:51.399
he does tortured so well mm hmm. You know, I thinking of signs

1308
01:36:51.439 --> 01:36:56.640
even as the next thing that comes
to mind just the carrying the pains silently

1309
01:36:56.680 --> 01:36:59.279
in that movie and then at the
end when he's basically just like letting it

1310
01:36:59.279 --> 01:37:02.800
all out with us o. Man. Yeah. Oh so dude. In

1311
01:37:02.920 --> 01:37:09.399
Braveheart, remember when he realizes that
it's Robert the Bruce who was who's attacking

1312
01:37:09.479 --> 01:37:14.199
him? Yeah? Remember that?
Yeah? Yeah, and just and it

1313
01:37:14.319 --> 01:37:17.680
remember is it just he just feels
defeated and then he lies down remember mm

1314
01:37:17.720 --> 01:37:19.920
hmm. Oh, man, I
haven't watched that in a while, though.

1315
01:37:20.920 --> 01:37:26.279
It's it's been it's been a it's
been a bit. Yeah. Yeah,

1316
01:37:26.319 --> 01:37:29.479
but I love this like he's and
he's got a plan to yep.

1317
01:37:30.680 --> 01:37:32.640
Just look at their their body language, you know what I mean, Like

1318
01:37:32.720 --> 01:37:35.880
him in this truck like pretty much
with his hands on the wheel here like

1319
01:37:36.479 --> 01:37:42.239
ready to activate out of anger.
And you got Morta like leaning against the

1320
01:37:42.239 --> 01:37:46.079
car like what's the plan? Man, I'll do it? But like what's

1321
01:37:46.119 --> 01:37:50.279
the plan? Yeah, that's right, that's the signal. You'll know when

1322
01:37:50.319 --> 01:38:00.039
it happens. So the Still house
they had to they had to build it.

1323
01:38:00.159 --> 01:38:02.439
Oh okay. I wondered if it
was like an abandoned house or something

1324
01:38:02.520 --> 01:38:08.319
that they demolished, so they at
least built up the facade with the stilts

1325
01:38:08.359 --> 01:38:11.680
on it. But I mean that
was that was one of those numbers where

1326
01:38:12.359 --> 01:38:15.600
when it came to pulling it down, I mean they had one shot to

1327
01:38:15.600 --> 01:38:19.079
get it right, right, that's
one take. You better hope you get

1328
01:38:19.119 --> 01:38:23.600
it right on the first one,
otherwise you're screwed. You know. Yeah,

1329
01:38:23.760 --> 01:38:26.920
you know, I even wondered,
and it looks fantastic. I wouldn't

1330
01:38:26.960 --> 01:38:29.079
know, but I did wonder.
I was like, is there some model

1331
01:38:29.119 --> 01:38:33.880
work going on here or I think
so, yeah, it looks epic,

1332
01:38:33.920 --> 01:38:39.920
and I mean, you know,
not to rag on movies these days,

1333
01:38:39.960 --> 01:38:44.600
because they're spectacular in their own ways, but they're just so wall to wall

1334
01:38:44.680 --> 01:38:47.800
filled with amazing things that are accomplished. Like we don't even question anything anymore

1335
01:38:48.319 --> 01:38:51.119
because we know you can do anything
with a computer. So it's just like,

1336
01:38:51.960 --> 01:38:54.479
okay, yeah, of course,
you know, of course you can

1337
01:38:54.520 --> 01:38:58.319
do the global planet, you can
whatever. But like seeing this is like,

1338
01:38:58.359 --> 01:39:01.479
holy crap, watch like a house
get torn down. Yeah, exactly,

1339
01:39:01.479 --> 01:39:04.359
down a hill. It feels still
watching this thirty five year old movie.

1340
01:39:04.439 --> 01:39:10.119
This feels big and dangerous. And
I think you're right. Yeah,

1341
01:39:10.239 --> 01:39:16.479
yeah, I think you're absolutely right. There's you know when when when the

1342
01:39:16.520 --> 01:39:21.119
Shenanigans start and you've just got Leo
so pitifully like at least moved me away

1343
01:39:21.119 --> 01:39:27.640
from the window. Yeah, like, oh poor Leo. I know,

1344
01:39:28.039 --> 01:39:32.560
I know, it's I I think
Leo. It's like he is so lovable,

1345
01:39:32.800 --> 01:39:35.880
Like how can you not love Leo? Yeah, you know, I

1346
01:39:35.960 --> 01:39:40.279
like that they don't give him like
quirks that are kind of gross, right

1347
01:39:40.479 --> 01:39:44.239
right, Like I'm glad they didn't
make him like a pervert, e racist

1348
01:39:44.720 --> 01:39:47.000
or something to give him some sort
of edge. You know, he's just

1349
01:39:47.800 --> 01:39:51.239
it's kind of a funny, quirky, sweet guy who happens to be a

1350
01:39:51.239 --> 01:39:54.239
criminal. But yeah, I was
gonna say, yeah, who happens to

1351
01:39:54.279 --> 01:39:59.520
have illegitimate business. But yeah,
but even wanting using that, you know,

1352
01:39:59.560 --> 01:40:01.680
it's a fun character thing. Then
for him to want to help Murta

1353
01:40:01.840 --> 01:40:08.239
cheat on his taxes because he's he
likes him exactly right for him, he's

1354
01:40:08.239 --> 01:40:15.640
doing it in a favor. It
is funny when it comes to Leo because

1355
01:40:15.680 --> 01:40:17.880
like coming up right here is basically
where he exits the story, right,

1356
01:40:17.920 --> 01:40:24.800
and so so they had to contrive
new ways to bring Leo in, you

1357
01:40:24.840 --> 01:40:26.960
know. So, oh, he's
a realtor in the next one, and

1358
01:40:27.000 --> 01:40:30.239
then in the next one he's a
PI you know, that's right. I

1359
01:40:30.319 --> 01:40:40.520
kind of forgot about it. Yeah, man, that would have been really

1360
01:40:40.520 --> 01:40:44.880
cool to see something like that,
Like like if you lived in the neighborhood,

1361
01:40:44.920 --> 01:40:46.520
you could watch it from your window
and watch this thing crash down a

1362
01:40:46.560 --> 01:40:49.600
hill. That's I mean, I
mean not just this house, but like

1363
01:40:49.680 --> 01:40:53.000
earlier, the house with cavan On
those other cops in it. I mean,

1364
01:40:53.000 --> 01:40:56.119
that's a real house that they had
to blow up, right, you

1365
01:40:56.159 --> 01:40:58.880
know, And there's no fake in
that, you know. It just it.

1366
01:40:59.359 --> 01:41:04.399
You can tell that looks great.
I was watching something newer recently and

1367
01:41:04.479 --> 01:41:06.920
you could tell there was like a
fire inside a house and you could tell

1368
01:41:06.920 --> 01:41:11.760
it was fake. And that I'm
not going to criticize that, like it's

1369
01:41:12.079 --> 01:41:15.600
maybe it's a safety issue, maybe
they don't have the budget. It is

1370
01:41:15.600 --> 01:41:20.520
what it is. But there is
something undeniable about watching like a house really

1371
01:41:20.520 --> 01:41:26.039
blow up and go whoa, Like, right, it's a neighborhood. I

1372
01:41:26.079 --> 01:41:28.399
don't know, there's just something so
oh here, here you go. This

1373
01:41:28.479 --> 01:41:32.880
is the yeah, the requisite lethal
weapon adr over a car driving at a

1374
01:41:32.920 --> 01:41:38.560
distance scenes and and Donner has talked
about this. He's literally like, you

1375
01:41:38.600 --> 01:41:42.000
know, when you're just trying to
cut this thing together and you're trying to

1376
01:41:42.399 --> 01:41:45.439
just get rid of the fat,
and it's like, what's the quickest way

1377
01:41:45.439 --> 01:41:48.399
to do that? You know,
you just you're just throw in some adr

1378
01:41:48.960 --> 01:41:55.600
overdriving mm hmm. It's something yeah, I mean I think, I mean

1379
01:41:55.640 --> 01:41:58.359
we sort of joke about it as
as a trope of these things, but

1380
01:41:58.439 --> 01:42:01.039
you know what, there's no denying
it's an effective way of getting us from

1381
01:42:01.039 --> 01:42:04.640
point A to point B, you
know, mm hmmmm hmm. And maybe

1382
01:42:04.960 --> 01:42:09.680
maybe it is I don't know,
not well done or something, but I'm

1383
01:42:09.720 --> 01:42:12.079
endeared to it because it's in all
the movies, so like, I think

1384
01:42:12.319 --> 01:42:20.600
it is a part of this series. I totally agree. Yeah, Wow,

1385
01:42:20.640 --> 01:42:24.720
it's crazy that we're already here.
Geez. I Actually I was gonna

1386
01:42:24.760 --> 01:42:30.039
say, and this is flown and
I just watched this last night and I'm

1387
01:42:30.039 --> 01:42:33.359
like loving it all over again.
Yeah. I mean, I think that

1388
01:42:34.600 --> 01:42:38.680
the trick with with these films is
you really you have to come up with

1389
01:42:39.239 --> 01:42:42.720
you have to contrive an antagonist who's
really awful, and so you look forward

1390
01:42:42.760 --> 01:42:45.479
to seeing their their demise, you
know. And I think I think that

1391
01:42:45.560 --> 01:42:48.560
works at the first one with with
General McAllister and Mister Joshua. I think

1392
01:42:48.600 --> 01:42:54.520
equally here with with U. A. Rudd and forestat I think I think

1393
01:42:54.600 --> 01:42:57.319
that's where the third one kind of
fell down a little bit, which,

1394
01:42:57.520 --> 01:43:00.720
you know, I don't. I
don't think the bad guy, who's played

1395
01:43:00.720 --> 01:43:05.000
by Stuart Wilson is as memorable,
you know, as I recall, he's

1396
01:43:05.039 --> 01:43:12.800
the one you're always like, who's
he again? Yeah, I remember elements

1397
01:43:12.840 --> 01:43:15.039
of that movie, but it just
as a whole. I don't know why

1398
01:43:15.079 --> 01:43:18.399
it just doesn't stick in my mind
very well. I think for me,

1399
01:43:18.560 --> 01:43:25.399
lethal Weapon three is the third one
like that. That's yes, sure,

1400
01:43:26.159 --> 01:43:29.760
it's It's just it's another chance to
hang out with with Riggs and Murta,

1401
01:43:29.920 --> 01:43:34.000
you know. And and it's the
third bye by it it's it's episodic,

1402
01:43:34.159 --> 01:43:39.439
you know. Mm hm oh.
We were talking about this scene earlier.

1403
01:43:40.000 --> 01:43:45.000
Yes, love this now. This
is exactly like you could have easily just

1404
01:43:45.039 --> 01:43:47.119
cut this out just you don't even
have to have it right, and yet

1405
01:43:47.119 --> 01:43:53.039
you you present us with rog has
this money, He's like this, this

1406
01:43:53.199 --> 01:43:57.399
handful of bills will put all my
kids through college. And yet you have

1407
01:43:57.600 --> 01:44:00.560
him say I won't. I'm not
gonna do that. I'm not going to

1408
01:44:00.600 --> 01:44:03.079
take drug money, right m hm. And I was thinking about, like,

1409
01:44:03.079 --> 01:44:06.279
think about how much that matters just
in terms of like how we look

1410
01:44:06.359 --> 01:44:13.600
up to characters, right and you're
you're presenting heroes on screen who do the

1411
01:44:13.720 --> 01:44:17.800
right thing, and how much just
in terms of of defining morality, how

1412
01:44:17.880 --> 01:44:23.039
much how important that is? You
know? I love it for that.

1413
01:44:23.119 --> 01:44:27.479
And also the temptation is there,
like he's not some straight laced he's the

1414
01:44:27.479 --> 01:44:30.079
straight laced one. He would never
you know, it's like no, he's

1415
01:44:30.079 --> 01:44:34.640
tempted, like he's tempted, but
but ultimately like, no, I mean,

1416
01:44:34.680 --> 01:44:39.319
he could easily put that in his
pocket, and even Riggs just like

1417
01:44:39.640 --> 01:44:43.079
drug money, just do it,
just do it. Yeah you could if

1418
01:44:43.079 --> 01:44:47.439
you want to. Nope, but
yeah, I mean yeah, I just

1419
01:44:47.479 --> 01:44:51.960
think I think it's it's it's important
to and I'm not saying there can't be

1420
01:44:53.000 --> 01:44:55.159
anti heroes and things like That's not
what I'm saying, but I'm saying I

1421
01:44:55.159 --> 01:44:59.039
think it's just as important to have
heroes we can look up to, just

1422
01:44:59.039 --> 01:45:04.159
just unabashedly. I agree. I
agree. I know sometimes you know,

1423
01:45:04.199 --> 01:45:10.920
we get these movies where everybody's gray, and that's interesting too, But at

1424
01:45:11.000 --> 01:45:15.199
least for these movies, I do
love. I love that I can look

1425
01:45:15.279 --> 01:45:17.079
up to them in a lot of
ways. Exactly, yeah, exactly,

1426
01:45:17.840 --> 01:45:23.920
And we're gonna get to it.
But when Riggs has the opportunity, opportunity

1427
01:45:23.960 --> 01:45:26.840
to basically stab that one guy to
death, you know what I mean,

1428
01:45:26.880 --> 01:45:30.600
Like it's it's not in some sort
of like ventul whatever sort of way.

1429
01:45:30.640 --> 01:45:33.479
He ultimately squashes him when he has
to. Mm hmm, you know what

1430
01:45:33.479 --> 01:45:35.960
I mean, Like he could just
drop that thing on him if he wanted

1431
01:45:36.000 --> 01:45:39.720
and smile and we're like, yeah, he got him, but it's like

1432
01:45:39.800 --> 01:45:45.000
a necessity that he does the extreme
thing. Yeah. Well, it's similar

1433
01:45:45.039 --> 01:45:48.279
to to in the first film,
right where he can he can break Joshua's

1434
01:45:48.279 --> 01:45:50.520
neck, but he's like, no, he's not worth it. Ah.

1435
01:45:53.720 --> 01:45:57.000
Yeah, I think I talk about
that a lot. Actually, Like I

1436
01:45:57.279 --> 01:46:01.359
I find myself sometimes watching movies like
this getting a little bloodlust and like I'm

1437
01:46:01.399 --> 01:46:03.560
thinking, I want you to do
it. I want you to do that

1438
01:46:03.560 --> 01:46:06.840
because that'll make me feel better.
And then when the hero doesn't, I

1439
01:46:06.920 --> 01:46:11.960
always go, yes, no,
that is what I really want. That's

1440
01:46:11.960 --> 01:46:14.920
what my soul wants, and I'm
glad they did the right thing. It

1441
01:46:14.920 --> 01:46:17.840
makes me feel better. Yeah,
No, I think you're dead on you

1442
01:46:17.840 --> 01:46:21.880
know. I mean it's like,
you know, I mean, I've seen

1443
01:46:21.920 --> 01:46:26.720
this movie. I don't even know
how many times I've seen it, and

1444
01:46:26.720 --> 01:46:30.479
and yet rewatching it for this track, that scene, that bit with Roger

1445
01:46:30.119 --> 01:46:33.800
saying no drug money, I'm not
gonna do this here. By the way,

1446
01:46:34.439 --> 01:46:39.479
I always find this interesting how you
hear Riggs saying the names of all

1447
01:46:39.520 --> 01:46:41.800
the people who are killed. But
it's just like part of the soundtrack,

1448
01:46:43.960 --> 01:46:46.560
you know, what's funny. I
remember thinking I did not understand it last

1449
01:46:46.640 --> 01:46:49.279
night, and I was almost gonna
rewind it and put the captioning on,

1450
01:46:49.439 --> 01:46:55.600
and I didn't. I didn't actually
catch that. Yeah, it's something I

1451
01:46:56.279 --> 01:46:59.039
noticed it a while ago. I
mean, you know, but I'm like,

1452
01:46:59.079 --> 01:47:03.960
that's an interesting choice, right,
Like, like I'm not saying it's

1453
01:47:03.960 --> 01:47:06.600
good or bad. I just that, Yeah, it's kind of it's kind

1454
01:47:06.600 --> 01:47:11.760
of different, you know. Yeah, you know, it is kind of

1455
01:47:11.760 --> 01:47:14.239
interesting though, And I wrote it
down last night because I didn't want to

1456
01:47:14.239 --> 01:47:17.840
forget it. If this movie were
made now, I don't know that I

1457
01:47:17.840 --> 01:47:20.760
would call this movie gritty. I
wouldn't go so far as to call it

1458
01:47:20.760 --> 01:47:25.199
gritty. Maybe the first one I
would, But like it is, there's

1459
01:47:25.239 --> 01:47:28.960
a lot of darkness in it,
Like there's a lot of violence for as

1460
01:47:29.079 --> 01:47:31.520
funny and a fun time as you're
having. Yes, you know, it's

1461
01:47:31.560 --> 01:47:35.479
like a really interesting tone that I
don't know a lot of people could pull

1462
01:47:35.520 --> 01:47:39.279
off, and even now, if
anyone would want to try, they would

1463
01:47:39.359 --> 01:47:43.359
just go straight for the fun the
fun stuff, you know, and the

1464
01:47:43.399 --> 01:47:45.960
action is sort of just more opportunity
for more fun stuff, you know.

1465
01:47:46.520 --> 01:47:50.600
And I kind of like this weird
concoction they've come up with. It makes

1466
01:47:50.640 --> 01:47:56.039
it feel dangerous and dark, but
ultimately satisfying when they pull through at the

1467
01:47:56.159 --> 01:47:58.920
end, and when they're laughing at
each other's arms covered in blood, you're

1468
01:47:59.119 --> 01:48:01.880
you're laughing with beef, you know, with relief. Yeah. Yeah,

1469
01:48:02.560 --> 01:48:05.119
it's amazing. I can't think of
any other movies quite like it, to

1470
01:48:05.119 --> 01:48:10.720
be honest, this combination, Yeah, well, I think I think the

1471
01:48:10.720 --> 01:48:14.039
the balancing of tones. I mean, it's it's balanced on a razor's edge,

1472
01:48:14.079 --> 01:48:18.119
you know. And and I think
that's where the third one feels a

1473
01:48:18.159 --> 01:48:23.479
little bit more superficial, you know, m hm. And and maybe that's

1474
01:48:23.520 --> 01:48:26.239
why people like it less. I
don't. I just view it as like,

1475
01:48:26.279 --> 01:48:28.840
again, it's just another chance to
hang out with our friends. But

1476
01:48:28.840 --> 01:48:31.479
but I mean, I think in
terms of the internal struggle that this one

1477
01:48:31.520 --> 01:48:36.039
gives Rigs in terms of what this
guy represents. So he's fighting and and

1478
01:48:36.119 --> 01:48:40.560
I mean this fight is very similar
to the Rigs versus Joshua fight right in

1479
01:48:40.600 --> 01:48:45.600
movie one. Yeah. Yeah,
that said, you know, I would

1480
01:48:45.600 --> 01:48:51.479
have liked something earlier to establish Vorstad
as like a physical threat. Hmmm,

1481
01:48:53.840 --> 01:48:59.600
you know what I mean, Like
just something sure like you see him training

1482
01:48:59.720 --> 01:49:05.159
or something. It's just something like
maybe like nude in a hotel room.

1483
01:49:05.680 --> 01:49:13.000
He's doing T T. Yeah,
maybe the Renny Harlan was onto something with

1484
01:49:13.039 --> 01:49:15.479
Diehard to Yeah maybe you know,
no, no, I understand what you're

1485
01:49:15.479 --> 01:49:24.239
saying. Yeah. So now,
as written the original, the Shane Black

1486
01:49:24.319 --> 01:49:28.800
version, the character the Vorstad character
who was named something else, his name

1487
01:49:28.840 --> 01:49:31.880
is Benedict. In Shane Black's script, he would have stabbed Riggs to death.

1488
01:49:31.920 --> 01:49:38.199
So Riggs kills him and then he
bleeds out and as it was going

1489
01:49:38.279 --> 01:49:41.920
to be on a fire, like
a brush fire on a hillside. That's

1490
01:49:42.000 --> 01:49:45.920
right, And and the movie would
end with Roger watching a video that Riggs

1491
01:49:45.960 --> 01:49:53.520
recorded for him, knowing he was
about to die. Right. And Shane

1492
01:49:53.520 --> 01:49:59.039
Black has said it's the best thing
he's ever written. Yeah. Yeah,

1493
01:49:59.079 --> 01:50:03.359
and however, no one has ever
sorry, no one's ever read it.

1494
01:50:03.359 --> 01:50:06.359
It's like, no, you know, it's it's like the one of the

1495
01:50:06.399 --> 01:50:11.560
great unreleased screenplays. Yes, because
the first lethal weapon I think is kind

1496
01:50:11.560 --> 01:50:15.479
of famously out there, like a
lot of people read it because the writing

1497
01:50:15.520 --> 01:50:18.079
is so fun. Shane Black,
his action is so pithy. Yeah,

1498
01:50:18.079 --> 01:50:24.920
but uh yeah, yes, of
course, we have to we have to

1499
01:50:24.960 --> 01:50:30.159
give proper, proper respect to Roger's
great moment right here. Well here I'll

1500
01:50:30.199 --> 01:50:34.800
be I'll be the bad guy.
Diplomatic immunity, it's just been revoked.

1501
01:50:38.680 --> 01:50:42.000
You know, when I worked at
Puppy Dog Pals, Sean who was the

1502
01:50:42.039 --> 01:50:44.840
EP on that show, Sean Coyle, our friend. Yeah, he put

1503
01:50:44.880 --> 01:50:49.039
a picture of Denny Clover with that
gun, that that shot of him cracking

1504
01:50:49.079 --> 01:50:54.920
his neck on my door, like
unspoken one day. And it's funny because

1505
01:50:54.920 --> 01:50:57.239
I showed up and I saw that
on my door and I was like,

1506
01:50:57.520 --> 01:51:00.600
Sean, like I just knew immediately, Sean, but there, that's so

1507
01:51:00.720 --> 01:51:04.920
funny. Yeah. Sorry you were
saying about Shane Black, No, but

1508
01:51:05.000 --> 01:51:12.479
I think he saw he didn't like
the way that Riggs continued as a character,

1509
01:51:12.640 --> 01:51:15.520
saying he basically he changed. That
was not the character he created,

1510
01:51:15.640 --> 01:51:19.159
where he becomes more of the sort
of three Stooges, fun action cop guy.

1511
01:51:19.399 --> 01:51:23.359
You know, he's like a tortured
guy. And I think what you

1512
01:51:23.399 --> 01:51:28.000
were just saying, where he dies
to protect Murta so he can go live

1513
01:51:28.039 --> 01:51:31.399
with his family. Black saw that
as well. He sacrificed. Riggs is

1514
01:51:31.479 --> 01:51:35.800
ultimately sacrificing himself, which would be
the last thing that he can do to

1515
01:51:36.279 --> 01:51:41.800
finally find peace. Right now,
that's that iteration of the character that was

1516
01:51:41.840 --> 01:51:45.359
still living in Shane Black's mind.
But I think Donner and everyone else was

1517
01:51:45.439 --> 01:51:48.920
kind of like, well, I
mean, obviously there's a franchise to think

1518
01:51:48.960 --> 01:51:54.000
about continuing with more movies with the
character. But also it's like, well,

1519
01:51:54.000 --> 01:51:57.760
maybe maybe he doesn't need to do
that. Maybe they can still continue

1520
01:51:57.800 --> 01:52:02.399
their bond in a different way.
Yeah, well that's really the thing,

1521
01:52:02.560 --> 01:52:09.960
right is is And even as so, this version of the script had two

1522
01:52:10.039 --> 01:52:14.680
endings, one where Riggs dies and
one where he doesn't, and Donner shot

1523
01:52:14.680 --> 01:52:16.760
it both ways, and they ultimately
just left it up to the audience testing,

1524
01:52:16.960 --> 01:52:20.800
and the audience was not on board
for the version where Riggs dies.

1525
01:52:21.520 --> 01:52:27.279
And you understand that because this movie
as it has existed up to this point

1526
01:52:27.359 --> 01:52:34.119
does not justify that ending. Yeah, yeah, you know, because it's

1527
01:52:34.199 --> 01:52:38.199
I mean, you know what I
mean. It's just I'm I'm all for

1528
01:52:38.279 --> 01:52:44.279
a sad ending if it's a truthful
ending, but this is not that movie.

1529
01:52:45.640 --> 01:52:47.920
No, I agree, you know. So, like this song right

1530
01:52:47.960 --> 01:52:51.359
here, knocking on Heaven's Door in
that version, it would have played over

1531
01:52:51.399 --> 01:52:57.720
the end credits. Wow. So
instead they play it earlier to kind of

1532
01:52:57.760 --> 01:53:01.760
fake the audience out right. Wow. But like, but but the you

1533
01:53:01.760 --> 01:53:04.359
know, the crane shot that we
have coming up where you see you know,

1534
01:53:04.560 --> 01:53:10.520
Rigs in Roger's arms, that that's
that's dead Rigs. Yeah, I

1535
01:53:10.560 --> 01:53:13.840
read that. That's yeah, from
the ending where he died. That's amazing,

1536
01:53:14.479 --> 01:53:18.039
isn't that crazy? Yeah? But
this, I mean, come on,

1537
01:53:18.159 --> 01:53:23.960
even with a sound off, watching
Rigs and Myrta's arms covered in blood

1538
01:53:24.000 --> 01:53:27.239
and they're just joking. He's been
shot up and stabbed. He's like,

1539
01:53:27.319 --> 01:53:30.319
he needs to go to a hospital, but they're just cracking each other up.

1540
01:53:30.000 --> 01:53:34.319
Yep. It's just so heartwarming.
Yeah. Like, and so if

1541
01:53:34.359 --> 01:53:38.399
you imagine that, like Riggs is
actually dead there, you know, it's

1542
01:53:38.439 --> 01:53:41.479
like, no, I don't want
that. No. I actually, now

1543
01:53:41.479 --> 01:53:44.800
that I think about it, that
being potentially the last shot of the movie,

1544
01:53:44.840 --> 01:53:48.239
I can't even wrap my head around
that. That'd be so depressing exactly,

1545
01:53:48.640 --> 01:53:51.920
you know. So so you know, it's funny because normally you rail

1546
01:53:51.960 --> 01:53:56.760
against audience tests because it's like,
you know, oftentimes they're giving like really

1547
01:53:56.800 --> 01:54:01.039
stupid notes and whatever. But i'vebviously
the audience was right on this one,

1548
01:54:01.159 --> 01:54:08.600
you know, I think so.
Yeah. Wow. And by the way,

1549
01:54:08.600 --> 01:54:11.520
if you want to see a dead
rigs, just watch a season two

1550
01:54:11.880 --> 01:54:15.520
the season two finale of the Lethal
Weapon television series. Yeah right, they

1551
01:54:15.640 --> 01:54:21.760
croak him, good man. That's
so sad that that a train wreck.

1552
01:54:23.199 --> 01:54:27.239
It really like it. It started
out very promisingly, and it's unfortunate.

1553
01:54:28.439 --> 01:54:30.800
I wanted to mention, by the
way, we didn't talk. We didn't

1554
01:54:30.800 --> 01:54:32.039
mention him at all. But Michael
Cayman, who came back to do the

1555
01:54:32.119 --> 01:54:36.840
music, I think. I think
that the combination of Michael Cayman plus Eric

1556
01:54:36.840 --> 01:54:42.199
Clapton and David Sanborn, they just
they created such a unique musical identity for

1557
01:54:42.239 --> 01:54:46.319
these films that carries on through the
entirety of them. You know, totally,

1558
01:54:47.600 --> 01:54:53.520
totally. I love it. I
miss those orchestral scores in action films.

1559
01:54:55.520 --> 01:55:00.399
Yeah, well I miss Michael Caman. Yeah, you know again,

1560
01:55:00.399 --> 01:55:03.039
he's another one. He died too
young. Yeah, yeah, that die

1561
01:55:03.079 --> 01:55:06.359
Hard, of course, die Hard. And he did Robin Hood, Prince

1562
01:55:06.359 --> 01:55:13.119
of Thieves, and and and The
Dead Zone. Actually he really created a

1563
01:55:13.159 --> 01:55:18.720
distinct musical identity for eighties action cinema
just as much as John Williams typified sort

1564
01:55:18.720 --> 01:55:25.319
of eighties fantasies. You know,
mm hmmmm, but Lethal Weapon too are

1565
01:55:25.439 --> 01:55:30.520
What are your closing thoughts? You
know, I had I've seen it a

1566
01:55:30.520 --> 01:55:34.720
handful of times. I thought I
remembered it pretty well, but revisiting it

1567
01:55:34.800 --> 01:55:40.000
last night, I was surprised how
much I felt while I was watching it

1568
01:55:40.079 --> 01:55:43.800
and even after it ended. I
mean that ending really really touched me.

1569
01:55:44.319 --> 01:55:49.319
Like these two guys, like and
the bond that they have and them just

1570
01:55:49.479 --> 01:55:54.079
kind of cackling, you know,
covered in blood after what they've been through,

1571
01:55:54.199 --> 01:55:57.479
is just so freaking heartwarming, just
like the male love. You just

1572
01:55:57.479 --> 01:55:59.800
don't see it a lot, or
at least Downbearius. That's really true.

1573
01:56:00.119 --> 01:56:02.840
That's really true. Yeah, And
it's just done so well, and it's

1574
01:56:04.039 --> 01:56:06.840
I don't know, the movie was
rattling around in my mind long after I

1575
01:56:08.159 --> 01:56:12.520
finished it, and I don't feel
like and and like I said, the

1576
01:56:12.800 --> 01:56:16.760
feeling that I get from those two
guys, the love that's completely on screen

1577
01:56:16.840 --> 01:56:23.760
between them, combined with this like
really crazy R rated action that feels really

1578
01:56:23.880 --> 01:56:26.840
dangerous and real, and it was
just it's the whole package. And I

1579
01:56:26.880 --> 01:56:29.000
just don't feel like you can say
that a lot of about a lot of

1580
01:56:29.039 --> 01:56:32.560
action movies these days. So I
feel like this is it's special. I

1581
01:56:32.600 --> 01:56:36.479
think it remains special. And for
people who are listening to this just for

1582
01:56:36.520 --> 01:56:43.680
fun and haven't seen it, I
mean I highly recommend checking it out well.

1583
01:56:43.720 --> 01:56:45.720
And and you know, to your
point, I mean, this is

1584
01:56:45.800 --> 01:56:49.239
this is a film that audience has
really responded to, which certainly speaks to

1585
01:56:49.640 --> 01:56:55.600
how well regarded the original film had
become, you know, in the in

1586
01:56:55.920 --> 01:57:03.039
the interim and and the the The
success that this one achieved is the highest

1587
01:57:03.079 --> 01:57:06.439
out of all four lethal weapon films. I was going to say that.

1588
01:57:06.560 --> 01:57:13.319
And it also Back to the Future
too came out this year and made less.

1589
01:57:13.680 --> 01:57:15.960
So this one made like one hundred
and forty seven million. Back to

1590
01:57:15.000 --> 01:57:19.520
the Future two made ninety three million, So I mean that's amazing people were

1591
01:57:19.520 --> 01:57:25.439
into this. Yeah, I mean, you know, to be one of

1592
01:57:25.479 --> 01:57:30.600
the few successes in the year of
Batman. Yeah, that's that's no small

1593
01:57:30.640 --> 01:57:33.960
thing, you know. Yeah,
on the podium of three Batman, Last

1594
01:57:33.960 --> 01:57:40.680
Crusade and Leath the Weapon two.
Yeah, I think worldwide it made two

1595
01:57:40.760 --> 01:57:47.560
hundred and twenty eight million dollars,
which I'm actually curious. What would that

1596
01:57:47.600 --> 01:57:59.600
be in in two thousand and four
dollars? I don't know. Eight you're

1597
01:57:59.600 --> 01:58:06.800
looking at about five hundred and seventy
million dollars half a billion, which is

1598
01:58:06.840 --> 01:58:10.800
just I mean, that is bananas, right, more than half a billion

1599
01:58:10.800 --> 01:58:17.199
dollars for a Buddy Cott movie.
Yeah. Right. So it's no secret

1600
01:58:17.239 --> 01:58:25.439
why a sequel followed in rapid order. Yeah. Yeah. It's also no

1601
01:58:25.520 --> 01:58:28.800
secret why Warner Brothers is desperate to
have another one after the third one.

1602
01:58:29.920 --> 01:58:32.720
But we'll talk about both of those
at some later point. Brian, I

1603
01:58:32.760 --> 01:58:36.960
can't wait. Yeah, you know, it took us a minute to come

1604
01:58:38.000 --> 01:58:40.680
back to these films, but I
think I think the weight was a good

1605
01:58:40.720 --> 01:58:45.359
thing. You know, it kind
of let the anticipation build a little bit.

1606
01:58:45.880 --> 01:58:48.399
I agree, I agree, But
I am I'm ready for the next

1607
01:58:48.399 --> 01:58:53.000
one. Well, hey, maybe
we'll talk through it sooner. Maybe it

1608
01:58:53.000 --> 01:58:54.720
won't take two years. I don't
know. We'll see, but leave the

1609
01:58:54.760 --> 01:58:58.720
Weapon three is coming on the Movie
Film Show. But if you have any

1610
01:58:58.760 --> 01:59:00.840
questions or comments for us, you
can emails at Moviefilmpodcast at gmail dot com.

1611
01:59:00.880 --> 01:59:03.920
You can say like on our Facebook
page Facebook dot com Slash Movie Film

1612
01:59:03.920 --> 01:59:08.039
Podcast. Message us there you can
send us your requests for commentary tracks.

1613
01:59:08.079 --> 01:59:10.239
As always, if you like what
we're doing, please go to Apple Podcast,

1614
01:59:10.359 --> 01:59:12.399
leave a review, leave a star
rating over a little bit helps.

1615
01:59:12.720 --> 01:59:15.800
You can find me on social media
at Zakie's Corner. You can find Brian

1616
01:59:15.880 --> 01:59:18.439
in the real world, living a
healthy life like the rest of us who

1617
01:59:18.439 --> 01:59:23.439
are who are online, but with
that on behalf of my partner Brian Holl.

1618
01:59:23.520 --> 01:59:25.960
My name is Zachie as this has
been our movie film commentary for Lead

1619
01:59:26.000 --> 01:59:33.840
the Weapon two. We will catch
you next time. Thanks folks.

