WEBVTT

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You're listening to the downbeat on ninety
seven one of the Freak Happy Friday Metroplex

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of course Rangers Astros Game five.
It's at four pm today. Pluckers and

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Plano is where the bit and Skin
show and the speakeasy will be. And

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I would imagine that Pluckers and Plano
will be pretty lit as everyone can I

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go enjoy the speakeasy with Jeff and
Julie. I think Jesse Holly's in with

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them today, as I'm sure Ryan's
is going to the game. But that's

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a time you can watch the game. You can watch the game, enjoy

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the show, all that good stuff. Good times at Pluckers and Plano for

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the Freaking the Weekend series. I'll
be at the game. We'll go on

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out there for Game five. We'll
see if we can pull one out of

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our ass. But joining us now
live in studio thok. We got a

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new friend here. I do too. He's gonna be at the Plano House

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of Comedy October twentieth and twenty first. That's tonight and tomorrow. Eat your

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tickets at TX dot House Ofcomedy dot
net. Paul Maturio's in the house,

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great man, Thanks for having me. Yeah, I have a nice chat

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off the air. You guys are
awesome, man, Thank you. So

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you're performing tonight, So look,
you can watch the damn Ranger game and

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then go see some stand up.
You might need some mirth in your life

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after what I watched. Yeah,
that hotel and I watched most of the

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game. I was watching it on
the plane and then I wanted to almost

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broke the TV in my hotel room
when they did some like little thing on

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how great Jose Altubo is and I'm
like cheeter and I started banging it can

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but nobody listened to me, like
like, you know, it's so it's

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just like I don't get it,
you know. I guess it's like,

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you know, the networks need to
do their thing. But I'm going my

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Red I'm a Red Sox fan.
They're out of it. I'm rooting for

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the Rangers. I've been amazed at
how honestly Fox has seemed a little blind

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to the fact that a lot of
America hates the Astros. Yeah. I

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just think it's the product, right, and they want to keep putting the

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product out there and going everybody loves
a product, then they stand there.

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He goes, oh, he's five
foot six and look he hit a ball

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from nine inches from the ground and
three foot from his Yeah. Yeah,

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well you know it's like I'll just
never forget him coming home and going don't

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pull my shirt off because I'm wired. Yeah, there's no proof, there's

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space. It was a Columbian drug. Water was turned over on to the

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Feds. Right, but yeah,
and so you have enough context, you

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don't need proof. Yeah, clearly
there exactly. You said Red Sox originally

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New Englander. Yeah, just get
a little bit of background. Rhode Island.

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I grew up in Rhode Okay,
and my wife and I were actually

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together both we went to high school
together, Okay, Providence and Providence,

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ok And I grew up in a
family furniture busin. My wife and I

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dated fifteen years before we got married. She proposed finally. Yeah, I

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can't tell you her exact words.
They understood really emotional, but they ended

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with or get off the pot.
And it was that kind of thing.

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And then uh yeah, and then
I was I ended up being a lawyer,

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and I was working on Wall Street
doing like merger deals and stuff,

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and I started writing jokes as a
hobby and then I met Jay Leno with

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a private function and I didn't plan
on anything. I don't know why I

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was writing jokes, but I had
whole bunch of jokes written. And I

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went up to him after this before
after his performance, and I said,

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I'm never gonna use these. I'm
a lawyer. He wants these jokes.

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And he was like, okay,
my man, and like he took the

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jokes. And then a couple of
days later, my phone rings and it's

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more jokes. It's jay Leno exactly. He really does like talk like they're

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letting helium out of a balloom very
slowly. It's like and I go yeah

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and I and he says it's jay
Leno. Was pull there, And I'm

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like, there's no way jay len
was calling me, right. So I

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told my friend who likes to pull
pranks, and I thought it was my

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friend pulling a prank pretending to be
Jay Leno. And I go, yeah,

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really funny. He goes, no, it's really jay Leno. I

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go, David, look, I'm
in the middle of like a steal,

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like I'm crazed. I can't go
now is jay Leno? And he goes,

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I go stop. He goes now
it's Jay Leno. And I actually

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said to Jay Leno, you do
a lousy j Leno. He was doing

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an impression of himself right, exactly
love it and he's like, no,

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I think I do it. Give
me. I'm like, oh my god,

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it's Jay Lenna, right. And
then a couple of days later,

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but a week later, he calls
me and says, uh, hey,

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I'm gonna do one of your jokes
on the Tight Show tonight. And I

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got a bottle of champagne with my
girlfriend now my wife and another couple we

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watched it. He did it,
and it paid me fifty bucks for this

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joke, and it blew my head
off my shoulder, and you realize I

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can make money due this is like
fifty bucks a joke, right, And

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yeah, and didn't plan on it. You know, people always say you

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plan I'm like no, they and
then they're like, were you funny?

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And I put it like in context, yeah, I guess I was like

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always the funniest lawyer in my law
firm, like, which isn't really saying

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much, right, It's like kind
of saying you're the sexiest I guy,

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And uh, basically it was just
that. And then That's how it started.

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And then we kind of went on. You've parlayed that into now being

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a kind of a staff writer and
uh yeah, yeah, yeah, we

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go back and you know, I'm
carrying Stephen every day. He's drinking a

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lot. There's no question. It's
like a lot of rum in that guy's

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body. And yeah, it was
you know, started on the Daily Show

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and like honestly took the job just
to make some I was just starting out

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as a comic and like, oh
okay, this, like all TV gets

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canceled, so we all thought it
would get canceled after like six months,

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right, and the next time yeah, and it's like and then it just

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kind of took off because they left
us alone. Like Comedy Central was a

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different network then it was like it
was still like an underground little kind of

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thing. So they there was they
were just more liberal about like not politically,

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but just like what they let us
do. Yeah, Like we did

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this piece about Disney. It's we
called it the disneification of Times Square.

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So remember Times Square had all the
smut shops and whatever, and then like

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Disney and all these big companies came
in and turned it into all these like

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entertainment type things, and so we
sent a like a correspondent out to do

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a peace saying, well, you
know, the Time Square has been really

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cleaned up, but has it been? And he goes, I'm here at

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the Disney store. And then and
I don't know if I could say this

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word. Yeah, of course,
bildo, you say it all the time

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because I have one in my pocket
now, and so I basically go So

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the guys in said j J said, I could do I could I could

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have it, but whatever, anyway, sorry, I hate it when it

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goes off. Oh good, And
you have a turkey based because my wife

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can't get pregnant. Yeah, get
turkey based here for no good reason a

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radio show. You can impregnate her
with the turkey baser. And then satisfied

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with what you have in your co
podcast, Carol, you're getting pregnant tonight.

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Listen say hi to your lover.
Yeah. Our listener by the name

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of freak Jesus sent that up here. So and then there's a Rice Christmas

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for an after post coital snack.
Why not? That's awesome? And then

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I think you just dumped the last
ten seconds of what we said. You're

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I don't think that thing. We
were not even sure if thing. Yeah,

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well it discount a game show,
buzzard, How was the show great?

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Well, he kept leaping himself for
no reason at all, the guy

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who works on TV but doesn't know
anything about radio. So what was I

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talking about? Disneyfication? So the
correspondent is now in the Disney store that

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just opened, and Disney's happy to
have us because we would say, oh,

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yeah, we're a news show from
Comedy Central. But then we would

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go in and like whatever story we're
doing, we'd be ragging on the people,

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and then once the shot thing was
over, they realized, oh wow,

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they just scragged on us. But
now we had the film and we

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could do what we want to.
He goes, so I'm here in Times

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Square and it's a Disney store and
they say that the things are being cleaned

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up, and Disney is the best
example of that, or is it?

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And then he would just grab the
most innocent, like the Mermaid doll or

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whatever, and you go, this
may look like the Mermaid doll, but

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it's a dildo. And then he'd
grab another thing like Mickey Mouse. Nope,

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vibrator right, And so so we
cut the piece together. You know,

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when you do something wrong and your
father or your mom is so mad

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at you they're screaming, they can't
see straight. Yeah, like so or

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your program director whichever, okay,
right? Perfect? Right? So then

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so the president of the network,
we would have Friday would be what we

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call it dark day, which is
that you don't tape me just in the

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office. He came in and he
goes and he's like shaking. He goes,

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I saw that piece about Disney.
What are you guys doing? We're

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like what. He goes, you
can't say dildo twelve times in a four

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minute piece. We're like, now
we're trying not to laugh at dad,

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right, And we're like, he
goes, we are you laughing at it?

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We go, well, we didn't
know there was a rule about how

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many times you can say dildo.
You told us to go for it.

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We're going for it. He goes, well, you can't do it,

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and so I go, well,
we go, what do you want us

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to do? He goes, don't
be a smart ass macurial. I go,

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we just what do you want us
to do? But he goes,

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you need to edit it down?
How many times can we say? Do

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the four you could say it four
times. It's an arbitrary exactly. Do

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we don't have a censorship per person
or standards and practices persons or whenever we

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would see them after that, like
at a party or something, we'd go,

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hey, there's for dil do Doug
right there. Yes, it sounds

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like we work in very similar industries. It's the same thing. It's always

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push the envelope, push the envelope
until you cross the invisible line that gets

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you in trouble and then you get
scolded, written up, and sometimes fire.

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I think now though, I think
our leadership wants us to get compliants

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and things. I think they're just
trying to get rid of us. I

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think that, Yeah, we had
a show pulled. I'm kind of proud

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of this as a joke that I
actually wrote and caused the show to be

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pulled and never reaired because it was
about and this was on the daily daily,

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and so you know, we would
if you like, you know,

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we would make a joke about something
and sometimes we would like take their face

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their headshot or whatever, and they
would we'd mock it up with something,

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you know, funny hat or whatever. Right, So this was, uh,

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this was somebody having an affair and
then the in like was a really

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nasty affair and it was very public. It was, oh, it's Lewinsky.

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It was that that long ago,
and it was yes, it was

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a long time ago. So basically, and I think we got incense that

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like, you know, Chelsea was
a little kid, and then Lewinsky was

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out like getting endorsement deal like remember
like she got like ags and she was

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on the cover of like Cosmopo,
one of those like Vanity Fair, and

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she was like had like this little
picnic thing going on with like a little

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like your t shirt tied off and
stuff, and she was shy, so

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and we just thought it was like, you know what, this is gross,

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Like you shouldn't be like you just
broke almost broke up a family.

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So I said, we wrote,
this isn't the only thing that she's doing

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to realabilitate her career. She's getting
endorsement deals from different products, including the

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milk industry. And then we had
them put ash shot of milk on her

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face and I know you for ten
minutes and I'm like, yeah, this

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is all check job. I'll ever
have this standing in the graphics department leaning

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over a guy in a computer,
going, no, no, it needs

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to look more like something something else, like milk, like milk, It

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needs to be more translucent. He
goes, what it is translucent? And

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I go, just like you can
see through it. I'm like it was

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like and it was like and I
go, no, no, it's can't

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be a little. It's gonna be
a lot. It's gonna be keeping from

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everything from her ears of course.
So apparently it's been real proud of this

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bit. Yeah, this is like
you know again, I'm take the hair

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jail from something about think about that, why are you going to go to

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law school? Well, so I
can do these kind of things. So

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apparently, so what we did was
when you finished. So the routine is

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working on a show. On shows
like that, it's like taking a final

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every day, because we would it's
day of deciding what stories we're gonna do.

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So we sit around table like this
and there's like a dozen of us,

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including the pretty uses and stuff,
and we're just going like, so

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I was. Everybody was assigned the
newspaper. I can't remember what mine was

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on a Wall Street journal of or
something. And you go through and you

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say and you pitch stories to the
table what about this? What about this?

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What about just like a TV a
show would do like a new show

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or a newspaper, and they go, Okay, well let's see, we

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got we got this, Let's do
these six right, and then you go

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off and you have three hours to
write as many funny jokes as you can

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and hope to God that you're funny
that day. And it's like literally taking

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a college final every day. Yeah, yeah, it was like that,

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and that's why. But until I
started. We're going to show why they

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have a group of writers because you
may be off someday and I'll be on.

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So you you accomplish it. So
so we're, you know, we're

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doing our thing, and we're writing
the joke, and then a one or

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so. By the way, I
don't know if this is inside baseball and

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too boring for people how this stuff
works, but I'll stop talking about this

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if you want. But we basically
would then write the jokes, then produce

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the jokes, meaning get everything ready
if you need, like sound bites or

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one hats drawn on people or whatever, and then at four o'clock you rehearse

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the show. Then we rewrite the
show between five and five thirty and then

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Tavia at five thirty, is there
an audience in the rehearsal, No,

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good question, it's the staff.
You bring the staff out, which kind

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of sucks in a way because like
some of like some of the staff and

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crew are like teamsters, guys who
like only laugh at fart jokes, so

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like if that gets the best,
like you go, please don't laugh at

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the fart joke. Ye laugh at
the part joke, and that's the one

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that gets on the then the like
the smarter joke doesn't. But but it

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all worked out. It was great, but we have enough bodies in there.

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Also, you just get to get
it out of your mouth, like

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Steven the host whoever, like even
me, like when I'm writing a new

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joke for my act, like you
just got to say it. You got

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to just start getting the words out
so you get the rhythm of it.

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And so while the audience is being
seated and put into the studio, we're

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rewriting the show one last time.
So it's literally like there's never enough time.

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You're always like another like you just
don't because you have to get the

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show shot by a certain time to
then get it shut up to a side,

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shut up to a satellite and whatever. So you know, we're basically

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you know, so the show that
graphic I just described, the show airs

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at eleven o'clock, and the story
is that the same president Network saw it

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was in the first act. But
we the reason I told you the background

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how the show works is because you're
supposed toen the script into standards and practices

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at like around four o'clock. So
we just left the graphic out and said,

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TBD, it's just a graphic of
you know, the period. We're

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just working on it, like that's
all we said. Because funny hat bunny

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hat, because because the writing didn't
indicate what it was. And so apparently

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he sees the thing and he picks
up the phone and he goes, who

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on the rise that picture? Pull
the show? They pulled the show and

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they never reaired because that show would
reair four times a day and they never

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reaired the show. Really, that's
when I found that out. The next

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morning, I immediately went to graphics
and I said, before you delete that

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picture, give it framed, and
I have it framed. Him. That's

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that's beautiful. Okay. Hold on, so you're uh was recent. Paul

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mccurio is who is joining us and
you're you're at the Plano House of Comedy

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tonight and tomorrow night, and tickets
are at t X dot House of Comedy

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dot net. A year ago I
read the Daily Show book, which I

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don't know how you know how accurate
those things are, but it's a good

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oral history book. There's a lot
of people in it. And one thing

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they do talk about I remember them
talking about the Chelsea Clinton, you know,

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the scandals. Is that issue right
there, So that's what you're referencing.

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But also they did talk about the
Kilbourne days and then when John Stewart

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came in and there were some people
very resistant and John's first few months they

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were struggling to find out what the
show was going to be because it was

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going to be different than what Craig's
version of the show was. And you

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were in for both both, you
know eras of that, So you're one

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of the guys who I mean,
because it was in the book. They

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in the book, the way they
painted out is there were ki Kilbourne writers

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who were just very resistant to change
the way they do things when John came

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in, and the people that stayed
were likely people who are more open minded

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to what John's vision of the show
was. Yeah, there was a couple

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of people that whatever. I mean, John's great, But was that transitionary

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interrupt Was that transition easy for you? It was? It was I think

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it was, Well, John's got
a big drug problem, and so we're

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like, well, how's this guy
gonna do it? Because he's asleep half

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the time, he saw whatever,
or it's coke, and he's all over

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the place and he's got hookers in
the room. Here's what happened that that

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shoke got created. I work for
drug addicts and alcoholic I love doing that

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to my friends. You know,
when you when you're proud of something you'd

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make right. We were there from
we built it from scratch, right,

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and so you become protective of it. And I think initially, and John's

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amazing, and he's so right,
he's so smart, and he's such a

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funny guy. But you don't know, if I think people were like,

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well, is this going to get
turned into like a traditional late night show

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with a band and whatever and this
and that, because we wanted to keep

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our edge and that was the thing, and we didn't know if that was

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going to change, because you know, John was a big name, and

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so when a big talent comes in
like that, they can bagasy. They

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have the power to dictate changing the
show in the way they want it to

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be, as opposed to if you
hired a non name and then that non

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name, non person without a big
name has to sort of adhere to what

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the show is, you know what
I'm saying. Sure, and so,

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and I knew John a little bit
from the stand up scene, but he

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was way before me and higher on
the food chain than I was, So

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even I just knew him to be
friendly around the clubs and stuff, but

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I wasn't a close friend, and
so I think that was like the core

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of the concern. So any sort
of tension that there was was just I

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always felt and still feel from a
good place out of caring and being protective

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and a healthy of something whatever,
as opposed to you want that instead of

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people who working go I don't care, do whatever you want to do,

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and this thing is a piece of
crap anyway. Yeah, and so that's

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what happened. So there are a
couple of people that were, like,

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you know, a couple of correspondents
that didn't feel like it was a place

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for them to be anymore, and
then they left and then you know,

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the rest of us stayed and you
know whatever, and it evolves. Yeah,

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00:18:18.599 --> 00:18:22.599
but you know, it's a creative
it's a creative process. And the

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creative process, if it's ends up
good, is messy. Talk to any

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director, talk to a painter,
talk to a guy that builds a house,

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right, like anything that where you're
creating something. I mean, you

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guys work and radio, you're very
successful. You've probably worked on other shows

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too. You have you talked about
program directors, and I know from being

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doing a lot of radio, you
get you guys get notes and feedback.

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You should do less of this and
more of that. If I would imagine

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that you're in the room pushing back
a little bit at times. Otherwise if

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you don't, you shouldn't be in
that job because you don't care about your

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job enough. Yeah, And that's
all that was. And sometimes it gets

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blown out of proportion a little bit, you know. And I think for

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John it was hard on him and
fairness to him, and then looking back,

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like you know, he came into
like a thing that was already set,

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and I think he was nervous about
things too, and so it was

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just like you know, an initial
date. You know, it's a little

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00:19:14.680 --> 00:19:18.480
whatever awkward, Well you work through
it, like what do you know we're

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all at Del's here, you know, I guess. And also there's you

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know, there's kind of like that
that that power tier system dynamic too to

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where well his name is on the
damn show, he's got ultimate I guess,

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00:19:30.640 --> 00:19:33.400
final say, you know, it's
everything is taken under advisement and into

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00:19:33.440 --> 00:19:37.039
consideration, but ultimately it's going to
be my choice. And that can really

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rub people the wrong way if in
fact they've been there for a substantial amount

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of time and then here's the new
guy. But the new guy's got more

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power than me, and more say
than me. That's got to be a

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really difficult thing to kind of evolve
together into something that stays together and becomes

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00:19:52.359 --> 00:19:55.359
even more successful than maybe what it
was before. That's a really good point

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because you know John's like, you
know, first of all, he's tiny,

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00:20:00.160 --> 00:20:03.480
like five four, Like why do
you even get that? They carry

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00:20:03.559 --> 00:20:06.359
him around in a Sherpa bag like
you know, little dogs are taking dog

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Yeah, and little little face sticks
out. You feed him like little little

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00:20:08.680 --> 00:20:12.000
kibble and stuff. It's amazing that
he's able to travel that way in that

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00:20:12.079 --> 00:20:15.759
hair piece and never falls on It's
insane, not a lot. I told

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00:20:15.759 --> 00:20:18.920
you not to talk about the hair
piece on the air, and Ruin hit

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00:20:18.960 --> 00:20:22.079
the staples. But again, no, you know, it's a really good

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point because Craig, I thought it
was. Craig did not have that final

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editorial. Say nothing against Craig,
but he didn't have that comedy skill set.

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So that was with Liz the one
of the co creators of the show,

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and Madelie Smithberg. They created the
show. John came in. He

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had the right to have that because
he had the chops for it, and

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he had the he had the power
to negotiate for that, and he should

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00:20:52.000 --> 00:20:55.359
have because it's his name on the
shingle and you do have to write for

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his voice. So personally, that
was never an issue for me. I

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don't think it was really an issue
for many people. But it was,

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like I think we were concerned in
the beginning, like are we going to

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take the show away from this edge
that we created and make it more late

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night fluff? Kind of not that
there's anything wrong with that, but like

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00:21:12.920 --> 00:21:15.039
a different like, you know,
we're gonna have more guests, We're gonna

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start having a house band and do
well, you take the unique quality out

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of it, you know in your
head about what it could be. Yeah,

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before even I give SNL credit.
The only other show at that point

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that was doing sort of edgy topical
stuff, but it was only weekly and

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00:21:30.720 --> 00:21:34.200
it was only like eight months out
of the year was SNL Weekend Update,

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and there was no footage and no
sound bites. And what we created was

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every if you go back and look
like, every joke had to be set

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up using footage and sound bites because
we're doing a parody of a news show,

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00:21:45.720 --> 00:21:48.079
so you have to have footage and
sound bites. If were don't have

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footage and sound bites, you couldn't
do the story because we wanted to then

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come back from the sound bite and
then there's your punchline. The SoundBite is

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the setup, right, And so
we had created this really cool kind of

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00:22:00.200 --> 00:22:02.960
thing and just you know, yeah, so it all worked out. I

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00:22:02.960 --> 00:22:06.000
mean, you know, John came
in and he focused, and I think

357
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that was a smart move on his
part. He made the show more about

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00:22:08.759 --> 00:22:12.400
politics in the media's coverage of politics, which you no one had done.

359
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And he's like a really bright guy
and and he and and and then we

360
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were able to kind of start to
execute you know what he wanted to do.

361
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And and you know if you didn't, you know, he kidnapped my

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00:22:25.799 --> 00:22:29.240
dog for a couple of weeks until
I gave in a hair piece game for

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00:22:29.400 --> 00:22:33.400
me exactly. Oh no, did
he would change it up. The blonde

364
00:22:33.400 --> 00:22:36.000
curls was weird. I'm like,
hey, you're Jewish, that's not working

365
00:22:36.359 --> 00:22:38.759
and not working. How often did
you come to town, Paul? I

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00:22:38.799 --> 00:22:42.440
come back once a year. I
was actually here like twice within two months

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because just before I did the ployt
playing on House of Comedy, I did

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00:22:45.359 --> 00:22:48.640
a corporate gig, a private gig
for Old Capitol Bank, that's the big

369
00:22:48.640 --> 00:22:52.920
bank here. I guess we don't
have any money, no place to put

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00:22:52.920 --> 00:22:59.640
it is Frank. I took the
president's ATM card, So it was a

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00:22:59.720 --> 00:23:02.960
it's a great gig for me.
I had a lucrative trip. Uh So

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00:23:03.599 --> 00:23:06.880
once a year, Yeah, next
time your town, we can hang out

373
00:23:06.880 --> 00:23:11.519
with us again. Yeah. I
have a million questions, so many these

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00:23:11.599 --> 00:23:12.960
questions like this, and and then
I it's weird because you can tell them.

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I said it on the air,
like, uh, I get self

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00:23:15.559 --> 00:23:18.279
conscious because I'm like, do people
really care about this stuff? They're like

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00:23:18.279 --> 00:23:22.759
get in their car. And I
even wanted to get into the whole the

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00:23:22.160 --> 00:23:27.880
culture of comedy and how it goes
through phases and evolves and changes. Well,

379
00:23:29.799 --> 00:23:30.640
are you about to leave? What
are you about to do right now?

380
00:23:30.680 --> 00:23:33.240
You got craft to do right?
No, I'm good. I mean

381
00:23:33.319 --> 00:23:37.279
I'm doing something with the with these
guys a podcast like about a half hour.

382
00:23:37.279 --> 00:23:40.799
I'm trying to have to ruin your
day. No, could you give

383
00:23:40.880 --> 00:23:42.599
us five more minutes after the break. We have to get good ratings otherwise

384
00:23:42.680 --> 00:23:45.519
they'll fire us. Oh yeah,
sure, we have to break it.

385
00:23:45.680 --> 00:23:48.000
Wait, what are you applying that
I just hurt your ratings. No,

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00:23:48.039 --> 00:23:52.440
I'm saying, you know what,
We want you to stay. Yeah,

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00:23:52.440 --> 00:23:56.200
I'll say absolutely right, Okay,
awesome. Paul meccurio is coming back for

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a few more minutes next ninety seven
One for You.

