1 00:00:00,960 --> 00:00:05,480 I do love that song. That is sing Hallelujah, and that is Tom 2 00:00:05,599 --> 00:00:09,880 Russo. Jenny is here, of course at the news table, back this 3 00:00:10,000 --> 00:00:13,119 week after after not being here last week. Welcome back, Thank you, 4 00:00:13,199 --> 00:00:17,480 thank you. I'm glad I traveled back before the chaos. Yes, yes, 5 00:00:17,600 --> 00:00:24,199 before the massive tech outage everybody about Southwest I saw a funny post about 6 00:00:24,199 --> 00:00:28,120 them because they're using a Commodore sixty four. Their system's running right, yes, 7 00:00:28,239 --> 00:00:31,640 well, very good, very good. And of course today is Saturday, 8 00:00:31,760 --> 00:00:36,280 June twentieth, twenty twenty four. Thank you to our first guests we 9 00:00:36,359 --> 00:00:39,679 had on of course day to attend in the first hour and second hour purging 10 00:00:39,759 --> 00:00:42,679 Sin. And we also of course did the world radio premiere of not a 11 00:00:42,679 --> 00:00:47,200 Player, the newest single from our friend Hope the Rapper and joining us right 12 00:00:47,280 --> 00:00:52,359 now live in studio, Tom Russo returns for I think was this your third 13 00:00:52,359 --> 00:00:54,759 time on the show, Tom, I believe it is. Yes, Yes, 14 00:00:55,079 --> 00:00:57,479 you've got your guitar and plugged into a little amp. Pretty sure. 15 00:00:57,479 --> 00:01:00,640 I'm gonna get a robe pretty soon, like you're gonna get members members ze. 16 00:01:00,679 --> 00:01:03,680 Oh yes, yes, a member's only jacket. Yes, absolutely, 17 00:01:04,879 --> 00:01:07,200 you're all plugged in and ready to go. Do you want to play something 18 00:01:07,239 --> 00:01:11,719 and then we'll talk a bit maybe. Uh, I know we have a 19 00:01:11,840 --> 00:01:14,560 we had, we had an experiment that we might even attempt on the program. 20 00:01:14,560 --> 00:01:15,799 But uh, I'm curious to hear you play that. I haven't heard 21 00:01:15,840 --> 00:01:19,200 you play with an electric before. Yeah, I'm kind of getting used to 22 00:01:19,239 --> 00:01:23,000 it a little bit. I've been playing acoustic for a long time, so 23 00:01:23,680 --> 00:01:27,040 it's a little different. So I'll try this. Uh might kind of skip 24 00:01:27,319 --> 00:01:30,840 some parts and do how I want, but you won't know. We won't 25 00:01:30,879 --> 00:01:53,040 know the difference. Right. It's tough this time of year. They close 26 00:01:53,319 --> 00:02:06,079 a highway down and they don't the town. And I've been fighting second gear 27 00:02:07,840 --> 00:02:19,319 for fifteen miles or so, trying to beat the angles. And I know 28 00:02:19,879 --> 00:02:28,919 every town worth passing through. But what good does no one do with no 29 00:02:29,000 --> 00:02:42,120 one to show it to. I've drawn child of traveling alone, tired of 30 00:02:42,319 --> 00:02:49,919 traveling alone. I've drawn tied the traveling alone. Won't you ride with me? 31 00:02:52,039 --> 00:03:00,520 I've drawn tide of traveling alone, tired of traveling alone, tired of 32 00:03:00,759 --> 00:03:10,879 traveling alone? Won't you ride with me? Won't you ride? Won't you 33 00:03:12,319 --> 00:03:27,360 ride? And I quit talking to myself and listen to the radio A long 34 00:03:27,599 --> 00:03:38,719 long time ago, so high I didn't know myself, just looking for a 35 00:03:38,919 --> 00:03:51,599 day to come when I'll be free. So high the street girls wouldn't take 36 00:03:51,759 --> 00:03:59,000 my pay. They said come back on a better day, and they just 37 00:03:59,439 --> 00:04:13,360 walked away. And I've gone tired of traveling alone, tired of traveling alone. 38 00:04:14,280 --> 00:04:20,720 I've gone tired of traveling alone. Won't you ride with me? And 39 00:04:20,879 --> 00:04:31,160 I've gone tired of traveling alone, tired of traveling alone, tired of traveling 40 00:04:31,319 --> 00:04:42,360 alone? Won't you ride with me? Won't you ride? Won't you ride? 41 00:04:46,120 --> 00:04:54,319 Mountains? Up? This time of year, they shut the highway down, 42 00:04:56,680 --> 00:05:05,000 and they don't warn the town. And I've been fighting second year, 43 00:05:08,879 --> 00:05:17,920 for fifteen miles or so, trying to beat the angry snow. And I 44 00:05:18,120 --> 00:05:28,279 know every town worth passing through. But what good does no one do with 45 00:05:28,519 --> 00:05:41,600 no one to show it to. I've gone tired of traveling alone, tired 46 00:05:41,839 --> 00:05:47,959 of traveling alone. I've gone tired of traveling alone. Won't you ride with 47 00:05:48,279 --> 00:05:58,319 me? And I've gone tired of traveling alone, tired of traveling alone. 48 00:05:59,279 --> 00:06:06,040 I've gone tired of travel alone. Won't you ride with me? Won't you 49 00:06:14,279 --> 00:06:17,879 m I love it. I love it. That is great. That's one 50 00:06:17,920 --> 00:06:21,160 of yours. Oh no, I wish I was. Oh no, who 51 00:06:21,360 --> 00:06:27,319 who does that? That's Jason isbel Oh okay, yes, so I kind 52 00:06:27,319 --> 00:06:30,600 of skipped the bridge. I played one of his songs on the show a 53 00:06:30,639 --> 00:06:35,240 long time ago, Have I for Me Up? And you did a song 54 00:06:35,319 --> 00:06:40,519 called have I Done Enough? Or have I Done Enough? Or something really 55 00:06:40,560 --> 00:06:42,519 good songs. Yeah, yeah, I like him a lot. No, 56 00:06:42,720 --> 00:06:46,120 that's uh, that's great if you're just joining us. Tom Russo is here 57 00:06:46,120 --> 00:06:49,160 with us live in studio. I don't know if you wanted to try to 58 00:06:49,639 --> 00:06:53,519 write something live or we don't have a lot of people in the chat room 59 00:06:53,560 --> 00:06:56,560 at the moment unfortunately, So I don't know if you wanted to. But 60 00:06:57,959 --> 00:07:00,519 I'll play this, I'll play another one you are playing. Yeah, yeah, 61 00:07:00,839 --> 00:07:01,439 whatever you want to do. Yeah, it's kind of good one. 62 00:07:01,519 --> 00:07:23,600 Here, here we go. All right. There's a bottle on the dress 63 00:07:23,800 --> 00:07:30,800 and by your ring, and it's empty. So right now, I don't 64 00:07:30,920 --> 00:07:40,680 feel a thing. Come tomorrow, when I wake up on the floor, 65 00:07:42,600 --> 00:07:54,879 I'll be a wolver by noon. That's a difference between whiskey and you. 66 00:08:01,279 --> 00:08:11,639 Come tomorrow, I can walk in in a store. It ain't a problem. 67 00:08:15,480 --> 00:08:24,759 They'll always sell me more. But your forgiveness, well, that's something 68 00:08:24,920 --> 00:08:37,639 I can't buy in a thing I can do. That's the difference between whiskey 69 00:08:39,720 --> 00:08:56,320 and you. Wan's a devil and one keeps driving me insane at times. 70 00:08:56,519 --> 00:09:09,519 I wonder if themble the same, and one's alive it tries to hide me 71 00:09:09,600 --> 00:09:20,720 from my pain. One's alone gone, be the truth. That's the difference 72 00:09:22,519 --> 00:09:45,759 between whiskey and you. I've got a problem, bud in what you might 73 00:09:45,960 --> 00:09:52,879 think. Will I drink because I'm lonesome? And I'm lonesome because I drink, 74 00:09:54,440 --> 00:10:11,559 But if I don't break out and hit it on the head. That's 75 00:10:11,639 --> 00:10:24,279 a difference between whiskey and you. Wan's a devil and one keeps driving me 76 00:10:24,639 --> 00:10:35,919 insane at times. I wonder if they bold the same, and one's a 77 00:10:37,159 --> 00:10:48,799 live trying to hide me from my pen one's alone gone A bit of truth. 78 00:10:52,559 --> 00:11:07,919 That's a difference between whiskey you. Oh that was beautiful, beautiful, 79 00:11:07,960 --> 00:11:11,960 well done, Thank you? Now what is that yours? No? I 80 00:11:13,000 --> 00:11:18,000 wish I could say that's Chris Stapleton, which, oh, I can't do 81 00:11:18,120 --> 00:11:22,480 anything close to him. Somebody else had played I think it was. Do 82 00:11:22,519 --> 00:11:26,519 you know Taylor Hughes, he's been on the show. I think he played 83 00:11:26,559 --> 00:11:28,000 a Chris Stapleton song when he was here too. Yeah, Like, I 84 00:11:28,159 --> 00:11:31,440 just get inspired by people that are really good and yeah, yeah, I 85 00:11:31,519 --> 00:11:35,879 can't do it half as well. No, that sounded great to do everything 86 00:11:35,000 --> 00:11:37,320 my own way. No, I love your voice in a school here you 87 00:11:37,360 --> 00:11:41,279 play the electric Yeah, thank you. That's that's really good. That was 88 00:11:41,279 --> 00:11:43,559 a good idea. Glad you brought them. Yeah, it's a little bit 89 00:11:43,639 --> 00:11:46,159 more, you know. And I know your rock and roll really well. 90 00:11:46,200 --> 00:11:50,240 I'm all kinds of stuff. Yeah, I gotta kick it up and not 91 00:11:50,480 --> 00:11:56,039 right right if you're just joining us. Tom Russo is here with us live 92 00:11:56,120 --> 00:12:00,639 in studio playing some tunes. And now, what have you been up to? 93 00:12:01,279 --> 00:12:03,559 Have you been recording new music since the last time you were on. 94 00:12:03,720 --> 00:12:05,840 Do you have a you have a new album or what have you? I'm 95 00:12:05,919 --> 00:12:07,600 actually, uh, I have quite a bit of stuff ready to go, 96 00:12:07,759 --> 00:12:13,440 probably enough to you know, ten to fifteen song album kidding. Yeah, 97 00:12:15,799 --> 00:12:20,000 so I'm pretty much ready to do that. Yeah. Yeah, and I'm 98 00:12:20,000 --> 00:12:24,279 gonna I want to write some new stuff and but yeah, that's kind of 99 00:12:24,320 --> 00:12:26,600 my mission. Right now? Now will you be when you go to record? 100 00:12:26,639 --> 00:12:30,159 Are you going to do? Who did you work with or where did 101 00:12:30,200 --> 00:12:35,679 you record with the other the previous Oh so like Mike Clark and Amherst, 102 00:12:35,840 --> 00:12:37,360 Like, I'll probably do a lot of stuff. I want to get better 103 00:12:37,440 --> 00:12:41,039 at doing my own stuff and recording, like so I can take it yeah 104 00:12:41,240 --> 00:12:46,320 there and be like halfway there's yeah, yeah, but yeah, I do 105 00:12:46,399 --> 00:12:50,279 a lot with Mike Clark Clark creative. How you doing, Mike, if 106 00:12:50,320 --> 00:12:54,399 you're listening, is that where you did? Uh? Like should I be 107 00:12:54,399 --> 00:12:58,799 Afraid and sing Hallelujah and everything? Or should I be Afraid? Was Pete 108 00:12:58,919 --> 00:13:03,360 Peloquin, which from Roots of Creation. He does a lot of work with 109 00:13:03,440 --> 00:13:07,039 them, right, and then all the other stuff I've done with Mike okay, 110 00:13:09,679 --> 00:13:11,000 and should I be Afraid? Was that song that I wrote in that 111 00:13:11,120 --> 00:13:13,320 one day. I don't know if you knew the story of that, right, 112 00:13:13,360 --> 00:13:16,639 I remember you talking about that. We'll tell us a story again. 113 00:13:16,559 --> 00:13:22,159 I just kind of set a mission to actually had studio time like the next 114 00:13:22,240 --> 00:13:28,919 day with Pete, and I kind of wrote the song the night before. 115 00:13:28,279 --> 00:13:35,480 Yeah, maybe wrote the bridge on my lunch break, and that's when it 116 00:13:35,919 --> 00:13:39,159 ended up being so yeah, but I wanted to challenge myself just to make 117 00:13:39,240 --> 00:13:41,960 myself do that. It's like, oh, I already have studio time before 118 00:13:43,000 --> 00:13:48,240 I even know what I'm going to do. Yeah. So and this song, 119 00:13:48,360 --> 00:13:50,720 of course, it's got a bug out yeah at the end of it, 120 00:13:52,240 --> 00:13:54,360 which is a cool surprise because when we played it on the show before, 121 00:13:54,360 --> 00:13:56,639 I remember saying, you know, it's like you don't you don't see 122 00:13:56,679 --> 00:14:01,559 that coming. It's a twist and yet it fits. Well. Yeah, 123 00:14:03,039 --> 00:14:05,679 it was Mike Doyle. He called in and he was and he was complimenting 124 00:14:05,759 --> 00:14:07,399 you on it. Yeah, yeah, definitely, I'd say play that one 125 00:14:07,440 --> 00:14:09,600 if you like, yeah, yeah, let's do that. I actually have 126 00:14:09,720 --> 00:14:13,639 it. Uh, I've got it ready to go because this is also another 127 00:14:13,679 --> 00:14:16,159 one of my favorites. So let's give this a listen and then we'll we'll 128 00:14:16,240 --> 00:14:20,320 come back and uh, Tom will play with us, and we'll play some 129 00:14:20,399 --> 00:14:22,840 more and we'll talk some more and all that good stuff. If you are 130 00:14:22,919 --> 00:14:28,320 just joining us, Tom Russo is here with us, live in studio, 131 00:14:28,039 --> 00:14:31,360 and this is where's bug out from? By the way, is he from? 132 00:14:31,519 --> 00:14:35,519 Is he local? I think he's now in Keen like I worked with 133 00:14:35,639 --> 00:14:39,320 him before, but I think he's from Exeter. Oh okay, gotcha, 134 00:14:39,480 --> 00:14:43,440 gotcha? You know that region? Yeah? Yeah, all right, let's 135 00:14:43,480 --> 00:14:45,919 give this a listen. This is really really good. This is called Should 136 00:14:45,919 --> 00:15:03,519 I be Afraid? Featuring bug Out, and this is Tom Russo where do 137 00:15:03,240 --> 00:15:16,279 I begin to tell you all of mysel I'm not a perfect man. I'm 138 00:15:16,399 --> 00:15:26,440 hard to understand these days, and it's taking most of me. What's left? 139 00:15:26,519 --> 00:15:37,799 It's hard to see Stier. Now it's time to sink or s I'm 140 00:15:37,919 --> 00:15:46,799 not afraid to start again, so saying I'm wasting time. But it's only 141 00:15:48,039 --> 00:15:56,279 mind here. But you are making up your mind. I decide that to 142 00:15:56,480 --> 00:16:17,080 live. Should I be afraid what I do not know? I left the 143 00:16:17,240 --> 00:16:34,799 sun shine is dance with my soul? Should I be afraid everything I hold? 144 00:16:37,240 --> 00:17:15,359 Everything I left the sun shine in Shint is where I go now? 145 00:17:15,440 --> 00:17:27,920 The realest we all have a difference in I'm not a perfect man. Just 146 00:17:29,119 --> 00:17:37,759 be the best that canst He's taking most of me, what's have it's hard 147 00:17:37,880 --> 00:17:59,039 to see today. Should I be afraid what I do not know? I'm 148 00:17:59,119 --> 00:18:17,680 never stop shines, dance with my soulf got me a friend? Everything I 149 00:18:17,960 --> 00:18:56,160 know everything letting the sun shine in Shinese wear, Rascal, you know it 150 00:18:56,359 --> 00:18:59,920 all the time, so many dating before the sun ross and can't hide it 151 00:19:00,039 --> 00:19:03,319 ever put it feel like it's talked to fund trying to keep focus, to 152 00:19:03,400 --> 00:19:07,680 see holdless of fin notice in my getting up in the house and holdest to 153 00:19:07,759 --> 00:19:11,000 try to hold this moment is gone, going with the can before the storm 154 00:19:11,200 --> 00:19:15,480 is home, pice thest and reminded when they came to among a pondus in 155 00:19:15,599 --> 00:19:22,759 mind search of predominance and we mean it in the silence home that is should 156 00:19:22,759 --> 00:19:27,799 I be afraid? That's Tom Russo featuring Bockoutoops, and then something else started 157 00:19:27,799 --> 00:19:30,720 playing. Sorry about that, but yeah, great track, Tom, I 158 00:19:30,799 --> 00:19:34,079 love that. Thank you and I got a really positive response to the last 159 00:19:34,119 --> 00:19:37,279 time we played it when you were on the show with us. If you 160 00:19:37,319 --> 00:19:40,559 are just joining us on this Saturday morning, Jenny and I are here with 161 00:19:40,920 --> 00:19:44,799 Tom Russo live in studio. Hey, is is bug out ever come and 162 00:19:45,160 --> 00:19:48,519 perform that live with you now? Actually I must thought about today telling him 163 00:19:48,519 --> 00:19:52,160 to come here. Oh that would have been cool. Yeah we should. 164 00:19:52,359 --> 00:19:53,960 Yeah, we'll do that in the future. It would be fun. I'd 165 00:19:55,000 --> 00:19:56,720 love that. Yeah. Yeah, we've had people, And we've had people 166 00:19:56,839 --> 00:20:00,279 rap live on the show, like Cody Pope and By they've been on a 167 00:20:00,359 --> 00:20:04,960 few times and they'll they'll do a lot. Bug Out was in Granite State 168 00:20:06,160 --> 00:20:10,680 was his band Okay, which I think they're all kind of related or not 169 00:20:10,799 --> 00:20:15,440 related, but in the same gang of people. Yeah. Yeah, so 170 00:20:15,559 --> 00:20:18,039 I think, like even today when I saw you had Hope on, I'm 171 00:20:18,079 --> 00:20:22,400 pretty sure they know each other pretty well. Yeah, yeah, most likely. 172 00:20:22,680 --> 00:20:25,200 Well Hope the rapper too. I mean, he's very good at networking, 173 00:20:26,160 --> 00:20:29,839 so he's yeah, he probably knows everybody. Yeah right, yeah, 174 00:20:30,000 --> 00:20:33,480 yeah, you want to play you want to play something for us? Yeah? 175 00:20:33,599 --> 00:20:38,200 Play a cover song? Why not? All right? Here we go, 176 00:20:44,759 --> 00:20:53,960 close your eyes and I'll kiss you tomorrow. I'll miss you, remember 177 00:20:55,400 --> 00:21:07,359 always be true. And then well I'm away. I'll write home every day 178 00:21:08,240 --> 00:21:21,960 and I'll send on my loving to you. I'll pretend that I'm kissing the 179 00:21:22,240 --> 00:21:33,480 lift side, missing and I pray that my dreams will come true. And 180 00:21:33,640 --> 00:21:42,319 then well I'm away. I'll ride home every day just to send on my 181 00:21:42,759 --> 00:21:57,359 loving to you. All my loving I will send to you, all my 182 00:21:57,680 --> 00:22:45,880 loving darling. I'll be true all my loving I will send to you all, 183 00:22:47,039 --> 00:23:03,839 my loving darling. I'll be true all my loving all my love. 184 00:23:07,000 --> 00:23:18,759 I will send to you very nice, very nice. That's a different take 185 00:23:18,799 --> 00:23:23,799 on that, Yeah, probably the wrong one. No, I like it. 186 00:23:23,960 --> 00:23:27,720 I like it. You could just say that wasn't very good. No, 187 00:23:30,480 --> 00:23:33,799 No, it's cool. Last night on Retrospectrum radio show that I'm a 188 00:23:33,880 --> 00:23:37,480 co host on on Friday nights from my eight to eleven Polly See the hosts, 189 00:23:37,519 --> 00:23:41,920 he played McCartney doing let It Be at Live Aid. Oh wow, 190 00:23:41,000 --> 00:23:45,880 because it's like the fortieth anniversary of Live Aid and or thirty ninth anniversary, 191 00:23:45,880 --> 00:23:49,640 I should say. And it was interesting because when McCartney played that, you 192 00:23:49,720 --> 00:23:52,079 know, just him and the piano, and then he had a few people 193 00:23:52,119 --> 00:23:55,920 come out and sing backups, like David Bowie. But but you know, 194 00:23:56,000 --> 00:23:59,039 but he really kind of does it differently, you know, when he's just 195 00:23:59,079 --> 00:24:00,519 sitting there, you know, he's loose with it. He's kind of playing 196 00:24:00,559 --> 00:24:06,000 with it all the time, like I mean, and Paulie see, he 197 00:24:06,039 --> 00:24:07,519 didn't like the way McCartney did it, But I thought it was cool. 198 00:24:07,559 --> 00:24:11,960 I liked it. I thought you know, it was because he never he 199 00:24:11,039 --> 00:24:14,920 hadn't had a chance to actually play it out with the Beatles, right because 200 00:24:14,920 --> 00:24:17,839 they never you know, they broke up before they had a chance to go 201 00:24:17,960 --> 00:24:21,359 on tour or anything and play that live. But but I liked his take 202 00:24:21,400 --> 00:24:23,039 on it. No. I think it's cool to, you know, take 203 00:24:23,119 --> 00:24:26,200 songs like that and kind of put your own what's your own spin on it? 204 00:24:26,279 --> 00:24:29,799 You know. I mean probably most of the time I put my own 205 00:24:29,839 --> 00:24:33,160 spin. It's just I don't know all the chords, right, so I 206 00:24:33,319 --> 00:24:37,599 just adapt them to how I do it. Yeah, yeah, but no, 207 00:24:37,759 --> 00:24:41,920 I I like I played that song, you know, and it's hard 208 00:24:41,000 --> 00:24:45,359 still to do like and you design people, Well, it's not really hard, 209 00:24:45,400 --> 00:24:48,440 but you remind people like it's like, that's a simple song. But 210 00:24:48,599 --> 00:24:52,559 he sings it right, Yeah, when I sung myself, you know, 211 00:24:52,799 --> 00:24:57,440 but when it comes up to the high part, yeah yeah, yeah, 212 00:24:57,480 --> 00:25:02,160 it's a pretty high note. Actually sang that once at a vocal recital. 213 00:25:02,839 --> 00:25:04,400 Oh you did. Yeah, I didn't do it very well probably, but 214 00:25:04,400 --> 00:25:08,200 I want to try it again. No, come on, I do not. 215 00:25:10,920 --> 00:25:14,440 I do not. It was a long time ago. But now so 216 00:25:14,880 --> 00:25:18,480 the electric do you do you play that live usually or you've only just started 217 00:25:18,519 --> 00:25:26,160 to do this, So I got a bunch of these these Fender Telecaster acoustica. 218 00:25:26,400 --> 00:25:29,680 I think it's called Okay, but it's kind of a hybrid like half 219 00:25:29,839 --> 00:25:33,599 acoustic. You know. So I haven't done this yet, but if the 220 00:25:33,680 --> 00:25:41,119 difference that sound, if I wanted to kick it down, yeah, so 221 00:25:41,240 --> 00:25:45,759 I can get a dirty sound like yeah. So, but I've been playing 222 00:25:45,799 --> 00:25:48,960 that acoustic for you know, twenty something years, so it's really weird for 223 00:25:49,039 --> 00:25:52,680 me to get used to this. But right this is probably only in the 224 00:25:52,799 --> 00:25:56,599 last like three months. Ohkid, Yeah, so I'm really trying it out. 225 00:25:56,799 --> 00:26:00,359 Yeah. No, it sounds great. It sounds great. It gives 226 00:26:00,359 --> 00:26:03,680 a little more uh, it just gives a little more soul, I think 227 00:26:03,720 --> 00:26:07,440 you. Yeah, are there songs that you play on that that you don't 228 00:26:07,480 --> 00:26:11,240 play on the acoustic because they just work better on that. No, I 229 00:26:11,359 --> 00:26:17,039 kind of play everything on everything, but it's it's it took me a bit 230 00:26:17,160 --> 00:26:19,000 to get used to. The strings are a little different, right like so, 231 00:26:19,240 --> 00:26:22,480 and you know with the acoustic, I'm used to just kind of beating 232 00:26:22,559 --> 00:26:26,720 on it, and this this I kind of have to be a little bit 233 00:26:26,799 --> 00:26:30,799 more precise. Yeah that makes sense. Yeah, I don't know if you 234 00:26:30,880 --> 00:26:45,319 can sing this one? Rescue me? Come full the speed to me, 235 00:26:47,319 --> 00:27:00,839 raise me up and let me fall. No man is mine and me my 236 00:27:02,119 --> 00:27:18,720 own hands and prison me. Love rest to me. Many strangers have I 237 00:27:18,960 --> 00:27:30,839 met on the road to my regret, Many lost who seek to find them 238 00:27:30,960 --> 00:27:45,880 selfs in me. They asked me to reveal the very thoughts they would conceal. 239 00:27:48,240 --> 00:28:04,200 Love redsking me. Then the sun in the sky makes a shadow of 240 00:28:04,319 --> 00:28:18,319 you and I stretching out to the sun in the sea. Yeah, I'm 241 00:28:18,480 --> 00:28:33,839 here without a name, in the palace of my shame, love ray excuse 242 00:28:34,039 --> 00:28:51,400 me. Sha la la cha la lah sha la lau ja la lah sha 243 00:28:51,559 --> 00:29:17,200 la lah sha la la. Yeah, palace, oh mash as love really 244 00:29:18,559 --> 00:29:30,680 excuse me? Hm, that was really good. I was tempted to come 245 00:29:30,720 --> 00:29:33,319 in on the shallas, but I didn't. I'm gonna tell you I wrote 246 00:29:33,319 --> 00:29:37,720 all the I'll be more impressive. That was you should man. Yeah, 247 00:29:37,839 --> 00:29:41,319 yeah, I thought about it for a second, but I skip. All 248 00:29:41,359 --> 00:29:48,200 the verses get meshed into each other, like so do people ever notice, 249 00:29:48,279 --> 00:29:49,559 like when you play live, does anyone ever come up to you and say, 250 00:29:49,720 --> 00:29:55,160 I noticed you played that like way different than than the original? Yeah? 251 00:29:57,079 --> 00:30:00,720 Yeah, And sometimes I just take they think they give it to me 252 00:30:00,799 --> 00:30:03,640 as a compliment. Yeah, like, but for the most part, it's 253 00:30:03,680 --> 00:30:06,400 probably like, well, I just don't want to keep the verses arranged, 254 00:30:06,599 --> 00:30:11,160 right, No, I think it's cool because it makes it It makes it 255 00:30:11,240 --> 00:30:15,400 more interesting, you know, right to just I just kind of still do 256 00:30:15,559 --> 00:30:18,400 it however I want. Yeah, then nobody can tell me I'm doing it 257 00:30:18,440 --> 00:30:21,799 wrong. Really, yeah, Well, because I think it's more interesting. 258 00:30:22,000 --> 00:30:23,319 You know, if I'm hearing a song that I've heard a lot, you 259 00:30:23,400 --> 00:30:26,960 know, and obviously you played a couple of things that I wasn't you know, 260 00:30:26,039 --> 00:30:29,880 that I hadn't heard or hadn't heard enough to remember who they were. 261 00:30:29,960 --> 00:30:32,839 But if I'm hearing something I've heard a lot, I think it's cool to 262 00:30:32,880 --> 00:30:34,880 hear a different take on it. You know. It's kind of like how 263 00:30:34,880 --> 00:30:40,200 I've always felt about like cover bands, you know, they they try to 264 00:30:41,119 --> 00:30:45,119 play things exactly like they sound when the original artists, because that's what people 265 00:30:45,279 --> 00:30:49,640 seem to want. Just tapping yourself really yeah, to me, it's like, 266 00:30:49,759 --> 00:30:52,720 I know how the original goes, I want to hear your interpretation of 267 00:30:52,839 --> 00:30:56,200 it, you know, right, and if you're if you miss a note, 268 00:30:56,319 --> 00:30:57,920 like uh, I did have one, Lady that was really mad at 269 00:30:57,960 --> 00:31:02,960 me one time, really for turn the page. Apparently I screwed up a 270 00:31:03,000 --> 00:31:07,960 lot of those lyrics. Oh you know versus here I go or there I 271 00:31:07,119 --> 00:31:15,640 go, and she's like, you're singing it all wrong. She did not 272 00:31:15,799 --> 00:31:18,480 punch me. But that's good, you know that type of thing, you 273 00:31:18,559 --> 00:31:22,640 know. Yeah, yeah, I go, you know, because I'll kind 274 00:31:22,680 --> 00:31:26,000 of bumping that up. Really, Yeah, you hear that one. I'm 275 00:31:26,039 --> 00:31:29,039 curious now, Yeah, let's do it. I do want to hear it. 276 00:31:29,119 --> 00:31:37,160 Yeah. Oh, I was gonna say, if you can't find it, 277 00:31:37,240 --> 00:31:40,599 we can probably dig through those dig through those seat cushions. I bet 278 00:31:40,640 --> 00:31:44,000 there's pics in there. If you're just joining us. Oh, I bet 279 00:31:44,039 --> 00:31:45,920 that's a million. If you're just joining us, Tom Russo is here with 280 00:31:47,039 --> 00:31:51,400 us live in studio, might as well do it. Yeah, No, 281 00:31:51,480 --> 00:32:19,400 I want to hear it now. Definitely. All along Lonely Highway east of 282 00:32:19,519 --> 00:32:25,759 Omaha, you can listen to the Engine Morning How is one long song. 283 00:32:27,920 --> 00:32:34,480 You can think about the woman, the girl you knew the night before. 284 00:32:39,359 --> 00:32:47,200 Your thoughts will soon be wandering, weir they always do. You're riding sixteen 285 00:32:47,319 --> 00:32:54,839 hours, there's nothing much to do, don't feel much like traveling. You 286 00:32:55,000 --> 00:33:10,039 wish the trip was through. Here I am on the road again. There 287 00:33:10,119 --> 00:33:21,599 I am up on the stage. There I go, playing star again. 288 00:33:22,200 --> 00:33:44,440 There I go turn the page, walking to restaurm strung eye from the road, 289 00:33:45,599 --> 00:33:50,119 you fill the eyes upon you. It's just shaking off the cold. 290 00:33:51,599 --> 00:34:05,119 You pretend it doesn't bother you, but you just want to explode. Sometimes 291 00:34:05,359 --> 00:34:10,119 you can hear him talking. All the times you can't. It's the same. 292 00:34:10,480 --> 00:34:17,119 More cliche. Is that a woman or a man? You all whispere 293 00:34:17,280 --> 00:34:32,320 live numbers. You don't tell me. Here I am on the road again. 294 00:34:34,840 --> 00:34:45,239 There I am up on the stage. There I go on the stage 295 00:34:45,360 --> 00:35:13,280 again. There I go turn the page. Later in the evening, if 296 00:35:13,360 --> 00:35:22,360 you lie awaken bed with the echo from the amplifiers ringing in your hand, 297 00:35:23,199 --> 00:35:30,239 you smoke about seven hundred and sixty five cigarettes, you forget what she said. 298 00:35:31,320 --> 00:35:49,079 What Here I am on the road again. There I am up on 299 00:35:49,280 --> 00:36:01,920 the stage. There I go playing target. There I chearing the page. 300 00:36:05,000 --> 00:36:34,760 There I go, there I go in the page. Oh I love it. 301 00:36:35,800 --> 00:36:38,360 Thank you. That is my favorite version of the page that I've heard. 302 00:36:38,400 --> 00:36:42,119 For real. Really, that was really cool. That was really really 303 00:36:42,159 --> 00:36:47,199 good. Bumping everything up like you just gotta bump bumping. It's like dazzling 304 00:36:47,280 --> 00:36:50,599 stuff, you know. No, that was amazing. That was amazing, 305 00:36:50,719 --> 00:36:53,599 and I certainly like it better than Metallica's version. Of course I didn't like 306 00:36:53,679 --> 00:36:57,239 Metallica's versions. I just have to keep the beat. And I don't have 307 00:36:57,320 --> 00:37:00,159 anybody in my band just other than me. No, but that was was 308 00:37:00,199 --> 00:37:04,360 really good and I didn't notice any wrong lyrics. Oh well, we could 309 00:37:04,440 --> 00:37:07,000 go back and study and we could. I can show you like uh. 310 00:37:07,760 --> 00:37:10,960 But so speaking of that, and by the way, you have an invitation 311 00:37:12,119 --> 00:37:15,599 in the chat room here. But first I want to mention so Dan Fallon 312 00:37:15,360 --> 00:37:17,840 from the band Run Like Thieves. They've been on the show Jenny and I 313 00:37:17,880 --> 00:37:22,199 went and saw them and conquered not long ago. A great, great band, 314 00:37:22,280 --> 00:37:25,880 and Dan is amazing. But he was saying that means you did a 315 00:37:25,920 --> 00:37:30,400 good job if someone is mad regarding the woman who is mad. So there 316 00:37:30,440 --> 00:37:36,440 you go, there you go. But Dan also said, Matt, can 317 00:37:36,519 --> 00:37:40,360 you tell Tom that this Sunday night and and next from six to eight pm, 318 00:37:40,440 --> 00:37:45,280 I'm hosting an open mic at Keys Piano Bar, and Grill would love 319 00:37:45,360 --> 00:37:54,760 to have him featured at the next one and oh and uh Dan also said 320 00:37:54,880 --> 00:38:00,440 like like Tom Petty. Oh, it's like Tom Petty meets Bob c love 321 00:38:00,519 --> 00:38:05,920 it, Tom Petty one. If you'd like to hear another, are you? 322 00:38:06,360 --> 00:38:07,559 Yeah? We can? I think we can. We can do one 323 00:38:07,599 --> 00:38:13,400 more, yeah, if you want to do it. But but anyway, 324 00:38:13,480 --> 00:38:15,000 yeah, so I wanted to make sure I pass along that invitation for you. 325 00:38:15,920 --> 00:38:19,880 Yeah, yeah, I'd love We'll do it if you're just joining us. 326 00:38:19,920 --> 00:38:22,760 We have Tom Russo live in studio with us on this Saturday morning. 327 00:38:22,119 --> 00:38:45,039 This is You inspired me because I like this song excellent will do? I 328 00:38:45,679 --> 00:39:07,679 saw your face cut my lifeline wins in through space, I saw an angel, 329 00:39:12,599 --> 00:39:24,440 I saw my fate. I can only thank god it was not too 330 00:39:24,599 --> 00:39:58,920 late. Over oceans A flooded away and I wished only things are better than 331 00:39:59,000 --> 00:40:20,519 today. I fall loot an angel down through the gates. I can only 332 00:40:20,880 --> 00:40:29,679 thank god it was not to lay. I can only thank god it was 333 00:40:29,880 --> 00:40:40,880 not to lay. Sing a little song, a loneliness, sing one to 334 00:40:42,039 --> 00:40:50,639 make me smile for another round for everyone. I'm here for a little while. 335 00:40:57,280 --> 00:41:12,400 Now she's with me everywhere did I go? She took my lifeline, 336 00:41:15,280 --> 00:41:36,800 She took it to go, I sawn angel, I saw my fate and 337 00:41:37,000 --> 00:41:54,280 I can only thank God that it was not too late. Well done, 338 00:41:54,320 --> 00:41:59,039 sir, Well done. Tom Russo here with us live in studio. By 339 00:41:59,039 --> 00:42:04,239 the way, Dan Fault says he's the real deal, and Isaac Banks says 340 00:42:04,360 --> 00:42:09,760 he is rocking it so very good. Very I like to think that the 341 00:42:09,840 --> 00:42:15,000 great thing is like I really my whole life really don't know what I'm doing. 342 00:42:15,119 --> 00:42:20,280 Like so I kind of half know what I'm doing, but I feel 343 00:42:20,320 --> 00:42:22,320 if you can do it with heart, Yeah, yep, those people will 344 00:42:22,360 --> 00:42:25,719 make those comments. There you go, there you go. Absolutely, We're 345 00:42:25,840 --> 00:42:30,360 just about out of time, Tom, You got any shows? Just you 346 00:42:30,480 --> 00:42:32,440 played anywhere this weekend? You want people to know about this time? Because 347 00:42:32,639 --> 00:42:36,679 oh, like I felt very bad, Like you asked me, I felt 348 00:42:36,840 --> 00:42:39,199 like pretty unprofessionally, yeah, said, what do you got going on? 349 00:42:39,519 --> 00:42:42,920 That's it? I don't know. Yeah, just yeah, just give us 350 00:42:42,920 --> 00:42:46,199 a couple of sorry. July twenty seventh, Blue Bear, Francis Town, 351 00:42:46,280 --> 00:42:50,480 New Hampshire, Okay. Up by the crotch of Mountain, all right. 352 00:42:51,880 --> 00:42:58,559 August eighth, Hampshire Hills in Milford, Okay, Come on down. August 353 00:42:58,599 --> 00:43:02,519 twenty fourth, Blue Bear and Answers Town August twenty fifth, Stella Blue and 354 00:43:02,599 --> 00:43:07,159 Nashalla. All right, yeah, so you got some some summer shows coming. 355 00:43:07,320 --> 00:43:09,199 I made all these up, and you might be I don't know, 356 00:43:09,360 --> 00:43:15,199 plan and you might be appearing at an open mic. It sounds like you 357 00:43:15,239 --> 00:43:17,159 have an infestation to do that from h our friend. Now, message me 358 00:43:17,239 --> 00:43:21,679 the information and I'll I'll be there. Very good, very good. Does 359 00:43:21,760 --> 00:43:24,159 he know my lip sync? I don't know, but well he knows now. 360 00:43:24,519 --> 00:43:28,719 Oh, it's all lip syncing this whole show. Oh, Dan says, 361 00:43:28,800 --> 00:43:30,559 A great show. Matt and Jenny, thank you so much, Dan, 362 00:43:30,639 --> 00:43:34,199 thank you. Jenny. You want to plug your website before you go. 363 00:43:34,320 --> 00:43:37,119 You've been very busy. I do. I have to catch up on 364 00:43:37,199 --> 00:43:39,719 the website. Actually, it's Jencoffee dot com j E n n c O 365 00:43:40,000 --> 00:43:44,280 F f e y dot com. You can also find my email there. 366 00:43:44,440 --> 00:43:46,679 And if you want to be on Mack cron Iton Unleashed, I am now 367 00:43:46,760 --> 00:43:52,119 booking August, so give me a holler. Yes, yes, and Tom, 368 00:43:52,440 --> 00:43:54,599 we should probably spell your last name for people who are looking to keep 369 00:43:54,679 --> 00:44:00,480 up with everything that you're doing. Yes, r O U S s AU. 370 00:44:00,440 --> 00:44:04,159 Wonderful. This has been great Tom, I appreciate you coming in. 371 00:44:04,239 --> 00:44:06,679 Thanks for bringing the electric That was a cool that was very cool. That 372 00:44:07,440 --> 00:44:10,119 no, no, of course not no, that was great. And well, 373 00:44:10,159 --> 00:44:14,039 actually we got to go, but if you miss any part of today's 374 00:44:14,039 --> 00:44:16,079 show, and we'll be up in just a little bit at wmnhradio dot org 375 00:44:16,440 --> 00:44:20,639 and in my website Matt Connorton dot com. Thank you again to our friend 376 00:44:20,679 --> 00:44:23,880 Hope the wrapper for the World Radio premiere. I think this was week six, 377 00:44:24,400 --> 00:44:28,519 and uh, let's see. Of course day to attend, wonderful as 378 00:44:28,559 --> 00:44:31,920 always and purging sin and of course Tom Russo and we'll leave you with a 379 00:44:32,000 --> 00:44:37,480 little bit of h I love this track too. Greet the Sun Studio version 380 00:44:37,519 --> 00:44:40,880 of this play us out as we say, all right, Thanks Tom, 381 00:44:40,920 --> 00:44:44,440 Thanks everybody. We'll talk to y'all, talk to j'all next week.