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Hello, and welcome back to Chittheads. My name is Khalid and I'm one

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of the learning navigators at Embodied Philosophy, and we have a luminous episode today

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with Tracy Stanley, who is the
author of the best selling book Radiant Rest

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Yoga Nidra for Deep Relaxation and Awaken
Clarity. She's the founder of Empowered Life

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Circle, a sacred community and portal
of practices, ritual and tontric teachings inspired

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by more than twenty five years of
studentship in the Strevidia Tntra and the teachings

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of the Himalayan Masters. As a
post lineage teacher, Tracy is devoted to

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sharing the wisdom of yoga, nidra, rest, meditation, self inquiry nature.

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As a teacher and ancestor, Tracy
is gifted in illuminating the magic and

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power found in liminal space and we
even devotion and practice into daily life.

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In this episode, Tracy and Jacob
discuss our true nature and what gets in

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the way of that, the extractive
nature of the spiritual marketplace, and Sodena

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as a source of creativity, clarity, and wisdom, which is perfectly in

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alignment with Tracy's most recently published book, The Luminous Self Sacred. You'll get

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practices and rituals to remember who you
are. We hope you enjoy. So

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I want to talk a little bit
about kind of what you know led you

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to the decision to write this book, which you know I've I mean I've

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read it. I've gone from cover
to cover, done my my typical like

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reading reading the meat e bits and
then and then skimming through some of the

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rest. But I can tell just
from what i've I've read of it it

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is an absolutely beautiful book. And
you know, the message is is so

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perennial, right, It's obviously the
teachings about our true self, our true

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nature and what gets in the way
of that. But I found that as

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I was reading it, what was
so fresh about that otherwise perennial message is

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just how much authenticity you bring to
it and your own story. And I

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just found it really beautiful. Also, the book is just like a compendium

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of practices. I mean, it
really is so chock full of useful practices.

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So I'm just curious, kind of
in the zeitgeist of now right in

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terms of where we are in the
world and what you have been perceiving that

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your students or people have needed.
What has inspired you to write this book

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at this time. Yeah, that's
a really great question. And what I

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would tell you is that I visioned
this book and had created the book proposal

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for this book and was out with
it as a book proposal in early And

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what I know now is that you
know, I had gotten an offer from

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Shambala to write a book about Yoga
Nidra, and I was very resistant to

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wanting to write that book because I
felt like, Oh, there's this book

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already on Yoganidra, and this person
is writing a book, and there's this

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book. And at some point I
kind of realized, because people started to

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ask me do you have a book? Have you written a book and specifically

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about Yoganidra, that Yoga Nidra was
the one that kind of wanted to come

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forward first. And then I think
also what happened with the pandemic is that

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we realized right how exhausted we all
were and how much we really needed rest,

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and how much some of our practices
that we might have been doing and

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some of the surface level yoga practices
that we had been doing for years might

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not have been really supporting us in
a time of deep crisis, and so

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I started to think about this book
again and thinking about it in a different

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way, including how the pandemic had
changed me, and you know, went

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back into the book proposal and really
was able to kind of access another layer

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of vulnerability in this telling of some
of the stories that help hopefully to underpin

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the philosophy and how the philosophy works, the philosophies of the yoga sutras that

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I'm sharing and the clasias. And
so I think for me, this book

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was a seed for a little bit
of time, and I think that I

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just started watering it, you know, in twenty twenty two and thinking about

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what really needed, what were the
what are the practices because you said it's

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like a compendian of practices, And
what I really want wanted to offer that

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I think was not in the first
book proposal or in my first seed of

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thought, was is there a book
that is really like a practice manual for

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life when you were feeling stuck that
can help you at any moment. And

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what are the practices that I have
been given over the years that I've been

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practicing that have been the most transformational. And so you know, these are

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the practices that I'm offering. And
I think that you know that it needed

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to cook a little bit. Yeah, well that's what I really appreciated,

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something that you write on early in
the book about and I think is such

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a good just in general, a
good message to those who are taking up

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the book as potentially a research for
teaching, which of course it could be.

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And you know, you present in
some sense, as you know,

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understanding that some of your audience are
going to be teachers that might want to

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extract some of the practices, and
you make a point of saying, like,

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you know, take these practices and
steep in them for a period of

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time before you then impart that.
So I felt like you must have been

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responding to what you sensed was sort
of a habit in the spiritual marketplace to

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just sort of grab bag spiritual practices
and then you know, like read a

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book once, just read through the
practice and then take it into their yoga

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class. Is that a little bit
what you were observing? Yes, that's

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exactly what I was observing. And
what I would say is overall, I

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think this the entire culture is extractive. Is that I would notice specifically in

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classes that people would dip in,
they would do the practice once and then

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I would or they would hear a
lecture and then I would see it as

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a real on Instagram. Oh my
gosh, and it's like, wait a

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second, we need to practice these. And you know, if there's anything

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that I'm really grateful for for the
teachings that I received, was really this

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idea around SODNA, around consistent practice, around devoted practice, and so yes,

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I want us to be in relationship
with the practices, because that's what

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I'm offering is that I've done these
practices. They were given to me,

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some of them kind of came through
me, but I lived with them for

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a really long time, and from
my unique experience now I'm able to share

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them. And my hope is is
that if someone reads this book and they

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are a teacher, that they live
with the practices and that they share them

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in their unique voice, which is
not going to be a parroting of what's

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in the book, but something from
their lived experience that actually is a transmission

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and not a repetition of something that
they memorized. Yeah. Yeah, I

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really appreciate the spirit of that insight
because it also I think we've probably had

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similar formations with teachers where you know, like I I with from my who

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I would say is my central meditation
teacher. Like I wasn't even in a

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position, and it was very clear
that I wouldn't be permitted to to introduce

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these meditation practices until several years of
Sodona and a kind of educational process.

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And you know, obviously it's not
quite that intense with what you're offering,

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but I think the sentiment is so
important and something that's quite radical in the

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in kind of in the face of
what's happening, you know, in the

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kind of spiritual marketplace these days.
I was really happy that you that you

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talked about that. So I want
to talk a little bit about you know,

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this happens very early on the book, the Egg Incident, And the

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reason why this touched me so much
is that I was really severely bullied in

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school. I went to a Christian
Lutheran school, and and I was criticized

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for or bullied for having like a
high voice, called a girl all the

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time, that sort of thing before
I was called, you know, the

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the F word, And so you
know, having this like reading about your

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experience of this kind of trauma of
bullying and how it's how you related to

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it and responded to it, and
then how it kind of fed into the

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substance of the book. I just
thought was really moving, and so I

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was hoping you could sort of talk
a little bit about the relationship between that

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kind of really early bullying incident and
sort of this expansive openness towards yogic wisdom.

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Yeah. So I had a bullying
incident which you'll have to read in

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the book, that happened when I
was very young and great in middle school.

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And you know, it was something
that on the outside, I think

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if people look from the outside,
they would say, oh, you just

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of brushed it off. It's something
that happened to you, but you just

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kind of brushed it off. But
if anyone was really looking, what they

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would have noticed, and what I
noticed later is that it changed the trajectory

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of who I was, right,
somebody who was really interested in learning and

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excelling and you know, playing multiple
instruments and wearing my glasses and you know,

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just being whoever I was. And
all of a sudden, I started

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to peel back the things that were
making me unique, right because I didn't

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want to be seen, because being
seen is different was going to mean that

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I possibly would be in jeopardy,
right, So I let go of all

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of these things in order to stay
safe. Right. And then some years

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later after I'm kind of steeped in
yogic understanding to the degree that I am

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able to understand yoga. But I
think it's like this much. But what

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I understood from this idea of some
scara and how imprints start to create a

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coloring that was something that was like, okay, intellectually I get it.

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It's like I understand how this can
shape a life. Right. And then

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at some point, this is back
when I was producing films. I had

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a really big movie that was coming
out and it was one of the first

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ones that I had brought into the
company, and it was it was really

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good, and we were having the
premiere and I felt myself receding into the

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background and hiding in the corner literally
because I didn't want to be seen.

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And I remember someone saying, oh, like, this is your big not

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you know, your big night,
like this this movie is going to be

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a huge hit, and I had
to really sit with and thank god I

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had yoga at that time, and
I had to sit with, oh,

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there's a part of me that's afraid
of being seen as successful, and then

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I can go underneath that, there's
a part of me that's afraid of being

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seen. I need to do a
VTR practice right now and figure out what

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is the root of this. And
as I did that VTR practice and VTR,

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I think comes in many different forms. It's this idea of deliberation so

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that you can arrive at the source
of something or the cause of something,

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and a lot of times we think
about that as self inquiry. And so

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I did this as a timeline practice
where it took me kind of several days

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to just with my journal to go
back, well, when was the last

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time I felt afraid of being seen
as successful? And then I saw how

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it was repeating itself through my entire
life, including my career as a model,

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like which is so hilarious that you
would you know, I wanted to

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travel the world, which is why
I accepted modeling contract, but I didn't

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want to be seen. So eventually
I landed on this experience as the root

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and I was like, Oh,
this is how some scar shapes the life.

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This is how Vostona shapes the life
yeah, I want to read a

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passage from your book which I thought
was really beautiful. And actually there's an

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additional portion of it that I won't
read, but we'll just leave it as

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a teaser for those who are listening
so you can read the rest. But

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I thought this idea of bug spotting
on the windshields, I never heard it

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kind of put in this way some
scars, and I just want to read

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a portion of it. You may
remember, no, actually, okay,

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it's going to start sort of mid
sentence, but that's okay. You may

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remember some of the memories that showed
up on your screen of awareness during the

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timeline rewind practice in the previous chapter. Read the book to find out what

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that is. Each of those memories
is formed from a some scara, the

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bug colliding with your windshield. Some
of the bugs make little splats and others

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make the kind of huge, yellow, gooey splatters that make you think of

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your think to yourself, I definitely
have to wash my windshield at the next

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gas station. But then at the
gas station there is a distraction, some

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chocolates you really want, and email
dinging, your child needing your attention,

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and you forget to wash the windshield
off you go, then continuing your journey

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with a dirty windshield. You try
the next gas station and there are no

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resources or tools to wash your windshield. No water, no squeegee, no

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attendant to give you a hand.
So you keep driving and it just keeps

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accumulating more and more bugs. You
try the windshield wipers and it creates a

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giant smear. Now you can't really
see what is in front of you.

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All you see is a coloring.
What you see through the windshield does not

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accurately represent what is out in front
of you. You have lost clarity,

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perception, and vision. You can
barely see the road ahead. After a

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long while, you forget that the
windshield was ever clear. That dirty windshield

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seems perfectly normal. You've forgotten that
you have an internal GPS because it is

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obscured by the coloring and your attention
is focused externally. I thought this is

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one of the most beautiful parts of
the book. And I really love when

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narratives, you know, and a
way of kind of depicting something through sort

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of a picture or sequence, can
capture the depth of a teaching And I

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feel like this is just a really
beautiful way of encapsulating some scar which,

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as you've said, is this sort
of groove or impression that takes on the

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form of a kind of habituated way
of seeing yourself. And you talk a

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lot about this in the book,
in the form of you know, different

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yogic philosophical concepts, and one of
the central ones, of course, is

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is the clacias. And so I'm
wondering if you can talk a little bit

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about the claysias. We don't have
to go into all all of them,

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but maybe if you want to talk
about what you think are kind of the

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most are what are those obstacles,
those claysias that are that are the most

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common and that perhaps we need as
a culture individually just generally need to sort

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of think about or reflect on the
most Yeah. So I think a lot

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of us might be familiar with the
term a VideA as this idea of misperception.

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Right. We can think about the
bugs on the on the windscreen as

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a video, right like that we
can't see clearly. And then there's this

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idea that a VideA is actually four
footed, and that it has four legs

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or four feet, and so the
feet would be raga, which is this

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idea of attachment, like what's what
am I attached to? The vasia is

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like the aversion, and we can
even think about that as a form of

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hatred or you know, something that
you really despise. Abinivatia is this fear

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of death, and this is the
one that I think causes us the most

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suffering really, And Ashmita is this
sense of I am nous that sometimes is

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referred to as ego or putting yourself
in the center, and I think about

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that as like this human centric way
that we are in the world. Right

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It's like this idea of human supremacy
is that we're supreme over everything. And

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then there's different gradations of that as
we think about different forms of oppression.

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But for the most part, the
fact that we are, in my opinion,

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that we are disconnected from the fact
that we are nature and that nature

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is us is a source of a
lot of pain and a lot of destruction

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in the world. And that goes
back to that word extraction that you used

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earlier in our conversation, is that
we're continually extracting until the earth becomes ill,

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and we're not realizing that when we
extract from the earth, we're extracting

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from ourselves, and if the earth
is ill, it means we are ill.

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But we're unable to see that because
there's too many things in our in

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our vision, there's too many distractions. We're too out here looking for our

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wholeness in the outside world as opposed
to being in a place where we remember

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that we're whole. This seems like
such a kind of in a way fruitful

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time for that, just because it
does feel. And I've talked a lot

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about this a little bit with some
of my friends about how, you know,

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in the wake of COVID, we
didn't we haven't really grieved the grief

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of that, right, we haven't
really processed it. It was like it's

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over, take off your masks,
move on, moving forward, keep moving.

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That didn't really happen, guys,
And yet it shows up in all

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these crazy ways. And of course
people lost so much. And and I

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know that you losing your yoga studio
or closing your yoga studio. I don't

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know what the circumstances were, but
it what it's what I set out to

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me, and why I'm wanted to
bring it up is because I know that

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you know, many of the listeners
are yogis and yoga teachers probably probably many

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of them had yoga teaching careers that
were completely decimated by the pandemic. And

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so when I when I was reading
about you closing your yoga studio, it

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kind of reminded me of of how
many people have lost their businesses over COVID

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and and I'm just I just wanted
to know, you know, just personally,

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like how you recovered from that and
what you know, just for the

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sake of you having that, you
having that very specific experience that it turns

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out many people probably have as well
at this point, What spiritual and professional

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recommendations do you have for teachers sort
of in the wake of that kind of

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a loss. Well, two things
I would say. So, I closed

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my yoga studio in twenty eleven,
and it was a I would say it

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was a very slow death. That
what happened was I had a breakup with

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my partner who was also my partner
in the yoga studio, and I essentially,

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without realizing it, put the yoga
studio in hospice care. Without acknowledging

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it, I was just like,
Oh, we're just going to keep it

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going. And I wasn't even living
in the town anymore, you know.

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It was just as like. And
then at some point, and as you

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read in the book, I realized
that the glaciers were at play. I

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realized that, oh, my identity
is attached to being a yoga studio owner,

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and this is like raga, I'm
holding on with like a death grip

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as opposed to like, what does
this all mean? And so as I

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started to kind of piece this together, I was like, Okay, this

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is really about a ben evasia at
the end of the end of the day,

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this is really about the fear of
death. Like, if I die

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as a you know, my identity
dies as a yoga studio owner, does

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that mean that I'm no longer here? You know? And so it just

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brings you right back to this question
of who am I? And so I

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think you're absolutely right. We haven't
grieved the I think this unfortunate thing for

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us is that we've lost so many
rituals and rights of passage and we don't

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acknowledge our grief in a way that
is meaningful, especially in community, and

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I think we're suffering for that.
I do see a bit of a shift

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of change in people talking about grief
and people being in community with grief.

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You know, teachers like Michelle Cassandra
Johnson and Reggie Hubbard are doing this work.

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There are many others, but those
are the two that come to mind

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right now. Yeah. And so
what I would say is for teachers who

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have lost something is and this is
really what this book is about, is

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that I feel like in two ways, this book is the squeegee for the

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windshield and it is also the permission
for you to create your own ritual because

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the rituals have been lost. Yeah. And I think that any time that

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we go through a transition, which
if we think about a transition, a

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transition is a form of death because
there is something ending, there is going

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to be a pause. There's going
to be a long space of void,

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which is what we all experience.
During the pandemic. Some of us were

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able to say, sit in that
void and be with the unknown and partner

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with the unknown, and notice what
came up. And some of us,

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and this is not any judgment in
any way, became distracted and wanted to

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fill that space. And I think
that we don't need a crisis to create

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a transition for us. We can
actually say I'm going to create the transition.

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I'm going to create a space where
I can honor what was and celebrate

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what's coming. Even if I don't
know what's coming, there's always going to

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be a rebirth. That's just the
cycle of nature, and when we're disconnected

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from nature, we forget that that
is just the way the world works,

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is that it's cycles, it's seasons. So what I would offer to people

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whose businesses might have been decimated,
and I'm seeing this already in my community,

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is that in that space, I
think that there were a lot of

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people, like you said, whose
businesses shifted and they could no longer make

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a living teaching yoga, but they
reconnected back to something that was important to

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them. Right, I'm seeing so
many people going back to school and studying,

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becoming therapists, taking the tools that
they've been honing through yoga for the

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last decade or however long, and
adding a new modality to that to make

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their life richer. And so what
I would say is, sit with this,

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create a ritual to really honor what
you left behind, and also just

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think about all of the things that
maybe came from a long time ago,

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that were your inspirations, the things
that lit you up that brought you joy

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that you've always wanted to do,
and see how you can create something new.

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Because I do think that this world
old of you called it the spiritual

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marketplace. I think this world of
yoga as we have known it for the

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last I'm going to say thirty years, because that's how long I've been practicing,

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but going to a studio doing yoga
in a specific way, I think

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that's changing. And I think that
yoga teachers are adding more wisdom from other

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modalities, including yoga, into whatever
it is that they're offering, and that

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is going to make this world hopefully
a richer place. What a beautiful answer,

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Tracy. A couple of things really
resonated with me. One just the

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going back to things that used to
give you joy. I know that this

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is particularly palpable for me because I
actually just last night went to see Old

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Friends, which is the stephensonheime kind
of review that's starring Brenette Peters and Leaslonga.

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I grew up loving musical theater and
I wanted to be on Broadway,

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and Stephen Sondheim was sotive formative for
me, and like I was, he

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was my favorite composer and I realized. I realized. I didn't realize until

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I went to see the show last
night just how much I hadn't grieved his

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loss and and and and really acknowledged
what he meant to me. And I

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was just like I was weeping,
you know, But it was also this

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kind of like remembering, Oh wow, Like I love musical theater, I

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love going to see shows. I
love the theater in general, and and

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and that hasn't been as central to
kind of my life and and yet it

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does bring me so much, so
much joy. So I really feel that

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that recommendation and then in terms so
that to me is a ritual just going

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to the theater. But about the
ritual thing, I'm curious what you think

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about, because something that was really
central to your book is this idea of

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community care and and and I know
that it can sometimes seem like and and

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occasionally the quote unquote spiritual marketplace has
been criticized for being very individualistic. Right,

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so it's just about your own self
care, rituals, and your own

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enlightenment. And there's a lack of
attention to the socioeconomic circumstances, you know,

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political circumstances, what have you systems
of oppression and their effects on the

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you know, current moment, and
so, you know, I feel like

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the community care element of your book
is drawing attention to the need for communally

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situated rituals, and so I'm curious
what you would say is sort of the

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relationship between those rituals that you do
need to do on your own and just

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do make sense to have individually for
yourself and the one and how those are

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situated within a kula or a larger
kind of communal dynamic. Yeah. I

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think that through ritual we learn and
we remember, and I think it is

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our duty to be honest that we
share what we learn and what we remember,

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because is what heals our heart has
the potential to heal others' hearts.

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And I think that if we hold
on and I've seen this in spiritual community

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before, where people want to hold
on, they receive teachings, And this

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I think is problematic in a hierarchical
system, right, is that you receive

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a teaching, you do the practice
for you know, however many years or

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months, whatever it is, and
then it's almost like the instruction is almost

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to hold you hold the practice and
you don't share it right, And so

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it creates this form of scarcity,
which I think makes people feel as though

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they're not spiritually abundant because they don't
have access. And this is another form

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in a way of just a hierarchy
that some people have access to teachings and

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some people don't. And so I
think when we're in community, there are

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ways in which we can share the
boons of the practices that we have done.

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And I think that that, to
me is a yoga of devotion because

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we're not in this alone. Yeah, and again going back to the Earth

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as a kind of inspiration, is
that Earth thrives in biodiversity. Earth thrives

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in the community of all the species
and beings that are on its land.

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One thing is not going to be
able to thrive alone. So we need

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to be able to be in community. And I think that when we practice

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ritual, it's as simple as one
to two to three people coming together to

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sit in silence, to meditate together, to chant together, to cry together.

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That's all that's needed. You don't
need like a huge list of things.

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Yes, it's nice to have the
hoven and the samagris and the few

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month through a book, but we
don't need that, and I think that

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that's part of the issue, is
that we think that if we're going to

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create a ritual, that it has
to look like it does on Instagram,

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with all the flowers and all the
incense and all the things the crystals send

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the essential oils. Yes, I
mean I have the crystals beyond and I

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have the incense burning. But I
can also be in a room by myself

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and invite two people in and we
can have nothing, and we can be

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a deeper ritual without anything. Yeah, it's really interesting what you said,

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because initially I was thinking of asking
you about the difficulty that some people who

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are listening might imagine it is to
actually build this type of community, because

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there's actually been I hadn't. I
did some interviews with some yoga teachers when

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we were doing this kind of Future
of the Yoga Teacher project, and a

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couple people were like, I have
no one here. You know, there's

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like there's there's no one around to
teach, you know, there's no yoga

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studios, blah blah blah. But
she had created a very small group of

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women who met relatively regular and it
was a very casual thing. And when

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you when you kind of boiled it
down to two or three people. I

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think many people listening can imagine,
you know, finding that kindred one or

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two kindred spirits and that it sounds
like is enough if it if it has

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that sort of that that openness to
the spiritual you know, dimension or whatever

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you want to call it. So
so it isn't so much that you need

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to find your koola of one hundred
devotees too, Swami something something, Ananda.

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It's that it's just finding, Is
it to you more like finding a

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group of kindred spirits who are equally
committed to going deep in this way?

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Yeah? I think that first of
all, all you need is to other

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people. And I think that it
doesn't even need to be necessarily a kindred

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spirit, but someone who is open
to learning, to receiving, someone who

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wants to be out of pain,
and you happen to have the tool somebody

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who needs someone to hold space for
them because a loved one is ill or

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a loved one has transitioned, and
you have the ability to hold space because

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maybe you've been there before. So
we have opportunities all the time to be

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inmmunity. We can be in community
literally when we're standing at the line in

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the checkout at the grocery store.
I wish I'm going to have to take

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some more time at that line.
People are not very openly friendly here here

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in London, I have to say, so I used to live in London.

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00:33:23.680 --> 00:33:28.359
I remember that. Yeah. There. Actually it's much there's a much

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more of a communal sort of spirit, I would say in New York than

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there is in London, even though
people would never expect that from New Yorkers,

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but there really is. Anyway,
I wanted to take this moment to

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read another passage from your book.
This is actually one of your I guess

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you'd call it one of your poems
that begins one of the chapters. And

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so all of these are very beautiful
and they're threaded throughout the book for those

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that are listening. And again,
in addition to these beautiful poems that obviously

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are upsurges of creativity that have kind
of been born of Tracy's. So there's

401
00:34:00.640 --> 00:34:07.319
then, of course the sodenas that
could also help to cultivate that in you

402
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as well. And this is actually
one of the beautiful things I think about

403
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sodena and that I see really evident
in your book. In addition to just

404
00:34:15.679 --> 00:34:22.280
the authenticity that kind of that just
kind of feels that permeates. It is

405
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the way in which this your Soden
has clearly given birth to creativity, because

406
00:34:28.840 --> 00:34:35.639
in my experience, that's so much
of what Sodena gives is because clarity and

407
00:34:35.960 --> 00:34:40.440
wisdom is some sort of uprising of
creativity in some keep way, but anyway

408
00:34:40.559 --> 00:34:45.559
to read this poem of yours,
am I asleep or am I awake?

409
00:34:45.119 --> 00:34:51.239
Let me lean into the practices that
fortify my discernment. Remind me to turn

410
00:34:51.400 --> 00:34:55.199
my face toward the light of divine
intelligence. The door to the prison cell

411
00:34:55.360 --> 00:35:00.480
is open. A tune me to
the vibration of truth and amp fy my

412
00:35:00.599 --> 00:35:05.159
core frequency so I can taste my
true nature. I trust that I can

413
00:35:05.239 --> 00:35:09.519
hold both fierce compassion and the power
to wield the sword to cut through any

414
00:35:09.559 --> 00:35:15.199
demon. I lay down fear as
I walk through the sacred portal toward freedom.

415
00:35:15.800 --> 00:35:19.960
I honor the transition. I reclaim
my magic within the void. I

416
00:35:20.119 --> 00:35:23.360
only need to remember. Now let
me sleep. Now, let me ask

417
00:35:23.440 --> 00:35:30.800
again, am I asleep or am
I awake? So beautiful, I'm going

418
00:35:30.880 --> 00:35:34.880
to ask you later if I can
post that to our Instagram feed. Yeah,

419
00:35:35.079 --> 00:35:42.400
of course, So I wanted to
ask a question about that. I

420
00:35:42.480 --> 00:35:45.360
think I've asked it a few times. I think in the history of this

421
00:35:45.519 --> 00:35:50.519
podcast, when we start to talk
about the true self, and you know,

422
00:35:50.679 --> 00:35:54.880
our essential nature as being kind of
beyond names and forms and having a

423
00:35:54.920 --> 00:36:01.920
sort of formless eternal quality, and
there is a sort of there is an

424
00:36:02.400 --> 00:36:07.800
I don't know what I want to
call it, a controversy or a dialogue,

425
00:36:07.840 --> 00:36:12.320
let's say for it to make it
sound less dramatic around you know that

426
00:36:12.599 --> 00:36:15.039
these tears of our identity, and
you describe it in your book as the

427
00:36:15.119 --> 00:36:21.400
personality and another you know, and
the other being our eternal self. And

428
00:36:21.480 --> 00:36:24.599
we have these sort of in dialogue
and in some kind of relationship, and

429
00:36:24.800 --> 00:36:30.559
sometimes, as you are well aware, there is this this kind of thread

430
00:36:30.760 --> 00:36:37.400
of spiritual wisdom that suggests one should
kind of mute one's individuality repress it.

431
00:36:37.880 --> 00:36:39.679
In some sense. It kind of
reminds me of what you said earlier about

432
00:36:40.280 --> 00:36:47.039
hiding from yourself in a way,
and confusing the hiding from yourself and muting

433
00:36:47.119 --> 00:36:52.119
your individuality and confusing that with realizing
your true nature in a way, like

434
00:36:52.280 --> 00:36:59.480
maybe that's something. So there's this
there's this there's this kind of well,

435
00:36:59.519 --> 00:37:02.760
our truth is beyond all forms,
and therefore, like, just get over

436
00:37:04.280 --> 00:37:07.519
your individuals out, get over these
things about your own identity, get over

437
00:37:07.639 --> 00:37:14.239
all these needs to affirm your own
kind of idiosyncrasies in comparison to other people.

438
00:37:14.679 --> 00:37:17.039
Forget about all this oppression stuff.
It's just in your imagination, right,

439
00:37:17.440 --> 00:37:23.039
Like, that's a very easy misunderstanding, I would say, right of

440
00:37:23.119 --> 00:37:28.039
the team. Yeah, I feel
like that is also a form of spiritual

441
00:37:28.119 --> 00:37:30.079
bypassing, to be honest. Yes, right, So can you talk a

442
00:37:30.119 --> 00:37:36.320
little bit about that, Like,
what is the relationship between the needs of

443
00:37:36.440 --> 00:37:39.840
let's say, let's I think some
teachers have called it like integration psychological integration

444
00:37:40.000 --> 00:37:45.239
on the one hand, and the
needs of also kind of sociocultural affirmations,

445
00:37:45.400 --> 00:37:54.639
liberations, emancipations, rectifying of cultural
imbalances and oppressions, and the relationship with

446
00:37:54.760 --> 00:38:00.440
one's true self. Love this question. So the first thing that I would

447
00:38:00.519 --> 00:38:06.719
say is the people in my community
and myself. I can only speak to

448
00:38:06.880 --> 00:38:10.320
my experience. We're not living in
a cave. I'm not living in a

449
00:38:10.400 --> 00:38:15.079
cave. You know. I do
live on a mountain, but I'm not

450
00:38:15.239 --> 00:38:19.000
living in a cave I don't have. I'm not practicing, you know,

451
00:38:19.239 --> 00:38:23.400
all day and all night and have
people bring me chai and lunch and dinner

452
00:38:24.000 --> 00:38:32.519
and have no worries in the world. We need to eat that, you

453
00:38:32.599 --> 00:38:37.480
know. And I feel like we're
in the world, and we have to

454
00:38:37.840 --> 00:38:44.920
be able to live in the world
and yet remain above the world in a

455
00:38:45.079 --> 00:38:47.679
certain way, right, And when
I say above the world, it's not

456
00:38:47.960 --> 00:38:57.199
a hierarchical way. It's not getting
caught permanently in the enmeshment of all the

457
00:38:57.320 --> 00:39:05.480
distractions of the overculture. And when
we're able to be above, we have

458
00:39:05.679 --> 00:39:12.960
a different perspective, right, because
we're able to see the injustices. We're

459
00:39:13.039 --> 00:39:20.159
able to see and celebrate the uniqueness
of individuals and their unique expression, which

460
00:39:20.239 --> 00:39:28.280
is why I believe we're here,
right. And so if we can celebrate

461
00:39:28.400 --> 00:39:35.800
others unique expressions, and we can
also recognize that our true self is connected

462
00:39:36.480 --> 00:39:43.559
to everything and everyone that is,
that the actual universe and the cosmos has

463
00:39:43.679 --> 00:39:50.199
all of these patterns that are also
inside of our bodies, then what does

464
00:39:50.360 --> 00:39:58.400
that mean for who and what we
are? So I'm sorry, but I'm

465
00:39:58.480 --> 00:40:05.239
not buying into the this idea that
we need to eradicate, you know,

466
00:40:06.000 --> 00:40:10.239
the ego. I think we need
to be aware of how the ego keeps

467
00:40:10.320 --> 00:40:15.880
us in pain. Right, That's
that's what I like to do, is

468
00:40:15.000 --> 00:40:19.559
look and see how is how is
my ego? And this is a you

469
00:40:19.639 --> 00:40:22.559
know, going back to the loss
of the yoga studio, right, how

470
00:40:22.679 --> 00:40:28.360
is the loss of this yoga studio
creating suffering in me? And how can

471
00:40:28.440 --> 00:40:34.159
I bring in more freedom and more
space? How can I remember that I

472
00:40:34.280 --> 00:40:42.079
am not this thing, this you
know, this form, right, Yes,

473
00:40:42.159 --> 00:40:49.400
I'm also not the name, but
I am this creativity. I am

474
00:40:49.519 --> 00:40:52.840
this uniqueness that's expressing itself in the
world. And it's a both. And

475
00:40:55.199 --> 00:41:01.360
I'm not interested in this lifetime of
releasing the both. And I think that's

476
00:41:01.440 --> 00:41:07.239
the beauty of being alive, is
that I get to know that I'm connected.

477
00:41:07.320 --> 00:41:09.840
I also get to know that I'm
unique, and part of my uniqueness

478
00:41:09.960 --> 00:41:15.360
allows me to be in my creativity
and to share so that others can express

479
00:41:15.400 --> 00:41:22.440
themselves, hopefully in their own creativity
and they can find more freedom in their

480
00:41:22.480 --> 00:41:27.000
own life and then pass that on. That's what I think we're here for.

481
00:41:27.639 --> 00:41:32.039
Hmm. I mean I would agree
that I love that I sort of

482
00:41:32.079 --> 00:41:37.920
I love the sort of nondual,
tontric resonance of so much of what you've

483
00:41:37.039 --> 00:41:42.800
just said. It's really beautiful.
And as someone who feels very enlivened by

484
00:41:42.960 --> 00:41:49.599
that philosophy myself, it seems like
a perfect note to end on. So

485
00:41:50.400 --> 00:41:52.960
of all the things we've discussed,
which I feel like we've covered a lot

486
00:41:52.000 --> 00:41:55.840
of ground in such a short time, But is there anything else that maybe

487
00:41:57.320 --> 00:42:00.920
we haven't touched on that you think
is a really central feed of the book,

488
00:42:00.079 --> 00:42:04.760
or a teaching or just a point
of view or perspective that you feel

489
00:42:04.800 --> 00:42:10.239
like is important to share, You
know, I would say one of the

490
00:42:10.760 --> 00:42:15.719
titles of one of the chapters is
that which makes you fall is that which

491
00:42:15.800 --> 00:42:22.480
makes you rise? And I would
just want everyone to remember that anything that

492
00:42:22.639 --> 00:42:30.599
has ever caused them pain or stuckness
or discomfort is a portal to freedom and

493
00:42:30.679 --> 00:42:38.519
awakening. Beautiful. So I've been
speaking with Tracy Stanley, and we've been

494
00:42:38.599 --> 00:42:44.000
speaking about the content of her latest
book, The Luminous Self, which will

495
00:42:44.039 --> 00:42:47.519
be released in Can you give us
a date to Tracy when it'll be Yeah,

496
00:42:47.719 --> 00:42:52.800
October tenth, October tenth, So
we are in the sixth of October

497
00:42:52.880 --> 00:42:57.760
right now where we're doing this interview, twenty twenty three. So if you're

498
00:42:57.840 --> 00:43:00.440
listening to this before then, which
you probably aren't, because I think it's

499
00:43:00.440 --> 00:43:04.880
going to take us about a week
to publish, so the book is probably

500
00:43:05.000 --> 00:43:08.039
available as you are listening. And
of course, if you're listening to this

501
00:43:08.119 --> 00:43:13.719
far into the future, then I'm
sure you can find her book by heading

502
00:43:13.800 --> 00:43:19.760
to Amazon and all the other online
bookstores I imagine would have the book,

503
00:43:19.800 --> 00:43:22.360
but definitely Amazon, I'm sure.
Yeah. And on my website, which

504
00:43:22.440 --> 00:43:29.320
is Tracystanley dot com, there's a
link to all the independent bookstores and all

505
00:43:29.360 --> 00:43:32.199
the places where you can find the
book. Beautiful and Tracy, is there

506
00:43:32.239 --> 00:43:36.760
anything else that you want to share
with our listeners about what's coming up for

507
00:43:36.840 --> 00:43:38.840
you? Are you offering any workshops, are you doing any courses? What's

508
00:43:38.880 --> 00:43:46.920
happening? Yes, So I have
a workshop that's happening at Cropoulu coming up

509
00:43:47.000 --> 00:43:53.719
in October. I also have something
that I'm doing with wonder Lust in Mexico

510
00:43:54.000 --> 00:44:00.800
in December, and something with Modern
Elder Academy on the Power of deep Rest

511
00:44:00.880 --> 00:44:05.440
happening in February. And then of
course I have my writing and resting retreat

512
00:44:05.599 --> 00:44:08.519
that happens at Ghost Ranch next year, and a retreat in Costa Rica.

513
00:44:08.599 --> 00:44:12.679
But you can find all those things
on my website. Writing and Resting.

514
00:44:12.840 --> 00:44:16.599
When is that? That's going to
be in September of next year. It's

515
00:44:16.719 --> 00:44:22.599
such a great workshop and experience to
be in silence and spaciousness and have the

516
00:44:22.719 --> 00:44:28.039
time to be able to really dive
into work. And I love that.

517
00:44:28.320 --> 00:44:30.079
I love that. I kind of
want to go to that myself. Where

518
00:44:30.199 --> 00:44:36.440
is it happening Ghost Ranch in New
Mexico in Abocu, New Mexico. Oh,

519
00:44:36.519 --> 00:44:40.280
maybe this is my chance? Yeah, here we go. Well,

520
00:44:40.320 --> 00:44:44.199
Tracy, it's been such a pleasure
chatting with you. Thank you so much

521
00:44:44.320 --> 00:44:47.079
for sharing your wisdom with us and
writing such a beautiful and authentic book.

522
00:44:47.159 --> 00:44:52.320
It really it means a lot to
the community. Thank you so much for

523
00:44:52.400 --> 00:44:52.920
having me, Jacob, It's been
an honor.

