WEBVTT

1
00:00:00.080 --> 00:00:14.240
The gown beat on ninety seven one
freak. A lot of nb W NBA

2
00:00:14.400 --> 00:00:20.719
talking here, a lot of a
lot of w NBA Google imaging in here.

3
00:00:20.839 --> 00:00:23.679
I'm a fan of all of all
these players coming in the league.

4
00:00:23.800 --> 00:00:29.239
You are. I'm wishing the best
for Cameron Brink Stanford, the second pick.

5
00:00:30.640 --> 00:00:35.759
That picture of her, how told
is she compared to? Kevin says

6
00:00:35.799 --> 00:00:42.280
criminally short? It actually says Cameron
Brink hot. I meant height when I

7
00:00:42.320 --> 00:00:48.320
was image searching six' four and
she's definitely wearing some heels in that photo.

8
00:00:48.399 --> 00:00:52.719
Yeah, she's got a lot of
apps, Kevin. That's what I

9
00:00:52.920 --> 00:00:55.960
was saying. Maybe we should have
taken Angel Reese. She's the second most

10
00:00:55.960 --> 00:00:58.880
marketable player in that thing, and
she's sitting there. I was really hoping

11
00:00:58.960 --> 00:01:03.480
to Ohio State. She's some shooter. She's a guard. We got all

12
00:01:03.519 --> 00:01:11.040
guards. That's draft. Let's go
wings, Let's go wings. No caveo.

13
00:01:11.200 --> 00:01:15.519
Today he is beginning the adventure Oh
a lifetime. He's headed to Italy.

14
00:01:15.439 --> 00:01:22.040
We are tracking his flight. They're
arriving in one hour, in fifteen

15
00:01:22.120 --> 00:01:26.280
minutes. He took off three and
a half hours late. We are moments

16
00:01:26.280 --> 00:01:32.680
away from them crossing over land,
meaning that his greatest fears are going to

17
00:01:32.719 --> 00:01:38.040
be absolved in mere moments, as
he will not plummet into the Atlantic Ocean.

18
00:01:40.200 --> 00:01:44.840
He will soon plummet onto the plains
of Spain, which I guess is

19
00:01:44.879 --> 00:01:48.200
preferred to him. I don't know
how it works, but he's about to

20
00:01:48.200 --> 00:01:51.200
cross land. They land in just
over an hour, and his whole trip

21
00:01:51.319 --> 00:01:53.480
is kind of screwed from a three
and a half hour delay. But because

22
00:01:53.480 --> 00:01:57.120
he's gonna miss the Barcelona Connector,
it's going to screw up his golf outing,

23
00:01:57.200 --> 00:02:01.959
which I know he was really excited
about playing Spanish golf or Italian golf.

24
00:02:04.719 --> 00:02:07.639
He may eliminate the Lake Como portion
of his trip, which that's supposed

25
00:02:07.639 --> 00:02:13.280
to be the very psyched for him
to enjoy. But Kevio's off until next

26
00:02:13.360 --> 00:02:17.199
Thursday. It's you and I today, you and I tomorrow. We are

27
00:02:17.240 --> 00:02:21.560
off Friday and Monday, and then
it'll just be you and I Tuesday,

28
00:02:21.599 --> 00:02:23.639
Wednesday next week and Cavo back on
Thursday. JJ is gonna be with us

29
00:02:23.680 --> 00:02:27.560
the whole time, so we'll hold
this thing together. One thing JJ really

30
00:02:27.639 --> 00:02:30.319
likes is movies, and you've seen
a couple, Danny I did I'm on

31
00:02:30.360 --> 00:02:34.240
a new show. Let's kick a
few around here in lights, camera,

32
00:02:34.280 --> 00:02:47.560
a holes, the hot flicks.
I have one little slab of movie news

33
00:02:47.599 --> 00:02:51.039
before we get to the reviews,
because it does have been watching the new

34
00:02:51.080 --> 00:02:58.599
stuff intrigued by the reboot of The
Naked Gun, right, Yeah, I

35
00:02:58.599 --> 00:03:02.599
think this could work, I hope. So we haven't seen any of the

36
00:03:04.039 --> 00:03:09.080
Zucker Brothers reboots. Yeah, they
haven't really done that, Like they haven't

37
00:03:09.120 --> 00:03:14.840
remade an Airplane or a Naked Gun
or because there's that's a unique brand of

38
00:03:14.919 --> 00:03:21.080
comedy. Well, you know,
the black filmmaker has embraced it a little

39
00:03:21.080 --> 00:03:25.840
bit with kind of scary movie and
sort of that slapstick, real wacky,

40
00:03:25.879 --> 00:03:29.960
over the top style, and I
think they've been the only ones to kind

41
00:03:29.960 --> 00:03:30.919
of keep it alive for a while. You're right, we haven't had that

42
00:03:31.400 --> 00:03:37.560
just real absurd, silly, way
useless comedy. Yeah, but I love

43
00:03:37.599 --> 00:03:39.879
Airplane and Naked Gun and they apparently
are going to re up. And who

44
00:03:39.879 --> 00:03:43.719
have they cast in this? Okay, well we knew the lead, so

45
00:03:43.919 --> 00:03:47.240
no more Leslie Nielsen, rest in
power, Young King. We have Liam

46
00:03:47.360 --> 00:03:52.840
Neeson taking over as Lieutenant Frank Drebbens. That's an odd choice. Dude I've

47
00:03:53.120 --> 00:03:58.360
seen haven't seen him do comedy,
have we? He has done h self

48
00:03:58.400 --> 00:04:03.199
with Ricky Gervais on Life's Too Short. I believe it was one of the

49
00:04:03.199 --> 00:04:06.879
BBC shows where Could You Raise It? Which was funny as hell with the

50
00:04:08.080 --> 00:04:15.800
little guy. No, I knew
this was gonna happen there now keep going

51
00:04:16.519 --> 00:04:25.279
the little English guy Billy Bardy four
great guesses. I don't know. Oh,

52
00:04:25.279 --> 00:04:27.439
I want to say it before I
look it up. The British dude,

53
00:04:27.480 --> 00:04:32.279
I think he played like, ah
fine wise too Short. You'll know

54
00:04:32.360 --> 00:04:40.000
when I say it. It's uh
Warwick Davis. Oh yeah, yeah,

55
00:04:40.040 --> 00:04:43.199
okay? And is he Weeman?
No, he's not we Man. He's

56
00:04:43.240 --> 00:04:46.759
Warwick Davis. I just gave you
his proper name. But there's some outtakes

57
00:04:46.839 --> 00:04:54.680
Liam Neeson and he is the bone
driest but really funny. Okay, because

58
00:04:55.160 --> 00:05:00.160
those are massive shoes to fill and
also the Robert stat character, those are

59
00:05:00.160 --> 00:05:03.040
massive shoes to fill as well.
But who's going to take over for Julie

60
00:05:03.040 --> 00:05:08.360
Haggerty. Yeah. All we have
is the announcement that we have the love

61
00:05:08.439 --> 00:05:14.519
interest of Liam Neeson for the upcoming
reboot of Naked Gun and it is going

62
00:05:14.600 --> 00:05:17.759
to be well, no, and
this would have been a striker, Priscilla,

63
00:05:17.920 --> 00:05:20.720
No, you're all over the place, You're I'm thinking of an airplane.

64
00:05:20.759 --> 00:05:25.639
I'm so sorry, Priscilla Presley.
Yeah, and I don't know if

65
00:05:25.680 --> 00:05:28.360
it's a different role or how it
is, but the love interest of Liam

66
00:05:28.399 --> 00:05:35.920
Neeson will be Pamela Anderson. Okay, I could see this working. Liam

67
00:05:35.959 --> 00:05:44.240
Neeson's seventy one years old cast as
clueless police detective Frank Drevin with pam Anderson

68
00:05:44.319 --> 00:05:48.120
fifty six slated to play his love
interest. I did get stuck on airplane.

69
00:05:50.040 --> 00:05:55.720
I want this who's played striker?
Yeah? Yeah, So anyway,

70
00:05:55.759 --> 00:05:59.279
I don't I think twenty. I
think next year that's supposed to pop and

71
00:05:59.319 --> 00:06:01.519
come out. I am at least
curious. Good chance it comes out.

72
00:06:01.560 --> 00:06:06.040
Absolutely sucks whenever you watch it.
But you know, for eighties and nineties

73
00:06:06.079 --> 00:06:10.120
boys, that's a fun one.
All right, that's a future movie,

74
00:06:10.160 --> 00:06:13.920
current movie. I think you guys
have both been rocking a few j It's

75
00:06:14.000 --> 00:06:15.800
JJ on Air is always on top
of movies, one of the best movie

76
00:06:15.839 --> 00:06:20.319
reviewers and most reputable inn DFW and
we love having her here. How what

77
00:06:20.319 --> 00:06:23.040
are gonna start with? Man,
I know you've seen a couple. If

78
00:06:23.040 --> 00:06:26.319
you've seen one, you I want
to jump in real quick with this one

79
00:06:26.360 --> 00:06:30.079
because this has been out for a
while. It did really well at the

80
00:06:30.120 --> 00:06:42.000
Oscars. I'm gonna play this right
now. JJ. This is the score

81
00:06:42.120 --> 00:06:49.240
to the opening scene opening credits of
Jonathan Glazer's The Zone of Interest. Now.

82
00:06:49.279 --> 00:06:57.360
This was nominated for at the Academy
Awards Best Picture, Best Director,

83
00:06:57.600 --> 00:07:01.399
Best Adapted Screenplay, Best International Feature
Film, and Best Sound. Now it

84
00:07:01.399 --> 00:07:08.240
did win for Best International Feature and
it won for Best Sound. The score

85
00:07:08.600 --> 00:07:13.519
is a huge part of why this
is the great. Michael Levi a younger

86
00:07:14.319 --> 00:07:20.079
composer that works with a lot of
interesting orchestration. It's kind of a he's

87
00:07:20.120 --> 00:07:27.160
a laptop composer, so a lot
of these sounds are synthesizers, but it

88
00:07:27.199 --> 00:07:32.319
is integral to creating the tension in
which is one of the if not the

89
00:07:32.360 --> 00:07:38.480
most tense movies that I've ever seen. Now. The Zone of Interest is

90
00:07:38.560 --> 00:07:46.000
about a family, a family that
the patriarch of the family is a man

91
00:07:46.439 --> 00:07:55.120
named Rudolph hass He is the commandant
of Aschwitz, the concentration camp that was

92
00:07:55.199 --> 00:08:01.600
established by the SS in World War
Two and they're home is right next to

93
00:08:01.680 --> 00:08:09.399
it. In fact, the wall
of a portion of their land which they

94
00:08:09.439 --> 00:08:16.720
are mere feet from, borders the
actual concentration camp. Barre, yeah,

95
00:08:16.800 --> 00:08:20.639
razor wire on top. It's a
very very high, apparently fifteen to twenty

96
00:08:20.639 --> 00:08:24.160
foot tall, thick, thick cement
wall. And on the other side.

97
00:08:24.759 --> 00:08:30.279
You never see what is on the
other side, but you hear it,

98
00:08:31.079 --> 00:08:35.200
You see the smoke. They smell
the smells. And this is a family

99
00:08:35.399 --> 00:08:41.279
of a man, his wife,
what's her name, Hedvig, and their

100
00:08:41.399 --> 00:08:46.440
five children, I believe four or
five children that they're raising in this idyllic,

101
00:08:48.039 --> 00:08:52.519
basically beautiful garden. And it's literally
a garden. They grow their own

102
00:08:52.600 --> 00:08:58.519
food. They have gorgeous flowers,
a greenhouse, a swimming po you can

103
00:08:58.519 --> 00:09:03.320
bring that down to just kind of
let it play underneath a swimming pool.

104
00:09:03.639 --> 00:09:13.200
This wonderful, beautiful home. It
is day there, and his sole job

105
00:09:13.799 --> 00:09:20.279
is to exterminate prisoners by the thousands. All I knew is it was they

106
00:09:20.320 --> 00:09:26.919
lived adjacent to I didn't know that
that was his job with his lovely family.

107
00:09:26.679 --> 00:09:35.440
And this movie really doesn't have the
elements of what make a Hollywood movie

108
00:09:35.519 --> 00:09:41.240
enjoyable to the masses. It's essentially
a snapshot of life of these people and

109
00:09:41.279 --> 00:09:48.720
how they conduct their lives on a
day to day basis in full knowledge of

110
00:09:48.720 --> 00:09:52.039
what's going on on the other side. And I don't want to give away

111
00:09:52.080 --> 00:09:54.399
too many of the key moments in
the film, but there is one element

112
00:09:54.440 --> 00:09:58.639
in the film that just thinking about
it gives me absolute chills, because to

113
00:10:00.080 --> 00:10:03.039
be able to get to that mindset, to do that job, and to

114
00:10:03.039 --> 00:10:07.039
have your family buy in what's going
on on the other side of those walls

115
00:10:07.799 --> 00:10:13.919
is the ultimate case of dehumanization.
You have to look at what you're doing

116
00:10:13.600 --> 00:10:22.600
as you're exterminating something that is not
human. Is it about his kids knowing

117
00:10:22.720 --> 00:10:24.960
or not knowing? It's not really. It's not that it's a secret.

118
00:10:26.039 --> 00:10:31.360
It's the fact that this is their
way of thinking. So to the children,

119
00:10:31.639 --> 00:10:37.120
they're thinking in terms of these are
not people that are suffering over there.

120
00:10:37.159 --> 00:10:41.480
They are essentially subhuman. And there
is one scene that'll break you up

121
00:10:41.960 --> 00:10:48.120
is when the older brother, the
oldest brother is playing and he's a member

122
00:10:48.159 --> 00:10:52.720
of the Hitler Youth. He's got
on the full uniform with the silly shorts

123
00:10:52.759 --> 00:10:56.159
and the dumb armband and all that
and he's playing with his little brother and

124
00:10:58.120 --> 00:11:01.799
they're in the garden, in the
yard, and he chases his little brother

125
00:11:01.200 --> 00:11:05.279
and pushes shoves him into the greenhouse
and his brother is yelly, no,

126
00:11:05.279 --> 00:11:07.759
no, no, I don't want
to go in there. I don't want

127
00:11:07.759 --> 00:11:11.080
to go in there, and locks
him in the greenhouse and sits up front

128
00:11:11.120 --> 00:11:16.879
and watches his little brother and starts
making a hissing sound to intimate the gas

129
00:11:16.399 --> 00:11:24.039
of the gas chambers. It's chilling. It's the most it's so incredibly uncomfortable.

130
00:11:24.200 --> 00:11:28.639
It's very in line with the work
that Jonathan Glazer does. I'm a

131
00:11:28.639 --> 00:11:31.840
big fan of his. This is
only his fourth film. His very first

132
00:11:31.840 --> 00:11:35.559
film was called Sexy Beast, which
had Ben Kingsley in it. When he

133
00:11:35.559 --> 00:11:39.879
was nominated for Best Supporting Actor in
that film, that came out twenty four

134
00:11:39.960 --> 00:11:43.399
years ago. So this guy has
only made four films in twenty four years.

135
00:11:45.519 --> 00:11:50.879
I've seen three of the four and
he he's directed two Radiohead videos.

136
00:11:50.919 --> 00:11:56.279
He's done a lot of music video
stuff. But his style is very unique.

137
00:11:56.840 --> 00:12:03.720
It relies heavily on it's very surrealistic, but it relies heavily on soundtrack

138
00:12:03.120 --> 00:12:09.039
and sound but you hear it all
Man. You hear the screams, you

139
00:12:09.120 --> 00:12:11.879
hear the gunshots, you hear all
of that, and it's it's it's a

140
00:12:11.919 --> 00:12:15.399
distant echo, but it's a part
of these people's day to day lives.

141
00:12:16.279 --> 00:12:20.080
And there is a scene at the
end that kind of leaves it open to

142
00:12:20.159 --> 00:12:22.360
interpretation, very much like a radiohead
lyric. I think this guy is a

143
00:12:22.600 --> 00:12:28.080
massive radio fan, by the way, But you don't. You leave the

144
00:12:28.120 --> 00:12:31.440
movie not really having any real resolve. It doesn't really have a big payoff

145
00:12:31.519 --> 00:12:35.600
or anything like that. But it's
something that I feel is important, and

146
00:12:35.639 --> 00:12:41.039
it's something that has after seeing it
a week ago, has absolutely stuck with

147
00:12:41.080 --> 00:12:46.279
me. Is it great? I
think it's I think it's perfect. Yeah,

148
00:12:46.600 --> 00:12:50.639
but it's not what it's if you're
expecting a film about World War two

149
00:12:52.279 --> 00:12:56.240
or concentration camps. It ain't about
that. It's a snapshot of the life

150
00:12:56.320 --> 00:13:01.120
of a family that has convinced themselves
of something that's not real. Jeez.

151
00:13:01.639 --> 00:13:05.879
It's incredible, it's moving, and
it's something that it needs to be seen.

152
00:13:05.919 --> 00:13:11.120
And and just like I said,
it sticks with you. It's emotional.

153
00:13:11.159 --> 00:13:15.399
Is it a jerker? It's emotional, not in a way where I

154
00:13:16.240 --> 00:13:18.440
didn't ever feel like I was on
the verge of tears. But it's very

155
00:13:18.440 --> 00:13:22.600
provoking. It's it's a very provocative
film and and and it made me think

156
00:13:22.639 --> 00:13:24.879
a lot, and it didn't make
me feel a lot, but not that,

157
00:13:26.360 --> 00:13:28.679
not to that level. Let's move
on, though, because two nights

158
00:13:28.679 --> 00:13:35.399
ago I took in a film at
a theater and I got to see civil

159
00:13:35.600 --> 00:13:37.919
efing War. Now, JJ,
I know you have seen civil war,

160
00:13:39.080 --> 00:13:43.759
yes, yes, And I don't
know what you know about this film.

161
00:13:45.720 --> 00:13:52.440
But people that are expecting to go
into this and see a big, grand

162
00:13:52.840 --> 00:13:58.639
scale imagination of what civil war would
be like if it happened in this country,

163
00:13:58.759 --> 00:14:05.159
my be a little bit disappointed.
This is a film about war journalists.

164
00:14:05.960 --> 00:14:09.519
That's what this is about. This
is about a group, a small

165
00:14:09.559 --> 00:14:16.519
group of journalists that and they're not
even embedded. They're kind of acting on

166
00:14:16.559 --> 00:14:22.080
their own. It's a photographer played
by Kirsten Dunst, and she with a

167
00:14:22.279 --> 00:14:28.639
small team of others are basically documenting
what's happening in this war. Now.

168
00:14:30.080 --> 00:14:37.600
It apparently happens sometime in the near
future, because you see city scapes of

169
00:14:37.759 --> 00:14:41.120
New York and the New World Trade
Center is not the tallest building in the

170
00:14:41.159 --> 00:14:46.399
city, although the cars that are
in the film are not futuristic at all.

171
00:14:46.519 --> 00:14:50.679
In fact, most of them appear
to be from current times or even

172
00:14:50.720 --> 00:14:56.960
before, So you get the idea
that maybe auto product this war has been

173
00:14:56.960 --> 00:15:01.279
going on long enough where auto production
all but stopped or they had to use

174
00:15:01.320 --> 00:15:05.120
those facilities for other types of war
efforts. But I believe the lines are

175
00:15:05.279 --> 00:15:09.840
intentionally blurred on what caused this war, who's the good guys, who's the

176
00:15:09.879 --> 00:15:15.200
bad guys. You contextually can figure
that out as the movie goes on,

177
00:15:15.960 --> 00:15:18.679
and in the end you have a
pretty good idea of who the good guys

178
00:15:18.679 --> 00:15:22.440
and who are the bad guys.
But I think the lines are kind of

179
00:15:22.480 --> 00:15:26.919
intentionally blurred on how this happened and
why these certain states are aligned to kind

180
00:15:26.919 --> 00:15:33.559
of not create a template for people
to act upon this in the future.

181
00:15:33.799 --> 00:15:37.720
It's a little nebulous in the way
that it's presented, because you just don't

182
00:15:37.720 --> 00:15:43.759
know who's fighting on who's fighting for
what cause, and their whole mission is

183
00:15:43.799 --> 00:15:50.360
to get to DC because the walls
are closing in on the current president,

184
00:15:50.399 --> 00:15:56.399
which is played by Nick Offerman.
He's in the movie for a total of

185
00:15:56.440 --> 00:16:02.759
what maybe five minutes and the rest
of the film is about these journalists and

186
00:16:02.480 --> 00:16:07.240
then what they have to go through
to get to d c H. I

187
00:16:07.279 --> 00:16:08.840
know you saw this as well.
JJ. Yeah, all I keep hearing

188
00:16:08.960 --> 00:16:14.320
is the last like half an hour
is the craziest thing anyone's ever seen.

189
00:16:14.360 --> 00:16:15.960
And I don't know what that means, and I don't really want to know,

190
00:16:17.559 --> 00:16:19.559
but you'd agree with that. Yeah, yeah, absolutely, Danny,

191
00:16:19.600 --> 00:16:23.240
I think you know he nailed it. It definitely is. It's following more

192
00:16:23.279 --> 00:16:26.080
of the journalists and you're seeing,
you know, kind of what they're seeing

193
00:16:26.120 --> 00:16:30.960
in their eyes, and it's their
job to report what's happening in the world.

194
00:16:30.000 --> 00:16:33.879
And yeah, they really blow the
lines of you don't know what caused

195
00:16:33.919 --> 00:16:37.240
this, You don't under I mean, you don't know why these states have

196
00:16:37.399 --> 00:16:41.200
a line together to you know,
to stand against the US and the White

197
00:16:41.240 --> 00:16:45.120
House and the President. But you're
all in, You're you're you're in on

198
00:16:45.159 --> 00:16:48.879
this journey, on this ride with
these journalists, and the last thirty minutes

199
00:16:48.919 --> 00:16:52.720
it just ties it all in.
But I'm curious of what you thought of

200
00:16:52.799 --> 00:16:55.720
Jesse Plemons. I thought Plemons was
great. He's in it for a very

201
00:16:55.720 --> 00:16:59.279
brief amount of time. I heard
that he only got booked for that film,

202
00:16:59.320 --> 00:17:04.200
maybe a couple of before they shot
his scene. But I thought his

203
00:17:04.319 --> 00:17:11.559
performance was really chilling. And it's
just a small part of the overall trajectory,

204
00:17:11.599 --> 00:17:17.240
which is essentially and I read something
about this earlier. But when the

205
00:17:17.279 --> 00:17:23.319
camera zooms in on Kirsten Dunce,
right, Kirsten Dunst's face in this film,

206
00:17:25.119 --> 00:17:29.799
and she's older now, she's not
the young girl that we remember from

207
00:17:29.960 --> 00:17:36.200
twenty years ago. She's right,
she looks different, and she looks badass,

208
00:17:36.599 --> 00:17:41.000
and she's got to get some type
of recognition for this film because she's

209
00:17:41.039 --> 00:17:45.920
perfect in it. But she looks
like someone that has seen everything that this

210
00:17:47.000 --> 00:17:51.720
war has taken a massive toll on. But she also realizes that it's incumbent

211
00:17:51.759 --> 00:17:56.640
upon her to let the let the
country know what is really going on,

212
00:17:57.359 --> 00:18:02.759
and it's a responsibility and it's a
commitment, and it's just as important as

213
00:18:02.799 --> 00:18:06.279
the people that are fighting the battles
what she's doing to let us know what's

214
00:18:06.319 --> 00:18:08.480
truly happening. And that type of
journalist, they're not trying to frame anything

215
00:18:10.200 --> 00:18:12.119
to mislead anyone. They're trying to
give you a true account. Of what

216
00:18:12.680 --> 00:18:18.759
this devastation is doing to the country. But it's a it's short. It's

217
00:18:18.799 --> 00:18:21.880
like an hour and forty forty five
minutes something like that. I was in

218
00:18:21.920 --> 00:18:23.720
and out of there in two hours, including previews, which, by the

219
00:18:23.759 --> 00:18:30.400
way, I sat down when the
damn thing was supposed to start at seven

220
00:18:30.440 --> 00:18:36.240
o'clock and previews these days, Mikey
guess when the film actually started. Twenty

221
00:18:36.279 --> 00:18:42.680
seven twenty seven minutes of previews and
were they kick ass? Though? No,

222
00:18:44.359 --> 00:18:47.480
maybe a couple I was interested in. But man, I'm kind of

223
00:18:47.599 --> 00:18:51.960
dying. You will love this film. Feel like an hour and forty four

224
00:18:52.400 --> 00:18:55.400
I'm not saying it felt long,
but it just felt like there was a

225
00:18:55.440 --> 00:18:57.519
lot there. It was Stephen King
described it, and it didn't feel it

226
00:18:57.519 --> 00:19:02.119
too much. It didn't feel overwhelming. Steve, Yeah, Stephen King saw

227
00:19:02.119 --> 00:19:07.160
this film and he tweeted about this
and his brief review was, this movie

228
00:19:07.279 --> 00:19:11.720
is all muscle and no fat.
I disagree with it a little bit because

229
00:19:11.160 --> 00:19:17.400
this movie is not without flaws.
Because I did feel there were a couple

230
00:19:17.400 --> 00:19:22.480
of elements in the film that it's
like they got the Hollywood virus just a

231
00:19:22.519 --> 00:19:26.680
little bit, where you've got this
really interesting story that's being told from a

232
00:19:26.839 --> 00:19:32.920
very organic, raw way, and
they use some damn Hollywood tricks to make

233
00:19:32.960 --> 00:19:36.759
it have a little bit of mass
appeal, so it's not just this true

234
00:19:36.960 --> 00:19:41.680
hardcore visceral experience, which it doesn't
detract from the film at all as an

235
00:19:41.680 --> 00:19:45.920
overall, but it would taken it
from like a if I was giving it

236
00:19:45.960 --> 00:19:49.440
a grade. Those elements of Hollywood
kind of screw doing what they do.

237
00:19:49.880 --> 00:19:53.119
In my opinion, it took it
from what would have been maybe a nine

238
00:19:53.240 --> 00:19:57.319
to about a eight point three eight
point four, okay, but it's from

239
00:19:57.359 --> 00:20:00.200
a four and a half dumpling to
it. It's for a quarter. Yeah,

240
00:20:00.240 --> 00:20:03.480
it's effing brilliant. I know you
said no spoilers, but I assume

241
00:20:03.519 --> 00:20:07.680
the Florida Alliance is on the good
side and saves the day at the end.

242
00:20:07.119 --> 00:20:12.799
Probably it's kind of a built spoiler. That was weird because it just

243
00:20:12.799 --> 00:20:17.960
made it seem like they were it's
neutral. But yeah, yeah, it's

244
00:20:18.000 --> 00:20:22.440
mainly the Texas California Alliance, which
you which look, I'll say this,

245
00:20:23.200 --> 00:20:27.960
it's a very unlikely pairing. Yeah, I don't understand, which makes you

246
00:20:29.079 --> 00:20:33.440
realize that whatever the government, whoever
was running the government must have been doing

247
00:20:33.480 --> 00:20:37.119
some really bad stuff for these two
states to come together. My guess is

248
00:20:37.200 --> 00:20:41.720
I think they're gonna make the the
what's the guy's name, the with the

249
00:20:41.759 --> 00:20:48.079
red glasses who because he look scary, and they're gonna make the gun I

250
00:20:48.119 --> 00:20:52.799
guess the gun guys look bad for
the beginning, like these are the nuts

251
00:20:52.839 --> 00:20:56.000
with guns who, you know whatever, And then by the end, I

252
00:20:56.039 --> 00:21:00.359
think you might realize that they were
the ones on the right side, fighting

253
00:21:00.400 --> 00:21:07.039
against something that you didn't even expect. Jesse Pleman's scene and experience is kind

254
00:21:07.079 --> 00:21:10.599
of an outlier. I think they
did a good job of the kind of

255
00:21:10.640 --> 00:21:15.039
showing you what war can do within
you know, your country, because obviously

256
00:21:15.599 --> 00:21:18.839
you know you see him, he's
in military gear, but the actions that

257
00:21:18.880 --> 00:21:23.799
are happening, you're like, okay, that's not exactly by the book,

258
00:21:23.880 --> 00:21:29.680
and you know, so it really
draws that picture, that narrative of when

259
00:21:29.680 --> 00:21:32.279
a war is happening in country,
like people, it's pretty much every man

260
00:21:32.319 --> 00:21:34.519
for themselves. You're gonna do what
you're gonna remember you're crazy or whatever the

261
00:21:34.559 --> 00:21:37.279
case is. I want to speak
real quickly to the last thirty minutes of

262
00:21:37.279 --> 00:21:48.039
this movie. I'm telling you as
far as intense imagined American city battles stuff

263
00:21:48.079 --> 00:21:52.720
that we see in Syria but from
CNN and all of the other in the

264
00:21:52.720 --> 00:21:56.160
Middle East crap that's been going on
for decades. To imagine that happening in

265
00:21:56.319 --> 00:22:02.720
Washington, d C. It's dude, it is the most intense battle.

266
00:22:03.039 --> 00:22:07.240
Yeah, but for thirty minutes that
I have seen since the opening scene of

267
00:22:07.319 --> 00:22:10.559
saving Private Ryan. Jesus right,
and I'm not kidding. It's not as

268
00:22:10.599 --> 00:22:15.960
good, but it is hardcore,
intense and great that a civil war.

269
00:22:17.119 --> 00:22:18.960
Go see this film out now,
all right, top of the next segment,

270
00:22:19.000 --> 00:22:22.519
I want a quick a couple of
minutes before Dinga's warning news on Ministry

271
00:22:22.559 --> 00:22:26.640
of Ungentlemanly Warfare, which I know, I thank you for. I got

272
00:22:26.640 --> 00:22:30.240
the title right, JJ saw that
last night, and I am definitely curious

273
00:22:30.240 --> 00:22:33.880
about that. When we'll do that
right before we get started with Dingo's morning

274
00:22:33.960 --> 00:22:38.680
news. Is Tony Soprano really dead? We'll find out next