Today, I want to tell you about a journey that I've been on for
most of my life. Ever since I was a kid, I've heard tales
of bigfoot and wild men while spending time with my friends and family. As
I grew older and read more about the paranormal, my interest in encryptids and
other things strange only deepened. That's why I'm so excited to share with you
what I've personally become involved with the Untold Radio Network. The Untold Radio Network
is a live streaming podcast network that airs a new show every day across all
podcast platforms, YouTube, and more. They have eight different shows on all
sorts of exciting topics such as bigfoot, cryptids, UFOs, aliens, and
much more. I even have my own show called Weird Encounters, where I
talk about all things strange. This is more than just a podcast network.
It's a community that allows me to meet so many amazing people who share their
stories and experiences with strange. If you're interested in hearing more of these stories
and learning more about the paranormal and encryptids, make sure you check out the
Untold Radio Network for all kinds of exciting shows. It's free to subscribe.
So what are you waiting for visit www dot untold radionetwork dot com. Today.
Hey everybody, this is left Strive. Yes, yes, I know
aka Survivor Man, and you're listening to Brian on Sasquatch Audus. He there
and welcome back to Sasquatch Honysty. Thank you so much for being with us
for the show. It is Friday. I hope you're having a week.
We have an amazing show lined up for you. But as always, I
want to start by inviting you. If you've had an encounter and you'd like
to be on the show, shoot me an email. You can get me
at Brian at Baronimoreworldproductions dot com. Get head over to the website, check
it out, become a member there and help support this show. I got
to sit down with James from the Michigan Aboriginal Project and he had some very
interesting things to say about Sasquatch. He's had some really cool encounters and he's
caught a bunch of audio that I'm going to include at the end of this
episode. There's about fifteen or twenty minutes of audio. I didn't want to
stick it in in the middle, so I'm gonna wait until the end of
the interview, and I'm gonna put it in there, so when the interview
is ending, make sure you don't go anywhere. You stick around if you
want to hear these audio clips. They're very interesting, to say the least.
I'm gonna let you make up your own mind about what you hear here.
All this audio is pulled from videos on the Michigan Aboriginal Project YouTube channel,
so if you'd like to see those, I'm gonna link to all of
those in the blog for this episode. So head over to Paranormaloral Productions dot
com. Check out the sasquatch O howt to see blog at the top of
the page, and you can follow along and actually see the videos and the
audio as James explains it here. Just be aware there is some strong language
that's used in a couple of the clips. There's a couple of f bombs,
and I love them in there, just because I wanted to have them
as they were recorded by James in the moment. So if you got little
ones in the car, or if you're sensitive to that kind of language,
let this be your warning there. Listener discretion is strongly advised. But enough
of that, I know you guys are ready to get into it. James
is on the line. He's ready to go. All this's left for you
to do is sit back, relax, and enjoy the show. I want
to welcome our guest to the show. It is James from the Michigan Aboriginal
Project. Welcome to the show. James. Thank you, Brian. Appreciate
the opportunity and to reach your audience. It's always nice to reach a new
audience. I am glad to have you, man. So let's dive right
into this bigfoot thing. Let's start with what got you interested in the subject?
To begin with? I think my nature is just being a curious creator.
I grew up with three sisters and my folks. They broke up early,
so I was a lot of time on my hands, and I loved
the cellular heroes of Tarzan and the Cowboys and Indians. Good guys always win,
whether it be the Indians or the Cowboys. I grew up a dreamer
with the creek nearby, and I'd spend as much time as I could in
the creek. At least the time that I did spend in the creek was
among my most enjoyable memories because you're not bothered by anybody, or you're on
a great adventure finding crawdads and salamanders, that kind of stuff. That's how
I spent part of my youth. I've loved the outdoors. I'm a loner,
having grown up in a broken family with three sisters, so I forged
my way into this whole cryptid thing. I was always just very intrigued by
the Patterson Givel and film. I always thought, I don't know if they're
real or not, don't care. Basically, if it is a hoax,
it is a hoax. But I thought if they were in fact real,
I wanted to see one. And a place where I had been going up
north, this valley forever. I discovered that it was an ideal place to
set your sights into the hills. I'm an angling artist and I loved to
camp, love to fish, do the photography thing. That's my medium for
art. I was up there and I burned out on all that, and
I thought that this big thing, by my own wits and reckoning, I
thought it was real and I was determined to see one. And that's how
it all got started. That was about March twenty sixteen. That was the
first year I went down the rabbit hole. After realizing that it was a
real phenomenon, learned everything I could about it, and I was spending time
in the woods anyway. Early spring in late fall. I used that schedule
was set up by having to wake up and put to sleep my father's cabin
to win horizon. I would always be up there with my dog. But
he sold that place, which was a blessing to me because I got to
see a lot more of Michigan and Canada, do a lot more exploring.
That was long before this phenomenon struck me. I felt somewhat called to it
because they were real, and I think we all should live life to the
fullest. Life as an adventure. If you're not living it, maybe you
should get a new lifestyle coach or something like that. I don't think there's
a lifestyle coach on the planet that would trum bigfoot hunting because it's terrible on
relationships. It's amazing there are a race of giants living on the outskirts of
our existence here. It's practically biblical. I'm actually beginning to believe in the
Old Testament revers to giants. Years ago. The concept of Bacham's Razor.
The simplest explanation is that the Old Testament is speaking the truth because they're very
existence. These giants. I believe there are different kinds of them. I've
recorded vocals that are different in dialect and somewhat similar in vocal modality in Southern
Michigan as I have in Northern Michigan, and even yet different from vocals I've
gotten in the up. Some of those are those are the scary vocals.
All are recorded there one night and I got two amazing takeaways from that evening.
The more I studied, I'm into a few Bible studies, and I've
learned also that Michael Heiser speaks of this unseen realm, this shield some people
call it. I don't know. My mind goes off on a thousand tangents,
but my current thinking is simply, these are giants of the Old Testament
are still there. There are a variety of different kinds. If you listen
to a lot of audio and understand your audience, portion of who are into
that, they're familiar with cra sounds, Ron moorehead stuff is really quite different
from the other stuff that I've gotten in Northern Michigan. And even in Southern
Michigan or the Up for that matter. The one audio that I got,
it's on my homepage of Michigan Aboriginal dot com as part of my proof sources.
The one audio I provide was captured up there in the Up, and
that's the closest thing I have that actually mimics what you'll hear in the cra
sounds the cliff Notes version of my journey. I found out that were real,
went down the rabbit hole, learned everything I could about them, was
somewhat cajoled into a recording project, which I resisted initially because it's a lot
of work, right going over audio. I like it actually, but you
can get lost in it. It does strain relationships, this whole phenomenon.
If you're enthusiastic about it, it's gonna strained relationships, especially if you take
it to the nth degree, which nobody ever sees coming, and I certainly
did. But here I am. I'm James with the Michigan Aboriginal project.
Let's get into the woods and talk about some of your first experiences. Go
chronologically when you really got out into the woods, really started getting into Bigfoot
and started having experiences, tell us where you were, what you were doing,
and what happened to you. Okay, I went up on two different
camping trips when was beginning of September and then later October, the end of
twenty sixteen. This is like my initiation into the woods to test theories that
I learned from Nathan Rio is his YouTube name. I'm sure you've heard that.
If you haven't, he identified the fact that these beings, these communities
have a somewhat of a structure to it, a social structure, and they
construct things out of wood stick structures, teepees, wigwams, and I'm not
talking about the complicated puzzles that we often try to figure out in the woods.
I often want buy those because how much time do you want to spend
doing that. I actually looked for wigwam's GPS linked to's or actual other manipulations,
the twists. I found some twists very near structures and such. That's
all sasquatch known behavior and activity. And to test my theory time and again,
somewhat in keeping with the scientific method, when I find these, I
leave a recorder there to see what I pick up and when I get vocals
or other vocal modalities that I have observed in other areas, even the vocal
modalities that I've recorded on encounter audio. I have two audio encounters recorded and
one video record, but actually a post encounter, and the one I captured
on video I didn't even know I captured till four months later. Let's talk
about those. Start with the audio encounters and set the scene for us.
Tell us where you were, what happened during that, and then we'll obviously
insert the audio for everybody to hear when they're listening to this. But let's
get into the story of what was going going on and what you were doing,
what they were doing, and what you heard during the audio. The
first audio recording that I got was the most significant, and not really significant.
They're all good, and they're all very unique in their own ways.
But I was up I had moved up a camping trip up to my usual
spot. It was October twenty first friend of mine's mother had passed, so
I wanted to attend the funeral service later in the week, so I truncated
my trip by a day, so I was only up there three nights.
My first night, all the action went down. I was sitting under my
tar, but I was sipping out of this mug, finishing my second beer.
I was about halfway through it, and I heard down by the river,
I heard a chi chi chu huh. It was crisp, clear,
it was clearly speech, And I was like, who else is out here
with me? Because there are no other campers, it's raining, it's dark,
It's a round eight o'clock on that night, and I had stood up.
I heard this to stretch, and then I heard the autichowies some other
commotion which sounded like huge monster truck wheels going through my Usteret puddles. That's
what it sounded like in my ears. The audio that actually is recorded and
published, I remember it totally differently. But I remember also how it said
at one, but it was there's a hegi la wa moment that it's an
enunciated heghi lah wa. All this mann is going on after the auchich juha,
you have other stuff that sounds demonic, sounds monstrous. Later on you
have little gremlinish and very vocals. You're cluck signaling. Prior to my audibly
hearing the auchichi chuhua. Down by the river, you can hear all that
I have two versions of this on my YouTube channel. One is called in
their midst ten minutes Uninterrupted, and that is the less processed, the less
filtered audio. The other one is a little more filtered, and you lose
some from the less filtered audio, but you pick up other things, like
at the three minute thirty mark in the original lightly filtered version, you cannot
hear the expression. At the three minute thirty second of the overly processed or
modulated version, and you'll hear a vocal. It says ebanopsi, which is
super cool. It's in the background, it's a lower voice. It is
really super cool. Most of the vocals that the listener will hear I didn't
detect. I only heard the madness. Afterwards. There was a big boom,
had a sonic boom. I felt a wave of that. I believe
it was a vocal, and I'm going with vocal because I don't know what
else it could be. It sounded like an empty dumpster being dropped on a
concrete from a few feet above the concrete, so it was loud and you
felt it. Other madness went on. There was a moment when it felt
like someone was putting sixty grit sandpaper on my ear drums. It was very
uncomfortable. It felt as if that white snow of the TV when we were
kids the TV went to white snow. It felt like that on my ear
drums. That was crazy. There was another moment where it's at the point
where you'll hear me in the background, I say what was that? Right
before that moment where I say what was that, the tart moved, rainwater
fell off the tarp, and the tree the tarp was attached to that moved
a little bit. It was weird. It was really weird, and I
say what was that? The whole experience was nuts, And just a few
seconds into it, I honestly thought those were going to be my last moments.
And then you hear you feel that stuff, and you hear that stuff
and you have the sensations on your tympanic membranes as what the hell I really
thought I was going to die? I was never molested that I didn't see
one. I didn't see a single one. I saw no eyeshine. And
it was a month later when I started listening to that audio. It was
about a month before I had my nerves back together, quite honestly, and
I came home Brian, and I can't talk to my wife, I can't
talk to my family about it, can't talk to anybody about it. Even
some guys in my Bible study group. They're really not there for me when
it comes to the emotional sort of support and listening or of the ministry of
presence that you really need. After having experienced one of those, it was
nuts. Don't ever want to go through another one of those encounters again.
Nor the other audio encounter that I have recorded, and that's more recent.
That was October twenty fourth, so it was a Monday morning again, it
was raining. It's interesting. I'm convinced they move with the rain. There's
greater concealments, greater cover. Right, you got the dark, you have
the wet, you have the sound. Interesting thing about the sound of the
rain. They have an ability to communicate Brian within the din of the rain
or even the wind. And I've got audio recordings. If you have a
few big put students in the audience and they want to check out, you
can tell a lot about what's going on. You paint a picture over time.
I've been doing the Recording Now project for over five years now, and
you start to pick up at the beginning. I don't recommend this for anybody.
Again, it's harder in relationships. Not only do you have to spend
the time reviewing audio footage, you've got to learn to identify the very subtle
things that are in there that might give way to this what I call a
harmonic resonance speech. It's the clickie clucky stuff, the melodic stuff, the
clickie cluckie, but it's also a resonance with annunciation, which is weird.
And so the students in the audience that want to go down to I try
to include spectrograms and spectrogram with the audio that I publish. I'm starting to
get away from that because I think I've done enough and it's a lot of
extra work trying to become a little more artistic in my presentation of my current
thinking of this phenomenon and the audio content, because I think maybe initially I
was just throwing stuff up sounds with their vocal spectrographs and spectrograms. I'm not
doing any commentary, which is a disservice to my audience, and I promise
I hope to make amends on that, because a lot of this needs explanation.
I'm lazy, but right now I'm between jobs. I've got my website
where I think I want it right now, onward and upward towards the documentary
artistic project. So maybe even a book someday. I got tons of right
about. But again I'm challenged by my laziness. Bless your heart if you
get into writing a book. Man. I just finished mine and it's out
now. Relation it was a labor of love, for sure. Let's talk
about this second audio that you were just talking about. The second audio experience
that you had. Was it similar to the first one. You heard something
audible well and the vocal modalities picked up by the audio. Yeah, somewhat
similar. Again. It's raining on that morning, was six am on the
twenty fourth dark out. The tree still had some leaves, so there was
somewhat of a canopy in a dark out. It's raining, some cloudy.
It's really can't see much. Really, I was in a deep sleep.
I was dreaming about a job I was going to start the following Monday.
I heard this. I thought it was like initially I thought it was a
cat because it was sounded like a hissing to me. Again, I'm hearing
a vocal and of course I'm coming out of a dead sleep, but I'm
hearing what sounded like a big hissing. So I thought maybe it was cougar.
And I've never seen any cougar around there, but I know they're up
there. I rolled out out of bed, I look up and there is
this four foot ish tall standing like a soldier or a sailor, straight up
and down. It had moved back, and when I rolled over, I'm
looking at it. I'm thinking, asked the end of a deer, what's
going on? And it began to take shape. What little light was there?
It began to take shape. You can tell I think it was like
a light at tan four foot. You can see the darkness between the legs
and between the torso and the arm, so you could draw a rough face,
no details of the face, but just a four foot thing there.
And I said, hey, when I realized I was just an instinct,
basically, and they said get out of here. And by the time I
could fully extend my right arm, it had gone. I heard maybe it
leave, maybe one step, but after that it was not and it was
fast. It was like just gone as fast as my arm get out of
here. It was just gone. I've examined the audio for about four and
a half hours prior to that, and some audio after that, and the
vocal modalities are there. The speech that I was awakened to, that hissing
sound was really it was speech, but it was that more that harmonic.
It sounds like a harmonica trying to enunciate, which is weird if you can
imagine that. So you can look at the spectrogram I published that. The
first audio I published was a very rude awakening. It's just maybe five six
videos down off the top, but that was I presumed to be a sasquatch.
I've also thought since it was menacing little people. But the thing like
that first audio capture and counter experience that was quite menacine. Were they trying
to be menacing? I don't know. It was scary. You got a
whole host of different characters there. I was messed up for that good month
before I actually listened to the audio, and then when I cleaned it up,
I was messed up for a good three four more months after because there
were multiple subjects out there, multiple individual vocal DNA or vocal expressions there.
Hear one it's after the five minute part when I the Auchi Chi Chuha is
at a four minute fifty three second of in their midst the two videos that
I publish under that name. In their midst the voice was Eurekine Heavoc and
it sounds like a gremlinish sort of voice. I think it's most of two
minutes beyond that, the same voice says, Havoc hate this man tomorrow,
swear to God. And I'm formerly atheist. I've done a one to ady
on that. Not him, but Jesus freak, I could probetize to your
audience. Now, I'm not gonna but one of the coolest things, one
of the greatest benefits of Biblical studies is the fact that this story of the
Old Testament giants is likely to true. It's very true. They're still here.
It's an amazing phenomenon. I definitely want to get into some of your
theories on that after we get through the experiences. The audio has been something
that has always fascinated me with tons of different experiences because it's something that you
can at least listen to get into. We know known animal sounds, we
know what a human sound like. There's a scientific baseline to start from and
work from. I've done multiple interviews with Ron Morehead about the Sierra Sounds.
I've had Scott Nelson on the show and done a breakdown of him explaining what
he hears in the Sierra Sounds. For me, it's been interesting to look
at a lot of the audio that people like yourself have captured and other people
because we hear different things. I've never really talked to anybody outside of Ron
or Scott who have claimed to hear these voices and speech patterns in audio.
That's really interesting to me. Are you finding other things in the audio what
we hear often? I've heard weird things here on the audio that I've captured
on my property of a really large tree. And okay, we live in
the middle of the woods. We're on forty acres. Trees fall all the
time, right. I have looked for this tree. I'm still to this
day looking for this tree. And I recorded this probably seven months ago.
It's really strange to hear shuffling walking around in the area where the recorder's at
and then you hear this this huge tree coming down. It sounds like it's
right next to the recorder. Yet it's not there. Stay tuned for more
sasquatch out to see. We'll be right back after these messages. Are you
capturing those kind of things or wood knocks or any osrange. No, but
I've heard that. I haven't captured that phenomenon, but I've heard it.
It was the second I stepped out of my car. I got there.
It was a Wednesday night, late because I worked downstate. I set up
camp and the headlights and all that. As soon as I stepped out of
the car, I heard a tree called the sounds. But the thing is,
I heard no branches breaking. It's a pretty dense forest up there.
I recently posted a walk in their woods. You can see right outside my
camp where it is. A tree doesn't fall without hitting other trees there.
So I've heard that. Egor bursays they're pranksters. Okay, the Russia guy
for the audio, he says they're pranksters, and they're totally pranksters. And
the one that woke me up at six am, I think he was just
being a little ass whole because I have an interesting vocal after that, it
sounds like I was so afraid. It's sometime after that morning between the time
of the incident that I woke up. But is that auditory paradolia? Who
knows a lot of my stuff is very esoteric, But that's what piqued my
curiosity. What is this? Because we know I've been in the woods whenever
I can, for as long as I can remember, I don't know these
other sounds. Foxes can scare us, a squirrel can scare you. They
can make pretty terrifying sounds, especially if I catch you off guard. But
they're not so esoteric. We know about it. They're commonly known. This
other stuff a subtle twitch, snip or a sensation that is that harmonic kind
of stuff. Then you go through the very loborious task of peeling away at
the hiss and all that kind of stuff, trying to clean up the audio.
Now I've reached out to audio experts. I want the audience to know.
It depends on where you come from your perspective. If you're more skeptical
in scientific mind, like Kathy Strain, she says, my audio is distorted,
and I'm like, I don't understand that quite honestly, because when I
capture a raw image of a subject that eventually is artistic quality that I could
sell work the image. I clarified, I bring it out. I work
the image enough to elicit a particular emotional response to the viewer. To me,
it's just okay, that feels right, the composition's right, et cetera.
So I capture the audio as much as I capture raw image for photography.
To me, it doesn't do anything for me unless you enhance things a
little bit, clarify, get rid of to try us on the surface of
the water in that snake image. Taking the same approach with the audio as
I did with photography, and that I want to amplify it enough so it
doesn't lose too much. It really clarifies what's there. It's like the Michigan
Valley voices. That is definitely something that you should play for your audience,
because the first time I got only my close quarter stuff and a TP that
I've gotten a lot of vocals from. Not only were the subjects near the
recorder, there were subjects around the valley. It sounds like they're around the
valley and they're all communicating. It begins with the last half of a knaw,
which I maintained as a note a vocal. Then it's responded by a
call, and then that call is responded by like a siren call, which
is another reason why if underscores or affirms some suspicions that these beings may be
of a realm discussed in the Bible. What realm, I don't know.
And that siren call, there's some other stuff and it's not chaos. It's
like there's a meeting going on amidst these residents or this community within the valley.
It's unbelievable. It has some components of other audio captures, even round
warheads, especially those he played up in the Alaska. I don't know if
you saw that episode he was up in Alaska. He played some amazing audio.
But you'll hear multiple subjects communicating back and forth. There is some speech,
but there are also a host of other vocal modalities, including a whistle.
It's called the Michigan Valley Voices. I recommend version two point zero because
it's a little better process. It's a little more masterfully like an artistic image.
It's the best capture of that audio that I've been able to work with.
Before we move into some of your other experiences, I'm going to put
you on the spot here. There's no pressure with this question at all,
because we didn't talk about this beforehand. You mentioned the PG film when we
first started the interview. You work with images all the time. I don't
know if you've seen the latest images that have came out of what MK Davis
and Todd Gatewood have worked on. Have you seen those new images of Patty?
I have, and it's really quite amazing. Isn't there some AI assistance
with the material that has to work with I don't know how AI works.
I know I can get it through my Creative Cloud subscription, but again,
I'm lazy, and some of that stuff is beyond I learned it off.
I'm doing enough to achieve what I wish to achieve in this Michigan Aboriginal Project
thing. It's funny because I've been motivated by the fact that I think my
family thinks I'm crazy, my friends think I'm crazy. So I live in
gross Point. There's social pressure everywhere. Gross Point is stereotypically social pressure.
That's one of the rubs in the community at this point. I just interviewed
MK Davis and Todd Gatewood last week, round one of probably a couple of
rounds of interviews. I'm going to do with him to get through all of
the material that there is to work with there. But specifically, there are
some questions about whether there was AI used. He calls it an upscaling that
he's doing with some sort of process that he's used in software on a computer.
I haven't really heard him talk about what that is. That's interesting,
but I think I've seen upscaling as an option in one of my software programs,
probably photo Shop. It might be Illustrator. I don't know. I'm
not that savvy with either of those products. Again, I only do what
I need to do to get paid, so that I imagine maybe the process
of upscaling might be an equivalent to AI. Maybe it is, I have
no idea, but I imagine that the software just looks at an image based
on input. It can probably render a pretty accurate I have no fault with
anybody using technology or enhancements to prove a point. The PG film, I
think it's been beaten up. Now mka's taking a new levels. I saw
something within the past week or so. There may be a juvenile behind a
stump. It moves, There's a couple of dark spots. It does,
in fact look like movement, So that's pretty cool. I think we can
still learn a lot from Ron Moore Hitz audio. He mentions that one of
those nights, and I don't know if they got this on audio or not.
I hope they did because he mentioned it sounded as if they came through
the camp they heard this thracking cracking that sounds like the camp was being destroyed.
And the more nothing was touched. So they have a vocal and actually
recorded this a few times and the hanso it's a Hanzo file. It's a
clacking, it's a we do know they do the melodic clicking, the clucking,
but this is like a super loud plaque. I actually have some vocals
that I'm convinced I thought they were gunshots, and I was working on a
little documentary fodder and I started to clean up this file which I really thought
were gunshots. I'm not sure they are. I believe that they can vocalize
and sound like anything they want if you ask me, like a dumpster being
dropped onto the concrete or a high caliber pistol being discharged in the woods.
They have those abilities. Whyne and I were talking about it on that Bigfoot
podcast. We actually did an entire episode about the Sierra Sounds because this interview
happened. I think it was last year at some point, maybe last summer.
It was Jeff over at Pine Island Research. He had Ron moorehead and
he had tied Niss on the show and they were just talking casually, and
Jeff had talked to Todd beforehand, and Todd had mentioned to him, Yeah,
Ron's got like another eleven or twelve hours of the Sierra Sounds that nobody's
had heard, and yes, holy shit, what are you talking about.
So he asked Ron about it on the show and Ron's yeah, there's probably
I don't know, eleven or twelve more hours that we haven't released. So
here's the thing I love about what you're doing. There's a question in here
somewhere. I love the fact that you're putting out. I assume you put
out just about everything there is. If you find some sort of anomaly when
you're going through the audio, you put it out there and let people hear
it. Yeah. I have not published, and most of what I've gathered
is not published. Some of this stuff freaks my shit out. This is
where I have to step away from this stuff. There's no other explanation,
and the fact that we're dealing with something that I'm not even sure we should
know about. I think we do need to know about it. I think
it is right now. The giants of the Old Testament are real. Maybe
we should listen to the Bible. Imagine what society would be like if we
just obeyed the ten commandments. It'd be Shane Grillab I'd love to hear some
of what Ron Moorehead has described as having happened that night, because it's a
game for me. I call it in my mind vocal gems from the depths
of the woods. It's this harmonic stuff that is sometimes and I'm telling you
some of it sounds seriously angelic. I've got a set of recordings. I
got a video of this view. I document all my ingress and egress picking
up recordings, all that recorders, all that kind of stuff. I have
some stuff that sounds really ethereally beautifully angelic. It's weird, and it's really
weird. I haven't published any of that. I've got thirteen hours that I
got spring last year, where you can hear whoops on occasion and other vocal
modalities, and one subject walks by the recorder. Sounds like he's humming a
tune. Not a lot of the notes are expressed, but it sounds like
humming a tune. It's just really amazing stuff. Most of what I've published
is the stuff that I think is digestible for the viewing audience, because a
lot of this stuff isn't been through a lot of shit in my life,
so I think I'm emotionally prepared for a lot, but you're just not.
I'm actually beginning to shake a little bit. There's more to this phenomenon than
we could ever imagine. I'm pushing an evidence based approach in a very passive
way, and I think that's very easily achievable with the audio project that I've
ends everted, and anybody can do what I'm doing. I just have to
be willing to put the time into it and perhaps even risk relationships. It
is a stressor, so be careful. I almost lost my fiance. We're
married now. It's a testament to what kind of a salesman I am.
I think that's definitely a good yeah, yeah, and we got a good
thing going. And she knows this. She's coming around. She actually told
someone in church. She said he actually found out found where they lived,
So I think she's coming around. I think maybe her children there wasn't.
Certainly my daughter's it's convinced her because they think it's all a myth. That
leads me into my next question I was going to get to, is let's
talk a little bit about the area that you're going into, because there are
people who are saying I think the same thing. I'm a very skeptical person.
My cop brain immediately goes to Ockham's razor. Like you said, are
you in an area where you're convinced that there aren't people walking by humming tunes
and you're not catching people on audio? Obviously I don't want you to give
coordinates where you're setting up your project, let's keep it private. But in
general, can you describe the area that you're in and give us the layout
of that, because there are people who are going to hear this and say
it may be people that he's recording. How far out there are you?
Are you in an area where you're convinced they're not people other than yourself?
Obviously most of my recordings I'm not present for. But what I look for
are these structures there are physical artifacts in the woods that give them away.
We talked about the tpie's wigwams lean two's the twist things of that nature.
So when I find a TP that's where they commute, and you test that
by simply leaving a recorder and see if you get some vocals. It might
take several nights. Again, you need to know what looks for. And
my hit rate is pretty high because I went down that rabbit hole. I've
really twisted the recesses of my brains learning this. This is learning curve kind
of stuff, as it is very esoteric, and it's very hard to believe
that a humanoid species out there can have a regular conversation within the sound of
the rain and we can't hear it. At times I sensed this harmonic resonance
that I call it. At times I sensed that and I was wondering what
was going on. I remember wondering about this weird sensation I had before the
ill Chichi cho huh and all the other madness went down, and I couraged
the audience to listen to that because it is otherworldly, demonic, weird,
very wharf like sounding vocals. It's bizarre, it's weird and I got sidetracked
again, So bring me back right. That was a good way to answer
the question. I know you have a documented siding. I saw the video
of what looks to be one of these creatures. Can you give us the
backstory about where you were, what you were doing, and what happened during
that experience. Yeah. Absolutely. This is back in the twenty sixteen.
It was October thirtieth. A buddy of mine from Indiana had come up.
He spent I think two nights. I showed him around or showed him some
structure of some anomalies. He's very skeptical as well, but very kind and
courteous and gracious and allowing me to try to educate him on this phenomenon.
So I was up there. He had left that afternoon. It was later
that night. I was going to go to bed. It was about quarter
to ten. I was brushing my teeth. I had a little sonicare.
But you hear this humming, the buzzing or humming of the sniccare, and
I went over to the side of the camp to spit. I had my
red headlamp on. I spit and I look up and there I see two
eyes, very wide set, huge bottle circumference, huge. I locked in.
We had a stare down for I don't know how long. It felt
longer than the nine minute video that I captured after I broke the m pass
like it was a long stare down, and several minutes into it, it
eventually just closed its right eye to the left. By my perspective, I'm
thinking it was becoming oversensitized to my red lamp, even though it was night
in red light spectrum to with prolonged use, it's really not that offensive.
But it closed its eyes and so I lasted maybe another minute or two,
and I'm thinking, Okay, this could go on all night. We could
do this all night. I was getting a little bored at them. I
actually turned around, one of the hardest things I've ever done, because at
this point I was convinced, Okay, this is a Sasquatch. I've heard
about eyeshine, and nothing in the woods that I know I'm not around here,
not around that campsite, nothing has that wide set and that large of
an eye, so it's pretty dark. Convinced, so I went and grabbed
my flashlight and my recorder, a little sony handycamp and they were not attached
at the time. I've since attached my flashlight to the recorder if the nighttime
opportunity record comes up. But I went out there for a good It was
over nine minutes the footage that I got. I never saw the subject in
the background, which I have revealed on my website. But when I found
that I saw a little movement in the background, I grabbed that footage used
to coach my video. It's a little app which I highly recommend. It
enables you to actually thumb in and expand on this and you can see the
movement of that subject in the background on the initial footage. I think that's
six seconds of the nine minutes that I published, and it was captured probably
within the first twenty seconds after I turned on the flashlight and engage the camera.
That subject is revealed in the background. You see a shade back there
and it pivots from the right to the left and it reveals the ocular recess.
You can detect an or rekeealer recess. You can see that the general
shape of the body, large trapezius muscles. As it pivots its left arm
casts a dark a shadow on its buttocks. You can detect that it was
shot and only thirty frames per second. I regret that to this day.
It's pretty slow compared to the technology, and I'm a frugal minded with batteries
and memory cards. I try to keep as much wrap off as possible,
so I will never shoot in thirty frames a second. Can but there is
enough light and movement to reveal the shape of enough right monochromatic, i'minoid.
We know a sponge. It's definitely an intriguing video. I will definitely link
to that over on the sasquats Otasey blog for everybody to see. It'll go
directly to your YouTube channel so they can check that out. It's very compelling.
I want to ask you this. You've been doing this project for five
years. You've been out in the woods, You've had some experiences. I
don't want to put words in your mouth. I don't want to speak for
you. It seems to me that you're leaning more towards these things being more
than just a flesh and blood creature. Not all of them, okay,
I want to get into that. I am one of those people who I
talk to a lot of people. I talked to a lady just this afternoon.
I had another interview earlier today. She's had some weird experiences with what
she believes to be mind speak and possibly some sort of infrasounds things going on,
and it's teetering on the wool. She came right out and said,
I'm on the woo side of this. So let's get into that a little
bit, because you mentioned that earlier. You think there's different types of these
things. Talk a little bit about your theory on what types we're talking about
and what you think these things might be. Yeah. I don't know how
many types or what types there are. I just know that there are.
In Deuteronomy, second chapter, verse twenty of the Old Testament, people get
a mention, just one mention in the entire bot. They're called the zamzoo
mean people. They get their name from the ancient Hebrew word or the Hebrew
word zim zoom, which is an automotopia for to buzz or to hum.
Okay, I've looked into this and there is a rationale an explanation for the
origins of the name, and that's one of them. I have a lot
of these buzzing and humming vocal modalities expressed not only in my encounters, but
in other audio captures when I'm not around, and these are the places where
I believe they commune. When I find singleton or concentrations of multiple structures.
I have a video vocal village record replacements. You can see the entire village.
There's actually two versions of the vocal village. One's just a walk through
and me just marveling. And I'll never forget the feeling I had walking in
the midst of this place. For the very first time, I stepped into
a time machine. I cast back a one hundred thousand years. If evolution
is a thing to our earlier days. Right now, until I know otherwise,
I believe they're mortal. They're flesh and blood. There is room in
that wu side conversation from a biblical perspective anyway, that some of these things
could be the sons of God, and the sons of God. They are
of His image. They are elloween or ben elowein. They are sons of
God, but they are mortal. Saw Maty two is the biblical reference there.
Saw Mady two speaks to them, says they are the sons of God,
but they are mortal, and they will die like princess, I'll die
like men you didn't see what their number of years like. I believe it's
said that we are our years are limited to one hundred and twenty. I
think my father's see that. Stay tuned for more sasquat Chatasy will be right
back after these messages. So I believe that there's an eschelon which very well
could be supernatural beings. I'm not saying they're all supernatural. I'm not saying
they're awn Nephalie. All Nephilim are all giants, but not all giants are
nephii, right. I believe the Nephitie are most commonly heard to you are
the unholy offspring of the sons of God and the Daughter's. So if these
sons are gods, are are mortal, they have bodies, they have corpse,
and these men of renow, these men of old, who are they?
Who's Goliath? Who is the Kandahar giant? Did he have a name?
I would think so. I think those are the nephile I think there
are a variety of other beings out there, some of whom could be the
sons of God. I'm not saying all of them are, right, I've
re quard of them chanting. Okay, I'm not done this once. I
only published one chanting video and you can hear them. It's amazing, It's
unbelievably amazing. What are these things? These TP's walls, their altars?
Are they play things for their offspring? Nobody knows? Are they a way
to worship the one most high? I don't know. I'm not going to
speculate and say this, that or the other thing. But my current leanings
and where my own evidence is leading me, is to this present line of
thinking that they could very well be part of this otherworldly creation that are not
a part of our regular lives. Why aren't we told about them? They're
real. I've seen them. I've seen them a close with that juvenile.
Why aren't we told about these? That was terrified. I went out there
looking for these things. I didn't have an experience, although I've had experiences
in the past. I was how ging was camping out in Idaho. I've
had experiences that were basically unexplained to me, just an oddity of curiosity.
But what do you do with it? You have no excule exclamation. I
wouldn't think it about Bigfoot. We might have joked about it back then.
But I think a lot of the experiences in the past, I believe have
been explained by all that I've learned about these creations. Again, I'm not
urging anybody, and by no means should anybody go out and play this audio
outside. Don't do that. That's dumb. That's dumb. If we know
this much about them, it might be a good thing. I don't know.
I don't know what they're saying and what they're doing. I've got them
in different situations. I have them communing, and they sound very peaceful.
They say expressions of autica, pika, hut, and s fatif you can
hear all of those. Even in this recording I captured, one says helicopters.
That is in a video called Voices from the Depths of the Woods.
It's almost four minutes of audio footage that I captured, and it's somewhat contiguous
in that the recordings overnight with almost amounted to four minutes. I was on
VCVA mode. But you hear one say, come with me. Come it
like a deep come with me. Another one says helicopters, another one come.
You hear other stuff in there that's pretty amazing. So if there's anybody
that wants to go down the rabbit hole, don't do what I did because
it's stress. Well on relationships. I've done the work for you. Go
to my audio and you'll hear something different. Every time I listened to my
encounter audio. Was it yesterday? Yeah, it was yesterday. Just to
remind me I'm not crazy. It did really did happen, and I picked
up something that I hadn't heard before. But it also makes a difference if
you're listening to the stuff, whether you have EarPods on wired earbuds, listening
from a bowse speaker, listening to my car audio, all of those different
sound delivery, speakers, modalities offer a different sound, a different rendering of
what's there. So you can have a lot of fun with this stuff.
It is a journey of discovery. I never thought this was ever possible,
never dreamed it possible, and here I am talking Bigfoot with Brian king Sharp.
It's been a hell of a journey. Definitely. Man, We've mentioned
it a couple of times. Let's talk about the YouTube channel, Let's talk
about your website, and let's talk about your store and where people can find
all of that stuff. Oh, thank you for the opportunity. The YouTube
channel documents my entire journey from a bumbling a beer drinking and these days I've
all but given up beer. Oh I'm having one tonight, I'll probably have
two, and you'll see me bumbling around the woods trying to figure out this
puzzle, trying to figure out this mystery, really led by my own boyhood
curiosity and going out at night and doing stupid things like whooping and knocking on
trees. I don't do that. Don't do that. It's just not our
place to do that. And if we really want to see one, I
want to have an engagement, bring them in dealing with kindness, be passive
to them, and they'll come. They're very curious they watch. It reminds
me of First Enoch. The life of these watchers, which are the sons
of God? Do they have a line to God? And are they reporting
honest? I have no idea. This is where you sound like you cuckoo.
I can totally understand that anybody in the audience would think I'm not.
But like I said, based on the evidence, and I've got alliums and
this stuff, based on everything that I've listened to and learned. I've come
to a few conclusions that number one, how little we know about the nature
of things, and that this phenomenon is a reality, and it's something I
think we need to learn from. I've survived it so far. I'm grateful
to have tould the story. You can learn a little bit about my story
at Michigan Original k and I have a store there. I'm between jobs and
I'd love to be in some form of semi retirement. And I know that
what I've captured here is novel. It is a journey that I've prayed on
throughout the journey, and I'm grateful for that journey. It's not just me.
It's not all me. I can guarantee you. In that light,
it seems like we're living in a matrix. Either God is real or we're
in a matrix. I eat, It's just it's a weird sort of epiphty.
And I'm formerly atheist, totally atheist. I rational all I's got out
of my life, and a lot of life happens, and you have another
perspective, and I'm grateful for that perspective. So I share that on Michigan
Aboriginal dot Com you're going to look at me up on YouTube. It's the
Michigan Aboriginal Project. I've got a variety of things in there, and you
can see my whole journey back in the days where you could argue that I
had some cases of paradolia, and I know I have. I don't go
with still images or blurry renderings anymore. Just I don't do that. That
can drive you crazy. People. If you're doing that, give it up.
Go to the strategically located places along the rivers just outside your town.
You don't have to go very far. I go to Southfield, Michigan,
which is a twenty minute drive from Grosspoint where I live now, and there
are inroads as a green way in from the Rouge River. Any of our
river systems hosts a population of these beans or some kinds of these beings.
But you look inside of oxpos, look in areas that have accessibility. One
spot in ann Arbor, power lines, railways, a couple bridges across the
river. The river itself is a corridor and it's a sasphotch follower. In
twenty two, in August, it was on my birthday, I captured what
sounds like two female subjects. One of them says, honey a wah,
I was shaggy one a while. It sounds totally native American language to me.
If you ask me, I invite academics. I invite scientists, crypto
anthropologists. If there are such things to scrutinize my work, I invite that
open door invitation. Bringing on. I'll share audio. This is something we
really need to know, everybody, and we shouldn't be afraid of it,
I think, although some moments are truly terrifying. So you see me in
all my bubbling idiocy, and when I started out as a cr s moment
bear drinking boy in the woods to now where I'm somewhat passively it's somewhat flandestinely
recording these structures. One of my favorite versus is Jeremiah thirty three to three
that the Lord says, call to me, and I will answer you and
tell you great and hidden things that you have not known. And I feel
like that's what I've done here in formerly atheist, having this little god journey
which I again I never saw coming, and praying on this adventure and ending
up getting some revelations like the Michigan Valley voices these beings are civil and they're
having a meeting in God's country, if you will. It's bizarre. Some
of these guys chant I've got them chanty. You can hear them chanting.
All my audio is subject to rightful criticisms. Just know that a little suspension
of what your preconceived notions is necessary to accept the bigger picture. I hope
I got that out. Okay, I think you did, man, I
think you did. Everybody go check it out. I will link to that
stuff in the show notes, so you guys go check it out. Yeah,
thank you. If everybody cares to buy a T shirt or a sticker,
that would help me a long way these interesting times right now, So
I'd be grateful. I got all the designs I've made on my own.
That's the one most will recognize. I use the iconic image or the profile
to make light of this thing. I used to be Michigan Sasquatch on YouTube.
I'm now Michigan Aboriginal Project because I think this discussion deserves a little higher
level of discussion, if you will, And there are a lot of very
learned people out there. You know, doctor jud Burton, Look doctor jud
Burton. Up he's aware that this other realm, this unseen realm of other
beings exists. He knows, and he has a perspective which it's not unique,
but it's a minority in his field of theology or divinity if you will.
Yeah, he's a very learned Look up the works of Michael Heiser,
doctor Michael Heiser. He has a book called The Unseen Realm, and he's
very popular on YouTube. You can learn a lot. It underscores the fact
to me that the very existence of these otherworldly beings, beasts or whatever,
and they are mortal, they're very real, but their very existence affirms the
narratives of the Old Testament, which is a huge pill to swallow because we're
increasingly a secularized nation and to realize, and I've been there, I rationalized
God out of my life and thought people were foolish for leaving such stories of
giants. Right. Yeah, here I am talking to Brian King, sure
about this crazy subject. What a blessing. Thank you for your time.
Fuck. So that was my wake up call this morning around six am.
This is the vocal that woke me up. And if you listen closer,
you can also hear a vocal here. This is very esoteric stuff, guys,
but that a little more difficult to detect. But you can hear in
the background. This is what woke me up. It was fucking terrifying.
Part of my language. It was, it was kind of crazy. So
this is first splash, having a stab at the filtering and audio clean up,
that kind of stuff. But I saw the subject, I mean,
look it up. When I said hey, I saw it, and it
seemed to kind of jump back, as if it were surprised that I would
be surprised or taken that kind of retaliatory stance. And you hear me say
hey, and then here get out of here. And on the audio,
I've got my bows linked up. It's bluetooth, so there's a slight delay
in what you hear and what you see here. But this is the vocal
print that sounds. I'd say it sounds kind of demonic. I hate to
say that, but because you know, I've had other opinions of these,
I've heard them in their natural state without the presence of any humans, sounding
very pleasant. But I saw the subject. It was about four foot I
presume it was a juvenile sasquatch using this sort of harmonic resonant vocal modality that
you can hear in the background. This is really audible. You can hear
it back there. I don't remember hearing that at all, But here's that
is me right there. I think I think that might be my expletive.
Here's me saying hey, and here's saying get out of here. And so
that's that pretty scary stuff. That's how I woke up this morning. That's
why I've come home one day earlier than I traditionally would have. I traditionally
spent four nights in the woods solo in the spring, early spring, late
fall, no bugs, no people, except for these bastards, these little
assholes. Pardon my language, but I hadn't slept well in three nights and
going on three nights with this one. And for this little bastard to carry
on it sounds like a huge monster or some sort of demoniac. I don't
know that they're demoniacs. I don't, I really don't. But that shit
went down this morning and that's why I am home. So anyway, that's
that. I hope you enjoyed this. And uh and uh, that's about
all I got. So that happened. Take care of y'all be well.
Peace talking ea men, do you know what that is? I would say,
the future, not three, find the moving ship. Let's go in
that direction. I had put things. Let me listen here communication that's crowl
the top storage. If you left, the order of the sen said.
They say you don't gotta go home, but you can't stay. You know,
I don't want to be alone. We're all happen joy this job,
that chid everything. Call me ride back, riding back for joy, for
me joy, Stay right, you call it right away? Still step do
do do do do do, doss stasssts things muss