WEBVTT 1 00:00:00.040 --> 00:00:02.160 Today, I want to tell you about a journey that I've been on for 2 00:00:02.240 --> 00:00:05.120 most of my life. Ever since I was a kid, I've heard tales 3 00:00:05.120 --> 00:00:09.199 of bigfoot and wild men while spending time with my friends and family. As 4 00:00:09.240 --> 00:00:12.759 I grew older and read more about the paranormal, my interest in encryptids and 5 00:00:12.800 --> 00:00:17.039 other things strange only deepened. That's why I'm so excited to share with you 6 00:00:17.079 --> 00:00:22.960 what I've personally become involved with the Untold Radio Network. The Untold Radio Network 7 00:00:23.000 --> 00:00:27.480 is a live streaming podcast network that airs a new show every day across all 8 00:00:27.519 --> 00:00:31.839 podcast platforms, YouTube, and more. They have eight different shows on all 9 00:00:31.879 --> 00:00:36.119 sorts of exciting topics such as bigfoot, cryptids, UFOs, aliens, and 10 00:00:36.200 --> 00:00:39.759 much more. I even have my own show called Weird Encounters, where I 11 00:00:39.799 --> 00:00:43.920 talk about all things strange. This is more than just a podcast network. 12 00:00:44.000 --> 00:00:47.759 It's a community that allows me to meet so many amazing people who share their 13 00:00:47.799 --> 00:00:52.280 stories and experiences with strange. If you're interested in hearing more of these stories 14 00:00:52.280 --> 00:00:55.880 and learning more about the paranormal and encryptids, make sure you check out the 15 00:00:55.920 --> 00:01:00.640 Untold Radio Network for all kinds of exciting shows. It's free to subscribe. 16 00:01:00.679 --> 00:01:06.599 So what are you waiting for visit www dot untold radionetwork dot com. Today. 17 00:01:06.760 --> 00:01:08.840 Hey everybody, this is left Strive. Yes, yes, I know 18 00:01:10.040 --> 00:01:36.760 aka Survivor Man, and you're listening to Brian on Sasquatch Audus. He there 19 00:01:36.760 --> 00:01:40.680 and welcome back to Sasquatch Honysty. Thank you so much for being with us 20 00:01:40.680 --> 00:01:42.359 for the show. It is Friday. I hope you're having a week. 21 00:01:42.879 --> 00:01:46.959 We have an amazing show lined up for you. But as always, I 22 00:01:46.959 --> 00:01:49.159 want to start by inviting you. If you've had an encounter and you'd like 23 00:01:49.200 --> 00:01:52.359 to be on the show, shoot me an email. You can get me 24 00:01:52.359 --> 00:01:56.239 at Brian at Baronimoreworldproductions dot com. Get head over to the website, check 25 00:01:56.280 --> 00:01:59.719 it out, become a member there and help support this show. I got 26 00:01:59.719 --> 00:02:05.560 to sit down with James from the Michigan Aboriginal Project and he had some very 27 00:02:05.599 --> 00:02:09.039 interesting things to say about Sasquatch. He's had some really cool encounters and he's 28 00:02:09.039 --> 00:02:13.840 caught a bunch of audio that I'm going to include at the end of this 29 00:02:13.960 --> 00:02:17.439 episode. There's about fifteen or twenty minutes of audio. I didn't want to 30 00:02:17.439 --> 00:02:21.039 stick it in in the middle, so I'm gonna wait until the end of 31 00:02:21.159 --> 00:02:23.199 the interview, and I'm gonna put it in there, so when the interview 32 00:02:23.280 --> 00:02:27.000 is ending, make sure you don't go anywhere. You stick around if you 33 00:02:27.039 --> 00:02:30.039 want to hear these audio clips. They're very interesting, to say the least. 34 00:02:30.080 --> 00:02:34.080 I'm gonna let you make up your own mind about what you hear here. 35 00:02:34.319 --> 00:02:38.080 All this audio is pulled from videos on the Michigan Aboriginal Project YouTube channel, 36 00:02:38.080 --> 00:02:40.000 so if you'd like to see those, I'm gonna link to all of 37 00:02:40.039 --> 00:02:45.280 those in the blog for this episode. So head over to Paranormaloral Productions dot 38 00:02:45.319 --> 00:02:46.639 com. Check out the sasquatch O howt to see blog at the top of 39 00:02:46.680 --> 00:02:51.159 the page, and you can follow along and actually see the videos and the 40 00:02:51.199 --> 00:02:55.199 audio as James explains it here. Just be aware there is some strong language 41 00:02:55.240 --> 00:02:59.560 that's used in a couple of the clips. There's a couple of f bombs, 42 00:02:59.599 --> 00:03:01.280 and I love them in there, just because I wanted to have them 43 00:03:01.319 --> 00:03:05.879 as they were recorded by James in the moment. So if you got little 44 00:03:05.879 --> 00:03:08.240 ones in the car, or if you're sensitive to that kind of language, 45 00:03:08.400 --> 00:03:13.479 let this be your warning there. Listener discretion is strongly advised. But enough 46 00:03:13.520 --> 00:03:15.919 of that, I know you guys are ready to get into it. James 47 00:03:15.960 --> 00:03:17.479 is on the line. He's ready to go. All this's left for you 48 00:03:17.520 --> 00:03:40.439 to do is sit back, relax, and enjoy the show. I want 49 00:03:40.439 --> 00:03:44.879 to welcome our guest to the show. It is James from the Michigan Aboriginal 50 00:03:44.919 --> 00:03:47.039 Project. Welcome to the show. James. Thank you, Brian. Appreciate 51 00:03:47.039 --> 00:03:51.360 the opportunity and to reach your audience. It's always nice to reach a new 52 00:03:51.400 --> 00:03:53.159 audience. I am glad to have you, man. So let's dive right 53 00:03:53.199 --> 00:03:57.599 into this bigfoot thing. Let's start with what got you interested in the subject? 54 00:03:57.639 --> 00:04:00.800 To begin with? I think my nature is just being a curious creator. 55 00:04:00.840 --> 00:04:04.120 I grew up with three sisters and my folks. They broke up early, 56 00:04:04.159 --> 00:04:06.080 so I was a lot of time on my hands, and I loved 57 00:04:06.159 --> 00:04:12.280 the cellular heroes of Tarzan and the Cowboys and Indians. Good guys always win, 58 00:04:12.759 --> 00:04:15.520 whether it be the Indians or the Cowboys. I grew up a dreamer 59 00:04:15.759 --> 00:04:17.439 with the creek nearby, and I'd spend as much time as I could in 60 00:04:17.439 --> 00:04:19.680 the creek. At least the time that I did spend in the creek was 61 00:04:19.920 --> 00:04:24.800 among my most enjoyable memories because you're not bothered by anybody, or you're on 62 00:04:24.920 --> 00:04:28.839 a great adventure finding crawdads and salamanders, that kind of stuff. That's how 63 00:04:28.839 --> 00:04:31.720 I spent part of my youth. I've loved the outdoors. I'm a loner, 64 00:04:31.759 --> 00:04:34.519 having grown up in a broken family with three sisters, so I forged 65 00:04:34.560 --> 00:04:38.879 my way into this whole cryptid thing. I was always just very intrigued by 66 00:04:38.920 --> 00:04:42.279 the Patterson Givel and film. I always thought, I don't know if they're 67 00:04:42.279 --> 00:04:45.000 real or not, don't care. Basically, if it is a hoax, 68 00:04:45.040 --> 00:04:46.920 it is a hoax. But I thought if they were in fact real, 69 00:04:47.120 --> 00:04:50.319 I wanted to see one. And a place where I had been going up 70 00:04:50.360 --> 00:04:55.720 north, this valley forever. I discovered that it was an ideal place to 71 00:04:56.319 --> 00:04:59.639 set your sights into the hills. I'm an angling artist and I loved to 72 00:04:59.639 --> 00:05:02.759 camp, love to fish, do the photography thing. That's my medium for 73 00:05:03.160 --> 00:05:05.399 art. I was up there and I burned out on all that, and 74 00:05:05.480 --> 00:05:10.399 I thought that this big thing, by my own wits and reckoning, I 75 00:05:10.399 --> 00:05:14.439 thought it was real and I was determined to see one. And that's how 76 00:05:14.439 --> 00:05:16.720 it all got started. That was about March twenty sixteen. That was the 77 00:05:16.720 --> 00:05:21.120 first year I went down the rabbit hole. After realizing that it was a 78 00:05:21.160 --> 00:05:25.959 real phenomenon, learned everything I could about it, and I was spending time 79 00:05:25.959 --> 00:05:30.120 in the woods anyway. Early spring in late fall. I used that schedule 80 00:05:30.160 --> 00:05:32.720 was set up by having to wake up and put to sleep my father's cabin 81 00:05:32.879 --> 00:05:35.439 to win horizon. I would always be up there with my dog. But 82 00:05:35.480 --> 00:05:40.360 he sold that place, which was a blessing to me because I got to 83 00:05:40.360 --> 00:05:43.920 see a lot more of Michigan and Canada, do a lot more exploring. 84 00:05:44.319 --> 00:05:48.279 That was long before this phenomenon struck me. I felt somewhat called to it 85 00:05:48.360 --> 00:05:51.319 because they were real, and I think we all should live life to the 86 00:05:51.360 --> 00:05:55.240 fullest. Life as an adventure. If you're not living it, maybe you 87 00:05:55.240 --> 00:05:58.399 should get a new lifestyle coach or something like that. I don't think there's 88 00:05:58.399 --> 00:06:01.800 a lifestyle coach on the planet that would trum bigfoot hunting because it's terrible on 89 00:06:01.879 --> 00:06:06.879 relationships. It's amazing there are a race of giants living on the outskirts of 90 00:06:06.920 --> 00:06:12.160 our existence here. It's practically biblical. I'm actually beginning to believe in the 91 00:06:12.199 --> 00:06:15.720 Old Testament revers to giants. Years ago. The concept of Bacham's Razor. 92 00:06:15.240 --> 00:06:20.319 The simplest explanation is that the Old Testament is speaking the truth because they're very 93 00:06:20.360 --> 00:06:25.360 existence. These giants. I believe there are different kinds of them. I've 94 00:06:25.360 --> 00:06:30.639 recorded vocals that are different in dialect and somewhat similar in vocal modality in Southern 95 00:06:30.720 --> 00:06:35.560 Michigan as I have in Northern Michigan, and even yet different from vocals I've 96 00:06:35.560 --> 00:06:40.399 gotten in the up. Some of those are those are the scary vocals. 97 00:06:40.480 --> 00:06:45.319 All are recorded there one night and I got two amazing takeaways from that evening. 98 00:06:45.360 --> 00:06:47.240 The more I studied, I'm into a few Bible studies, and I've 99 00:06:47.319 --> 00:06:54.519 learned also that Michael Heiser speaks of this unseen realm, this shield some people 100 00:06:54.519 --> 00:06:57.800 call it. I don't know. My mind goes off on a thousand tangents, 101 00:06:57.839 --> 00:07:00.040 but my current thinking is simply, these are giants of the Old Testament 102 00:07:00.040 --> 00:07:03.839 are still there. There are a variety of different kinds. If you listen 103 00:07:03.839 --> 00:07:09.120 to a lot of audio and understand your audience, portion of who are into 104 00:07:09.160 --> 00:07:13.360 that, they're familiar with cra sounds, Ron moorehead stuff is really quite different 105 00:07:13.600 --> 00:07:16.879 from the other stuff that I've gotten in Northern Michigan. And even in Southern 106 00:07:17.519 --> 00:07:21.199 Michigan or the Up for that matter. The one audio that I got, 107 00:07:21.279 --> 00:07:27.360 it's on my homepage of Michigan Aboriginal dot com as part of my proof sources. 108 00:07:27.920 --> 00:07:30.959 The one audio I provide was captured up there in the Up, and 109 00:07:30.199 --> 00:07:34.199 that's the closest thing I have that actually mimics what you'll hear in the cra 110 00:07:34.279 --> 00:07:38.639 sounds the cliff Notes version of my journey. I found out that were real, 111 00:07:39.000 --> 00:07:41.959 went down the rabbit hole, learned everything I could about them, was 112 00:07:42.720 --> 00:07:46.920 somewhat cajoled into a recording project, which I resisted initially because it's a lot 113 00:07:46.920 --> 00:07:50.680 of work, right going over audio. I like it actually, but you 114 00:07:50.720 --> 00:07:56.199 can get lost in it. It does strain relationships, this whole phenomenon. 115 00:07:56.360 --> 00:08:00.839 If you're enthusiastic about it, it's gonna strained relationships, especially if you take 116 00:08:00.879 --> 00:08:03.720 it to the nth degree, which nobody ever sees coming, and I certainly 117 00:08:03.720 --> 00:08:07.439 did. But here I am. I'm James with the Michigan Aboriginal project. 118 00:08:09.040 --> 00:08:11.800 Let's get into the woods and talk about some of your first experiences. Go 119 00:08:11.959 --> 00:08:16.279 chronologically when you really got out into the woods, really started getting into Bigfoot 120 00:08:16.319 --> 00:08:20.399 and started having experiences, tell us where you were, what you were doing, 121 00:08:20.399 --> 00:08:22.199 and what happened to you. Okay, I went up on two different 122 00:08:22.199 --> 00:08:26.920 camping trips when was beginning of September and then later October, the end of 123 00:08:26.920 --> 00:08:31.320 twenty sixteen. This is like my initiation into the woods to test theories that 124 00:08:31.360 --> 00:08:37.279 I learned from Nathan Rio is his YouTube name. I'm sure you've heard that. 125 00:08:37.879 --> 00:08:43.480 If you haven't, he identified the fact that these beings, these communities 126 00:08:43.519 --> 00:08:46.519 have a somewhat of a structure to it, a social structure, and they 127 00:08:46.840 --> 00:08:50.320 construct things out of wood stick structures, teepees, wigwams, and I'm not 128 00:08:50.360 --> 00:08:56.720 talking about the complicated puzzles that we often try to figure out in the woods. 129 00:08:56.039 --> 00:09:00.000 I often want buy those because how much time do you want to spend 130 00:09:00.279 --> 00:09:03.879 doing that. I actually looked for wigwam's GPS linked to's or actual other manipulations, 131 00:09:05.039 --> 00:09:09.000 the twists. I found some twists very near structures and such. That's 132 00:09:09.039 --> 00:09:16.000 all sasquatch known behavior and activity. And to test my theory time and again, 133 00:09:16.720 --> 00:09:18.720 somewhat in keeping with the scientific method, when I find these, I 134 00:09:18.799 --> 00:09:24.159 leave a recorder there to see what I pick up and when I get vocals 135 00:09:24.720 --> 00:09:30.159 or other vocal modalities that I have observed in other areas, even the vocal 136 00:09:30.200 --> 00:09:37.960 modalities that I've recorded on encounter audio. I have two audio encounters recorded and 137 00:09:37.120 --> 00:09:41.879 one video record, but actually a post encounter, and the one I captured 138 00:09:41.879 --> 00:09:46.440 on video I didn't even know I captured till four months later. Let's talk 139 00:09:46.440 --> 00:09:50.279 about those. Start with the audio encounters and set the scene for us. 140 00:09:50.279 --> 00:09:54.360 Tell us where you were, what happened during that, and then we'll obviously 141 00:09:54.399 --> 00:09:58.720 insert the audio for everybody to hear when they're listening to this. But let's 142 00:09:58.720 --> 00:10:01.840 get into the story of what was going going on and what you were doing, 143 00:10:01.960 --> 00:10:05.039 what they were doing, and what you heard during the audio. The 144 00:10:05.080 --> 00:10:09.000 first audio recording that I got was the most significant, and not really significant. 145 00:10:09.000 --> 00:10:11.320 They're all good, and they're all very unique in their own ways. 146 00:10:11.320 --> 00:10:16.200 But I was up I had moved up a camping trip up to my usual 147 00:10:16.240 --> 00:10:18.399 spot. It was October twenty first friend of mine's mother had passed, so 148 00:10:18.440 --> 00:10:22.720 I wanted to attend the funeral service later in the week, so I truncated 149 00:10:22.840 --> 00:10:24.919 my trip by a day, so I was only up there three nights. 150 00:10:24.320 --> 00:10:28.639 My first night, all the action went down. I was sitting under my 151 00:10:28.679 --> 00:10:31.919 tar, but I was sipping out of this mug, finishing my second beer. 152 00:10:31.919 --> 00:10:35.679 I was about halfway through it, and I heard down by the river, 153 00:10:35.720 --> 00:10:39.919 I heard a chi chi chu huh. It was crisp, clear, 154 00:10:39.960 --> 00:10:43.639 it was clearly speech, And I was like, who else is out here 155 00:10:43.679 --> 00:10:48.240 with me? Because there are no other campers, it's raining, it's dark, 156 00:10:48.279 --> 00:10:52.279 It's a round eight o'clock on that night, and I had stood up. 157 00:10:52.360 --> 00:10:56.519 I heard this to stretch, and then I heard the autichowies some other 158 00:10:56.559 --> 00:11:01.600 commotion which sounded like huge monster truck wheels going through my Usteret puddles. That's 159 00:11:01.600 --> 00:11:07.039 what it sounded like in my ears. The audio that actually is recorded and 160 00:11:07.120 --> 00:11:11.919 published, I remember it totally differently. But I remember also how it said 161 00:11:11.919 --> 00:11:15.799 at one, but it was there's a hegi la wa moment that it's an 162 00:11:16.000 --> 00:11:20.320 enunciated heghi lah wa. All this mann is going on after the auchich juha, 163 00:11:20.799 --> 00:11:24.320 you have other stuff that sounds demonic, sounds monstrous. Later on you 164 00:11:24.360 --> 00:11:31.759 have little gremlinish and very vocals. You're cluck signaling. Prior to my audibly 165 00:11:31.759 --> 00:11:35.039 hearing the auchichi chuhua. Down by the river, you can hear all that 166 00:11:35.200 --> 00:11:37.559 I have two versions of this on my YouTube channel. One is called in 167 00:11:37.600 --> 00:11:43.960 their midst ten minutes Uninterrupted, and that is the less processed, the less 168 00:11:43.039 --> 00:11:48.519 filtered audio. The other one is a little more filtered, and you lose 169 00:11:48.559 --> 00:11:52.159 some from the less filtered audio, but you pick up other things, like 170 00:11:52.200 --> 00:11:56.759 at the three minute thirty mark in the original lightly filtered version, you cannot 171 00:11:56.840 --> 00:12:01.840 hear the expression. At the three minute thirty second of the overly processed or 172 00:12:01.960 --> 00:12:09.399 modulated version, and you'll hear a vocal. It says ebanopsi, which is 173 00:12:09.440 --> 00:12:11.320 super cool. It's in the background, it's a lower voice. It is 174 00:12:11.480 --> 00:12:16.120 really super cool. Most of the vocals that the listener will hear I didn't 175 00:12:16.159 --> 00:12:20.360 detect. I only heard the madness. Afterwards. There was a big boom, 176 00:12:20.759 --> 00:12:24.360 had a sonic boom. I felt a wave of that. I believe 177 00:12:24.399 --> 00:12:28.159 it was a vocal, and I'm going with vocal because I don't know what 178 00:12:28.200 --> 00:12:31.279 else it could be. It sounded like an empty dumpster being dropped on a 179 00:12:31.320 --> 00:12:35.799 concrete from a few feet above the concrete, so it was loud and you 180 00:12:37.000 --> 00:12:39.240 felt it. Other madness went on. There was a moment when it felt 181 00:12:39.279 --> 00:12:45.440 like someone was putting sixty grit sandpaper on my ear drums. It was very 182 00:12:45.720 --> 00:12:48.840 uncomfortable. It felt as if that white snow of the TV when we were 183 00:12:48.919 --> 00:12:54.440 kids the TV went to white snow. It felt like that on my ear 184 00:12:54.519 --> 00:12:56.639 drums. That was crazy. There was another moment where it's at the point 185 00:12:56.639 --> 00:13:00.960 where you'll hear me in the background, I say what was that? Right 186 00:13:01.039 --> 00:13:05.639 before that moment where I say what was that, the tart moved, rainwater 187 00:13:05.720 --> 00:13:09.000 fell off the tarp, and the tree the tarp was attached to that moved 188 00:13:09.000 --> 00:13:11.960 a little bit. It was weird. It was really weird, and I 189 00:13:11.000 --> 00:13:15.799 say what was that? The whole experience was nuts, And just a few 190 00:13:15.799 --> 00:13:18.279 seconds into it, I honestly thought those were going to be my last moments. 191 00:13:18.879 --> 00:13:22.600 And then you hear you feel that stuff, and you hear that stuff 192 00:13:22.639 --> 00:13:26.080 and you have the sensations on your tympanic membranes as what the hell I really 193 00:13:26.080 --> 00:13:30.679 thought I was going to die? I was never molested that I didn't see 194 00:13:30.679 --> 00:13:33.000 one. I didn't see a single one. I saw no eyeshine. And 195 00:13:33.080 --> 00:13:35.720 it was a month later when I started listening to that audio. It was 196 00:13:35.759 --> 00:13:39.000 about a month before I had my nerves back together, quite honestly, and 197 00:13:39.200 --> 00:13:43.600 I came home Brian, and I can't talk to my wife, I can't 198 00:13:43.600 --> 00:13:46.240 talk to my family about it, can't talk to anybody about it. Even 199 00:13:46.279 --> 00:13:50.080 some guys in my Bible study group. They're really not there for me when 200 00:13:50.080 --> 00:13:54.639 it comes to the emotional sort of support and listening or of the ministry of 201 00:13:54.639 --> 00:13:58.200 presence that you really need. After having experienced one of those, it was 202 00:13:58.320 --> 00:14:03.440 nuts. Don't ever want to go through another one of those encounters again. 203 00:14:03.039 --> 00:14:07.679 Nor the other audio encounter that I have recorded, and that's more recent. 204 00:14:07.759 --> 00:14:11.639 That was October twenty fourth, so it was a Monday morning again, it 205 00:14:11.679 --> 00:14:15.679 was raining. It's interesting. I'm convinced they move with the rain. There's 206 00:14:15.759 --> 00:14:20.200 greater concealments, greater cover. Right, you got the dark, you have 207 00:14:20.240 --> 00:14:22.320 the wet, you have the sound. Interesting thing about the sound of the 208 00:14:22.399 --> 00:14:26.840 rain. They have an ability to communicate Brian within the din of the rain 209 00:14:28.200 --> 00:14:31.240 or even the wind. And I've got audio recordings. If you have a 210 00:14:31.240 --> 00:14:33.679 few big put students in the audience and they want to check out, you 211 00:14:33.759 --> 00:14:37.440 can tell a lot about what's going on. You paint a picture over time. 212 00:14:37.799 --> 00:14:41.600 I've been doing the Recording Now project for over five years now, and 213 00:14:43.080 --> 00:14:46.679 you start to pick up at the beginning. I don't recommend this for anybody. 214 00:14:46.759 --> 00:14:48.600 Again, it's harder in relationships. Not only do you have to spend 215 00:14:48.600 --> 00:14:54.960 the time reviewing audio footage, you've got to learn to identify the very subtle 216 00:14:54.039 --> 00:14:58.799 things that are in there that might give way to this what I call a 217 00:14:58.840 --> 00:15:03.000 harmonic resonance speech. It's the clickie clucky stuff, the melodic stuff, the 218 00:15:03.039 --> 00:15:09.600 clickie cluckie, but it's also a resonance with annunciation, which is weird. 219 00:15:09.919 --> 00:15:13.080 And so the students in the audience that want to go down to I try 220 00:15:13.120 --> 00:15:16.679 to include spectrograms and spectrogram with the audio that I publish. I'm starting to 221 00:15:16.720 --> 00:15:20.320 get away from that because I think I've done enough and it's a lot of 222 00:15:20.720 --> 00:15:24.559 extra work trying to become a little more artistic in my presentation of my current 223 00:15:24.639 --> 00:15:31.320 thinking of this phenomenon and the audio content, because I think maybe initially I 224 00:15:31.360 --> 00:15:37.000 was just throwing stuff up sounds with their vocal spectrographs and spectrograms. I'm not 225 00:15:37.039 --> 00:15:41.480 doing any commentary, which is a disservice to my audience, and I promise 226 00:15:41.679 --> 00:15:46.200 I hope to make amends on that, because a lot of this needs explanation. 227 00:15:46.600 --> 00:15:50.200 I'm lazy, but right now I'm between jobs. I've got my website 228 00:15:50.240 --> 00:15:54.399 where I think I want it right now, onward and upward towards the documentary 229 00:15:54.600 --> 00:16:00.200 artistic project. So maybe even a book someday. I got tons of right 230 00:16:00.240 --> 00:16:03.000 about. But again I'm challenged by my laziness. Bless your heart if you 231 00:16:03.039 --> 00:16:06.600 get into writing a book. Man. I just finished mine and it's out 232 00:16:06.639 --> 00:16:11.679 now. Relation it was a labor of love, for sure. Let's talk 233 00:16:11.720 --> 00:16:15.799 about this second audio that you were just talking about. The second audio experience 234 00:16:15.840 --> 00:16:18.679 that you had. Was it similar to the first one. You heard something 235 00:16:18.759 --> 00:16:22.360 audible well and the vocal modalities picked up by the audio. Yeah, somewhat 236 00:16:22.360 --> 00:16:26.240 similar. Again. It's raining on that morning, was six am on the 237 00:16:26.240 --> 00:16:29.679 twenty fourth dark out. The tree still had some leaves, so there was 238 00:16:29.720 --> 00:16:32.120 somewhat of a canopy in a dark out. It's raining, some cloudy. 239 00:16:32.159 --> 00:16:34.279 It's really can't see much. Really, I was in a deep sleep. 240 00:16:34.279 --> 00:16:37.120 I was dreaming about a job I was going to start the following Monday. 241 00:16:37.679 --> 00:16:41.639 I heard this. I thought it was like initially I thought it was a 242 00:16:41.679 --> 00:16:45.360 cat because it was sounded like a hissing to me. Again, I'm hearing 243 00:16:45.559 --> 00:16:48.559 a vocal and of course I'm coming out of a dead sleep, but I'm 244 00:16:48.559 --> 00:16:52.399 hearing what sounded like a big hissing. So I thought maybe it was cougar. 245 00:16:52.720 --> 00:16:56.159 And I've never seen any cougar around there, but I know they're up 246 00:16:56.159 --> 00:17:00.200 there. I rolled out out of bed, I look up and there is 247 00:17:00.240 --> 00:17:04.200 this four foot ish tall standing like a soldier or a sailor, straight up 248 00:17:04.200 --> 00:17:08.240 and down. It had moved back, and when I rolled over, I'm 249 00:17:08.440 --> 00:17:11.640 looking at it. I'm thinking, asked the end of a deer, what's 250 00:17:11.680 --> 00:17:17.519 going on? And it began to take shape. What little light was there? 251 00:17:18.039 --> 00:17:18.839 It began to take shape. You can tell I think it was like 252 00:17:18.880 --> 00:17:23.000 a light at tan four foot. You can see the darkness between the legs 253 00:17:23.000 --> 00:17:26.039 and between the torso and the arm, so you could draw a rough face, 254 00:17:26.279 --> 00:17:30.359 no details of the face, but just a four foot thing there. 255 00:17:30.480 --> 00:17:34.400 And I said, hey, when I realized I was just an instinct, 256 00:17:34.400 --> 00:17:37.680 basically, and they said get out of here. And by the time I 257 00:17:37.680 --> 00:17:41.200 could fully extend my right arm, it had gone. I heard maybe it 258 00:17:41.359 --> 00:17:45.440 leave, maybe one step, but after that it was not and it was 259 00:17:45.519 --> 00:17:48.519 fast. It was like just gone as fast as my arm get out of 260 00:17:48.559 --> 00:17:52.359 here. It was just gone. I've examined the audio for about four and 261 00:17:52.400 --> 00:17:56.680 a half hours prior to that, and some audio after that, and the 262 00:17:56.720 --> 00:18:00.559 vocal modalities are there. The speech that I was awakened to, that hissing 263 00:18:00.640 --> 00:18:04.240 sound was really it was speech, but it was that more that harmonic. 264 00:18:04.880 --> 00:18:10.319 It sounds like a harmonica trying to enunciate, which is weird if you can 265 00:18:10.400 --> 00:18:14.440 imagine that. So you can look at the spectrogram I published that. The 266 00:18:14.480 --> 00:18:18.720 first audio I published was a very rude awakening. It's just maybe five six 267 00:18:18.960 --> 00:18:22.279 videos down off the top, but that was I presumed to be a sasquatch. 268 00:18:22.319 --> 00:18:26.759 I've also thought since it was menacing little people. But the thing like 269 00:18:26.799 --> 00:18:32.559 that first audio capture and counter experience that was quite menacine. Were they trying 270 00:18:32.559 --> 00:18:34.880 to be menacing? I don't know. It was scary. You got a 271 00:18:34.880 --> 00:18:40.000 whole host of different characters there. I was messed up for that good month 272 00:18:40.039 --> 00:18:42.799 before I actually listened to the audio, and then when I cleaned it up, 273 00:18:44.160 --> 00:18:47.079 I was messed up for a good three four more months after because there 274 00:18:47.119 --> 00:18:53.279 were multiple subjects out there, multiple individual vocal DNA or vocal expressions there. 275 00:18:53.519 --> 00:18:59.160 Hear one it's after the five minute part when I the Auchi Chi Chuha is 276 00:18:59.200 --> 00:19:03.440 at a four minute fifty three second of in their midst the two videos that 277 00:19:03.480 --> 00:19:07.680 I publish under that name. In their midst the voice was Eurekine Heavoc and 278 00:19:07.720 --> 00:19:12.119 it sounds like a gremlinish sort of voice. I think it's most of two 279 00:19:12.160 --> 00:19:18.359 minutes beyond that, the same voice says, Havoc hate this man tomorrow, 280 00:19:18.000 --> 00:19:22.279 swear to God. And I'm formerly atheist. I've done a one to ady 281 00:19:22.319 --> 00:19:25.519 on that. Not him, but Jesus freak, I could probetize to your 282 00:19:25.559 --> 00:19:27.759 audience. Now, I'm not gonna but one of the coolest things, one 283 00:19:27.759 --> 00:19:33.160 of the greatest benefits of Biblical studies is the fact that this story of the 284 00:19:33.240 --> 00:19:37.359 Old Testament giants is likely to true. It's very true. They're still here. 285 00:19:37.920 --> 00:19:41.480 It's an amazing phenomenon. I definitely want to get into some of your 286 00:19:41.519 --> 00:19:47.119 theories on that after we get through the experiences. The audio has been something 287 00:19:47.119 --> 00:19:52.519 that has always fascinated me with tons of different experiences because it's something that you 288 00:19:52.559 --> 00:19:57.799 can at least listen to get into. We know known animal sounds, we 289 00:19:57.839 --> 00:20:03.640 know what a human sound like. There's a scientific baseline to start from and 290 00:20:03.680 --> 00:20:07.640 work from. I've done multiple interviews with Ron Morehead about the Sierra Sounds. 291 00:20:07.720 --> 00:20:12.880 I've had Scott Nelson on the show and done a breakdown of him explaining what 292 00:20:14.079 --> 00:20:18.079 he hears in the Sierra Sounds. For me, it's been interesting to look 293 00:20:18.119 --> 00:20:22.440 at a lot of the audio that people like yourself have captured and other people 294 00:20:22.720 --> 00:20:26.839 because we hear different things. I've never really talked to anybody outside of Ron 295 00:20:27.119 --> 00:20:33.319 or Scott who have claimed to hear these voices and speech patterns in audio. 296 00:20:33.480 --> 00:20:40.319 That's really interesting to me. Are you finding other things in the audio what 297 00:20:40.480 --> 00:20:45.519 we hear often? I've heard weird things here on the audio that I've captured 298 00:20:45.559 --> 00:20:48.480 on my property of a really large tree. And okay, we live in 299 00:20:48.480 --> 00:20:52.400 the middle of the woods. We're on forty acres. Trees fall all the 300 00:20:52.440 --> 00:20:55.759 time, right. I have looked for this tree. I'm still to this 301 00:20:55.880 --> 00:20:57.839 day looking for this tree. And I recorded this probably seven months ago. 302 00:20:59.400 --> 00:21:03.880 It's really strange to hear shuffling walking around in the area where the recorder's at 303 00:21:03.920 --> 00:21:08.519 and then you hear this this huge tree coming down. It sounds like it's 304 00:21:08.640 --> 00:21:14.000 right next to the recorder. Yet it's not there. Stay tuned for more 305 00:21:14.039 --> 00:21:21.319 sasquatch out to see. We'll be right back after these messages. Are you 306 00:21:21.400 --> 00:21:23.519 capturing those kind of things or wood knocks or any osrange. No, but 307 00:21:23.559 --> 00:21:27.119 I've heard that. I haven't captured that phenomenon, but I've heard it. 308 00:21:27.119 --> 00:21:30.519 It was the second I stepped out of my car. I got there. 309 00:21:30.559 --> 00:21:34.160 It was a Wednesday night, late because I worked downstate. I set up 310 00:21:34.160 --> 00:21:37.400 camp and the headlights and all that. As soon as I stepped out of 311 00:21:37.400 --> 00:21:41.119 the car, I heard a tree called the sounds. But the thing is, 312 00:21:41.240 --> 00:21:45.400 I heard no branches breaking. It's a pretty dense forest up there. 313 00:21:45.640 --> 00:21:49.119 I recently posted a walk in their woods. You can see right outside my 314 00:21:49.240 --> 00:21:53.680 camp where it is. A tree doesn't fall without hitting other trees there. 315 00:21:53.960 --> 00:21:59.400 So I've heard that. Egor bursays they're pranksters. Okay, the Russia guy 316 00:21:59.519 --> 00:22:02.759 for the audio, he says they're pranksters, and they're totally pranksters. And 317 00:22:02.799 --> 00:22:04.039 the one that woke me up at six am, I think he was just 318 00:22:04.039 --> 00:22:08.799 being a little ass whole because I have an interesting vocal after that, it 319 00:22:08.920 --> 00:22:15.400 sounds like I was so afraid. It's sometime after that morning between the time 320 00:22:15.440 --> 00:22:18.880 of the incident that I woke up. But is that auditory paradolia? Who 321 00:22:18.960 --> 00:22:22.200 knows a lot of my stuff is very esoteric, But that's what piqued my 322 00:22:22.319 --> 00:22:26.279 curiosity. What is this? Because we know I've been in the woods whenever 323 00:22:26.319 --> 00:22:30.079 I can, for as long as I can remember, I don't know these 324 00:22:30.119 --> 00:22:33.880 other sounds. Foxes can scare us, a squirrel can scare you. They 325 00:22:33.920 --> 00:22:37.799 can make pretty terrifying sounds, especially if I catch you off guard. But 326 00:22:37.839 --> 00:22:41.480 they're not so esoteric. We know about it. They're commonly known. This 327 00:22:41.559 --> 00:22:48.680 other stuff a subtle twitch, snip or a sensation that is that harmonic kind 328 00:22:48.680 --> 00:22:52.640 of stuff. Then you go through the very loborious task of peeling away at 329 00:22:52.680 --> 00:22:55.519 the hiss and all that kind of stuff, trying to clean up the audio. 330 00:22:55.759 --> 00:22:59.359 Now I've reached out to audio experts. I want the audience to know. 331 00:23:00.119 --> 00:23:03.000 It depends on where you come from your perspective. If you're more skeptical 332 00:23:03.039 --> 00:23:07.359 in scientific mind, like Kathy Strain, she says, my audio is distorted, 333 00:23:07.359 --> 00:23:11.079 and I'm like, I don't understand that quite honestly, because when I 334 00:23:11.160 --> 00:23:17.279 capture a raw image of a subject that eventually is artistic quality that I could 335 00:23:17.319 --> 00:23:19.799 sell work the image. I clarified, I bring it out. I work 336 00:23:19.839 --> 00:23:26.960 the image enough to elicit a particular emotional response to the viewer. To me, 337 00:23:26.039 --> 00:23:30.839 it's just okay, that feels right, the composition's right, et cetera. 338 00:23:30.839 --> 00:23:36.559 So I capture the audio as much as I capture raw image for photography. 339 00:23:36.759 --> 00:23:40.200 To me, it doesn't do anything for me unless you enhance things a 340 00:23:40.240 --> 00:23:42.839 little bit, clarify, get rid of to try us on the surface of 341 00:23:42.839 --> 00:23:47.039 the water in that snake image. Taking the same approach with the audio as 342 00:23:47.039 --> 00:23:51.759 I did with photography, and that I want to amplify it enough so it 343 00:23:51.799 --> 00:23:55.960 doesn't lose too much. It really clarifies what's there. It's like the Michigan 344 00:23:56.079 --> 00:24:00.279 Valley voices. That is definitely something that you should play for your audience, 345 00:24:00.319 --> 00:24:03.319 because the first time I got only my close quarter stuff and a TP that 346 00:24:03.319 --> 00:24:08.079 I've gotten a lot of vocals from. Not only were the subjects near the 347 00:24:08.160 --> 00:24:12.319 recorder, there were subjects around the valley. It sounds like they're around the 348 00:24:12.400 --> 00:24:17.039 valley and they're all communicating. It begins with the last half of a knaw, 349 00:24:17.240 --> 00:24:19.880 which I maintained as a note a vocal. Then it's responded by a 350 00:24:19.920 --> 00:24:25.920 call, and then that call is responded by like a siren call, which 351 00:24:25.960 --> 00:24:30.240 is another reason why if underscores or affirms some suspicions that these beings may be 352 00:24:30.440 --> 00:24:34.000 of a realm discussed in the Bible. What realm, I don't know. 353 00:24:34.039 --> 00:24:37.480 And that siren call, there's some other stuff and it's not chaos. It's 354 00:24:37.519 --> 00:24:44.440 like there's a meeting going on amidst these residents or this community within the valley. 355 00:24:44.799 --> 00:24:48.759 It's unbelievable. It has some components of other audio captures, even round 356 00:24:48.759 --> 00:24:53.440 warheads, especially those he played up in the Alaska. I don't know if 357 00:24:53.480 --> 00:24:57.279 you saw that episode he was up in Alaska. He played some amazing audio. 358 00:24:57.960 --> 00:25:03.799 But you'll hear multiple subjects communicating back and forth. There is some speech, 359 00:25:03.119 --> 00:25:07.920 but there are also a host of other vocal modalities, including a whistle. 360 00:25:08.160 --> 00:25:11.880 It's called the Michigan Valley Voices. I recommend version two point zero because 361 00:25:12.319 --> 00:25:17.680 it's a little better process. It's a little more masterfully like an artistic image. 362 00:25:17.839 --> 00:25:21.480 It's the best capture of that audio that I've been able to work with. 363 00:25:22.039 --> 00:25:23.599 Before we move into some of your other experiences, I'm going to put 364 00:25:23.599 --> 00:25:26.480 you on the spot here. There's no pressure with this question at all, 365 00:25:26.519 --> 00:25:30.119 because we didn't talk about this beforehand. You mentioned the PG film when we 366 00:25:30.200 --> 00:25:33.400 first started the interview. You work with images all the time. I don't 367 00:25:33.400 --> 00:25:38.279 know if you've seen the latest images that have came out of what MK Davis 368 00:25:38.279 --> 00:25:41.920 and Todd Gatewood have worked on. Have you seen those new images of Patty? 369 00:25:42.480 --> 00:25:47.559 I have, and it's really quite amazing. Isn't there some AI assistance 370 00:25:47.720 --> 00:25:49.880 with the material that has to work with I don't know how AI works. 371 00:25:51.279 --> 00:25:55.359 I know I can get it through my Creative Cloud subscription, but again, 372 00:25:55.480 --> 00:25:57.759 I'm lazy, and some of that stuff is beyond I learned it off. 373 00:25:57.799 --> 00:26:03.240 I'm doing enough to achieve what I wish to achieve in this Michigan Aboriginal Project 374 00:26:03.319 --> 00:26:06.880 thing. It's funny because I've been motivated by the fact that I think my 375 00:26:06.960 --> 00:26:10.000 family thinks I'm crazy, my friends think I'm crazy. So I live in 376 00:26:10.079 --> 00:26:14.799 gross Point. There's social pressure everywhere. Gross Point is stereotypically social pressure. 377 00:26:15.079 --> 00:26:18.880 That's one of the rubs in the community at this point. I just interviewed 378 00:26:18.000 --> 00:26:23.960 MK Davis and Todd Gatewood last week, round one of probably a couple of 379 00:26:25.000 --> 00:26:26.480 rounds of interviews. I'm going to do with him to get through all of 380 00:26:26.480 --> 00:26:32.000 the material that there is to work with there. But specifically, there are 381 00:26:32.079 --> 00:26:36.319 some questions about whether there was AI used. He calls it an upscaling that 382 00:26:36.400 --> 00:26:40.759 he's doing with some sort of process that he's used in software on a computer. 383 00:26:41.200 --> 00:26:44.680 I haven't really heard him talk about what that is. That's interesting, 384 00:26:44.799 --> 00:26:49.279 but I think I've seen upscaling as an option in one of my software programs, 385 00:26:49.400 --> 00:26:55.319 probably photo Shop. It might be Illustrator. I don't know. I'm 386 00:26:55.319 --> 00:26:57.640 not that savvy with either of those products. Again, I only do what 387 00:26:57.680 --> 00:27:03.400 I need to do to get paid, so that I imagine maybe the process 388 00:27:03.480 --> 00:27:07.359 of upscaling might be an equivalent to AI. Maybe it is, I have 389 00:27:07.400 --> 00:27:11.720 no idea, but I imagine that the software just looks at an image based 390 00:27:11.720 --> 00:27:17.279 on input. It can probably render a pretty accurate I have no fault with 391 00:27:17.319 --> 00:27:22.279 anybody using technology or enhancements to prove a point. The PG film, I 392 00:27:22.319 --> 00:27:25.799 think it's been beaten up. Now mka's taking a new levels. I saw 393 00:27:26.039 --> 00:27:29.599 something within the past week or so. There may be a juvenile behind a 394 00:27:29.640 --> 00:27:33.119 stump. It moves, There's a couple of dark spots. It does, 395 00:27:33.119 --> 00:27:37.680 in fact look like movement, So that's pretty cool. I think we can 396 00:27:37.720 --> 00:27:41.240 still learn a lot from Ron Moore Hitz audio. He mentions that one of 397 00:27:41.240 --> 00:27:44.440 those nights, and I don't know if they got this on audio or not. 398 00:27:44.519 --> 00:27:48.519 I hope they did because he mentioned it sounded as if they came through 399 00:27:48.519 --> 00:27:52.480 the camp they heard this thracking cracking that sounds like the camp was being destroyed. 400 00:27:52.759 --> 00:27:56.000 And the more nothing was touched. So they have a vocal and actually 401 00:27:56.160 --> 00:28:02.200 recorded this a few times and the hanso it's a Hanzo file. It's a 402 00:28:02.240 --> 00:28:06.240 clacking, it's a we do know they do the melodic clicking, the clucking, 403 00:28:06.279 --> 00:28:08.599 but this is like a super loud plaque. I actually have some vocals 404 00:28:08.599 --> 00:28:12.559 that I'm convinced I thought they were gunshots, and I was working on a 405 00:28:12.559 --> 00:28:18.079 little documentary fodder and I started to clean up this file which I really thought 406 00:28:18.119 --> 00:28:22.519 were gunshots. I'm not sure they are. I believe that they can vocalize 407 00:28:22.079 --> 00:28:26.200 and sound like anything they want if you ask me, like a dumpster being 408 00:28:26.279 --> 00:28:32.119 dropped onto the concrete or a high caliber pistol being discharged in the woods. 409 00:28:32.160 --> 00:28:34.440 They have those abilities. Whyne and I were talking about it on that Bigfoot 410 00:28:34.440 --> 00:28:40.519 podcast. We actually did an entire episode about the Sierra Sounds because this interview 411 00:28:40.640 --> 00:28:42.880 happened. I think it was last year at some point, maybe last summer. 412 00:28:44.400 --> 00:28:47.640 It was Jeff over at Pine Island Research. He had Ron moorehead and 413 00:28:47.680 --> 00:28:51.359 he had tied Niss on the show and they were just talking casually, and 414 00:28:51.799 --> 00:28:56.079 Jeff had talked to Todd beforehand, and Todd had mentioned to him, Yeah, 415 00:28:56.200 --> 00:28:59.839 Ron's got like another eleven or twelve hours of the Sierra Sounds that nobody's 416 00:28:59.839 --> 00:29:03.559 had heard, and yes, holy shit, what are you talking about. 417 00:29:03.720 --> 00:29:07.720 So he asked Ron about it on the show and Ron's yeah, there's probably 418 00:29:07.720 --> 00:29:11.319 I don't know, eleven or twelve more hours that we haven't released. So 419 00:29:11.880 --> 00:29:15.319 here's the thing I love about what you're doing. There's a question in here 420 00:29:15.319 --> 00:29:18.160 somewhere. I love the fact that you're putting out. I assume you put 421 00:29:18.160 --> 00:29:21.759 out just about everything there is. If you find some sort of anomaly when 422 00:29:21.799 --> 00:29:23.319 you're going through the audio, you put it out there and let people hear 423 00:29:23.359 --> 00:29:29.079 it. Yeah. I have not published, and most of what I've gathered 424 00:29:29.160 --> 00:29:32.880 is not published. Some of this stuff freaks my shit out. This is 425 00:29:32.880 --> 00:29:34.920 where I have to step away from this stuff. There's no other explanation, 426 00:29:36.519 --> 00:29:40.359 and the fact that we're dealing with something that I'm not even sure we should 427 00:29:40.480 --> 00:29:42.960 know about. I think we do need to know about it. I think 428 00:29:42.960 --> 00:29:45.440 it is right now. The giants of the Old Testament are real. Maybe 429 00:29:45.480 --> 00:29:48.400 we should listen to the Bible. Imagine what society would be like if we 430 00:29:48.559 --> 00:29:53.000 just obeyed the ten commandments. It'd be Shane Grillab I'd love to hear some 431 00:29:53.160 --> 00:29:57.799 of what Ron Moorehead has described as having happened that night, because it's a 432 00:29:57.799 --> 00:30:02.079 game for me. I call it in my mind vocal gems from the depths 433 00:30:02.079 --> 00:30:04.880 of the woods. It's this harmonic stuff that is sometimes and I'm telling you 434 00:30:04.960 --> 00:30:11.799 some of it sounds seriously angelic. I've got a set of recordings. I 435 00:30:11.799 --> 00:30:15.519 got a video of this view. I document all my ingress and egress picking 436 00:30:15.599 --> 00:30:18.599 up recordings, all that recorders, all that kind of stuff. I have 437 00:30:18.680 --> 00:30:25.160 some stuff that sounds really ethereally beautifully angelic. It's weird, and it's really 438 00:30:25.240 --> 00:30:27.720 weird. I haven't published any of that. I've got thirteen hours that I 439 00:30:27.759 --> 00:30:33.960 got spring last year, where you can hear whoops on occasion and other vocal 440 00:30:33.319 --> 00:30:37.880 modalities, and one subject walks by the recorder. Sounds like he's humming a 441 00:30:37.960 --> 00:30:40.559 tune. Not a lot of the notes are expressed, but it sounds like 442 00:30:40.599 --> 00:30:44.599 humming a tune. It's just really amazing stuff. Most of what I've published 443 00:30:44.720 --> 00:30:48.680 is the stuff that I think is digestible for the viewing audience, because a 444 00:30:48.680 --> 00:30:52.000 lot of this stuff isn't been through a lot of shit in my life, 445 00:30:52.119 --> 00:30:56.880 so I think I'm emotionally prepared for a lot, but you're just not. 446 00:30:56.480 --> 00:31:02.480 I'm actually beginning to shake a little bit. There's more to this phenomenon than 447 00:31:02.519 --> 00:31:07.759 we could ever imagine. I'm pushing an evidence based approach in a very passive 448 00:31:07.920 --> 00:31:11.720 way, and I think that's very easily achievable with the audio project that I've 449 00:31:11.839 --> 00:31:15.920 ends everted, and anybody can do what I'm doing. I just have to 450 00:31:15.920 --> 00:31:21.839 be willing to put the time into it and perhaps even risk relationships. It 451 00:31:21.920 --> 00:31:25.359 is a stressor, so be careful. I almost lost my fiance. We're 452 00:31:25.359 --> 00:31:27.559 married now. It's a testament to what kind of a salesman I am. 453 00:31:27.599 --> 00:31:30.920 I think that's definitely a good yeah, yeah, and we got a good 454 00:31:30.960 --> 00:31:34.200 thing going. And she knows this. She's coming around. She actually told 455 00:31:34.240 --> 00:31:38.079 someone in church. She said he actually found out found where they lived, 456 00:31:38.480 --> 00:31:42.400 So I think she's coming around. I think maybe her children there wasn't. 457 00:31:42.400 --> 00:31:47.559 Certainly my daughter's it's convinced her because they think it's all a myth. That 458 00:31:47.720 --> 00:31:51.680 leads me into my next question I was going to get to, is let's 459 00:31:51.680 --> 00:31:53.359 talk a little bit about the area that you're going into, because there are 460 00:31:53.400 --> 00:31:56.599 people who are saying I think the same thing. I'm a very skeptical person. 461 00:31:56.920 --> 00:32:00.799 My cop brain immediately goes to Ockham's razor. Like you said, are 462 00:32:00.839 --> 00:32:07.359 you in an area where you're convinced that there aren't people walking by humming tunes 463 00:32:07.400 --> 00:32:10.640 and you're not catching people on audio? Obviously I don't want you to give 464 00:32:10.640 --> 00:32:15.480 coordinates where you're setting up your project, let's keep it private. But in 465 00:32:15.559 --> 00:32:17.759 general, can you describe the area that you're in and give us the layout 466 00:32:17.799 --> 00:32:20.960 of that, because there are people who are going to hear this and say 467 00:32:21.000 --> 00:32:23.359 it may be people that he's recording. How far out there are you? 468 00:32:23.440 --> 00:32:27.599 Are you in an area where you're convinced they're not people other than yourself? 469 00:32:27.599 --> 00:32:31.279 Obviously most of my recordings I'm not present for. But what I look for 470 00:32:31.400 --> 00:32:36.119 are these structures there are physical artifacts in the woods that give them away. 471 00:32:36.160 --> 00:32:39.960 We talked about the tpie's wigwams lean two's the twist things of that nature. 472 00:32:40.000 --> 00:32:44.960 So when I find a TP that's where they commute, and you test that 473 00:32:45.000 --> 00:32:46.920 by simply leaving a recorder and see if you get some vocals. It might 474 00:32:46.960 --> 00:32:51.079 take several nights. Again, you need to know what looks for. And 475 00:32:51.079 --> 00:32:53.079 my hit rate is pretty high because I went down that rabbit hole. I've 476 00:32:53.119 --> 00:32:59.559 really twisted the recesses of my brains learning this. This is learning curve kind 477 00:32:59.559 --> 00:33:01.640 of stuff, as it is very esoteric, and it's very hard to believe 478 00:33:01.839 --> 00:33:07.720 that a humanoid species out there can have a regular conversation within the sound of 479 00:33:07.759 --> 00:33:13.759 the rain and we can't hear it. At times I sensed this harmonic resonance 480 00:33:13.960 --> 00:33:16.119 that I call it. At times I sensed that and I was wondering what 481 00:33:16.160 --> 00:33:21.279 was going on. I remember wondering about this weird sensation I had before the 482 00:33:21.519 --> 00:33:24.240 ill Chichi cho huh and all the other madness went down, and I couraged 483 00:33:24.279 --> 00:33:31.160 the audience to listen to that because it is otherworldly, demonic, weird, 484 00:33:31.640 --> 00:33:37.640 very wharf like sounding vocals. It's bizarre, it's weird and I got sidetracked 485 00:33:37.640 --> 00:33:40.680 again, So bring me back right. That was a good way to answer 486 00:33:40.720 --> 00:33:45.279 the question. I know you have a documented siding. I saw the video 487 00:33:45.519 --> 00:33:47.359 of what looks to be one of these creatures. Can you give us the 488 00:33:47.400 --> 00:33:50.960 backstory about where you were, what you were doing, and what happened during 489 00:33:50.960 --> 00:33:52.680 that experience. Yeah. Absolutely. This is back in the twenty sixteen. 490 00:33:52.720 --> 00:33:55.759 It was October thirtieth. A buddy of mine from Indiana had come up. 491 00:33:55.880 --> 00:34:00.200 He spent I think two nights. I showed him around or showed him some 492 00:34:00.200 --> 00:34:04.400 structure of some anomalies. He's very skeptical as well, but very kind and 493 00:34:04.440 --> 00:34:08.159 courteous and gracious and allowing me to try to educate him on this phenomenon. 494 00:34:08.199 --> 00:34:12.320 So I was up there. He had left that afternoon. It was later 495 00:34:12.400 --> 00:34:15.119 that night. I was going to go to bed. It was about quarter 496 00:34:15.239 --> 00:34:17.639 to ten. I was brushing my teeth. I had a little sonicare. 497 00:34:17.960 --> 00:34:22.599 But you hear this humming, the buzzing or humming of the sniccare, and 498 00:34:22.679 --> 00:34:25.079 I went over to the side of the camp to spit. I had my 499 00:34:25.199 --> 00:34:30.599 red headlamp on. I spit and I look up and there I see two 500 00:34:30.639 --> 00:34:35.920 eyes, very wide set, huge bottle circumference, huge. I locked in. 501 00:34:36.039 --> 00:34:38.000 We had a stare down for I don't know how long. It felt 502 00:34:38.280 --> 00:34:44.360 longer than the nine minute video that I captured after I broke the m pass 503 00:34:44.760 --> 00:34:47.519 like it was a long stare down, and several minutes into it, it 504 00:34:47.599 --> 00:34:52.920 eventually just closed its right eye to the left. By my perspective, I'm 505 00:34:52.000 --> 00:34:57.800 thinking it was becoming oversensitized to my red lamp, even though it was night 506 00:34:57.840 --> 00:35:02.480 in red light spectrum to with prolonged use, it's really not that offensive. 507 00:35:02.519 --> 00:35:07.559 But it closed its eyes and so I lasted maybe another minute or two, 508 00:35:07.559 --> 00:35:09.000 and I'm thinking, Okay, this could go on all night. We could 509 00:35:09.039 --> 00:35:12.760 do this all night. I was getting a little bored at them. I 510 00:35:12.920 --> 00:35:15.840 actually turned around, one of the hardest things I've ever done, because at 511 00:35:15.840 --> 00:35:19.639 this point I was convinced, Okay, this is a Sasquatch. I've heard 512 00:35:19.639 --> 00:35:22.880 about eyeshine, and nothing in the woods that I know I'm not around here, 513 00:35:22.320 --> 00:35:27.400 not around that campsite, nothing has that wide set and that large of 514 00:35:27.400 --> 00:35:30.719 an eye, so it's pretty dark. Convinced, so I went and grabbed 515 00:35:30.719 --> 00:35:35.639 my flashlight and my recorder, a little sony handycamp and they were not attached 516 00:35:35.639 --> 00:35:39.679 at the time. I've since attached my flashlight to the recorder if the nighttime 517 00:35:40.079 --> 00:35:44.679 opportunity record comes up. But I went out there for a good It was 518 00:35:44.800 --> 00:35:46.840 over nine minutes the footage that I got. I never saw the subject in 519 00:35:46.880 --> 00:35:51.920 the background, which I have revealed on my website. But when I found 520 00:35:51.920 --> 00:35:55.559 that I saw a little movement in the background, I grabbed that footage used 521 00:35:55.559 --> 00:36:00.000 to coach my video. It's a little app which I highly recommend. It 522 00:36:00.320 --> 00:36:04.199 enables you to actually thumb in and expand on this and you can see the 523 00:36:04.360 --> 00:36:07.599 movement of that subject in the background on the initial footage. I think that's 524 00:36:07.679 --> 00:36:12.599 six seconds of the nine minutes that I published, and it was captured probably 525 00:36:12.639 --> 00:36:17.360 within the first twenty seconds after I turned on the flashlight and engage the camera. 526 00:36:17.760 --> 00:36:22.119 That subject is revealed in the background. You see a shade back there 527 00:36:22.760 --> 00:36:28.440 and it pivots from the right to the left and it reveals the ocular recess. 528 00:36:28.519 --> 00:36:31.800 You can detect an or rekeealer recess. You can see that the general 529 00:36:31.800 --> 00:36:37.039 shape of the body, large trapezius muscles. As it pivots its left arm 530 00:36:37.239 --> 00:36:44.039 casts a dark a shadow on its buttocks. You can detect that it was 531 00:36:44.039 --> 00:36:47.039 shot and only thirty frames per second. I regret that to this day. 532 00:36:47.400 --> 00:36:52.719 It's pretty slow compared to the technology, and I'm a frugal minded with batteries 533 00:36:52.719 --> 00:36:55.239 and memory cards. I try to keep as much wrap off as possible, 534 00:36:55.840 --> 00:37:00.960 so I will never shoot in thirty frames a second. Can but there is 535 00:37:00.079 --> 00:37:08.599 enough light and movement to reveal the shape of enough right monochromatic, i'minoid. 536 00:37:08.840 --> 00:37:14.639 We know a sponge. It's definitely an intriguing video. I will definitely link 537 00:37:14.679 --> 00:37:17.320 to that over on the sasquats Otasey blog for everybody to see. It'll go 538 00:37:17.360 --> 00:37:22.039 directly to your YouTube channel so they can check that out. It's very compelling. 539 00:37:22.559 --> 00:37:24.480 I want to ask you this. You've been doing this project for five 540 00:37:24.559 --> 00:37:28.400 years. You've been out in the woods, You've had some experiences. I 541 00:37:28.400 --> 00:37:30.360 don't want to put words in your mouth. I don't want to speak for 542 00:37:30.400 --> 00:37:34.719 you. It seems to me that you're leaning more towards these things being more 543 00:37:34.760 --> 00:37:37.280 than just a flesh and blood creature. Not all of them, okay, 544 00:37:37.320 --> 00:37:40.760 I want to get into that. I am one of those people who I 545 00:37:40.800 --> 00:37:44.960 talk to a lot of people. I talked to a lady just this afternoon. 546 00:37:45.239 --> 00:37:49.119 I had another interview earlier today. She's had some weird experiences with what 547 00:37:49.159 --> 00:37:52.639 she believes to be mind speak and possibly some sort of infrasounds things going on, 548 00:37:53.400 --> 00:37:58.000 and it's teetering on the wool. She came right out and said, 549 00:37:58.039 --> 00:38:00.960 I'm on the woo side of this. So let's get into that a little 550 00:38:00.000 --> 00:38:02.840 bit, because you mentioned that earlier. You think there's different types of these 551 00:38:02.880 --> 00:38:07.400 things. Talk a little bit about your theory on what types we're talking about 552 00:38:07.480 --> 00:38:10.840 and what you think these things might be. Yeah. I don't know how 553 00:38:10.920 --> 00:38:15.039 many types or what types there are. I just know that there are. 554 00:38:15.679 --> 00:38:20.440 In Deuteronomy, second chapter, verse twenty of the Old Testament, people get 555 00:38:20.840 --> 00:38:23.119 a mention, just one mention in the entire bot. They're called the zamzoo 556 00:38:23.199 --> 00:38:29.199 mean people. They get their name from the ancient Hebrew word or the Hebrew 557 00:38:29.199 --> 00:38:32.079 word zim zoom, which is an automotopia for to buzz or to hum. 558 00:38:32.840 --> 00:38:37.480 Okay, I've looked into this and there is a rationale an explanation for the 559 00:38:37.519 --> 00:38:40.239 origins of the name, and that's one of them. I have a lot 560 00:38:40.280 --> 00:38:46.320 of these buzzing and humming vocal modalities expressed not only in my encounters, but 561 00:38:46.519 --> 00:38:52.280 in other audio captures when I'm not around, and these are the places where 562 00:38:52.320 --> 00:38:58.639 I believe they commune. When I find singleton or concentrations of multiple structures. 563 00:38:59.159 --> 00:39:02.840 I have a video vocal village record replacements. You can see the entire village. 564 00:39:02.880 --> 00:39:07.320 There's actually two versions of the vocal village. One's just a walk through 565 00:39:07.360 --> 00:39:10.920 and me just marveling. And I'll never forget the feeling I had walking in 566 00:39:10.960 --> 00:39:15.639 the midst of this place. For the very first time, I stepped into 567 00:39:15.679 --> 00:39:19.360 a time machine. I cast back a one hundred thousand years. If evolution 568 00:39:19.440 --> 00:39:22.079 is a thing to our earlier days. Right now, until I know otherwise, 569 00:39:22.159 --> 00:39:25.920 I believe they're mortal. They're flesh and blood. There is room in 570 00:39:25.960 --> 00:39:30.559 that wu side conversation from a biblical perspective anyway, that some of these things 571 00:39:30.599 --> 00:39:34.360 could be the sons of God, and the sons of God. They are 572 00:39:34.440 --> 00:39:39.559 of His image. They are elloween or ben elowein. They are sons of 573 00:39:39.559 --> 00:39:44.599 God, but they are mortal. Saw Maty two is the biblical reference there. 574 00:39:44.800 --> 00:39:46.800 Saw Mady two speaks to them, says they are the sons of God, 575 00:39:46.800 --> 00:39:50.719 but they are mortal, and they will die like princess, I'll die 576 00:39:50.880 --> 00:39:55.000 like men you didn't see what their number of years like. I believe it's 577 00:39:55.000 --> 00:39:58.880 said that we are our years are limited to one hundred and twenty. I 578 00:39:58.880 --> 00:40:04.159 think my father's see that. Stay tuned for more sasquat Chatasy will be right 579 00:40:04.199 --> 00:40:12.679 back after these messages. So I believe that there's an eschelon which very well 580 00:40:12.679 --> 00:40:15.480 could be supernatural beings. I'm not saying they're all supernatural. I'm not saying 581 00:40:15.519 --> 00:40:21.599 they're awn Nephalie. All Nephilim are all giants, but not all giants are 582 00:40:21.639 --> 00:40:24.440 nephii, right. I believe the Nephitie are most commonly heard to you are 583 00:40:24.480 --> 00:40:29.119 the unholy offspring of the sons of God and the Daughter's. So if these 584 00:40:29.119 --> 00:40:31.199 sons are gods, are are mortal, they have bodies, they have corpse, 585 00:40:31.559 --> 00:40:36.559 and these men of renow, these men of old, who are they? 586 00:40:37.119 --> 00:40:39.039 Who's Goliath? Who is the Kandahar giant? Did he have a name? 587 00:40:39.840 --> 00:40:45.000 I would think so. I think those are the nephile I think there 588 00:40:45.000 --> 00:40:50.119 are a variety of other beings out there, some of whom could be the 589 00:40:50.159 --> 00:40:52.360 sons of God. I'm not saying all of them are, right, I've 590 00:40:52.400 --> 00:40:57.079 re quard of them chanting. Okay, I'm not done this once. I 591 00:40:57.280 --> 00:41:02.159 only published one chanting video and you can hear them. It's amazing, It's 592 00:41:02.320 --> 00:41:08.960 unbelievably amazing. What are these things? These TP's walls, their altars? 593 00:41:09.000 --> 00:41:14.239 Are they play things for their offspring? Nobody knows? Are they a way 594 00:41:14.320 --> 00:41:17.800 to worship the one most high? I don't know. I'm not going to 595 00:41:17.880 --> 00:41:22.039 speculate and say this, that or the other thing. But my current leanings 596 00:41:22.079 --> 00:41:27.960 and where my own evidence is leading me, is to this present line of 597 00:41:28.000 --> 00:41:31.960 thinking that they could very well be part of this otherworldly creation that are not 598 00:41:32.079 --> 00:41:36.599 a part of our regular lives. Why aren't we told about them? They're 599 00:41:36.639 --> 00:41:39.960 real. I've seen them. I've seen them a close with that juvenile. 600 00:41:40.360 --> 00:41:44.320 Why aren't we told about these? That was terrified. I went out there 601 00:41:44.360 --> 00:41:47.239 looking for these things. I didn't have an experience, although I've had experiences 602 00:41:47.239 --> 00:41:51.599 in the past. I was how ging was camping out in Idaho. I've 603 00:41:51.599 --> 00:41:57.679 had experiences that were basically unexplained to me, just an oddity of curiosity. 604 00:41:57.719 --> 00:42:00.000 But what do you do with it? You have no excule exclamation. I 605 00:42:00.000 --> 00:42:02.960 wouldn't think it about Bigfoot. We might have joked about it back then. 606 00:42:04.480 --> 00:42:07.400 But I think a lot of the experiences in the past, I believe have 607 00:42:07.480 --> 00:42:10.559 been explained by all that I've learned about these creations. Again, I'm not 608 00:42:10.719 --> 00:42:15.920 urging anybody, and by no means should anybody go out and play this audio 609 00:42:15.960 --> 00:42:20.480 outside. Don't do that. That's dumb. That's dumb. If we know 610 00:42:20.559 --> 00:42:22.559 this much about them, it might be a good thing. I don't know. 611 00:42:23.079 --> 00:42:25.360 I don't know what they're saying and what they're doing. I've got them 612 00:42:25.360 --> 00:42:31.159 in different situations. I have them communing, and they sound very peaceful. 613 00:42:31.519 --> 00:42:37.920 They say expressions of autica, pika, hut, and s fatif you can 614 00:42:37.960 --> 00:42:43.119 hear all of those. Even in this recording I captured, one says helicopters. 615 00:42:43.440 --> 00:42:47.760 That is in a video called Voices from the Depths of the Woods. 616 00:42:47.840 --> 00:42:55.079 It's almost four minutes of audio footage that I captured, and it's somewhat contiguous 617 00:42:55.119 --> 00:43:00.519 in that the recordings overnight with almost amounted to four minutes. I was on 618 00:43:00.679 --> 00:43:04.719 VCVA mode. But you hear one say, come with me. Come it 619 00:43:04.920 --> 00:43:09.360 like a deep come with me. Another one says helicopters, another one come. 620 00:43:10.199 --> 00:43:14.559 You hear other stuff in there that's pretty amazing. So if there's anybody 621 00:43:14.760 --> 00:43:16.320 that wants to go down the rabbit hole, don't do what I did because 622 00:43:16.360 --> 00:43:20.599 it's stress. Well on relationships. I've done the work for you. Go 623 00:43:20.719 --> 00:43:24.840 to my audio and you'll hear something different. Every time I listened to my 624 00:43:24.920 --> 00:43:29.960 encounter audio. Was it yesterday? Yeah, it was yesterday. Just to 625 00:43:30.000 --> 00:43:32.519 remind me I'm not crazy. It did really did happen, and I picked 626 00:43:32.559 --> 00:43:37.360 up something that I hadn't heard before. But it also makes a difference if 627 00:43:37.400 --> 00:43:42.639 you're listening to the stuff, whether you have EarPods on wired earbuds, listening 628 00:43:42.880 --> 00:43:47.360 from a bowse speaker, listening to my car audio, all of those different 629 00:43:47.519 --> 00:43:55.000 sound delivery, speakers, modalities offer a different sound, a different rendering of 630 00:43:55.480 --> 00:43:59.280 what's there. So you can have a lot of fun with this stuff. 631 00:43:59.400 --> 00:44:02.079 It is a journey of discovery. I never thought this was ever possible, 632 00:44:02.599 --> 00:44:07.079 never dreamed it possible, and here I am talking Bigfoot with Brian king Sharp. 633 00:44:07.519 --> 00:44:12.239 It's been a hell of a journey. Definitely. Man, We've mentioned 634 00:44:12.239 --> 00:44:14.800 it a couple of times. Let's talk about the YouTube channel, Let's talk 635 00:44:14.800 --> 00:44:17.039 about your website, and let's talk about your store and where people can find 636 00:44:17.079 --> 00:44:21.119 all of that stuff. Oh, thank you for the opportunity. The YouTube 637 00:44:21.159 --> 00:44:24.840 channel documents my entire journey from a bumbling a beer drinking and these days I've 638 00:44:24.840 --> 00:44:28.880 all but given up beer. Oh I'm having one tonight, I'll probably have 639 00:44:28.920 --> 00:44:31.519 two, and you'll see me bumbling around the woods trying to figure out this 640 00:44:31.639 --> 00:44:36.039 puzzle, trying to figure out this mystery, really led by my own boyhood 641 00:44:36.079 --> 00:44:40.000 curiosity and going out at night and doing stupid things like whooping and knocking on 642 00:44:40.119 --> 00:44:44.880 trees. I don't do that. Don't do that. It's just not our 643 00:44:44.920 --> 00:44:45.840 place to do that. And if we really want to see one, I 644 00:44:45.960 --> 00:44:50.760 want to have an engagement, bring them in dealing with kindness, be passive 645 00:44:50.880 --> 00:44:54.440 to them, and they'll come. They're very curious they watch. It reminds 646 00:44:54.519 --> 00:45:00.440 me of First Enoch. The life of these watchers, which are the sons 647 00:45:00.440 --> 00:45:02.320 of God? Do they have a line to God? And are they reporting 648 00:45:02.400 --> 00:45:06.800 honest? I have no idea. This is where you sound like you cuckoo. 649 00:45:07.239 --> 00:45:09.440 I can totally understand that anybody in the audience would think I'm not. 650 00:45:09.679 --> 00:45:14.480 But like I said, based on the evidence, and I've got alliums and 651 00:45:14.519 --> 00:45:17.000 this stuff, based on everything that I've listened to and learned. I've come 652 00:45:17.039 --> 00:45:22.280 to a few conclusions that number one, how little we know about the nature 653 00:45:22.280 --> 00:45:25.320 of things, and that this phenomenon is a reality, and it's something I 654 00:45:25.320 --> 00:45:28.800 think we need to learn from. I've survived it so far. I'm grateful 655 00:45:28.840 --> 00:45:31.119 to have tould the story. You can learn a little bit about my story 656 00:45:31.119 --> 00:45:36.880 at Michigan Original k and I have a store there. I'm between jobs and 657 00:45:36.920 --> 00:45:38.880 I'd love to be in some form of semi retirement. And I know that 658 00:45:38.960 --> 00:45:42.960 what I've captured here is novel. It is a journey that I've prayed on 659 00:45:43.119 --> 00:45:46.840 throughout the journey, and I'm grateful for that journey. It's not just me. 660 00:45:46.920 --> 00:45:50.119 It's not all me. I can guarantee you. In that light, 661 00:45:50.199 --> 00:45:52.920 it seems like we're living in a matrix. Either God is real or we're 662 00:45:52.920 --> 00:45:55.960 in a matrix. I eat, It's just it's a weird sort of epiphty. 663 00:45:55.960 --> 00:46:00.639 And I'm formerly atheist, totally atheist. I rational all I's got out 664 00:46:00.639 --> 00:46:04.360 of my life, and a lot of life happens, and you have another 665 00:46:04.559 --> 00:46:07.719 perspective, and I'm grateful for that perspective. So I share that on Michigan 666 00:46:07.760 --> 00:46:10.079 Aboriginal dot Com you're going to look at me up on YouTube. It's the 667 00:46:10.079 --> 00:46:15.159 Michigan Aboriginal Project. I've got a variety of things in there, and you 668 00:46:15.199 --> 00:46:17.400 can see my whole journey back in the days where you could argue that I 669 00:46:17.440 --> 00:46:21.599 had some cases of paradolia, and I know I have. I don't go 670 00:46:21.679 --> 00:46:24.639 with still images or blurry renderings anymore. Just I don't do that. That 671 00:46:24.719 --> 00:46:29.280 can drive you crazy. People. If you're doing that, give it up. 672 00:46:29.679 --> 00:46:34.400 Go to the strategically located places along the rivers just outside your town. 673 00:46:34.440 --> 00:46:37.159 You don't have to go very far. I go to Southfield, Michigan, 674 00:46:37.199 --> 00:46:40.199 which is a twenty minute drive from Grosspoint where I live now, and there 675 00:46:40.239 --> 00:46:45.480 are inroads as a green way in from the Rouge River. Any of our 676 00:46:45.559 --> 00:46:51.840 river systems hosts a population of these beans or some kinds of these beings. 677 00:46:52.400 --> 00:46:58.880 But you look inside of oxpos, look in areas that have accessibility. One 678 00:46:58.920 --> 00:47:04.880 spot in ann Arbor, power lines, railways, a couple bridges across the 679 00:47:05.000 --> 00:47:10.119 river. The river itself is a corridor and it's a sasphotch follower. In 680 00:47:10.599 --> 00:47:14.800 twenty two, in August, it was on my birthday, I captured what 681 00:47:14.960 --> 00:47:19.119 sounds like two female subjects. One of them says, honey a wah, 682 00:47:19.159 --> 00:47:22.519 I was shaggy one a while. It sounds totally native American language to me. 683 00:47:22.559 --> 00:47:27.800 If you ask me, I invite academics. I invite scientists, crypto 684 00:47:27.880 --> 00:47:31.559 anthropologists. If there are such things to scrutinize my work, I invite that 685 00:47:31.880 --> 00:47:36.239 open door invitation. Bringing on. I'll share audio. This is something we 686 00:47:36.280 --> 00:47:39.360 really need to know, everybody, and we shouldn't be afraid of it, 687 00:47:39.480 --> 00:47:45.840 I think, although some moments are truly terrifying. So you see me in 688 00:47:45.920 --> 00:47:50.119 all my bubbling idiocy, and when I started out as a cr s moment 689 00:47:50.239 --> 00:47:55.480 bear drinking boy in the woods to now where I'm somewhat passively it's somewhat flandestinely 690 00:47:55.639 --> 00:48:00.360 recording these structures. One of my favorite versus is Jeremiah thirty three to three 691 00:48:00.519 --> 00:48:04.639 that the Lord says, call to me, and I will answer you and 692 00:48:04.679 --> 00:48:07.079 tell you great and hidden things that you have not known. And I feel 693 00:48:07.079 --> 00:48:12.400 like that's what I've done here in formerly atheist, having this little god journey 694 00:48:12.880 --> 00:48:16.760 which I again I never saw coming, and praying on this adventure and ending 695 00:48:16.880 --> 00:48:23.559 up getting some revelations like the Michigan Valley voices these beings are civil and they're 696 00:48:23.679 --> 00:48:29.000 having a meeting in God's country, if you will. It's bizarre. Some 697 00:48:29.039 --> 00:48:31.880 of these guys chant I've got them chanty. You can hear them chanting. 698 00:48:32.320 --> 00:48:39.079 All my audio is subject to rightful criticisms. Just know that a little suspension 699 00:48:39.079 --> 00:48:45.079 of what your preconceived notions is necessary to accept the bigger picture. I hope 700 00:48:45.079 --> 00:48:46.559 I got that out. Okay, I think you did, man, I 701 00:48:46.599 --> 00:48:49.960 think you did. Everybody go check it out. I will link to that 702 00:48:49.960 --> 00:48:52.199 stuff in the show notes, so you guys go check it out. Yeah, 703 00:48:52.239 --> 00:48:54.000 thank you. If everybody cares to buy a T shirt or a sticker, 704 00:48:54.000 --> 00:48:58.800 that would help me a long way these interesting times right now, So 705 00:48:59.199 --> 00:49:01.400 I'd be grateful. I got all the designs I've made on my own. 706 00:49:01.519 --> 00:49:07.679 That's the one most will recognize. I use the iconic image or the profile 707 00:49:07.039 --> 00:49:12.360 to make light of this thing. I used to be Michigan Sasquatch on YouTube. 708 00:49:12.360 --> 00:49:15.679 I'm now Michigan Aboriginal Project because I think this discussion deserves a little higher 709 00:49:15.800 --> 00:49:20.159 level of discussion, if you will, And there are a lot of very 710 00:49:20.280 --> 00:49:23.599 learned people out there. You know, doctor jud Burton, Look doctor jud 711 00:49:23.599 --> 00:49:30.559 Burton. Up he's aware that this other realm, this unseen realm of other 712 00:49:30.679 --> 00:49:36.039 beings exists. He knows, and he has a perspective which it's not unique, 713 00:49:36.159 --> 00:49:40.239 but it's a minority in his field of theology or divinity if you will. 714 00:49:40.599 --> 00:49:44.480 Yeah, he's a very learned Look up the works of Michael Heiser, 715 00:49:44.840 --> 00:49:47.400 doctor Michael Heiser. He has a book called The Unseen Realm, and he's 716 00:49:47.480 --> 00:49:52.440 very popular on YouTube. You can learn a lot. It underscores the fact 717 00:49:52.480 --> 00:49:58.719 to me that the very existence of these otherworldly beings, beasts or whatever, 718 00:49:58.880 --> 00:50:02.960 and they are mortal, they're very real, but their very existence affirms the 719 00:50:04.079 --> 00:50:08.559 narratives of the Old Testament, which is a huge pill to swallow because we're 720 00:50:08.639 --> 00:50:15.280 increasingly a secularized nation and to realize, and I've been there, I rationalized 721 00:50:15.320 --> 00:50:19.199 God out of my life and thought people were foolish for leaving such stories of 722 00:50:19.360 --> 00:50:22.960 giants. Right. Yeah, here I am talking to Brian King, sure 723 00:50:23.360 --> 00:50:27.679 about this crazy subject. What a blessing. Thank you for your time. 724 00:50:55.519 --> 00:51:40.480 Fuck. So that was my wake up call this morning around six am. 725 00:51:40.519 --> 00:51:44.599 This is the vocal that woke me up. And if you listen closer, 726 00:51:44.599 --> 00:51:47.199 you can also hear a vocal here. This is very esoteric stuff, guys, 727 00:51:49.599 --> 00:51:52.400 but that a little more difficult to detect. But you can hear in 728 00:51:52.440 --> 00:51:59.159 the background. This is what woke me up. It was fucking terrifying. 729 00:51:59.199 --> 00:52:04.920 Part of my language. It was, it was kind of crazy. So 730 00:52:05.519 --> 00:52:10.280 this is first splash, having a stab at the filtering and audio clean up, 731 00:52:10.280 --> 00:52:15.599 that kind of stuff. But I saw the subject, I mean, 732 00:52:15.719 --> 00:52:17.800 look it up. When I said hey, I saw it, and it 733 00:52:17.920 --> 00:52:22.599 seemed to kind of jump back, as if it were surprised that I would 734 00:52:22.599 --> 00:52:31.199 be surprised or taken that kind of retaliatory stance. And you hear me say 735 00:52:31.199 --> 00:52:35.440 hey, and then here get out of here. And on the audio, 736 00:52:35.480 --> 00:52:38.519 I've got my bows linked up. It's bluetooth, so there's a slight delay 737 00:52:39.000 --> 00:52:43.920 in what you hear and what you see here. But this is the vocal 738 00:52:44.000 --> 00:52:50.880 print that sounds. I'd say it sounds kind of demonic. I hate to 739 00:52:50.880 --> 00:52:53.159 say that, but because you know, I've had other opinions of these, 740 00:52:53.199 --> 00:53:00.360 I've heard them in their natural state without the presence of any humans, sounding 741 00:53:00.480 --> 00:53:05.000 very pleasant. But I saw the subject. It was about four foot I 742 00:53:05.039 --> 00:53:13.480 presume it was a juvenile sasquatch using this sort of harmonic resonant vocal modality that 743 00:53:14.280 --> 00:53:17.199 you can hear in the background. This is really audible. You can hear 744 00:53:17.239 --> 00:53:23.000 it back there. I don't remember hearing that at all, But here's that 745 00:53:24.000 --> 00:53:29.159 is me right there. I think I think that might be my expletive. 746 00:53:30.119 --> 00:53:37.639 Here's me saying hey, and here's saying get out of here. And so 747 00:53:37.760 --> 00:53:43.199 that's that pretty scary stuff. That's how I woke up this morning. That's 748 00:53:43.199 --> 00:53:50.239 why I've come home one day earlier than I traditionally would have. I traditionally 749 00:53:50.280 --> 00:53:53.119 spent four nights in the woods solo in the spring, early spring, late 750 00:53:53.199 --> 00:53:57.559 fall, no bugs, no people, except for these bastards, these little 751 00:53:57.599 --> 00:54:02.000 assholes. Pardon my language, but I hadn't slept well in three nights and 752 00:54:02.039 --> 00:54:07.280 going on three nights with this one. And for this little bastard to carry 753 00:54:07.280 --> 00:54:14.199 on it sounds like a huge monster or some sort of demoniac. I don't 754 00:54:14.239 --> 00:54:17.360 know that they're demoniacs. I don't, I really don't. But that shit 755 00:54:17.480 --> 00:54:28.280 went down this morning and that's why I am home. So anyway, that's 756 00:54:28.320 --> 00:54:32.280 that. I hope you enjoyed this. And uh and uh, that's about 757 00:54:32.320 --> 00:54:37.920 all I got. So that happened. Take care of y'all be well. 758 00:54:38.039 --> 01:00:30.480 Peace talking ea men, do you know what that is? I would say, 759 01:00:30.599 --> 01:01:15.679 the future, not three, find the moving ship. Let's go in 760 01:01:15.760 --> 01:03:44.719 that direction. I had put things. Let me listen here communication that's crowl 761 01:03:45.320 --> 01:06:45.599 the top storage. If you left, the order of the sen said. 762 01:08:29.359 --> 01:08:38.840 They say you don't gotta go home, but you can't stay. You know, 763 01:08:38.960 --> 01:09:06.039 I don't want to be alone. We're all happen joy this job, 764 01:09:06.279 --> 01:09:13.039 that chid everything. Call me ride back, riding back for joy, for 765 01:09:13.319 --> 01:10:00.279 me joy, Stay right, you call it right away? Still step do 766 01:10:02.439 --> 01:10:30.640 do do do do do, doss stasssts things muss