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Vix presents Dangerously Yours, a half
hour of romance and adventure starring Victor Joy

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in Barkley Square. First, here's
a good thing to remember when you catch

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a call. The best known home
remedy for relieving miseries of coals is Vic's

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vapor rob And now I am a
fisher in my name. Men of Travis,

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the highways, the byways, the
skyways of the world have traveled old

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trails and played mules. I am
the fire that burns in the heart of

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youth, that makes men dream and
dare and conquer. I am dangerously yours.

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This week, come with me to
England to meet the young American who

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inherited in an ancient house and lived
one of the strangest adventures any man has

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ever known. Peter Standish show but
this squall, they tell me, I've

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been very ill. Perhaps I have, But I've also been on the most

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inconceivable adventure that could be imagined.
I have crossed the bridge from the present

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of the past. I have gone
from this century back into the eighteenth century.

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I have traded places with my own
great great grandfather, Peter Standish,

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that same great great grandfather whose portrait
hangs there over the fireplace when this strange

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adventure began. I was with Marjorie. Peter. That's the most amazing thing

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I've ever seen in my life.
Or you might have sat for that portrait

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of your great great grandfather yourself,
Marjorie, wouldn't you love to change places

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with him? Just imagine walking the
quiet streets of London in the eighteenth century,

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breathing pure air instead of gasoline,
riding in sedan chairs instead of taxicabs.

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Wouldn't that be an adventure? Yes, but it would be an impossible

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one, Peter, No, you're
wrong. What I'm getting at is this

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but to God, there is no
past, present and future time as we

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know. It is nothing but an
idea in the mind, in the mind

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of man. Do you see,
Marjorie, Peter Darling, you've been working

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too hard. You aren't being practical
or sensible. You haven't been from the

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time you inherited this house and came
here to live. I don't think it

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good for you. This house gave
me the idea, I tell you,

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the possibility of going back in time
as perfectly logical. It may sound convincing,

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Peter, but of course it's impossible. No, my dear, the

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past is over and gone. You're
wrong, Marjory. Look I have some

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of the past right here in my
hands. It's Peter Standish's diary. Would

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you like to know a little about
him? I've been studying it so hard

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I know it almost by heart.
His trip from New York to England took

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twenty seven days in a bark called
the General Wolf. It says too that

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Reynolds didn't want to paint his portrait. That's the one over the fireplace.

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I've been curious about that, but
you must have painted it. It's obviously

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Reynolds. Yes, that's certain.
Ah, let's see. Oh yes,

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he married the eldest Pedagoo girl,
Kate, in this very house. They

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had children who died here, and
there was a younger sister, Helen.

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Her family tried to force her into
a marriage. She hated. The diary

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stops before that's settled. And look
here, please, Peter. All very

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interesting, But suppose you tell me
about it some other time. Oh you

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look so tired and flushed. I'm
going to get you some tea. I

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wish you understood, Marjory. Or
are you sure you want to marry me?

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When miss so much? You don't
understand about me. Of course I

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want to marry you. Does You're
just a little tired. You don't really

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think you could go back into the
eighteenth century. Now, you just sit

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there while I get you some stones. I sat there staring about the room,

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staring at the rich, nellowed walls, the satin smooth tables, the

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dignified chairs, and the pass was
alive in that room, and I knew

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it. The firelight flickered on the
ceiling and touched to gold the face of

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my ancestor, Peter Standish, and
in some curious way, I felt as

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though I were looking at myself.
And then outside I heard I heard a

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coach on cobblestones, and then I
laughed at myself. A coach cobblestones.

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Why they had had wood blocks and
Barkley square for ages? They were quiet

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or even in the asphalt in New
York. And then I heard a woman's

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footsteps, and I turned, expecting
to see Margerie, and saw, oh,

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I bid you good evening. I
suppose you are my cousin Peter from

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America. We had your notes that
you'd arrived in London. How'd you get

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into the house without any of us
hearing you, I jumped to my feet,

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staring at her. Staring at this
woman dressed in hoops satin, her

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hair piled high on her head,
her shoulders bare. I touched my own

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sleeve that was satin too. I
looked down and saw that I was dressed

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in the clothes of the man in
the portrait. Then I looked to the

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wall, but it was gone.
There was no portrait there. Well,

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cousin, Peter, are you going
to stand there staring at me all evening?

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Hi? I beg your pardon.
You must be my cousin, my

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cousin Kate or is it Helen?
I'm Kate, sir? But how did

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you get here in all this rain
without getting wet? I came in a

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coach, Oh I do? I
rang the bell, but no one answered,

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so I came in the bear.
You rang the bell? What there?

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Oh? I mean the knocker of
course. Well, in any event,

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I'm most happy to welcome your captain, Peter, And if you'll come

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with me, my mother's sister and
brother will also be you welcome. We've

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all been looking forward at this meeting
for some time. I followed her out

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into the hall, my heart pounding
with excitement the miracle had come to pass.

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I was in the eighteenth century.
We went down the hall and therein

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the gracious candle that's sitting room was
the Pedigrew family, Lady Anne and Helen,

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and the young Pedigrew Tom, looking
a bit the worse for drink.

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There was also a small, fat, unpleasant looking man who I judged to

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be Helen's unwanted suitor, mister Throstle. Lady Anne gave me a most cordial

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welcome. Well well, cousin p
do, what a delight this visit of

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yours is indeed katis benola, nothing
about it for weeks, indeed, so

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have we all? How gracious of
her and of you? If this is

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my other daughter, Helen, how
do you do, Cousin Peter, how

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do you do? Cousin Helen?
And this is my son Tom, who

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will no doubt show you a round
town. And this is Helen's fiance,

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mister Trussell. Gentlemen, it's my
pleasure, gentlemen. Did you like the

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cash machawl your aunt sent you for
your birthday? Helen? Cash machaw Is

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there a shawl on that parcel?
I haven't opened it yet, Peter,

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how could you possibly know it was
a shawl? How could you possibly know?

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You don't, really, it was
only a guess you see. Well,

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shawls are so popular nowadays. Aren't
you clever to guess it is a

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shawl? My sister wrote me about
it. Well, come now you must

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be shown to your room. Then
there's not so long away. Come my

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dear boy, come come in.
Oh hello, Helen, party and trusion,

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Peter. Mother thought I should see
if you were comfortable. I'm very

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comfortable, thank you. Whas Kate
she's helping mother downstairs. Oh, cousin,

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Peter, may I ask you something? Oh? Of course? Are

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you in love with Kate? Why
do you ask? You never saw her

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before this afternoon? And yet you
and mother arranged your betrothal before you ever

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came to England. Of course it
may be a young and stupid fancy on

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my part, but I always thought
that two people had to meet before they

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fell in love. It seems strange. You're quite right, Helen. Yes,

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will you help me. There's a
lot that's strange to me about this

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country. I'll need a bit of
guidance. Why yes, I'd be very

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glad too, And now I'll leave
you good afternoon, cousin, Peter,

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Helen. Yes, Peter, you're
very sweet. Yes, and I think

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my great great grandfather was absolutely screwy. Screwy that's just a New York expression.

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Good afternoon, Helen, Good afternoon, cost Oh, excuse me for

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banging the door. Helen. A
smile, curved that fit my heart,

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eyes that danced in the candle light, hair like blue black midnight sky.

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And the days that followed, I
could not keep my eyes now my thoughts

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away from her. Yet I knew
that I must marry Kate. But Kate,

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after the first few days, kept
away from me. It was Helen

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that was by my side constantly.
It was Helen who took me to Sir

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Joshua Reynold's studio. Turn your face
toward the window, please, m mister

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Stendish. I am very sorry,
but I must refuse the commission. I

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cannot paint you. What why,
Sir Joshua, who did paint? I

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mean, that's impossible. I wish
I could pinch you, mister Stendish,

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but I'm a pinch of realities,
and there's something in your face and your

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eyes that's unreal, something I would
never be able to capture. Kind never

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heard of such rot. Come,
Peter, there's no point in arguing.

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But he must paint me. He
didn't paint me? He oh, never

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mind, you wouldn't understand. Good
day, Sir Joshua. I hope you'll

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change your mind, change my mind. I'd as soon paint the devil is

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to paint you. Kate. Wasn't
this to be my dance? Yes?

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But I have a headache. I
don't quite feel up to dancing just now.

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Since you have a headache, Kate, let's go outside in the balcony

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for a breath of air. Well, I really shouldn't I I wanted to

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see mother just for a moment.
Kate, Come, let's go out here.

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It's a beautiful night, isn't it. Yes? I still so,

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Kate, what's the matter? You've
been avoiding me all evening? Have I?

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You certainly haven't been avoiding my sister. Don't tell me you're jealous.

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You don't need to be, you
know, jealous. No, I'm relieved,

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but I fear for Helen. Peter
standish. You're a very strange and

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frightening man. Poor now, Kate, you're living gossip upset you. I

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know what people are saying about me
and of course it's ridiculous. Yes,

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you know what people are saying,
and you know what I'm thinking right now.

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You always know, you know what's
going to happen before it happens.

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No, No, Kate, No, not the way you think. Why

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are you looking so startled? There's
nothing to be afraid of. I thought

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you love me. You mustn't talk
like that. Why, my dear,

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we're going to be married married.
Do you think i'd marry you when I'm

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hard to force myself to remain alone
with you? Sir Joshua saw it.

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Everyone sees it. There's something that's
that's not human about you. Kate.

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You're overwrought. You'll feel differently in
the morning. In the morning, I

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shall drive to Budley. I cannot
stay in this house with you any longer.

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I see you're breaking our engagement.
You can't do that, Oh can't

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I how smugly you say it?
So? You think there are no limits

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to what a wizard can do with
a woman. The women all press after

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you, don't they? But no
woman wishes to dance with you twice except

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Helen Peters Standish. I never was
so afraid of anything in my life as

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I am of you, and you
think you can make me marry you,

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I'd just soon men in the devil. I'm leaving London in the morning,

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and I'll not to tend to this
house as long as you're in it,

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and you can be sure I'll do
everything in my far to get you out

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of it. Peter, Oh,
Helen, Peter, come and dance with

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me. You're not afraid of me, Helen. You're not afraid to dance

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with me. How can you be
afraid someone you love? Oh, come

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and dance with me, Peter.
In just a moment, we will bring

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you the second act of dangerously yours. Well. Here it is fall again,

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and first thing you know, the
children may be coming home from school

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with nasty calls. Too bad,
But this time, mother, don't take

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needless chances with untried remedies. Instead, relieve distress the modern way most young

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mothers now use. When your child
catches a cold, rub the throat,

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chest and back with Vic's vapor rub. Then see how quickly vapor rub starts

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to work to bring grand relief as
it penetrates. Penetrates into the cold congested

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upper bronchial tubes with its special soothing
medicinal vapors and at the same time stimulates

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stimulates chest and back surfaces like a
warming portice. This penetrating stimulating action of

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vapor rub keeps on working for hours
to bring relief and comfort, and often

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most of the distress of a cold
is gone overnight. Now stick to vapor

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rub this winter, mother, because
only vapor rub gives you this special penetrating

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stimulating action to relieve miseries of coals
Vix vapor rub and now the second act

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of Dangerously Yours starring Victor Jory in
Barkley Square. Peter, it's very late.

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Are you going to walk up and
down the library all night? I

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can't sleep, Poem. You're worried
about Kate, aren't you. Well,

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don't be. She'll be all right
when she returned. Peter, tell me

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what all this mystery means, so
that I can explain it to her.

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Tell me how you can know things
you couldn't know. First it was about

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my shawl, and since then,
oh so many things. Well, hell

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an I, but it's true,
Peter. You do see a head.

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We all know you do. Oh, Peter, tell me how you do

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it. I want to see a
head too. I'd love to know about

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the future. But I couldn't tell
you, Dear, you wouldn't understand.

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There aren't any words to make you
understand. You say, there aren't any

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words, because these things must come
to your mind and visions, Peter.

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And I think I could see them
too through your eyes. Oh, let

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me try. Look at me,
Peter, look at me very well.

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I'm looking looking, and I was
right. I can see. I see

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this room, this very room.
It blazes with magic lights, Peter.

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And there's your portrait on the wall. Then Reynolds did paint it, just

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as you said he did. Now
I see sunshine, white clouds, great

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birds, bigger than a hundred eagles, aeroplanes, machines of men, and

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below them, reaching to the sky, a very dream city. And oh,

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Peter, looked down on the ground. You're looking, Helen, into

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the great age of mechanism, trains, automobiles, factories, radio, an

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age of miracles and of great truths. That's the future, Helen. Peter,

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you know the future. Tell me
ours. I don't know our future,

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but I do know I love you. If ever a man loved a

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woman, I do love you.
I loved you before I ever saw you.

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In my first dream of you coming
with a candle from somewhere far away

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to meet me, Helen. I
can't lay a part anymore. I myself,

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you see, I'm myself and I'm
muddling everything up. This is impossible.

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This isn't my world of yours.
It isn't my life, and it

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isn't your life. Oh, Peter, take me away with you, take

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me back to where you came from. I can't, Helen, I can't.

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Then, don't leave me, Oh
Peter, don't leave me, Oh,

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my beloved. When I kissed Kate, that was the first Peter Standish

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kissing his betrothed. But there's never
been a kiss like this since the world.

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We can well, Kate, so
you've come back from bad lay.

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But let me tell you something.
You're Eater has asked for Helen's hand in

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marriage. What do you think of
that? Mother? You wouldn't let Helen

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marry him. You wouldn't do that. This marriage must not be don't very,

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my dear. I should see to
that. Well, Kate. I'm

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glad to see you again. Hello, Kate, dearest, mister Standish,

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when you came into this house,
although the door was shut and locked,

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did you come from America? Yes, we're all very curious about that.

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Mister Standish. What is the answer. The answer is yes, I do

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come from America. Oh really,
mister Standish, you use some very peculiar

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expressions at times, and I made
a note of them. You said they

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were expressions used in New York.
That's right. Indeed, well, on

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my way home, I stopped at
the legation in Grosvenor Square. Should not

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the American minister, mister Adams,
know what words are used in New York.

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Mister Adams as from Massachusetts, I
asked him. Nevertheless, he had

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never heard of one of them.
As a matter of fact, those expressions

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are not used in America, and
they're certainly not used in England. If

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they're used at all, the devils
use them in hell. It is true,

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Peter Standish came from New York and
the general wolf. You've taken possession

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of his body. What have you
done with him? Kate? I think

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this has gone quite far enough.
I think perhaps we should call your brother

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Tom to deal with this creature.
In the old days, he'd have been

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burned at a stake. Why not
Now You've still burned people, You've burned

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women accused of witchcraft. You should
be whipped for this. Ter, Yes,

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whipt people, if they're crazy,
flog them in public as you plug

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your half naked lunatics as bedlam,
with a crowd of your gaping Londoners looking

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on you. Savages. You forget
yourself. Ter your son Tom Madam.

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You're proud of him, aren't you. You think he's a gentleman, a

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typical English gentleman of the time.
Well he is, But what a time

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dirt, disease, cruelty smells you. Kate, you may be a fool,

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but you're the best of the lot. For you're trying, in your

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silly way to help Helen now.
But as for you, lady Anne,

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I've seen you in Sheridan's plays,
and I've read you and Jane Austen's novels.

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You know what you're want. Your
plow straight ahead over everything and through

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everything, like a tank lumbering through
the mud. You're like a tank.

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God, Francis Adams, what tank
means? No, No, it's not

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Charles Francis Adams. It's John Adams, second President of the United States.

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Charles Adams won't be born until a
civil war in eighteen sixty one. Peter,

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what's one more blunder amongst so many. You're Peter Standish came from New

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York to Plymouth in the general Wolf
this Peter Standish through from New York to

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Plymouth. Shall I make a few
more blunders for you? The Gibbett Kate.

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Shall I drive you to Budley in
my car at ninety miles an hour?

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You've seen from hell? Do I
care about you? You're all over

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and done with all of you.
You're dead, You've brought it away in

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your graves. You're all ghosts.
That's what you are. Ghosts. Do

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you're here, Gudham? Helen here? No? I was in love with

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the past. I was in love
with the past, my dearest, Oh,

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my dearest. I turned and there
was Helen, Helen born of the

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eighteenth century, all loveliness, all
grace, all beauty. And I caught

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her to me and rested my cheek
against her hair. Something inside me was

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weeping, for I knew I was
holding Helen for the last time. I

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thought that thought, Helen, Oh, Helen, you know, my dearest.

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Each night I've said he must go
back. But each morning we'd make

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some new plan together, and I'd
think, let me have just one more

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day. No, I've said I
would stay, and I will stay.

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I was a fool and a weakling
to talk like that. It won't happen

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again. I couldn't face my own
life without you. What life is this

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for you? Be brave, Peter, and listen my life, my London

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a nightmares to you. Oh,
don't be said. Just think. Out

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of all the millions of lovers since
time began, we too alone have been

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chosen for this miracle. And it
is a miracle. Oh. Think of

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what has been given us, not
of what is taken away. Nothing can

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be taken away. That we came
together as we did proves that we weren't

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meant to lose each other. Yes, yes, and we shall be together

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always, Peter, Not in my
time nor in yours, but in God's.

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Yes, darling, it must be
that way. But I have neither

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the will nor the strength to leave
you. Love will give you the strengths

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you of your life to live out
in the future. Peter, don't be

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too sad about a girl's being dead
to you so long and in my life,

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as I grow old, your youth
will seem to me eternal youth,

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for you will come, won't you
young? As I see you now to

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my grave and Saint Mark's churchyard,
and you find me, for I'll ask

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for a stone with the letters cut
deep, so they wrote there away before

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you come, Oh darling, darling, I love you now, I shall

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love you in my own time,
and then whatever time may come, then

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this is our parting. Peter,
goodbye, my dear, goodbye bye Darling.

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I left her and walked down the
corridor and for library. I was

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dazed, dazed and empty of everything
but sorrow. And there were my own

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00:23:52.799 --> 00:23:57.599
things about me again, twentieth century
things. There was a portrait on the

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wall. I felt weak and shaken
and bereft. I sat there by the

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fire all night. In the morning
I walked to Saint Mark's churchyard. When

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I returned, Marjorie was in the
library. Peter, Hello, Marjorie.

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Oh, Peter, you know me, you know me? Know you?

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00:24:21.039 --> 00:24:23.559
Why? Of course I know you
weak. You haven't recognized any of its,

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Peter. You've been very ill.
Ill. Yeah, yes, I

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have been ill. But you're all
right now you look yourself again. Oh,

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thank god, you're all right now, Marjorie. This something I must

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tell you. Yes, Peter,
I can't marry you. I'm very sorry,

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but I'm not in love with you
and it wouldn't be right. All

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right, Peter, if that's the
way you wanted, perhaps you'll change your

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mind. I hope you will.
What's that piece of paper you're holing.

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00:25:06.160 --> 00:25:10.599
It's an epitaph. I copied it
just now from a tombstone at Saint Mark's

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Churchyard, whose epithath is a girl
who died one hundred and forty years ago.

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Peace, you're crying? Who was
the girl? Peter? Speak to

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00:25:22.160 --> 00:25:37.880
me, please, Margerie, please
leave me alone. Very welcome. Here

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lies in the confident hope of the
blessed resurrection and life eternal. Helen Pettigrew

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00:25:44.799 --> 00:25:48.119
will Love, a younger daughter of
Sir William Pettigrew and Lady Anne Pettigrew,

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who departed this life June fifteenth,
seventeen eighty seven, aged twenty three years.

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My dear, I've seen your shadow
on the stairs. I've seen your

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00:26:04.839 --> 00:26:11.000
hand dressed on this desk. I've
seen you sitting by that window. You'll

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00:26:11.039 --> 00:26:15.079
always be close to me in this
house. You'll always be the living,

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beautiful soul of this house. And
I know that we shall be together,

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not in your time nor in mine, but in God's If miserable coals strike

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00:26:57.279 --> 00:27:02.880
your family, the thing to do
is to get busy right away with Vic's

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00:27:03.039 --> 00:27:07.240
vapor rub. This is the modern
way to relieve distress of coals that most

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00:27:07.319 --> 00:27:14.000
mothers now use because vapor rub starts
to work so quickly to clear the head,

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00:27:14.519 --> 00:27:18.759
ease the coughing, soothe the sore
throat, and the muscular soreness and

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00:27:18.880 --> 00:27:25.319
tightness. You just rub it on
and vapor rub penetrates penetrates into the cold

320
00:27:25.440 --> 00:27:32.079
congested upper bronchial tubes with its special
soothing medicinal vapors. At the same time,

321
00:27:32.640 --> 00:27:38.640
vapor rub stimulates stimulates chest and back
surfaces like a warming poultice. Vapor

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00:27:38.759 --> 00:27:45.079
rub keeps on working for hours to
bring welcome comfort and relief. It invites

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00:27:45.200 --> 00:27:48.920
RESTful sleep, and often by morning
most of the misery of the cold is

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00:27:49.039 --> 00:27:56.160
gone. Now be sure you get
vapor rub, because only vapor rub gives

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00:27:56.200 --> 00:28:03.880
you this special penetrating stimulating action to
leave distress of polls Vic's vapor Rob.

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00:28:07.759 --> 00:28:12.319
I am adventure. Next week come
with me to meet a man who accepted

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00:28:12.359 --> 00:28:18.519
a strange challenge and kept an exciting
rendezvous with destiny until next week. Then

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00:28:19.480 --> 00:28:33.039
I Am Dangerously Your Our script based
on the play Barkley Square, was written

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00:28:33.119 --> 00:28:38.039
by Gene Holloway and directed by Richard
Sandville. The role of Helen was played

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by Gertrude Warner. The music for
the series is under the direction of Mark

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00:28:42.160 --> 00:28:48.119
Warnow. Be sure and listen next
week to another exciting adventure starring Victor Jory

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00:28:48.720 --> 00:28:51.400
in Dangerously Yours