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We mark the festival of Christmas,
which is the most sacred and hopeful day

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in our civilization. For nearly two
thousand years, the message of Christmas,

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the message of peace and goodwill towards
all men, has been the guiding star

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of our endeavors. The spirit of
Christmas's measure by the love that each of

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us has in his heart for his
family, for his friends, for his

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fellow Americans, and for people all
over the world. It's the Ricochet Podcast.

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I'm James Lylyx and I'm here with
you. It's just the two of

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us rambling about Christmas. So let's
have ourselves as a verry little podcast,

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shall we. For many of us, Christmas is a deeply holy day.

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Welcome everybody. It's the Ricochet Podcast, number six hundred and seventy one.

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I'm James Lilyx and I'm joined by
No. One. First of all because

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I'm not falling apart, but secondly
because Peter and Rob are off doing holiday

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things and I thought, you know, we could just take a week off.

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But on the other hand, who
knows what you're doing making cookies,

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wrapping presents and tiding up the house
for the kids coming home from college.

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Any number of things, and you
want something to listen to us, why

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not give you a Ricochet podcast,
because otherwise, what are you gonna do.

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You know, you're gonna turn on
Spotify and hear the same Carrols over

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and over and over again, unless
it's your favorite one that you really want

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to hear. But we'll get to
that. I just have to say though,

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that in the history of podcasts,
this is probably one with the absolute

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shortest shelf life. I mean,
oh, you can go back to the

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two hundreds and three hundreds of Ricochet
and see what Peter and Rob and myself

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we're talking about some terribly important moment
in the Obama administration. I'm sure people

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want to resurrect that and I'll listen
to that, but probably not punditry.

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It's a very short shelf life unless
you get it right. I mean,

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if you get something really right,
you can dine off that. For an

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awful long time. There was a
guy named Chriswell. You may have heard

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of Criswell. Perhaps he was one
of those predictors, one of those guys

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who'd show up on La TV or
in the newspaper like Geene Dixon. You

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know how these people ever managed to
keep a job. I have no idea,

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because every week they would make a
series of predictions, but some of

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them would be vague enough in sort
of a blind item in a winch will

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call him. But they Griswell nailed
one and I can't remember what it was.

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He may have called JFK's Unfortunate Appointment
in Dallas. Whatever it was,

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his name was made for a while
and it's like, Criswell, maybe this

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guy really can predict the future.
Of course, nobody believed it, but

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it got on some publicity and it
earned him the opening spot in Edwood's Plan

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nine from Outer Space. That's right, Criswell is the guy at the desk

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telling us that we're going to be
very interested in the future because the future

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is where we will spend the rest
of our lives. Great ed would stop.

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So if your Criswell and you get
one right, then maybe your punditry

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will will last. But otherwise probably
not, especially if you're talking about Christmas,

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the most wonderful time of the year, the day we all look forward

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to. The whole month leads up
to it, and then there's just something

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about the twenty sixth. Of course, you really don't want to hear about

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Christmas anymore. I mean the message
of carrying through the whole year. Yes,

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yes, yes, I know that. But the day after maybe I'm

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just remembering as a kid, when
it just the world seems flat, the

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air had gone out of the tire, and all the decorations are still in

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the tree, and the house is
still bedecked for it, and you're still

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in that Christmas spirit. They may
be still playing some of the tunes on

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the radio. Maybe I don't know
for me. You know, Christmas night,

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the end of Christmas, when everything
beneath the tree is bare, and

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you've put the last wrapping paper into
the fireplace, stirred it with the poker,

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which, by the way, we
were informed when we were growing up

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you were not supposed to burn the
paper. Couldn't figure out why. Well,

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we like to burn the paper.
We had a fireplace which was used

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once a year at our little ranch
Rambler in Fargo, North Dakota, built

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in nineteen sixty two, turquoise siding, faked flags done out front. Loved

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that house, and we would burn
the paper. And we also had these

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little wax things that you would throw
in the fire and they would make the

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fire supposedly glow variety of colors.
So the Christmas fire was a very important

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thing. It was fun and you
could throw the paper in and we were

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told not to by the authorities for
two reasons. One that sparks might fly,

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the pieces of paper might float out
in a light on something flammable,

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and the next thing you know,
you're that family that's in the paper the

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next day standing outside their houses the
firemen try to put out the plaze.

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The other reason was, we were
told, was that the paper contained lead.

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No, well, everything contained lead
back then and didn't make it special,

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but I guess that was part of
the problem. You throw some of

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this fancy flocked paper in there,
and it's got leads and asbestos and chlor

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and the rest of it. The
next thing you know, you're gas in

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the family, you know, undoing
their DNA solidity for the next fifteen years.

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So we weren't supposed to do that. But to this day I like

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to burn the wrapping paper, except
for the stuff, of course my wife

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has set aside to be reused.
Now you may be like this, You

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may have a spouse who's like this. My mother was like this. My

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mother would watch you very carefully unwrapped
your presence, because you wanted to just

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rip them open, right, didn't
She just wanted to rip and tear and

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see what was inside there. But
you know that paper could be reused.

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My mother, who grew up in
a farm in the Depression, didn't grow

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up hungry, but nevertheless, you
know, she was frugal, so there

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would be boxes saved, there would
be wrapping paper that could be saved and

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ironed and clipped and used again.
So over the years I realized that Mom

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didn't want me to do that,
and I took the packages apart, very

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very carefully. So it's the end
of Christmas, the end of the twenty

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fifth and as I said, the
tree is denuded. All the packages beneath

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it are along with there. They've
been distributed throughout the house. There's still

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sort of remnant boxes here and there, and there's something playing in the radio,

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and the fire is dying down,
and you're thinking that it's been a

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good it's been a good Christmas,
you think, and it's odd that you

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have that feeling at the end of
Christmas Day. It's odd that you have

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that feeling after the guests have gone
and you've done that Minnesota thing where you

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stand at the door and talk forever. Is that what it's like when you

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are where you are something about my
culture. If people are going to go,

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they just don't go. First,
you move to the door, which

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is sort of a staging area where
the men fiddle with their hats and gloves

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and the women talk about whatever they
didn't get to talk about in the course

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of the dinner. And then maybe
perhaps if they're really into it, you

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move to the car and the father, the dad, the guy fires up

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the car, and then women continue
to have a conversation at the window,

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and if it's particularly cold, it
might last only five or ten minutes or

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so. It's all because gun.
At a moment of the twenty fifth at

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the dinner, when the men push
back from the table and slap their thighs

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and say, welp, that is
the sign that it's time to start to

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wind it down. Welp, And
that you know you got thirty minutes left

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before you're going to get out of
the house. You got to get the

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leftovers. They have to give you
the cookies, right, they have to

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find something to put the cookies in. And then of course you're the conversation

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with the door of the conversation at
the car, and eventually you get home

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and the person who's left at home
is standing there at the end and the

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twenty fifth looking at the tree without
the presence, and the fire dying down,

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and maybe hearing a Christmas carol drifting
from the Panasonic radio in the kitchen

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and the and thinking it's odd that
it all seems over, because this right

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here in the evening is when it
all began. Right, I mean,

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if the story goes Jesus was born
on the twenty fifth at night because it

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was dark and the shepherds are tending
their flocks by night, and there was

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a star and all the red,
that would be the twenty fifth, That

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would be the end. That would
be now Christmas night, when everything seems

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over, is when everything everything actually
began. But the dates, you know,

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we don't know. If you grow
up Lutheran, you may be convinced

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that Jesus was born on the twenty
fourth because we had a song called I

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am so glad He's each Christmas eve, I am I am so glad these

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Christmas the night of Jesus birth,
And I sang that over and over and

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over throughout my childhood without ever putting
two and two together. And wait,

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wait, wait a minute, here, hold on, I am so glad

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each Christmas Eve, the night of
Jesus Birth of twenty four, not twenty

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So what's tomorrow then? Exactly?
Maybe it happened in I don't know,

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twelve oh one, twelve oh two, do we know? We don't know

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anyway, the strange song to sing, but we had to sing it every

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single year at the one of two
Lutheran churches that I ended up going to.

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One was Elam. That was the
home church, the home base.

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That's where you went, that's where, that was your place. That was

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the one where when you were a
kid you went to Sunday school, you

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ran around on the church basement while
the adults after church had their weak Lutheran

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coffee translucent you could see right through
it. But man, you could drink

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gallons of that stuff. Or we
would go to Christmas at the farm church.

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Now, as I mentioned, my
mother grew up in a farm and

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my father grew up in the rural
area too, but they didn't have a

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farm. They worked for farms.
They got put to this house in that

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house, and this house and that
house because they were poor. But they

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all went to Maple Cheyenne, which
is this clapboard ancient church on the edge

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of the prairie beyond which it's just
stretches forever, and you have to know

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how to get there. The roads
to get there are absolutely straight, because

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when they laid everything out, they
laid out straight. That's it rectangular farmland,

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farmland, school, church land and
the rest of it. But there's

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one beautiful little curved road that takes
you to maple Cheyenne. When you get

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there, it is not an impressive
place. You walk inside and you look

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at the roof and you see that's
pressed tin that they got out of a

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Sears catalog. Well, they didn't
have a lot of money, the pioneers

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building this place, but eventually they
did. Eventually they could afford a stained

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glass window. Eventually one of the
stained glass windows was put in commemorating one

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of the early early members of the
church, my great great grandfather, who

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was notable for leaving the farm during
a snowstorm around the time of Christmas,

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getting lost. He's trying to bring
the cows in, couldn't find his way

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back to the house in the storm. They had to sleep inside a dead

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cow for the night Star Wars style, you know, when Luke did that

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great tale. Hardy people, hardy, hardy people. And so that church

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had a different aspect the El Lutheran
Church where we went, that was Fargoing,

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that was cosmopolitan, but out here
with the farmers. And I never

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knew which exactly when my dad preferred. My dad loved Christmas, he absolutely

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adored it. And yeah, he'd
rip up in his packages. He'd love

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to see what we could have,
because I said, he grew up poor

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and he loved to give his children
the fruits of his success. And he

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loved Christmas music. As a matter
of fact, I remember the twenty fifth

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when the tree is empty of presents
and the fire is dying out. That

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my father could frequently be found in
the kitchen with the tom and Jerry's listening

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to the last Christmas Carol because that
was the last time at which they really

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would seem to fit. And he
said once I wish they would play Christmas

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music all year long, and I
say, you know, Dad, no,

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then it would lose its power,
it would lose its strength, it's

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specialness, or would it don't know? It meant something to him. I

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know that when he you know,
when he was a kid, grown up

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in various impoverished situations. There wasn't
a phonograph they could crank up and play

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the bing Crosby and the old tunes. There was probably a radio, but

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I don't know how much Christmas music
they pulled in. They didn't have any

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instruments. Maybe one of his twelve
siblings could say something on a mouth harp

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or a guitar. I don't know. But one of the stories that my

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father told me about his first Christmas
away from North Dakota was when he was

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sixteen and he was in World War
Two and he was on a subchaser in

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the Caribbean. The Caribbean you never
think about that. You think the Pacific,

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you think the Atlantic. But no, he joins up at the age

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of fifteen to go fight because his
brother, his twin, had just died

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and he wanted to get out of
there. And so he was fifteen years

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old. He goes and he says, I'd like to sign up, and

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he brought his father to lie to
say, yeah, he's sixteen, yeap,

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he can go. And his father, as a matter of fact,

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signed up at the same time that
that my father did. Still in the

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Fargo Forum, Father and Son off
to war, isn't that great? Heroic?

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Ex said the father was something the
ne'er do well and was trying to

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get out of his twelve thirteen children
obligation. Scallywag never met him because he

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was divorced while he was away.
Scoundrel pity too, because he had a

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great last, great first name,
Sam. Would have loved to have a

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son named Sam, but nobody ever
had a son named Sam and the Ladlex

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family. Anyway, my dad goes
off to war, and he's in the

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Caribbean for his first Christmas away from
home, and it's hot and it's humid,

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and his job is to stand there
on the deck and look for fish.

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And by fish, I don't mean
aquatic creatures that leap out cartoon alike

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like mister Limpet. I mean the
little telltale ripple in the water that tells

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you that there's a torpedo coming it
away. That's Christmas. And after his

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shift was over, he stuck around
for a little while and played Christmas tunes

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on his harmonica to entertain everybody else, because, of course, you know,

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when you're leaving North Dakota to go
to war. You always think,

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well, I gotta pack my honor
marine band harmonica. So he did,

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and he stood there and played Silent
Night on Christmas in the Caribbean as the

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young men watched the water for the
signs that a torpedo was coming to kill

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them all. But the good news
is when he finally saw one, he

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could get the message to the bridge
in time. But that was after Christmas.

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Maybe that was the twenty sixth,
the twenty seven I have no such

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tales like that tell because I grew
up in a land that my father at

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the time, that my father and
their generation built. Lucky me. What

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I do have here, however,
is a question for you, and it's

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this now Christmas music. Will all
be tired of it in a little bit,

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right, But for now, I
don't know about you. I put

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it off. I try not to
listen to any Christmas music whatsoever. As

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the years go by, you find
two things happen. Three things. Maybe

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I just made that up. Better
come up with three. The first is

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I have absolutely no tolerance whatsoever for
modern Christmas music of any kind. It

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is absolutely empirically true that we live
in an era of meritricious pop music where

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virtually nothing that is being made today
is authentic. It is created by robots,

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It is auto tuned, it is
hammered together by the cynical and the

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base heavy and the a musical and
the rest of it. And I just

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don't like it, No, sir, don't like it, not for me.

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But I'm correct. I mean it's
we all know that as you get

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old, you just don't like modern
music anymore. But we're lucky in that

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modern music is, as I said, demonstrably empirically insuperior to that of our

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youth. It's a fact. So
I don't like modern Christmas music, but

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I don't even like the modern Christmas
music of my youth. Jingle Bell rock

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is an utterly inate song. Rocking
around the Christmas tree. I say this

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every year, rock around a Christmas
tree. I don't know how you do

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that. If it's in the corner, it's a tight squeeze. I don't

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even know what rocking exactly is.
It's just one of the little novelty songs

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that they did and has stuck with
us forever. That thing had a shelf

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life of about two years tops.
But no, we got to listen to

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this boomer stuff forever three. I
have a particular affection, as do boomers

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of my generation, for burl Ives, probably a comie who sang a couple

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of Christmas songs, and every time
I hear them just take me absolutely back

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to the age of eight, eight, nine ten. Why because of Rudolph.

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Because of Rudolph, right, I
think I'm pretty sure of this.

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Owen Bradley was the guy who was
behind that burl Ives Christmas music album,

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Holly Jolly and the connection between Holly, Johnny Christmas and Rudolph. We all

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know, we all grew up with
it. We all couldn't wait. It

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was one of the things with Charlie
Brown and Grench that absolutely made Christmas for

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us. But there was something special
about the Rudolph one because it had peril

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and had a story in it,
and the older thing. I get that

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I listen to it. All of
the songs and the Rudolph special are fantastic.

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They're all great Johnny Mooks, I
think. But from a modern perspective,

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it is a bit of a strange
show, is it not. For

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one thing, Santa Claus is an
absolute tiresome pill. When we first meet

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it, he's cranky. It really
doesn't want to do this. The elves

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have been practicing this show for god
knows how long, and they put it

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on for him and missus Claus gets
him together and he sits there and he

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rolls his eyes and he's tired.
He's obviously tired. He doesn't want to

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see this sort of thing. So
he's a bad boss. And then when

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he goes to see Rudolph, who's
just been born, and he walks into

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this cave where the reindeer parents are
staying. The cave is absolutely undecorated,

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so you get the sense that he's
not paying these guys anything. There's no

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lamps, there's no pictures. He's
just bare cave with his kid bouncing around

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it. And what a Santa do? He sings a song about himself,

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I am old Chris Kringle, which
you know, she's just given birth,

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she's got a new kid, and
he shows up and he starts singing about

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himself. That's the kind of guy
Sanny is in the Rudolph special. And

264
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also this about the Rudolph thing is
that that was stop motion right, well,

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there was another stop motion add that
they would put in that and it

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was an electric shaver, Nerelko,
I believe, which had a stop motion

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Santa who was writing a Neurelko razor
around the snow, and it seemed as

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if this was part of the sand
part of the Rudolph verse, if you

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will. We loved it when there
were commercial tie ins to Christmas because it

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was you know, wow, the
commercials are getting the Christmas spirit as well.

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Well. I mean this being Ricochet, it's being a good capitalists.

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00:18:41.920 --> 00:18:45.759
We have commercials for you here too. And I want to tell you something

273
00:18:45.799 --> 00:18:48.920
here that may not you know,
it's not going to show up in time

274
00:18:48.920 --> 00:18:51.319
for Christmas, but it's going to
show up in time to make somebody's day

275
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absolutely fantastic. I am at this
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276
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tell you about. It's Ron.
Ron's are h n by the way clothing

277
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and the clothing is kept wear in
the closet and men's closets. I they

278
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can be kind of sad. Yeah, they either do. For a radical

279
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280
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286
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293
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294
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297
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298
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have. I love them. They
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299
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a short guy right five to four, about one hundred and thirty. I

300
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never find pants off the rack that
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301
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get online, it never fits me. The Roan I gave them my measurements,

302
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it shows up. They fit like
nothing I've ever had before. So

303
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that's you know. I'm not a
cup. I'm not going to do a

304
00:20:42.279 --> 00:20:47.240
lot of desserts this year because I
don't want to grow out of my roanes.

305
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But if I do, I suppose
I could just call them up and

306
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307
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313
00:21:18.160 --> 00:21:21.359
back to the Rudoff thing that I
was telling you about. The Other thing

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00:21:21.359 --> 00:21:26.119
that we can never figure out when
we were a kid was why Yukon Cornelius

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00:21:26.599 --> 00:21:30.079
would lick the end of his pick. He would throw the thing up in

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00:21:30.119 --> 00:21:32.759
the air and it would land down
and he lick it and he'd say nuts

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00:21:33.039 --> 00:21:40.039
something like that. It's because deleted
portion of that thing was that Cornelius was

318
00:21:40.079 --> 00:21:42.799
a peppermint miner. He was looking
for a rich vein of peppermint, and

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00:21:42.839 --> 00:21:47.079
that's why he would lick the end
of the end of his pike, his

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00:21:47.119 --> 00:21:52.279
stick, his pickaxe to see his
ice axe whatever killed Tronsky, to see

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whether or not that he'd struck my
rain. But it had the horrible,

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00:21:56.759 --> 00:22:00.200
horrible moment. Rudolph is going off
by himself to fight the abominable Snowman,

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and we think he's gonna die,
but he doesn't. He gets back and

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reunited with all those sixties archetypes.
You know, the guy who looked like

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00:22:08.160 --> 00:22:11.599
mel from Dick van Dyke showed you
know round he had big black glasses,

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and Hermy the little gay dentist,
and the rest of it. It's wonderful.

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So when the Owen Bradley holly jolly
music, burl ive stuff comes on,

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00:22:18.880 --> 00:22:23.559
that to me is that's good Christmas
music. But then there's the old

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00:22:23.599 --> 00:22:29.200
stuff that preceded me, the old
pompular tunes. Not really too much into

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the high Luckamucky whatever Christmas whatever that
is. But you know white Christmas,

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of course you love it. The
great songs are the sixties. Silver Bells

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00:22:37.680 --> 00:22:45.519
is not a particularly lyrically brilliant song, but it has the wonderful recollected memory

333
00:22:45.559 --> 00:22:51.599
of somebody who's not seeing this happen, but remembering shoppers were bustling. I

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00:22:51.640 --> 00:22:56.039
Will be Home for Christmas is a
song that occasionally can unstring your bow utterly.

335
00:22:56.599 --> 00:23:02.000
It did to me. I was
sitting in a bar. I know

336
00:23:02.039 --> 00:23:03.480
that sounds bad in Washington, d
C. While it was in the bottom

337
00:23:03.480 --> 00:23:06.680
of my building a two thousand and
ten where I worked. It was an

338
00:23:06.720 --> 00:23:10.319
Italian restaurant, but they had a
bar, and it was right before Christmas,

339
00:23:10.359 --> 00:23:12.039
and I wasn't going home for Christmas
that year, and it was the

340
00:23:12.039 --> 00:23:15.680
first time i'd actually that song was
playing it the first time I'd listened to

341
00:23:15.720 --> 00:23:21.279
those lyrics. I'll be Home for
Christmas, if only in my dreams the

342
00:23:21.359 --> 00:23:23.319
first time it struck me, you
know, if only in my dreams,

343
00:23:23.319 --> 00:23:27.119
because previously, of course I'll be
home for Christmas. Why wouldn't I be

344
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home for Christmas? Bargo was just
up the road on I ninety four.

345
00:23:33.400 --> 00:23:36.720
What are the chances that are going
to close down the freeway? Well,

346
00:23:36.759 --> 00:23:41.519
it happens sometimes the snow is so
heavy and so thick that they will close

347
00:23:41.599 --> 00:23:45.799
the entrance ramps to I ninety four. But what if you're already on the

348
00:23:45.880 --> 00:23:51.440
highway, You have to keep going. What if it's night Well, you

349
00:23:51.480 --> 00:23:55.079
turn on your brights and you follow
the ruts of the cars that came before

350
00:23:55.160 --> 00:23:59.599
you to get home. What if
it's snowing a lot? You follow the

351
00:23:59.640 --> 00:24:04.319
ruts best as you can, and
eventually you hope, using your high beams,

352
00:24:04.480 --> 00:24:08.519
picking out the reflective markers in the
side of the road, this obscure

353
00:24:08.599 --> 00:24:11.720
path which you no longer see,
which in the summertime is bone dry,

354
00:24:11.799 --> 00:24:17.559
and you take it seventy five miles
an hour, absolutely zipping on your way

355
00:24:17.559 --> 00:24:18.880
to Fargo to home at the end
of it, which you know has got

356
00:24:18.880 --> 00:24:22.400
to be there, it always is. Why wouldn't it be it's always home

357
00:24:22.440 --> 00:24:29.039
at this point, your hands and
knees on the freeway, trusting that home

358
00:24:29.079 --> 00:24:33.880
will be at the end of the
road. Then it is until it isn't.

359
00:24:36.519 --> 00:24:40.480
My mother died, my father died, and there is no house.

360
00:24:40.519 --> 00:24:45.039
There is no home for me to
go to in Fargo anymore. And that's

361
00:24:45.079 --> 00:24:49.039
okay. I've been in Minneapolis since
nineteen seventy six, except for a brief

362
00:24:49.359 --> 00:24:53.400
tour of duty in Washington, DC. And home is now where my daughter

363
00:24:53.559 --> 00:24:57.039
comes to be. That's the karma
of it all, isn't it. I

364
00:24:57.079 --> 00:25:00.599
mean here, growing up in Fargner
at the my parents were convinced that that

365
00:25:00.759 --> 00:25:03.160
was the place to be. And
why did I have to go to Minneapolis?

366
00:25:03.440 --> 00:25:07.720
What was in that big What was
in that place really that Fargo didn't

367
00:25:07.759 --> 00:25:10.960
have. Oh, they had colleges. If Fargar Moore had had three colleges,

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and I'd say, way, Minneapolis
is a big downtown. Fargo has

369
00:25:14.160 --> 00:25:15.240
a big downtown. Well, it's
kind of dying at the time, But

370
00:25:15.640 --> 00:25:18.920
anyway, of course I had to
go off to the big city. I

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had to go off to the Emerald
city and make my way. And I

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00:25:22.799 --> 00:25:26.319
was repaidkarmically many years later. When
my daughter did the exact same thing upon

373
00:25:26.359 --> 00:25:30.200
graduating from high school. It is
that she had to go off to the

374
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big city and do what she had
to do, which was Boston in her

375
00:25:33.240 --> 00:25:34.640
case. And I would say,
why can't you stay here? We have

376
00:25:34.759 --> 00:25:38.880
got a big city, We've got
perfectly good colleges. But no, she

377
00:25:38.960 --> 00:25:41.319
went, and I'm glad she did
because it was good for me and it

378
00:25:41.359 --> 00:25:45.839
was good for her and was absolutely
necessary. And now it's all being replayed

379
00:25:45.839 --> 00:25:53.319
where she comes home to Minneapolis,
to the house, to her room.

380
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All of us remember going home for
Christmas after being away. Right, there's

381
00:26:00.279 --> 00:26:03.720
a wait, there is, and
I mean w E, I g h

382
00:26:03.839 --> 00:26:06.880
T there is. There's a lightness
to it. That's joy that you're coming

383
00:26:06.920 --> 00:26:11.960
home, the traditions. You're getting
right back into the old groove that you

384
00:26:11.039 --> 00:26:15.640
remember. Swedish meatballs and Christmas Eve
we have to have that at the four

385
00:26:15.640 --> 00:26:18.400
o'clock handle light service, we have
to have that at some point familiarly.

386
00:26:18.480 --> 00:26:22.880
We made the shift from Christmas Eve
opening to Christmas Day opening. I'm not

387
00:26:22.920 --> 00:26:26.519
sure why I liked it better that
way. We're always a Christmas Eve family,

388
00:26:26.559 --> 00:26:30.680
but when I made the change,
it made Christmas day even better,

389
00:26:33.599 --> 00:26:38.880
stalking the stuffing. You know,
I still stock my daughter's stuffing. I'm

390
00:26:38.920 --> 00:26:45.440
sorry stuff my daughter's stalking spoon rized
it there at one o'clock in the morning

391
00:26:45.440 --> 00:26:48.559
after she's gone to bed, And
I still put on the cookies and hope

392
00:26:48.559 --> 00:26:49.519
the dog doesn't get them. Still
do all of these things. So when

393
00:26:49.559 --> 00:26:53.240
you come home for Christmas after being
away for an awful long time, there's

394
00:26:53.400 --> 00:26:57.720
the familiarity of all the things that
you do. There's the songs that everybody

395
00:26:57.880 --> 00:27:03.279
played. I insist on playing the
Good Year nineteen sixty four in nineteen sixty

396
00:27:03.319 --> 00:27:07.519
five albums because they are the finest
examples of Christmas music ever wrought by the

397
00:27:07.519 --> 00:27:12.039
hand of man with the inspiration of
God. None better. I mean,

398
00:27:12.079 --> 00:27:18.680
you've got okay, you got Maurice
Chevalier, Joliel Saint Nikolaos is kind of

399
00:27:18.720 --> 00:27:26.480
funny. You got Edie Gormey and
Ted what's his name singing sleigh Ride.

400
00:27:27.440 --> 00:27:33.599
You have Adam Maria Alberghetti singing.
You have Andre Pustolato's playing this version of

401
00:27:33.680 --> 00:27:37.720
We Three Kings, which is just
to this moment, to this day,

402
00:27:37.799 --> 00:27:41.839
the recollection of it practically cracks me
up and brings me tears. So I

403
00:27:41.920 --> 00:27:45.680
will play those things so and my
daughter will hear them again having not heard

404
00:27:45.720 --> 00:27:48.920
them for a year, because she
hasn't been home for a year. So

405
00:27:48.440 --> 00:27:52.440
everything on the tree will be familiar, the ornaments. There's a story behind

406
00:27:52.480 --> 00:27:56.119
every one of them. I can
tell you we got this one at disney

407
00:27:56.160 --> 00:27:57.720
World. I can tell you got
that one at Macy's in nineteen ninety one.

408
00:27:57.759 --> 00:28:00.759
I can tell you I got that
one at Element's store in Minneapolis in

409
00:28:00.799 --> 00:28:03.799
eighty six. I used to hang
it on my door when your mom,

410
00:28:03.920 --> 00:28:08.240
when my wife, when she first
came to my room, my apartment for

411
00:28:08.319 --> 00:28:11.920
Christmas, that was hanging on the
door, that little plastic, cheap thing.

412
00:28:11.000 --> 00:28:14.279
That's why I kept it here.
This little bear, I got this

413
00:28:14.400 --> 00:28:17.240
for opening up a Macy's cart.
It's got a little guy go dive a

414
00:28:17.319 --> 00:28:18.599
box that he's holding. There may
be a chocolate in there, we don't

415
00:28:18.599 --> 00:28:22.400
know. It's about thirty five years
old. This one right here, that's

416
00:28:22.440 --> 00:28:25.880
a Coca Cola one. Used to
be you pull that thing back and the

417
00:28:26.000 --> 00:28:27.799
mouse would stand up. But it
broke, but it's still on there.

418
00:28:27.880 --> 00:28:33.200
This right here, child, for
shame to tell you is I'm not ashamed.

419
00:28:33.519 --> 00:28:36.400
I'm proud is one that you made
when you were for and I know

420
00:28:36.440 --> 00:28:37.920
you're embarrassed by it now, but
you shouldn't because it's beautiful. And my

421
00:28:38.119 --> 00:28:41.839
mother, until the day she died, hung on the Christmas tree a drum

422
00:28:41.920 --> 00:28:47.880
that I made from a toilet paper
tube that had two little Q tips as

423
00:28:47.960 --> 00:28:51.319
drums on it, because drums and
Christmas natural connection. So my mom never

424
00:28:51.359 --> 00:28:53.079
threw that away. I never threw
that away from you. All these things

425
00:28:53.160 --> 00:28:56.400
abide and collect, and when you
come home, you see all the things

426
00:28:56.440 --> 00:29:00.200
you haven't thought about for a year
and you're back and it's great. It's

427
00:29:00.240 --> 00:29:06.960
a connection and your heart swells.
But there's also a weight a w I

428
00:29:07.079 --> 00:29:14.839
j ht to it because your parents
are older, a lot older sometimes and

429
00:29:14.960 --> 00:29:17.160
you think that the host hasn't changed
at all. You look around and you

430
00:29:17.240 --> 00:29:22.000
say, these people done anything here, This chair moved since I've been gone.

431
00:29:22.440 --> 00:29:25.000
That picture is the same to that
picture was there when I was when

432
00:29:25.000 --> 00:29:27.559
I was in kindergarten. And then
you go up to your room, which

433
00:29:27.640 --> 00:29:34.200
is this this memorial to who you
used to be. There's books that you

434
00:29:34.319 --> 00:29:38.000
had in high school. God can't
believe the taste you had there's a picture

435
00:29:38.039 --> 00:29:41.279
that you drew. Oh, you're
so much better now. There's a bulletin

436
00:29:41.319 --> 00:29:47.319
board and all the pictures and the
postcards and all these things from previous pursuits.

437
00:29:47.359 --> 00:29:52.920
Oh gosh, postcard from Japan.
Can't even remember if I know any

438
00:29:52.000 --> 00:29:56.400
Japanese anymore. And there's this sense
that your life was sort of freeze dried

439
00:29:56.519 --> 00:30:02.640
and put on display in this room. And you sit down at your desk

440
00:30:02.759 --> 00:30:07.720
that you're sat at for your entire
life, and you open up your computer,

441
00:30:07.519 --> 00:30:11.519
and of course the computer screen is
a window to the world that you

442
00:30:11.640 --> 00:30:15.559
occupy. Now you can escape through
it if you want to, but you're

443
00:30:15.599 --> 00:30:18.799
surrounded by where you used to be, and you know you're going to eventually

444
00:30:18.880 --> 00:30:25.039
come here and you're going to have
to empty everything out. And that's the

445
00:30:25.160 --> 00:30:29.119
weight. But it's not now,
and it's not next year, not a

446
00:30:29.240 --> 00:30:32.039
year after that, we hope.
No, it's Christmas. No, it

447
00:30:32.160 --> 00:30:37.079
is Christmas. That's right. It
is Christmas, which is why hand on

448
00:30:37.160 --> 00:30:41.799
the door. It is a little
Santa Claus thing. I can't remember where

449
00:30:41.799 --> 00:30:45.279
I bought this years ago, but
I made a sort of vow to myself,

450
00:30:47.119 --> 00:30:48.839
I'm gonna get out the decorations.
I'm going to hang this on her

451
00:30:49.079 --> 00:30:53.200
door, and that will be the
symbol that Christmas has begun. And so

452
00:30:53.319 --> 00:30:56.759
every year I get that out and
I hang it on her door, even

453
00:30:56.799 --> 00:31:04.319
though she isn't there yet, but
she will be tonight. So that's where

454
00:31:04.319 --> 00:31:07.440
I am right. And did I
have a third point about Christmas music?

455
00:31:07.400 --> 00:31:11.960
Yeah? I think I did.
It was another song. It wasn't will

456
00:31:11.000 --> 00:31:15.200
be Home for Christmas, I'll be
home for Christmas. It wasn't in the

457
00:31:15.279 --> 00:31:18.400
Bleak Midwinter, which they played the
other day, thinking that's a Christmas song.

458
00:31:18.759 --> 00:31:22.200
Huh, please bleak Midwinter around here, that's about the third week of

459
00:31:22.279 --> 00:31:26.599
January. I got your Bleak Midwinter. No, I think it was have

460
00:31:26.720 --> 00:31:32.720
Yourself a Merry Little Christmas, which
is a very adult tune. Works well

461
00:31:32.799 --> 00:31:37.240
with small jazz ensembles, works well
with a cello and a small and a

462
00:31:37.319 --> 00:31:42.319
flute, and it has that great
yearning moment, which is, like all

463
00:31:42.519 --> 00:31:47.680
great Christmas music, touched with an
element of melancholy. Right. I mean,

464
00:31:47.720 --> 00:31:51.160
you can't tell me that Carol of
the Bells doesn't have some melancholy too

465
00:31:51.160 --> 00:31:52.480
it even though it's a very vigorous
song and it is by the way a

466
00:31:52.640 --> 00:31:56.519
Ukrainian carol. Carol of the Bells
is a Ukrainian folk song. It's about

467
00:31:56.519 --> 00:32:01.400
a bird that flies into the room, but it have your but have yourself

468
00:32:01.440 --> 00:32:07.680
a merry little Christmas. We will
muddle through until next year. Nineteen forty

469
00:32:07.759 --> 00:32:10.440
four was when that song came out. Next year, we may all be

470
00:32:10.559 --> 00:32:15.160
together, nineteen forty four. They're
thinking nineteen forty five, it'll be over

471
00:32:15.279 --> 00:32:22.079
and everybody will be home nineteen forty
five. As it happens, my father

472
00:32:22.240 --> 00:32:27.160
did make it home from his long
and perilous time in the Caribbean and then

473
00:32:27.400 --> 00:32:30.599
in the in the Pacific. You
know, he traded ships with the guy

474
00:32:30.720 --> 00:32:36.200
they could do. That guy wanted
to swap assignments, so my dad went

475
00:32:37.279 --> 00:32:42.680
to the Block Island and the other
guy went to the Indianapolis. My dad

476
00:32:42.759 --> 00:32:47.960
was supposed to be on the Indianapolis, but it wasn't. So he got

477
00:32:49.000 --> 00:32:53.160
home and they had themselves a merry
little Christmas. And when I hear that

478
00:32:53.279 --> 00:32:59.240
song play, I think that that's
all I really want out of it,

479
00:33:00.000 --> 00:33:04.440
A big one anymore. No people
will be over. It'll be fine.

480
00:33:04.440 --> 00:33:07.599
We're gonna have a great meal and
give a gifts. That'll be fine,

481
00:33:08.359 --> 00:33:15.079
but I just want a merry little
Christmas. It it's not hard to have

482
00:33:15.200 --> 00:33:19.559
a merry little Christmas. Even if
you're by yourself on Christmas Day eating at

483
00:33:19.599 --> 00:33:23.480
Salisbury Steak Lean Cuisine, which I
have done for reasons. It's still Christmas,

484
00:33:23.599 --> 00:33:28.400
and there's still something in the season
and the meaning and the history and

485
00:33:28.480 --> 00:33:30.759
the memories to find and enkindle in
your heart. So I am going to

486
00:33:30.880 --> 00:33:36.160
have a merry little Christmas, and
I expect you to do the same.

487
00:33:36.359 --> 00:33:39.039
If you wish, if you celebrate, if you want, if nothing else,

488
00:33:39.279 --> 00:33:45.359
find your favorite song, listen,
recollect, remember, smile and well

489
00:33:45.400 --> 00:33:51.359
it's Ricochet. So we will muddle
through, will we not. And at

490
00:33:51.400 --> 00:33:54.480
this time next year, I hope
we will all be together as well,

491
00:33:54.920 --> 00:33:59.839
with Peter and Rod should they show
up. Thank you for being a member,

492
00:34:00.400 --> 00:34:02.559
Thank you for listening. This has
been the Ricochet Podcast. I'm James

493
00:34:02.599 --> 00:34:29.000
Lilacs. Merry Christmas, Ricochet.
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