You're listening to the Paranormal UK Radio Network, the best in paranormal talk radio
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the Paranormal UK Radio Network. What was it? Science didn't know, but
dedicated scientists were willing to risk their lives to find out. But here,
here we have a clue to an answer. You're listening to Paranormal Dimensions with
David Young, part of the Paranormal UK Radio Network, the UK's biggest Visit
us for a new episodes fortnightly on Mondays. For now, let's start today's
show. Hello and welcome to show number two hundred to the Paranormal Dimensions.
I'm David Young, two hundred shows. Well, okay, first of all,
I must apologize. This show was supposed to have gone out last week.
Unfortunately I came down with a nasty cold bug and I was sort of
laid up for a couple for quite a few days. So that's why we're
running like for this show, So for a week late, for this show,
this special number two hundred show. I've got a fantastic guest and she's
been on the show a couple of times. Before, and she's always welcome.
Her name is Maria, and she'll be telling us about the new discoveries
of Stonehenge and much about its secret history, and no doubt we'll go off
elsewhere as well, So it's coming up in a moment now. I was
supposed to have attended the Parent Meet South as well this weekend or this last
weekend. Unfortunately, because I wasn't well, I couldn't make it, so
I was hoping to report from that, so that didn't work out. So
I'm waiting now for and I think that's called param Meat Midlands or thereabouts.
I think that's right at the end of June. So hopefully I will make
that one and I will report back on that one. It was quite disappointed
because I've been looking forward to it for months, but that's the way it
goes. Anyway, back to this show and show number two hundred with my
special guest, that lovely Maria Wheeley. Hello, Maria, welcome back.
Hi David, thank you for having me back. It's a pleasure. No,
it's my pleasure, and this is show number two hundred that you're appearing
on. I feel privileged, my privileged to have you back on I mean,
you're one of my favorite guests actually, so this is your this is
your third appearance, so I want you to have a special guest on the
show number two hundred. On show number one hundred, I had Andrew Collins
on Believe It or Not. That's nice, how lovely? So that was
one hundred shows ago that it's amazing that that had the time was gone.
You know, it's amazing. But the last time you were on the show,
I know you were talking about this book that you've just got coming out.
It's just it's just coming out, I believe now. Yeah. Yeah,
it's been out since January, so it's it's doing very well and it's
had a lot of excellent feedback. I've even had some archaeologists saying, you
know, we they're not going to openly admit their agree with me, but
they like that I'm challenging them, morbel So, I'm really thrilled to have
a lot of support from not only just people that really have supported me from
a long time, but from other people besides. It's been wonderful. It
is. The book is called The Secret History of Stone enge new discoveries that
we don't know now. Oh yeah, So what are these new discoveries that
we actually don't know well? For instance, just to name a few,
For example, with my legacy downs in archive that I inherited from my late
father who he inherited it going back way to eighteen ninety nine. There were
some reports by a creator of Stonehenge from the nineteen forties to the nineteen fifties,
well early nineteen sixties as well, and he noticed a few things about
Stonehenge during excavations and spoke out about them. For instance, one Richard Atkinson
states that the Hengebank, that's a bank that's around Stonehenge that was originally about
six to eight feet tall, creating a very secret in an arena. We
see Stonehenge today as being open, but previously in the past it would have
been concealed within a six foot chalk bank wall. Atkinson said to the British
people that it was just chalk rubble, and the creator said, no,
it wasn't. It was almost cut out laser like so that the Henge Bank
formed like a pudding bowl, going right the way down to the base of
Stonehenge and coming back up again. What sort of technology was used to cut
out eight hundred feet and six foot chalk wall. So he challenged what was
being said at the time, and I'm just saying, I've got an eyewitness.
I've got an eyewitness at the deck and this is what he said.
Very interesting, and see the others. Sorry, Dave, Sorry, I
was just going to say, I don't know how much you can tell us
that you don't want to give too much away because you want people to the
book. It was four hundred pages, so I can give a lot away.
But it's always good to read it anyway, even after you've listened to
such as as hell, oh absolutely, I go. I discovered, for
instance, we're in the book all of the shaman and the shade women around
Stonehengs that has never before been documented. More than that, I discovered all
of the shield maidens, female warriors, and again that's being acknowledged by archaeologists.
And I discovered the high priest and high priestesses as well. So that's
just one chapter alone, so I really cover a lot. And then I
go on to take John Burke's work on agriculture to a new level by looking
at how we can enhance crop yields by planting within a template that I believe
the ancients used in the Bronze Age that integrate Earth energy. So the book
does cover an awful lot and many other sites besides Stonehenge, but the focus
is on Stonehenge. So these the grid lines, we've got this thing coming
up soon are the eclipse? Do you think that's going to affect the earth
greeds at all? Absolutely? I was with Hamish Miller, a top master
dowser, in nineteen ninety nine doing some of the fore running pioneering work on
Earth energies. During the total eclipse and many other eclipses since nineteen ninety nine,
what happens, and what we all noticed as master dowsers at the time
of an eclipse is that the earth energies go really quiet, almost so you
cannot even douse them, and then they reboot and that's very very powerful.
So little wonder that Stonehenge Phase one was an eclipse predicted monuments. It would
predict eclipses, as was noticed in the nineteen sixties for instance. So at
the time of Niclipse, earth energy has become very still, just like the
wildlife, everything becomes a little bit still. Not only have I noticed that
Hamish Miller and other master douncers continually since nineteen ninety nine. But Richard Hoagland,
he's like yourself, David a radio show hosts and has been on coast
to coast numerous times. He's also measured the energy fields around places like Stonehenge
at the eclipse. He claims that they are torsion fields and he noticed exactly
the same as me. They get quieter and quieter and quieter. So even
equipment can register what the effects are on gridlines, lays and earth energies.
But some grits, such as the Curry net, which was discovered by doctor
Manfred Curry in the nineteen fifties. And if you imagine the Earth being surrounded
by a net a bit like a fishing net all the way around the globe
that's parted by about three point five meters between each square grid a fishnet across
the planet, then they actually become more toxic at the time of an eclipse.
So not everything is quiet. Some grids, especially geopathic stress toxic grids,
can become more jarred and powerful. Yeah, I mean people listening out
there. I mean I think some people may not. I don't fully understand
it. The idea of grids across the planet if they're natural or supernatural walk,
No, they're very very natural. For instance, Dr Manford Curry,
as I mentioned in the nineteen fifties, discovered that the Earth is covered by
a grid system that is three point five meters apart of like each square,
each each grid line that's going northeast to south southeast and so on. So
it forms this kind of grid system, and he realized that if you're on
that grid system, it can conjeal your blood. He was a physician,
he was a doctor, and so he really looked into that particular grid system,
and that's the most researched grid system. So it's quite easy to visualize
if you just imagine a fish net over the planet, and that is quite
toxic. It's not a particularly good grid. I mean, do you think
that all planets are that or was it just ls? Oh, well,
that's a conjecture. But I would imagine that what doctor Manford carry and other
master dowsers suggests is that the Curry net is generated from within the Earth itself
through the kind of rotation as well of the Earth. All of this combines
to produce that net. But there is another net that is called the Hartman
grid that was discovered by dot to Ernest Hartman again in the nineteen fifties,
very much a pioneer and era or dowsing with physicians and doctors. He claimed
that particular grid was generated in the ionosphere and comes down to Earth. So
we have to look at different grids doing different things. So if a planet
is similar to Earth and can generate malten magma in the middle that throws out
a magnetic field, then yes it would have a grid system. If it
has an ionosphere, then yes it would have what's called a similar grid to
the Heartman grid. And the Heartman grid as well is quite benign. But
when it's times of earthquake or you know, vast activity upon Earth, pinos
erupting, et cetera, then the Heartman grid likewise can become jarred. But
at most time it is classified as benign. Now I always have a proper
and with did the ancients actually know about these grids and how did they know
about them? Well, they knew about more than just those grids. As
German Master Dowser's a test. I think they recognized that certain animals are attracted
particular grid systems, certain plants are attracted to particular grid systems, and just
by observing nature and nature alone, you can start to see grid systems with
the geomancas I. I believe as well that if you look to cave systems
going back to six thousand BC and Africa, according to Si LongRun, a
master dowser, he claims that there was a lesson in dows in being depicted
in a particular cave painting. So perhaps, if indeed that is true,
we can say it goes back a long way. Certainly when we look at
how the stones are laid out at Stonehenge, they are all related to different
types of earth energy. And the unique thing about Stone Henge, akin to
the Great Pyramid on the Gizer Plateau in Egypt, is that it's a point
where earth energies emerge. It's called an emergence point, and it's where they
come out of the ground cobra like and then flow. They're closer to the
surface, and that's been noticed by master dowsers for or nearly eighty years or
so. Now they're very powerful points. So it's not just gridlines, it's
not just laid We look for earth energies, earth currents, deep aquifers,
fisher systems, all of these combined to create a geodetic power center, and
that's what the ancients were looking for. They were looking for numerous different types
of earth energy. And if we do a blueprint at Stonehenge and we just
look at all of the earth energy, it's nothing besides no stones, no
hingebank, nothing, Then that exact blueprint is where all of the avenues went
and all of the stones were designed to set upon. I've got one of
the original surveys of Stonehengs by Master Dowser. I've taken out what's called remnants
line, and that was a mistake made by Dowses in the nineteen fifties.
Basically, it's where people walk and leave behind a remnants trail, a kind
of track of where they went. And if you keep walking a path,
keep walking a path, then you'll be able to get a dows in reaction.
Take that away. The blueprint matches Stonehenge, and that's quite unique.
And what I discovered by looking at that blueprint was that there were more than
one avenue. I go into Stonehengs, we only see one, for example,
but there was another one mirroring where the original one goes, and one
in the south as well, because Stonehenge has got two entrances, one in
the northeast at the Hengebank and one in the south, and I believe both
of them were associated with different avenues. So dowsing allow us to see a
monument in its pristine condition and what the ancients wanted us to literally decode in
the future. Well, I actually know that you're as we're recording, is
this today? You're doing a zoom presentation tomorrow night. Actually it's a Friday
the fifth, I thinking, isn't it. Yes, that's right, if
anyone that wants to tune in, I put out the zoom link on my
Facebook page and I've got a lot of reaction about that already, so I
think that's going to be well attended. But the main thing that was my
passion about the Stonehenge book was looking at the different types of people that constructed
Stonehenge, the Neolithic people and the Bronze Age people. I've mentioned to you
before, David, that the Neolithic people were quite short, they had long
skulls, they had their ear placements in a different different place as well,
so it gave them kind of a bit of a mythical look to some regard
and they seem to be the ones and the aDNA by doctor Ian Barnes To
suggests that that is correct. The ancient Britons, they don't call them long
skull they just call them The ancient British Neolithic had a different DNA to the
Beaker culture. Now, the Beaker culture came to Britain from the continent in
around two thousand, five hundred BC Orthodox dating. They had very round skulls.
But one thing that they both have in common except that the Bronze Age
Beaker culture were very very tall. They were towering above the Neolithic. But
they both practiced cranial deformation. Now you have originally a long skulled person,
because I discovered two types of long skulled people. The first type has a
natural long skull and then they extended through cranial deformation through put in boards,
probably against the side of the skull as it were. Once you do that,
I don't think the baby skull is quite pliable. It wouldn't it wouldn't
hurt at all, but it does leave scar marks down each side, and
they're noticed by anthropologists, for example, and they were the elite, the
ruling elite at places like Avy Stonehenge and all across the British Isles and on
Orkney, it was just the women that had their cranial deformation skulls extended.
When it came to the Bronze Age, the much much all a Beaker culture,
they also practice cranial deformation to make their skulls look even rounder. All
of them have particular scars that say they have had skull manipulation. For instance,
But when we go back to Stonehenge around about two thousand, five hundred
BC, let's say Stonehenge in its Pristine era, it didn't look like the
Stonehenge that we see today. For instance, it's been noticed by Professor Mike
Parker Pearson that the stone at Stonehenge was buried originally. So imagine the ancients
were looking for buried sars in stones to erect at Stonehenge for Westwoods not far
from Marlborough in Wiltshire, and they did that because once a sas in stone
that's really large lintled stone circle and the Trilathon's at Stonehenge. Once that sasin
stone has been exposed to the elements, it forms a really hard crust that
makes it being shaped into a lozenge shape quite difficult, so they chose this
beautiful sasin they'd never seen the light of day. And then it's a slightly
pinky silver color. And recent analysis of the trilathons has shown that they were
orangey and purple in color as well. There was a bright, vibrant looking
stone Stonehenge, and originally I believe it had two olter stones, not just
one, because if we looked to the first archaeological report, it said by
Inigo Jones. He was the royal architect to King James, the first King,
James the sixth of Scotland. He said that when he was excavating Stonehenge,
and he was the first person in which to do so, with the
King's boyfriend, the dashally handsome George Phillians, the Duke of Buckenham. He
was married to Queen Anne, but he did have George Hilliers as a lover.
Yeah, exactly they were. They were digging at the center of Stonehenge,
and Inigo Jones and architects said, he even explains the length of the
stone, the second old stone. They even told us where it went.
It got carted bean put on a horse and cart and it was got carted
way to Saint James's Palace in London, stolen by royal decree by James the
first. Now that stone was still being looked for in the nineteen thirties by
William Cunnington Junior, but the rural door was slammed in his face and they
said no stone exists here. Other researchers believed a report that was out about
five years ago saying that the second alter stone had been found at Berrick Bassett,
Berrick upon Bassett, that's not far from Stonehenge. But they were a
different stone and they were limestone. And the chap said he was a worker
at Wessex Archaeology. He was, but he was working in the kitchen.
He wasn't an archaeologist, and he just wanted to make headline news. So
we put two stones at the altar as the alter stones at Stonehengd. I
found evidence in Richard Atkinson's excavation at the center that he found shards of a
much darker form of sandstone that was an alter stone there as well. So
I think one was a light shade and one was a dark shade. But
just for your listeners as well, the alter stones were jeweled Stonehenge. They
were green sandstone flexed in red garnet and white mica. That's what Stonehenge looked
originally, highly polished stones. Today we see them as gray and weathered.
But originally it would have been a sight to behold. It's all sighted behind
a very large henge bank, so that when you approached Stonehenge you just wouldn't
see it. Yeah, I remember as a child. Actually, I'm sure
we used to get excess. You could just walk in in among Stonehenge,
but you can't do that because it's all fin sed off. Yes, it's
been fencedaff really since about you know, more predominantly since about the eighties,
because of the festivals that were being held there. They wanted to stop those
festivals being held. So that's when the trouble started and security had to be
up unfortunately. Yeah. I mean, what are the similarities between the ancient
Britons and the Egyptians? For instance? How did they actually why did these
similarities come about? I mean they obviously didn't know about each other. No,
but when we look to the finds in the round barons, which are
later in the Bronze Age and the Neolithic, we do find beads from ancient
Egypt, so there was definitely trade in occurrence that was happening. We can
say that these two cultures were aware of one another. And when we look
at the skulls and we look to our Canartum era Queen Nefertiti, King Tut,
etc. Their skulls are very similar in the extended form, especially when
you put them side by side. But if we go back even further to
predynastic Egypt, let's say around three thousand one hundred BC, for example,
they had what's called retainer burials, and that's where the pharaoh would pass and
then willingly people that were alongside the pharaoh would go into the tomb as well,
and that certainly was in occurrence. In ancient Britain, they too had
retainer burials, where it seemingly that the royal elite that had the extended skulls
went into the long barriers, and contemporary with that were much shorter, long
skulled people that were probably more of a lesser class, it's believed than the
much longer elongated skull. So you had a hyper elongated skull next to a
lesser elongated skull. All of that same era, around about three thousand one
hundred BC, retainer burials stopped in Egypt let's say around two thy nine hundred
BC thereabouts, and the same thing stopped a Great Britain as well around about
that time. So we see very similar cultures that are adopting similar burial practices
or be it in different tombs and in a different culture. But I think
there's very very closely tide links. Have you got any idea why they would
want to illugate their hits that they their skulls, Basically because a lot of
people probably listened to this show, all these paranormal shows, would actually suspect
that it's because of an ancient alien aspect that comes into it. It could
be an ancient alien aspect that comes into it. It could be that they
wanted to appear similar to a divine being. It could be that they wanted
to appear different to the other people and they wanted to be the rule in
elite, or it could be a combination of both. There is no written
records in ancient Britain to describe any of this, so it is really up
to interpretation. Hmm, yeah, that's right. I mean, as I
say, I go along with the ancient alia theory. I do believe we
were visiting in the past and probably still are. But I know that's not
really your your avenue. You're more interested in the history of well, I'm
interested in ancient civilizations. I have seen a lot of UFOs in this area,
and I've had a lot of you know, paranormal experiences myself. But
I do like to think that there is a much, much older ancient civilization,
probably stemmed from Atlantis, that influenced this country as well. Because when
we look to the work of Lewis Spence, he was writing, you know,
around about the nineteen twenties or thirties. Yeah, you don't. You
don't mean the gay Dancer. You mean not Lewis Spencer, Lewis. That's
that's all good, that's that's funny. But yeah, he was saying that
they two had elongated skulls, they two built pyramids, and they too practice
the cult practices. So again we're seeing similar cultures. So I see the
ancient Britain's going way, way way back. And also in a recent archaeological
find in this area, the archaeologists have found a very significant shamanic burial of
the artifacts such as balls, teeth, and a whole load of things in
a spring that dates to eleven thousand BC, so we can even say we
can we were really starting to put the time back and there's going to be
an archaeological dig there this year. So again, where did these people come
from? Was it Atlantis? Was it from ancient Aliens? I keep a
very very open mind, I really do. I may well have asked you
just before, but you say you've seen Europo was in the area. I
mean, have you had any recent experiences. The last experience I had was
probably about a couple of years ago, and it was when we were coming
back from London on We've just come off the form motorway heading towards a place
called Hungerford, and a huge light was traveling exceptionally fast and just whizzed right
across the top of us, for example. But it was very bright because
it made a light on the ground as well. And that was that was
in a forest. We're heading towards what's called Savnac Forest at that time,
so it was like in a bit of a clearing before you head to the
forest. Wow, okay, on the look out for them. Your book
has got a really fantastic cover. I have to say, it's a very
ill, really exciting cover. How did you come up with the idea from
that? Well, I had some help for I wanted because there's a lot
of lunar alignments at Stonehenge and some celestial alignments that I discovered. I wanted
it to have a feminine feel as well, because it's like being masculinized.
A lot of the ancient sites have become like masculine and it's always men depicted
around them. It's the men that's doing the work, and it's the men
doing this, and it's not like that at all in the ancient world.
Like I said, I discovered all of the shield maidens, there were female
warriors. It wasn't just a gender less a gender experience. So I wanted
it slightly feminized to just to say that the women at Stonehenge were having significant,
significant roles in lots of different aspects of daily life as well as well
as I believe that an architectural life. Because many years ago there was a
master dowser called Tom Lethbridge, and he looked into if you bang stuffe and
you make a dynamic shock, as he called it, in imagine those stones
at Stonehenge lozengers state, and they've been mauled and banged into that beautiful smooth
shape, then they've been having that thermal flock, as left Bridge said,
and that leaves behind your bionic charge. And if a male has banged that
stone, it leaves behind a male charge. And if a female has hammered
that stone into shape, it leaves behind a female polarity charge. And he
was very accurate at this because he was a Cambridge archaeologist that used dowsin to
check for the gender skulls before they were excavated, so he was very good
at bionic charge. And when I tested Stonehenge out for all of the bionic
charging of the particular stones, women played a greater role than men in the
stones. But if you look at any book that's depicting work at Stonehenge,
you only see a woman carrying a basket of rubble in any archaeological book.
Is shocking. Yeah, his father. That kind of reminds me of when
I went to Avebury with Hugh and Andrews Edrew Collins just in September last year.
They were apparently they were mentioned that the sexuality connected to a lot of
the stones there well, absolutely averury is that wasn't noticed by those. It
was much much earlier than that. It was Alexander Quila in the nineteen thirties
that said you had a female stone and a malestone. That's where that comes
from, and that's what he claimed. But if you look also close at
the Avery stones, they are very sadly carved for faces as well. You
can see a lot of faces, and that was discovered in the nineteen nineties
by Terrence Meadhan for example. So I think, you know, Alexander Quilla
was onto some thing, but I think there's more to Avy than just the
male and female stones. But I'm talking about a biolic charge, not what
Keeler said that a particular shaped stone is feminine. Do you see what I
mean. I'm all about the person that charged that stone and that's what gives
it its power, that's what kind of influences how that stone would be used.
And for instance, from my legacy archive of the Trilothons, that's the
inner huge stones at Stonehenge that are two stones with a supporting stone on the
top. That's a trilothon. Intriguingly, the same creator that was at the
dig I mentioned earlier at the Henge Bank. He was there every single day.
He was the creator, he was a guide, He was the custodian
of Stonehenge, widely respected by all of the archaeologists around. And he noticed
one unusual thing about trilithon fifty one and fifty two, especially the stone called
fifty one. Must be the geeks out there that really liked the numbered stones.
Look it up on the outside place of that Originally up until nineteen fifties,
there was a very very deep hole. It was two feet deep into
that huge Sassin stone that the trilithons together would probably weigh about seventy or eighty
tons. And every day, even in a drought, that hole filled up
with pure fresh water, and people were trying to figure out where's the water
coming from. Is it coming from above? Is it condensation? No one
could figure out where this water was coming from, but people in the area
cottoned on to the fact that it was healing water, and they used to
go there to cure their exma, to cure Lots of different ailments and queues
started to form, and that's when the then Ministry of Works, a government
department. Today it's English Heritage that are now caught. Historic England that managed
Stonehenge and Averbury. They decided that that could not carry on and they filled
that hole up with concrete and plastic and said no water ever it is.
It is a crime. That's just one of the crimes of Stonehenge. Another
one that is hardly known at all but came to my attention about five years
ago, is that there was another trilathon now because that didn't fit the model
that William Stukeley drew in seventeen twenty four and twenty five, and it didn't
fit the model of John Aubrey. John Aubrey questioned how many trila fons there
he was at Stonehenge in the sixteen hundred and he was saying how many there
is it? Five? Six or seven? Questioning and he sketched it all
out and said, I'm not sure. Basically, William Stukeley comes along said
there were just five, and it has been said there's just five ever since.
But previously to that in sixteen twenty four Inigo Jones that I mentioned earlier,
the rural architect Kings James. The first he drew at a six.
He through his sacred geometry, he thought there could have been six and want
stone setting that looks highly likely to be the sixth Trilithon has been purposely buried
just outside of the monument, So why don't we erect that least clear it
away and say where did that stone setting go? In my model of Stonehenge,
I show you where I think that that trilathon would go, and it'd
be very very close to what Inigo Jones said. And even on a program
that was the on Channel five I think it was on Sunday with Dan Snow
talking about Stonehenge, he even puts that model up for you, but he
just doesn't talk about it. Now Silbury Hill, which is not too far
away that often gets covered with water, there's any connections to it. Silvery
Hill was originally all white, smooth chalk, and it has a chamber on
the inside that is little known, very close to the entrance, and that's
probably initiation chamber. The moat surrounding it was continually full of water according to
the archaeological tests that he'd been done in that area. But more than that,
I discovered something very significant about Silbury Hill. A colleague of mine called
John Cowie that wrote about Silbury Hill in connection with extraterrestrials. He did a
lot of research onto the original ground surface level, and you have some flints
and artifacts that go back to twelve thousand PC. But the archaeologists going back
to the same date as ancient sites in Turkey. Okay, so we kind
of think, oh, it's only two four hundred and eighty BC, according
to the mound expert Jim Leary. But here's the thing. Imagine now that
it's all whites moved off and it became flat on top. Only in the
kind of Norman period it was sliced off on the top to make it a
bury. That's a place where you can see your enemy approaching. The Normans
were here and that was their lookout, and that's why it's steamingly flat.
But originally it was quite mound shaped on the top, more kind of like
round conical shape. We did some tests of the electrostatic field at the bottom
in a control area and at the top and it was thousands of times greater.
Now, if like the Great Pyramid of Geezer, according to John Michelle,
the pyramid had a gold kind of like spike on the top if you
will, and if Silbury have the same, but in copper, not necessarily
have gold. Copper is a very good conductor. Then David Webb and engineer
and myself, especially David with David's engineering background, calculated that the build up
the electrostatic field in the evening would release itself as a blue haze around the
top of Silbury Hill. Now that's been photographed. It was photographed by a
circle maker in the area. He won't let me use that photograph, but
I've done a replica in photo shop for it, and so it does release.
It's disturbed. Now it's a very very disturbed, but in pristine condition.
We think the electrostatic field build up with a copper rod at the top
would have definitely released a blue hazes. It would have been lighting up the
dark. Well, that's really interesting. When any were listening to this,
you actually wrote a little book in your Averbury Sun Mood and Earth Energies on
Maria Weeky and Bussy Taylor and you can get it and it on Amazon,
not on Amazon Amazon of Bamily. Oh that's right, I'll remember that.
I'll remember that. Yeah, don't forget. They take sixty percent from me,
the more Bony took thirty five percent. Yeah, I remember you saying
that last time. Yeah, no, please go to my website, the
Avebury Experience dot co dot uk or my landing page which will take you to
all of my websites. And that's just very simple to remember. Maria Wheatley
dot UK. That's right. Well, I'll put links on more Paranormal Dimensions
page again as well. You've also written another book about divining ancient sites,
which is also going to be available from you on your site. Yes,
I mean my books do really really well from from me because I am not
going to pay Amazon sixty percent. Abury Some Moon is now a best salon
the case. I'm really proud of that book, and it covers all of
the earth energies at Avebury, and people like Hugh they employ me on their
tools because of my knowledge about Averbury, and so I think, you know,
it's been a beautiful journey with that first book, the book that I've
written. Now, I would just like to point out that I have written
for English Heritage since twenty thirteen. I've contributed to their guidebook and I produced
two other guidebooks and a poster for the Stonehenge Shop, and I have supplied
them for ten years. I've got every single invoice to prove that actually that
I've kept. And since I've released The Secret History of Stonehenge, they have
banned all of my books. And like I say, I've sold that for
ten years, for a decade, so I know I'm on the right track.
I know that I'm releasing the right information to be again banned for you
know, writing the truth. Yeah, Oh, isn't that's terrible? What
do you see the reason for that? The reason I think is because I
really put back the time span as well. I think a Silbury Hill was
twelve thousand BC, contemporary to all of the early sites in Turkey and elsewhere.
I also think Stonehenge Phase one was much much earlier as well, probably
going back to eight thousand BC, if not before. There is evidence from
Professor Tim Deville when he was excavating one of the bluestones and he found the
Holy Grail that's carbon and he had it carbon dated and it came out as
eight eight hundred BC or two thousand and five hundred and they chose the date
that fits the history books. But now we've got a much better dating system.
It's called optical stimulated luminescence and that's where you put kind of like piece
of wire. I'm going to simplify the process, like a piece of wire
probing down. He goes right the way down to the old surface level and
it can tell you when the last amount of daylightight hit that surface level.
And that's how things are going to be dated in the future. And I
think that's going to really be a game changer. Yeah, Robbert, you
think that the people conserve would like to hear, to know the truth,
and not to try and hide you. That's what I don't understand. I
think the older archaeologists are like that. The younger ones are certainly not.
They are very very open minded and they allow a lot of different people to
train with them. Now I've just finished my training in lidar interpretation because I'll
be looking for sacred sites for archaeologists, for instance, using that latest technology,
and LIDA can go through stand in Egypt and reveal lost cities. It
can go through trees in the Amazon for example, and in lost settlements and
lost city and the whole of England now is going to be liedre because a
lot of it's going to go to reforestation. And before it goes to reforestation,
you have to find out the schedule monuments that could be potentially beneath that
ground. But I'm going to take the lidar one step further. I'm going
to be looking for particular organizations that are interest in UFO crash sites. I
know how to detect different crash sites, you see. So if somebody said
to me that's a liedar, I think I can start to prove that something
very significant happened in that area. If I have the lidar that I can
interpret, well, that's sounds interesting. You have to come to render f
Forest sometime. Miles and I are doing a tour to Rendalsham Forest. That's
Miles Johnston from the Basis Project that some of your listeners may know. Will
be going there or May the twenty fourth and the twenty fifth, and we're
going to be doing dowsing of Rendalsham Forest and then we're going to Satin Home
the following day. May the twenty fourth. I made the twenty fourth and
twenty fifth, or the twenty fifth and the twenty six it's the last I
shall be in the US then I or have been over the other wise.
Yeah, no, it's going to be it's going to be very interesting and
Miles has got all the information about Rendellshop three nineteen eighty, all of the
activity from the nineteen seventies which a lot of people don't talk about. I
imagine you'll be catalog in there and then maybe some YouTube videos and things to
go with it. Yes, Miles will be doing that and that would be
interesting. And we've also got a Basic Project conference on June the sixteenth,
fifteenth and sixteenth, might be talking at Megalithmania on the fourth of May and
the fifth of May. And also my own conference, Mysterious Universe will be
on September the twenty first and twenty second. So there's a lot of conferences
around that will really be looking into all of these different types of mysteries and
I'm proud to be a part of them all. Yeah. I was actually
going to mention your conference at towards you, but as soon as you've mentioned
it now you're also the day after you're going to be doing a tour of
the Rollright Ring as well. Yes, and I've got an expert on Stone
as well. He's from the Museum of Sussex. He's also a very knowledgeable
person on all of the myths and legends and folklore, modern day folklore as
well, you know, UFOs and different types of stories. And he's going
to be leading that tour with me, and I'm going to be doing a
lot of dowsing there as well and looking into the earth energies because I've been
interacting with role rights since the eighties, you know, I know that like
the back of my hand, I see where a lot of dowsers go wrong
there. I see where a lot of dowsers go right there. To be
honest, I don't need a doubt done it so many times, so,
but it's always a pleasure to take people to these ancient sites and to tell
them the different types of energies that are produced by the shape of a circle
alone. A circular shape, whether it's you know, an occultist circle of
salt or a stone circle produced is what's called form nergy. And form energy
is like concentric circles going within the stone circle and slightly outside like ripples.
If you put a pebble into a lake, for example, it's called form
nagy, and that's what magicians use in a circle cast of fault, for
example. So all of these stone circles can help in manifestation on the very
occult level to do with metaphysics imagine, so that there's so many different levels
and stories to be told about stone circle. M You've wrote a really nice
little book about it, a new view of the Row right Ring, exploring
lay lines and Earth energies, and within that book you describe about dowsing rods.
Basically is that there's a short term dowsing rod of course inside of it.
I was lucky enough to get an obtain a pair of dowsing rods from
you back in September was September August wherever it was, and unfortunately I've known
a chance to use a properly yet well I'm hoping to very shortly. Well,
the great thing about stone circles, if you've got form energy, which
is an Earth energy, it's generated by the shape of a circle. Then
you've got a stone circles what's called aerial energy, and that's the energy that's
coming out of megalethe They formed cross shapes and concentric circles on the floor and
many different things besides, So that's aerial energy, and then you have earth
energy that you can douse as well. So there's many, many different forms
of energy and sometimes When people go to these places, they pick up on
the energy, but they can't interpret it. That's where a master dilser comes
in and can say it's this, it's that, that's aerial energy. That's
grid line, not a lay line. Because all grids point into particular directions.
So if if I'm on a line and it's northwest, that's probably going
to be the carry grid and not a lay do you see what I mean?
Because it's that direction. So you can start to decode places. And
that's what I'm doing a lot of in places like America at the moment,
for like New Bills A. I've also got an agricultural experiment I'm hoping to
start in America where we're using the template of how to grow and enhance crops
using earth energies. Because it's a fact that prior to the nineteen fifties and
the advent of fertilizers such as nitrogen, you know, placed on the land,
nobody could beat the harvest yields of the late Bronze Age and the early
iron oge per acreage, it couldn't be beaten. And when I started to
look at why is that fact? And that's an experimental farm in Hampshire.
They came out with all of these facts, and so I started to look
into it and noticed that the ancients were repeating a different type of template across
the landscape. And you only repeat something if it works, You're not going
to repeat a mistake. And I noticed that they were looking for particular types
of earth energy and avoiding particular types of earth energy because, like I said
earlier, with a carrying out and with particular types of earth energy, they
could be quite toxic. Animals don't like them, and certainly crops wouldn't like
them. Think he interests me about the dolsing rods. You know they're used
also in spirit communication. Yes, yes, I've used them that way.
Now, how do you know the difference between earth energy and speaking to spirit?
Is there a way to till? Yes, there is. It's very
easy because each type of Earth energy emits a particular pattern in the earth.
So, for example, if you're dowsing underground water that is groundwater, that's
water that's fallen from the sky and filled up the streams underground and the lakes,
the a prefers, et cetera. That's called ground water, and that
admits a particular type of pattern. Now a track line, that's another form
of earth energy that again has a particular pattern, and so on and so
forth. So if I pick up a particular pattern, then I know what
that type of energy is without even using information dowsing, which can be very
inaccurate. So most master downcers know the patterns that the land produces to be
able to interpret that. Right. But someone myself who's not a master dowser,
can I get incorrect reading thinking maybe speaking as a spirit, but actually
fact I'm picking up on an earthqued or something, yes, or you know,
sometimes that type of information dowsing can be quite inaccurate. So it was
Tom Graves. Actually, he wrote and Needles of Stone. I think I
read it so many decades ago. I'm sorry if I've done a discus justice
to that title. That's what I think. But he noticed that if you
ask a question, you know, and you're communicating, you can be really
led and marry dance. So he came out with the technique. It's called
the Hermes response, and the Hermes is the trickster of the universe, like
low Ki or Mercury. It equates to so each time you ask a question,
you don't know if that's true or false. And this is what Tom
Graves notice. So then you ask if that is the Hermes response, and
if you get a yes, it's a lie, it's not true. And
so a lot of people do include the technique of Graves to really try and
unravel if you're being led of Mary Dance or not interesting. I must practice
a bit more with that. Now, that's all it takes practice. Yeah,
I guess that's all that. Yeah, I'd need to go on a
few to a few sites of old churches and things and try it all out.
Am I correcting saying you've been to Egypt recently? Yes, I go
to Egypt once a year with Kerry Cassidy. She does a radio show and
she's quite well known in America, the Camelot Project, Camelot Project, Camelot.
Yeah, yes, and yes. So I've really started to decode a
lot of the Egyptian temples in terms of earth energies and like we've been saying,
aerial energies, and also in terms of mathematical ratios they're equate to musical
harmonics as well. I've done several courses of late in sacred geometry, and
so I can look at sacred geometry within places now and I'm actually doing a
course on May the eleventh and twelfth with the top sacred geometry expert Daniel Doherty
in Avebury. So we will be doing a lot to do with sacred geometry,
and I'll take you around the stones and show you the sacred geometry of
the stones that I recently discovered, and again that's in my latest book.
And so there's all of these different different levels that we can look at within
a stone circle, and in Egypt it's not been done. The only things
that have been looked at in Egypt are things like the on vortex, the
lay lines, and and that's where I come in and I can look at
it completely differently to other people. And that's what I'm doing. I'm really
looking at ancient Egypt and particular temples and what are they associated with, what
energies make them unique? And that's going to be my next book, downs
in Sacred Sites worldwide. Have any new discoveries been filmed around Egypt around the
Sphinx and everything? There's I think again, when we start to use lider,
that's going to be the real real game changer, and that's going to
allow us to see a much, much wider part of not just places like
Egypt, but far far beyond. And there's numerous sites been recently found in
Great Britain alone, and the only reason we don't really hear about them is
because an archaeological report needs to be written first so that you know they analyze
all of the material when it comes to places like ancient Egypt. I don't
think it's just the discoveries will be in mortar and what's left behind. It
is going to be in terms of the sacred geometry and the musical harmonics there
in the Secret History of stonehenge, I decode the sphinx term all that stands
in front of the sphinx, and look at that in terms of sacred geometry,
and it corresponds to the pentacle shape in its reverse mode and it's upright
mode, and that's a form of sacred geometry. And I look at stonehenges
geometry as well, and so like I say, it's layer after layer.
It's like looking at an appealing an onion and get into the core right in
the middle, right at that center. Yeah, and with Andrew Collins and
correctly TEPPI, I think he's been finding some new discoveries recently which seemed quite
exciting. Yes, yes, yeah, have you been involved in there?
No, I haven't been involved in that, but Kerry and I are definitely
going to go. And I've been sponsored recently and commissioned to do remote dowsing
there. So I'm starting to do that because I've doused in sixteen different countries
now, and I would I think I'm one of the most advanced dowsers because
of my lineage, because of how long I've doing it. So yes,
I'm starting to decode a lot of places in remote dowsing and it is quite
spectacular. But again, I then have to back that up by going there
and having a look at the fight, and then I give that to another
master dowser that goes blind. I don't tell him what I've discovered, and
they do some remote dowsing, and if the two match up, you're onto
something. One dowser alone can make mistakes in remote dowson, and any dowser
that won't admit to that is not being truthful because we can all make mistakes.
Yeah, sure, it happens, and so it's always good to have
a backup. And I'll be going to Barley as well to confirm some other
Dowson there hopefully in the near future. Oh well, some amazing places,
but they're qubecarly tiffy that I mentioned it's in Turkey. In case it one's
wondering, were these Yes, and I don't think that's one of the oldest
sites now. Like I say, if we look to our own landscape and
we look to John Cowie's information about Silbury Hill, that matches that site,
it's contemporary with it. But because we're in England, we say, oh
no, that can't be. We have to go to places in the east.
I think, you know, in the near future we're going to turn
everything around. Like I said, there's been some really good Mesolithic fines in
the area. Bioarchists are way way away putting the date back to ten thousand
BC as it is now. I'll go, you can mention something else here.
You know, well throughout the world has been found these obelisks recently.
I don't know if you've seen them on YouTube or on Facebook or whatever,
but the giant metal obelisks which we are seen to be appearing, do you
know much about them? I'm not saying you're doing it I'm just I'm just
wondering if you've got any ideas about where they're coming from. Well, where
they're coming from, I don't know. I don't know who would like claim
to those. I've seen a few on social media because these strange areas,
aren't they remote areas where you know, you'd need to really be tracked to
get there with them. Yeah, and to put it up alone, to
erect these things, I mean, it is a construction job. It's not
what one person can do. But once you have an obelisk in place,
you can really generate aerial energy. Because what happens with an obelisk of stone,
of metal, or even a totem pole. Yeah, let's say you've
just got something rooted into earth energy. It has long long been noticed that
that will start to absorb the Earth energy, especially if it's like a conductive
material like a crystal lattice in a stone. Metals are highly conductive as well,
obviously, and it can kind of draw up, if you will,
the Earth energy and then it can start to transmit it. I did some
recordings on that with Rodney Hale, and that was my idea in which to
do so, because I knew that aerial energy could be proved. I truly
did, because I had been dousing it four years. So these obelisks,
you could have an obelisk in Egypt, for example, let's say a standard
obelisk that's been put up by the ancients. You could put a new obelisk
up and they are add in terms of downsing to be able to communicate to
one another. You have what's called cross talk communication. It's a downsing phenomenon,
and that's where one type of monument communicates to another one. So if
you wanted to change the energetics of ancient Egypt, for example, or you
could place an obelist somewhere else and you could pull that energy away from that
place. Do you see what I'm saying? Yeah? Sure, yeah,
And I'd like I say it's a known phenomenon called cross talk. M did
you see raises questions now? Were you saying that? As even more now
has to what these objects are and where they're coming from. And in case
anyone out there doesn't know what I'm talking about now, I think it's an
arizona. They found one, it was in a quite a remote area.
I think recently they've found one in Wales, I'm not. I think they've
found a few more scattered around the world, and there's been a few theories
or alias leaving them there for some reason and for what you've just been saying,
they could will be the case. Well, I mean it's been known.
Even if you take an obelisk from somewhere like Cleopatra's needle, for instance,
that's been put on neutral ground. Marter dowsers have noticed that for decades.
It's called neutral ground, meaning it doesn't really have auth energy there because
they want it to do something else. Yeah, use and that can act
and that can then communicate on a particular it's called a cardinal rain. If
you imagine a cross going through the land produced by an obelisk or any object
that's above ground, like a standing stone, it produces what's called cardinal rains.
And if you want to know more about those, I write about that
in the Essential Dowsing Guide. And that will bang straight cross talk to the
next one. So you don't even sometimes need a energy in the ground.
You can have what's called cardinal rays. And that was first observed by metal
objects like the ones you're describing in the nineteen thirties. That's how long.
This phenomena has been researched in dowsing terms. Yeah, I mean these obviously
what we're talking about they're about are about twenty feet to all. It was
all so yeah, I mean the smooth metal. I'm not sure what the
metal is. That's that's what The first tests on cardinal rays were done on
metal kind of poles, if you will, round about twenty to thirty feet
tall, and they erected some very simple, you know, like poles,
not a huge obelisk or anything of worth or merit like that. But that's
how it was realized that these were communicating to one another, to a linear
band that they produced called a cardinal ray. It's just called that in dowsing
terms. But it's quite high energy and you change the dynamics of place with
that as well. Mm. Yeah. It's just it's a puzzle because you
don't see it mentioned on mainstream media or anything at all, you know,
and you think you'd be a big story, wouldn't you. Where are these
big metal things coming from? It could worry some people, And I think
the media is not telling the best of stories at the best of talk anyway.
And I think you know, it's about let's tell people what they should
hear rather than what they should hear. Yeah, I agree anyway. Anyway,
so once again you've got your big event in September the twenty twenty.
First, Yes, the Secrets of Stone. Now I would have liked to
come to that. Unfortunately I already put to go somewhere else. Again,
not to worry, it's not meant to be, but it was very popular
last year. I think we're getting really good figures and people in attendance to
all the other conferences in this area, and I've only been going a few
years, so I'm really really thrilled that this year we've got the emphasis on
stone and the secret properties of standing stones and all different forms of stone as
well, from crystals to you know, granite, the sarcophagus inside the King's
Chamber. We're going to be looking at all of these different types of stones
and understanding their metaphysical and their physical properties. Yeah, I've got the thing
booked called the Festival of the Explained, which'll we're going to for that weekend,
which is unfortunate because I'll check my calendar. I saw that they thought,
oh damn it, but we have a nice revenue. Are David,
I will try to. I'm sure we will do. But if anyone is
interested in tickets for that, where do they get them? We'll just go
on to my website, the Avebury Experience dot co do and you'll be able
to literally see a banner on the home page that says Mysterious Universe. You
just click there. We can go straight to an event right and put in
the Mysterious Universe there. And we've got a coach trip that's filling up quite
fast. We lay on a bigger coach trip to other megalithic tours. We've
got a thirty plus seater one, so yes, so that should be really
good and I'm really looking forward to it. It was very well attended last
year when we went to World's Cathedral and Stanton drew the second largest stone circle
in the world, so we have a great time there. So it's really
interesting, really exciting. Well it is. I was hoping to see you
awaiting this year, but that's been canceled also, Yes, unfortunately it has.
So we're I'm going to see You're not sure, not quite hopefully we
were bumping to each other at some point this year. I need to get
your book at some point, so that's to try and drop by and get
a signed copy or something. But anyway, thank you so much for coming
on here. It's been great talking to you. Well, thank you for
finding the time again on this very special show number two hundred. Again.
I'll just rub that in, just rub that in a little bit again.
So maybe you'll come back for show three hundred, will you? Maybe before
that even that would be great. Thank you David. It's always a pleasure
speaking with you. You run a great show. Thank you for having me
do my best, do try. It's all down to the guest. I
can guarantee that. But again, thank you so much for coming all fine
at the time and so great to talk to you. It's been a pleasure.
No, thank you really, no, thank you really bye bye,
Thank you we are That was Maria Weekly. Maria is always welcome on this
show. It's fantastic and I highly recommend getting her book, which of course
is the Secret History of Stonehenge and Cesstral Mysteries and Lost Civilizations, or we
will be putting linked as I said on the Paranormal Dimensions page. Okay,
my next show, which is going to be next week, we'll a bit
of catching up to do. So the show that's going on next week should
have been this week and that's sir gentleman named Wayne sedonw Wayne's written a few
books and he also runs a company called spookan Or who do paranormal investigations.
So we should look forward to having Wayne on the show, and that will
be show number two hundred and one. That's a special extra of course.
As always, if you'd like to get in touch with me, my email
address is David Young two QN at yahoo dot co dot uk. That's David
Young two QN at yahoo dot co dot uk. So on to the next
show, which is a twenty ninth and April, and that's Wayne Seedon making
out of that one and I will speak to you then. Take care of
everyone, Try not to catch the cold that I've had. By bye,
go to bed, all right, it is late, shall we retire.
Paranormal Dimensions is as bright and powerful as our celestial starves up. And although
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